- il y a 2 jours
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#film vintage, regarde les film anciens. Bon film à tous et n'oubliez pas de vous abonner.
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00:01:28And my old man, the hotel owner, the owner's wife, was having a go at it with the concierge next door.
00:01:45They heard the gunshots.
00:01:47The guy shot himself in the head seven times.
00:01:50What's even funnier is that he's not dead.
00:01:53Hey, haven't you seen Clameur again?
00:01:54Clameur, he's here at the boss's place.
00:01:55So, I came to find you right away to warn you.
00:01:59GOOD.
00:02:00That sounds interesting.
00:02:02If you succeed in this matter, I will give you a reward.
00:02:06How long have you been in the department?
00:02:07It will soon be two years.
00:02:09What gave you the idea to join the police force?
00:02:12Initially, I started working at a printing company.
00:02:14Then my father died suddenly.
00:02:16I was leaving the regiment, I had to support the family, I wasn't earning enough.
00:02:20Ah, and also, a taste for adventure.
00:02:22Yes, I love my job.
00:02:23But I like searching, finding, I like the fight.
00:02:27Antoine and boss, let me pursue my idea.
00:02:30I think I've stumbled upon something interesting.
00:02:33Today is Saturday.
00:02:34The day after tomorrow, I'll bring you the whole gang.
00:02:36Oh, but I want to do this by myself.
00:02:37I am confident in my case.
00:02:39Good.
00:02:40I'm giving you until Monday.
00:02:43Bye.
00:02:44Goodbye, boss.
00:02:44See you Monday.
00:02:46Ah, there you are.
00:02:47Ah, well, you took your time, what are you going to tell the boss?
00:02:50Ah, nothing, I'm sure it's a scheme.
00:02:51Drugs?
00:02:52Yes.
00:02:55Ah, so, tomorrow we're going fishing, eh?
00:02:57Last Sunday, at my brother-in-law Adilaine's house, we caught a pike that weighed more than two pounds.
00:03:01But guys, now's not the time.
00:03:02I'm working here.
00:03:03Still your problem?
00:03:04Always.
00:03:05Are you becoming a cashier now?
00:03:07Give me that, some little shit raised there.
00:03:08Oh no, I'm not becoming a cashier.
00:03:10However, this is my first case, so let me succeed on my own.
00:03:13Good evening.
00:03:15Hey, there's nothing worse to chew on, huh?
00:03:21Well, that'll bring you some money.
00:03:22And do you prefer small or large ones?
00:03:24For fries, I prefer the small ones.
00:03:25But for my case, I hope to get the big ones.
00:03:28See you Monday then.
00:03:29See you Monday.
00:04:08There you go, the boss.
00:04:31Do you know what the complaint is?
00:04:33No.
00:04:34Go get me your police logbook.
00:04:38Fricurelle, fricurelle.
00:04:40D wied?
00:04:41Yes.
00:04:41Fricurelle, fricurelle.
00:04:42He does that, the waymaker, the patient.
00:04:43Moiré.
00:04:43The fricurelle, the fricurelle, the,
00:04:44the station at the level, the joint.
00:04:44The big ones.
00:04:45Oh.
00:04:46Land Burger.
00:04:47And you defined the topics.
00:04:48So, it's なる.
00:04:49Fricurelle, fricurelle.
00:04:54Fricurelle,
00:04:54the soul.
00:04:54Is it あれ?
00:04:57Fricurelle.
00:04:57What.
00:04:58Our churelle.
00:04:59Not lethal?
00:05:00Fricurelle...
00:05:00Madurelle?
00:05:01Fricurelle.
00:05:02Fricurelle.
00:05:02Fricurelle.
00:05:03Fricurelle.
00:05:08THANKS.
00:05:38So, there's blood on the cushions?
00:05:45Yes, Commissioner, on the cushions and on the rug.
00:05:47Did we note the car's license plate number?
00:05:49Commissioner, this car had no number.
00:05:51Both plaques have disappeared.
00:05:52The identification tag inside, with the name of the company to which the taxi belongs.
00:05:55Taken away, Commissioner. Torn from their grasp.
00:06:00Good morning, Commissioner.
00:06:01So, what's this taxi story all about?
00:06:03I don't know.
00:06:04No paperwork, no vehicle registration document in the pockets?
