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Heartstrings and Lies EngSub #dramashorts
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Transcript
00:00I can't do it. I can't go out there alone.
00:09The audience is waiting.
00:1130 minutes later. She's embarrassing us already.
00:16Please calm down.
00:18My parents are out there. This performance has to be perfect.
00:21Where's my piano player?
00:24There, my... my blaze.
00:30Sorry. Just a headache when you wake.
00:36You have to go on.
00:38This is a duet. I can't perform without piano accompaniment.
00:43I play.
00:46Let me step in.
00:49Noah Anderson. You in a conservatory?
00:53Violet Sinclair.
00:54I know who you are.
00:56Right. Well, I've never even met you.
00:58And we haven't rehearsed together.
01:01So this could be a disaster.
01:05Just follow my lead, Violet.
01:11Enough of this.
01:12I have business. I won't wait any longer.
01:14There she is.
01:56Noah, that was incredible.
02:08Where'd you learn to play like that?
02:10My next show is in a week.
02:11Please tell me you'll join.
02:13It's a very tricky sonata, but I'm confident that you can pick it up.
02:16Violet?
02:17What?
02:19You're willing tonight.
02:21Thank you, Noah.
02:22You kept me waiting long enough.
02:24Father, I...
02:25I had a dinner with my associates I had to cancel because of you.
02:28Now, I pay for all your lessons.
02:31The conservatory.
02:32Your entire career.
02:33And this is how you repay me?
02:35Violet just played the best silla I've ever heard.
02:37That matters more than a late start.
02:38And who is your family?
02:41Though you look familiar.
02:44I think I'd remember if we met before.
02:46That cadenza was weak.
02:50It reminded me of Violet when she was six.
02:53You were amazing tonight, darling.
02:58You both were.
03:07Sorry about my father.
03:08He's...
03:09No need to apologize.
03:11You want to grab a drink with me?
03:13You can celebrate.
03:13So, your dad.
03:21Not the warm, fuzzy type?
03:25He's actually a famous philanthropist.
03:28Have you heard of him?
03:29Warren Sinclair?
03:32Anyway, he ships medicine all over the world, helping thousands of people.
03:36But, as a father, growing up, he was never really around.
03:44I moved back home, hoping we could fix things.
03:47But, I think it's really working.
03:51Family can be complicated.
03:54You sound like you're speaking from experience.
03:56My brother died last month, in a car accident.
04:06My parents are long gone, so...
04:09It was just the two of us.
04:13I'm so sorry, Noah.
04:16I don't know why I just said all that.
04:20Must be the whiskey gone on my head.
04:22Or, maybe you just really need someone to talk to.
04:40I gotta take this.
04:47Status report, agent.
04:49I'm with the violinist now.
04:50She's starting to trust me.
04:53Good job getting close to the girl.
04:54Remember, she is a key to reaching Warren Sinclair.
04:59Yes, sir.
05:04Well, hello there.
05:06Hi.
05:07Let me buy you a drink.
05:09I've got one.
05:10Oh, come on.
05:12Hey, come on.
05:13Let go of me.
05:14Gain the girl's trust.
05:16Get into her house.
05:17You need to access her father's business records.
05:19I understand.
05:20Let me show you how a real man treats a woman, huh?
05:26Put your hands off her.
05:28Now.
05:37You okay?
05:42Yeah, I'm okay.
05:43He hurt you, did he?
05:44No.
05:44Where did she learn to fight like that?
05:47Were you a professional or something?
05:50Karate.
05:50As a kid.
05:52Must have paid off.
05:53I guess.
05:56Can I drive you home?
05:58I already texted the family driver.
06:00He's on his way.
06:03I'll wait with you, then.
06:04Thank you, Noah.
06:10So, twice in one night?
06:13You're really spoiling me, aren't you?
06:14No.
06:18I don't think this is a good idea.
06:21I do.
06:22I'll text you about tomorrow.
06:46Okay.
06:48No, I...
06:48Tomorrow.
06:50About rehearsal.
06:51Oh, God.
07:05I must have blacked out.
07:17You got in late.
07:19Might that have something to do with the dashing young pianist?
07:24Mother, I can't be sure if Noah even likes me.
07:29It's very hot and cold.
07:36Yeah, no idea at all if he even likes you.
07:39He's just asking about rehearsing today.
07:44Do you think we could meet here?
07:45We have the piano he could use.
07:47I wouldn't recommend it, miss.
07:49Mr. Sinclair doesn't allow unapproved guests.
07:52Oh, you're no fun, Roger.
