- 4 months ago
Her name was Anna, and she's replaced by her killer (Olivia d'Abo). The scene switches to the US, where a busy wife and husband are expecting Anna's arrival as their daughter's new au pair. When "Anna" shows up, she starts causing trouble right away.
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Short filmTranscript
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00:03:59I'm going back now.
00:04:29I'm going back now.
00:04:59I'm going back now.
00:05:29I'm going back now.
00:05:59I'm going back now.
00:06:29I was just practicing.
00:06:32That's your mother's favorite lamp.
00:06:34I'm sorry, Dad.
00:06:36You smashed me.
00:06:38Oh.
00:06:38I didn't mean it was an accident.
00:06:42It really was, Dad.
00:06:44I know, honey.
00:06:45I know it was an accident.
00:06:46But this is why we don't play too bold in the house, okay?
00:06:51Okay.
00:06:51I'll take it outside.
00:06:52Here we go.
00:06:53Two tablespoons of raisins, three tablespoons of vinegar, one teaspoon of onions, two tablespoons of olive oil, five tablespoons of nuts.
00:07:01Well?
00:07:08Nick?
00:07:09Hey, Mom, what's going on here?
00:07:15It's under control.
00:07:17Christina, Chrissy, how many times have I told you not to play t-ball in the house?
00:07:22I forgot.
00:07:24We've been through this already, okay?
00:07:27I handled it.
00:07:30Okay, it's under control.
00:07:35Oh!
00:07:39Dinner is served.
00:07:49Anyway, they handed me Roger Perlman's old office, you know, the corner one with the view.
00:07:54Charlie's been after it for five years.
00:07:57Pass the fried rice, please.
00:07:59Well, they spent a lot of money to lure you out here.
00:08:01It's in their best interest to keep you happy.
00:08:02That's for you.
00:08:03Yeah, but Charlie isn't talking to me now.
00:08:06I mean, this is so ridiculous.
00:08:07How was your day?
00:08:10Oh, the usual.
00:08:11Doing the marketing, fighting with a butcher, slaving over a hot stove.
00:08:18Sweetheart, you really gonna eat all that?
00:08:22I'm hungry.
00:08:25Oh, yeah, and Sid called.
00:08:27Well, you got the job?
00:08:27I don't know.
00:08:29The publicity people at the studio love the concept.
00:08:31There's one more VP that has to sign off on it, but Sid says I'm a shoo-in.
00:08:38Oh, honey, that's great.
00:08:40Oh, Sid.
00:08:41What?
00:08:42I left him hanging on the phone when that little crisis hit it with the lamp.
00:08:46You must think I got sucked into a black hole.
00:08:47You're awfully quiet tonight.
00:09:02We went to the park this afternoon.
00:09:06Nobody was there.
00:09:08Dad said all the kids are in summer camp.
00:09:10I'm sorry.
00:09:14You know, we tried to get you in.
00:09:16We just applied too late.
00:09:19Nope.
00:09:20He's gone.
00:09:21I have to call him in the morning.
00:09:23You know, Anna's gonna be here in the next couple of days.
00:09:26You get to do lots of things with her.
00:09:28Mm-hmm.
00:09:28Seems to me we are pinning a lot of hopes on this girl.
00:09:36Cooking, cleaning, taking care of Chrissy.
00:09:38Big job.
00:09:40You know, my sister had repairs.
00:09:42They worked out really well.
00:09:44Hey, look, I want it to work as much as you do.
00:09:47Probably more.
00:09:48I just don't harbor any illusions that she's gonna march in here like Mary Poppins,
00:09:52wave her magic umbrella,
00:09:54and suddenly put our lives in order.
00:09:58You never know.
00:10:04Why do they call her an old pair, Mom?
00:10:08You mean au pair.
00:10:10I don't know.
00:10:11It's French for something.
00:10:13I thought Anna was Swedish.
00:10:15She is Swedish.
00:10:15That's just what they call someone who looks after children.
00:10:19Mom?
00:10:19Huh?
00:10:21What if she doesn't like me?
00:10:23Well, of course she's gonna like you.
00:10:25Who doesn't?
00:10:25I promise you and Anna are gonna be the best of friends.
00:10:30You know your cousin Sarah?
00:10:32And her au pair?
00:10:32They really love each other.
00:10:35Come on, in the bed.
00:10:42Love it.
00:10:43Can you take me to Mystery Mountain this week?
00:10:54Mmm, I wish I could.
00:10:56I've got to work.
00:10:57You've got to work.
00:10:59Daddy's got to work.
00:11:00Well, let's see what we could do.
00:11:03We could plan on going later on in the month.
00:11:06Oh, but wait a minute.
00:11:09What?
00:11:09Daddy says we only go to Mystery Mountain when it's a special celebration.
00:11:14If only we had a special celebration coming up.
00:11:17My birthday.
00:11:19Your birthday?
00:11:21Of course.
00:11:23You knew that all the time.
00:11:26I did.
00:11:26Good night.
00:11:28Good night.
00:11:32I love you.
00:11:33I love you, too.
00:11:34I love you, too.
00:11:53Hey.
00:11:54Hi.
00:11:58What are you doing?
00:12:00Oh, just cleaning up.
00:12:01Couldn't organize my big splash in show business.
00:12:07You know, I wanted to thank you.
00:12:09Oh, yeah?
00:12:10After what?
00:12:12For moving 3,000 miles away from home so I could get a better job.
00:12:17For taking care of Chrissy all the time these past few weeks.
00:12:22For being very flexible.
00:12:23Well, my career wasn't exactly burning up the road in New York.
00:12:34So I didn't really have all that much to lose.
00:12:39Well, things are going to start coming around for you.
00:12:41I know it.
00:12:42Yeah?
00:12:43Mm-hmm.
00:12:44I mean, you have this whole movie poster thing, though.
00:12:47Mm-hmm.
00:12:47And a whole host of fringe benefits.
00:12:52Oh, yeah?
00:12:53Yeah.
00:12:57Like what?
00:13:01Like women are inexplicably attracted to men who run show business.
00:13:07I know.
00:13:08Like women are in the same way.
00:13:09Like women are in the same way.
00:13:10Like women are in the same way.
00:13:11Like women are in the same way.
00:13:12Like women are in the same way.
00:13:13Like women are in the same way.
00:13:14Like women are in the same way.
00:13:15Like women are in the same way.
00:13:16Like women are in the same way.
00:13:17Like women are in the same way.
00:13:18Like women are in the same way.
00:13:19Like women are in the same way.
00:13:20Like women are in the same way.
00:13:21Like women are in the same way.
00:13:22Like women are in the same way.
00:13:23Like women are in the same way.
00:13:24Like women are in the same way.
00:13:25Like women are in the same way.
00:13:26Like women are in the same way.
00:13:27Like women are in the same way.
00:13:28Like women are in the same way.
00:13:29Like women are in the same way.
00:13:30Hello?
00:13:41Ignore him. We're not home.
00:13:43Um, I really, I wish you really should get it.
00:13:48It's gonna wait, Christina.
00:13:51Yeah.
00:14:00Mrs. Cowan?
00:14:07Yes?
00:14:09Um, I'm Anna Bergman.
00:14:15The au pair?
00:14:18Oh, Anna. I'm sorry. Please come in.
00:14:21Hey, no, let me get those.
00:14:22Oh, thank you.
00:14:23Um, I'm Kate, and this is Nick.
00:14:25Hi.
00:14:26Hi.
00:14:27This is a surprise.
00:14:28Oh, well, yes.
00:14:30We weren't expecting you for at least two days.
