- 4 months ago
Killer Workout (originally titled Aerobicide)[1] is a 1987 American slasher film written and directed by David A. Prior, and starring Marcia Karr, David James Campbell, Fritz Matthews, Ted Prior, and Teresa Van der Woude. The story revolves around a Los Angeles fitness club owned by Rhonda Johnson, whose twin sister burned in a tanning salon five years ago. Detective Morgan begins to investigate the gym, after several of its members are brutally murdered by an unknown attacker.
Plot
A young model, Valerie, is burned in a tanning salon accident. Five years later, Valerie's twin sister Rhonda Johnson is operating a fitness club in Los Angeles. Rhonda chastises one of her employees, Jaimy, for missing an aerobics class she was supposed to lead. Shortly after, a killer brandishing a large safety pin enters the women's locker room and slashes Rachael, a client, to death. While closing the club, Jaimy finds her corpse stuffed in a locker, as well as a blood-soaked knitting needle in the locker of Diane Matthews. Detective Morgan is assigned to the murder case and questions Rhonda and Jaimy.
The next day, Chuck is unexpectedly hired by Rhonda's senior managing partner of the club. Chuck gets into a physical fight with patron Jimmy, which impresses club patron Debbie, Jimmy's ex-girlfriend. Later, Morgan learns that Diane's knitting needle was not the weapon used to kill Rachael. Later that night, a group of teenagers vandalize the club with spray paint, only to be brutally murdered by an unseen assailant.
The next day, Tom, a club patron whom Morgan has deemed a suspect, is murdered in the locker room, and later, Jaimy is found hanged inside the club. Rhonda harangues Morgan for her perceived ineffectiveness of his investigation. Morgan uncovers that Rhonda is in fact Valerie, who survived the tanning accident, and that she never had a twin sister—instead, she legally changed her name to Rhonda and has kept her badly-scarred body hidden with clothing and a wig. Morgan confronts Rhonda with his discovery, and she admits it, but remains stern and impervious to his assertion that she may be the murderer, killing out of jealousy.
Plot
A young model, Valerie, is burned in a tanning salon accident. Five years later, Valerie's twin sister Rhonda Johnson is operating a fitness club in Los Angeles. Rhonda chastises one of her employees, Jaimy, for missing an aerobics class she was supposed to lead. Shortly after, a killer brandishing a large safety pin enters the women's locker room and slashes Rachael, a client, to death. While closing the club, Jaimy finds her corpse stuffed in a locker, as well as a blood-soaked knitting needle in the locker of Diane Matthews. Detective Morgan is assigned to the murder case and questions Rhonda and Jaimy.
The next day, Chuck is unexpectedly hired by Rhonda's senior managing partner of the club. Chuck gets into a physical fight with patron Jimmy, which impresses club patron Debbie, Jimmy's ex-girlfriend. Later, Morgan learns that Diane's knitting needle was not the weapon used to kill Rachael. Later that night, a group of teenagers vandalize the club with spray paint, only to be brutally murdered by an unseen assailant.
The next day, Tom, a club patron whom Morgan has deemed a suspect, is murdered in the locker room, and later, Jaimy is found hanged inside the club. Rhonda harangues Morgan for her perceived ineffectiveness of his investigation. Morgan uncovers that Rhonda is in fact Valerie, who survived the tanning accident, and that she never had a twin sister—instead, she legally changed her name to Rhonda and has kept her badly-scarred body hidden with clothing and a wig. Morgan confronts Rhonda with his discovery, and she admits it, but remains stern and impervious to his assertion that she may be the murderer, killing out of jealousy.
Category
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Short filmTranscript
00:00:00Music
00:00:17One, two, three, four, five, seven.
00:00:284, 5, 6, 7, 8 1, 2, 3, 4, 5, 6, 7, 8 1, 2, 3, 4, 5, 6, 7, 8
00:00:581, 2, 3, 4, 5, 6, 7, 8, 9, 10
00:01:281, 2, 3, 4, 5, 6, 7, 9, 10
00:01:581, 2, 3, 4, 5, 6, 7, 9, 10
00:02:281, 2, 3, 4, 5, 6, 7, 10
00:02:301, 2, 3, 4, 5, 7, 10
00:02:341, 2, 3, 4, 5, 7, 10
00:02:361, 2, 3, 4, 5, 7, 10
00:02:45The power is you, the power is me
00:02:51The touch of your hands is all that I need
00:03:15O darling, and give me nothing to this
00:03:34I am my sister
00:07:47This isn't funny.
00:07:49I just want to know one thing.
00:07:50What?
00:07:51What's the zipper for, baby?
00:07:53Leave it to your imagination.
00:07:55What?
00:08:01Don't play with me.
00:08:05Don't play with me.
