💥 Watch "The Bodyguard" - A High-Octane Hollywood Action Thriller!
Starring Sylvester Stallone and Madeleine Stowe, this gripping full-length English movie follows an elite bodyguard tasked with protecting a high-profile woman while uncovering a dangerous conspiracy.
🔥 Packed with action, suspense, and stellar performances, this film is a must-watch for fans of thrillers, bodyguard dramas, and 90s Hollywood classics.
🎬 Genre: Action | Thriller | Drama
🌐 Language: English
📺 Now Streaming Free on Dailymotion
🎥 Presented by: Action Movies Channel
#TheBodyguard #HollywoodFullMovie #ActionMovies #SylvesterStallone #MadeleineStowe #ThrillerMovies #FreeEnglishMovies #DailymotionMovies
Starring Sylvester Stallone and Madeleine Stowe, this gripping full-length English movie follows an elite bodyguard tasked with protecting a high-profile woman while uncovering a dangerous conspiracy.
🔥 Packed with action, suspense, and stellar performances, this film is a must-watch for fans of thrillers, bodyguard dramas, and 90s Hollywood classics.
🎬 Genre: Action | Thriller | Drama
🌐 Language: English
📺 Now Streaming Free on Dailymotion
🎥 Presented by: Action Movies Channel
#TheBodyguard #HollywoodFullMovie #ActionMovies #SylvesterStallone #MadeleineStowe #ThrillerMovies #FreeEnglishMovies #DailymotionMovies
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Short filmTranscript
00:00:00See, that's what Angelo always said, that she was all he had left.
00:00:04But that wasn't exactly true, because even though I never made a big deal out of it, he also had me.
00:00:10See, I pretty much loved Angelo like you would your own father.
00:00:14What?
00:00:15I'm a loser.
00:00:18So it was hard for me, too, having to stay invisible as her world fell apart
00:00:22after she'd given in to their husband and sent their little son off to some distant boarding school.
00:00:30I see you in the fire.
00:00:33Robert!
00:00:34Robert!
00:00:35It wasn't my idea!
00:00:37I didn't mean to send you away, man!
00:00:38I love you!
00:00:39Jennifer, Jesus, go!
00:00:40What are you doing?
00:00:41Get back in the car!
00:00:43Look here.
00:00:44He's driving her crazy.
00:00:47A willow in the wind.
00:00:50Get back in the car!
00:00:51I just want to see you guys!
00:00:52Jennifer, Jennifer, for God's sake, I've sent the son of a...
00:00:56Get back, just get back in!
00:00:58Bloody hell!
00:01:01I feel her sadness.
00:01:04I mean, sending away her only child.
00:01:10I...
00:01:10I don't understand.
00:01:15Then, I do.
00:01:19Jennifer, for God's sake, what exactly is the trauma here?
00:01:22Our little soldier is going off to military school.
00:01:24It'll make him a man.
00:01:25He's seven!
00:01:26And you're acting about the same age.
00:01:31Have you ever considered, um, lightening your hair?
00:01:33What?
00:01:34Lightening your hair.
00:01:36Well, I thought maybe to, you know, brighten your mood.
00:01:38Well, you know, this could be corrected, Angela.
00:01:43Seriously, it'd be my pleasure.
00:01:45You can't.
00:01:46You know that.
00:01:47I understand.
00:01:48That's right.
00:01:50Keep the distance.
00:01:52The distance.
00:01:53The distance.
00:01:53You know, we send our son off to military school, where he'd be surrounded by nothing.
00:02:13You fire up the garden.
00:02:14The place is a mess.
00:02:15Half the furniture is a storage.
00:02:16And we can't even afford to get it out.
00:02:17All because you invested in some other mining stock or something or other.
00:02:21We don't even have a home.
00:02:23Brilliant.
00:02:24Um, where's my FedEx package?
00:02:25I'll do you miss places.
00:02:26It's there.
00:02:27Ah.
00:02:28How can you be so blasé?
00:02:30Don't you miss Raleigh?
00:02:31You know, you really have to get a grip on this.
00:02:35A grip on what?
00:02:36Seriously.
00:02:37What more could you want?
00:02:39You keep asking me that.
00:02:41Okay.
00:02:41Okay, fine.
00:02:42So go out and get a job.
00:02:43Well, I had a job, remember?
00:02:44But you said a mother's place was in the home.
00:02:47Besides, who would hire me now?
00:02:49Everything we funnel, the root to that family there is, he manages to lose.
00:03:08We're squandered.
00:03:12Look at her now.
00:03:13She's skinny.
00:03:16Probably nerves.
00:03:21You know, when I'm gone, you're going to have to take over.
00:03:27Be sure and fatten her up.
00:03:33I'm afraid you're not going anywhere, okay?
00:03:35Everybody's going somewhere.
00:03:53There's no need for the cannon.
00:03:5622 should be all we need.
00:03:59Let the old man finish his meal.
00:04:01The nail wind is blowing this way, ladies.
00:04:20I'm so messed up.
00:04:22I just sent my baby boy off the military academy.
00:04:24I'm so wired.
00:04:28Am I having a heart attack?
00:04:29Is that what's going on?
00:04:30No, no, no.
00:04:31Men get heart attacks, but we don't.
00:04:32We don't.
00:04:33Men do.
00:04:33We don't.
00:04:34We breathe.
00:04:35Low out.
00:04:36That's it.
00:04:37Oh, God.
00:04:38All right, you know what?
00:04:40What?
00:04:40I'm going to put you to the rescue.
00:04:42I want you to take one of these.
00:04:43Now, you know what, sweetie?
00:04:44Take two.
00:04:45And leave all your troubles behind.
00:04:46Trust me.
00:04:47What are these?
00:04:47Your husband gives them to his patients.
00:04:49Well, for me, he triples the dosage.
00:04:50Jennifer, I said take two pills.
00:04:53How many did you take?
00:04:55I don't know.
00:04:55It's just what you told me.
00:04:58Bon voyage, darling.
00:05:00Oh, my God.
00:05:02Oh, my God.
00:05:02Oh, my God.
00:05:11Excuse me.
00:05:17Officer, is there a problem here?
00:05:20There's no parking zone now.
00:05:22We're talking minutiae.
00:05:23What is Angelo seeing a guy like that?
00:05:25I could run circles around that pain in the ass.
00:05:28Yeah, does Malatesta know about...
00:05:30Does Malatesta what?
00:05:32Know about this?
00:05:33There's a lot the old man don't know.
00:05:35And as for you, don't sweat the small shit.
00:05:37You hear what I'm saying?
00:05:39This freaking song.
00:05:42It makes my heart weep every time I hear it.
00:05:45Yeah.
00:05:46I got a twinge, too.
00:05:48A twinge?
00:05:49What kind of person just gets a friggin' twinge
00:05:53when you hear a song like this?
00:05:55So, what do you get?
00:06:00Let me get this straight.
00:06:01Are you saying that this little distance here
00:06:03is not negotiable?
00:06:04The law's the law.
00:06:06Okay.
00:06:06Well, how about if I just pull it forward?
00:06:08And how about I just call for some backup?
00:06:10How about you not?
00:06:11You weren't so cute.
00:06:14You watch it.
00:06:15My shine.
00:06:27Cheap
00:06:28aftershave.
00:06:37Must be...
00:06:37Bruno.
00:06:42Any last words?
00:06:46Try the clamps.
00:06:49They're...
00:06:50fabulous.
00:06:51God's.
00:06:55Oh.
00:06:56Big Paul!
00:06:57swearing.
00:06:57Oh, my God.
00:06:57Oh, my God.
00:06:58Oh, my God.
00:07:09Oh, my God.
00:07:10Yes.
00:07:10Oh, my God.
00:07:11Oh, my God.
00:07:13Oh, my God.
00:07:13Hey, it's a good thing I didn't see you earlier.
00:07:39Otherwise, I would have had to give you a ticket.
00:07:41Sorry for the inconvenience.
00:07:43Hello?
00:07:50What?
00:07:52I'm on my way.
00:07:54I'll be right there.
00:07:57My son has a temperature of 103.
00:08:00Oh, he'll be all right.
00:08:02You want some company?
00:08:03I gotta go.
00:08:05Later, lucky ones.
00:08:08Good afternoon, ladies, and welcome.
00:08:11We have a very special treat for you this afternoon.
00:08:14All due to the very hard work of our own Jennifer Barrett.
00:08:18Please join me in welcoming a celebrated author, Marcello De La Rosa.
00:08:25It seems there are no men.
