- 5 weeks ago
A man who is immortal can bring his wife back from the dead temporarily by killing young women. But his latest would-be victim may be a problem.
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Short filmTranscript
00:00:00Now, these factors which we have been discussing for the last hour, namely low interest rates
00:00:15and low market indexes, have all contributed to foreign disinclination
00:00:25to place capital in our economy.
00:00:31Now, what are these factors, really?
00:00:55All she wants, all she needs is something better.
00:01:01You try to slide, there's a different ride, you forget her, you forget her.
00:01:12Look at Monica, she's amazing, I can't believe her.
00:01:42I know, Richard Waywin is so cool, I wish I could go.
00:01:52Did you read his last book?
00:01:54A Long Deadly Night, twice, couldn't sleep for a week.
00:01:59God, is he amazing.
00:02:04Do you think I could go with you guys?
00:02:07Sorry man, but I only got two tickets.
00:02:11Fine friend, you turn out, it's good.
00:02:21I'm sorry Brian, I've been involved with someone for a while now.
00:02:25Yeah, well, Jill implied that you guys were, you know.
00:02:29Yeah, well, it's kind of a trial thing.
00:02:31Well, if it's a trial thing.
00:02:33Actually, it's not just a trial thing.
00:02:35It's more like a separation deal and we have the option to renew it if we want to.
00:02:39You guys broke up.
00:02:41Could you excuse me for just a second?
00:02:43I gotta get something to drink.
00:02:45I thought you liked Brian, then.
00:02:55Why did you tell him that I'm interested?
00:02:58Well, he asked.
00:03:00Besides, he obviously doesn't like me.
00:03:04I mean, what can it hurt to talk to the guy?
00:03:06I think he's not that into dating right now.
00:03:11Well, don't worry, I'll work things out with Scott.
00:03:14I'm not so sure.
00:03:15I mean, he's so wrapped up in his work, there's just not enough time for our own relationship.
00:03:20I mean, he's so wrapped up in his work, there's just not enough time for our own relationship.
00:03:46Scott, do you want to come inside? Sarah's here.
00:03:52Um, no, that's okay. She's probably busy.
00:03:58Listen, just try to keep it down, all right?
00:04:01Yes, sir. Bye.
00:04:10Mr. Weyburn, can you autograph my copy of Blood Love?
00:04:14Of course.
00:04:21Laura, I thought your lecture was just great. Just really great.
00:04:26I've read every single one of your books, and I think that they're just...
00:04:30Great? Yeah.
00:04:35Laura. Laura.
00:04:38Tell me, Laura, would you like to have lunch with me?
00:04:42Sure.
00:04:44Please, hop in.
00:05:01Good, I'm famished.
00:05:02Um, did you get ketchup?
00:05:04Uh-huh.
00:05:05Salt and pepper?
00:05:06Yes.
00:05:08Horseradish?
00:05:08Horseradish?
00:05:10Huh?
00:05:10No, you put that on your burgers?
00:05:12It's the best.
00:05:13Okay, I'll be right back.
00:05:14Okay.
00:05:14I'm surprised they had it.
00:05:38Yeah.
00:05:39Okay.
00:06:08Now, that wasn't so bad, was it, hmm?
00:06:29Where are we going?
00:06:30Out for dinner.
00:06:31Well, then you're going to rent us in room, because I have a surprise for you.
00:06:47You know I hate surprises.
00:06:50Keep those eyes shut.
00:06:53All right.
00:06:54You can open your eyes.
00:06:55My things.
00:07:01My things.
00:07:01You only bring out my things
00:07:29670 years ago tonight I married you and 665 years ago you died
00:07:50Reborn
00:07:52Happy anniversary sweetheart
00:07:56Happy anniversary
00:07:58Happy anniversary
00:08:00Happy anniversary
00:08:02Happy anniversary
00:08:04Happy anniversary
00:08:06Happy anniversary
00:08:10Happy anniversary
00:08:12Happy anniversary
00:08:14Happy anniversary
00:08:16Happy anniversary
00:08:18Happy anniversary
00:08:22Happy anniversary
00:08:24Happy anniversary
00:08:28Happy anniversary
00:08:30Happy anniversary
00:08:34Happy anniversary
00:08:36Happy anniversary
00:08:38Happy anniversary
00:08:40Happy anniversary
00:08:42Happy anniversary
00:08:44Happy anniversary
00:08:46Happy birthday
00:08:48Happy anniversary
00:08:50Happy anniversary
00:08:52Happy anniversary
00:08:54This is Sarah Foster. Hi.
