- 1 hour ago
In Other Words, I Love You Full Movie
Category
🎥
Short filmTranscript
00:00:00I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call
00:00:23it terrifying
00:00:31got this just for yourself that's kind of the problem
00:00:53okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see no there's a spot next to Charles seriously
00:01:27a charity case sitting next to Charles God what is she quiet Charles I've always
00:01:37had words for everything but in that moment I forgot them all
00:01:52Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:05influence on you she was top of her class at a previous school with all due
00:02:10respect sir her previous school was American I highly doubt that that's
00:02:18enough she can sit here it's fine back to Goldie thank you you got it I'm
00:02:27Sherry Vaughn Alice Keaton it's very important that we look at me what is
00:02:33talking about their experience of the time
00:02:38wait you sat next to Charles she didn't you totally shut her down oh knew it don't
00:02:45take it past me he's impossible can everyone stop acting like the goal is
00:02:49getting into his pants what he's hot everyone kind of is I I've seen Connor
00:02:57he's not my type you're joking I don't find bullies attractive hey be careful
00:03:03you're talking about the king of Ashford the what his family basically own the
00:03:09school and the town maybe even the country yeah everyone's tried to get close no
00:03:14one can get past his ego you're not the first to get nice okay first of all I
00:03:19wasn't iced it's more like a mutual decision and second I think he's arrogant
00:03:25cold thinks he's untouchable but if you really look at Charles he just seems
00:03:30isolated like he's making out honestly I just think he's lonely and kind of
00:03:36pathetic what no go on
00:03:48you were saying I'm lonely and pathetic
00:03:54next time read the room before opening your mouth American we're not in Kansas
00:04:04anymore Alice
00:04:20hey how's your first day I good I'm excited Kevin not really super
00:04:27uneventful really how's your new job yeah all right get this is that we can
00:04:34stay in the service wing seriously mm-hmm apparently the young master won't mind
00:04:39the company the young master this is your boss's house yeah that's incredible I
00:04:47mean I wouldn't call it a house it's a museum with better landscaping
00:04:56right here I'll talk to the butler
00:05:00Wow rich people you've topped yourselves again
00:05:09Stephen King first edition
00:05:16breaking and entering now how American of you
00:05:29you can get up now I I'm trying wait are you serious well you said you were
00:05:59trying what is wrong with you funny I was about to ask you the same thing what are you doing in my house you wait your house my house my
00:06:14library and now apparently my unwanted guest
00:06:19I'm I'm I must Charles must be miss Alice and daughter she said you'd be moving in
00:06:25today she what that there's been some kind of misunderstanding you see I'm not
00:06:31actually moving in that stuff yeah I'm not staying here like at all that's a
00:06:37shame you must seem quite pleased with the arrangement well I just don't think it's
00:06:41appropriate well for sure then absolutely not come on Alice you must stay it'll be fun my dear
00:06:57classmate I'm dead like mentally socially and actually dead just trying to
00:07:11figure out how exactly my life went off the rails get it together Alice Keaton
00:07:17you've been you've been I'm sure I'd never find someone to make my head spin
00:07:21around actually no be the thing I need they all just let this is how
00:07:26baby you say good morning
00:07:32wow
00:07:39so is that miss Keaton what thing doesn't know that stops been closed for months
00:07:50she's going to be late
00:07:53okay how long is this thing gonna take maybe I'll just walk five miles to school
00:08:04okay if I sprint maybe I'll make it before first period or die of exhaustion on the way
00:08:12what die of exhaustion on the way what what are you doing here didn't you already
00:08:21leave wait did you come back for me relax I forgot my textbook don't flatter yourself
00:08:33wait since you're already here maybe you could be a decent person and give me a ride
00:08:42no seriously your car is huge yeah and I'm not a fan of sharing says the guy who forced me to live in his house
00:08:57yes
00:09:01unbelievable
00:09:11Ashford Institute please thank you
00:09:17who needs that entitled brat anyway
00:09:20sir you called the cab why not just give miss Keaton a lift
00:09:24and have the whole school go crazy
00:09:27she's new everybody's already talking
00:09:31so you're worried about her
00:09:33you're overthinking
00:09:34I just don't like drama
00:09:37asshole
00:09:39hey
00:09:49morning class
00:09:51back to Golding remind me what he's saying through Lord of the Flies
00:09:56Mr. Kenwood care to share what you found so amusing
00:10:05not particularly
00:10:07oh I insist you seem very entertained by Golding
00:10:11I'm not entertained by Golding sir
00:10:14on the contrary I think his ending is weak
00:10:19weak
00:10:20wait wait
00:10:21you actually read it
00:10:22quiet
00:10:23that's an interesting take
00:10:26explain
00:10:27he had the setup for something brutal
00:10:31something honest
00:10:33but in the end
00:10:34he backed out
00:10:35he could have left the boys on the island
00:10:37forced them to confront the collapse of vulnerability
00:10:39let them choose survival
00:10:41or death
00:10:42but instead he gave them a rescue boat
00:10:45slapped a happily ever after on a book about savagery
00:10:52it's a waste
00:10:54don't you think
00:10:55I'm delightfully surprised Charles
00:10:57didn't think you had such strong literary opinions
00:11:00I'm always a model student sir
00:11:02let's not get ahead of ourselves
00:11:04so
00:11:07a critique of Golding's mercy
00:11:09anyone disagree?
00:11:10I think Golding knew exactly what he was doing by ending the book that way
00:11:29it's not mercy it's irony
00:11:31how so?
00:11:32the rescue isn't a happy ending
00:11:37you don't just walk back into society and forget you're a monster
00:11:41Golding didn't save them
00:11:42he left us with the discomfort of pretending they could be saved
00:11:45that's an interesting take Miss Keaton
00:11:47you still think it's a harsh critique?