00:08:37Pity.
00:08:38If you will indulge me, I would prefer to let my work speak for itself.
00:08:45I've taken the liberty of bringing Our Way, the book I published last year.
00:08:52Then, if you must, ask your questions.
00:08:56Please be gentle.
00:09:01You are welcome, do theanoev as well.
00:09:08All merci.
00:09:09Book bisogno.
00:09:10äris
00:09:12silence, the cry of the sailor. He was home, with ghosts of ships that came before. Come,
00:09:23you Romans and you Greeks, you dark-eyed Spanish moors. I've waited too long to come home,
00:09:34and he thought, for time is a thief, and he never gets caught. Never, Jennifer.
00:10:04I'm sorry.
00:10:11I'm sorry.
00:10:16I'm sorry.
00:10:22I'm sorry.
00:10:27I'm sorry.
00:10:34I'm sorry.
00:10:37Oh!
00:10:40Oh, my God.
00:11:10Oh, my God.
00:11:15Jesus!
00:11:16What?
00:11:19No, Jennifer, this is not the time for another one of your scenes.
00:11:23My scenes?
00:11:24It's not what it looks like.
00:11:26You have no clue what it looks like.
00:11:29You're doing her in the pool and I get Mr. Missionary?
00:11:32Jen, Jen, don't you, Jen, Jen, me?
00:11:36You were supposed to be my friend.
00:11:37And now you're nothing but a porn star.
00:11:41Now I know why you wanted me to lighten my hair.
00:11:43That's all.
00:11:44Get out of here.
00:11:47Jennifer, you had to take your share of responsibility for this.
00:11:51My share?
00:11:53Oh, man.
00:11:56So bring back my heart.
00:12:14Send back my soul.
00:12:25And if you do, I'll go on without you.
00:12:30lavery, you were not gonna wear your heart.
00:12:35I keep you in my house.
00:12:37This is my house.
00:12:39You're never going to put a porn child to kill.
00:12:41And you are not going to disrespect me.
00:12:43Jesus.
00:12:57Ma'am, please.
00:13:01If you don't mind.
00:13:07Hello.
00:13:09You're hurt.
00:13:11Yes, ma'am, I am.
00:13:12You're bleeding rather profusely.
00:13:14Well, that's what happens when you get shot.
00:13:15Shot?
00:13:16Yes, ma'am.
00:13:17You've been shot?
00:13:18Definitely, but it's not as bad as it looks, really.
00:13:21Well, you're at the wrong house.
00:13:23It's the wrong neighborhood.
00:13:24You want Queens.
00:13:25Maybe Brooklyn.
00:13:26No, wait.
00:13:28I'm at the right house.
00:13:30Jennifer.
00:13:32Ma'am.
00:13:36I know you, don't I?
00:13:38Yes, ma'am, you do.
00:13:39Uh, I'm sorry, I can't remember your name.
00:13:43Frankie.
00:13:44Frankie Delano.
00:13:45Oh, right, Frankie.
00:13:47You used to deliver groceries for Angela when I was a girl.
00:13:50Yes, ma'am.
00:13:50I knew her when you were a kid, ma'am.
00:13:53The news I heard you presumed.
00:13:56Come again?
00:13:58I presume you heard the news.
00:14:01What news?
00:14:02Get a television.
00:14:03Sources close to the investigation tell MobileAid's news team that it had the trademark signs of a mob hit.
00:14:10That nice old man.
00:14:13We've got to get you to a hospital.
00:14:16It's, uh, not necessary.
00:14:20Uh, the police?
00:14:22Oh, definitely not necessary.
00:14:23Well, so what did we do?
00:14:25Well, you were shot.
00:14:27That's what you said, right?
00:14:29Um, ma'am, do you happen to have a DVD player?
00:14:33DVD?
00:14:34Yes, ma'am, a DVD player.
00:14:39It's been shot.
00:14:40Shot?
00:14:41Yeah.
00:14:42DVD's been shot.
00:14:45There's a lot of that going around tonight.
00:14:48There's another one in the master bedroom, I think.
00:14:50Uh.
00:14:51I'm a little drunk and goofy from the loss of blood, so if I happen to say something out of line, I'd like to apologize ahead of time.
00:15:08You could put towels over there.
00:15:10Yes.
00:15:12Great breasts, absolutely great.
00:15:14They're like champagne glasses.
00:15:16Apology accepted.
00:15:17Oh, sorry.
00:15:18Huh?
00:15:19Could you, uh...
00:15:20Please play this.
00:15:23Uh, you're not going to do what I think you're going to do, are you?
00:15:27It's okay.
00:15:28It's no big deal.
00:15:29I've done it before.
00:15:31Okay.
00:15:35Ow!
00:15:36Ow!
00:15:38Shh!
00:15:41Oh, smart son!
00:15:43Ow!
00:15:44It's okay.
00:15:47There's two more pieces.
00:15:55My dear Jennifer.
00:16:01Did he just say, dear Jennifer?
00:16:04Could you pass me the whiskey, please?
00:16:16If you're watching this, I am dead.
00:16:20How does he know who I am?
00:16:22Why is he telling me this?
00:16:23I don't...
00:16:23I'm telling you this because you are not who you think you are.
00:16:28Oh, well, right now that's a relief.
00:16:30There was a war in New York.
00:16:33He had a lot of enemies at the time.
00:16:35They were trying to take him out.
00:16:37There was Sammy Carbone who wanted to kill him.
00:16:40And the same with Lucho Malatester.
00:16:42But as much as they both wanted to get Angelo,
00:16:45they wanted to kill each other even more.
00:16:46So Malatester gave Sammy a new set of golf clubs.
00:16:54It was his way of making sure the hitman would know just where to find Sammy.
00:17:01And since this hitman was a traitor who worked for us,
00:17:04it looked like Angelo was behind Sammy's death.
00:17:07And when the hitman got taken out by Bruno Sr.,
00:17:13who was there left to tell what really happened
00:17:16with our guy laying dead there with a smoking gun in his hand?
00:17:20Wow, what a hit.
00:17:23But what kind of hitman of any substance
00:17:26has his kid, Bruno Jr.,
00:17:28waiting in the car when he does the thing?
00:17:31In the hospital,
00:17:34Sammy Carbone's first visitor
00:17:36was, of course, Lucho.
00:17:40Lucho Malatester
00:17:42was blaming it all on me.
00:17:45I come to tell you that the guy who shot you
00:17:47was one of Angelo's men.
00:17:51Lucho.
00:17:53My son.
00:17:55Little Johnny.
00:17:57I ain't gonna be around to watch him
00:17:59grow into man.
00:18:02If Angelo
00:18:03ever has a child,
00:18:06find it.
00:18:10Kill it.
00:18:12My wife got here,
00:18:15was pregnant,
00:18:17so we fled to Sicily,
00:18:20to the village of Castellamare.
00:18:22what more could I want?
00:18:25My beloved wife,
00:18:28with a child on the way,
00:18:32the opera house that I was renovating
00:18:36to hear the music
00:18:38that my wife, Maria, loved.
00:18:41my wife, my wife, died in childbirth.
00:18:52My wife died in childbirth.
00:18:52I do not have the words
00:19:06for my grief
00:19:08to this very day.
00:19:10This is just the saddest.
00:19:15His young wife dies giving childbirth.
00:19:18This is just stuff.
00:19:19Oh, God.
00:19:22They had a daughter.
00:19:23A daughter?
00:19:24And when he came to America,
00:19:26he brought himself and his daughter,
00:19:28but he had enemies over here.
00:19:29And if they'd ever found him,
00:19:31they would have killed the baby.
00:19:32Oh, that's awful.
00:19:34So he found this
00:19:35childless couple
00:19:36that didn't have much money,
00:19:37and he gave
00:19:38the husband a job
00:19:39and he bought them
00:19:40a big estate
00:19:42in Glen Cove.
00:19:45Well, that's where I lived.
00:19:50And even though she had
00:19:52dark hair
00:19:54and they had blonde hair,
00:19:58he still let them
00:19:59adopt her.
00:20:00Gave her away.
00:20:04Is it getting warm in here?
00:20:06So,
00:20:07he took care of
00:20:07all their expenses
00:20:08under one condition.
00:20:13And the girl
00:20:14never know
00:20:15who her father was
00:20:18because
00:20:20if she were to know...
00:20:22She'd go looking for him and...
00:20:24His enemies
00:20:25would get to her.
00:20:27So her parents
00:20:28never told her.
