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Two Worlds, One Wish Full Türkiye Movie 2025 Part 1

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One wish bound Bilge and Can forever. A love that lives beyond time. Two Worlds, One Wish is coming to Prime Video on November 25th.

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Transcript
00:00An amphora was stolen from an excavation site sponsored by this company.
00:15The investigation's a secret though.
00:17Please can you look into this man, Eren Yava, as a matter of urgency?
00:20Look into the company too.
00:22Check if there's anything that seems abnormal.
00:24If there's any missing people from the area, missing vehicles, investigate everything, Ipek.
00:28Er, of course, Miss Bilge, but I'm worried we'll run out of time with our trial coming up.
00:34And I'm confused about who's getting divorced at the company.
00:37There's nobody. Channel the, er, criminal lawyer in you.
00:41No problem. Explore out there.
00:44Okay then, see you later.
00:58The artifact's value is over $10 million. The latest police intel says archaeologist Jan Tarun had a connection with the suspect involved with the theft.
01:07Before he departed, they texted him to be careful and ensure that the woman with him wouldn't get hurt.
01:12Since the message was sent before the accident, it wasn't planned at all. The plan was to steal the amphora.
01:20I mean, the phone was taken, message sent, at the site by someone.
01:25So, Jan Tarun wasn't involved? Is that what you're thinking?
01:29I'm not thinking, I'm certain. Anything else that you know?
01:33Er, Jan and Yasemin's phones were found along with another one. It has the number that Jan texted from.
01:38But it's a stolen phone. Nothing on it apart from the number.
01:41Of course. It means whoever stole the vase was panicking because of the accident and dropped his phone.
01:46He must just be a pawn. Such an amateur.
01:49Yeah, he's a pawn. The number. Where's the number?
01:52Yeah, it's just here. An identity can't be confirmed.
01:55The investigation can't continue because Yasemin Williams, the passenger, hasn't been particularly helpful.
02:00Jan is in a coma and it's uncertain whether he'll wake up.
02:03He's going to.
02:07So, which side is your client on then?
02:09It's difficult.
02:13Anything else you found?
02:15I looked at other files around the excavation site as you asked me to.
02:18I mean, in the area there's only one other complaint. But it's not related to this case.
02:22What about?
02:23So, a woman from a village nearby the excavation lost her husband.
02:26He was missing for three weeks and only called saying,
02:29I've met another woman and now I'm finally having a good time.
02:32Look, he even sent a photo to her without any sense of guilt.
02:36But this affair's not even his first one. He was also involved with someone else from the village before her.
02:41Well, this time it looks better. Look at the ceiling. She's got him living in a palace.
02:45How was that one resolved?
02:47She went to the police. The man answered his phone and said,
02:49I left home, don't call me again and hung up on the poor woman.
02:52Not the best outcome. I'm making coffee. Would you like some?
02:55No, thank you. I'm going to leave in a bit, if that's okay.
02:58Sit yourself.
03:02How are you doing?
03:09If you don't mind, it's quite late, Miss Billgate, and I should go.
03:12Sure.
03:24What makes you so sure about this?
03:26Sorry, what?
03:27Zhang Torun not being involved.
03:30I believe him, as I feel like I know him. And that's my job.
03:34He digs for history, and I uncover what's going on here and now.
03:37I didn't know you knew him. I'm so sorry.
03:41Have you been to the hospital at all? How's he getting on?
03:46He's doing well. He can do it.
03:48Goodnight, then.
03:49I'll see you out.
03:55See you later, Ipek.
04:07I didn't think you were coming.
04:16I came, but to change your mind.
04:19Billgate, you shouldn't be involved.
04:22Why?
04:23I'll be nothing but trouble for you. I'm sorry.
04:27I should be apologizing.
04:28Why?
04:30I'm the original troublemaker, according to what you've said.
04:35What a beautiful tree.
04:38It was a good use of time.
04:40But it's not quite finished, is it?
04:44I left you your bit.
04:47Maybe you'll get to do it when you come.
04:50I need your help with this.
04:55If you're trying to reach loved ones you've loved and have lost,
04:59it's not my speciality.
05:01It's not really something I do.
05:03Ah, so you do get it.
05:04Not such a bad idea, by the way.
05:08Billgate, forget it.
05:10Don't even go there.
05:12I'm prepared to.
05:14I mean, it's my dream.
05:15I'm not convinced.
05:16John, they're using you.
05:18I know.
05:19Framing you.
05:21However, what will they do?
05:23Put me in jail when I die?
05:24Or escape anyway?