00:06:07No. Nothing that would allow us to identify the taxi.
00:06:09Nothing. Only this.
00:06:13A woman's glove.
00:06:14It's blood.
00:06:21Good.
00:06:23Well, we'll have to check if any bodies were found in Paris last night.
00:06:27Check if any suspicious items were transported to the hospital.
00:06:32So.
00:06:33Eh ?
00:06:34Clamard will tell us the rest if there have been any serious score-settling incidents with these gentlemen in the underworld.
00:06:40We don't know where Clamard is. We haven't seen him since Saturday.
00:06:42What ?
00:06:43His wife has even called the prefecture. She's starting to get worried.
00:06:46No.
00:06:48Commissioner, we just found this in the passageway. Not far from the taxi.
00:06:52ennist Peki.
00:07:01Ennistatemance!
00:07:02Ennist
00:07:06Drown it!
00:07:10Drown it!
00:07:11Here! Ennist
00:07:12Drown it!
00:07:14Good walnut!
00:07:44MFP subtitles.
00:08:14Good morning.
00:08:20Poor Clamard.
00:08:22It was bound to happen to him.
00:08:24He refused a revolver base behind my head.
00:08:34That's what made this dream come true.
00:08:38Is there a connection between the quality of death of poor Clamard?
00:08:42The wound corresponds exactly to the ball of the revolver found passage of notice.
00:08:47That's for sure.
00:08:52You have no idea what investigation he was pursuing?
00:08:55No, no. We were just teasing him about his secrecy.
00:09:00He wanted to bring it to you all ready-made, poor old man.
00:09:03Wait, I have an idea.
00:09:05It might not be much, but you never know.
00:09:07On Friday, I met Clamard, on rue de Douai, at the door of a dance hall, the skinny guy.
00:09:13Yes, I know.
00:09:14He was chatting with a woman, a tall, lanky woman, who had been frequenting Montmartre for a long time.
00:09:17Her name is Mireille.
00:09:18Ah, Mireille.
00:09:19In my opinion, he should have questioned her about her case.
00:09:24It's possible.
00:09:25It's possible.
00:09:56Forester!
00:10:02For the hands!
00:10:07Shed some light on this for us!
00:10:09Grab your coats and hats, and let's go!
00:10:10Come on!
00:10:25It's unfortunate to see this. That's the fourth time I've been approached in one month.
00:10:38It's my little girl who sleeps in my room all alone.
00:10:41Sir, sir, I have paid for my drink.
00:10:43Yes, I paid for my drink.
00:10:46Mireille, stay here.
00:10:48Come on, come on, come on, let's try wars.
00:10:50Yes, yes, yes.
00:11:20It's good that it's not clear, that's for sure. You know something.
00:11:29As you wish, my little one.
00:11:32I don't want to force you to talk if you don't want to.
00:11:35But then, the peace and quiet is over.
00:11:38You'll spend more time sleeping at Saint-Lazare than at home.
00:11:41Come on, that's not reasonable, is it?
00:11:53Tell us what you know.
00:11:56Because we assure you that you won't have any trouble.
00:11:57And so what, I can't take it anymore.
00:12:05Yes, it's all because of a woman that this happened.
00:12:08What a woman!
00:12:10A foreigner.
00:12:12A Polish woman.
00:12:14She is part of a gang that traffics in the competition on a large scale.
00:12:18They often travel outside of France.
00:12:20And then?
00:12:22So, she knew that Lamar had spotted her.
00:12:26She wanted to set a trap for him.
00:12:32So.
00:12:34That's all I know.
00:12:35What is her name?
00:12:38Her name is Sandra.
00:12:40She is very beautiful.
00:12:41She has a lot of money.
00:12:46She often goes to nightclubs.
00:12:48But I've never had it at a client's house.
00:12:50Where can it be found?
00:12:53It opens every evening in a large restaurant on Place Blanche.
00:12:56Where is it? I'm coming. You're going to show it to us.
00:12:57Oh, now?
00:12:58Okay, yes, now.
00:13:07I can't see her.
00:13:08She's not here.
00:13:16That's fine.
00:13:38Of course, what is it?
00:13:40I miss you.
00:13:41She also held me back well.
00:13:43I can leave, if you want.
00:13:47THANKS.
00:13:47How's the commissioner doing?
00:14:05Look, sir.
00:14:06But why are you here?