00:08:11Come on now, come on now, come on and play with me tonight.
00:08:35Miranda, how about tonight?
00:08:36No, Jimmy.
00:08:37Well, how about tomorrow night?
00:08:38Look, not tonight, not tomorrow night, not any night. How many times do I have to say that?
00:09:01Well, good afternoon.
00:09:02I'm sorry I might, Rhonda. I got here as fast as I could.
00:09:04In my office.
00:09:05Rhonda?
00:09:06In my office.
00:09:08Well, what's it gonna be this time?
00:09:19I'm late and I'm sorry, okay?
00:09:21No, that's not okay.
00:09:23I just had to spend my time teaching your class instead of doing my books.
00:09:28And then you show up five minutes after the class is over with?
00:09:31I don't think so.
00:09:32I'm sorry, okay, Rhonda?
00:09:34Jamie, you can't keep doing this to me.
00:09:37This place is too damn important to me.
00:09:39I said I'm sorry! It won't happen again!
00:09:43I just had a really bad day.
00:09:45Why don't you just start locking up?
00:09:47Got it.
00:09:48And then I'm gonna take you to dinner, okay?
00:09:50Alright, I'm gonna get out of here.
00:09:52Alright, I'm gonna get out of here.
00:10:54I'll see you at my place at 9.
00:10:56Okay, I'll be there.
00:11:05Bye-bye.
00:11:05Bye.
00:11:06Take care.
00:11:07Bye, Jamie.
00:11:07See you later.
00:11:09Hey.
00:11:11You want me to show you what the zipper is really for?
00:11:15You think the club would tell me?
00:11:17I'll be there.
00:11:18If you're lucky.
00:11:20I'm always lucky.
00:11:21I'll see you later.
00:11:23Bye.
00:11:23Bye.
00:11:23Bye.
00:11:24Like the wind and the snow, and I love hearing men sing.
00:11:28Kathy?
00:11:33Kathy, is that you?
00:11:52Who is it?
00:11:57Who's there?
00:11:58Who's there?
00:11:58who's there?
00:12:03I love seeing men.
00:12:13Bye.
00:12:15Bye.
00:12:15Bye.
00:12:16Bye.
00:12:17Oh, my God.
00:12:47Oh, my God.
00:13:17Oh, my God.
00:13:47Oh, my God.
00:14:17Oh, my God.
00:14:19Nothing?
00:14:20Never mind.
00:14:24Look, Jimmy, I don't even want to know.
00:14:27Why don't you just start closing up so we can go to that dinner, okay?
00:14:31Okay.
00:14:32Okay.
00:14:33Okay.
00:14:34Okay.
00:14:35Okay.
00:14:36Okay.
00:14:37Okay.
00:14:39Oh, my God.
00:14:40Okay.
00:14:42Okay.
00:14:44Okay.
00:14:45Okay.
00:14:46Okay.
00:15:47It's all yours, Lieutenant.
00:16:47What can you tell me about this Rachel McLeod?
00:17:13Oh, come on.
00:17:14We just spent the last three hours going over the same thing with some other cops.
00:17:17I'm not some other cop.
00:17:21Name's Morgan, Detective Lieutenant in charge of this investigation.
00:17:24Get used to the name.
00:17:25You're going to see a lot of them.
00:17:26And if we have to go over this for another three hours, that is precisely what we will do.
00:17:34She was so pretty.
00:17:35Not anymore.
00:17:41How well did you know her?
00:17:45I didn't really.
00:17:47Look, she came in a couple times a week.
00:17:49We said hi and bye.
00:17:50That's about it.
00:17:55Ever see that before?
00:17:56Is that what she was killed with?
00:18:03Maybe.
00:18:05Tell me about Diane Matthews.
00:18:08Why?
00:18:09Because that was found in her locker.
00:18:11And so was the body in case you didn't notice.
00:18:14Now tell me about her.
00:18:15Oh, she's a good customer.
00:18:21She's been a customer for about a year.
00:18:23Quiet type.
00:18:24Never really had any problems with her.
00:18:28I need more than that.
00:18:30She's kind of shy.
00:18:31Not really one of the crowd.
00:18:34A little jealous, too, I think.
00:18:39Of what?
00:18:42I'm not really sure.
00:18:43Just not fitting in, I guess.
00:18:44Um, I see her at a few local bars.
00:18:49She's always sitting by herself.
00:18:53Just kind of watching the rest of us.
00:19:01I suppose this will all be over the news by morning.
00:19:03Does that bother you?
00:19:05You want to help business?
00:19:09Business.
00:19:11I'm a partner.
00:19:14The other partner will have to be notified.
00:19:17You're going to be seeing a lot more of me.
00:19:43I can hardly wait.
00:19:52Yeah.
00:19:55Five, six, seven, eight.