05:28But what does bother me is leaving my mum and dad to have to deal with that reputation.
05:32That's why we need to solve this before you're back with us.
05:35But there is a slight problem, because it's worse than we thought.
05:38The police found a text sent by...
05:40Mm-hmm, and it was sent from my phone, I know.
05:43And I also know it was from somebody else on the team.
05:47And you know it was Erin.
05:50Erin liked Yasmin, which you also knew.
05:53And it was your phone he used to message as he couldn't use his own phone.
05:56No, that's not why I did it.
05:58How'd you know?
06:00Erin came to visit me at the hospital the other day.
06:03Yeah, and?
06:05You know what? He was furiously apologising to me.
06:07He said something about that I shouldn't wake up, it would complicate things.
06:11That's when it dawned on me.
06:13That's obvious. So now all we need is concrete evidence.
06:16If I go to the police, I'm going to need more than just saying,
06:20I'm in conversation with a ghost and we give you Erin.
06:23Wow.
06:24Yeah.
06:26A ghost.
06:27Yeah, okay. I arrived here with my hopes much higher.
06:34We'll use that energy too. Don't let anyone dampen it.
06:38We've got business with Erin tomorrow.
06:40What are you talking about? What business?
06:42You'll see.
06:43Are these all detective novels? What made you do that?
06:55Hide your passion for true crime in here.
06:57I didn't see it as hiding it.
06:59That's what it looks like.
07:03And you keep your fish hidden in here as well.
07:06Why's that?
07:08Just trying to keep it alive as long as possible.
07:10Are you trying to figure me out? Is that what you're doing?
07:17So now it's my turn.
07:20Can I ask you something?
07:25Sure.
07:27How does this work? Tell me.
07:29What do you mean?
07:30Are you asleep while you're here?
07:32No, I don't sleep.
07:34Why would I sleep when you're with me?
07:35You're like a fairytale character or something.
07:41That's what I'm talking about.
07:43Then let's make this happen.
07:45What do you mean?
07:47Sleeping as little as you do.
07:49Mm-hmm.
07:52Just spend a few hours...
07:54...on how to get information from Erin.
07:57I'll leave you to it.
07:59That's it.
08:01Okay, goodnight.
08:03Goodnight.
08:05Blow out the candles before you go to bed, it's dangerous.
08:07Alright. Goodnight.
08:09I guess this can't actually stop you.
08:13It will, but whatever.
08:15Okay.
08:29Good morning.
08:31Good morning.
08:34It's scary when you do that.
08:38I have a question for you.
08:40Sure.
08:41When you wake up, what do you do?
08:45What do you mean?
08:46To look so beautiful.
08:49Because you are, you know.
08:51That's kind, thank you.
08:52You're welcome.
08:54And what did you think about during the night?
08:58Hmm.
09:00What were my thoughts?
09:03Focus a minute.
09:05And now it's serious time.
09:07I'm snapping out of it.
09:09Come on.
09:10Getting it back.
09:12And I'm serious.
09:14So, Erin.
09:15Must have files on his computer.
09:17Confidential documents.
09:18Sponsor files that'll be full of names.
09:20And from them, I'm sure that we'll find something
09:22and get all sorts of information.
09:24His computer should either be at home or at the office.
09:27I can't get into the company.
09:28I've got no chance.
09:30So I have to get into his house.
09:31But how?
09:33His house is pretty secure.
09:35Cameras everywhere.
09:36It's not the sort of place you can enter
09:37through a window or a back door.
09:38I'll go in the front door.
09:42How?
09:43Oh, no.
09:44Oh, no.
09:45You won't do that.
09:46Please, you won't do what I'm thinking.
09:47But it's the only thing we can do.
09:49No, that's not what I was going to do.
09:50Hey, don't spin it.
09:51Telepathy doesn't mean I know exactly what you're thinking.
09:53I see a devious plan in your eyes and I'm scared.
09:56You should be scared.
09:57I should be.
09:58Mm-hmm.
09:59And I am.
10:01You said something about Erin going running in the mornings.
10:04Mm-hmm.
10:06Well, it's still morning then.
10:08Let's go and find him.
10:10Nice sweater.
10:12Come on, we're leaving.
10:13We don't want to miss him.
10:17Ah, here comes the weevil.
10:23It's coming.
10:24It's coming.
10:25Oh!
10:26I'm so sorry.
10:27I really am.
10:28So sorry.
10:29Are you okay?
10:30No, no. It's all good.
10:31I'm so sorry.
10:32It's really so clumsy of me.
10:33No, seriously.
10:34It's not that bad.