00:08:59Wow. This place is amazing.
00:09:03Actually, it belongs to your dean. It's still being renovated, so he hasn't moved in yet.
00:09:08But they figured I might prefer this to some tacking hotel.
00:09:13Well, at least I know where all my tuition money goes.
00:09:16Why don't you make yourself comfortable?
00:09:20I'm preparing some dinner, but maybe I should get us some drinks.
00:09:24Great.
00:09:54Here we are. It's your boy.
00:10:19I'm sorry. I only drink red. White gives me a terrible headache.
00:10:28Well, then, red it is.
00:10:33Excuse me.
00:10:34I took a few art classes and a few English classes. That's pretty much the extent of it.
00:10:52I would love to take either one as a major, but my parents.
00:11:00Well, you know, they're paying for most of my tuition, so they want me to do something that's a little more practical.
00:11:08Sarah, the business major. That's me, right?
00:11:11I firmly believe that a person should do what their heart tells them to.
00:11:16You don't know my parents.
00:11:19Maybe one day I will.
00:11:22You know, you haven't touched your drink.
00:11:23This, uh, chap you're dating, uh...
00:11:38Scott.
00:11:40Scott is a rational thinker.
00:11:43Show-me-the-facts kind of a guy.
00:11:44He tried to be supportive, but he was much better at dealing with Sarah, the business major, than Sarah, the artist.
00:11:54You know what I mean?
00:11:58Are you still painting?
00:12:02Actually, not that much.
00:12:07Since Scott and I stopped talking, it's been really hard to concentrate.
00:12:11Why did you stop talking?
00:12:14That is a really tough question.
00:12:17I don't know.
00:12:18I mean, maybe it was just bad timing.
00:12:22You love him?
00:12:26That's enough about me.
00:12:28We haven't talked about you all night, Mr. Famous Author.
00:12:33Nothing you can't find out about me from the jacket of one of my books.
00:12:37I'm sure that's not true.
00:12:39For instance, have you ever been married?
00:12:44Once.
00:12:46To a beautiful woman.
00:12:49Divorced?
00:12:51No.
00:12:52She died.
00:12:53Long, long time ago.
00:12:54I'm sorry.
00:12:57Don't be.
00:12:58She's still with me today.
00:13:00In many ways.
00:13:04Enough of this.
00:13:05Allow me to propose a toast.
00:13:07Oh, I'm starting to feel funny.
00:13:11Here's to artists.
00:13:12Past, present.
00:13:14Shit.
00:13:15Future.
00:13:16I'm sorry, Richard.
00:13:18Uh, don't worry.
00:13:19I'll get you another.
00:13:21Um, no, no, no, no, no.
00:13:22That's okay.
00:13:22I think I've made enough of a mess already.
00:13:25Perhaps a glass of water.
00:13:27Why don't you go to the other room and relax,
00:13:29and I'll get it for you.
00:13:31Okay.
00:13:32Boy, this has gone right to my head.
00:13:34Okay.
00:13:35Okay.
00:13:35Boy, this has gone right to my head.
00:14:00You know, you look very, very nice in white.
00:14:13You look very nice in a duplicate.
00:14:17Do you have any aspirin?
00:14:23Absprin?
00:14:25Be right back.
00:14:26Yeah, you're, uh...
00:14:53Absprin.
00:14:56That bloody time, too.
00:15:19You are so beautiful in this body.
00:15:24Oh, Rachel.
00:15:26I missed you.
00:15:29Couldn't wait for this little tramp to die.
00:15:33Rachel.
00:15:35Who the hell is Rachel?
00:15:36Wait a minute.
00:15:39You're still alive.
00:15:43Now it gets messy.