07:54We miss Kevin.
07:55Kevin was our former bodyguard before you moved back.
07:59Darling, do you think Violet might have a friend over today?
08:03We have that lovely rehearsal space, and she hardly ever gets to use it.
08:09How many times?
08:11Rosemary.
08:12Security is not optional.
08:14I don't understand what the big deal is.
08:16The answer is no.
08:17And that is fine.
08:18Don't mind him.
08:30Work has been tense.
08:31It's not about you.
08:33What do you mean?
08:35It's nothing for you to worry about.
08:40What do you mean?
08:42It's nothing for you to worry about.
08:45What do you mean?
08:46It's nothing for you to worry about.
08:54Hey, it's Violet.
08:56Want to rehearse it too?
08:57I'll send you the studio address.
09:00Sounds good.
09:01See you there.
09:16Sorry, I'm late.
09:17I bought coffee.
09:18Do you even like coffee?
09:20No.
09:21Great.
09:21I'm late for nothing.
09:23I appreciate the gesture, though.
09:25I was thinking we could start with the sonata,
09:28but this isn't gonna work.
09:33Oh, my God.
09:34I totally misread that.
09:36Can we just forget about it?
09:38I meant the keyboard.
09:39We need a piano, so we can't rehearse here.
09:46We could rehearse at my place.
09:49I like that idea.
09:54Violet, I need to tell you something.
09:59I lied.
10:00I never went to a conservatory.
10:07I just went to a state school.
10:10Is that it?
10:11I thought you were about to confess to something very serious.
10:16Come on.
10:17If we go to my place, we're gonna have to be sneaky about it.
10:19Did you hear something?
10:43Did you hear something?
10:43That was unnecessarily intense.
10:52No one comes in here.
10:54We're safe to practice.
11:12Oh.
11:12What?
11:14My grandmother used to play me that song.
11:16Your grandma played piano.
11:18She's the reason I fell in love with music.
11:20Is that her?
11:22I can see the resemblance.
11:23Yes.
11:25She passed when I was only nine,
11:27so she never got to see me play professionally.
11:30My violin.
11:33That's a Stradivarius.
11:35Worth a fortune.
11:37The price isn't why it's important to me.
11:39This was my grandmother's.
11:41Every time I play, I feel like she's right here, guiding me.
11:44My father played piano.
11:48I think it was really the only thing we had in common.
11:51So you get it?
11:54Yeah.
11:55I get it.
11:57Do you play piano?
11:59Oh, I'm not very good.
12:01Let's hear it anyway.
12:02You're not supposed to be in here.
12:17I was just looking for the bathroom.
12:19If that were true, you wouldn't be in Mr. Sinclair's study.
12:25My mistake.
12:31Oh.
12:32That's the rush.
12:33We were just getting to know each other.
12:36I'm Amber.
12:38And you are...
12:40Noah.
12:40So,
12:43Noah,
12:44what would you do to me to keep me quiet?
12:48And I don't need money.
12:51Nobody needs to know.
12:53I'm not interested.
12:57I'm in love with someone else.
12:58Who?
12:59Not the boss's stuck-up bitch daughter.
13:05She would not need to know.
13:08Step back.
13:09Now.
13:13What does she have that I don't?
13:16Well, first, she doesn't have to blackmail people for sex.
13:19She has kindness,
13:20compassion,
13:22things you'll never have.
13:24She wasn't supposed to hear that.
13:30You're gonna regret this.
13:32I was wondering where you went.
13:35Just having a little chat with
13:37Amber.
13:39Was there something that you needed?
13:41No, Mrs. Sinclair.
13:49Come on.
13:49I can't do this.
14:07We shouldn't.
14:08It's not a good idea.
14:12Why not?
14:13Well, for starters, your father would kill me.
14:17You're not scared of my father.
14:20I'm on to you, Noah Anderson.
14:21What does that mean?
14:24Well, your lips say one thing,
14:28but your eyes say another.
14:34Do you even like me?
14:35You're the best violinist I've ever heard.
14:42That's not what I asked.
14:46Yes.
14:49I like you.
14:51Then kiss me.
14:52You're the best violinist I've ever heard.
14:53I don't know.
14:54I know.
14:54I'm on to you.
14:55I'm on to you.
14:57I'm on to you.
14:58I'm on to you.
14:59I'm on to you.
14:59I'm on to you.
15:00I'm on to you.
15:00I'm on to you.
15:31Files corrupted. Couldn't pull any data.
15:49Time is running out, agent.
15:57I'm on to you, Noah Anderson.
16:01I'm on to you, Noah.