00:11:50in some ways
00:11:51but not harsh enough
00:11:53yes
00:11:54it's a critique of toxic masculinity
00:11:56but still
00:11:57Golding sympathized with them
00:11:59and the civilized world
00:12:01toxic
00:12:02violent
00:12:03he didn't call that out nearly as much
00:12:04so yeah
00:12:05I don't think Golding pushed far enough
00:12:07but I think it's unfair to call it a happy ending
00:12:13thank you Miss Keaton
00:12:14well said
00:12:16anyone else?
00:12:19both opinions are valid
00:12:21okay
00:12:22that's kind of epic
00:12:23and let's not forget
00:12:24Golding faced major backlash when he first published the book
00:12:27good literature will always divide opinions
00:12:30what's happening to me?
00:12:39okay what is going on?
00:12:40why is everyone staring at me?
00:12:42well
00:12:43you're new
00:12:44and apparently had a thing with Charles
00:12:46a what now?
00:12:47you two are in the middle of the most epic feud Asher's scene in years
00:12:51we're not even fighting
00:12:53well according to everyone
00:12:54you confessed your love on day one
00:12:56got rejected
00:12:57bed to sit next to him
00:12:59got rejected again
00:13:01and today in class
00:13:02you broke down crying about not believing in happy endings
00:13:05and stormed out in tears
00:13:09you were there Sherry
00:13:10that is not what happened
00:13:13doesn't matter
00:13:14people believe what they want to believe
00:13:16and they want Charles to be flawless
00:13:18untouchable
00:13:19wow
00:13:20is misogyny like a rich kid thing
00:13:23or just a British specialty?
00:13:24honestly
00:13:25both
00:13:26but
00:13:27seriously Alice
00:13:28some people already see you as a threat
00:13:38okay
00:13:39loaded
00:13:41looks like the new girl's in for a rough first semester
00:13:49hello?
00:14:01hello?
00:14:03is somebody out there?
00:14:06oh come on!
00:14:19fine
00:14:34seriously?
00:14:37oh shit
00:14:43what the hell
00:14:45Anne
00:14:46I thought you were having dinner with Alice
00:14:48Alice
00:14:49she hasn't come home
00:14:50her phone is off
00:14:51maybe you've seen her this evening?
00:14:55yikes
00:14:56looks like the new girl's in for a rough first semester
00:15:04shit
00:15:10Alice
00:15:11Alice
00:15:12Mr Pelton
00:15:13Charles Kenwood here
00:15:14I was wondering if I could get the timetable for Alice Keaton
00:15:16she hasn't come home
00:15:17she hasn't come home
00:15:18I'll have it sent over
00:15:20check the common room in the library
00:15:21I'll take the rest
00:15:23Alice
00:15:25Alice
00:15:26come on Alice
00:15:27close your eyes and jump
00:15:28it's fine
00:15:29you're fine
00:15:30you're fine
00:15:31you're fine
00:15:32you're fine
00:15:33you're fine
00:15:34you're fine
00:15:39come on Alice
00:15:41close your eyes and jump
00:15:42close your eyes and jump
00:15:44it's fine
00:15:45you're fine
00:15:46you're fine
00:15:47you're fine
00:15:48you're fine
00:15:49you're fine
00:15:50you're fine
00:15:51you're fine
00:15:52you're fine
00:15:53you're fine
00:15:54you're fine
00:15:55you're fine
00:15:56you're fine
00:15:57you're fine
00:15:58you're fine
00:15:59you're fine
00:16:00you're fine
00:16:01you're fine
00:16:02you're fine
00:16:03you're fine
00:16:04Hey, Mr. Nonchalant
00:16:12Are you happy with how we ended?
00:16:19What are you doing here?
00:16:24Can you get off me first?
00:16:34You're welcome.
00:16:37I didn't say thank you.
00:16:39I figured saving your life might earn me basic manners.
00:16:41Someone just dumped swamp water on me.
00:16:44Excuse me if I'm not feeling very polite.
00:16:46You smell like a biology experiment.
00:16:49Wow.
00:16:50You should try falling out of a window into someone's arms and getting insulted for it.
00:16:54Wouldn't recommend it. You're heavier than you look.
00:16:58I hope you pull your shoulder.
00:17:04Are you okay?
00:17:07No, but I will be.
00:17:11Someone did this on purpose.
00:17:12What do you think, golden boy?
00:17:15Don't worry, I can handle it.
00:17:16You shouldn't have to.
00:17:21I'm...
00:17:21sorry.
00:17:28Sorry.
00:17:34Did you just apologize to me?
00:17:37Don't get used to it.
00:17:37I wouldn't dream of it.
00:17:41Alice?
00:17:42Over here.
00:17:44Oh my God.
00:17:46You okay?
00:17:49Why are you drenched?
00:17:51Yeah, I just...
00:17:52I took a weird shower.
00:17:54Top exploded.
00:17:57Come on, let's go you home.
00:17:58Come on.
00:17:58Come on.
00:18:04Come on, let's go.
00:18:09Alice Keaton, right?
00:18:12I heard you staged the whole thing for attention.
00:18:14Come on.
00:18:34I know how this place works.
00:18:39If you don't do anything about it,
00:18:41it's only going to get worse.
00:18:44I'll look into it.
00:18:46Charles?
00:18:49Good on you.
00:18:50How many here would speak up?
00:18:56I can't believe someone actually locked you in.
00:18:58That's insane.
00:18:59Where the hell was the school when this was happening?
00:19:01They're busy protecting their golden boys and trust funds.
00:19:04Well, for what it's worth,
00:19:06I heard Charles looked pretty freaked out
00:19:09when he ran out last night.
00:19:11Please, he just didn't want a lawsuit.
00:19:12Being a scholarship student has its perks,
00:19:32like saving a fortune on tuition
00:19:34and getting into schools
00:19:36that normally wouldn't even let you pass the gates.
00:19:38Hey, we miss you in Paris.