00:15:45I hate it when this happens.
00:15:46Yes.
00:15:47I hate it.
00:15:48Let's talk to God.
00:15:49Oh, boy.
00:15:49Oh, boy.
00:15:50Let's talk to God.
00:15:55I'm so sweet.
00:15:55Yeah.
00:15:57And I'm so into it.
00:15:58What's the hell?
00:15:59Oh.
00:16:00Oh.
00:16:01Oh.
00:16:01Oh.
00:16:02Oh.
00:16:02Oh.
00:16:03Oh, yeah.
00:16:06Oh.
00:16:08Oh, yeah.
00:16:09Oh, yeah.
00:16:11Oh, God.
00:16:12Oh.
00:16:12Oh, yeah.
00:16:12Oh, yeah.
00:16:14Oh, yeah.
00:16:14Oh, yeah.
00:16:45You have to help me.
00:16:49Please take me to the police.
00:17:04Help!
00:17:08He tried to kill me.
00:17:10He's a monster.
00:17:11Hold on.
00:17:12Help me.
00:17:13Hold on now.
00:17:14What happened?
00:17:15He tried to kill you?
00:17:16No, no, no, no, no, no.
00:17:17Officer, I think she's a little drunk or delirious, okay?
00:17:20I almost hit her with my car.
00:17:22She was wandering around in the middle of the road.
00:17:24Who tried to kill you?
00:17:25This guy.
00:17:26He did.
00:17:26This guy.
00:17:27He tried to kill me.
00:17:28He's...
00:17:29There he is.
00:17:31Arrest him!
00:17:33Sarah, what happened to you?
00:17:34Is this the girl?
00:17:36Yes, it is, thank God.
00:17:37Well, uh, if you can deal with it from here, I'll be going.
00:17:44Uh, just a minute, Mr. Wayborn.
00:17:46We can't let you go.
00:17:48Without giving us your autograph.
00:17:49She's been going on and on all night, Scott.
00:18:05She sticks with that same ridiculous story.
00:18:07I don't know what it means.
00:18:08Maybe it means she's telling the truth.
00:18:12This guy, Richard Wayborn, I mean, he's a famous author.
00:18:15He wrote The Dead or the Better.
00:18:16You read that one.
00:18:17He comes in here before she even walked in the door.
00:18:23Well, I hope you can take it this one out.
00:18:34Scott.
00:18:34Scott.
00:18:38You think you're going to be all right?
00:18:50Yeah.
00:18:53Anybody else in the house?
00:18:55Jill should be home.
00:19:00You do believe me, don't you?
00:19:05I don't know what I believe.
00:19:08I mean, what were you doing with this guy, anyway?
00:19:12I mean, is that why we broke up?
00:19:15Yeah.
00:19:15That's why we broke up, Scott, so I could go out with homicidal maniacs.
00:19:20You are some detective, Scott.
00:19:24Look, I don't know what happened tonight,
00:19:27but I do know there is something very strange about Wayborn.
00:19:30Would you please do me a favor and look into it?
00:19:50Nice seeing you, too.
00:19:52I can't believe I'm here with Richard Wayborn.
00:20:04I can't believe I'm here with Richard Wayborn.
00:20:04I can't believe I'm here with Richard Wayborn.
00:20:07I can't believe that.
00:21:25Chad?
00:21:26Yes?
00:21:28Hey, rough night.
00:21:31What'd you do?
00:21:33It's like some nightmare.
00:21:35I had dinner with that author guy, and after dinner...
00:21:40What, you went on a date with Richard Weyborn?
00:21:43It wasn't exactly a date.
00:21:46Date.
00:21:46I can't believe you didn't tell me this.
00:21:48Jill, you don't know what he tried to do to me.
00:21:50No, but I can guess, and I bet you loved it, too.
00:21:53I think he tried to kill me.
00:21:55You know, I've never been with a writer, especially a horror writer.
00:22:01So how was he?
00:22:02Was he weird?
00:22:03Was he kinky?
00:22:04He tried to strangle me, and then he tried to poison me.
00:22:08Excellent!
00:22:09Oh, shit, I'm late.