16:31I'll find you killed you, brother.
16:36Whatever it takes.
16:41Good evening, Warren.
16:44Lorenzo, you didn't call.
16:47Oh, I called.
16:48Somebody's been ignoring me.
16:51Can I get you a drink?
16:51This isn't a social call.
16:53I'll have your money, Lorenzo.
16:56Next week, big shipment into New York.
16:58I can pay you back with interest.
17:01Excuses are getting old.
17:03Don't make me send my boys to teach you and your family a lesson.
17:08Well, maybe there's another kind of payment.
17:18Yeah.
17:20Anything you want.
17:22Anything?
17:23Yes.
17:24You know, Warren, I've been looking to settle down.
17:29Marriage, kids.
17:31But I'm old-fashioned.
17:33The trouble is, women today, they have too many ideas about independence.
17:39The young ones, though, they're easier to mold.
17:47Introduce me to your daughter.
17:52If that's what it takes.
17:54Good.
17:57I look forward to meeting her.
18:03Well, it's time for me to skedaddle.
18:08Always good catching up, Warren.
18:13Yeah, likewise.
18:14What the hell happened here?
18:26I can tell you that.
18:31Name's Noah.
18:32Didn't catch the last.
18:34Caught him snooping around.
18:36Felt wrong.
18:37Why do I recognize you?
18:40Thank you for telling me this.
18:42You're fired.
18:43You're welcome.
18:43Wait, what?
18:44I expect discretion.
18:46You failed.
18:46You're fired.
18:48Roger.
18:50Escort this young lady out.
18:52And look into this Noah fellow.
18:54He looks familiar to me.
18:55I don't know why.
18:56I need to know what I'm dealing with.
18:59Yes, sir.
19:14Just follow my lead pilot.
19:24Father.
19:26You will not see Noah again.
19:28Ever.
19:30Father, what do you...
19:31You defied me bringing him here?
19:33You will never see him again.
19:35I'm not a child.
19:36You can't control me anymore.
19:38Who has paid years for your music tutors?
19:41The world-class training.
19:43The education.
19:44I moved back home hoping we could fix things.
19:47But I see now that that was a mistake.
19:48Forget the boy.
19:50I have an associate I want you to meet.
19:52He's wealthy.
19:53He's a good match.
19:54My career is just starting.
19:56I'm not even thinking about marriage.
19:58Something that you would know if you ever even asked.
20:00You are not leaving.
20:01I forbid it.
20:02Watch me.
20:03You are not leaving.
20:04I forbid it.
20:04Oh, no, no, no, please.
20:07You are going to do what I say.
20:10Or you may not like the consequences.
20:13No!
20:19How could you?
20:20I'm packing my things and I am leaving.
20:31No, don't go.
20:32Your father, he's just not himself lately.
20:36Don't leave.
20:37You're the only thing I have left here.
20:43I don't understand.
20:45Why is he like this?
20:50It's hard to show up like this.
20:58What happened?
20:59My father.
21:02You forbid me from seeing you.
21:04Tried to push me at some old man.
21:07But I said no.
21:13No.
21:14Even if it's repaired, it'll never be the same.
21:18I have an idea.
21:20Where are we going?
21:27Just trust me.
21:28Just trust me.
21:29Craftsmanship is incredible.
21:51I didn't even know this place existed.
21:53How did you know about it?
21:54I have connections.
21:58Noah!
22:02Come here.
22:02Let me take a look at you.
22:03Hey, Mick.
22:04It's been a while.
22:06I'm so sorry about your brother.
22:08So young.
22:08Such a tragedy.
22:10Thanks, Hey, Mick.
22:10So, who's the young lady?
22:16This is Violet.
22:17She's my...
22:18My girlfriend.
22:23Oh, well, the pleasure is all mine, Violet.
22:27Did you know that Noah was my most talented student?
22:31You taught him piano.
22:33Amongst other instruments.
22:35But I always thought that he might make a career of it.
22:38But life had other plans.
22:41I'm sorry.
22:41I'm rambling.
22:43So, are you also a musician?
22:45I play violin.
22:46There's violin to be specific.
22:49Okay.
22:55Wow.
22:55It's an 18th century Stradivari school.
22:58But what...
22:59What happened to it?
23:01You're the only person I trust to fix it.
23:04Well, it's going to be very delicate and time-consuming repair.
23:07But fortunately, I'm kind of retired.
23:11And I've got the times.
23:12You can fix it.
23:14When I'm done, you won't even know that it was broken.
23:15You know, in the meantime, I've got a bunch of violins here.