00:19:42Though there are enough Americans
00:19:44to remind us of you.
00:19:45But sometimes,
00:19:46being here means standing behind me
00:19:48and watching Ask for the Leaps
00:19:50go on a two-week enrichment program
00:19:52you can never afford.
00:19:56Have fun.
00:19:57Bring me something overpriced
00:20:00and unnecessary.
00:20:02The trip cost 20 grand in pounds,
00:20:07which translates to
00:20:08mom's salary for half a year.
00:20:10So, yeah,
00:20:11I didn't go.
00:20:12I didn't go.
00:20:33Uh, what are you doing here?
00:20:35Do you not believe in shirts?
00:20:36Do you not believe in dignity?
00:20:38It's comfortable.
00:20:39You look like a rejected Ewok.
00:20:41This,
00:20:42this is not even your kitchen.
00:20:44And this is not even your house.
00:20:45And yet,
00:20:46you're here,
00:20:46dressed like this.
00:20:48Just don't look.
00:20:49Go away.
00:20:50Hard not to,
00:20:51when you're walking around
00:20:52dressed like that.
00:20:53What do you guys call it?
00:20:55Um,
00:20:56buzzkill?
00:20:58Cockblock.
00:20:59You're insufferable.
00:21:00You're the one cosplaying at breakfast.
00:21:02You know what?
00:21:03I don't get it.
00:21:04Why didn't you go on that tour?
00:21:05I thought rich people
00:21:06lived for that kind of thing.
00:21:08Why do you think?
00:21:14Where would I go?
00:21:15I could practically recite
00:21:17the itinerary in my sleep.
00:21:19Florence,
00:21:20walk in the great footsteps
00:21:21of Dante,
00:21:22Michelangelo,
00:21:23Da Vinci,
00:21:24and Titian.
00:21:25Or,
00:21:25Titian,
00:21:26if you want to sound
00:21:27extra pretentious.
00:21:29Then Venice,
00:21:30because everybody loves
00:21:31a good canal,
00:21:31and getting lost
00:21:32in the most confusing city
00:21:34on earth.
00:21:35Next stop,
00:21:36Napoli.
00:21:37Marvel at Pompeii.
00:21:38Pretend you're shocked.
00:21:39Ancient people had plumbing.
00:21:41The final stop,
00:21:43Harry.
00:21:44The ultimate city of romance.
00:21:47And,
00:21:47naturally,
00:21:48Woody Allen's
00:21:49favourite city
00:21:50outside of New York.
00:21:54That's
00:21:54word for word.
00:21:56I told you.
00:21:57I've done this tour
00:21:58so many times,
00:21:59I could run it.
00:22:00Okay,
00:22:00but still,
00:22:01it's Europe.
00:22:02Most people would kill
00:22:03for that chance.
00:22:04Most people haven't had
00:22:05their phones stolen in Paris.
00:22:07Twice.
00:22:08Also,
00:22:09I hate the accommodations.
00:22:11Aren't they all
00:22:11five-star hotels?
00:22:13Standard rooms
00:22:14in five-star hotels.
00:22:15No thank you.
00:22:17Wow.
00:22:18Some were born in Rome,
00:22:20huh?
00:22:20That's unfortunate.
00:22:21It's a very chaotic city.
00:22:23One word of advice?
00:22:24Shut up.
00:22:24That's two words.
00:22:28You're weird.
00:22:29You're loud.
00:22:29You're annoying.
00:22:30You're in my kitchen.
00:22:31You have three other kitchens.
00:22:32And I prefer this one.
00:22:34Just for today.
00:22:36Come back when you've got
00:22:36a shirt on.
00:22:37Come back with normal clothes on.
00:22:39You didn't have to come.
00:22:40Don't tell me what I have to do.
00:22:41Master Charles,
00:22:51roads are flooded.
00:22:51Staff won't make it tonight.
00:22:53Will you be alright
00:22:53sorting dinner?
00:22:57I've got it sorted.
00:22:58Jesus, what are you doing?
00:23:12Relax.
00:23:15I'm here to make a deal.
00:23:17What deal?
00:23:17You nearly gave me a heart attack.
00:23:23You'll survive.
00:23:25I'm not selling my body.
00:23:28I'm not selling my body.
00:23:36Wow.
00:23:37I am deeply offended.
00:23:40That thought disgusts me.
00:23:42Then what are you doing?
00:23:43The staff's off tonight.
00:23:45I'm buying dinner.
00:23:49Did you seriously think
00:23:50I'd spend a hundred pounds on...
00:23:52No, I...
00:23:53Jesus.
00:23:54Wait.
00:23:55You think I'm not worth
00:23:57one hundred pounds?
00:23:59I'm not spending
00:24:00one hundred pounds
00:24:01to snort Chewbacca.
00:24:02You know what?
00:24:03Dinner's cancelled.
00:24:07Are you sure about that?
00:24:10I present to you
00:24:11meatball spaghetti,
00:24:13stir-fried veggies,
00:24:14and french fries.
00:24:15You're welcome.
00:24:17Interesting combo.
00:24:18Well, I know we're not
00:24:19in Italy or France,
00:24:20but this will do.
00:24:20It's...
00:24:22It's...
00:24:23good.
00:24:29Was that a compliment?
00:24:31Although,
00:24:32I am obliged to inform you.
00:24:35Meatball spaghetti
00:24:35isn't Italian.
00:24:37It's American.
00:24:38And french fries,
00:24:39likely born in South America.
00:24:41You should read more.
00:24:43Put it down.
00:24:45I paid for it.
00:24:47You really just have to win
00:24:48every argument, don't you?
00:24:49To be fair,
00:24:50you make it very easy.
00:24:53It's only easy
00:24:54because it costs
00:24:54two hundred pounds.
00:24:56You know,
00:24:57if you'd ask for more,
00:24:57I probably would have
00:24:58given it to you.