00:14:32Yes, I'm sorry. I hope I have an inconvenience, too.
00:14:35I called to confirm my flight.
00:14:37There was some kind of mix-up with my reservations.
00:14:40Well, that's okay. You're here now.
00:14:42Yes.
00:14:46So?
00:14:47Uh, please.
00:14:48Will you have a beautiful home?
00:14:50Oh, thank you.
00:14:51You know, you should have called us from the airport.
00:14:52We would have picked you up.
00:14:53Please, there was no problem. I took a taxi.
00:14:55It was a beautiful ride.
00:14:57But everything here is so rugged, so hard-looking.
00:15:03Yeah, well, Nick's been meaning to clean it up.
00:15:05Right, yeah. I got a lot of time for that.
00:15:08Excuse me.
00:15:14Well, you must be exhausted.
00:15:16We'll show you your room.
00:15:19Yeah.
00:15:20Here we are.
00:15:24Small, yep.
00:15:26Fine.
00:15:31Ah, it's lovely.
00:15:34Really?
00:15:37Is Christina sleeping?
00:15:40Yes.
00:15:41She's going to be so disappointed she missed your arrival.
00:15:44Oh.
00:15:44Well, I can't wait to meet her.
00:15:48Well, yes, in the morning.
00:15:50Uh, listen, why don't you unpack and make yourself comfortable?
00:15:54Yeah.
00:16:00Is there anything wrong?
00:16:02No, just, uh, the keys for my suitcase.
00:16:05I left them in one of my pockets.
00:16:06Oh, maybe it's in your purse.
00:16:12No, uh, I don't think so.
00:16:16I'll put it in one of my pockets.
00:16:20Do you think you could get these open for Anna?
00:16:23Sure.
00:16:24I'll just, I'll get my toolbox.
00:16:25I'm sorry, Mrs. Cowan.
00:16:34Kate, and Anna, really, it's no big deal.
00:16:38Yeah.
00:16:49Aren't you getting your tools?
00:16:53What?
00:16:53What do you mean, what?
00:16:57So, what do you think?
00:16:59I think she seems sweet.
00:17:01Mm, yeah.
00:17:03And not a heck of a lot going on upstairs.
00:17:08Really, Jack?
00:17:18Come in.
00:17:22Anna, this is Christina.
00:17:23Christina, this is Anna.
00:17:27Well, hello there.
00:17:31Well, aren't you going to say hello?
00:17:34Hi.
00:17:35I'm very happy to meet you.
00:17:39Would you like to come in and talk to me?
00:17:42Well, go ahead.
00:17:42You're awfully big.
00:17:50You're awfully big.
00:17:52How old are you?
00:17:5320?
00:17:5425?
00:17:55No, seven.
00:17:56Almost eight.
00:17:57It's going to be my birthday soon.
00:17:59Yeah, I know.
00:18:01July the 24th?
00:18:02How did you know that?
00:18:04Well, your mother wrote and told me.
00:18:06I wrote it in my diary so I wouldn't forget.
00:18:14See?
00:18:16Here we are.
00:18:18Christina's birthday.
00:18:19Well, I've got to get to work.
00:18:23But I can see the two of you are going to get along just fine.
00:18:25Yeah, I'm sure that we will.
00:18:28Anyway, okay.
00:18:28Just a few things.
00:18:30The laundry's really piling up.
00:18:31So if you wouldn't mind right after breakfast?
00:18:33I'll take it.
00:18:34There's a lasagna in the freezer.
00:18:35We'll have that for dinner tonight.
00:18:36I should be home about 6.30.
00:18:37I'll try not to be late because we like to eat at 7.
00:18:39Okay.
00:18:39My office number is on the fridge.
00:18:41You can call me anytime and Nick will be working here all day.
00:18:43I will be fine, Mrs. Cowan.
00:18:46All right.
00:18:46Oh, the emergency numbers.
00:18:49Fire, police, ambulance.
00:18:50You just dial 911.
00:18:52I'm sure that we won't need them.
00:18:54Oh.
00:18:56You'd be a good girl.
00:18:58Can you listen to Anna?
00:18:59Okay.
00:18:59Dear Mr. Montiero, I am pleased to enclose a copy of our draft contract for you to review
00:19:10and comment upon.
00:19:12Hey, come on.
00:19:13We've got to get going.
00:19:14Uh, yeah, all right.
00:19:14Just a sec.
00:19:15Where was I?
00:19:17Contract for you to review and comment upon.
00:19:19Uh, please call us with your comments at your earliest convenience.
00:19:22Sincerely, blah, blah, blah.
00:19:23Thanks.
00:19:24I don't think I'm going to make it through this.
00:19:26When we gather, they'll probably keep us waiting half an hour, and then if we're five
00:19:28in a sleep, we'll throw a fit.
00:19:30Oh, God.
00:19:30What?
00:19:31Um, I forgot to call Mick.
00:19:32Why?
00:19:32Anna, the au pair.
00:19:33She started today.
00:19:34I wanted to check in.
00:19:35Come on.
00:19:35No, we don't have time.
00:19:36Let's go.
00:19:55Hello?
00:19:56Hi, baby.
00:19:57I only have a minute.
00:19:58How's it going?
00:19:59You've got to be kidding.
00:20:01What's the matter?
00:20:04This girl is a walking disaster area.
00:20:06That's what's the matter.
00:20:07Anna?
00:20:07Yes, Anna.
00:20:09I spent more time running around today than the last three weeks combined.
00:20:12First, we had a spoon jam up the garbage disposal, and she tried to heat up a pot of
00:20:16soup in the microwave.
00:20:17Sparks flying everywhere.
00:20:18It was like the 4th of July.
00:20:19And to top it off, I spent the last hour knee-deep in suds mopping up a flood from our washing
00:20:24machine.
00:20:25Oh, I'm sorry, honey.
00:20:26Do you want me to talk to her?
00:20:28Put her on the phone.
00:20:29No, I can't.
00:20:30She's in her room crying.
00:20:31Oh, honey, I got to go.
00:20:32I'm going to be late for a meeting.
00:20:33Can you just deal with us until I get home, okay?
00:20:35Just until then, all right?
00:20:37Very easy for you to say.
00:20:40I love you.
00:20:41I love you, too.
00:20:42I love you.
00:20:42I love you.
00:20:42I love you.
00:21:07Hi, pumpkin.
00:21:24Hi, Mom.
00:21:27Guess what?
00:21:28Anna broke the washing machine.
00:21:29It was a huge flood.
00:21:31Boy, was Daddy mad.
00:21:32Yeah, I heard.
00:21:34Where is Daddy?
00:21:34I don't know.
00:21:35I think he's painting.
00:21:37Well, I have to go take care of something.
00:21:39Would you please put these cookies away and clean up?
00:21:50Anna?
00:21:50Anna?
00:21:53What are you doing?
00:21:54And I think it's best this way that I go.
00:22:01Mr. Cowan, it's right to be angry.
00:22:05I've just never had such a big house to take care of.
00:22:09Everything here is so much more different than it is at home.
00:22:17I'm sorry, Mrs. Cowan.
00:22:18I just wanted this job so much.
00:22:25I know.
00:22:27Anna, look, I understand and Nick understands that this is a new experience for you.
00:22:32You moved to a new country, a family full of strangers, an unfamiliar house.
00:22:36I mean, it's a big adjustment.
00:22:39We want this to work as much as you do.
00:22:43I'm willing to give it another shot if you are.
00:22:46What do you say?
00:22:47Do we have a deal?
00:22:56Well, I'll help you unpack.