00:20:30But now
00:20:30it's time she knows.
00:20:34Oh, Jesus.
00:20:35Now it's time
00:20:36for you to know.
00:20:38Don't go there.
00:20:42I...
00:20:42Don't go there.
00:20:44Oh.
00:20:46I'm your father, Jennifer.
00:20:48You
00:20:49are an only kid
00:20:52and we
00:20:53and we
00:20:53do not bow down.
00:21:01Night, Jennifer.
00:21:02you're an only kid
00:21:12who is a nookie
00:21:13and I'll need you
00:21:15to know
00:21:15the kids
00:21:16who are
00:21:17who are
00:21:17and
00:21:18who are
00:21:19not
00:21:19who are
00:21:19who are
00:21:20who are
00:21:21who are
00:21:22you
00:21:23and
00:21:24who are
00:21:24who are
00:21:25who are
00:21:26who are
00:21:27Who is it?
00:21:36I've got a gun.
00:21:40Totally me, ma'am.
00:21:42Only you?
00:21:45Good morning.
00:21:47Let me get this.
00:21:48Please don't close the door.
00:21:49I never have any door closed.
00:21:52Clusterphobic.
00:21:53My phobia is none of your business.
00:21:57I'm calling the police.
00:22:00Please, please, please, please.
00:22:01You don't need to do that.
00:22:03Are you going to hurt me?
00:22:07No.
00:22:10Look, I've got Italian eggs,
00:22:12a little impoletta, a little biscotti,
00:22:15a little ricotta, and a lot of espresso.
00:22:18I don't eat that stuff.
00:22:19I know. You have a black coffee,
00:22:21a dry toast, no butter,
00:22:24jam once a week.
00:22:25How do you know that?
00:22:25The place is going to get cold.
00:22:30Are you all right?
00:22:32Yes, thank you for asking.
00:22:33Very good.
00:22:34Please.
00:22:45Big house.
00:22:46Is that your way of asking me
00:22:51why there's no one here?
00:22:52No.
00:22:54Well, my son's off at military school,
00:22:56if you can believe it.
00:22:57At seven,
00:22:59my husband's idea.
00:23:01Well, my husband's away.
00:23:03It's my idea.
00:23:08You really like cooking?
00:23:09No, I love cooking.
00:23:11You ought to try the paletta.
00:23:13It's great for gaining weight.
00:23:15Your father always wants you to eat more.
00:23:17My father?
00:23:18You know, Angelo.
00:23:20That's it.
00:23:22Enough already, Frankie,
00:23:23with a father,
00:23:24whatever your name is.
00:23:25He is not my father.
00:23:26Do you understand?
00:23:27I have a real life father.
00:23:31Who lives five miles from here.
00:23:33Wait.
00:23:35Stop.
00:23:36Could you just wait a minute?
00:23:38Stop.
00:23:39I'm going to stop it.
00:23:40I'm going to slow down for a minute.
00:23:41I just want to talk to you for a second.
00:23:44Ma'am.
00:23:44Ma'am.
00:23:45Ma'am.
00:23:45Look, if you need someone to drive you...
00:23:50Last night did not happen.
00:23:52All right?
00:23:52So when I come back,
00:23:53you will be long gone.
00:23:55Thank you for breakfast.
00:23:56It was lovely meeting you.
00:24:02Where are you going?
00:24:04Where are you going?
00:24:08Therapy!
00:24:09Come on,
00:24:09you don't need therapy.
00:24:11Oh, yeah.
00:24:11Oh.
00:24:14Shopping.
00:24:22Are you okay?
00:24:40No.
00:24:40May I help you?
00:24:44And your name would be?
00:24:46Allison.
00:24:46Enchant.
00:24:47Allison, I see everything you have in a side and a size 7.
00:24:51Everything?
00:24:52I want to melt this mother to the ground.
00:24:59Cassidy, we have a no limit on our hands.
00:25:01I'm going to need backup.
00:25:10Oh, thank you.
00:25:15I'll take them all.
00:25:16I'll take them all.
00:25:46Oh, my God.
00:25:50It's all over.
00:25:52It's all over.
00:25:53It's all over.
00:25:53It's all over.
00:25:58Oh, God.
00:25:59Oh, God.
00:26:00A hit?
00:26:01That's what that was, right?
00:26:02A hit?
00:26:03Yes, ma'am, it was.
00:26:04God, who wouldn't want to kill me?
00:26:05Well, I'd say Luton Mount Test will be at the top of my list.
00:26:08List?
00:26:09What list?
00:26:10What?
00:26:11People are lying and wanting to kill me?
00:26:12What am I?
00:26:13A Thanksgiving turkey and people are placing orders?
00:26:15Let me drive this car.
00:26:16No, I will drive my own car.
00:26:17I will drive my own car.
00:26:18I know it's her car, but I'd like to take control of it right now.
00:26:20I think I'm in a little better mood than you are.
00:26:22Perfectly.
00:26:22I understand.
00:26:23I know you are.
00:26:24You're probably a very good driver, but I think right now, I'm the one who should be driving
00:26:28the car.
00:26:29All right.
00:26:29Maybe it's my fault, ma'am.
00:26:41Maybe they followed me and I led them to you.
00:26:43Oh, great.
00:26:44Just great.
00:26:45Until I met you, I was perfectly capable of shopping for shoes without someone trying
00:26:48to kill me.
00:26:51Oh.
00:26:52Oh.
00:26:52What is that cologne you're wearing?
00:26:56Is it brute?
00:26:57Oh, don't tell me it's brute.
00:26:59You know, ma'am, can we be just quiet for a couple of seconds, please?
00:27:03Well, I am on edge, you know.
00:27:04Yeah, well, I understand, but I'm really getting a terrible headache, really.
00:27:07Oh, no.
00:27:08Pardon me.
00:27:08All over the place.
00:27:09Five seconds ago, I almost didn't even have a head.
00:27:13And what's with this?
00:27:14This?
00:27:15Don't shrug.
00:27:16Speak.
00:27:16Look, ma'am, what you're doing is you're having this panic attack syndrome, and that
00:27:20often happens after a hit, really.
00:27:23You know all about those things, don't you?
00:27:25You're a hitman, right?
00:27:26Is that what you are?
00:27:27No, ma'am.
00:27:28Actually, see, a hitman takes a life.
00:27:29I'm a bodyguard, and a bodyguard protects it.
00:27:32So you were my father's bodyguard, and he got waxed.
00:27:35And so now you're my bodyguard?
00:27:37Oh, well, that just fills me with confidence.
00:27:39I'm like in a majorly freaking microus.
00:27:42Wow.
00:27:42Do you have any idea how powerful my father is?
00:27:45He is a very successful New York businessman who will make your life a living hell.
00:27:49It's getting there.
00:27:52Look, ma'am, please.
00:27:53I'm sorry.
00:27:53You don't have to do that.
00:27:55It's a...
00:27:55I want to see my father now.
00:27:57Your father was Angela.
00:27:58Take me to my father's house now!
00:28:08Mother?
00:28:10In here, dear.
00:28:12My God, did you hear what happened at the mall?
00:28:14It was a shootout.
00:28:16Just think of it.
00:28:17I have, really.
00:28:18Uh, I need to talk to you and Daddy immediately.
00:28:21I think I just heard your father return from his racquetball lesson.
00:28:27When did Daddy start playing racquetball?
00:28:28Your father's having an affair at the club with the racquetball instructor.
00:28:42How old is she?
00:28:45Well, the she is a he.
00:28:46Jen-Jen?
00:28:48Jen-Jen?
00:28:48Is that you?
00:28:53Daddy?
00:28:55Jen-Jen!
00:28:57Hello, loved one.
00:29:01My, my.
00:29:04Someone is looking fabulous.
00:29:06Daddy, uh, don't take this in a bad way, but have you switched affiliations?
00:29:14Oh!
00:29:17This doesn't change anything between us.
00:29:19After all, I'm still your father.
00:29:21I'm feeling better than ever, thank you.
00:29:25He's got me into great shape, don't you think?
00:29:27There's something completely irrational about all men.
00:29:44No kidding.
00:29:48So what'd they say?
00:29:51Exactly what I expected, thank you.
00:29:53They said that they are indeed my parents and that you, Mr. Mafia Pants, are full of it.
00:29:57So there.
00:29:58The emotional extortion doesn't go past here.
00:30:00And furthermore, when my turn is...
00:30:01Excuse me.
00:30:03Tell me something, ma'am.