00:24:59I'll make sure that.
00:25:14Hey, Alice.
00:25:15It's fine.
00:25:17You're fine.
00:25:199-1-1,
00:25:25what's with your emergency?
00:25:319-1-1,
00:25:31what's with your emergency?
00:25:32It's my dad.
00:25:33He needs help.
00:25:34He just had a stroke.
00:25:35Okay, miss.
00:25:36Hurricane constant traffic
00:25:37shut down.
00:25:38Get to you as soon as we can.
00:25:39Please,
00:25:40he's not well.
00:25:41I understand.
00:25:42Can you confirm
00:25:43your address?
00:25:45Daddy,
00:25:46yes,
00:25:46I'm right here.
00:25:47All right.
00:25:48my daughter.
00:25:51Please stay with me,
00:25:52Dad.
00:25:52Please.
00:25:57No.
00:25:59Please wake up.
00:26:04Dad, please.
00:26:06Please don't leave me.
00:26:07Please.
00:26:07Bye.
00:26:28I love you.
00:26:32You...what are you doing here?
00:26:45You were crying.
00:26:47Loudly.
00:26:49Kind of hard to ignore.
00:26:52Right. Sorry for the night.
00:26:55Wait, you know snarky comeback?
00:26:58Not tonight, I'm too tired.
00:26:59If you're here to argue, knock yourself out.
00:27:04You were calling for your dad, right?
00:27:07A hurricane hit New York.
00:27:10Power went down, traffic froze.
00:27:13Dad had a stroke.
00:27:15But he couldn't get help in time.
00:27:19I sat there with a candle while he laid there.
00:27:25Peaceful.
00:27:27But he was asleep.
00:27:30But he wasn't.
00:27:34So that's why you and your mum moved here?
00:27:37This used to be our hometown.
00:27:40After dad left, we had nowhere else to go.
00:27:44What are you doing?
00:27:51Come on.
00:27:55Come on.
00:28:11Wait. I thought the peril was out.
00:28:14It is. We have our own generator.
00:28:17Wow. Rich people houses her.
00:28:19Just for tonight.
00:28:21I'll allow it.
00:28:23Allow what?
00:28:25You can call this place your house.
00:28:27So enjoy it.
00:28:29Stephen King's first edition.
00:28:31Alan Gisberg's handwritten letters.
00:28:33Jane Austen's notes.
00:28:35All yours.
00:28:36This is your home.
00:28:42Alice Keaton.
00:28:48Careful.
00:28:50Almost sounded sweet.
00:28:52Don't push it.
00:28:53Okay then.
00:28:56I have one request.
00:28:59What is it?
00:29:00Are you ever going to make a move?
00:29:10Wait.
00:29:12Give me a second.
00:29:13I'm thinking.
00:29:15You had one wish.
00:29:17Anything in the world.
00:29:18And in the middle of a thunderstorm.
00:29:20Inside a literal mansion.
00:29:22You chose chess.
00:29:24Yeah.
00:29:25Got a problem?
00:29:27It's just so cool.
00:29:28Like spies or genius villains in movies.
00:29:31It's literally a board game.
00:29:33Says the guy who owns a custom set.
00:29:35Wait.
00:29:36Does the knight go diagonally?
00:29:38The tenth time.
00:29:40It moves in an L shape.
00:29:42One.
00:29:44Two.
00:29:45Then turn.
00:29:46There.
00:29:48Happy.
00:29:49Ecstatic.
00:29:52You know.
00:29:53That's suicide.
00:29:54Or a brilliant long term sacrifice.
00:29:56You are playing checkers at a chess board.
00:29:58Still beating you in sarcasm.
00:29:59You literally haven't won any past arguments.
00:30:01Golding disagrees.
00:30:03It's going to be a long night.
00:30:05Oh my. No.
00:30:06Why? What's wrong with that?
00:30:07You can't do that.
00:30:08I don't know that. Can I do that?
00:30:09Oh my god.
00:30:10I don't know.
00:30:11You had to stop the tripping about it all wrong.
00:30:14Tied to pull you in close as we're locked on your phone.
00:30:17Why you're sour cause I'm moving on.
00:30:21Who you're showing up at my door.
00:30:26Holding your heart there inside your hands.
00:30:30Maybe he's not so awful after all.
00:30:33I don't know.
00:30:41Um, who are you?
00:30:47What are you doing here?
00:30:48Well your parents said you were still at home.
00:30:51Thank god you skipped that boring grand tour.
00:30:53Who needs Italy and France again, right?
00:30:55When did you get back?
00:30:57Last night.
00:30:58From Zurich.
00:30:59I didn't answer my messages.
00:31:02I missed you.
00:31:04Anyway, thought I'd come surprise you.
00:31:06Apparently, I'm transferring to Ashford.
00:31:09Your parents were so thrilled.
00:31:11They didn't tell me about this.
00:31:12I wanted to deliver the happy news myself.
00:31:15They said it'd be lovely for us to reconnect.
00:31:18You know, considering the engagement and all.
00:31:21Engagement.
00:31:24Oh, did no one tell you?
00:31:26He's promised.
00:31:27Old money stuff.
00:31:29Very retro.
00:31:30I didn't agree to that.
00:31:31You didn't have to.
00:31:32It's never up to us.
00:31:35Where did you find this little toy?
00:31:37Serena.
00:31:38I can hear you, you know.
00:31:40Oh, an American.
00:31:42How refreshing.
00:31:47Goodbye.
00:31:49Wait.
00:31:57Serena.
00:31:58Where are you going?
00:31:59You still owe me breakfast.
00:32:00You only paid for dinner.
00:32:01I have homework.
00:32:02Goodbye.
00:32:03Your little toy has quite the temp time.
00:32:05Serena, can you please just stop?
00:32:06What?
00:32:07Teasing the help?
00:32:08That's her.