23:19Find one that you like.
23:20It's yours.
23:21Until this is done.
23:22I can pay, of course.
23:23Oh.
23:24I have never seen Noah look at anyone the way he looks at you.
23:28So, that's payment enough for me.
23:31You're too kind.
23:34What about that one?
23:37Yeah, that would be nice.
23:42Want to dance?
23:45You're an incredible musician.
23:58Did you ever think of going pro?
24:01When both my parents died, music just didn't feel safe.
24:07So, I got stuck in a boring office job instead.
24:13But music is your passion.
24:16Yeah, it is.
24:18I wish...
24:20What?
24:24I wish we could live in this moment forever.
24:29Me too.
24:32More than you know.
24:33We have a situation.
24:58I'm calling you in.
24:59HQ, now.
25:01I'm with Sinclair's daughter.
25:03Call later.
25:04Now, agent.
25:05What is it?
25:06I'm sorry, Violet.
25:07I have to go.
25:07Sinclair controls a third of the North American drug trade.
25:16His philanthropist act fools the world, but not us.
25:20I'm more than aware that his kind-hearted persona is just an act.
25:23Then why don't we have enough to put him behind bars?
25:25We're getting close.
25:27I'll in my...
25:28She's an asset, nothing more.
25:30Don't tell me you compromised this mission.
25:34Agent, do you have feelings for her?
25:35She means nothing to me, sir.
25:45Good.
25:46She knows nothing about her father's business.
25:49We should take her off the list.
25:51I am running this operation, agent.
25:54Sinclair's New York shipment lands Friday.
25:57Stop him before then.
25:59Whatever it takes, don't be afraid to get your hands dirty.
26:03Dismissed.
26:03Mr. Anderson?
26:08Your brother was my best agent.
26:10His loss still hits me.
26:13Me too.
26:14Then make sure his death wasn't in vain.
26:16Sir?
26:29Nezra, keep an eye on Noah Anderson.
26:32I'm concerned his attachment to this violinist may keep him from doing his job.
26:38He's gone soft.
26:40We should pull him from the mission.
26:42Her devotion to him is our best leverage.
26:43Do you have a point?
26:46No, I have to keep the kid in the field if we have any hope of arresting Warren Sinclair.
26:50I may need to eliminate any distractions.
26:55Do I have permission to take her out if it comes to that?
26:59Granted.
27:00This one's untraceable.
27:07From here on, no loose ends.
27:10Nothing ties back here.
27:13Understood.
27:14Once Sinclair is out of the way, his empire is ours.
27:18Then I'm done with this city.
27:20From Bora Bora, here I come.
27:22That's interesting.
27:30Thank you, Roger.
27:33Well, Violet, I just discovered something rather troubling about your young man.
27:39His name is Noah.
27:40Before Roger, we had a bodyguard, Kevin.
27:45He worked for us a few months, and then one day he just stopped coming.
27:50Good help is so hard to find these days.
27:52It was about a month ago.
27:54You were still training in London.
27:55Does this story have a point?
27:57Patience.
27:59And when I first met Noah, I knew he looked familiar.
28:03And now I know why.
28:04He's the spinning image of his brother, Kevin Anderson, our former bodyguard.
28:12Has Noah mentioned this connection to you?
28:15Hmm?
28:16No.
28:17I thought not.
28:19So I have to ask.
28:21Why is my former employee's brother dating my daughter?
28:28Violet, you would be a fool to trust Noah Anderson.
28:34I appreciate your concern, Father.
28:40But since you clearly have your own agenda against Noah, forgive me if I'm skeptical.
28:46Now if you'll excuse me.
29:02It's fine.
29:02Thanks for letting us rehearse here.
29:05Practicing at my place isn't really an option right now.
29:08You are always welcome here, Violet.
29:14Sorry I'm late.
29:15I thought you could use some fuel before rehearsal.
29:18Thanks, Noah.
29:19Um, I was thinking, well, wondering.
29:36What?
29:39Your brother.
29:40The one you lost.
29:41What was his name?
29:42His name was Kevin.
29:49And you said he died in a car accident?
29:52It was a hit and run.
29:54Why are you asking?
29:56Oh, I just...
29:59Amick mentioned him the other day and...
30:01I don't want to talk about it.
30:04It's still too painful.
30:07I'm sorry.
30:09I understand.
30:17One day I'll tell you everything.
30:19Just not now.
30:25I shouldn't have pushed.
30:27I'll be here when you're ready.
30:28Hi, Noah.
30:47See you tomorrow?