00:22:10Oh, I gotta go.
00:22:11Hey, film me later, okay?
00:22:12I'm telling the truth.
00:22:19I don't know.
00:22:21Well, something sure smells good.
00:22:28You know, this reminds me of the good old days.
00:22:30You and I together, waking up our house.
00:22:32You're cold.
00:22:39Well, I've been dead for six hours, Richard.
00:22:42That's not what I meant.
00:22:45Who is she?
00:22:47Who's her?
00:22:48Who's she?
00:22:50That handbag didn't come from Miss Police Bitch here,
00:22:53so how did it get here?
00:22:56All bad.
00:22:58Well, I tried to kill someone the other night.
00:23:00Poison didn't take her.
00:23:04I thought she was dead.
00:23:06I figured I'd take one of the crack at her tonight.
00:23:09No, I think I'll take care of her this morning.
00:23:12Besides, I'm starting to stiffen up.
00:23:14I'm going to need a fresh body if we plan to spend the day together.
00:23:18That'd be nice.
00:23:20It is difficult for us in the United States
00:23:26to appreciate the impact
00:23:29of the changeover in the Soviet Union
00:23:33to a market economy.
00:23:38We are used to a market economy.
00:23:43We're gathered here today
00:23:45to enjoy this man
00:23:47and this woman will be home forever.
00:23:49Please start looking for Sarah
00:23:52to be your lot more enjoying.
00:23:54You have to be home.
00:23:56You are a precious
00:23:58for the original
00:24:00and the six
00:24:02and nine
00:24:03together
00:24:04and you are.
00:24:06I do.
00:24:07Yeah, I'm looking for Sarah Foster.
00:24:26Come on, Foster, let's go.
00:24:28Miss Foster?
00:24:37In the self-styled cradle of communism, the people are not used to a market economy.
00:24:50What does this mean?
00:24:52No, this way.
00:24:53Where are we going?
00:24:54Is this about last night?
00:24:55We're going down to the stage and want to ask you a few more questions.
00:24:57You didn't listen to me last night.
00:24:58Why are you so interested?
00:24:59Shut up, you bitch!
00:25:01Don't talk to me like that!
00:25:03I can do anything!
00:25:04Hold up!
00:25:04Still!
00:25:07Uh, ouch?
00:25:14Ouch.
00:25:17That's it?
00:25:19Who are you?
00:25:21What are you?
00:25:22That's resisting arrest.
00:25:23You're going to die for that.
00:25:27Yes, sabotage.
00:25:29The Soviet bureaucracy has a vested interest.
00:25:35Class, will you excuse me for a moment?
00:25:49If you don't mind, I'm trying to conduct a class in here.
00:25:53Now, I don't know what happened, but your ex is definitely involved.
00:26:11You got nothing on her.
00:26:13How can you say that?
00:26:14Think about it.
00:26:15Now, until the coroner's report comes in, we can't jump to any conclusions.
00:26:19But Barb was my friend, too.
00:26:21What was she doing at that school?
00:26:23Now, she said it was official business, but nobody here knows anything about it.
00:26:27Now, something's going on here, but I don't think Sarah's involved.
00:26:30I want you to release her into my custody.
00:26:34You're not serious, Jack.
00:26:36Trust me.
00:26:40My custody.
00:26:41What is this custody bullshit?
00:26:43I mean, why am I in custody when I didn't do anything?
00:26:50Tell me what happened.
00:26:52I don't remember.
00:26:59She grabbed my arm, and I pulled away.
00:27:02Then she pointed her gun at me.
00:27:04I reached for it, and it went off.
00:27:07We wrestled, and then I broke her finger, and then she fell to the floor, dead.
00:27:17I can't believe they released you.
00:27:22Sarah, the department wants me to send over a counselor.
00:27:27What kind of counselor?
00:27:28A drug counselor.
00:27:30Scott!
00:27:31I am not on drugs.
00:27:31Sarah, I know you're not on drugs.
00:27:33It's procedure, okay?
00:27:37Z.
00:27:40You understand me, don't you?
00:27:44I'm just worried about you.
00:27:52So I'm in your custody, huh?