00:20:00Other way.
00:20:01One, two, three, four, five, six, seven, eight.
00:20:07No shit.
00:20:10No shit.
00:20:11I've been right here last night.
00:20:13Really?
00:20:14Yeah, man.
00:20:16Some fucker.
00:20:17Cut her up in little pieces and stuffed her in a locker.
00:20:22Did you screw her first?
00:20:23I don't know, but I would have.
00:20:29She was a baby.
00:20:31Yeah.
00:20:38It's almost 8.30.
00:20:39I better have the showers.
00:20:40I'll be late for work again.
00:20:41You coming?
00:20:42I ain't even breathing hard.
00:20:43See you there.
00:20:44Okay.
00:20:47When you're close, it's the most satisfaction.
00:20:50Five, six, seven, eight, one, two, three, one.
00:20:56It's a real love attraction.
00:20:58Touching me, touching you.
00:21:01One, six, seven, three, four, five, six, seven.
00:21:04rundown.
00:21:04Nine, six, nine, and five, six, seven, six, seven, four.
00:21:08Eight, four, five, six, nine, six, seven, seven, seven, six, ten, five.
00:21:12Five, six, seven, eight, six, one, two, three, four, five, six, six, one, two, three, Debbie, take up the class for me, six.
00:21:32Hi, Rhonda.
00:21:33What the hell are you doing?
00:21:34Look, business is bad enough already.
00:21:36What?
00:21:37Look, just teach the class to stop showing off your tits and tight little ass.
00:21:40Got it?
00:21:42Who the hell are you?
00:22:07Hi, I'm Chuck Dawson.
00:22:09I was just, um...
00:22:10Who are you?
00:22:14Rhonda Johnson.
00:22:15I own this place.
00:22:17Find what you're looking for?
00:22:19Huh?
00:22:20Oh, that.
00:22:20No, you see, you don't understand.
00:22:22There wasn't anybody around, and I just thought if I looked over things a little, you know, I could get a better feel about the place.
00:22:28A better feel?
00:22:29Look, you want to feel Try Hollywood Boulevard.
00:22:31Now, get the hell out of here.
00:22:32That's good.
00:22:33That's really funny, but you don't understand.
00:22:34Okay, yeah, yeah, start work here today.
00:22:38No way.
00:22:39Come on, this is no way to start an employer-employee relationship here.
00:22:42This is from your senior partner, Mr. Erickson.
00:22:46He hired me on yesterday.
00:22:48What?
00:22:48Everything a little clear right now?
00:22:56Oh, yeah, it's clear all right.
00:23:00Great, uh, where do I start?
00:23:02I'm dying to get to work.
00:23:04Men's toilet needs scrubbing.
00:23:07Right.
00:23:07Hey!
00:23:24What the hell's your problem, man?
00:23:26I'm a threat intimate.
00:23:33Problems?
00:23:34I don't have any problems.
00:23:35You new around here?
00:23:36Just started today.
00:23:38Who's asking?
00:23:39Someone who's going to give you some real good advice.
00:23:41Is that right?
00:23:42That's right.
00:23:43Well, I can hardly wait.
00:23:44Stay away from Rhonda.
00:23:46Get the hell out of here.
00:23:48You don't listen very well, do you?
00:23:49Stay away from her.
00:23:50I'm going to take you apart.
00:23:52Piece by piece.
00:23:57You just made a mistake.
00:24:02Come on!
00:24:06Come on!
00:24:12Come on!
00:24:13Next time, I'm going to finish it.
00:24:43Next time, I'm going to finish it.
00:25:13Next time, I'm going to finish it.
00:25:20Wow, that was rad.
00:25:23You saw that, did you?
00:25:24I saw enough of it.
00:25:25Do we know each other?
00:25:26I'm Debbie.
00:25:27I'm Chuck.
00:25:28Care to go for a ride?
00:25:30Hey, that's the best offer I've had all day.
00:25:32Great.
00:25:33Hop in.
00:25:34Got a lot of work to do, baby, to get where you're going to, baby.
00:25:51You should listen to what I say.
00:25:57You can't ever stop, girl.
00:25:59Oh, no.
00:26:00To get to the top of the world.
00:26:03That's the price you've got to pay.
00:26:10She's a knockout.
00:26:11Let her rock out.
00:26:12Scream and shout.
00:26:13She's a knockout.
00:26:14She's a knockout.
00:26:15She's a knockout.
00:26:17She's a knockout.
00:26:18She's a knockout.
00:26:19She's a knockout.
00:26:20She's a knockout.
00:26:21She's a knockout.
00:26:22She's a knockout.
00:26:23She's a knockout.
00:26:26So, have you been a member of the workout for very long?
00:26:29Uh, a little over a year or so.