30:49Same time, same place.
30:50Who are you?
31:06Why are you following me?
31:07I don't know what you mean.
31:08Cut the act.
31:09I saw you watching through the window.
31:13I'm with the agency, Noah.
31:15Boss sent me to make sure you're doing your job.
31:20Damn, I forgot my phone.
31:27You would be a fool to trust Noah Anderson.
31:32You're blowing this mission, Noah.
31:34I know.
31:35It's just a job.
31:37I'm not in love with her.
31:38I'm doing what the agency sent me here to do,
31:40and that's get close to Sinclair.
31:42What?
31:46Violet.
31:46Who are you, Noah?
31:50Darling, what is it?
31:58Did your father do something?
32:00It's Noah.
32:01He was lying to me the whole time.
32:03He was lying to me.
32:05About what?
32:06He's some kind of agent.
32:08He was only using me to get to father.
32:11Did you discover this?
32:12I overheard him talking to someone.
32:15I don't understand.
32:17Father isn't doing anything illegal, right?
32:18Of course not.
32:20Then why would the FBI or the police or whoever care about our family?
32:24Oh, calm down, sweetheart.
32:26Calm down.
32:27This is not fair.
32:30I thought Noah loved me.
32:33Breathe.
32:36Forget him.
32:38And I'll handle this.
32:40Agent?
32:50Agent, what is it?
32:53I can't do this to Violet anymore.
32:56I quit.
32:57Agent Anderson!
32:58Agent!
33:01What happened?
33:02Damn, Agent's going rogue.
33:04Noah Anderson just quit.
33:05Because of Violet Sinclair?
33:06Yes!
33:07That girl's been a thorn in my side since day one.
33:11Anderson went and developed feelings.
33:14Completely unprofessional.
33:16This, this is why you're my top agent, Nezra.
33:18Too much sense to ever fall in love!
33:20Honey, it's me.
33:32I don't have long.
33:34Something's happened.
33:35It could ruin everything.
33:40Port's locked down.
33:42Paid off what we could and took care of the rest.
33:44Very good.
33:44Time to pay up, Sinclair?
33:46I'll have it wired to you within the next 30 days.
33:48Wired?
33:5030 days?
33:51You said 20 grand up front.
33:53Please escort the gentleman out.
33:55Get the hell off me!
33:56I'm putting the word out.
33:58Warren Sinclair doesn't pay his debts.
34:01You're finished, old man.
34:15I'm still waiting for that introduction to your daughter.
34:19I'm starting to think you don't plan to follow through on your end of the deal.
34:24Who?
34:25Are you wondering whose blood is on my knife, Warren?
34:31Relax.
34:33It's nobody you know.
34:35It's just a reminder of who you're dealing with.
34:37There's been some family issues.
34:40I've been hard on her.
34:41She's, she's not happy.
34:43Women need control, Warren.
34:46Otherwise, they get ideas.
34:51Right.
34:55It'd be a shame if my knife ended up with your wife's blood on it.
35:01Either way, I'll have Violet on my arm.
35:05And in my bed.
35:07Yeah.
35:09Of course.
35:10Friday.
35:19What have I done?
35:20We have a problem.
35:25The feds are on to us.
35:27What?
35:28Noah Anderson.
35:29He's FBI.
35:31Damn it.
35:31I knew killing that bodyguard was a mistake.
35:36Didn't I say so?
35:39I knew he was law enforcement.
35:42He knew too much.
35:44There was no other choice.
35:45No.
36:01Roger.
36:03Ma'am.
36:03Do you know Noah Anderson's address?
36:05Yes, ma'am.
36:06What are you doing?
36:08What you're too cowardly to do yourself.
36:12Go to Noah's place.
36:14Take care of him.
36:14Quietly.
36:16Are you out of your mind?
36:18You're going to bring the FBI right down on top of us!
36:21They're already on top of us, thanks to your stupidity!
36:26Every decision you make is idiotic!
36:29I mean really, Warren.
36:32Bargaining Violet to settle debts?
36:34That solves nothing.
36:36This New York deal needs to go off without a hitch.
36:40Or the feds will be the least of our worries.
36:43So sit back.
36:45Drown yourself in your brandy.
36:48And let the experts take over.
36:49How does that sound?
36:51You can't talk to me about death.
36:52Here's what's going to happen.
36:54I'm taking over.
36:56And when I do,
36:59all debts will finally be paid.
37:02But first,
37:13I'm going to take care of Noah Anderson
37:16just like I took care of his brother.
37:18The number you are trying to reach
37:28is no longer in service.