00:32:09That's her.
00:32:10That's the one from Kenwood's house.
00:32:11Is she like the maid or something?
00:32:12Is she like the maid or something?
00:32:13Ha ha ha.
00:32:14Ha!
00:32:15Your little toy has quite the tempo.
00:32:17Serena, can you please just stop?
00:32:19What?
00:32:20She's in the help.
00:32:27That's her.
00:32:28That's the one from Kenwood's house.
00:32:31Is she like the maid or something?
00:32:45Oh my god, what's wrong with people?
00:32:50They're saying you live with Charles.
00:32:52Oh, and Serena.
00:32:54What about her?
00:32:55Apparently she told everyone you were caught sneaking into his room.
00:32:58Of course she did.
00:33:12Careful, Alice.
00:33:14You're starting to look desperate.
00:33:27Can you help me?
00:33:28Yes, I know.
00:33:291066.
00:33:30Yeah.
00:33:31Come to the music room.
00:33:32Urgent.
00:33:33I just remembered I need to check something.
00:33:35You guys go ahead.
00:33:36Yeah, okay.
00:33:37Okay.
00:33:43Hello!
00:33:44Is someone there?
00:33:45Seriously!
00:33:46This is getting old!
00:33:48Wait.
00:34:01Music room?
00:34:02What?
00:34:05James?
00:34:06Is anybody in here earlier?
00:34:07Just Miss Serena.
00:34:08Said she was waiting for you.
00:34:11Sir?
00:34:12Sir, it's raining!
00:34:13Come on, Alice.
00:34:14You're fine.
00:34:27You're not that girl again.
00:34:29Wait.
00:34:30Can you remind me one more time?
00:34:31Okay.
00:34:32Rooks move in straight lines.
00:34:33Yeah.
00:34:34Bishops move diagonally.
00:34:35And knights...
00:34:36The knights the weird one.
00:34:37Rooks.
00:34:38Straight lines.
00:34:39Bishops.
00:34:40Diagonally.
00:34:41Hello?
00:34:42Hello?
00:34:43Hello?
00:34:44What were you doing?
00:34:45Is there a point of taking a camera while you're in?
00:34:46Hi, Alice.
00:34:47Go ahead.
00:34:48I'm sorry, Alice.
00:34:49No.
00:34:50Okay.
00:34:51Rooks move in straight lines.
00:34:52Yep.
00:34:53Bishops move diagonally.
00:34:54And knights...
00:34:55The knights...
00:34:56The knights the weird one.
00:34:57Rooks move in straight lines.
00:34:58Yeah.
00:34:59Bishops move diagonally.
00:35:00And knights...
00:35:02The knights the weird one.
00:35:05Rooks move in straight lines.
00:35:08I feel my soul
00:35:17The text
00:35:20Are you okay?
00:35:22Are you hurt?
00:35:24I'm okay
00:35:25I saw the text and I thought
00:35:28I didn't see the message
00:35:29Serena took my phone
00:35:31I didn't know
00:35:32I'm sorry
00:35:32I'm okay
00:35:34You're gonna catch a cold
00:35:37You're freezing
00:35:38You didn't have to come
00:35:39Don't tell me
00:35:42What I have to do
00:35:44Give me hope that feels like hope
00:35:49That wasn't a mistake
00:36:07If that's what you're about to say
00:36:09I wasn't going to
00:36:13Really bad at this, you know
00:36:26What, kissing?
00:36:29Hiding feelings
00:36:30All right
00:36:31Dump those Ewok pyjamas
00:36:54Oh, you wish
00:36:56Seriously
00:36:58It's a cock block
00:36:59You kissed me
00:37:02That's basically consent to everything
00:37:07Dangerous words, Keaton
00:37:12I might hold you to that
00:37:14Now
00:37:15You'll be working in pairs
00:37:25On your comparative essays
00:37:26The list is on the board
00:37:281, 2, 3, 4
00:37:32Are you okay?
00:37:36Are you okay?
00:37:48It may seem dark
00:37:54You're distracting
00:37:57You're welcome
00:38:06They're either enemies or secretly married
00:38:12Honestly
00:38:14Both
00:38:15I was sure I'd never find someone
00:38:19To make my head spin around
00:38:21No one's ever gonna be the thing I need
00:38:24They all just let me down
00:38:26But baby
00:38:27You saved me
00:38:29Time brand new
00:38:31Everything's so different now
00:38:34So
00:38:36The night goes in an L shape, right?
00:38:39Why is that the only one you remember?
00:38:41Because it's weird
00:38:42And I like weird
00:38:45Check
00:38:53You're cheating
00:39:00I'm winning
00:39:01There's a difference
00:39:02You are very distracting
00:39:04And you like it
00:39:06I will be before you, babe
00:39:08I'll be the new darkest place
00:39:13I'll hold you in my arms
00:39:17Charles
00:39:17We need to talk
00:39:20I expected poor judgement
00:39:28But this in my house
00:39:31It isn't what it looks like
00:39:32No?
00:39:33Kissing a servant's daughter
00:39:35In the family library
00:39:37Enlighten me then, Charles
00:39:39We came back tonight
00:39:40After speaking with Serena
00:39:41Imagine our surprise
00:39:43Walking in on
00:39:44This
00:39:45She isn't just
00:39:46You have no right
00:39:48To barge in
00:39:49On my property
00:39:50I care about her
00:39:55I'm not ashamed
00:39:56That's enough
00:39:57Why do you care?
00:40:01We're protecting our son's future
00:40:03And our name
00:40:06You think this protects me?
00:40:08We think
00:40:08She does not belong
00:40:10In your world
00:40:11Then maybe I don't either
00:40:16You're ready to give up everything
00:40:19For a girl you barely know?
00:40:24Yes
00:40:25Then
00:40:26Are you sure
00:40:27She's ready?