00:30:05Is there a place where people go to learn how to behave like this,
00:30:09talking all the time in a manner designed to, like, induce a migraine in Iraq?
00:30:14I will not be talked to like this.
00:30:16Don't you understand this is not the real you?
00:30:18This is to me!
00:30:19Really?
00:30:21Do you know what is you?
00:30:24Don't kill my parents!
00:30:27They're not your parents!
00:30:29Please, promise me you won't wax them!
00:30:34For the record, it's not wax.
00:30:36It's...
00:30:37whack.
00:30:39How you doing, Whitney?
00:30:46Very well, Frankie.
00:30:47And you?
00:30:49Been better.
00:30:50Yeah, I hear.
00:30:53Look good, Whitney.
00:30:54You taking care of yourself?
00:30:55I always didn't notice the details, Frankie.
00:30:57Wait.
00:31:00You two weren't lovers.
00:31:01Whitney, it's time.
00:31:08Come on.
00:31:13Tell me.
00:31:26Come on.
00:31:27Come on.
00:31:28Simply put, when Angelo brought you to us, you were the most beautiful baby girl.
00:31:46You took my finger and sat right on my lap.
00:31:48And you kept saying the only word you knew.
00:31:52Pretty.
00:31:54Pretty.
00:31:55Over and over.
00:31:57And of course we took you.
00:32:00We would have taken you without the money.
00:32:02Although the money has been endlessly spectacular.
00:32:07I've really given you nothing, Ginger.
00:32:09Nothing except my old, ridiculous heart.
00:32:29Mom, the food's better than what we have at home.
00:32:32Well, I guess it's better than my cooking, right?
00:32:35I never really was too much of a cook.
00:32:39No, no.
00:32:41That's good.
00:32:43It's great, really.
00:32:45It is, yeah.
00:32:45But, you know, sweetheart, what I really need to talk to you about is genetics.
00:32:51You know, the way things get passed down through families.
00:32:53Like, um, it seems your grandfather, well, at least I still think he's your grandfather.
00:33:02I know.
00:33:05I guess what I'm trying to say, darling, is how are things in the showers?
00:33:10Okay, the Frankie cooking show brought to you by Beretta.
00:33:17Are you ready?
00:33:19Hello.
00:33:19Nothing, nothing, darling.
00:33:24It's just some thunder.
00:33:25Mom, I gotta go, okay?
00:33:28Okay.
00:33:29Bye, darling.
00:33:30Love you.
00:33:34So how's your boy?
00:33:37He couldn't be happier.
00:33:39I couldn't be lonelier.
00:33:40You wrecked my kitchen.
00:33:42I'm sorry about the bullet, really.
00:33:43No, I mean this.
00:33:45Oh, this.
00:33:46This is what happens when you cook a lot.
00:33:48Really?
00:33:50You know, I'm sure your kid would ever miss you.
00:33:52No.
00:33:53He really doesn't.
00:33:55I mean, why should he?
00:33:56He's got a father who cheats like a dog and, and, uh, a mother who's never had a clue what to do with her life, so.
00:34:05So tell me the truth.
00:34:07Somebody else did all this, right?
00:34:08You're just faking it.
00:34:11No.
00:34:12No, no, no.
00:34:13I love cooking, and I'll tell you what.
00:34:15Just promise me you'll eat it before it gets cold, okay?
00:34:17Sure.
00:34:20So, Frankie, what's your nickname?
00:34:25You know, your nickname.
00:34:28All you mob guys have one, right?
00:34:29Like, Louie the Lump, Charlie Fat Lips, Frankie the Food Freak.
00:34:33It's just Frankie, man.
00:34:37What's Frankie short for?
00:34:38I don't know.
00:34:39What's that got to do with anything?
00:34:40I just want to know.
00:34:42Is it Francis?
00:34:44You know, you've got much more important things to think about than that, man.
00:34:46It is Francis, isn't it?
00:34:48You've got a girl's name.
00:34:50Well, that just explains everything.
00:34:52See, so you've probably been overcompensating your whole life.
00:34:55You know, some anxiety transference syndrome to, well, you know, the macho, nonverbal Cecilia mixed in with the Brute to cover the Francis that lives inside some inner self or something or other.
00:35:07That'll be your new nickname, St. Francis the Brute.
00:35:09I don't think this the wrong way, man, but I think you're starting to give me a small hole in the side of my brain.
00:35:14I will make you a deal.
00:35:15If you promise to stop calling me man, I'll stop calling you Francis.
00:35:19And you swear to God that you made all this?
00:35:24Yes.
00:35:24I didn't even know I had any of this stuff.
00:35:27You've got a lot more than you think you have.
00:35:32Now what?
00:35:40Look, your father's dead because I didn't do my job and it's not going to happen again.
00:35:45No way.
00:35:46And I see you've got a guest house out there.
00:35:48If you don't mind, I'd like to move in.
00:35:50Because I don't trust anybody.
00:35:52There is danger everywhere.
00:35:54Everywhere I look.
00:35:57The night has a thousand eyes.
00:36:00Excuse me.
00:36:01You stole that line.
00:36:05I know from Bobby V.
00:36:06Remember when you tell those little white lies?
00:36:08The night has a thousand eyes.
00:36:09Yes, I do.
00:36:12That was playing when Peter Hackbert was trying to get under my blouse.
00:36:19I'm sorry.
00:36:20I shouldn't have said that.
00:36:22No.
00:36:24What?
00:36:26Actually, it wasn't your blouse.
00:36:27It was a bulky knit green sweater and what was playing was Bon Jovi's biggest hit to date.
00:36:33You give love a bad name.
00:36:36Jesus!
00:36:39I'm going to bed.
00:36:40Well, you can stay in the guest house, I guess.
00:36:51It's been a ridiculous day.
00:36:53Hey.
00:36:53I'm sorry.
00:36:54I'm sorry.
00:36:55I'm sorry.
00:36:56I'm sorry.
00:36:57I'm sorry.
00:36:58I'm sorry.
00:36:59I'm sorry.
00:37:00I'm sorry.
00:37:01I'm sorry.
00:37:02I'm sorry.
00:37:03I'm sorry.
00:37:04I'm sorry.
00:37:05I'm sorry.
00:37:06I'm sorry.
00:37:07I'm sorry.
00:37:08I'm sorry.
00:37:09I'm sorry.
00:37:10I'm sorry.
00:37:11I'm sorry.
00:37:12I'm sorry.
00:37:13I'm sorry.
00:37:14I'm sorry.
00:37:15I'm sorry.
00:37:16I'm sorry.
00:37:17I'm sorry.
00:37:18I'm sorry.
00:37:19I'm sorry.
00:37:20I know this sack of shit.
00:37:48This sack of shit is my husband.
00:37:51You want me to take care of this problem once and for all?
00:37:54Seriously?
00:37:54No, seriously.
00:37:55Why don't you go back to bed and let me through my job?
00:37:58Do you have a shovel downstairs?
00:37:59A shovel?
00:37:59Yeah, so I can dig a hole in it.
00:38:03What the hell is going on?
00:38:07Who the hell are you?
00:38:08Who the hell is this?
00:38:09Do you have a boyfriend already?
00:38:11This is Frankie.
00:38:12He's my bodyguard.
00:38:14Look, look, look.
00:38:14Who are you?
00:38:15What is that smell?
00:38:16It's fruit.
00:38:17Well, it's overwhelming.
00:38:19Ma'am, you don't have to tell him anything.
00:38:20Hey, you cannot talk to me in my house like that.
00:38:24It's her house.
00:38:30Reconsider.
00:38:32Darling, darling, I have to talk to you.
00:38:36Does he have to be here?
00:38:38He's just doing his job.
00:38:39What job?
00:38:40I am your husband.
00:38:42Do you mind, please?
00:38:44Sorry, Kipster.
00:38:45Look, um, about yesterday, that was simply an aberration fermented by the consumption of too much single malt scotch on an empty stomach.
00:38:57An aberration of marital ethics for which I am truly, truly grievous.
00:39:03Was it the only time?
00:39:06Oh, absolutely.
00:39:10August 14th, the airport hotel.
00:39:12Oh, okay.
00:39:13Okay.
00:39:14Yeah, the, um, the Swedish flight attendant.
00:39:16But that was the only other time.
00:39:18I...
00:39:18December 5th, Four Seasons.
00:39:20Ah, right.
00:39:22Yeah, um, um, the, the real estate lady.
00:39:25But, but she was a nooner.
00:39:26My, my only nooner, I swear to God.
00:39:28Ah!