00:14:07But what is this all about?
00:14:08Ah, but sir, you don't know who you're talking to.
00:14:11And you want to arrest me here?
00:14:13That doesn't mean you should stop, sir.
00:14:14Yes, sir, you did say so.
00:14:15No, sir, we want to carry out a check, sir.
00:14:17How is a verification performed?
00:14:18A check.
00:14:19You will probably be free in a few minutes.
00:14:20Ah, but sir, are you talking about stopping, about carrying out checks?
00:14:23It is a terrible scandal, sir, that you come here.
00:14:26No, sir, it's a scandal, sir.
00:14:28Come now, my friend.
00:14:30Leave it be, sir.
00:14:31That's fun.
00:14:36I find that very exciting.
00:14:37You have cocaine on you.
00:14:58Search.
00:15:01Is the concierge here?
00:15:02Yes, sir.
00:15:04Make way.
00:15:05Don't mistake me for a dancer.
00:15:07I must be attached to the embassy.
00:15:08And I'm going to explain myself to the commissioners.
00:15:10Otherwise, I...
00:15:11Move, madam.
00:15:14It happens.
00:15:24Beautiful girl.
00:15:25Yes, not bad.
00:15:26You can read.
00:15:49You can read.
00:15:49Look.
00:15:51You can see that everything has a rule.
00:15:53So.
00:15:53You didn't look.
00:15:56This is Mr. Gargant.
00:16:23Mr. Gargant.
00:16:26Mr. Gargant.
00:16:27Mr. Gargant.
00:16:28Mr. Gargant.
00:16:30Mr. Gargant.
00:16:30Mr. Gargant.
00:16:31Mr. Gargant.
00:16:32Mr. Gargant.
00:16:33Mr. Gargant.
00:16:34Mr. Gargant.
00:16:34Mr. Gargant.
00:16:35Mr. Gargant.
00:16:36He's on the radio.
00:16:39Hello, boss.
00:16:40Hello, friends.
00:16:41We've already got two, right?
00:16:42It's an international band.
00:16:43Drug trafficking, poor Clamart.
00:16:45He suspected something and they killed him.
00:16:47to get rid of him.
00:16:48Yes, but now that we have these two,
00:16:50It's not any easier for others.
00:16:52Well, Commissioner, she's fine.
00:16:58How can nothing happen?
00:16:59No, nothing at all.
00:17:09What is your name?
00:17:22Lola Wiesemann, born in Hamburg.
00:17:26Is this your identity?
00:17:30Are you sure you're not making a mistake?
00:17:33Ask my friend.
00:17:36Ah yes, that's still a bit much.
00:17:41Commissioner, I am Roberto Gonzales, attached to the Roberto Gonzales Embassy.
00:17:46Madam is my friend, I vouch for her honor, but I am going to complain.
00:17:50I'm going to call in my minister who was asleep.
00:17:52I guarantee you there's a whole joke that's going to be a huge hit.
00:17:54But do you want to...
00:17:55The phones, give me the phones.
00:17:57I'm going to call my minister at the embassy.
00:18:00I'm going to call the embassy.
00:18:00Listen to me.
00:18:01I'm going to call, call myself at the embassy.
00:18:03Would you like to turn off my phones?
00:18:04Listen to me.
00:18:05Listen to me.
00:18:07Really.
00:18:09You are responsible for madam.
00:18:11Just like my mother.
00:18:12How long have you been in Paris, madam?
00:18:22For two days.
00:18:29That's good, you're free.
00:18:31Excuse us.
00:18:34May I?
00:18:36But I guarantee you it didn't tear very badly.
00:18:56No, no, no!
00:18:58It is not your investigation that I am criticizing you for, sir.
00:19:00It's your clumsy execution.
00:19:02We're almost facing a diplomatic incident.
00:19:04But, Mr. Prefect, we did what we could.
00:19:08It's inevitable.
00:19:09This is one thing that everyone in our country has taken advantage of.
00:19:13Rest assured, I'm not going to let one of my agents be killed.
00:19:15without mobilizing all police forces to find the assassin.
00:19:20The three main departments of the prefecture,
00:19:22parents and general information,
00:19:23Everything was mobilized to achieve my goal at the end of the month.
00:19:25an apology to a young South American diplomat.
00:19:28Admit it, that's not...
