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  • 2 days ago
James Mangold shares the difficulties of filming "Indiana Jones and the Dial of Destiny" during the pandemic. Plus, he praises Steven Spielberg's work with "Raiders of the Lost Ark."
Transcript
00:00When you signed on to this project, where did you start?
00:04Script. It's where you always have to start. What is the story?
00:07And for me, I don't think we felt like we were there yet,
00:11so the biggest first responsibility I felt was to get enough time,
00:16push back the release date and get the script right,
00:18because I think too often these days movies are made for a date
00:22instead of to tell a story.
00:24And we figured out what that story was and then we set about making it.
00:30How did you want to send Harrison Ford off with this movie?
00:33Well, first of all, with something of quality that represents the kind of integrity
00:38his legacy of work represents.
00:42In this movie, of course, compared to when the first film came out,
00:46there are way more special effects available, but fans love this franchise
00:49for the practical effects, for the actual car explosions.
00:52How did you want to balance both of those special effects and practical effects?
00:55Well, we made this movie at the height of the pandemic,
00:57so it is a real challenge making a globe-trotting mega picture
01:03when the entire world is in lockdown.
01:05But those aesthetics still apply.
01:07We traveled, you know, at one point we were going to India,
01:10then we had to shift it to Morocco because the pandemic was,
01:13in terms of what was impossible or closed, boundaries suddenly closed.
01:17But we stayed flexible and we kept working, and we did travel the world,
01:23and we did go to real places, and that for me is part of the character of these films.
01:28There are so many fans of the franchise here today so excited to see the movie.
01:32What are you most excited for these fans to see in the film?
01:34Well, I think the moment that the Disney logo vanishes and you're plunged into action in this movie,
01:40and you hear the bombs falling and John Williams' music, his trumpets and brass playing,
01:46I think you're just transported into a world, not only of Indiana Jones that we miss,
01:52but for me, a kind of more classical style of filmmaking that, you know, one of the reasons I was so eager to join with this team,
02:01despite all the reasons you might go, whoa, do you want to really step into this mix,
02:06is that, you know, Steven Spielberg represents to me, he's one of my idols.
02:13You know, when I was 17, I came to the Indiana Jones and Raiders of the Lost Ark on the very first day,
02:19on the first matinee, and Steven was one of the people who made me want to be a movie director,
02:24so the chance to collaborate with him and also the kind of shared aesthetic,
02:31which is that I think, you know, Steven and George have always been in love with Golden Age films
02:37and mining them and the classic Hollywood style for what is an incredible portfolio of work
02:45that has literally changed the course of cinema and business.
02:48And I love old-school classic filmmaking, so I think it was a very pleasurable, easy fit.
02:56Thank you so much. Have a great night.
02:58Thank you. Thank you.
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