00:26:32So, what do you know about this Jimmy Howlett?
00:26:35I was stupid enough to go out with him a while back.
00:26:40Why do you say that?
00:26:42Because the guy is weird.
00:26:44I mean, he likes to tie girls up and do weird things.
00:26:47You know, I mean, it's cool to get kinky sometimes, but the guy's just plain weird.
00:26:52You don't have his address, do you?
00:26:55Why?
00:26:56Are you going to ask him out?
00:26:58No, not quite.
00:26:59I just might pay him a visit later on today.
00:27:02I'll go look for it.
00:27:04I wanted to go inside and change anyways.
00:27:07Now, don't you go anywhere.
00:27:10I'll be right back.
00:27:12She's a knockout.
00:27:17Better look out.
00:27:22She'll take you out.
00:27:24She's a knockout.
00:27:28Yeah, Mr. Erickson.
00:27:29Chuck Dawson.
00:27:31Yeah.
00:27:32Yeah, I know all about that.
00:27:34Uh, nothing.
00:27:35I haven't had a chance yet, but I'm working on it.
00:27:37Yeah, I know that's what I'm getting paid for.
00:27:39Look, don't worry about it, okay?
00:27:41Look, I gotta go.
00:27:42Right.
00:27:43Here's Jimmy's address.
00:27:44Oh, great.
00:27:45And thanks for the drink.
00:27:46Oh, you're not gonna leave right now, are you?
00:27:47I think I'd better.
00:27:48I gotta get back to the workout for a while.
00:27:49I got a lot to do.
00:27:50Well, I think you got a lot to do right there.
00:27:51Is that right?
00:27:52Is that right?
00:27:53That's right.
00:27:54Watch your workout.
00:27:56It's playing it up.
00:27:57She's a knockout.
00:27:58Better look out.
00:27:59She'll take you out.
00:28:00She's a knockout.
00:28:01Let her look out.
00:28:02She'll take you out.
00:28:03She's a knockout.
00:28:04I think you got a lot to do right there.
00:28:06Is that right?
00:28:08That's right.
00:28:34And you look just like Mr. Hippo in Mississippi.
00:28:41You got to work out.
00:28:43You got to work out animal workout.
00:28:48You say you're breathing fast, but you're moving too slow.
00:28:54Listen to me, baby, cause it's somewhere you should go.
00:29:01You got to work out, you got to work out animal workout.
00:29:07You got to work out, you got to work out animal workout.
00:29:14Reach for your toes and hit the stars.
00:29:18Hi, Jimmy.
00:29:19Oh, hi, Dan.
00:29:24What are you doing tonight?
00:29:25I don't know yet. What about you?
00:29:27I don't have any plans yet.
00:29:29Too bad.
00:29:31Sweat.
00:29:32Reach.
00:29:33Bend.
00:29:34Up.
00:29:35Down.
00:29:36Up.
00:29:37Down.
00:29:38Up.
00:29:39Down.
00:29:41chapters .
00:29:45Up.
00:29:46Down.
00:29:47Up.
00:29:48Down.
00:29:51I don't know.
00:30:21I don't know.
00:30:51Don't worry about where I am.
00:30:53Get over to the lab and tell that college boy.
00:30:56If he doesn't have that report in 30 minutes, I'm going to come over there and do an autopsy on his face.
00:30:59You got that?
00:31:00Yes, sir.
00:31:00What is your looking?
00:31:01Do it!
00:31:02Yes, sir.
00:31:02Hi.
00:31:05This is Diane Matthews.
00:31:24Did I get any messages?
00:31:30None at all.
00:31:36Who is it?
00:32:01Who's there?
00:32:06Open up!
00:32:09Open the door!
00:32:13Open up!
00:32:16Open up the doors!
00:32:17The police!
00:32:17The police!
00:32:30The police!
00:32:31Headquarters calling the
00:33:01Lieutenant Morgan. Come in, Lieutenant.
00:33:07This is Morgan. What is it?
00:33:09Just got the report on the knitting needle belonging to Diane Matthews.
00:33:12It was not the murder weapon. I repeat, it was not the murder weapon.
00:33:15Oh, shit.
00:33:31This is Morgan.
00:34:01Hello?
00:34:12Is anyone there?
00:34:15Look, we're closing up for the night.
00:34:21Hello?
00:34:21That wasn't funny, Jimmy.
00:34:30Don't you ever do that to me again.
00:34:32I wasn't trying to scare you.
00:34:35You didn't scare me.
00:34:38Hey, just relax. I'm not some kind of crazy killer.
00:34:41Would you just stop it?
00:34:43Look, I just wanted to see you alone.
00:34:44Look, I know you're not a killer, Jimmy.
00:34:48But you are an asshole.
00:34:55Shut up, you little cunt.