00:22:58Oh, it's all right, Mrs. Cowan.
00:23:01I can do it.
00:23:03Okay.
00:23:04Well, I'll go see you about getting some dinner on the table.
00:23:06All right.
00:23:18Yes, indeed, Mrs. Cowan.
00:23:26We have a deal.
00:23:27Yes, indeed, Mrs. Cowan.
00:23:28We have a deal.
00:23:29Why did you take so long to contact me?
00:23:41We thought all the girls were accounted for, Dr. Gross, but it wasn't until workmen were clearing debris from the fire that they found the body.
00:24:00I mean, some of the girls had already left for the summer break.
00:24:03It was difficult to determine who was missing.
00:24:06How did it start?
00:24:07There appears to have been a gas leak in the science lab.
00:24:11There was a terrible explosion.
00:24:13Oh, my God.
00:24:13I know how difficult this must be for your doctor.
00:24:16But you must believe and accept that Kirsten is in God's grace.
00:24:21And where's her room?
00:24:29That was her desk.
00:24:32And this is where she slept.
00:24:34Were there any personal effects on jewellery or her wristwatch?
00:24:48No.
00:24:49See, she wore a pendant around her neck always.
00:24:52Now, it's not here.
00:24:54Perhaps she lost it.
00:24:57Perhaps it was destroyed.
00:25:04Where is her passport?
00:25:10It must be here.
00:25:12Damn you!
00:25:13Damn you!
00:25:14You were supposed to watch her.
00:25:17Her roommate.
00:25:18Now, where is she?
00:25:19She's not here.
00:25:21She left the night of the accident.
00:25:23She left where?
00:25:24Where?
00:25:24What is her name?
00:25:25Anna Bergman.
00:25:26She went to America to work for a family there.
00:25:30Now, she and Kirsten, were they close?
00:25:33I suppose so.
00:25:35Kirsten asked to be switched to her room several months ago.
00:25:39I want to see Kirsten.
00:25:41I would advise against it, Herr Doctor.
00:25:43She has been badly burned, almost beyond recognition.
00:25:47The police report is very thorough.
00:25:49If you would care to look at it...
00:25:50I am not interested in the police report,
00:25:52Anna, I am not interested in your well-intentioned recommendations.
00:25:55I want to see my daughter!
00:25:56Now, is that possible, Reverend Mother?
00:26:00I'll make the arrangements.
00:26:02Her face has been badly disfigured.
00:26:21That is not Kirsten.
00:26:31That is not my daughter.
00:26:33That is not my daughter.
00:26:46Paragraph six, the rights granted to you here under are personal and shall not be assigned by
00:27:07you any part to any third party. You know, I think I'm actually learning to like the taste of
00:27:13styrofoam. Excuse me, it's Nick on line one. Stay calm, baby. Hi, baby. What's up? Well, I got some good news and some bad news. What do you want first? Give me the good. Okay. Sid called. The last guy signed off. They approved my sketches. Well, Nick, that's wonderful. So what about the bad?
00:27:43Bad news. The bad news is they approved my sketches. So now I got to do the damn thing and I'm stuck. Well, I don't get it. You know you always start off like this. I thought you were calling with some horror story about Anna. No, actually, she's okay. I don't know what she said to her the other day, but so far no major screw-ups. Well, do you think you trust her enough to make Chrissy and you dinner?
00:28:03Why? Why? You're working late again? Well, you know, I don't like it any more than you do, but I'll be home as soon as I can.
00:28:12Mm-hmm. Nick, I adore you.
00:28:19Yeah. Talk to you later.
00:28:21What? Another flood? Your family floating around the living room?
00:28:30No. I think our little Anna's going to work out just fine.
00:28:34Yeah?
00:28:35Yeah.
00:28:37No!
00:28:39Excuse me. Do you have an aspirin? I've been splitting headaches.
00:28:44Pardon me. Would you pass the cheese, please?
00:28:46Oh!
00:28:50Christina, you have some wonderful costumes here.
00:28:56You know what? I have just the perfect thing to add to it.
00:29:02Come on.
00:29:06What do you think?
00:29:09You look very sophisticated.
00:29:11I think I need some lipstick.
00:29:13It's on the dresser.
00:29:16Oh!
00:29:26Chrissy?
00:29:28Look at this.
00:29:31Oh, it's pretty.
00:29:33Do you like it?
00:29:37This was my dress at your age.
00:29:42Look at that. It almost fits.
00:29:43Here, come see in the mirror
00:29:46Oh, it's beautiful
00:29:55You look just like a bride
00:29:57Do I really?
00:29:59Yeah
00:29:59I'm going to get married someday
00:30:02Well, I know you are
00:30:03You know, Chrissy, when you get married
00:30:06It's a big responsibility
00:30:07You have to devote your life to your husband
00:30:10Become his soulmate
00:30:12And do everything in your power
00:30:15To make him happy
00:30:16How will I know what to do?
00:30:21You'll find out
00:30:22Excuse me
00:30:33Do you work in this office?
00:30:35Oh, yes, but I'm sorry
00:30:37We're close
00:30:37No, I understand, but perhaps you can help me anyway
00:30:39I'm trying to find a girl
00:30:40Well, if you come in tomorrow, Dr. Grosfady
00:30:43You can fill in an application
00:30:44No, you see, she works for you
00:30:46You have placed her with an American family
00:30:48Her name is Anna Bergman
00:30:49Oh, well, we place many girls here
00:30:51But I'm sure you understand
00:30:52Details of the transactions must remain strictly confidential
00:30:54Yes, I understand
00:30:55But this is an entirely different situation
00:30:57My daughter has run away
00:30:59And she and Anna Bergman were close friends
00:31:00In fact, they were best friends
00:31:02So I was hoping that Anna would know where she has gone
00:31:04I'm sorry, Dr. Grosfady
00:31:06Truly, I am
00:31:07You don't understand
00:31:08There is not much time
00:31:09You must tell me where she is
00:31:10I'm sorry
00:31:11I cannot help you
00:31:12Please let me go
00:31:13But you can call her, can't you?
00:31:15I can call a policeman
00:31:17If you don't let me go
00:31:18I'm sorry
00:31:19I'm sorry, please will you help me?
00:31:22Please
00:31:22Fine
00:31:24I'll call her
00:31:26Check with me tomorrow
00:31:27Yes, but tomorrow could be
00:31:28I'll call tomorrow
00:31:29And let you know what I find out
00:31:30Thank you
00:31:31Nick?
00:31:54In here
00:31:56What is this?
00:32:02Entrez, madame
00:32:03What's going on?
00:32:05Well, it seems that Mary Poppins finally waved her magic umbrella
00:32:10Swedish fruit soup with a dollop of sour cream
00:32:13Poached salmon with a little fresh dill
00:32:16And we even have a very special homemade plum pudding with brandy sauce
00:32:20Anna did all this?
00:32:23Cooked it, baked it, spent half the day shopping for it
00:32:25And you should see the dinner she made for Christina
00:32:27Well, I'm impressed
00:32:29What can I say?
00:32:30You can say you're relieved
00:32:31At least the girl knows how to do something right
00:32:33Well, it was never down in my mind
00:32:35No?
00:32:36Never?
00:32:37Not even just a little
00:32:38I want to go say goodnight to Chrissy
00:32:41Okay
00:32:42Don't touch any of that food until I get back
00:32:47Hi, Mom
00:32:56Hi, Pumpkin
00:32:57Anna
00:32:58Anna's been showing me all these neat pictures of Sweden
00:33:01Snow and mountains
00:33:04And sleds and horses
00:33:06Well, Anna's been doing all kinds of neat things today
00:33:10It was a beautiful dinner you prepared
00:33:12Thank you
00:33:12It's my pleasure, Mrs. Cowan
00:33:14Will you read me a bedtime story tonight?