00:27:55Yeah.
00:27:57What does that involve, anyway, being in somebody's custody?
00:28:00It means you stay here, you keep the door locked, and you keep quiet.
00:28:06Now, I've got to get back to work.
00:28:11Promise me you'll stay put.
00:28:14Of course I will.
00:28:14I will.
00:28:30I will.
00:28:57I will.
00:28:58Yes, Richard Waybourn?
00:29:00Yes, I am.
00:29:02Scott Garrison, Hillsdale Police.
00:29:04I wonder if I could ask you a few questions about last night.
00:29:08Oh, the girl?
00:29:10Certainly. Where is your name?
00:29:12Oh, thank you. This won't take long.
00:29:14How well do you know her?
00:29:18Not very well, actually.
00:29:20She approached me yesterday after one of my lectures.
00:29:24I wanted to talk about writing.
00:29:26I get this sort of thing a lot. Young kids looking for a break, you know.
00:29:32So, uh, you two had dinner?
00:29:36Well, she seemed like a nice enough girl.
00:29:38So I invited her in.
00:29:40We had several glasses of wine.
00:29:44Well, I wanted to call it a night, but...
00:29:48She started to come on to me.
00:29:52You know how it is.
00:29:54Uh...
00:30:00Exactly how much wine would you say she, uh...
00:30:04Excuse me.
00:30:11That'll be all for now.
00:30:13Thanks.
00:30:23Yeah.
00:30:24Good morning.
00:30:31Hello.
00:30:33My Wow.
00:30:35Youっ fi?
00:31:38Weeburn.
00:31:40Weeburn.
00:31:42Weeburn.
00:31:44Death's true love.
00:31:58Soulmates.
00:32:00You don't like me in armor.
00:32:08It was all the rage back then.
00:32:12Get away from me.
00:32:18The library.
00:32:20What do you want?
00:32:22Your body.
00:32:24You know she's rather cute.
00:32:38Maybe I'll kill her next.
00:32:40Will you just leave me alone?
00:32:42But we're just getting to know each other.
00:32:46What is taking so long?
00:32:48We've got a book overdue.
00:32:50Until the other one's returned.
00:32:56Richard Weyburn?
00:32:58Wow.
00:33:00And you're...
00:33:06Raven.
00:33:08Raven.
00:33:10Oh, I do like that.
00:33:12Bloodtown USA.
00:33:14Soulmates.
00:33:16This is pretty wild.
00:33:28What is?
00:33:30Coming here with you.
00:33:32I think it's turning me on.
00:33:34Good.
00:33:36Most people figure if you work in a library, you must be crude.
00:33:38omen này can be that...
00:33:39What would you do?
00:33:40The bible would argue, son of a hurry?
00:33:41Oh, he'd, not to reintegrate.
00:33:43Think you did where anyone pays.
00:33:44Come in here with you?
00:33:45Oh, yeah.
00:33:46I think it's turning me on.
00:33:47Good.
00:33:47Most people figure if you work in a library, you must be crude.
00:33:49Yeah?
00:33:50Youite me.
00:33:51I don't know, Sara.
00:33:52Well, you're lying.
00:33:53I'm lying.
00:33:54This happened to me.
00:33:55You barely Ada.
00:33:56People who call me the ważgers pen project Centre,
00:33:57I was lying.
00:33:58Now, I'dеля my little 하는데
00:33:59about all of the problems,
00:34:01that you have problems,
00:34:03from you know the things to get over here.
00:34:04But what the stuff happens is,
00:34:06so ugly isn't just brilliant!
00:34:07There being, hastily,
00:34:08we're not offering you proper i guess not
00:34:38oh
00:34:48oh
00:34:50oh
00:35:00oh
00:35:02oh
00:35:04What are you doing?
00:35:30Laundry.
00:35:34Where do you do your laundry?
00:35:38Leland.
00:35:40Z!
00:35:57Gonna miss you, boy.
00:36:04If he doesn't understand me, then there's just no reason to live.
00:36:30Through my death, may he realize he is nothing more than a loathsome, foul, rotten creature.
00:36:37So putrid.