00:34:56What'd you have to bring her for?
00:34:57It's your page, remember?
00:34:59Oh, yeah.
00:35:01It's all clear.
00:35:02Come on.
00:35:03They are going to shit when they see him.
00:35:20Come on.
00:35:20Here comes a car.
00:35:21Come on.
00:35:21Here comes a car.
00:35:22Where's Curtis?
00:35:30Dumb shit.
00:35:31Probably got caught.
00:35:33We better go look for him.
00:35:34Not we.
00:35:34You.
00:35:35I'm going back to the car.
00:35:36Here comes a car.
00:36:06Curtis, is that you?
00:36:19Curtis, is that you?
00:36:36Lewis, is that you?
00:36:38What?
00:36:41Good luck to the car?
00:36:49voice Daniel, is that you?
00:36:53What� in this addiction?
00:36:55Look at me.
00:36:58What for?
00:37:01Cathy, I was nervous.
00:37:02Give him a charge.
00:37:03Curtis, where are you?
00:37:33Curtis, where are you?
00:38:03Oh, my God.
00:38:33Oh, my God.
00:39:03Oh, my God.
00:39:33I'll see you later, Brad.
00:40:03What the hell?
00:40:33Wait!
00:40:40I didn't do it!
00:40:45So you just started working here yesterday, huh?
00:41:04Yeah, that's right, Lieutenant.
00:41:06Just a coincidence, I suppose, you got here in the middle of all this killing.
00:41:10I suppose.
00:41:12Why is it I don't believe you?
00:41:15I don't know. I always thought I had an honest face.
00:41:17You don't think it's because you laid this guy out like a pro, do you?
00:41:20Nah, that was easy.
00:41:22Right.
00:41:23I don't know what it is about you, but I'm gonna find out.
00:41:29You count on it.
00:41:31It's okay, Tommy.
00:41:32It's okay.
00:41:33It's okay.
00:41:34It's okay.
00:41:35What's going on?
00:41:38I want to show you what the zippers are really for.
00:42:03I want to show you what the zippers are really for.
00:42:10What?
00:42:11Listen.
00:42:12I want to show you what the zippers are really for.
00:42:37Goodbye, Tommy.
00:42:41Come out of it, boy.
00:42:46That guy gave you a hell of a beating.
00:43:03Handcuffs?
00:43:04You've been out for some time now.
00:43:06It all happened so fast.
00:43:08I suppose you don't remember being found in the same room with two dead men?
00:43:13Relax.
00:43:15We're not through with you.
00:43:18I'm right back.
00:43:21And don't try anything stupid.
00:43:23There's an officer right outside the door.
00:43:24Right.
00:43:25There's an officer right outside the door.
00:43:26Right.
00:43:27All right.
00:43:28All right.
00:43:32Oh, my God.
00:44:02I've been here with you when the right time opens up.
00:44:09Reach out for me through.
00:44:12You move me in the dark and dark.
00:44:17You've been walking through.
00:44:21Life is never lifeless.
00:44:25See you tomorrow, Lieutenant.
00:44:32Seems like things really picked up since you got here.
00:44:36Yeah, it does look that way, doesn't it?
00:44:38I want to talk to you.
00:44:55Yeah, well that makes two of us.
00:44:58I just spoke to my senior partner.
00:44:59See, I was going to beg him to let me keep this place open.
00:45:03But he already wanted to stay open.
00:45:06And I can't figure that out.
00:45:08Must be a reason.
00:45:10You know, I know damn well there's a reason.
00:45:14I just want to know how it is.
00:45:17You're pretty handy with that thing.
00:45:19Look, what I am is pissed off.
00:45:22And I want some answers.
00:45:24I want to know what the hell you're doing about this.
00:45:26Because I don't see you doing any more than
00:45:28standing around acting like some goddamn TV cop.
00:45:31While half of my customers are being killed off,
00:45:34and the other half are canceling their memberships.
00:45:36May I?
00:45:37Yeah.
00:45:48Very sharp.
00:45:50Then you hardly have anything in common, do you?
00:45:54I'm just doing my job, Miss Johnson.
00:45:57Well, what exactly is your job, Lieutenant?
00:46:01Do you even have a suspect?
00:46:03As a matter of fact, I have several.
00:46:05It's the motive I can't quite figure out.
00:46:08But I will.
00:46:10I will.
00:46:14What are you sharing?
00:46:17Officer Peterson's gonna hang around for the rest of the evening.
00:46:20If you don't mind.
00:46:22Fine.
00:46:23Good. I'm running out of body bags.
00:46:35Good.
00:46:45Rhonda, are you okay?
00:46:47Yes, Jimmy, I'm okay.
00:46:49Look, I'm also real busy.
00:46:51If you hadn't noticed, there's been a lot of trouble here.