00:33:16Well, sure, I'd love to
00:33:17Well, in that case, I'll say goodnight
00:33:21And we'll save my story for some other time
00:33:25Oh, are you going to read to her, Anna?
00:33:27Oh, it's alright
00:33:29It's not important
00:33:30Chrissy, why don't you let Anna read to you tonight?
00:33:34Daddy and I haven't had our dinner yet
00:33:35But I can read you tomorrow night, okay?
00:33:37I guess
00:33:38Goodnight
00:33:40Goodnight
00:33:40Goodnight, Anna
00:33:41Goodnight, Mrs. Cowan
00:33:43And enjoy your dinner
00:33:44What would you like to read?
00:33:50You look fantastic
00:33:58May I suggest, madam
00:34:06Before the soup
00:34:07Miss Anna's home-brewed lingonberry wine
00:34:11It's a very amusing vintage, actually
00:34:13Mmm, what year?
00:34:15A week ago Tuesday
00:34:17It was a very good day for lingonberries
00:34:20It's cold
00:34:21Mmm, a tad on the sweet side
00:34:31Yeah, just a touch
00:34:32But it's good
00:34:36It grows on you
00:34:39Yeah?
00:34:42Yeah?
00:34:51What's this?
00:34:53That's just some drawings of mine
00:34:55What kind of drawings?
00:34:58Sort of like a fairy tale
00:35:01By the princess
00:35:02Can we read it?
00:35:05Sure, if you like
00:35:06Ooh, it's pretty
00:35:21Where are the words?
00:35:26Well, we read the pictures
00:35:27And they give us the words
00:35:28Now
00:35:29Once upon a time
00:35:32There was a beautiful young girl
00:35:35With pretty hair
00:35:36Who lived in the forest with her
00:35:39Mother and father
00:35:41And as she was walking through the woods
00:35:49Something caught her eye
00:35:51What is it?
00:35:54Hanging from a branch
00:35:55At the end of a golden chain
00:35:58There was a pendant
00:35:59Pendant?
00:36:03Like this
00:36:04Except
00:36:10The one on the branch
00:36:11Spark was like
00:36:12The colors of the rainbow
00:36:13But who did it belong to?
00:36:20Oh
00:36:21He's handsome
00:36:22Isn't he?
00:36:24He's a real prince
00:36:26And this pendant
00:36:28Is a gift
00:36:29That he gives to the girl
00:36:30Who would be his bride
00:36:31But who gave you your pendant?
00:36:35Well, that's a secret
00:36:37I won't tell
00:36:38Well, if I tell you, Christina
00:36:41You must promise not to tell anyone
00:36:43Not even your mother or your father
00:36:45I won't, I promise
00:36:46I was married once
00:36:54You were?
00:36:56Yeah
00:36:57You're awfully young
00:36:58Well, maybe
00:37:00But it was the most important day of my life
00:37:02Who'd you marry?
00:37:04He was a prince
00:37:05Get out of here
00:37:07No, I'm serious
00:37:08A real prince
00:37:10And a very powerful man
00:37:12And he chose me
00:37:14Out of all the girls in his kingdom
00:37:16To be his bride
00:37:17What happened to him?
00:37:19Where is he now?
00:37:21My father took me away from him
00:37:23Why?
00:37:27I don't know
00:37:28But this pendant is something we both share
00:37:36It ties us together
00:37:37And no matter how far away my father takes me
00:37:42My prince and I will always be together
00:37:43That's so romantic
00:37:45Yeah
00:37:47Maybe one day
00:37:50When you have your prince
00:37:52You'll have one of these
00:37:54Would you like that?
00:37:56Yeah?
00:37:58Okay
00:37:58Someday
00:38:02Someday
00:38:02And she goes to look for the prince
00:38:24But that mean spirit
00:38:26The one who doesn't want her to find him
00:38:27Gets her lost in the woods
00:38:29Mmm, sounds frightening
00:38:31Thank you, Anna
00:38:32Would you like some more pancakes, Mrs. Cowan?
00:38:35No
00:38:35No, but they're wonderful
00:38:36How about you, Chrissy?
00:38:38I think Chrissy's had enough
00:38:39Yes, please
00:38:40Okay
00:38:40Coming right up, miss
00:38:42Anna
00:38:43Just one more for Chrissy
00:38:46All right
00:38:48So what happened next?
00:38:54So she gets lost in the woods
00:38:56And her father goes to look for her
00:38:58But that mean spirit
00:38:59Makes the forest all black
00:39:02Like it's night
00:39:03And that's when the prince comes along
00:39:05On his beautiful horse and saves her
00:39:08Uh, the prince
00:39:09Did I hear someone call my name?
00:39:11No, Daddy
00:39:11You're not the prince
00:39:12The prince is handsome
00:39:14Thank you, sweetheart
00:39:16The prince was in Anna's picture story
00:39:19Anna's an excellent artist
00:39:21I'm sure she is
00:39:22Anna, you should show your drawings to Daddy
00:39:28He's an artist, too
00:39:30It's just a hobby, really
00:39:34Something that I do for myself
00:39:36Uh-huh
00:39:38This looks great
00:39:39What's today's date?
00:39:42The 20th, why?
00:39:43Four more days till Mystery Mountain
00:39:47Well, I don't think we're very anxious, are we?
00:39:51Listen, I gotta go
00:39:52You have a good day
00:39:53Bye
00:39:54And you
00:39:55Have a breakthrough
00:39:57It's open
00:40:12It's open
00:40:12Hi
00:40:20Hope I'm not disturbing you
00:40:25No, you can't disturb somebody who isn't doing anything
00:40:28What's up?
00:40:30I thought you might like some coffee
00:40:32Thanks
00:40:33Coffee sounds great
00:40:34Well, this is quite impressive
00:40:44Yeah, thanks
00:40:47I like this one, it's interesting
00:40:52Key art
00:40:54It's a one sheet for a movie poster
00:40:56For the cinema?
00:40:59Yeah, it will be if I ever finish it
00:41:00I just can't seem to get a sense of
00:41:03I can't get a handle on it
00:41:06Wait, what is the film about?
00:41:09It's a thriller about a family under siege
00:41:12I've painted this damn thing six times
00:41:14This is the worst one, actually
00:41:16It looks like they're posing for a Christmas card
00:41:20Well, thanks for the coffee
00:41:25I brought the drawings
00:41:32The drawings
00:41:34Oh, right
00:41:35Your drawings
00:41:37If this is a bad time, I can come back or
00:41:40No, that's okay
00:41:40Let's have a look
00:41:42Wait, they're not exactly professional
00:41:45Oh, I'm sorry, it's the other way
00:41:52I like this
00:42:05Really?
00:42:06Really
00:42:07Can you see what's happening?
00:42:15Well, it's a man in the dark
00:42:17A forest
00:42:19He's in the forest
00:42:20And he's lost something
00:42:23His daughter
00:42:25He's searching for his daughter
00:42:28I like the way you've obscured the forest
00:42:34And hidden things in the trees
00:42:35It's almost like you can see her
00:42:36Hiding in the shadows
00:42:37It's as though he were afraid of the darkness
00:42:42But drawn towards it
00:42:44Well, sort of like the poster
00:42:49Excuse me if I sound so presumptuous
00:42:55No, no, no, that's okay
00:42:56Well, perhaps if
00:42:58The background was a little less defined
00:43:03So that the family is drawn to the darkness
00:43:07Even though it's frightening
00:43:09Because there's safety in the shadows
00:43:13I must go back to work now
00:43:24Yeah, hello?