00:19:29So here it is, I have the report from the director of general intelligence.
00:19:37Robert Eskine plays a naive character,
00:19:40removes his conquest.
00:19:41He's leaving tonight.
00:19:43Ludovic and the team wanted...
00:19:44Try not to do anything stupid, it's easy.
00:19:47Come on, sir, I won't keep you.
00:20:18Here we go.
00:20:48Here we go.
00:21:18Here we go.
00:21:48Here we go.
00:22:18Here we go.
00:22:48Here we go.
00:22:49Here we go.
00:23:19Here we go.
00:23:20Here we go.
00:23:21Here we go.
00:23:22Here we go.
00:23:23Here we go.
00:23:24Here we go.
00:23:25Here we go.
00:23:26Here we go.
00:23:27Here we go.
00:23:28Here we go.
00:23:29Here we go.
00:23:30Here we go.
00:23:31Here we go.
00:23:32Here we go.
00:23:33Here we go.
00:23:34Here we go.
00:23:35Here we go.
00:23:36Here we go.
00:23:37Here we go.
00:23:38Here we go.
00:23:39Here we go.
00:23:40Here we go.
00:23:41Here we go.
00:23:42Here we go.
00:23:43Here we go.
00:23:44Here we go.
00:23:45Here we go.
00:23:46Here we go.
00:23:47Here we go.
00:23:48Here we go.
00:23:49Here we go.
00:23:50Here we go.
00:23:51Here we go.
00:23:52Here we go.
00:23:53Here we go.
00:23:54Here we go.
00:23:55Here we go.
00:23:56Here we go.
00:23:57Here we go.
00:23:58Here we go.
00:23:59Here we go.
00:24:00Here we go.
00:24:01Here we go.
00:24:02Here we go.
00:24:03Here we go.
00:24:04Here we go.
00:24:05Here we go.
00:24:06Here we go.
00:24:07Here we go.
00:24:08Here we go.
00:24:09Here we go.
00:24:10Here we go.
00:24:11Here we go.
00:24:12Here we go.
00:24:13Here we go.
00:24:14Here we go.
00:24:15Here we go.
00:24:16Here we go.
00:24:17Here we go.
00:24:18Here we go.
00:24:19He must not leave if all the travelers confess to being the guards.
00:24:49Excuse me, sir. The smell of your sabin bothers me.
00:24:59Oh, sorry.
00:25:19I can't stop you from covering it. That's it, that's where I'm embarrassed.
00:25:27THANKS.
00:25:40Do you live in Avignon, madam?
00:25:43No, I live in Paris.
00:25:46You're going to the French Riviera, no doubt.
00:25:49I'm stopping in Marseille.
00:25:51Hey, me too.
00:25:53And you travel alone as a tourist?
00:25:55You are certainly curious.
00:25:59I travel alone, but not as a tourist.
00:26:03You are an artist, no doubt.
00:26:06Yes.
00:26:08So, I probably know you. I must have applauded you.
00:26:19I love the sun.
00:26:20When I was little in my country, I dreamed of it.
00:26:21Without knowing what it was.
00:26:22So, you're happy.
00:26:23Happy, why?
00:26:24Since you are going to the south of France.
00:26:25Yes.
00:26:26For her to be.
00:26:27But you are not.
00:26:28You can be proud of being happy.
00:26:29Why do you say that?
00:26:30I don't like being asked questions.
00:26:31A little more whisky, eh?
00:26:32If you wish.
00:26:33You don't like questions, but you do like whisky.
00:26:35Ha, ha, ha.
00:26:36You don't like questions, but you do like whisky.
00:26:37Ha, ha, ha.
00:26:38There is one thing you would like to love.
00:26:40What is it?
00:26:41It is not.
00:26:42Who can boast of being happy?
00:26:43Why do you say that?
00:26:44You are not.
00:26:45Can you boast about being happy?
00:26:46Why do you say that?
00:26:47I don't like being asked questions.
00:26:48A little more whisky, eh?
00:26:51If you wish.
00:26:54You don't like questions, but you do like whisky.
00:26:59Ha, ha.
00:27:00There is one thing I would like to love.
00:27:05What is it?
00:27:06The life.
00:27:08The life.
00:27:12How can we do it for you?
00:27:15As much.
00:27:17It's very difficult.
00:27:20Really ?
00:27:34Fortin!