00:36:41Richard?
00:36:42I'm sorry to bother you.
00:36:46I stayed here last night.
00:36:48I lost my wallet.
00:36:50Did you happen to see it?
00:36:51No.
00:36:52Well, if you find one, would you bring it to the office?
00:36:57Wait.
00:36:58Why don't you come in and look?
00:37:00Lady, uh, you feelin' okay?
00:37:14Always.
00:37:17Give me a second.
00:37:18Read this.
00:37:37Just read it.
00:37:38What?
00:37:42Upon the cold and lifeless body he would lay.
00:37:45Suddenly the corpse began to stir.
00:37:47It rose up from the blood-stained linen.
00:37:49What is this?
00:37:50Weyborn wrote this.
00:37:51It's his first book.
00:37:52I'm sure it's an autobiography of his life and his wife's afterlife.
00:37:56Will you listen to yourself?
00:37:58You're not making any sense, Sarah.
00:38:00Do yourself a favor and stop reading that crap.
00:38:02Scott!
00:38:02Look, I went out on a limb to get you released.
00:38:07Sarah, will you please just stay put?
00:38:11It's my ass on the line.
00:38:24Hi, Jill.
00:38:25Hi, Scott.
00:38:29Well, uh, good night.
00:38:32Read this.
00:38:38All right.
00:38:39I'll read it.
00:38:41Will you please just stay put?
00:39:02I know I've made some mistakes.
00:39:14You're gonna leave this town.
00:39:15I'm not making mistakes.
00:39:15I know I'm making mistakes.
00:39:16I know I'm making mistakes.
00:39:17I know you're making mistakes.
00:39:18You're gonna leave this town.
00:39:21I'm making mistakes.
00:39:23I know I've made some mistakes.
00:39:30We're going to leave this town.
00:39:36Here.
00:39:44We've got some loose ends to clean up first.
00:39:48Right?
00:39:53Looking good, Sarah.
00:40:23Jill?
00:40:31Jill, is that you?
00:40:53We're going to leave this town.
00:41:01We're going to leave this town.
00:41:03We're going to leave this town.
00:41:07We're going to leave this town.
00:41:22Oh!
00:41:52Hello, Sarah.
00:42:22Sarah, this is better than the power of the young.
00:43:06Sarah?
00:43:12Sarah?
00:43:14Sarah?
00:43:16Sarah?
00:43:22Sarah?
00:43:26Sarah, come out.
00:43:30Sarah, come out.
00:43:32Yeah.
00:43:42Sarah?
00:43:44What a cozy little place you have found for yourself.
00:43:50Yeah.
00:43:52Yeah.
00:43:54Yeah.
00:43:56Yeah.
00:43:58Yeah.
00:44:00Yeah.
00:44:02Yeah.
00:44:04Yeah.
00:44:06Yeah.
00:44:08Yeah.
00:44:10Yeah.
00:44:16Yeah.
00:44:18Yeah.
00:44:20Yeah.
00:44:22Yeah.
00:44:24Yeah.
00:44:25Yeah.
00:44:26Yeah.
00:44:28Yeah.
00:44:30Yeah.
00:44:34Yeah.
00:47:36I don't know where Sarah is.
00:47:45It's not Sarah that I'm looking for.
00:47:47Come on, my little muse.
00:48:01Mr. Wayborn?
00:48:18It's Richard.
00:48:19It's Richard.
00:48:20I'm up here.
00:48:21Please, sit beside me.
00:48:28What is it you want?
00:48:29I had this overwhelming urge to talk with someone.
00:48:44Unfortunately, it's not real.
00:48:45I know you're around here somewhere.
00:48:46I know you're around here somewhere.
00:48:51I know you're around here somewhere.
00:48:54I'm up here.
00:48:55I'm sorry.
00:48:56I'm sorry about last night, really.
00:49:00Rachel?
00:49:01Really?
00:49:05Right, it should have been a sin to waste a perfectly good body.
00:49:10Damn it, you can be stubborn!
00:49:13Rachel. Did you have her yet? Have who? Sarah? Look, if I'd have had her, you would have been there because you would have known about her.