00:40:34I'm asking you
00:40:36Do you think she's ready
00:40:37To lose everything
00:40:39Regardless of how little
00:40:40That is
00:40:41Just to be with you?
00:40:42What are you talking about?
00:40:44You left us no choice, son
00:40:45You shouldn't disobey your father
00:40:47Pelton
00:40:51It's Frederick Kenwood
00:40:53Ah, Mr. Kenwood
00:40:54How can I help?
00:40:56If a scholarship student
00:40:57Were to violate
00:40:58Our behavioural code
00:41:00In a public setting
00:41:01With photographic evidence
00:41:03Would that warrant a review?
00:41:06Yes, sir
00:41:06So
00:41:10Answer me again
00:41:12Do you think she's ready
00:41:14To lose everything
00:41:15Just to be with you?
00:41:16Charles
00:41:27What happened?
00:41:28Did your parents say something?
00:41:29Are they mad?
00:41:30Is everything okay?
00:41:32Pack your things
00:41:33You can't stay here anymore
00:41:36What?
00:41:39My parents fired your mother
00:41:40She's leaving
00:41:41So are you
00:41:43Wait, what, why?
00:41:44Is it because of us?
00:41:46We can fix this
00:41:47I'll get a job
00:41:47Anything
00:41:48Stop, stop it
00:41:48You don't get it
00:41:49If I don't walk away from this
00:41:52They'll cut me off
00:41:53Okay?
00:41:54No card
00:41:55No trust
00:41:56No support
00:41:57Nothing
00:41:57Then
00:41:59Then we'll figure it out
00:42:02We don't need all that
00:42:03We can
00:42:03Do you really think
00:42:05I'm going to live like that
00:42:06So that's what this was
00:42:11Just fun
00:42:13Until it got inconvenient
00:42:14What did they promise you?
00:42:20Nothing
00:42:20They just reminded me
00:42:24Of what's real
00:42:26Charles
00:42:29I'm not stupid
00:42:30You don't just turn into
00:42:32A cold stranger
00:42:33Because of one conversation
00:42:34What did they threaten you with?
00:42:41What did they threaten you with?
00:42:43This is the difference
00:42:44Between me and you
00:42:45What?
00:42:46You think you know me
00:42:47Or what I have
00:42:49You don't
00:42:51Alice
00:42:51You're still lying
00:42:53I'm not
00:42:54Alice
00:42:54Look around you
00:42:56This mansion
00:42:57You thought was a museum
00:42:58It's my house
00:43:01My world
00:43:02I was bored
00:43:04I was bored into this
00:43:04I am not choosing
00:43:06Between this
00:43:07And something I picked up
00:43:11For a moment
00:43:12Of fun
00:43:12Don't do this Charles
00:43:16You don't mean it
00:43:18It was fun
00:43:19But you
00:43:20You don't compare it to what I own
00:43:23I'll survive the loss
00:43:27Right
00:43:30I should have known
00:43:33Guys like you
00:43:36Don't end up with girls like me
00:43:37You play with them
00:43:41Then you throw them away
00:43:42Go to sleep Alice
00:43:45This fall is a little more
00:43:59Than I expected
00:44:00In so deep
00:44:04I can barely see myself
00:44:06Yeah around me
00:44:10Feels so heavy
00:44:11But depleted
00:44:12But I find
00:44:16That's the place
00:44:17To test myself
00:44:18Oops
00:44:28Oh sorry
00:44:45Didn't see that
00:44:47Then again
00:44:48Nobody does
00:44:49Move please
00:44:51Try begging
00:44:54You know what
00:44:59Keep it
00:45:00Poor thing
00:45:06So dramatic
00:45:07Don't
00:45:10Excuse me
00:45:11I warned you
00:45:12Walk away Serena
00:45:15Last week's group assignments were
00:45:37Mostly forgettable
00:45:38But one pair surprised me
00:45:40In a good way
00:45:41Charles Kenwood
00:45:43And Alice Keaton
00:45:44Would you mind giving us
00:45:46A short summary
00:45:47She loves the sound
00:45:49Of her own voice
00:45:49Better have it
00:45:50Our essay explored
00:46:00What happens
00:46:01When two fundamentally
00:46:02Different voices meet
00:46:03Like logic and chaos
00:46:05Or silence and noise
00:46:07Different worlds
00:46:09Different rules
00:46:10At first glance
00:46:13They clash
00:46:14But what makes the story
00:46:16Interesting
00:46:16Is what happens next
00:46:18Confusion
00:46:19Curiosity
00:46:20But in the end
00:46:21Some stories
00:46:22Aren't about staying
00:46:23And yes
00:46:25There is no such thing
00:46:26As a happy ending
00:46:27And yes
00:46:37There is no such thing
00:46:38As a happy ending
00:46:39Is she still talking about the essay?
00:46:45Miss Keaton
00:46:46Dramatic as always
00:46:48Alright
00:46:49Thank you Alice
00:46:51That was
00:46:52Layered
00:46:53Are you okay?
00:46:55A reminder
00:46:56That good literature
00:46:58Always stirs something
00:47:00Hello
00:47:03Hi
00:47:04This is Alice Keaton
00:47:05This is Whitmore Press
00:47:06We've been following your work
00:47:07We'd like to offer you
00:47:08A long-term publishing contract
00:47:09Name your price
00:47:11We'll
00:47:11We'll make it work
00:47:12Sorry, what?
00:47:16That's
00:47:17Kind of
00:47:18Insane
00:47:19Who's behind this?
00:47:20Your sponsor wishes to remain anonymous
00:47:23Can
00:47:23Can I meet them?