00:39:30Jesus!
00:39:31The sky is falling.
00:39:34All right, all right.
00:39:34It's been going on for years.
00:39:37Get out.
00:39:42You should go.
00:39:44Then fine.
00:39:46Great.
00:39:48Terrific.
00:39:48Terrific.
00:39:50I'll see you in court.
00:40:02Well, there he goes.
00:40:05The past.
00:40:06The future.
00:40:08Manless.
00:40:09Nah, there'll be other men.
00:40:12I don't want other men.
00:40:17I believe in two things.
00:40:18The kindness of the saints, and there's somebody for everybody.
00:40:25Do you have a someone, Frankie?
00:40:30Sort of.
00:40:31That's nice.
00:40:34Everyone should have a someone.
00:40:35Mm-hmm.
00:40:36Mm-hmm.
00:40:57Why is everybody looking like they hate me?
00:40:59I think you're Angelo's mistress.
00:41:01Oh, Jesus!
00:41:02I feel like a lord of Catholic Church.
00:41:05We all do.
00:41:11What's he saying?
00:41:13We'll see that we're not worthy.
00:41:16Now he's talking about Christ.
00:41:18And his blood.
00:41:19And the wounds.
00:41:20More blood.
00:41:21No, the guilt.
00:41:22There's more blood.
00:41:26More wounds.
00:41:28More blood.
00:41:29Now he's back to the wounds.
00:41:36That guy over there is Bruno Manzella.
00:41:38Where?
00:41:38The guy over there with the head like an aircraft carrier.
00:41:42Is Palatesta fellow?
00:41:43Where is he?
00:41:44Right in front of him.
00:41:45The guy that looks like he should be in a box.
00:41:47Jesus, and whoever's in that age, well.
00:41:50But this is in memory of me.
00:41:52Amen.
00:41:58Angelo Alighieri was a man of great passion.
00:42:04How Verdi, Rossini, would fill his heart.
00:42:09He was a man of great sadness.
00:42:12He lost his wife, his Maria.
00:42:15Too soon.
00:42:17He never had children or grandchildren whose laughter would lighten the burden of old age.
00:42:25This was his sadness, his emptiness, to die alone.
00:42:32And so, Angelo, we remember you again.
00:42:37All in all.
00:42:39Amen.
00:42:40Amen.
00:42:41Amen.
00:42:41Amen.
00:42:42I'll remember you, Angelo.
00:42:49Remembering in Italian means vendetta.
00:42:51You keep the distance.
00:43:09Always the distance.
00:43:12Amen.
00:43:12Amen.
00:43:13Amen.
00:43:13Amen.
00:43:13Amen.
00:43:14Amen.
00:43:14Amen.
00:43:15Amen.
00:43:15Amen.
00:43:16Amen.
00:43:16Amen.
00:43:17Amen.
00:43:17Amen.
00:43:17Amen.
00:43:17Amen.
00:43:18Amen.
00:43:18Amen.
00:43:18Amen.
00:43:18Amen.
00:43:18Amen.
00:43:18Amen.
00:43:19Amen.
00:43:19Amen.
00:43:19Amen.
00:43:20Amen.
00:43:20Amen.
00:43:20Amen.
00:43:21Amen.
00:43:21Amen.
00:43:22Amen.
00:43:22Amen.
00:43:23Amen.
00:43:24Amen.
00:43:24Amen.
00:43:25Amen.
00:43:25Amen.
00:43:26Amen.
00:43:26Amen.
00:43:27Amen.
00:43:28Amen.
00:43:29Amen.
00:43:30Amen.
00:43:31Amen.
00:43:32Amen.
00:43:33Amen.
00:43:34Amen.
00:43:35Amen.
00:43:36Amen.
00:43:37Amen.
00:43:38Amen.
00:43:39Amen.
00:43:40Amen.
00:43:41You goombas never quit, do you?
00:44:11Frankie? Frankie, what's that noise?
00:44:18Just take it out the trash, ma'am.
00:44:23Frankie, did you say something?
00:44:26Nothing, ma'am. I didn't say anything.
00:44:29Now, Testy, you're using amateurs.
00:44:35Frankie?
00:44:35Frankie?
00:44:47Frankie?
00:44:48Yeah?
00:44:49May I come in?
00:44:52All right.
00:44:55Frankie, it's not exactly warm out here, you know?
00:45:03You okay?
00:45:04Oh, peachy.
00:45:06Oh, God.
00:45:09Oh, I feel like I'm in the brute center of the universe.
00:45:12I'm sorry, but...
00:45:14You know, Frankie, I am so frightened.
00:45:17I'm here, ma'am.
00:45:18Yeah, of course.
00:45:21You know what's kind of terrific about being frightened like this?
00:45:24No.
00:45:25Well, at least now I'm frightened about something specific, like being whacked,
00:45:28as opposed to the nonspecific variety, which is what I usually feel,
00:45:31like that kind of dread, the free-floating whatnot and all.
00:45:33Mm-hmm.
00:45:35Oh.
00:45:37I remember this little girl being afraid, very afraid.
00:45:41Little boogeymen under the bed and devils in the closet.
00:45:44Isn't it amazing how her innermost fears turned into this Freudian horror?
00:45:54Did you say something?
00:45:56No.
00:45:57No.
00:45:58Amazing Freudian nuances of memory and consciousness.
00:46:03When I was growing up, they sent me to an analyst.
00:46:05Everybody was going to an analyst at the time.
00:46:08He said...
00:46:08Dr. Gilmore was his name.
00:46:11He said it's not so much that...
00:46:12Well, never mind what he said.
00:46:14I lied to him all the time because, you know,
00:46:15I didn't want him telling my parents what was going on.
00:46:18Ma'am.
00:46:30Frankie?
00:46:31We got squirrels.
00:46:34Squirrels, Frankie?
00:46:35Yes, ma'am.
00:46:36Big squirrels.
00:46:37They tend to overeat, preparing for a difficult winter,
00:46:41and sometimes they bloat,
00:46:43and often they get it caught in the walls.
00:46:45Huh?
00:46:45And to get out of the walls,
00:46:47they have to deflate,
00:46:50and thus this is causing the passage of windage.
00:46:55Oh.
00:46:56Oh.
00:46:58Poor things.
00:46:59Yeah.
00:47:01Tough luck.
00:47:02Tough luck.
00:47:09Frankie?
00:47:10Mm-hmm?
00:47:10Tell me the part again.
00:47:12The part of dreaming about the saints.
00:47:18Well, there's a dream that...
00:47:21Sicilians that have never been to Sicily have.
00:47:25That's around the coast.
00:47:27...on a cliff above the water.
00:47:32And they hear this music,
00:47:34the sound of the opera coming from somewhere,
00:47:37but they don't know her.
00:47:39And they believe it's the saints who are singing
00:47:42arias of longing for what they've never known.
00:47:47And your father,
00:47:48he always told your mother
00:47:50the greatest love stories were in the opera.
00:47:54He loved her very much.
00:47:57Hmm.
00:47:59Hmm.
00:48:20Hmm.
00:48:21I'll be right back.
00:48:49Great, you made it.
00:48:51Two dozen, right?
00:48:52That's perfect.
00:48:53Perfect.
00:48:54All right, do me a favor and hang out here until the thing is over.
00:48:58You'll hear some applause.
00:48:59You'll come up to the door and I'll signal you to come on in.
00:49:02I'm not surprised.
00:49:13Do you know what you're saying?
00:49:14Not really.
00:49:15No, I know.
00:49:15He's dead.
00:49:16He's dead, yes.
00:49:17Completely dead.
00:49:19What does he say?
00:49:20Well, he wants his daughter to avenge him.
00:49:22He's saying, avenge me, my little one.
00:49:26Oh, God, I can't stand it.
00:49:29What else?
00:49:30Give the man who gave me life, peace and death.
00:49:34La vendetta et tutto.
00:49:37La vendetta et...
00:49:39Tutto.
00:49:40Tutto.
00:49:44Interesting.
00:49:45It's amazing.
00:49:57Maturo.
00:50:01Wow.
00:50:08Can you believe it? He threw me a rose. A white rose.
00:50:13Yeah, it's nice, but I always thought the red ones were the special ones.
00:50:16Oh, no, you don't understand why it is special. It's pure.
00:50:19Not like red ones. Everybody has red roses.
00:50:34So, how'd you like the opera?
00:50:36Oh, more than I could imagine.
00:50:38Yeah, well, Angel will love it.
00:50:40My father. Was he handsome when he was young?