10:36Why not?
10:37Oh, I'm so pleased.
10:38There's a cafe just over there.
10:39Shall we try it?
10:40Sure.
10:41Do you have a tissue?
10:42We can get one now.
10:43Yeah, fine.
10:44By the way, I'm Bilge.
10:45And I'm Erin.
10:46Nice to meet you.
10:47You too.
10:52Modigliani.
10:54But Modigliani is great as well.
10:57Oh, I'm a huge fan of him.
10:59It's a lovely day.
11:00It's so warm.
11:02Ask him about the women that Modigliani drew.
11:04I was always in awe of all the women that he drew.
11:07Hmm.
11:09Could be to do with the lovely long necks they all have.
11:12Same as you.
11:16That's a nice thing to say.
11:17But isn't it strange that he didn't draw the eyes of women in his portrait?
11:21That always confused me.
11:23I mean, surely their eyes are important.
11:25I'll draw their eyes when I see their soul.
11:27Say it. Say it.
11:29You know, he said he'd draw their eyes when he saw their soul.
11:32That's why it's lovely.
11:38Do you have plans for this evening?
11:43Mm-mm.
11:44I narrowed these down.
11:45You know him.
11:46Help me choose something.
11:47Okay.
11:48How about this one?
11:49I think it's cute.
11:50Black mini.
11:55Come on.
11:56Join in.
11:59This is hot.
12:00What about this one?
12:01This one's beautiful.
12:02Yeah.
12:03The long one.
12:04Huh?
12:05Erin would prefer it.
12:06That's what I'd choose.
12:07That one.
12:08I shouldn't wear a mini one.
12:11Are you sure not the mini one?
12:13Huh?
12:14I'd say definitely the red long one.
12:18Cute.
12:19I think it's this one.
12:26You are too cute and sexy.
12:29It's what I'm aiming for.
12:30I appreciate your target.
12:31I just wish I wasn't in a coma tonight.
12:41Enchanted.
12:43Good evening.
12:47You're an archaeologist, I believe.
12:49I've loved archaeology since I was a child.
12:52I'm curious because mum's a guide and she told me many stories-
12:55You know what?
12:57I'd rather we didn't talk about work.
12:59Talking about anything other than your beauty while you shine over there.
13:04Would be nothing less than insulting.
13:11That's a kind thing to say.
13:12That's a kind thing to say.
13:18You're like a New Year's gift that's mesmerizing me.
13:22Incredible.
13:24Excuse me, madam.
13:26But I wondered if this chair was free?
13:28It's taken.
13:34Bilby, if you're bored we can go somewhere else.
13:37You've barely touched your meals, so...
13:39If you want, we can go back to my place.
13:43Oh, we can go back to my place.
13:45What a prick.
13:48Sure.
13:52What can I offer you?
13:54Water, coffee, cocktail?
13:57So...
13:59You like water, yeah?
14:01I think I'll have some of whatever you get me.
14:03Okay.
14:05He's gonna think you're giving out signals to him.
14:07It is a signal.
14:09But it's one for me.
14:19The light's off already?
14:21A bit dark maybe, don't you think?
14:23We've enough light.
14:25I guess you're right.
14:27Let's get out of here.
14:28Come on.
14:30He's not like your other friend, Mete.
14:31This guy's a professional, let's go.
14:33Come on, come on, let's go, seriously.
14:34No, seriously.
14:45Aaron, I'll break you in two right now.
14:47Bilge.
14:50Bilge, let's go.
14:52Perhaps we should take some time.
14:54Don't you think?
14:56Bilge, beauty doesn't wait.
14:58Other than on ancient sites.
15:00Eh?
15:02Not here and now.
15:04But of course.
15:06If you want to.
15:08We can definitely take our time on it.
15:10Sound.
15:20Sound.
15:22Alarm.
15:23Is that a car alarm or something?
15:24It's my car alarm.
15:25A car alarm I believe.
15:27So sorry.
15:28I'm okay.
15:30Bilge, was that you?
15:32Trust me, don't worry about him.
15:33Huh?
15:35He's gone, his computer is over there.
15:40Check these.
15:41Check the computer.
15:42I'll check the computer, okay.
15:43Yeah.
15:50There's a password.
15:51171717.
15:52It's Canna Cali's plate number.
15:53The idiot always writes it down.
15:56We're in.
15:58I need to report something.
15:59My car has just been vandalised.
16:03Nothing obvious.
16:04What about in there?
16:05There's nothing here.
16:06So where then?
16:08The number.
16:09The number.
16:10What number?
16:16This is the thief's number.