00:43:51Oh, good morning
00:43:53This is the Au Pair Exchange
00:43:55Calling from Stockholm
00:43:56Is Mrs. Cowan there, please?
00:44:00Speaking
00:44:00Oh, I'm sorry to disturb you, Mrs. Cowan
00:44:03But I have a gentleman here
00:44:05A Dr. Grossbart
00:44:06Grossbart, yeah, Grossbart
00:44:07He's trying to contact Anna
00:44:09He's trying to contact Anna Bergman
00:44:09Is she available?
00:44:11I'm afraid she's gone out
00:44:13Perhaps I can help you
00:44:15Well, it seems that Anna is a friend of his daughter
00:44:20Kirsten
00:44:21Kirsten Grossbart
00:44:22She has disappeared
00:44:24Oh, how awful
00:44:25And he thought that Anna might have some idea where she was
00:44:28Look, why don't you give me the information
00:44:32And when Anna returns
00:44:34I'll have her call him, okay?
00:44:37Do you have a pencil?
00:44:39Right here
00:44:39It's Dr. Stefan Grossbart
00:44:42Grossbart
00:44:43Telephone
00:44:44Give me the number
00:44:450114
00:44:47Excuse me
00:44:48Hello, this is Dr. Grossbart speaking
00:44:50This is Kirsten's father
00:44:51And I must speak with Anna immediately
00:44:53It's a matter of great emergency
00:44:55It is absolutely imperative that I speak to her without delay
00:44:58Now I'm in
00:45:02Stand up
00:45:04Hi
00:45:19Hi
00:45:20I'm home
00:45:20Oh, it's strong, I like it
00:45:25Yeah
00:45:25It's the craziest thing
00:45:27Anna came in here to show me one of her drawings
00:45:29Which are very good
00:45:29She's got talent
00:45:31And one of them just set me off
00:45:32Really?
00:45:34It's very interesting
00:45:35You change the light, you change the whole thing
00:45:38Well, you want to take a break?
00:45:42You want to get something to eat with me?
00:45:43Uh, no
00:45:44Actually, honey
00:45:45I ate already, thanks
00:45:47You did?
00:45:48Well, you want to keep me company while I eat?
00:45:50Uh, no, I really want to nail this before I lose it
00:45:52You don't mind, do you?
00:45:53No, of course not
00:45:56I'll see you inside
00:45:58Uh-huh
00:45:59Hi
00:46:11Hi
00:46:11All washed up?
00:46:15Let me look at those pearly whites
00:46:16Oh, can I see the back ones?
00:46:20Dazzling
00:46:21How about I read you a special story tonight?
00:46:23A couple of chapters of Charlotte's Web
00:46:25Well, maybe tomorrow
00:46:27Anna's waiting for me
00:46:28She's going to tell me some more of her picture story
00:46:30Oh, all right
00:46:32Well, then let's brush that here then
00:46:34Mom, Anna did it already
00:46:36Can't you tell?
00:46:38Oh
00:46:38Well, how about a goodnight hug then?
00:46:42Goodnight, Mom
00:46:43Mom
00:46:44Oh, my God.
00:47:14Oh, my God.
00:47:44Oh, my God.
00:48:14Oh, my God.
00:48:44Would you rub my neck, honey?
00:48:53Oh, I'm feeling a little tense.
00:48:59Tough day?
00:49:00Brutal.
00:49:05That feels good.
00:49:06Too many hours.
00:49:14I've been missing it.
00:49:26Yeah, I've been missing you, too.
00:49:28Oh, my God.
00:51:35It's eight o'clock, Christina.
00:51:44If you want breakfast, you're going to have to come in now.
00:51:46Hi, Mom. Good morning.
00:51:53Good morning, honey.
00:51:54Ah, good morning, Mrs. Cowan.
00:51:57Would you care for some breakfast?
00:51:59No, thank you. I'm not...
00:52:01Isn't today your day off?
00:52:03Well, I was up and Christina was hungry.
00:52:05Maybe let me get you at least some coffee or some toast.
00:52:10No, thank you. I'll get something at the office.
00:52:12Have a good day, pumpkin.
00:52:13Bye.
00:52:18Have a nice day, Mrs. Cowan.
00:52:20Christy.
00:52:24Christy.
00:52:24You're a little bit of a present.
00:52:26You're a little bit of a present.
00:52:28Hi, Mom.
00:52:31Hi, Mom.
00:52:35Yeah, but it's nice if you have a bit of contrast with the princess with the dark hair.
00:52:43The princess has more light.
00:52:45Yeah.
00:52:46You just go down like that?
00:52:47Yeah.
00:52:48Yeah, that's nice.
00:52:50A nice imprint on the forehead.
00:52:52It's very nice.
00:52:53Look, Daddy.
00:52:54Look what I did.
00:52:55The girl and the prince.
00:52:56They're getting married.
00:52:57Mm, very nice.
00:52:59She's gifted, isn't she?
00:53:01You know, they say the talent like this runs in the family.
00:53:04Mommy can't draw.
00:53:07Look what time it is, Christina.
00:53:10Got to hurry.
00:53:10Come on, help me clean this up.
00:53:13What's the rush?
00:53:13Where you got?
00:53:14Anna won't tell me.
00:53:16It's a surprise.
00:53:18Can I come?
00:53:20Well, it's something special, just for the girls.
00:53:22Please.
00:53:23Nope.
00:53:24No boys allowed, right, Anna?
00:53:25That's right.
00:53:26I'll wear a dress.
00:53:34Goodbye, Nick.
00:53:48I'm sorry.
00:54:01Are you all right?
00:54:02Yeah, I'm all right.
00:54:18Oh, I wish I could say the same for these.
00:54:20Who are you?
00:54:23Bob McDowell.
00:54:24Bob Dreamscapes Unlimited.
00:54:26A new gardener.
00:54:27You wouldn't be Mrs. Callum by any chance.
00:54:30Yes.
00:54:32Please meet you.
00:54:33Hey, what's going on?
00:54:34I was going to ask you the same question.
00:54:37Mrs. Callum and I had a bit of a run-in.
00:54:38I'm afraid I broke your age.
00:54:40That's okay.
00:54:40We'll deduct it from your bill.
00:54:41Okay.
00:54:43Let me take my mask.
00:54:45I'm sorry about that.
00:54:47I guess I'll get started on the chaparral on the side of the house.
00:54:51Right.
00:54:53Who's he?
00:54:54Only the best landscape artist in Topanga.
00:54:57Well, can we afford this?
00:54:58I mean, all the rose bushes?
00:54:59You won't believe how cheap he is.
00:55:00I really got to hand it to Anna.
00:55:03Anna?
00:55:04Yeah.
00:55:05What has she got to do with this?
00:55:06She found him.
00:55:07She bumped into him at the mini-mart,
00:55:08and the next thing you know,
00:55:09he's reworking his calendar to fit us in.
00:55:12What?
00:55:14I mean, this is a big decision.
00:55:15Don't you think we should have discussed it?
00:55:16Honey, honey, you have been bugging me
00:55:18to clean this place up since we moved here.
00:55:20Now, I've been busy.
00:55:20You've been busy.
00:55:21I thought she would be thrilled.
00:55:24I'm thrilled.
00:55:26Where's Christina?
00:55:27She and Anna went off somewhere this morning.