00:27:38A taxi, please.
00:27:41We are descending, Majestic.
00:27:55Enter.
00:27:57Where have we already been?
00:27:59Yes, we were able to jump on a train heading back to Paris.
00:28:01That's pretty.
00:28:03Do all the people here care about us?
00:28:05Let them do it. We're on the right track now.
00:28:08Felix was waiting for us at the station.
00:28:10There's something new.
00:28:11What ?
00:28:13The taxi driver spotted it.
00:28:17Yes.
00:28:18On the day of the incident, he was seen by an informant in his car.
00:28:22Rue Lamarck, at the exact spot where the revolver was found.
00:28:25There was someone in his car.
00:28:27A woman.
00:28:28Do we know this woman?
00:28:29No. We know him.
00:28:30His name is Amédée the Bordelais.
00:28:33He died in a shack in Saint-Mort, in a vacant lot.
00:28:37However, since the morning of the incident, his hangar has been empty.
00:28:42His taxi has disappeared and he no longer leaves his house.
00:28:45It's not bad, is it?
00:28:48Three cases dismissed for attempted murder.
00:28:50Okay, we have to jump over it.
00:28:51Go ahead, both of you.
00:28:53You will take the number of officers you need from the Saint-Mort police station.
00:28:56And listen, I'm not doing any damage.
00:28:58It's okay, we won't bring it in.
00:29:29Why are you looking at me like that?
00:29:31I looked like a petty bourgeois.
00:29:33A petty bourgeois? Me?
00:29:35Ah, thank you.
00:29:36Do you want it done to me, please, I have it like this?
00:29:40Only.
00:29:42Only ?
00:29:44Only.
00:29:45I'm scared.
00:29:47Afraid of being handed over.
00:29:49Afraid of everything.
00:29:50You are mistaken.
00:29:51The petit bourgeois has guts.
00:29:53It's true ?
00:29:55If a woman loved you.
00:29:57Finally, if you liked it.
00:30:00Are you capable of forgetting about us?
00:30:03Family, business, for what comes next.
00:30:06Why not ?
00:30:08Try everything.
00:30:10Desert.
00:30:12Deserting together.
00:30:14Desert? Why?
00:30:16So we are not free?
00:30:18We are always free when we want to be.
00:30:23Four days ago, I would have liked to.
00:30:25It's true.
00:30:26It's true ?
00:30:27It's true.
00:30:28It's true ?
00:30:29No, nothing.
00:30:30We...
00:30:31No.
00:30:32Paris.
00:30:34It's true ?
00:30:35It's true ?
00:30:36Here we go.
00:31:06He's comfortable at home. He went out to buy tobacco.
00:31:09He came home immediately.
00:31:10He doesn't distrust the East.
00:31:33You are not here.
00:31:34We'll come back tomorrow morning.
00:31:36We'll come back tomorrow morning.
00:32:06Hey, ring it!
00:32:08Ring it!
00:32:10Ring it!
00:32:26No one injured?
00:32:28Oh no.
00:32:30A skinhead.
00:32:32It was for myself that I fought with my mistress.
00:32:36That's good, yes.
00:32:38I didn't have a choice, you know.
00:32:40Hey, come inside.
00:32:42Bring it back, it's not a big deal.
00:32:44I'm going to grab him by the head.
00:32:46It's still quite a challenge, there.
00:33:02What is this?
00:33:06I don't want to.
00:33:08What is it?
00:33:10What is this...
00:33:12Well, it's pretty much in the area, yeah.
00:33:14Well, because it's...
00:33:16It's pretty close by, yeah.
00:33:18It's quite far, that's all.
00:33:20Okay, I'll...
00:33:22...
00:33:27THANKS.
00:33:57He has coconut.
00:33:59We have at least ten kilos.
00:34:01Oh, damn it.
00:34:03Yeah, what is it?
00:34:07Ah, ah, the other glove.
00:34:13...
00:34:27...
00:34:33Good evening.
00:34:35Good evening.
00:34:36So, are we really going to bed?
00:34:38We're going to bed.
00:34:39Are you in love?
00:34:41Are you sleeping on paper?
00:34:42No.
00:34:43And you?
00:34:44Oh no, I'm very awake.
00:34:48So, good night.
00:34:57Good night.
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00:35:51Subtitling by Radio-Canada
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