37:30No, no, no, no, no.
37:42Noah!
37:44Noah, where are you?
37:46Noah?
37:49Noah?
37:51Noah?
37:54Noah?
37:58Noah?
38:00Noah?
38:01I thought you were dead!
38:03You'll like it.
38:03I'm so sorry.
38:05No, I...
38:06I shouldn't have grabbed you.
38:08Good job defending yourself.
38:11Noah,
38:11you have to watch out.
38:13My parents sent someone to kill you.
38:23Noah?
38:25Is he...
38:26He's just unconscious.
38:28I knew he was coming,
38:29so I was prepared.
38:31How?
38:31Go to Noah's place.
38:35Take care.
38:36Quiet.
38:43Noah, what is going on?
38:45I'll tell you everything.
38:46Just not here.
38:47It's not safe.
38:49Come with me.
38:51This is the safest place I could think of.
38:54What have you two gotten mixed up in?
38:55You said someone was after you?
38:57I can't tell you.
38:59Plausible deniability.
39:01I don't want to put you at risk.
39:02All right, well...
39:03You just...
39:05You guys stay here as long as you need to, all right?
39:07Noah?
39:09Tell me what is going on.
39:10I am tired of being in the dark.
39:12Your father runs a criminal empire.
39:15And his non-profits is just a front,
39:17so they can move drugs around the world.
39:20I'm really sorry, Violet.
39:22I wish I could say I was surprised.
39:23But the older I get, the more I see it.
39:27My father is not a good man.
39:36My brother was a better agent than I'll ever be.
39:39I always let my emotions get the better of me.
39:43But last month, he called me.
39:45He was undercover, working for your family.
39:47He said he had something to tell me,
39:48and that day, you died.
39:52Your mother's not even on the radar for FBI.
39:56Kevin must have found out
39:57that she had taken over the drug operations.
40:00And she killed him?
40:03God, Noah, I'm so sorry.
40:05None of this is your fault.
40:08None of it is on you.
40:10What are we going to do?
40:12We'll go to my boss, Director Behrens,
40:14and I'll tell him you're completely innocent.
40:16That would be a mistake.
40:21Violet?
40:22Wait, Violet?
40:23She's with me.
40:28She, like, your girlfriend or something?
40:30What? No.
40:31Definitely not.
40:32Okay, you don't have to sound so disgusted by it.
40:34Nedra works with the Bureau.
40:35We work together.
40:36Which is how I know you can't go to Director Behrens.
40:38He'd lock you both up.
40:40You haven't done anything wrong.
40:41I was like you once.
40:43So optimistic.
40:44So naive.
40:45Stop being condescending and just tell us what you mean.
40:48Noah, it's about your brother.
40:51What about my brother?
41:00Kevin?
41:02Kevin?
41:04You're alive?
41:06I nearly died that day.
41:09But Nedra,
41:10she helped keep my survival a secret.
41:14Why would you hide this?
41:16The Bureau isn't the good guy here.
41:19Director Behrens isn't trying to take down your parents' drug empire, Violet.
41:23He's trying to take it over.
41:25He wants all that profit for himself.
41:27And that's what I discovered the day that I went to meet Noah.
41:30But your mom got to me first.
41:33She must have noticed that I was getting a little too curious about the family business.
41:37We made a plan.
41:38We made a plan.
41:39I'm Director Behrens' favorite agent.
41:41He trusts me.
41:43The best way to bring him down would be if everyone thought Kevin was dead.
41:47Even his own family.
41:50We thought he'd hand the mission to me.
41:52I could have taken down the Sinclairs and the Bureau from the inside.
41:56Instead, he created Operation Heartstring.
41:59And sent you.
42:01I'm sorry, Noah.
42:02I wanted to tell you.
42:04I really did.
42:05It's just, you were still working for the Bureau.
42:07And I didn't want to put you in even greater danger.
42:13Noah?
42:18You asshole.
42:20Hey, hey, hey.
42:21Fuck me now.
42:23Adam!
42:24I thought you were dead.
42:26I went to your funeral.
42:27It's okay.
42:27Okay.
42:28Okay, it's okay.
42:30I'm all right.
42:31I deserve that.
42:31What if I did this to you?
42:33Pretended to be dead?
42:34I'd be pretty pissed off.
42:35You think?
42:36I really am sorry, Noah.
42:39You want to be alone right now?
42:40Yes.
42:42No, I...
42:43Wait.
42:45I don't know.
42:47Well, that really clears things up.
42:51I want you here.
42:53Okay.
42:56Noah.