00:55:28Some big secret.
00:55:33What is this?
00:55:34We had the best time today.
00:55:36Anna took me to Mystery Mountain,
00:55:38and she bought me this costume,
00:55:39and I wore it in the haunted house.
00:55:41I scared everybody.
00:55:43I thought we were going to go to Mystery Mountain together.
00:55:45Anna took me today instead.
00:55:47We went on all the rides.
00:55:49I know.
00:55:51Anna, tell them about the roller coaster.
00:55:53All right, Chrissy.
00:55:54We'll tell them all about your day a little later.
00:55:56But right now, I want you to take off the costume
00:55:59and go and get washed up.
00:56:01I'll make some dinner.
00:56:02I'll be making dinner tonight, Anna.
00:56:04Thank you very much.
00:56:05Please take Chrissy to her room.
00:56:08All right.
00:56:10Come on.
00:56:25What was that all about?
00:56:26She knew I was planning to take Christina for her birthday.
00:56:29Anna?
00:56:31Christina has been talking about it for four weeks.
00:56:34So what are you saying?
00:56:35Do you think she did it deliberately?
00:56:36I don't know what to think.
00:56:37Where are my saucepans?
00:56:38Anna?
00:56:38Anna, would you calm down?
00:56:39I am calm, Nick.
00:56:41Anna!
00:56:44Anna!
00:56:45Yes, Mrs. Cowan?
00:56:46Where are my saucepans?
00:56:48The saucepans?
00:56:50Well, I put them in the cabinet over the stove.
00:56:52Did I ask you to rearrange my kitchen?
00:56:54No, but I just thought that it might be more efficient.
00:56:57My kitchen was perfectly efficient before.
00:56:59I want things where I put them, not where you think they belong.
00:57:02All right?
00:57:03Yes, of course.
00:57:04And were you also aware that I had plans to take Christina to Mystery Mountain for her birthday?
00:57:09No, I was not.
00:57:10Chrissy didn't tell you?
00:57:12No, I had no idea.
00:57:14I'm sorry if I ruined your plans.
00:57:16It was not my intention.
00:57:18Fine.
00:57:19In the future, I expect you would check with me before you go on another one of your secret outings.
00:57:23Is that understood?
00:57:25Yes.
00:57:29I'm sorry.
00:57:36Damn it.
00:57:38Don't you think you are overreacting just a little bit?
00:57:40Oh, I'm overreacting?
00:57:42Fine.
00:57:43Then you make dinner.
00:57:46I'm going to take a nap.
00:57:48Don't you?
00:58:16Mommy?
00:58:17Mommy? Mommy? Mommy, come on. Mom, wake up. Mommy? Mom? Mommy?
00:58:35What?
00:58:36Dinner's ready. Come on.
00:58:40Okay. I'm coming.
00:58:47Why are you still wearing that? Come on, Mom. It's a surprise.
00:59:02What's with the lights? I don't like surprises. Nick? Nick? Two of the lights.
00:59:11Come on, honey. We're just playing. It's a game.
00:59:15Here we go round the mulberry bush, the mulberry bush, the mulberry bush. Here we go round the mulberry bush so early in the morning. Here we go round the mulberry bush...
00:59:24Christy, stop! That was enough. Nick, turn on the lights.
00:59:28Come here, sweetheart. Come here.
00:59:32Kate's not wanted anymore. Gonna throw her out the door.
00:59:47Are you crazy? What are you doing?
00:59:54Perhaps some Lincolnberry wine before dinner, Mrs. Cowan?
01:00:03Oh, stop it! Please!
01:00:06What's the matter, Katie? Don't you like the way it tastes?
01:00:11I made it especially for you.
01:00:14Ha, ha, ha, ha, ha, ha!
01:00:20Ooh.
01:00:21Now, don't be supposed to be.
01:00:24Oh!
01:00:25.
01:00:30.
01:00:34.
01:00:37.
01:00:40.
01:00:45.
01:00:48.
01:00:53.
01:00:54What are you doing?
01:00:56Hi.
01:00:57Uh, we just sat down.
01:00:58I didn't want to wake you.
01:00:59Give me that.
01:01:07What is the matter with you?
01:01:08What are you doing?
01:01:10.
01:01:15What are you crazy?
01:01:19What was that all about?
01:01:21I don't know.
01:01:23Just, uh, I saw the three of you there and something snapped.
01:01:27I don't...
01:01:28I want to get rid of her.
01:01:29Anna.
01:01:30Yes, Anna.
01:01:31Of course, Anna.
01:01:32Why?
01:01:33Because she rearranged your cabinets?
01:01:34Because she took Chrissy to an amusement park?
01:01:36Yes, that and a dozen other reasons that you're probably going to think you're petty and ridiculous.
01:01:41You know, the way her drawings inspire you.
01:01:43The way she brushes Chrissy's hair at night and whispers secrets in her ear.
01:01:46The way she makes me feel like a stranger in my house.
01:01:49The main thing is, I don't like her.
01:01:53And I don't think she likes me very much.
01:02:06Okay.
01:02:08Fine.
01:02:10We'll get rid of her.
01:02:14Just like that?
01:02:16Yeah, just like that.
01:02:17I'll call the agency first thing in the morning.
01:02:19And I will get the ball rolling.
01:02:23And it could take a little while before we get a replacement.
01:02:26Can you hang in with her until then?
01:02:32You don't think I'm being petty and ridiculous, do you?
01:02:37No.
01:02:43You can't help how you feel.
01:02:44It's just bad chemistry, that's all.
01:02:49I think I have…
01:02:50You don't think I'm getting too many.
01:02:51I have no idea.
01:02:52I don't think it's a really good time.
01:02:54It's a really good time.
01:02:55I don't know.
01:02:56It's a really bad day.
01:02:57I think it's a really bad day.
01:02:58I wouldn't be really bad for you.
01:02:59You are so mad.
01:03:00It's the same.
01:03:01It's a rome.
01:03:02You are so mad.
01:03:03You are so mad.
01:03:04You are so mad.
01:03:05So I was so mad.
01:03:06You are so mad.
01:03:07Hi.
01:03:24Hi.
01:03:26What you doing?
01:03:27Coloring.
01:03:29Can I see?
01:03:33What's some building you're working on?
01:03:36What is it? A castle?
01:03:37It's a church.
01:03:39Oh, yes, of course. I see. This is the steeple, right?
01:03:47One of these. Are these clouds?
01:03:50It's smoke. The church is on fire.
01:03:55Well, this is interesting.
01:03:57Is that you?
01:04:00And Daddy?
01:04:00No, that's the prince.
01:04:02The prince?
01:04:04You know, I'm going to marry a prince.
01:04:06Just like she...
01:04:08Just like she what, sweetheart?
01:04:10Nothing.
01:04:12Would you like one?
01:04:14Sure.
01:04:14You know, I wanted to come in.
01:04:22Because I wanted to make sure.
01:04:26I just wanted you to know that I wasn't feeling well earlier.
01:04:30But I'm all right.
01:04:34I just didn't want you to feel scared.
01:04:36And I said you were sleepwalking.
01:04:39Well, I guess I was.
01:04:40I must have been.
01:04:43Anyway, I was thinking.
01:04:49I think it would be fun if we had a party here for your birthday.
01:04:52Would you like that?
01:04:57Mom?
01:04:58Hmm?
01:04:58When I grow up, I'm going to be an artist and take care of children.
01:05:02Just like Anna.
01:05:04Well, I think you have a long time to decide things like that, don't you?
01:05:07How about some green in there?
