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Is anime really disliked in China, or is that just an online myth? In this video, we break down the complex relationship between China and Japanese animation, exploring cultural tensions, government regulations, censorship, and the massive popularity anime still enjoys among Chinese fans.

We look at how historical conflicts shape public perception, why certain series get banned or restricted, and how China’s growing animation industry (donghua) competes with Japan. At the same time, we highlight the huge anime communities on platforms like Bilibili, the rise of local cosplay culture, and the surprising influence Japanese anime has on Chinese creators.

From political controversy to passionate fandom, this video uncovers what really happens behind the headlines — and whether anime is truly “hated” in China or simply misunderstood by outsiders.

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Transcript
00:00Several recent incidents have reignited the debate.
00:03In Suzhou, 2022, a young cosplayer was arrested while reporting on summertime rendering.
00:10She was wearing a Japanese kimono and portraying an anime character.
00:14The police detained her for hours and accused her of picking quarrels and provoking trouble,
00:19an ambiguous charge, simply for wearing that outfit.
00:23In the video of the arrest, the officer can be heard shouting at her that,
00:27as a Chinese woman, she should wear hanfu, traditional Chinese clothing, instead of kimono.
00:33The officers confiscated her dress and forced her to write a 500-word self-criticism.
00:39This case exploded on social media.
00:42Thousands of users shared it along with heated debates,
00:45ranging from the most fervent nationalism to voices of alarm over police excesses.
00:50For their part, although reports are less precise,
00:53viral videos have been circulated of cosplayers dressed
00:57as Naruto characters being attacked in public during youth events in Shanghai.
01:02In these images, captured by attendees,
01:05hostile groups lash out at the young people in costume,
01:08rip off their wigs, and shout nationalist slogans.
01:11While there are no official sources that fully document these events,
01:15several witnesses on Chinese and foreign social media confirm
01:18that they took place in the context of street demonstrations by young people,
01:23serving as an example of how some nationalists consider
01:26any celebration of Japanese pop culture to be offensive.
01:30To understand these incidents,
01:31we must look back at the long and painful history between China and Japan.
01:36China suffered Japanese invasions and occupation,
01:39especially during World War II.
01:41The 1937 Nanking Massacre and the Comfort Women
01:45are deep historical wounds.
01:47Resentment still runs high,
01:49and every visit by Japanese politicians to the Yasukuni Shrine,
01:54where the remains of imperial soldiers are enshrined,
01:57provokes massive protests in China.
02:00In addition, recent tensions in the Pacific
02:02over Taiwan and territorial disputes
02:05have fueled Chinese nationalism.
02:08For this reason,
02:09many Chinese believe that wearing a symbol of Japan
02:12is insensitive to historical victims.
02:15In the words of the Guardian,
02:16hostility and unease toward Japan
02:19have existed in China for decades
02:21because of these past atrocities.
02:23Thus, a cosplayer in a kimono or an anime
02:27fan may find themselves, for some,
02:30in the eye of this long storm of historical resentment.
02:34For years,
02:35the Chinese government has strictly censored audiovisual content,
02:39including anime.
02:40Only content that promotes true,
02:42good, and beautiful ideals
02:44is allowed on TV or official platforms.
02:48Entire series have been removed
02:49for being considered too violent,
02:51erotic, or subversive.
02:53For example,
02:54Shingiki no Kaijin,
02:56Attack on Titan,
02:57was outright banned in 2015
02:59for its extreme violence
03:01and for portraying crimes against public morality.
03:04Similarly,
03:05in recent years,
03:06China has set new criteria.
03:08It will not allow student romance plots
03:10or stories of rebellion against governments,
03:13elements that are ubiquitous in many anime.
03:16As a curious fact,
03:17China also creates this type of anime.
03:20Under these rules,
03:21titles such as One Piece,
03:23which tells the story of pirates fighting the authorities,
03:26or even classic high school romances,
03:28Kimi and I, Tadok,
03:30Toradora,
03:31could be banned.
03:32All this means that Japanese studios
03:34and international platforms
03:35must adapt or discard content
03:38before it's broadcast in China.
03:40In addition to eliminating entire series,
03:43Chinese censors often edit specific scenes.
03:46A common technique
03:47is to replace red blood with white,
03:49a measure that leaves sequences comical or absurd.
03:53The result is visible in popular anime,
03:55Chainsaw Man,
03:56Shingiki,
03:57One Piece,
03:58Dragon Ball,
03:59whose Chinese versions sometimes seem
04:01almost like satires of the original.
04:03The official goal is to protect young people,
04:06the main audience for cartoons,
04:08from vulgar,
04:09violent,
04:10and bloody content.
04:11This fits in with the government's general trend
04:13of regulating the media
04:15to instill a moral message
04:17in mass culture.
04:19Despite all this,
04:20anime fandom in China
04:22is massive.
04:23The country is home to millions of fans,
04:26the second largest audience
04:28in the world after Japan,
04:29who watch series on Chinese platforms
04:31or travel abroad.
04:33The star site is Billy Billy,
04:35a Chinese equivalent of YouTube
04:37born out of anime fandom.
04:39According to 2018 data,
04:41Billy Billy already had almost
04:42100 million registered users
04:44and around 76 million monthly active users,
04:48of which more than 80%