00:49:21Well, not if you didn't kill her. I'm going to kill her.
00:49:25Rachel, I love you.
00:49:27It's always been that way and it always will be that way.
00:49:33She is quite beautiful.
00:49:35Yes, she is. But it's you I'll be seeing when I'm with her.
00:49:41As you wish.
00:49:42Well, if we're going to get her, we have some work to do.
00:49:46Uh, wait a minute. What about this? It would be a sin to waste a perfectly good body.
00:49:53You know, when you're right, you're right.
00:49:57What about this, you know?
00:49:59Whoa!
00:50:00Whoa!
00:50:01Hello?
00:50:22No, she's... Jack?
00:50:24Scott?
00:50:28Jill.
00:50:31Oh, God.
00:50:35No, uh, all right, I'm on my way.
00:50:41What happened to Jill?
00:50:47Scott?
00:50:49Scott?
00:50:50There is no way that I am staying in this house.
00:50:53I'm coming with you.
00:50:56She's my best friend.
00:50:57Don't you think I know that?
00:50:59Sarah, I got a job to do.
00:51:01I got to get down there, and I can't have you running...
00:51:03A job.
00:51:03A job.
00:51:04Is that all that means anything to you is your job?
00:51:08I'm a cop, Sarah.
00:51:15What do you want from me?
00:51:17What I wanted has never made a damn bit of difference to you anyways.
00:51:21That's not true.
00:51:23You've always been important to me.
00:51:24Well, you've certainly had a very good way of showing it.
00:51:30Maybe you never gave me much of a chance.
00:51:38Look, I promise I'll call you as soon as I know anything.
00:51:42Come on, I'll walk you to the door.
00:52:01Come on, I'll walk you to the door.
00:52:05Okay.
00:52:06Okay.
00:52:34All right, you bastard.
00:52:36Here I am.
00:52:45This girl, this jumper, she didn't die from the fall.
00:52:49She was dead before she went off that roof.
00:52:52She landed on her face, but the back of her head was caved inward.
00:52:57Inward.
00:52:58So you're telling me that we got a naked, dead girl with a bashed-in head jumping off the roof?
00:53:03I know it sounds crazy.
00:53:04But there's more.
00:53:07The same thing with Barbara.
00:53:09She was dead six hours before we got to her.
00:53:12Why wasn't that in the report?
00:53:14Because it's impossible.
00:53:15I thought maybe I had made a mistake somehow.
00:53:19I wanted to run some tests and then run them again.
00:53:22I'm bringing it up now because of this girl.
00:53:26Also, that girl last night in the motel.
00:53:28We got the guy that killed the girl in the motel.
00:53:30You can't ignore the facts.
00:53:33You've got to believe what I'm telling you.
00:53:36I don't know what I believe.
00:53:38You have a chance to surprise what you have as I dream to fly right away.
00:53:44I don't know what you have as I dream to fly right away.
00:54:14I don't know.
00:54:17I don't know.
00:54:18You have a chance to surprise me.
00:54:20You have a chance to surprise me.
00:54:21Hello?
00:54:32Sarah Foster?
00:54:38Sarah?
00:54:42Sarah Foster?
00:54:45Hello, Sarah.
00:54:59Let me introduce myself.
00:55:01My name is Lucille Perkins, and I'm here to help you.
00:55:04Help me?
00:55:05In what way?
00:55:06I know you're in trouble.
00:55:08If we'd like to talk about it, you could tell me what's bothering you, and I know I could.
00:55:12Listen, unless you've got experience in killing immortal people, you're not exactly what I was looking for.
00:55:17Thanks anyway.
00:55:18Sarah, I know it's difficult to admit you're on drugs, but that's why I'm here.
00:55:22Wait, look, I am not on drugs.
00:55:24I appreciate your concern, but you're wasting it on me.
00:55:32Could you please leave?
00:55:33No, I can't.
00:55:36Not until we've had time to talk.
00:55:42Please.
00:55:44Please.
00:55:45Please.
00:55:50Sarah, stop ignoring you.
00:56:11I'm not leaving.
00:56:13I don't know why it's not sitting down.