01:05:12I guess so.
01:05:25Were you angry at Anna for taking me to Mystery Mountain?
01:05:30Yes, I was a little angry.
01:05:32Because we had plans.
01:05:33But we're going to have a wonderful time at the party tomorrow instead, aren't we?
01:05:42We're done now.
01:05:43May I be excused?
01:05:51Hi, Bob.
01:05:52Christina, come here.
01:05:53I want to show you something.
01:05:55Is that for me?
01:05:56Mm-hmm.
01:05:56It's for your party.
01:05:58I love it.
01:05:59Could I put it on?
01:06:00Not right now.
01:06:01I'll tell you what, though.
01:06:01Why don't you take it in the house and show it to Anna?
01:06:05Not right now.
01:06:17So, are you feeling any better now?
01:06:20I guess.
01:06:21I called the agency this morning.
01:06:24And?
01:06:25It'll be a couple of weeks, but they can send us a new girl.
01:06:27When are we going to tell Anna?
01:06:31Whenever we want.
01:06:33Probably a good idea and wait until we know exactly when the new one will get here.
01:06:40You know, I didn't want things to turn out this way.
01:06:43I know.
01:06:44Like I said, it's just bad chemistry.
01:06:48Look what Anna gave me to wear for my birthday.
01:06:50She looks just like a little bride, doesn't she, Mrs. Cowell?
01:07:07Oh.
01:07:27Oh.
01:07:30Oh.
01:07:31Oh.
01:07:32Hi.
01:08:02Good morning.
01:08:15What were you all last night?
01:08:17In the studio, painting.
01:08:20I'm going to the office.
01:08:22Where's Christina?
01:08:23She's still asleep.
01:08:25When will you be home?
01:08:27Sometime in the afternoon.
01:08:32Now, I don't get it.
01:08:37Nick agreed that this little Miss Scandinavia's got to go, right?
01:08:40Right.
01:08:42So, what's the problem?
01:08:44The problem is, I don't believe him.
01:08:46I think he's just telling me what he thinks I want to hear.
01:08:50I woke up last night, Nick was gone.
01:08:53This morning, he's in the kitchen all warm and cozy with Anna.
01:08:56He says he was working in the studio all night.
01:08:58So, you think that there might be something going on between them?
01:09:01I don't know what to think anymore, Liz.
01:09:03I really don't.
01:09:04I mean, because if that's what you're thinking, you have to talk to him.
01:09:07Just lay your cards out on the table.
01:09:10Yeah, you're right.
01:09:11And if that doesn't work, shoot him.
01:09:17Thanks.
01:09:18I'm going to talk to him tonight.
01:09:20No, you'll talk to him right now.
01:09:21No, I've got work I've got to do now.
01:09:23Forget about the office.
01:09:24I will cover for you, all right?
01:09:25Now, get out of here.
01:09:26Go on.
01:09:27I'll call you.
01:09:29Okay.
01:09:30Do you have a little slide for me?
01:09:36Christina?
01:09:37Hi, Mom.
01:09:38What are you doing?
01:09:40Get down from there.
01:09:42Where did you get these?
01:09:44Bob gave them to me.
01:09:45And where's Anna?
01:09:46I don't know.
01:09:47I think she went somewhere with Daddy.
01:09:48And left you here all alone.
01:09:50I'm not alone.
01:09:51Bob's here.
01:09:52Christina?
01:09:53I'm not done talking to you.
01:10:00Hi, Bob.
01:10:01Hi.
01:10:02How are you?
01:10:03Hello.
01:10:04I'll take this one.
01:10:19You take the other one.
01:10:21But don't let Christina see.
01:10:23Uh-oh.
01:10:24What'd you get?
01:10:25What'd you get?
01:10:26Ah, no picking, Christina.
01:10:27No picking.
01:10:28I want to talk to you.
01:10:35Come on, Chrissy.
01:10:36Let's go.
01:10:41What the hell is going on here?
01:10:43What do you mean?
01:10:44What do I mean?
01:10:45You and Anna out gallivanting in the middle of the day?
01:10:47No, we were not gallivanting.
01:10:48We went to pick up Chrissy's presents and get a few things for the party.
01:10:51And you left Chrissy here with Bob?
01:10:52No, Bob is all right.
01:10:53Chrissy's crazy about it.
01:10:54No, I don't care.
01:10:55You know, I don't know what's going on.
01:10:56I don't know what she's trying to do.
01:10:57But she's not going to get away with it.
01:10:58Do you hear me?
01:10:59What are you talking about?
01:11:00Anna?
01:11:01Are you sleeping with her?
01:11:07Ah, you are being really ridiculous.
01:11:10Tell me, Nick.
01:11:12Answer me.
01:11:16No.
01:11:19I want that woman out of my house now.
01:11:21Today.
01:11:22And what do you propose we do with Chrissy?
01:11:24I don't know.
01:11:25I don't know.
01:11:26We'll figure out something.
01:11:27So what do we tell her?
01:11:28That Anna had to go away because mommy couldn't stand the competition?
01:11:31What the hell is that supposed to mean?
01:11:33It means that all of this paranoia about me and Anna is really about you and Anna.
01:11:37It means that maybe you're just a little bit afraid of losing your daughter to a woman who's better at being a mother than you are.
01:11:42Yes!
01:11:43I don't have time for this, okay?
01:11:46You want to fire her?
01:11:48Fire her.
01:11:49Just leave me out of it, okay?
01:11:50Where are you going?
01:11:52For a ride.
01:11:53For a ride.
01:11:55I know that you won't hit me because you're too far.
01:11:57That's it.
01:11:58If you're an those who murdered by Gloria Drew, do you know, who's a great idea?
01:11:59Oh, my God.
01:12:29Hello.
01:12:36Um, Mrs. Cowan?
01:12:38Yes.
01:12:39Mrs. Stefan Grossbard, you must listen to me carefully.
01:12:41We don't have much time.
01:12:43Your daughter's in great danger.
01:12:46What are you talking about?
01:12:47Who are you?
01:12:48Now, please just listen to me.
01:12:49The young woman, the young woman who is caring for your little girl,
01:12:52she is not the real Anna Bergman at all.
01:12:55She is my daughter.
01:12:55Her name is Kirsten Grossbard, and she is an evil young woman
01:13:00who will stop at nothing to get what she wants.
01:13:02What does she want?
01:13:04Your child, Mrs. Cowan.
01:13:06Christina has been chosen.
01:13:09Chosen?
01:13:09To make a bond with the devil.
01:13:12This is absurd.
01:13:13What are you talking about?
01:13:14Some kind of a cult?
01:13:14I know it is difficult for you to understand and to believe,
01:13:19but please, I swear to you, what I'm saying is very real.
01:13:22It is very real.
01:13:23You must get your daughter away from there.
01:13:26Get Christina away from that place and away from my daughter.
01:13:31Now is somewhere we can meet.
01:13:33I am at LAX now.
01:13:35Hello, are you there?
01:13:35Uh, yes, uh, uh, there's an old hotel on, on Pacific Coast Highway,
01:13:41uh, north of, uh, Canyon Glen.
01:13:43Do you know where it is?
01:13:45I'll, well, I'll, I will find it.
01:13:46I will find, but please hurry.
01:13:48Please.
01:13:50And I will pray for you, Mrs. Cowan.
01:13:53I will pray for you.
01:13:54I will pray for you.
01:14:05Come on, sweetheart.
01:14:12Let's go.
01:14:14Christina?
01:14:17Christina?
01:14:27Christina?
01:14:34Christina?
01:14:35Christina?
