Entra nel cuore di Zootropolis 2! Scopri i segreti della nuova avventura animata direttamente dalla producer Yvett Merino. Quali sfide e ispirazioni si celano dietro questo sequel tanto atteso?
Merino svela come il team di 700 artisti ha espanso il mondo di Zootropolis, creando nuove aree come Marsh Market e le pareti meteorologiche. Un film sull'amicizia, l'inclusione e l'importanza di ascoltarsi, soprattutto in una produzione così complessa.
Come si distingue l'animazione tradizionale dall'arte generata dall'intelligenza artificiale? Merano sottolinea il tocco umano e la creatività che rendono speciale ogni film Disney. E per il futuro? Forse un omaggio a "La Bella e la Bestia"...
00:00Hi Beth, thank you for being here for this time and congratulations for this second adventure in Zootopia.
00:09The film is even richer than the first one, so what was the most fun about expanding the landscape and the locations?
00:18Yeah, it is such a fun world to be in. I think it's a world really where we as artists can think anything is possible and we can kind of create anything.
00:28So as we go into the new areas like Marsh Market or we go inside the weather walls that we see for the first time, it's really exciting to expand these areas and to think that, you know, I want to believe that Marsh Market existed when in the first film, we just didn't get to it.
00:50And so it's a world that always existed, so it's always fun to design new areas.
00:54And this movie is obviously about friendship and inclusion, but I thought that was also a movie about the importance to learn, to listen to each other, to listen to the people who are next to you.
01:12So in a crowded production like an animated one, how art is it to listen to each other, to understand each other?
01:22Yeah, I think that's a, it is a big question and it's a big topic that we talk a lot about.
01:33And we have an artist, you know, we, as we mentioned, we had 700 artists on this film and to make sure that they are all one going in the right direction, the same direction, but also taking that time to listen to each other.
01:50It is something that the directors and I talked about a lot, very early on to make sure that we wanted this film to, we knew this was going to be a difficult film to make, but we wanted to have a good time.
02:02And part of that is building the trust with our teams and making sure that people feel comfortable speaking up, even though they may have a different point of view, even though they may be different.
02:13And really it's making the space for those differences that helped us kind of all as a, as a whole crew move forward.
02:21And in this moment in time, it's very delicate for, for, for art in general.
02:29I mean, with artificial intelligence, with just a prompt, everyone can image, to animate something.
02:38So, um, in a, such a delicate and a transformative moment for, um, for the arts, uh, what makes an animation, a proper animation different from that, that kind of, uh, uh, eye-driven images?
02:54Yeah, I think, um, honestly, it's the people who do it.
02:59If the, the way we make these films is every, it goes through every single department, everybody, you know,
03:06whether it's our story department, our art department, our editing department, it all, there's creative aspects in all of it.
03:14And to have a human hand touch it and really kind of put their creative input on it.
03:19Every single shot was animated, you know, individually by our animators and having them put their creative input into it is really what I believe makes our Disney animated film special.
03:32Yeah, I'm agree.
03:33And, uh, last question, um, in the first film, there was a beautiful reference to Breaking Bad, the TV series.
03:41And in this one, there is a, a, a, a, a very fun, uh, reference to The Shining, uh, by Stanley Kubrick.
03:48So, if, uh, if, uh, there will be a third, uh, movie, and I hope so, and I think so, um, there is some, uh, already something, uh, do you have, uh, do you have, do you have in mind?
04:02Or, uh, the references, uh, uh, are, uh, more organic and, uh, we have to wait.
04:08Well, I think we all have to wait a little bit for that one, but, um, you know, I always think of, you know, Zootopia as this whole world of animals.
04:18And a whole world, Zootopia is a very small place on an entire world of animals.
04:23And so, when you think of it that way, you know that, like, there are thousands of stories, unlimited amount of stories that we can tell.
04:31Um, and as for a movie reference that I would love to see, I grew up loving Beauty and the Beast, so that was always one of my favorite films.
04:39So, maybe we can get a little sneak of, of maybe Belle or maybe the horse in there.
04:45Yeah, there is something in the yellow dress, uh, of Judy.
04:49There is, there is a little nod that way, yes.
04:53I love the movie.
04:55So, thank you very much for bringing the movie here in Italy and to the big screen, obviously.
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