04:49were young people for Generation Z.
04:51This portal not only broadcasts licensed series,
04:55such as Jujutsu Kaisen,
04:57Naruto,
04:58Kimetsu no Yaiba,
04:59but also promotes the creation
05:01of fan-generated content,
05:03articles,
05:03fan art,
05:04AMVs,
05:05Dijinchis,
05:06generating a vibrant online community.
05:09Pop culture festivals and events
05:11are flourishing in cities.
05:13For example,
05:14Shanghai hosts the Joy Universe Festival,
05:16a large anime carnival
05:18with themed shops,
05:20collectible passports,
05:21and even official pop-ups
05:22for Japanese series.
05:24Jujutsu Kaisen and Blue Lock
05:26were invited.
05:27A single shopping mall
05:28was expected to receive
05:305 million visitors
05:31in the summer of 2024,
05:33demonstrating how lucrative
05:35the otaku universe is.
05:37Similarly,
05:38comic and anime conventions
05:39called ACG fairs
05:41are filled with costumed fans,
05:43Japanese merchandise,
05:45talks,
05:45and cosplay contests.
05:47On the industrial side,
05:48China even produces
05:49its own successful
05:51Donghua,
05:52Chinese anime.
05:53Njutsu,
05:54for example,
05:55sparked both national pride
05:56and rejection
05:57of Hollywood competitors.
05:59In short,
06:00in everyday Chinese reality,
06:02conservative policies
06:03coexist with a youth culture
06:05enthusiastic about
06:06Japanese anime.
06:08Social media reflects
06:09this contradiction.
06:11Platforms such as
06:11Weibo and Bilibili
06:13are buzzing with geek activity.
06:15Debates,
06:16memes,
06:16streamers,
06:17and otakus
06:18sharing opinions.
06:20In response to cases
06:21such as that of the
06:22Sujo cosplayer,
06:24messages emerged
06:25in both directions.
06:27Some internet users
06:27supported the police,
06:29recalling the brutalities
06:30of the Japanese occupation,
06:32and claimed that wearing
06:33a kimono there was
06:34offensive.
06:35However,
06:36many others condemned
06:37the arrest as absurd.
06:39By the same logic,
06:41would we be criminals
06:41if China went to war
06:43with the U.S.
06:43and we used iPhones?
06:45Asked one indignant user.
06:47Defenders of a young woman
06:48called for a halt
06:49to rampant
06:50ultra-nationalism,
06:51pointing out that
06:52in the past,
06:52it was normal
06:53to rent kimonas
06:54for photoshoots.
06:56In turn,
06:57influential commentators
06:58such as Huxi Jin,
07:00former editor
07:00of the Global Times tabloid,
07:02criticized the measure.
07:04He said that
07:04the woman's clothing
07:05was not illegal
07:06and that,
07:07under normal conditions,
07:09people should be able
07:09to dress freely
07:10even though he admitted
07:12certain sensitivities
07:13on historical dates.
07:15The Naruto issue
07:15was also debated
07:16on social media.
07:18Chinese internet users
07:19collected videos
07:20of cosplayers
07:21being attacked,
07:22with some condemning
07:23the attackers
07:24and others justifying them
07:26with patriotic arguments.
07:28In short,
07:29opinions on the Chinese internet
07:30are mixed.
07:31Humorous memes,
07:33fan lamentations,
07:34and nationalist rhetoric
07:35are mixed with criticism
07:36of censorship.
07:37The truth is that
07:38each new incident
07:39fuels this clash of visions.
07:42Anime as an artistic work
07:43for entertainment
07:44and self-expression,
07:46versus anime
07:47as a possible transmitter
07:48of foreign
07:49or dirty ideas.
07:52To conclude,
07:53it is important
07:53to put things
07:54into perspective.
07:55Not all of China
07:56hates anime.
07:58There is a very large
07:59and active segment
08:00of the population,
08:01especially young people,
08:03who openly enjoy
08:04Japanese animation.
08:06Many consume series
08:07on Chinese platforms,
08:09attend events,
08:10form fan clubs,
08:11and call themselves
08:12otakus.
08:13The state itself
08:14is aware of this.
08:16In fact,
08:16it sometimes promotes
08:17pop culture expos
08:19or festivals
08:20where Japanese anime
08:21is present,
08:22as we saw with
08:23the Joy Universe Festival.
08:24The confrontation arises
08:26when the official dynamic,
08:28traditional nationalism,
08:29and cultural censorship
08:30clashes with the everyday
08:32expressions of young people.
08:34The cases in the media
08:35are extreme.
08:37They're the tip
08:37of the iceberg
08:38that illustrates
08:39the conflict
08:40between the official
08:41patriotic discourse
08:42and a society
08:43that longs
08:44to freely consume
08:45foreign entertainment.
08:46In other words,
08:48many Chinese people
08:49do not detest anime.
08:51In fact,
08:51they embrace it passionately.
08:53But there is a hard core
08:54of historical
08:55and political sensibilities
08:57that,
08:58when stirred up,
08:59perceive anime
09:00as a reminder
09:02of a painful past.
09:03Ultimately,
09:04the reality
09:05is more complex
09:06than a simplistic phrase.
09:08While the government
09:09tightens cultural measures
09:10to protect youth,
09:12hundreds of millions
09:13of Chinese
09:13continue to devour anime
09:15in secret
09:16or in public,
09:17adapting to the rules
09:18of the game.
09:19The heroes of Dragon Ball
09:20and Naruto
09:21coexist between
09:22official censorship
09:23and ironic comments
09:25in Chinese videos.
09:27In the end,
09:28the question in the title
09:28is best answered
09:30with nuance.
09:31China has sectors
09:32with an ideological
09:33aversion to anime
09:34for historical
09:35and political reasons.
09:37But this coexists
09:38with a massive fandom
09:39that adores it.
09:40It cannot be said,
09:41then,
09:42that all of China
09:43hates anime.
09:44The phenomenon
09:45is a complex mosaic
09:46of culture,
09:48politics,
09:49and historical memory
09:50where many of the reactions
09:51are more expressions
09:52of patriotism
09:53than of intrinsic
09:54hatred of animation.
10:12of the universe.
10:13of the universe.
10:13of the universe.
10:14of the universe.
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