01:14:39Christina?
01:14:57Christina?
01:15:01Christina?
01:15:03Christina?
01:15:03Oh, my God.
01:15:33Nick.
01:16:03Nick.
01:16:33Nick.
01:16:35Nick.
01:16:37Nick.
01:16:39Nick.
01:16:41Nick.
01:16:43Nick.
01:16:45Nick.
01:16:47Nick.
01:16:49Nick.
01:16:51Nick.
01:16:53Nick.
01:16:55Nick.
01:16:57Nick.
01:16:59Nick.
01:17:01Nick.
01:17:03Nick.
01:17:05Nick.
01:17:15Nick.
01:17:17Nick.
01:17:19Nick.
01:17:23Nick.
01:17:25Nick.
01:17:27Christina stays.
01:17:32We'll see about that, won't we?
01:17:44Christy, come on, we're leaving.
01:17:46Where are we going?
01:17:47We're going to go on a trip, just you and me.
01:17:49I don't want to go on a trip.
01:17:50Do as you're told.
01:17:50No!
01:17:51Mom, let's go!
01:17:52Let's go!
01:17:52Let's go!
01:17:53Do as you're told, Christina!
01:17:54Let me go!
01:17:55I want to go!
01:17:56Let me go!
01:17:57Let her go!
01:18:02Don't let her do this, Nick.
01:18:04Help me, please!
01:18:06Anna, maybe we should tell her, maybe.
01:18:07Shut up, Nick.
01:18:08It's best, Kate.
01:18:10You can't take care of Christy right now.
01:18:12Call me!
01:18:14Ow!
01:18:16No, Christina!
01:18:17Christina!
01:18:21Come to me, baby.
01:18:23Go away.
01:18:25Now get out.
01:18:26I'll be there for you, baby.
01:18:32I'll be there for you, baby.
01:18:45It's all right now.
01:18:48Go to your father.
01:18:49Go away.
01:18:49Go away.
01:18:49Go away.
01:18:49Go away.
01:18:50Bye.
01:18:57Yea.
01:18:58Bye.
01:19:00Bye.
01:19:08Bye.
01:19:08Bye.
01:19:09Bye.
01:19:10Bye.
01:19:11Why is she doing this to us?
01:19:39What does she want from us?
01:19:42My daughter is fulfilling a pact, Mrs. Cowan, a pact with the devil.
01:19:48Each generation, he chooses a bride, a little child.
01:19:51On her eighth birthday, she is offered and wed.
01:19:54They put a charm around her neck, red crystal pendant,
01:19:58the symbol of their bond.
01:20:00Then on her 21st birthday, she will bear him a child.
01:20:03She will raise the child to maturity.
01:20:05She will groom him to take the positions of power.
01:20:08Yes.
01:20:09My daughter has spoken her vows, Mrs. Cowan,
01:20:12just as yours will tonight, unless we stop them.
01:20:15My baby, she wouldn't come with me.
01:20:18Kirsten seduced her, the ways to seduce her husband,
01:20:22the way her predecessor defrauded me of my little daughter,
01:20:26and my dear wife was driven to her grave.
01:20:30We don't have much time.
01:20:32My daughter has a black liturgy.
01:20:34It's rather like a book of rites, like a children's book of pictures.
01:20:38My God.
01:20:41I've seen it.
01:20:43I've seen it.
01:20:46Come on.
01:20:48Come on.
01:20:49Come on.
01:20:50Come on.
01:20:53Now, the ceremony cannot be performed without a book.
01:20:57So we must find it, destroy it, break the spell, and get your daughter back.
01:21:02break the spell and get your daughter back.
01:21:32Ah! Ah! Ah!
01:22:02Oh, my God.
01:22:32I give thee, Cristina.
01:22:56Cristina!
01:23:02Please come to me, baby.
01:23:15Please come to mommy.
01:23:22Let me through, Nick. She's got our little girl.
01:23:26She'll be safe.
01:23:28Why?
01:23:29Tell her, Nick.
01:23:32The future.
01:23:34I wanted my career back.
01:23:37And Cristina will be set for life.
01:23:40You can join us, Kate.
01:23:42Is that what you want?
01:23:43For Cristina to be like her, driven to obey, driven to murder.
01:23:46And for God's sakes, Nick, she had her own father killed.
01:23:49I didn't know that.
01:23:50Nick!
01:23:52Nick!
01:23:54Nick!
01:23:56Help me, please.
01:23:57Nick!
01:23:58No!
01:23:59Get!
01:24:00Oh!
01:24:25Nick!
01:24:27No!
01:24:28Ah!
01:24:29Ah!
01:24:30Ah!
01:24:31Ah!
01:24:32Ah!
01:24:33Ah!
01:24:34Ah!
01:24:35Ah!
01:24:36Ah!
01:24:37Ah!
01:24:38Ah!
01:24:39Ah!
01:24:40Ah!
01:24:48Christina?
01:24:51Christina?
01:24:52You can come out.
01:24:54You can come to mommy now.
01:24:58Where is she?
01:25:01It's too late.
01:25:03You've lost her.
01:25:04I don't believe you.
01:25:06Christina?
01:25:07She's his servant now.
01:25:08She answers only to him.
01:25:10Mommy?
01:25:11Christina?
01:25:12Honey?
01:25:13Christina, please.
01:25:15I love you, baby.
01:25:17Satan loves her.
01:25:18She's his bride now.
01:25:20Christina, please.
01:25:23Come to me, baby.
01:25:25It's okay.
01:25:26Stay where you are, Christina.
01:25:27The prince will be very angry.
01:25:29You don't have to be frightened.
01:25:31Just throw the book in the fire, Christina.
01:25:33I'm scared, mommy.
01:25:34He'll punish you, Christina.
01:25:36He'll hurt you very badly.
01:25:37It's okay.
01:25:38No one's gonna hurt you, pumpkin.
01:25:40Do as I say, Christina.
01:25:43Christina!
01:25:44Do it.
01:25:45Christy!
01:25:46No!
01:25:47Come to me.
01:25:48Come to me.
01:25:49Come to me.
01:25:50There's me.
01:25:51Come on.
01:25:52This way.
01:25:54No!
01:25:55No!
01:25:56No!
01:26:01No!
01:26:04No!
01:26:05No!
01:26:06No!
01:26:07No!
01:26:12No!
01:26:13It's all right, baby.
01:26:15It's all over.
01:26:39That's it, Chief.
01:26:40That's the one outside.
01:26:42There's another body in here.
01:26:44I share.
01:26:45I'll see you.
01:27:04A alarm fire in a residential Pacific Palisades neighborhood
01:27:08is reportedly under control.
01:27:10One fatality is confirmed, an unidentified white male.
01:27:13Hello.
01:27:14We're not going very far.
01:27:15Well, neither am I.
01:27:17I'll just get in the back.
01:27:19Sure.
01:27:26Hello there.
01:27:28Hello.
01:27:29You're awfully big.
01:27:30How old are you?
01:27:31Twenty?
01:27:32Twenty-five?
01:27:33He-he-he-he.
01:27:34He-he-he.
01:27:35How old are you?
01:27:36Twenty?
01:27:37Twenty-five?
01:27:38He-he-he-he.
01:27:39He-he-he-he.
01:27:40He-he-he-he.
01:27:41Hmm?
01:27:42You're right.
01:27:43You're right.
01:27:44Should be in the back!
01:27:45This isn't all over there.
01:27:46You've got to go!
01:27:47You're right.
01:27:48Three-oh.
01:27:49Two-oh.
01:27:50Two-oh.
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