00:50:46Yeah, very. And your mother, she'd be able to walk across the room and everything would just stop.
00:50:51And I remember the one time at this wedding, she made me dance with her.
00:50:55Were you embarrassed?
00:50:56Of course I was embarrassed. I was just a kid, but, you know, she was pregnant with you.
00:51:01Well, actually, that means you were the first person I ever danced with.
00:51:05I guess.
00:51:07I like that thought.
00:51:11Frank, you tell me something. Why haven't you ever been married?
00:51:14I'm just waiting.
00:51:15Are you saying you've never been in love?
00:51:17Love's like this temporary form of insanity, isn't it?
00:51:20And you've never been insane.
00:51:37You're reading that?
00:51:38Mm.
00:51:39He's Marcello. He turns everything into such a passion. I can't put it down.
00:51:43Mm.
00:51:44Have you ever read him?
00:51:45I don't think I'd like the guy.
00:51:46Why not?
00:51:47He looks a little too smooth.
00:51:50What's wrong with smooth?
00:51:52I don't know what's wrong with it.
00:51:53It's just that I know guys like that, strutting around like roosters, taking credit for the sunrise.
00:51:57Sometimes I just think smooth is not too appealing.
00:52:00That's it.
00:52:01So you don't think it's possible for man to be called beautiful?
00:52:03No, no. I believe there's a possible exception for every rule in the book.
00:52:06But personally, I've never stood on a chair in a loud voice yelling,
00:52:10Hey, guy, you're really kind of gorgeous.
00:52:14Want to go to Palm Springs this weekend or whatever?
00:52:17No. But see, women, women are totally different about this.
00:52:19Women have been known on occasion to go absolutely crazy over a guy.
00:52:24I know. Believe me.
00:52:25You know?
00:52:26Mm-hmm.
00:52:27You know, the first time I saw it is when Sammy Carboni's kid came back to Queens.
00:52:31He was living over in Italy.
00:52:33And Angela wanted to know what he was like, so he had me follow him.
00:52:36And one day, I see all these little girls going absolutely cuckoo nuts over some kid.
00:52:42It's like this kid was a golden boy that the sun was shining on all the time.
00:52:46He's the kind of kid that like every 13-year-old kid wanted to be like.
00:52:50I know. So I was just watching this.
00:52:56Why were you watching?
00:52:57Well, it was, uh, Carboni.
00:52:58Johnny Carboni.
00:52:59His son of Sammy Carboni.
00:53:00Yeah, right, right.
00:53:01The guy that Luchamala tested murdered and...
00:53:02Right, yeah.
00:53:03Tried to blame Angela.
00:53:04I think he's coming over here.
00:53:05What should I say?
00:53:06How do I look?
00:53:07I mean, if you were walking over here looking at me, what would you think?
00:53:09You wouldn't want to know.
00:53:10I do.
00:53:11I would.
00:53:12Frankie, I'm serious.
00:53:13He's getting closer.
00:53:14What would you want me to look like?
00:53:15What are you doing?
00:53:16I don't know.
00:53:17Just trust me on this one.
00:53:18I don't know.
00:53:19I don't know.
00:53:20I don't know.
00:53:21I don't know.
00:53:22I don't know.
00:53:23I don't know.
00:53:24He's coming over here.
00:53:25What should I say?
00:53:26How do I look?
00:53:27I mean, if you were walking over here looking at me, what would you think?
00:53:28You wouldn't want to know.
00:53:29I do.
00:53:30You wouldn't?
00:53:31I would.
00:53:32Frankie, I'm serious.
00:53:33He's getting closer.
00:53:34What would you want me to look like?
00:53:36What are you doing?
00:53:37Just trust me on this one.
00:53:51So, what do you think?
00:54:09What do I think?
00:54:13Are you together?
00:54:17Yes.
00:54:19I, no, I mean, I mean, no, he's the...
00:54:22Security consultant.
00:54:23You mean the bodyguard?
00:54:27I'm not good at pretending.
00:54:29We've been watching each other.
00:54:30So, forgive me if I cause offense,
00:54:32burying my heart and telling the truth.
00:54:34You see, my soul has to make it before you.
00:54:38Maybe you ought to go back to his table
00:54:39and get dressed so he doesn't catch a cold.
00:54:41No.
00:54:43He's just joking.
00:54:45You are Jennifer Barry, yes?
00:54:47Yes, I know.
00:54:48I wanted to thank you for arranging my reading at your club.
00:54:52But you seem, how shall I say, distracted.
00:54:55I, I'm such a great admirer of yours.
00:54:57I've read all of your books over and over and, and...
00:55:01Miss Barrett.
00:55:02Over what?
00:55:04Jennifer.
00:55:05Jennifer.
00:55:06May I call you?
00:55:16I apologize if you're disturbing you.
00:55:21Oh, my God.
00:55:24Can you believe it?
00:55:25Frankie, did Angelo...
00:55:40Did my father really want to protect me?
00:55:44Protect you?
00:55:45Your father used to drive by here on summer nights
00:55:49and watch you go swimming in the moonlight.
00:55:52And he'd see you up in the balcony.
00:55:54You know, combing her hair,
00:55:56talking on the phone to this guy and that,
00:55:58and coming home from school
00:56:00and kicking up those leaves
00:56:01and the dying light of fall.
00:56:03And I saw these singers, too,
00:56:05and I'm definitely talking too much.
00:56:07And I was just living my life.
00:56:09And you were there?
00:56:12The whole time?
00:56:14Yes, ma'am.
00:56:16Spying on me?
00:56:19Spying?
00:56:20No, I wouldn't say that at all.
00:56:22I was watching.
00:56:24For your information, I knew when to turn away.
00:56:27Did you have anything to do with Bobby Jordan?
00:56:30Excuse me?
00:56:32Bobby Jordan.
00:56:34Bobby Jordan.
00:56:35Bobby Jordan.
00:56:38No.
00:56:39I can't recall that.
00:56:41Bobby? Jordan?
00:56:42No.
00:56:43I went with him in high school.
00:56:45He was cheating on me the whole time.
00:56:47I was so crazy about him,
00:56:49I swear I would have married him.
00:56:51And then he just got strange one day.
00:56:53No!
00:56:54No, no, Frankie!
00:56:55No, Frankie!
00:56:57He stopped talking to me.
00:56:59Young guys can go through this neurotic phase.
00:57:02Well, it's not just guys.
00:57:03Could I have some more on the set?
00:57:04Sure.
00:57:05What about Polly Peters?
00:57:10Do you remember her?
00:57:12No, I never heard of her.
00:57:16Polly Peters.
00:57:17Well, she was this mean, nasty witch who started spreading all these awful stories about me sleeping around.
00:57:22She was destroying my reputation.
00:57:24Yeah, we know the most fragile thing in the world is a woman's reputation.
00:57:27Well, it all stopped.
00:57:29Right after this terrible thing happened to her car.
00:57:32It's like she just sort of upped and moved to another school.
00:57:46Hmm.
00:57:47You know something, Francis?
00:57:50We're becoming friends.
00:57:51Did you realize that?
00:57:53No, I didn't know that.
00:57:55Well, like it or not, we are.
00:57:57Do you realize that you never call me Jennifer?
00:58:03You may, you know.
00:58:05That being my name and all.
00:58:11Good night, Francis.
00:58:17Good night, Jennifer.
00:58:19Good night, Jennifer.
00:58:19Good night.
00:58:27Oh, my God.
00:58:35The door's closed.
00:58:36Okay, okay, okay, okay.
00:58:38What are you going to do?
00:58:39Just stay here.
00:58:40Go somewhere.
00:58:41Go, go.
00:58:41Get down.
00:58:42No, I'm serious.
00:58:43Go somewhere.
00:58:43Help me, all right?
00:58:44Stay back.
00:58:45Stay back.
00:58:46No.
00:58:46No.
00:58:47Yes.
00:58:48No.
00:58:49Yes.
00:58:49No.
00:58:49Yes.
00:58:52No.
00:58:57I know this guy.
00:59:14He used to work for Nala tested before the strews moved to Chicago.
00:59:17We better move the strews because I've got neighbors all over the place.
00:59:20God, so aggravated.
00:59:22Aggravated?
00:59:23Aggravated, yes.
00:59:26Answer it.
00:59:27Now.
00:59:28Yes.
00:59:28No.
00:59:29Don't hit me.
00:59:31Hold this.
00:59:35Oh, Raleigh, honey, I miss you so.
00:59:37Mom.