16:17The police said it was the one the thief used.
16:19Go on then.
16:22And Erin has the number.
16:23It's right here.
16:25CT?
16:27Not you, is it?
16:28No.
16:31Come on, come on, turn it off.
16:36Uh, I just had a call from a client.
16:40He's been arrested for damaging a car or something.
16:42I'd better go and see him.
16:44I suppose so.
16:47Thank you though.
16:48It was a very enjoyable night.
16:49We can chat again tomorrow.
16:51If you'd like to.
16:53Tomorrow.
16:55Sorry I'm busy.
16:57But we can stay in touch.
16:59No problem.
17:01Ciao.
17:03Have a good night.
17:05The idiot was so upset.
17:07Take one last look at his face.
17:11What a prick!
17:12Ipec, can you get some details of any convicted criminals who live near the excavation site whose initials are C and T.
17:20John Tarun's not one.
17:25What's wrong with you?
17:26Look, we're one step closer.
17:27Look, we're one step closer.
17:29This guy's gonna lead us to everything.
17:31Even where the amphora is hidden.
17:33Yeah, well, tomorrow's New Year's Eve you're gonna celebrate with Erin.
17:37Is it?
17:38Yeah.
17:39I don't remember.
17:40But I said about chatting tomorrow.
17:41I said that to him.
17:42He's busy with a New Year's party with his sponsors.
17:44And I've been thinking.
17:45He suspected me and that's why he rejected me too.
17:51John.
17:52Hmm?
17:53Look, at least we've got this close.
17:55So go on.
17:56What's wrong with you really?
17:58What's wrong?
17:59Combs no help.
18:00I'm being accused of theft.
18:01A guy I thought was a friend of mine.
18:04Done every kind of betrayal.
18:06And then I had to be in the same room while he flirts with a woman I'm in love with.
18:17Don't pretend you're oblivious to it.
18:18I'm hardly concealing it, even in this state.
18:25Should I take you out to dinner?
18:26I mean, I would if I could.
18:29Who says you can't do so?
18:31How do you think that's gonna happen?
18:34Should I take you up to the heavens?
18:37That's not a bad idea, actually.
18:42Wow.
18:44So you really didn't have a boyfriend before?
18:47It's not I haven't had any.
18:48I had boyfriends.
18:51But not many real emotional connections.
18:54I mean, it turns out I hadn't anyway.
18:57I wasn't really in love with any of them and they weren't in love with me.
18:59So I realised that I wasn't in love.
19:02That's obvious now.
19:03You understand it now?
19:05How so?
19:06You're in love with me, are you?
19:07I could be.
19:09Or with your absence.
19:11If this is what my absence does to you, however, I can't imagine what effect my presence would have on you. Can you imagine that?
19:25Then I hope to equate myself with your presence this New Year.
19:27Tomorrow then?
19:29Mm-hmm.
19:31Did you wish for that?
19:33No, I didn't.
19:35Now that we're adults, those wishes may not come true, you know.
19:39I'm only telling you that to prepare you, you know that. So you won't be disappointed.
19:43How can we be sure?
19:44What about tomorrow? We'll be seeing in the New Year together.
19:50If you're asking me what I'd do, I'd have very different ideas compared to what you're thinking.
19:56Which are?
19:58Which are... I don't think I should say much more. I think it's pretty obvious.
20:03So you're saying, be grateful I'm not here?
20:10I don't know.
20:16Can I ask you something?
20:18Sure.
20:20The experience.
20:22I mean, what are you feeling at the moment?
20:24Between being here and not being here?
20:27I don't exactly know what I'm feeling.
20:29But...
20:31It feels like the places of my feelings have shifted.
20:34Of that I'm aware.
20:36Like, er...
20:38If I can go home ever.
20:39Or reach home ever.
20:41What I'm feeling in me.
20:42I feel as though I'll be able to understand where those feelings really belong in me.
20:46Are you scared?
20:50Because I suppose I always am.
20:52Are you hearing what I'm hearing?
21:04Try to hear me, okay?
21:05Okay?
21:20Close your eyes.
21:30Listen.
21:31You hear that, don't you?
21:33You hear that, don't you?
21:34You hear that, don't you?
21:35Don't you hear that, don't you?
21:36I know.
21:37I don't know.
21:38The sound of...
21:39No.
21:40No.
21:41No.
21:42No.
21:43No.
21:45I don't know.
21:46I don't know.
21:47Oh, he didn't have to...
21:49No.
21:50No.
21:52No.
21:55No.
21:56No.
21:58No.
21:59No.
22:00No.