00:47:27I want to
00:47:28Please
00:47:29Or at least tell me a name
00:47:32Sorry, they wish to stay in office
00:47:36So they're only interested in work
00:47:38Not the person
00:47:39I'd really like to meet them
00:47:40I'm sorry Miss Keaton
00:47:41They were very good
00:47:42I think the most generous offer
00:47:43We've ever given a disability
00:47:45Right now
00:47:45I see
00:47:47Congratulations again
00:47:48You got the interview
00:47:54It's just an interview
00:47:55I haven't got the interview yet
00:47:56Still
00:47:56Alice Keaton at Oxford
00:47:58That's iconic
00:48:00You okay?
00:48:10Yeah
00:48:10I'm so excited
00:48:13It's done, Mr. Kenwood
00:48:27Miss Keaton signed the contract
00:48:28Good
00:48:30It's a generous deal
00:48:32You sure you don't want it to know?
00:48:35No
00:48:35No, it's better if I stay out of her life
00:48:39I will be before your day
00:48:42I'll be there in your darkened space
00:48:47Congratulations, Alice Keaton
00:48:51Go live the life you were always meant to
00:48:54Your engagement announcement should align perfectly with the Foundation Gala
00:49:03And the Browns already offered to host the London reception
00:49:07It's all coming together beautifully
00:49:11I've lost my appetite
00:49:15I'll go check on him
00:49:20What's your problem, Charles?
00:49:30Disengagement
00:49:31It's not happening
00:49:33It's not up to you
00:49:34You know that
00:49:34Serena, we're not doing this
00:49:36You've changed
00:49:39Or maybe I finally just stopped pretending
00:49:45Tal's
00:50:12You're the sponsor
00:50:14You've been funding Alice Keaton this whole time
00:50:17So?
00:50:21You lied to everyone
00:50:22Including her
00:50:23I protected her
00:50:25You loved her
00:50:29Still do
00:50:30Let it go, Serena
00:50:33There's no point
00:50:44I need a favour
00:50:46Find out when the Oxford interview is
00:50:48And make sure Alice Keaton won't show up
00:50:52Anything?
00:50:56No?
00:50:59She's not answering
00:51:00The interview's almost over
00:51:01Well, she won't just not show up
00:51:03Something's wrong
00:51:04Where's Alice?
00:51:08When was the last time you heard from her?
00:51:09Last night
00:51:10She said she was prepping all evening
00:51:12James, track someone for me
00:51:18Wait, where are you going?
00:51:21Chill, okay?
00:51:30It won't hurt you
00:51:31Yeah, we're just supposed to keep you away from the interview
00:51:35That's it
00:51:35Shit!
00:51:44Come back
00:51:45Come back!
00:51:45I remember how man
00:51:49Didn't need a second guess
00:52:19Hey, hey, hey
00:52:23Alice, Alice
00:52:24Alice, stay with me
00:52:26Stay with me
00:52:27Stay with me, Alice
00:52:27Alice
00:52:28You're awake?
00:52:36Where
00:52:37Where am I?
00:52:39A local clinic
00:52:39Passer-by brought you in
00:52:41Passer-by
00:52:43He found you on the side of the road
00:52:45He had to leave
00:52:46He didn't leave a name
00:52:47Oh
00:52:50The interview
00:52:52What time is it?
00:52:53Easy
00:52:54It's okay
00:52:55Someone already contacted the university
00:52:57And sent in your writing samples
00:52:59They've rescheduled your interview for tomorrow
00:53:01Wait, what?
00:53:02Who?
00:53:03No idea
00:53:04But it's all taken care of
00:53:06What did you say?
00:53:10Nothing
00:53:11I just
00:53:12Had a dream
00:53:14I got him!
00:53:26Oh, I knew it
00:53:31Too bad Charles isn't here to watch you crush it
00:53:34He's not here
00:53:36Oh, you didn't know
00:53:39Know what?
00:53:41He left
00:53:41A few days ago, yeah
00:53:43Everyone doesn't really know where he went
00:53:45Honestly, Asher's been quieter without him
00:53:48It's probably for the best
00:53:49Come on
00:53:49I couldn't stay
00:53:52I couldn't wait
00:53:54I thought that you should know
00:53:56Alice?
00:53:59The summer I met Charles Kenwood was loud
00:54:02Chaotic
00:54:04Unexpected
00:54:06And with his absence
00:54:10Come on
00:54:10It ended quietly
00:54:13Like summers always do
00:54:17And joining us today
00:54:31The DACA's most unexpected literary phenomenon
00:54:35Alice Keaton
00:54:36Thank you for having me
00:54:37No, your words moved millions
00:54:40They say your stories feel real
00:54:43Especially the ones about love
00:54:45Thank you
00:54:45Which brings us to the most obvious question
00:54:48How's your dating life like these days?
00:54:50No comment
00:54:52A little bird told me that the past four years has been just writing and working
00:54:57Not even a single date
00:54:58Let me guess a bird named Sherry
00:55:00She caught me
00:55:01Still no comment
00:55:02Alright, alright
00:55:03No matter what you say
00:55:05You write love like someone who's lived it
00:55:09You're so real
00:55:10Because once I did
00:55:12With someone who felt like chaos and clarity
00:55:14And no one ever quite matched the light after that
00:55:19And let's give it up for Alice Keaton one more time
00:55:23Congratulations Alice
00:55:34The numbers just came in
00:55:35You broke your own record
00:55:37That's incredible
00:55:40We're thinking celebration
00:55:41Press
00:55:42Photos
00:55:43Maybe tonight
00:55:44Actually
00:55:45There's something I'd rather do
00:55:47I'd like to meet with the person who believed in me first
00:55:52My sponsor
00:55:54You're sure?