00:59:38Yes, baby?
00:59:39Make sure you call me tomorrow.
00:59:42You know I will.
00:59:44I love you, too.
00:59:45All right.
00:59:46Bye, baby.
00:59:53I can't effing believe it.
00:59:55My son actually calls me five minutes after one of Malatesta's goons tries to wax me.
01:00:02Where do they succeed next time?
01:00:03Where does that leave Raleigh?
01:00:04I'll tell you where that leaves Raleigh.
01:00:06It leaves him without a mother.
01:00:08Oh, God.
01:00:11My son is not going to be an orphan.
01:00:13I made a decision, Frankie.
01:00:27Yeah?
01:00:27What's that?
01:00:28I have to whack Malatesta.
01:00:32You're going to whack Malatesta?
01:00:35Frankie, my will and the wind days are over.
01:00:39You know, you're getting in your head.
01:00:40Way over your head on this one, really.
01:00:42And Alighetti does not bow down.
01:00:44I'm sorry I ever told you that.
01:00:59Relax.
01:01:00Relax.
01:01:01It doesn't look great.
01:01:04It's so good that I can't deny you.
01:01:08It's so good that I'm just sitting beside you.
01:01:19It's so good that it's so good whenever I'm with you.
01:01:25Just beautiful.
01:01:27It's perfect whenever I kiss you.
01:01:30It's so good whenever I'm with you.
01:01:36So, you think you get this vengeance thing all figured out?
01:01:48You know how it's done?
01:01:49Done?
01:01:51Oh, you're going to say it?
01:01:52Yeah.
01:01:52Uh, no.
01:01:54Well, it's not as easy as it looks.
01:01:58There's all kinds of courage, you know?
01:02:02I know.
01:02:02A woman's courage should never be underestimated.
01:02:07Ever be underestimated.
01:02:10Ever?
01:02:11Let's go over it again.
01:02:13Go over what?
01:02:15Plan.
01:02:17We go to the Valhalla Inn.
01:02:20You wait in the parking lot.
01:02:22I walk in.
01:02:23My wife Testa takes a good look at me.
01:02:25He thinks he could have any woman because he's a little tweaked, you know, even at his age.
01:02:28I bat my eyes, and then I whack him.
01:02:35And you think you can do this?
01:02:37Do I think I can do this?
01:02:40Okay.
01:02:42Show me.
01:02:43What?
01:02:44Your walk.
01:02:44Why?
01:02:45Because you go in that place, and your walk doesn't match your attitude, and your attitude doesn't match your walk.
01:02:50You're going to be in a bag, and the bag's going to be in the river.
01:02:53Really?
01:02:53Watch this.
01:03:00That is nothing short of terrible.
01:03:02Are you telling me how to walk now?
01:03:04Well, somebody's got it.
01:03:05You think you can do it?
01:03:08Maybe.
01:03:10I ain't got to put me to the spot.
01:03:12Okay.
01:03:15What am I doing?
01:03:15Forget about it.
01:03:16Come on, Jennifer.
01:03:17This is your job.
01:03:18Come on.
01:03:18You said you could do it and like me a little bit.
01:03:20Come on.
01:03:21You can do it.
01:03:21One, two, one, two, that's it.
01:03:26Yeah, what are you, ankle damage?
01:03:28You're really starting to irritate me right now.
01:03:30Just follow me.
01:03:31Just follow me.
01:03:31I can figure this out.
01:03:32Ready?
01:03:33Let's go.
01:03:34One, two, cross over like an antelope.
01:03:37Back.
01:03:38Back.
01:03:38I don't think this is right to be going in here alone.
01:03:57I'll be fine.
01:03:58I don't know about that because I think it's better if I go in there and maybe hang out in the back in case there's any trouble.
01:04:03Frankie, no.
01:04:04If this is my life now, I've got to learn to handle something on my own.
01:04:08You can't keep bailing me out.
01:04:12All right.
01:04:14He'll be at the corner table, probably on the phone whacking somebody long distance.
01:04:19Oh, Jennifer.
01:04:35The ring.
01:04:38The ring.
01:04:46The boss says you need a rope.
01:04:47Oh, yeah.
01:05:17There's, uh, someone at my table that would, uh, really like to meet you.
01:05:26Maybe that someone should have had the manners to come over here and introduce himself.
01:05:30Don't be a fucking idiot.
01:05:32Simple.
01:05:33Direct.
01:05:33I like that in a man.
01:05:34So, uh, I know you.
01:05:46She's Angelos.
01:05:48Was.
01:05:49So now you've come over to the A-team.
01:05:52You don't exactly look bereft with grief and, uh, whatnot.
01:05:56He was old.
01:05:58What am I?
01:06:01Springtime.
01:06:01Maybe you're different.
01:06:03Maybe.
01:06:04Maybe.
01:06:05Where the hell do you think you're going?
01:06:14You're fantastic.
01:06:15What's the matter with him?
01:06:23What's going on?
01:06:24Goddamn ticker.
01:06:25Ticker?
01:06:26Billy, call the ambulance.
01:06:27Get some help.
01:06:28Call the doctor.
01:06:29Don't help so much.
01:06:30Good angel, my good luck piece.
01:06:45Maybe you shouldn't talk.
01:06:46Rest.
01:06:46Bruno, shut up.
01:06:49She comes with me.
01:06:50I keep telling you to tell me to shit.
01:07:07All right.
01:07:09It's fine.
01:07:11You'll see.
01:07:12I'll see?
01:07:14Get me a priest.
01:07:16I thought you got to stop so we can get ourselves a priest.
01:07:18What do you need a priest for?
01:07:19You, sit there and fix your hair.
01:07:21All right?
01:07:22Relax.
01:07:23You'll be fine.
01:07:23Your big night's coming.
01:07:26Hail Mary for the grace of the...
01:07:28Oh.
01:07:29Is anyone there?
01:07:31Anyone?
01:07:31Could you please get these goons on my back?
01:07:33Please, please.
01:07:35Amen.
01:07:36Amen.
01:07:41This is for less rights, I presume.
01:07:45Hey, Father, relax.
01:07:46It's Lucio's little fantasy.
01:07:47He likes pretending that he's married to all his bimbos.
01:07:51Jennifer.
01:07:54Jennifer.
01:07:56My heart ain't no fight to him, wives.
01:07:59But what the hell?
01:08:01I want to go out special.
01:08:04Like married to you.
01:08:06But I am married.
01:08:08Don't go getting technical.
01:08:09But I'm married.
01:08:11No, no, no.
01:08:11The church cannot allow...
01:08:13So, Father, you're going to pull some strings, right?
01:08:15The church cannot allow such a love so pure to go.
01:08:19I'm an old man with a couple of months to live.
01:08:22He was a young brother and a mate.
01:08:23So, what the hell?
01:08:25Love, like all the things are fine and true,
01:08:27it takes time to blossom and bloom.
01:08:30Blow me with blossoming and a blooming.
01:08:32Do it.
01:08:33Your man and wife, kiss the bride.
01:08:35You heard him.
01:08:49Everything's all right.
01:08:50I got the doctor in one room and a broad in the other, all right?
01:08:53Be careful with it.
01:08:54And what the hell is this?
01:09:06It's your wedding, true self.
01:09:07Put it on.
01:09:14Move!
01:09:18Dog, all he does is bark.
01:09:23Dog's been barking all night long.
01:09:31Where's my bride?
01:09:36Ow!
01:09:40Shut up!
01:09:41All you do is sit down and bark.
01:09:43You're useless.
01:09:43Yeah.
01:09:49Too bad, huh?
01:09:50Do me a favor.
01:09:51Why does retard reshuffle?
01:09:52Should we go check on the old man for me?
01:09:54Why do you call me a retard for?
01:09:56I thought I'd...
01:09:57I do to you.
01:09:57I explain cards, that's all.
01:09:59Spell ecclesiastical.
01:10:01Exclesi...
01:10:01I'm retarded.
01:10:05Exclesiastical.
01:10:06What is that?
01:10:09Exclesiastical.
01:10:09Stop talking.
01:10:10This is also going to return to church.
01:10:12Where are you, my beloved?
01:10:17There's only me out here now.
01:10:25Oh.
01:10:27Look at you.
01:10:29Like an angel you are.
01:10:32Look at me like some dried up pruned creature.
01:10:37Oh, mi amore.
01:10:48But tonight I'm coming back from the dead like some mighty oak rising out of some dead jungle.
01:10:56But angel face, we must go slow.
01:11:00Very slow.
01:11:01You know?