22:01No.
22:02Yeah.
23:03I want to embrace you.
23:18Even only for once.
23:22I want to feel you.
23:24I want to feel you.
23:54It's not possible.
24:02I wish we could stay like this forever.
24:06Forever.
24:24John?
24:24John?
24:28John?
24:34You were supposed to wake up next to me.
24:41John?
24:42John, can you hear me?
24:50John?
24:52John, please, will you say something?
24:56John?
24:57Say something, please.
24:58Where are you?
25:00John?
25:03John, where are you?
25:04John?
25:05John?
25:15One fifty, that's it.
25:17No, John.
25:19Nothing, two hundred.
25:20Oh, please.
25:21Come on.
25:23Again.
25:24Oh, no, please.
25:25Ready?
25:25My son.
25:26Again, again.
25:31Oh, my son.
25:35He's stable.
25:36His pulse is back.
25:37It's all right.
25:39Thank God.
25:40John.
25:42Oh, my son.
25:43Aaron, it's coming.
25:53We'd better go.
26:04He's out.
26:05He's out.
26:05Go, go.
26:06Get in.
26:06Go, go.
26:07Go.
26:07What happened?
26:21Were you worried about me?
26:22I thought something was going on.
26:24Yeah, I won't lie.
26:25I was scared as well this time.
26:27I felt different.
26:28I saw Aaron as I was about to leave.
26:31He was secretly talking to someone on the phone.
26:33Tonight, they're going to smuggle something out.
26:35When he gets out of here, he'll take it to the sushi restaurant he took you to before.
26:39So we need to follow him?
26:40We will.
26:41But let's wait a little bit.
26:42He's probably in my room checking on me.
26:44Okay.
26:47Mr. Nedim, my boss is calling.
26:50Billgate, where are you?
26:52We're all gathered waiting for you.
26:54Mrs. Tuzel's about to arrive.
26:55She'll walk in any minute.
26:57Mr. Nedim, I'm not going to make it.
26:58Won't make it?
27:00If you can't handle it, I'll give the case to Sinem.
27:05Okay, that should happen.
27:07In fact, let's do this, Mr. Nedim.
27:09Give all the case files to Sinem, then.
27:11What are you saying?
27:12I don't recognize you anymore, Billgate.
27:14Why have you suddenly changed?
27:17Let's say I'm pursuing a case that excites me more at this moment in time.
27:21Happy New Year, Mr. Nedim.
27:22Happy New Year.
27:23Congratulations, Miss Sinem.
27:32What do you mean?
27:33A case will be filed, but Jan hasn't woken up yet.
27:35I'm aware of that, but there's nothing I can do to help you.
27:37Well, there may be nothing you could do, but as his lawyer, I'll tell you...
27:39Uncle Haluk, there's evidence.
27:43Unfortunately, messages were revealed between Jan and the thief.
27:46Just leave now, Erin.
27:51Just get out this minute.
27:53Okay.
27:55No problem.
27:57Happy New Year.
28:06He's here.
28:14Welcome.
28:16Have a seat.
28:17How are we doing?
28:18They're checking all the suspects at the excavation site.
28:21This wouldn't have taken quite so long, you know, if there hadn't been the accident.
28:26Wait a minute.
28:27I've seen him before.
28:28Where the...
28:29Come on, Erin.
28:29Where's the amphora?
28:30Is it safe?
28:31Don't worry.
28:32He's your excavation sponsor, the company's CEO.
28:35CEO?
28:36When are you arranging for the transportation?
28:38Don't draw attention to yourself.
28:39They must be working together.
28:41Give me 24 hours.
28:41In a crowd, I won't draw any attention to myself.
28:44I whip up a commotion.
28:45You just leave that to me.
28:46Both of them did it.
28:48Look, if this blows up...
28:50The company will not know that I have any involvement.
28:52If I burn, you burn too.
28:55I've told you not to worry.
28:56Everything is under control.
28:57But if it does go wrong, it's on the man that stole it.
28:59If he's somehow uncovered, he'll say John was the instigator.
29:04That's why I'm still keeping him close.
29:05The idiot has no idea.
29:08He thinks he's treated like a king to thank him.
29:10What a human.
29:12Erin the Wonderful.
29:14Bravo.
29:14But I'm not going anywhere.
29:17And I won't leave before your punishment.
29:18Both of you, that is.
29:19That's it.
29:25What is?
29:26At the New Year's party.
29:28At the party, that's it.
29:29That's what he was talking about.
29:30He said within 24 hours, in a crowd, I won't draw attention to myself.