00:46:53I know.
00:46:54I can help, Rhonda.
00:46:59I don't think so, Jimmy.
00:47:11Check in every hour.
00:47:13You got it, Lieutenant.
00:47:24You got it.
00:47:54You got it.
00:48:04You got it.
00:48:17You got it.
00:53:18to check things out that's all and did that include spying on me in the middle of the night
00:53:25i wasn't here to spy on you i was here to save you oh right
00:53:30the guy jimmy i saw the way he looked at her in a spot was weird you know it was
00:53:35definitely not normal a little bit later i went through his locker came up with these
00:53:48oh my god all you around in a spa around at home around to getting in her car around walking
00:54:01across the street all you he always bugged me trying to get me to go out with him but
00:54:11i never thought it was like this did you huh did you go out with him no never
00:54:19that's not all earlier this evening i went over to his apartment and let myself in
00:54:25guess whose picture is plastered all over the walls mine you got it what kind of pictures just pictures
00:54:36after that i figured around it was next so i came here
00:54:39and tomorrow you'll leave here back to san francisco you got me
00:54:43hey he's all yours lieutenant but you better get him and you better get him now
00:55:04finally doing your laundry huh kathy i'm getting out of here while i'm still in one piece if you had
00:55:13any brains you would do the same thing hey i was just kidding where's jamie i want to say goodbye to her
00:55:18her she was here a minute ago try the aerobics room
00:55:31jamie
00:55:44jamie
00:55:48jamie
00:55:57jamie
00:56:01jamie
00:56:05jamie
00:56:07jamie
00:56:20jamie
00:56:22jamie
00:56:24jamie
00:56:39jamie
00:56:41jamie
00:56:43jamie
00:56:45jamie
00:56:47jamie
00:56:58jamie
00:57:00jamie
00:57:04jamie
00:57:06jamie
00:57:08jamie
00:57:10That's against the law, Dawson.
00:57:25I thought I told you to stay out of here.
00:57:27Yeah, I'm leaving, Morgan, okay?
00:57:29I just came by to pick up a few things I left inside.
00:57:31Is that okay with you?
00:57:32Why don't you try using the keys?
00:57:40Lieutenant Morgan, come in, Lieutenant Morgan.
00:57:51This is Morgan.
00:57:52I've got the report on Johnson.
00:57:54Well?
00:57:54I think you better come see this for yourself.
00:57:57I'm on my way.
00:58:10I'm on my way.
00:58:40I'm on my way.
00:59:10I'm on my way.
00:59:40I'm on my way.
00:59:42I'm on my way.
00:59:43I'm on my way.
00:59:44I'm on my way.
00:59:46I'm on my way.
00:59:48I'm on my way.
00:59:50Lieutenant.
00:59:52Miss Johnson.
00:59:54Well, what is it this time, Lieutenant?
01:00:06Have a seat, Valerie.
01:00:10Valerie Johnson.
01:00:30That is your real name.
01:00:32It was.
01:00:34I changed it legally.
01:00:36Uh-huh.
01:00:37You know, after last night, I was almost convinced that Jimmy Halleck was our man.
01:00:41Oh, he's nuts, all right.
01:00:42But the pieces, they just didn't fit together.
01:00:44The motives, they're all wrong.
01:00:46There are two common denominators in all the murders.
01:00:50All the victims were members of the spa.
01:00:52Number two is what I just couldn't figure out until today.
01:00:56All of them were good-looking, beautiful people, in great shape.
01:01:06Perfect bodies, one might say.
01:01:08All except me.
01:01:10All except you, Rhonda Johnson, who used to be the perfectly beautiful Valerie Johnson,
01:01:16until 70% of her body was burned in a tanning spa accident five years ago.
01:01:20Look, that's enough!
01:01:21Valerie Johnson, who was to become the modeling world's newest young star,
01:01:25but suddenly couldn't get a job starring in a freak show.
01:01:28What do you want, Morgan?
01:01:29What?
01:01:30Look, is this what you wanted to see?
01:01:32Is that it?
01:01:33That's not necessary.
01:01:35So you found out my terrible secret.
01:01:39So what?
01:01:40That doesn't mean I kill those people.
01:01:43I think it does.
01:01:44I think it eats you up inside to look at all those young, beautiful bodies,
01:01:48knowing that you have to spend a lifetime hiding yours,
01:01:51knowing that any man would get sick if he tried to make love to you.
01:01:54You bastard.
01:01:57Just doing my job.
01:01:59Can't ever prove I did anything.
01:02:01Because I didn't.
01:02:18Headquarters to Morgan. Come in, Lieutenant Morgan.
01:02:34What is it now?
01:02:35Chuck Dawson's dead. Same M.O. Body's cut the ribbon.