42:58We can run away.
43:00Leave this all behind.
43:03What do you want to do?
43:06Oh, Jesus.
43:15Of course I forgive you.
43:25If you ever do that again, I'll kill you myself.
43:28I heard a commotion.
43:30What...
43:31What's going on?
43:32Who are you?
43:33Um...
43:34What have you done with my instrument?
43:35Well...
43:36And you're supposed to be dead.
43:38Surprised?
43:39Hey, Mick, I...
43:39Uh...
43:40Plausible deniability?
43:42I better put on a bigger pot of tea.
43:46I...
43:47I...
43:47I...
43:48I...
43:49So...
43:49If my parents are criminals, and your boss is corrupt, then who's left to help us?
43:55You've got us.
43:55We can take down Director Barron's and the Sinclairs.
43:59But we can't do it alone.
44:01You won't be alone.
44:03Let us make some calls.
44:05Plenty of agents want Barron's behind bars.
44:07Hopefully you won't need this, but better safe than sorry.
44:11Thanks.
44:14You better stay here, or it's safe.
44:16You're not the only one who was lied to.
44:18When I took this mission, I didn't know what I was getting into.
44:22I never expected you.
44:23You lied about who you were.
44:26Were you lying about your feelings, too?
44:28No.
44:29My feelings are real.
44:34When this is all over, do you promise me that we'll go far away?
44:38Start over?
44:38Live life on our own terms?
44:41Yes.
44:42I promise.
44:44Then I'm not going anywhere.
44:46It could be dangerous.
44:47If you want to get all the bad guys, you're going to need my help.
44:51Just follow my lead.
44:58Seriously.
45:00Right now.
45:04All right.
45:07Let's make a plan.
45:08Learning the midnight oil?
45:15What the hell is wrong with you, agent?
45:17You quit and then go radio silent.
45:20Ned, you found me.
45:21Helped me get my head back on straight.
45:23Oh.
45:24Then you were right.
45:25I need to do Kevin's memory justice.
45:28So I want back in on everything.
45:31Not just the mission.
45:32The other stuff, too.
45:33Other stuff?
45:34She told me about your plan.
45:39I cared about Violet for a minute.
45:42I care about millions of dollars a hell of a lot more.
45:45Oh.
45:46That's more like it.
45:48And I have something that's enough to put away all three Sinclairs.
45:50Yes?
45:59Father, you were right about Noah.
46:02He was just playing with me.
46:04He never loved me.
46:06I'm ready to start thinking about marriage.
46:07You mentioned your friend, the rich one?
46:10Yes, I'll arrange a meeting.
46:13And I'm glad to see you finally coming to your senses.
46:16Where's Mother?
46:17At a spa appointment.
46:20Bankrupting me, I'm sure.
46:23Vain woman.
46:31The New York deal.
46:33I hear their concerns about payment.
46:35I'm here to settle them.
46:40Forget my husband.
46:43You're doing business with me now.
46:45Not him.
46:53Yes, ma'am.
46:53Yes, ma'am.
46:53I look forward to meeting young Violet tonight.
47:16Violet, this is Lorenzo Giovanni.
47:19He's the gentleman I've been wanting you to meet.
47:22Charmed.
47:22Darling, you said there was a concert.
47:26Where's the audience?
47:27Right here.
47:30Director John Barron's FBI.
47:34You.
47:35You broke my daughter's heart.
47:38You got a lot of nerve showing your face.
47:40He means nothing to me now.
47:42I know all about you and father.
47:44And I want in on the Sinclair family business.
47:46You're just a child playing games.
47:49Games I intend to win.
47:50Roger, get rid of this man.
47:54So rash, Warren.
47:56I am done letting Violet and I suffer for your mistakes.
48:01Kitty's got claws.
48:03Cute.
48:04But while you squabble,
48:05I'm going to take what's mine.
48:07Have you lost control of your emotions, Agent?
48:24We need her here to get to her parents.
48:27Took your advice.
48:28Got my hands dirty.
48:29All right, then.
48:31What a surprise.
48:34I thought you were manipulating my daughter.
48:37But look how quick you are to jump to her defense.
48:41Seems you're the one who fell in love.
48:43I learned from the best, Mother.
48:44It's silly that we're on opposite sides, John.
48:49Perhaps we should discuss working together.
48:52I'm listening.
48:53I wouldn't trust him.
48:54He wants to take down your drug operation so he can make it his own.
48:57Isn't that right, John?
48:58You're not wrong.
49:00But I'm a reasonable businessman.
49:02I'd like to hear your mother's proposal.