29:34At the party, that's when it'll happen.
29:36Jesus.
29:37So we need to swing by my apartment to get my invitation.
29:41I can go to a party with you.
29:42Go in, go in.
29:49What a beautiful place.
29:50That's kind.
29:56It's in here, I think.
30:00Ah, check in that drawer, would you?
30:04Okay, this middle one.
30:06Where is it?
30:07Underneath that.
30:09This one.
30:09That one, yeah.
30:10Perfect.
30:25This was mine.
30:28John.
30:30This was mine.
30:32Yeah.
30:33Let's go.
30:34Come on.
30:34Wait.
30:35Don't forget the invitation.
30:36Come on.
30:38Go on, boy.
30:39Can I help you?
30:53What's she doing here?
30:54Who are you?
30:55I'm Bilge.
30:56Madam, I recognize you from the hospital.
30:59Bilge, madam.
31:01John, I know him.
31:02Bilge, tell her.
31:04John, it's not appropriate.
31:05Say, I can talk to John.
31:06I can see him.
31:06John, she'll lose her mind.
31:07Don't be ridiculous.
31:09I'm calling the police.
31:09Wait a minute.
31:10Just one.
31:10Only a minute, would you please?
31:12Bilge, tell her.
31:13What should I say?
31:14Tell her I'm not guilty.
31:15You must tell her, please.
31:16John.
31:17Tell her.
31:17John.
31:18Do it.
31:18I'm telling you.
31:21I know it sounds crazy, but John's here with us.
31:25I'm talking to him.
31:26What do you think you're doing?
31:27I know it sounds crazy, but me and John have been talking to each other.
31:30He's right here.
31:31Are you serious?
31:33I'm being honest with you.
31:34John is here right now.
31:35Bilge.
31:38Tell her to look at the dock.
31:39Look at Teo.
31:40I'll make him roll over.
31:41He only rolls if I do it.
31:42Teo will prove this.
31:43Make her look.
31:43He wants you to look at Teo.
31:44Teo only rolls when John tells him to do so.
31:46Teo, look at me.
31:48He said he only rolls when he says it.
31:49Teo, roll over.
31:50Roll over, roll over.
31:51Just do it.
31:52That's enough.
31:54Just go before the police come.
31:55Just get out.
31:57I'm so sorry.
32:02I'm so sorry.
32:08I'm sorry, Mum.
32:20Yes?
32:21John has nothing to do with that for us, Aaron.
32:23Leila, I get it.
32:24I'm really sorry.
32:25It's really difficult to accept.
32:26I understand, but...
32:27A woman just left John's home.
32:29She was here looking for something.
32:30Her name's Bilge.
32:32Maybe she's the real criminal.
32:34You said Bilge.
32:35I tried to describe her, would you?
32:37A beautiful brunette woman.
32:39I don't remember.
32:40But I remember seeing her today at the hospital.
32:42Then suddenly she was just gone.
32:45Okay, I'm on it.
32:47Who the fuck is that?
32:48I want footage of the hallway overlooking room number 24.
33:04Show me.
33:06About 10 a.m. this morning.
33:07Stop.
33:11Stop.
33:13Rewind.
33:16Stop.
33:18Play.
33:23Stop.
33:25Zoom in.
33:25Aunt Leila.
33:33Sorry for disturbing you again, but the woman at John's place.
33:36Was she alone or did she have somebody with her?
33:39Alone.
33:40And she had like a burgundy invitation or something in her hand.
33:44If John hadn't been involved with transporting that vase, he wouldn't be in a coma right now, Aaron.
33:49Leila, John wanted to take the vase himself.
33:51It meant a great deal to him, so don't be upset anymore.
33:53The decision was up to him.
33:57I have to go now, I'm afraid.
34:02Shit.
34:09He won't calm down.
34:10Just take him to mine, Dad.
34:11Sleep in his own bed.
34:12Hey, bro.
34:12Can you go to Istanbul with the Amphora?
34:16It wasn't John's choice to make the trip.
34:21You're so beautiful.
34:32I don't miss places like this.
34:54Look over there.
34:55Look at that woman.
34:56They're our former sponsors over there.
35:02I see her.
35:09Come with me.
35:12Let's talk to her.
35:12You'll feel better.
35:17They're incredible, aren't they?
35:18All very special.
35:19They are.
35:21This whole place is absolutely beautiful, to be honest.
35:24Life is beautiful.
35:25I'm glad you're better as well.
35:28That's kind of you.
35:29When did I meet you?
35:30I'm John's friend, actually.
35:34I saw you when I visited him in hospital.