00:55:55Yeah
00:55:56Just once
00:55:57Tonight
00:55:587pm
00:55:59Good evening
00:56:11Good evening
00:56:15May I sit
00:56:19Hey Mr. Nonchalant
00:56:26Hi
00:56:29Hi
00:56:30You look well
00:56:34And you look like you just stepped out of a GQ cover
00:56:38You always did
00:56:41You were expecting someone else
00:56:43I was
00:56:45I was
00:56:45Hoping
00:56:47But I guess I always knew
00:56:50I didn't come here to confuse you
00:56:53Or to reopen anything
00:56:55I just wanted to say congratulations
00:56:59Oh
00:57:01Thank you
00:57:02Didn't know you're still reading
00:57:06You're rich enough not to do so
00:57:09Always
00:57:10Either way
00:57:12Your sponsorship started my career
00:57:14So
00:57:15No
00:57:15No
00:57:17You earned everything
00:57:18Every word
00:57:22Every page
00:57:24Every reader
00:57:26That's what I came to say
00:57:29It was good to see you again
00:57:34I hope
00:57:35Charles
00:57:36Can you just
00:57:38Wait a little longer
00:57:41I think I knew it was you
00:57:49There was one email
00:57:52You said something
00:57:54Felt familiar
00:57:56Really?
00:57:57Kinda had that
00:57:58Rich asshole with a conscience energy
00:58:00Very on brand
00:58:02I should have anonymized my grammar
00:58:04Too late
00:58:05Your semicolon usage gave you away
00:58:07Still the only girl I know
00:58:10Who flirts through punctuation
00:58:11Still the only god I know
00:58:12Who uses wiles unironically
00:58:14You've changed
00:58:18But
00:58:19Not really
00:58:22You haven't changed
00:58:24But
00:58:26Maybe you've grown into who you really were
00:58:28Anyway
00:58:31I wanted to say
00:58:33Thank you
00:58:35And
00:58:37Thanks for being here tonight
00:58:39You didn't have to come
00:58:41Don't tell me what I have to do
00:58:44I do
00:58:44You didn't have to come
00:58:48Don't tell me what I have to do
00:58:52If you could go back
00:59:12If you had the chance to do it all again
00:59:15Would you do anything differently?
00:59:22No
00:59:22No
00:59:27I see
00:59:32I know my answer now
00:59:37I didn't have the power back then
00:59:38Not enough to protect you
00:59:41I couldn't watch you get crushed because of me
00:59:43Because of my name
00:59:45My family
00:59:47I didn't want to be the reason you lost everything
00:59:51So you just disappeared
00:59:53Without a word
00:59:55If you had the chance to see the world
00:59:59Without me weighing you down
01:00:01If you still chose me
01:00:03If you still chose me after that
01:00:04You keep saying you wanted to give me a choice
01:00:10But you made a choice for me
01:00:13Did it ever cross your mind that maybe
01:00:18I would have chosen you anyway
01:00:22I didn't think I was the smart choice
01:00:29You weren't
01:00:31But I never claimed to be that smart
01:00:35This is me
01:00:44Right
01:00:45I'm still mad at you
01:00:54You know
01:00:54I'm still in love with you
01:00:58You know
01:00:59Do you want to come in for a bit?
01:01:08You're asking your ex
01:01:12Who you haven't seen in four years
01:01:15To come into your hotel
01:01:17At approximately 11pm
01:01:19You were right
01:01:21You never were that smart
01:01:23You don't have to come
01:01:25Don't tell me
01:01:27What I have to do
01:01:38Stop quoting yourself
01:01:43I recycle
01:01:43It saves energy
01:01:44This feels wildly irresponsible
01:01:48You sound like a disclaimer
01:01:50You're the one who once called romance a distraction
01:01:52I said that?
01:01:54Yeah
01:01:54Before calling Wuthering Heights overrated
01:01:56Still is
01:01:57You're lucky you're a good kisser
01:02:00That is cute to me
01:02:05Don't you dare quote poetry
01:02:07I wasn't going to
01:02:08I forgot all of it the day you left
01:02:11Then shut up
01:02:12And prove it
01:02:14I still can't believe this is happening
01:02:21I told you
01:02:23They're either worst enemies
01:02:24Or secretly married
01:02:25And I told you
01:02:26They're both
01:02:27I vowed to always tell you the truth
01:02:43Except for when you ask how your cooking was
01:02:58Then I lie
01:03:00Respectfully
01:03:01I vowed to always tell you the truth
01:03:04I vowed to keep choosing you
01:03:05Loudly
01:03:06Quietly
01:03:08Always
01:03:10Even when you forget to do the laundry
01:03:13Is he actually good at this?
01:03:17For me
01:03:18He did beat her at soccer
01:03:19I vowed to argue with you at least twice a week
01:03:25Especially over Shakespeare
01:03:27I vowed to write you in your every story
01:03:30Even when I say I didn't
01:03:32You will always be part of my life
01:03:35If she quotes Austen in this toast
01:03:38I'm out
01:03:38No you're not
01:03:39You're going to cry harder
01:03:40I can't believe you picked Paris
01:04:05Such a cliche honeymoon destination
01:04:08Guard your phone
01:04:10Relax
01:04:11Just don't dress like a walking inheritance
01:04:13And you'll be fine
01:04:14You are not wearing that on our honeymoon
01:04:19Please Alice go change
01:04:22Don't tell me what I have to do
01:04:24No
01:04:29No no no no
01:04:31That is not an invitation
01:04:32Do not take off these clothes
01:04:34Overruled
01:04:35You look much better about them
01:04:37To the ones who loved in silence
01:04:45In chaos
01:04:46In chapters
01:04:46You will find your way home
01:04:49Oh yeah
01:04:51Oh man
01:04:54But I don't want to die alone
01:04:59Wow
01:04:59I love that
01:05:00Oh man
01:05:00Tuck
01:05:02посмотреть
01:05:03Look at that
01:05:03I will have some
01:05:04No
01:05:05I will have to do
01:05:05oh
01:05:06Oh
01:05:06Unter
01:05:07The
01:05:08Bentley
01:05:10OUPSY
01:05:11TO the
01:05:11ым
01:05:12It's up to us to make sure that we can gain what's been passed through these books.
01:05:29Help us develop, learn, and grow.
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