01:11:03Like...
01:11:03Molten lava.
01:11:07Oh.
01:11:10There's a few more tunes to be played on this flute.
01:11:14But you must be careful of the ticker.
01:11:17Thanks a lot for that last one.
01:11:40Let's play cheese the bitch.
01:11:42No, we're playing a different.
01:11:43I know how to play cheese the bitch.
01:11:44I know how to play cheese the bitch.
01:11:45Really?
01:11:46Is your mother in this game?
01:11:47I didn't know how to play it.
01:11:48Yeah, I got the 400 in it.
01:11:49What are you gonna do, huh?
01:11:50Hey, man or a man.
01:11:51Hey!
01:11:52The floor!
01:11:53Get off your ass!
01:11:54Let's go!
01:11:55Let's go!
01:11:56Let's go!
01:11:57Let's go!
01:11:58No!
01:11:59No!
01:12:00No!
01:12:01No!
01:12:02No!
01:12:03No!
01:12:04No!
01:12:05No!
01:12:06No!
01:12:07No!
01:12:08No!
01:12:09No!
01:12:10Stop it!
01:12:12Stop it!
01:12:13$%$$$!
01:12:14Koh María te 피 $%$%, a math $$$$
01:12:18It's payback time.
01:12:19No!
01:12:21No!
01:12:23Jennifer!
01:12:24Frank?
01:12:25Colby?
01:12:26Come on!
01:12:27No!
01:12:28No!
01:12:29No!
01:12:30No!
01:12:31Car
01:12:37I did it!
01:12:38Did what?
01:12:39What did you do?
01:12:40I whacked Malatesta.
01:12:41You did?
01:12:42No, you didn't.
01:12:43I did too.
01:12:44Oh, come on.
01:12:45You didn't.
01:12:46I did too.
01:12:47He looked pretty dead.
01:12:48Really?
01:12:49How?
01:12:50You want to know how?
01:12:51Look, I wasn't there.
01:12:52I'm asking how.
01:12:53I'm married him to death.
01:12:54That'll do it.
01:12:56Yeah.
01:12:57Cheers.
01:12:58Cheers.
01:13:08If I don't have any more enemies, does that...
01:13:12Does that mean that you won't be around?
01:13:17Surely I must still be in...
01:13:19Great danger.
01:13:20Yeah.
01:13:21Yeah, there's still a few bad guys hanging around.
01:13:28I think it's Raleigh.
01:13:30I'll get it.
01:13:31Do you miss me?
01:13:41Hello?
01:13:42Oh.
01:13:43Oh, Martello, I forgot.
01:13:47Um, no, it's not too late.
01:13:49It's not.
01:13:50Um...
01:13:51Yes, tomorrow would be all right.
01:13:57Mm-hmm.
01:14:18What are you doing, Bruno?
01:14:20Wanna know what the old man's last words were?
01:14:22Try the clams.
01:14:24There.
01:14:25Fabulous.
01:14:27You got any last words?
01:14:31You ever read this book?
01:14:32If I read that book, not only does that insult my intelligence, it insults my ignorance.
01:14:38Why would a man like me, who happens to like himself, be caught dead reading a bit of boy toy fluff like that?
01:14:45Because it's a killer.
01:14:46You have a lot of anger in you, Bruno.
01:14:51You have a lot of anger in you, Bruno.
01:14:52You have a lot of anger in you, Bruno.
01:14:53You've been working.
01:14:54Yeah, a little home improvement.
01:14:55You've been working.
01:14:56You've been working.
01:14:57Yeah, a little home improvement.
01:14:59You've got stuff here.
01:15:00Oh.
01:15:01You've got stuff here.
01:15:02You got to, you didn't.
01:15:03Oh.
01:15:04You got to, you didn't?
01:15:05You've been working.
01:15:22Yeah, a little home improvement.
01:15:24You got stuff here.
01:15:29You got to, you didn't.
01:15:35You okay?
01:15:54It's just drinks.
01:15:57It's none of my business. I wasn't asking that.
01:16:00No.
01:16:01But I know you.
01:16:02You know me.
01:16:07Orchello asked me to go to Sicily with him.
01:16:11So I guess you're...
01:16:14Going.
01:16:16Of course.
01:16:18It's no big deal or anything.
01:16:23What are you afraid of?
01:16:27Telling me something I want to hear?
01:16:29Telling me something that I'm more than just some obligation?
01:16:32Maybe I mean something to you?
01:17:02I ran away and never returned.
01:17:21From then on, I became a kind of legend surrounded by a mystery fed on itself.
01:17:28Some people thought I ran drugs, and others suspected I became a killer.
01:17:34None of that came close to explaining what happened.
01:17:37See, I'm talking about a kind of pain that eats away you and never leaves.
01:17:42I want you to know it.
01:17:43I want you to know it.
01:17:47I want you to feel it.
01:17:49Watch out for the one who feels pain.
01:17:56And wants you to know it.
01:18:00Chuck.
01:18:00Dad.
01:18:06I'll do it.
01:18:20I'll do it.
01:18:51This is my mother.
01:19:11We're in the opera house.
01:19:15Happy.
01:19:15I have to tell you something.
01:19:25I'm not who I say I am.
01:19:28My name is not really Jennifer Barrett.
01:19:31I'm an Alighieri.
01:19:33My father was a man named Angela Alighieri, and he was...
01:19:37I know.
01:19:42You know.
01:19:45And do you want to know who I am?
01:19:48I know who you are, Marcello.
01:19:50You have no fucking idea who I am.
01:19:55What?
01:19:56Your father, he killed my father.
01:20:00Marcello, what do you...
01:20:00Call me Gianni.
01:20:02Sammy's son.
01:20:03Sammy who?
01:20:05Sammy Carbone.
01:20:06Angelo murdered him, standing there and armed, with only a golf club in his hands.
01:20:11Such a cow.
01:20:12No, you're making a mistake.
01:20:14Enough.
01:20:14What your father did, it lives in me like it was yesterday.
01:20:20That pain, eating away.
01:20:22Gianni, or Marcello, whatever you...
01:20:24Marcello, what a freaking stupid name.
01:20:26I like that name.
01:20:27Those stupid books.
01:20:29I couldn't believe my luck.
01:20:31But then Bruno said, you needed your little fantasies.
01:20:35Bruno.
01:20:36You killed my father and not Malatesta?
01:20:40Jennifer, please, understand.
01:20:43La vendetta è tutto.
01:20:45Vendetta?
01:20:47Oh, enough with all that.
01:20:54Hey, Jennifer.
01:20:55Figlio di puttana.
01:20:56Ah, parli italiano.
01:20:58I had a great teacher, and right now I miss him.
01:21:00Oh, of course, Frankie.
01:21:02Such a pain he was.
01:21:04It hurt me to see you so happy with him.
01:21:07Jennifer, please, understand.
01:21:10I must do this.
01:21:12My ancestors demand of me.
01:21:17Brute?
01:21:27Frankie!
01:21:28Frankie!
01:21:34How bad is it?
01:21:52It's all right.
01:21:55This is a theater.
01:21:57Angelo was right.
01:21:58He said I'd be back someday.
01:21:59You know, when I was a boy with Angelo, I'd watch you.
01:22:09I would.
01:22:10On summer nights, I'd watch you, and I'd memorize your face in the moonlight.
01:22:16I fell in love with you then.
01:22:19And I guess I'm falling still.
01:22:22Frankie, I love you.
01:22:25So don't you do anything dumb like die on me right after you made an omission like that.
01:22:28Because you should have made it a long time ago.
01:22:37Fair enough.
01:22:38I'll be right into this.
01:22:39I'll see you.
01:23:11You know, Angelo used to say there's never perfect people, only perfect moments.
01:23:22And of course he was right because I'm living one of them, doing something I love in a place
01:23:26that I love, with a new family that I love.
01:23:30Go and get Frankie for me, will you?
01:23:32Thank you, Ronnie.
01:23:36Frankie!
01:23:37Frankie!
01:23:38Mom says he's got to get pink.
01:23:39He's got to go.
01:23:40Or else!
01:23:41Oh!
01:23:45Needless to say, Jennifer has found her roots and is becoming more like an authentic Italian
01:23:50mother every day.
01:23:51And I'm enjoying being around it all.
01:23:53And why not?
01:23:55Isn't living better than watching?
01:24:00So, Angelo, if you're listening, I have to apologize.
01:24:03I just couldn't keep the distance anymore.
01:24:06I just couldn't keep the distance anymore.
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