35:37I hope you're feeling back to normal.
35:39I'm getting there, I guess.
35:41But John's condition.
35:42Heartbreaking.
35:43I wish it could be different.
35:47We can't change the past.
35:48You know that better than anyone.
35:50That's true.
35:51But I still wish every day that I could talk to him.
35:55Maybe there's a way he hears what we say to him.
35:57Maybe the universe sometimes gives us an opportunity to do so.
36:00I hope there is.
36:01I'm not so sure.
36:02I mean, if two weeks ago, if somebody said to me I'd be in a coma after an accident,
36:07only to end up here, celebrating New Year's Eve in such a beautiful place,
36:10I wouldn't have believed them.
36:12So I'm hopeful for the New Year to come.
36:14That I survived and get to enjoy life again as usual.
36:17Happy New Year.
36:18Happy New Year.
36:18Happy New Year.
36:18Happy New Year to you, too.
36:33The stain.
36:34The logo.
36:35The shirt.
36:36How have I missed that it was him?
36:38How didn't I see it when it was so obvious, Bill Gates?
36:40So obvious.
36:41Where are you going?
36:41Oh, wait a minute.
36:46Ipek, Ipek, Ipek, Ipek.
36:52Miss Bill Gates, can I help you?
36:53Ipek, Ipek.
36:55When you were investigating the excavation, there was another case you stumbled upon.
36:58A man who left his wife.
37:00Do you remember?
37:01Yeah?
37:01Can you find his name and surname for me urgently?
37:04I remember.
37:05I'll check right away.
37:06Stay on the line.
37:08Be quick, will you?
37:09Huh?
37:27Miss Bill Gates?
37:28The guy's name is Jalal Topkur.
37:31How have I missed this so far?
37:32Call the woman and tell her we found her husband.
37:34She can visit him in jail.
37:36She now knows where to find him.
37:39What is it you can see?
37:43Shouldn't we find Erin first before they take the amphora?
37:46We need to find the man before Erin arrives.
37:51She only left her business card when she was here.
37:53Hello, Miss Bill Gates' phone.
38:02Ipek speaking.
38:03I need to reach Bill Gates' phone.
38:05Ipek urgently.
38:05I know who stole the amphora.
38:07We have to stop him.
38:13Pay attention.
38:14Everything has to come out.
38:15Just clear the room and make sure it's empty.
38:17I'm coming.
38:18Understood, sir.
38:18Where are we going?
38:36That's not it.
38:42I'm not in here either.
38:43This one.
38:55Look.
38:56This is the photo Ipek's scent.
38:58The same ceiling.
39:00So it wasn't a woman who was living with him in a palace.
39:02Champagne.
39:03Parfait.
39:03Bravo.
39:04And here is everything.
39:06This is the stained shirt.
39:10Happy New Year.
39:12Bill Gates.
39:13Bill Gates, you mustn't give up.
39:20I know what I'm doing.
39:21Is that all you've got for me?
39:37Nothing to worry about.
39:38Please continue enjoying your evening.
39:40Get out of my way.
39:43Bill Gates.
39:52Bill Gates.
39:52Are you okay?
40:02Try to breathe.
40:04Be careful.
40:07Just breathe.
40:10Bill Gates.
40:11Bill Gates.
40:11Can you hear me?
40:15Do you hear me?
40:22Help me.
40:23Help me if you can.
40:28Somebody help us.
40:29Please, somebody do something.
40:31Bill Gates.
40:32Somebody do something.
40:34Hey.
40:35What happened?
40:36Madam, are you okay?
40:37Call for help quickly.
40:38Okay, right away.
40:39Quickly, go.
40:40Do you hear me?
40:40Excuse me.
40:42Somebody help us.
40:42Can you help us?
40:43What happened?
40:43What's wrong?
40:44What's wrong?
40:44I'll call for help.
40:46I'll get some help.
40:47Madam, are you okay?
40:49Thanks.
40:50Yeah, I'm very ambulance.
40:52Hello, we need an ambulance.
40:53Ambulance.
40:54In here, in here.
40:58Ms. Bilge, are you okay?
41:00Ms. Bilge.
41:01Be careful.
41:01Is she okay?
41:02What's wrong with her?
41:03Ms. Bilge.
41:03Don't shake her.
41:05Don't go there.
41:06Good.
41:09That's it, Kevin.
41:12Hurry up.
41:13Come on!
41:16That's it, quickly.
41:18Quickly.
41:19Go on as fast as you can.
41:21Madam, what's the stairs?
41:22Yes.
41:22Yes.
41:22Yes.