01:02:39When?
01:02:40It was Jimmy Hallock, all right.
01:02:41We've got two witnesses and we've got the weapon.
01:02:43He's still loose, though. I just put out an alt points on him.
01:02:46Lieutenant?
01:02:48Lieutenant, are you there?
01:02:50Come in, Lieutenant.
01:02:51Lieutenant Morgan.
01:03:13Freeze, Hallock!
01:03:14Freeze, Hallock!
01:03:19Stop, Hallock!
01:03:20You're under arrest!
01:03:44You're under arrest!
01:03:46You're under arrest!
01:03:47You're under arrest!
01:03:52Someone's 스� enterprise,
01:03:53who's got a job!
01:03:54Just after a blow,
01:03:56Please hold him.
01:03:57There is no one if but you'll find spell artist.
01:04:03Please hold him.
01:04:04Jamie Sharon,
01:04:06Please hold him.
01:04:07We were against him.
01:04:08There is no one if and you were struck by Griffel,
01:04:10Let's go.
01:04:40Let's go.
01:05:10Let's go.
01:05:40Let's go.
01:06:10Let's go.
01:06:40Let's go.
01:07:10Let's go.
01:07:11Let's go.
01:07:12Let's go.
01:07:13Let's go.
01:07:14Let's go.
01:07:15Let's go.
01:07:16Let's go.
01:07:17Let's go.
01:07:18Let's go.
01:07:19Let's go.
01:07:20Let's go.
01:07:21Let's go.
01:07:22Let's go.
01:07:23Let's go.
01:07:24Let's go.
01:07:25Let's go.
01:07:26Let's go.
01:07:27Let's go.
01:07:28Let's go.
01:07:29Let's go.
01:07:30Let's go.
01:07:31Let's go.
01:07:32Let's go.
01:07:33Let's go.
01:07:34Let's go.
01:07:35Let's go.
01:07:36Let's go.
01:07:37Let's go.
01:07:38Let's go.
01:07:39Let's go.
01:07:40Let's go.
01:07:45Let's go.
01:07:46Let's go.
01:07:47Let's go.
01:08:18No!
01:08:48No!
01:09:18No!
01:09:48No!
01:09:49No!
01:09:50No!
01:09:51No!
01:09:52Why'd you call him, Dalsy?
01:09:57Because I love you.
01:10:00I couldn't let them catch you.
01:10:04Why'd you kill him, Dalsy?
01:10:11Because I love you.
01:10:15I couldn't let them catch you.
01:10:24This isn't a police car, Morgan.
01:10:26That's right, Miss Johnson.
01:10:27It's a rental.
01:10:28I don't understand.
01:10:29I was about to meet someone for lunch,
01:10:31and then you show up and pull me away
01:10:33on what you call urgent police business.
01:10:36Just shut up and get out of the car.
01:10:56Tell me, Morgan.
01:10:57It's taking walks out in the country,
01:10:59part of everyday police work, huh?
01:11:01You might say it is today.
01:11:02And what is that show up for?
01:11:04Are we going on a scavenger hunt,
01:11:05or are we digging for buried treasure, maybe?
01:11:07You'll find out soon enough.
01:11:08That breaks at the heart of us.
01:11:11We run to each other.
01:11:14All right, Morgan.
01:11:29I played along far enough.
01:11:31I'm not going any further until you tell me what's going on.
01:11:33This will do just fine.
01:11:46Okay, Lieutenant.
01:11:48What are we doing here?
01:11:49My father used to own this land.
01:12:01He was going to settle down here after he retired from the force.
01:12:06That never happened.
01:12:09Some punk he pulled over for speeding.
01:12:12Shot him four times.
01:12:13Thirty years on the force.
01:12:18Thirty years.
01:12:20And it was over.
01:12:22Just like that.
01:12:24Oh.
01:12:25Well, that's all very touching, Lieutenant.
01:12:27What has that got to do with me?
01:12:30Hmm?
01:12:32Shut up and listen.
01:12:32I'm not through yet.
01:12:33My father was a good man.
01:12:39A very good man.
01:12:40He spent his life upholding the law
01:12:41and teaching me to do the same thing.
01:12:48The difference
01:12:49between right
01:12:51and wrong
01:12:53is a very thin line he used to say to me.
01:12:56Then one time
01:13:00about twenty-five years ago
01:13:03he crossed over that line.
01:13:09It was about ten killings in two weeks.
01:13:13A midnight strangler, they called him.
01:13:15My father knew who it was.
01:13:18He caught him.
01:13:20But the courts let him go on a technicality.
01:13:24The killing started all over again.
01:13:26And a few weeks later
01:13:32that man disappeared.
01:13:36My father never talked about it.
01:13:37But I knew what he did.
01:13:40I knew what happened.