00:56:15This is the craziest thing I've ever heard.
00:56:17What kind of person do you think I am?
00:56:21This is ludicrous.
00:56:25No more games, Sarah.
00:56:45Help!
00:56:47It's you again.
00:56:54Shit, every time I turn a corner, you're out here playing in chocolate.
00:56:56What's the matter with you?
00:56:57We've got to get out of here right now.
00:56:59Come on.
00:57:08Come on.
00:57:09We've got to get out of here.
00:57:10Come on.
00:57:10Come on.
00:57:10Come on.
00:57:11Come on.
00:57:11Come on.
00:57:12Come on.
00:57:13Come on.
00:57:14Come on.
00:57:15Come on.
00:57:16Come on.
00:57:17Come on.
00:57:17Come on.
00:57:18Come on.
00:57:18Come on.
00:57:48Yeah.
00:57:50Come on.
00:57:56I'm sorry I didn't believe you.
00:58:00Call the station. Get somebody over here.
00:58:18Yeah.
00:58:20Yeah.
00:58:22Yeah.
00:58:26Yeah.
00:58:28Yeah.
00:58:30Yeah.
00:58:32Yeah.
00:58:42Sucker.
00:58:44Where's Sarah?
00:58:46Yeah.
00:58:48Yeah.
00:58:50Yeah.
00:58:52Yeah.
00:58:54Yeah.
00:58:56Yeah.
00:58:58Yeah.
00:59:00Yeah.
00:59:02Yeah.
00:59:04Yeah.
00:59:06Yeah.
00:59:08Yeah.
00:59:10Yeah.
00:59:12Yeah.
00:59:14Yeah.
00:59:16Yeah.
00:59:18Yeah.
00:59:28Yeah.
00:59:30Yeah.
00:59:32It won't be long now, Sarah.
00:59:46I could have made you into a goddess.
01:00:07Is that what makes you feel good, Wayborn?
01:00:09Beating up on women?
01:00:11Actually, yes.
01:00:18I am going to kill you.
01:00:30Go ahead.
01:00:32Take your best shot.
01:00:34I mean it.
01:00:35Come on, Sarah.
01:00:38Take a chance.
01:00:40A little friend of yours.
01:00:41What's her name?
01:00:42Jill.
01:00:43Jill took a chance.
01:00:44Of course it got her killed.
01:00:47You bastard!
01:00:49You just don't get it, do you dear?
01:00:56You just don't get it, do you dear?
01:01:03You just don't get it.
01:01:04You just don't get it, do you dear?
01:01:10You just don't get it, you...
01:01:16Shit!
01:01:20Shit!
01:01:50Give me a break.
01:02:20All right, are we ready to finish her off?
01:02:50I thought I was too late.
01:03:08Let's get out of here.
01:03:11Yeah, I'm gonna go get my things.
01:03:20I thought I would be better to finish her off.
01:03:26I thought I could try and make her leave a bit more.
01:03:29You could never lie.
01:03:32Let's go see.
01:03:37Let's go.
01:03:41Let's go.
01:03:44Let's go.
01:04:49But, uh, is that night bothering you?
01:04:51Before I kill you, I'm gonna make you suffer.
01:05:12I shall just kill up the bench.
01:05:30No!
01:05:32No!
01:05:33No!
01:05:34No!
01:05:35No!
01:05:36No!
01:05:37No!
01:05:38No!
01:05:39No!
01:05:40No!
01:05:41No!
01:05:42No!
01:05:43No!
01:05:44No!
01:05:45No!
01:05:46No!
01:05:47No!
01:05:48No!
01:05:49No!
01:05:50No!
01:05:51No!
01:05:52No!
01:05:53No!
01:05:54No!
01:05:55No!
01:05:56No!
01:05:57No!
01:05:58No!
01:05:59No!
01:06:00No!
01:06:01No!
01:06:02No!
01:06:06I don't know.
01:06:36I don't know.
01:07:06That's funny.
01:07:20I didn't really think you liked me.
01:07:36I missed you.
01:07:39It's only been a couple of days.
01:07:41It felt like a lifetime.
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