41:22Yes.
41:22Yes.
41:22Yes.
41:22Yes.
41:24Mr. Aaron?
41:26I am.
41:30I would say you need a lawyer for historical artifact smuggling.
41:34I can recommend you one.
41:36Your trial may be shorter than you think.
41:37We found some witness testimonies.
41:41You uncover the past, and we'll uncover the truth for you.
41:44That's just what we do.
41:47I'm afraid there's been some kind of misunderstanding, officer.
41:50I have nothing to do with this.
41:52Someone else stole the amphora.
41:53I didn't cause the accident.
41:54They crashed into me.
41:55You can give your statement at the station.
41:57Please.
42:11Bilge, I'm here.
42:14Don't go anywhere.
42:15I have nothing to do with this.
42:16I have nothing to do with this.
42:16I have nothing to do with this.
42:16I have nothing to do with this.
42:17I have nothing to do with this.
42:17I have nothing to do with this.
42:18I have nothing to do with this.
42:19I have nothing to do with this.
42:20I have nothing to do with this.
42:21I have nothing to do with this.
42:22I have nothing to do with this.
42:23I have nothing to do with this.
42:24I have nothing to do with this.
42:25I have nothing to do with this.
42:26I have nothing to do with this.
42:27I have nothing to do with this.
42:28I have nothing to do with this.
42:29I have nothing to do with this.
42:30I have nothing to do with this.
42:31I have nothing to do with this.
42:32I have nothing to do with this.
42:33I have nothing to do with this.
42:34Are the inotropes a full dose?
42:51Yes, Doctor.
42:53Wean off the pump.
42:54The heart's not beating, Doctor.
42:56We'll go on ECMO and initiate a heart transplant call.
42:59OK.
43:02Please take my heart.
43:04Please just take my heart.
43:06Hang on, Bilge.
43:17Remember Bilge, Jan's friend.
43:21And every new year he remembered to send her a postcard.
43:26The one he meant by, find me, Bilge.
43:29The one he used to say, I hope her heart has healed.
43:32We've initiated a call for a heart transplant.
43:58She's on the waiting list.
43:59I'm afraid there's a chance we might lose her before one's found.
44:07Bilge!
44:08My girl!
44:09I wish you could hear me.
44:17Mum, this is what it's about.
44:21The Bilge who was there.
44:23I know my heart will be a match for her.
44:25I do.
44:26Give up on me.
44:28Let me go.
44:31Give her my heart, will you?
44:32Can you do it?
44:33Can you do it?
44:36Do it.
44:37Take my heart, it'll work.
44:40You know it will.
44:42Remember.
44:43Tail.
44:46Tail.
44:47Tail will tell her.
44:50It was his wish after all.
44:55Tail.
44:56Tail.
44:57Tail.
44:58My boy.
44:59Tail, this is really my last chance.
45:01Come on.
45:03Please show her to that.
45:05Roll over.
45:05Go on.
45:08Do it.
45:10Come on, Tail.
45:10Roll over.
45:11Calm down, Jan.
45:12No.
45:28No.
45:28You mustn't be sad.
45:30I'm not out of time.
45:38No.
45:42I can't.
45:45I can't.
45:46Oh, my God.
46:16Oh, my God.
46:25Bilge, our time is running out. I know why we're here. For my heart.
46:30No, it isn't.
46:31It is.
46:31You can't do this.
46:32For my heart. It'll be a match for yours, Bilge.
46:35Char, when you were young, you were afraid of dying.
46:39You remember?
46:41Of course I do.
46:46I told you we'd start the new year together.
46:58You will start the new year, but not with me.
47:01No.
47:02I have to be somewhere.
47:03No, you can't go anywhere. There's so much ancient treasure still left to discover.
47:07I've already found what I always wanted, and there's nothing more precious.
47:13You'll always hear from me. Whenever you want, right here, okay?
47:21Char!
47:23Char!
47:23Char!
47:27Char, I'm listening.
47:32Bilge needs your heart. Tell me if you want that to happen.
47:35Char, I don't want your help. Don't help me, please.
47:38Do you want to save Bilge's life with your heart, son?
47:40Leila, calm down. Come on.
47:42If you want that to happen...
47:44Teo can help you. He knows what to do.
47:49Don't do it, please.
47:50Teo.
47:53Roll over.
47:58Do it.
47:58I've made another wish, and I'm definitely not telling you.
48:18Don't you ever stop believing in fairy tales, will you?
48:21Never stole...
48:25I love you so much.
48:26I love you so much.
48:28I love you forever.
48:28I love you forever.
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