01:13:42What the hell are you trying to say?
01:13:53What I'm saying, Miss Johnson,
01:13:55is a mystery to me.
01:13:57Today I'm crossing that line.
01:14:01You're crazy, Morgan.
01:14:03You are out of your mind.
01:14:07I'm crazy.
01:14:09You killed twelve people, maybe more.
01:14:11And you can stand there
01:14:12and say that I'm crazy.
01:14:15I didn't kill those people.
01:14:16I killed Jimmy Halleck
01:14:18out of self-defense.
01:14:19And that's all.
01:14:20Read the newspapers.
01:14:21Oh, I've read the papers.
01:14:23I've heard the reports.
01:14:25And I know the department's position.
01:14:27Ronda Johnson.
01:14:29Kills crazed murder and self-defense.
01:14:31The whole damn city's convinced that you're their big hero.
01:14:35I don't know how you set it up like that.
01:14:39I really don't.
01:14:41Maybe you didn't.
01:14:43Maybe you're just damn lucky that another crazy came along and bailed you out just in time.
01:14:47I'm not convinced.
01:14:53I know you did it.
01:14:55You are wrong, Morgan.
01:14:57You are wrong and you're crazy.
01:14:59You couldn't solve the crime so your damn hot shot cop ego couldn't swallow it.
01:15:05I know you did it.
01:15:07You know you did it.
01:15:09If I let you go free now, you'll do it again.
01:15:11I can't let that happen.
01:15:13You're out of your mind.
01:15:15You can't just bring me up here and kill me.
01:15:19You can't do it.
01:15:21What do you think you are?
01:15:23Some self-appointed avenger with a mission from God?
01:15:27No.
01:15:29Just a man.
01:15:31Justice must be served.
01:15:33Time is now.
01:15:35Somehow I know my father will understand.
01:15:39I look in the dark I hide my face.
01:15:51Afraid of the spark I chase.
01:15:55There's no turning back I know cause I've tried.
01:16:01The hunger I feel just won't be denied.
01:16:11I'm a woman on fire and it frightens me so.
01:16:17I'm a woman on fire and I'm out of control.
01:16:27You're just what I've always feared.
01:16:29You're secretly done for.
01:16:31And when...
01:16:33Miranda, I didn't expect to see you today.
01:16:35I can't stay.
01:16:36I just came by to pick up my extra set of keys and I'm gonna run.
01:16:39Okay, just listen to this.
01:16:41Two for one special.
01:16:43Purchase your membership this week and two join for the price of one.
01:16:46First 50 new members receive a brand new aerobic outfit.
01:16:49What do you think?
01:16:50Full page ad?
01:16:51I think it sounds great.
01:16:52Look, why don't you run it over to the newspaper so we don't miss the deadline.
01:16:55I'm on my way.
01:16:56And by midweek this place will be packed to the walls with gorgeous bodies.
01:16:59I'm counting on it.
01:17:01The power is you, the power is me.
01:17:11The touch of your hands is all that I need.
01:17:19I'm a woman on fire and it frightens me so.
01:17:25I'm a woman on fire tonight.
01:17:28I'm out of control.
01:17:31It's bigger than both of us.
01:17:34It's lightning and thunder that strikes at the heart of us.
01:17:40We run to each other.
01:17:45We run to each other.
01:17:46We put pressure on it.
01:17:48We run to each other.
01:17:49I'm a woman on fire to frighten you sweet soul
01:18:09Now I'm a woman on fire tonight, I'm out of control
01:18:15You're just what I've always feared, yet secretly yearned for
01:18:23And when all the smoke is clear, you know how I'm thankful
01:18:31And for you
01:18:36I'm a woman on fire
01:18:44And I'm a woman on fire
01:18:50And I'm a woman on fire
01:18:56And I'm a woman on fire
01:19:03And I'm a woman on fire
01:19:09I'm a woman, yeah, a woman on fire
01:19:15Hey, baby, you sure look sexy
01:19:39Standing there, watching me
01:19:43I can see the hunger in you
01:19:52Reaching for your fantasy
01:19:57Only you tonight
01:20:04My one desire
01:20:12Only you tonight
01:20:19Can't let me be inside the fire
01:20:25Hey, baby, I've got the apple
01:20:46Red and juicy, warm and sweet
01:20:54All the laughter and the loving
01:21:01That your hungry lips can eat
01:21:10Only you tonight
01:21:16My one desire
01:21:23Only you tonight
01:21:31Can't let me inside the fire
01:21:37What you see ain't what you get
01:21:44The truth don't always show
01:21:47Love will blend you and you'll forget
01:21:51The things you wanna know
01:21:54Only you tonight
01:21:59My one desire
01:22:08My one desire
01:22:10Only you tonight
01:22:14You
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