49:04Now, be quiet, little girl.
49:07The adults are talking.
49:08Our operations are a mess thanks to my husband's stupidity.
49:12You know, we could use someone with brains and muscle.
49:16Wait, what?
49:17We can just wait just a minute.
49:19Oh, shut up, Warren.
49:20I've had enough of cleaning up your messes.
49:22Roger.
49:23Wait, what are you doing?
49:25What?
49:26While you were selling our daughter off like livestock,
49:29I was busy securing power and transferring all the accounts into my name.
49:34Dispose of him.
49:35Yes, ma'am.
49:36Oh!
49:36How could you do this to me?
49:42I was trapped in a loveless marriage with an unstable fool for 25 years.
49:50I realized that if I wanted freedom, I had to take control myself.
49:56I think this is what they call girl power, darling.
50:00Turns out, I rather like power.
50:03Mother, please.
50:04I know Father's been awful to us, but does he really deserve to die?
50:08So compassionate.
50:10So weak.
50:12I'll break you of that.
50:15I look forward to a fruitful partnership, John.
50:19The pleasure is all mine, Rosemary.
50:22I can't watch them kill him.
50:24What do we do?
50:25Nobody move!
50:26No!
50:26Put down the gun, Ezra.
50:36Everything is going according to plan.
50:41Kevin?
50:43Hello, boss.
50:45He wants to take down your drug operation so he can make it his own.
50:48Isn't that right, John?
50:49You're not wrong, but I'm a reasonable businessman.
50:52I'd like to hear your mother's proposal.
50:53Thanks for spelling out your entire plan for us, John.
50:57A judge is really going to love that.
51:00You're working against me?
51:02I'm working for the right side.
51:04Good work, you two.
51:06Noah, would you like to do the honors?
51:08You idiot!
51:09Don't you know what you're doing?
51:10Get off me!
51:11You might want to remain silent for once.
51:14You're next.
51:16You betrayed me!
51:18This is all your fault!
51:19Mother, put the gun down.
51:22I sacrificed everything for you!
51:24You didn't sacrifice a thing.
51:27All you care about is money and power!
51:30You both do.
51:32I'm sorry.
51:33Violet, I'm so sorry.
51:35I just lost sight of what really mattered.
51:37I forgive you, father.
51:38But I will never forget.
51:42You think that boy loves you.
51:45But he's already betrayed you once.
51:48And he will betray you again and again and again and again until you have nothing left.
51:55Ask me how I know.
51:57Come back to me, Violet.
52:00Come back to your mother.
52:02I don't have a mother.
52:05No!
52:06No!
52:06No, no, no, no, no, no, no.
52:13Wake up.
52:18A bulletproof vest?
52:24You asshole?
52:25Now or even.
52:32Never do that to me again.
52:34I watched it.
52:34I just got shot.
52:35You two can go.
52:42We'll take it from here.
52:43Nedra, I killed a man.
52:47There's going to be an investigation.
52:48Good thing this gun is untraceable then, isn't it?
52:52We saw nothing.
52:54You're free to go, little bro.
52:58Noah, you're too emotional for this job.
53:01And that's a good thing.
53:03Go.
53:04Chase your music.
53:05Be happy.
53:07Sounds like a direct order.
53:09Director's chair is about to be open.
53:11Let's go.
53:12I might apply.
53:14Which would make me your boss.
53:16Well, then consider this my formal resignation.
53:20Good.
53:21All right, already.
53:24Get your stupid peasant hands off of me.
53:29You okay?
53:30No.
53:33Not yet.
53:35But I will be.
53:36Let's get out of here.
53:58No more secrets?
54:00No more secrets.
54:00No more secrets.
54:01Hey, my life.
54:27What?
54:28I love you.
54:29I love you.
54:31I love you, too.
54:36So what now?
54:38We live life on our own terms.
54:56Wasn't she amazing tonight?
54:58Thank you, thank you.
55:03Thank you, thank you.
55:04We do have one final piece to play for you tonight, but you're going to have to be quiet
55:07to hear it.
55:09Now, before we play our final piece, there is something very important I must do.
55:14Hey, Mick.
55:14Violet Sinclair, will you marry me?
55:29Will you marry me?
55:34Don't leave me hanging.
55:35Oh, my God.
55:36Oh, my God.
55:36Oh, my God.
55:36Sorry.
55:37Yes, yes.
55:38A thousand times, yes.
55:41I love you.
55:51I love you more.
55:52Now, for our final sonata.
55:55Okay.
55:55Now, for our final sonata.
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