- 2 months ago
San Fernando Valley (1944)
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30¶¶
00:01:00¶¶
00:01:30¶¶
00:01:40I was quite a game, little gadabug,
00:01:43¶¶
00:01:44¶¶
00:01:45¶¶
00:01:47¶¶
00:01:49¶¶
00:01:50¶¶
00:01:51¶¶
00:01:52¶¶
00:01:53¶¶
00:01:54¶¶
00:01:55¶¶
00:02:05¶¶
00:02:09¶¶
00:02:14¶¶
00:02:17I'm selling my stamp collection with you, baby, my hobby is love.
00:02:25I used to spend my time up on a tennis court, but now I like my courting on a daven court.
00:02:37You've changed all my habits.
00:02:39I've even quit raising rabbits with you, baby, my hobby is love.
00:02:47I've stopped jitterbugging in favor of moonlight hugging with you, baby, my hobby is love.
00:03:06Give me that pipe, dog.
00:03:07Call him thieving dog.
00:03:09It's getting so a man can't.
00:03:13What in the name of Baltimore is all that singing about?
00:03:17My courting on a daven court, you've changed all my habits.
00:03:23I've even quit raising rabbits with you, baby, my hobby is love.
00:03:33Well, well, quite a pleasant little gathering.
00:03:36There's one thing I like about this country.
00:03:38The folks are never too busy to be sociable.
00:03:40You mean you aren't mad, Cyclone?
00:03:42Mad?
00:03:43Why should I be mad because my men sit around fiddling when they should be doing their work?
00:03:47Ha, ha, ha.
00:03:48Of course I'm not mad.
00:03:51I'm sore as a hoot-owl.
00:03:54When I get sore, I'm a human cyclone.
00:03:57Come on, wake up.
00:03:58What do you think I'm running here, a rest home?
00:03:59Well, why I ever come to this place is beyond me.
00:04:02For two cents, I'd chuck the whole thing and go back to Maryland, where a man can...
00:04:05Oh, crap!
00:04:06Oh, crap!
00:04:07Oh, crap!
00:04:08Oh, crap!
00:04:09Oh, crap!
00:04:10Now, what's the matter?
00:04:11The fence in the upper pasture is down and all the horses are out.
00:04:18They are?
00:04:19You hear that?
00:04:20If you men were on the job instead of the backs of your necks, you might find a few of these
00:04:24broken fences before the horses do.
00:04:26I'm sorry, men, but I think you'd better pack your bedrolls.
00:04:28You're not gonna fire them, are you, Dale?
00:04:29You leave me no choice, Betty Lou.
00:04:30Oh, gosh!
00:04:31We were just practicing for the days before the horse is due.
00:04:33I'm sorry, men, but I think you'd better pack your bedrolls.
00:04:35You're not gonna fire them, are you, Dale?
00:04:37You leave me no choice, Betty Lou.
00:04:39Oh, my gosh. We were just practicing for the Day of the 49th Celebration.
00:04:43It starts tomorrow, you know.
00:04:44If it isn't one excuse, it's another.
00:04:47Look, I've warned you men repeatedly not to let Betty Lou interfere with your work.
00:04:51Now, well, I guess you'd better look for other jobs.
00:04:54You're daggone tootin'.
00:04:58Oh, gee, I'm sorry, fellas.
00:05:02That didn't go for us, did it?
00:05:04Why not? You were loafing too, weren't you?
00:05:05But we were only waiting for them.
00:05:07From now on, you can wait for them on your own time.
00:05:10If you were 30 years younger, I'd pull out every hair in your head.
00:05:13When I was 30 years younger, my wife beat you to it.
00:05:17Come on, Dusty.
00:05:20Betty Lou, why can't you play with Oliver and stop interfering with the operations of this ranch?
00:05:24Oh, Oliver's too juvenile.
00:05:26I'm as old as you are.
00:05:28I wasn't speaking of age.
00:05:34Women sure are hard to understand.
00:05:38Where are you going?
00:05:40I think you'd better run long home, Oliver.
00:05:42I wish to be alone with my sorrow.
00:05:44What sorrow?
00:05:45You wouldn't understand.
00:05:47Understand what?
00:05:48How a girl feels when she loses six men.
00:05:51All at once.
00:05:59Gramps, we've got to do something about Betty Lou.
00:06:02Why, there ain't nothing to worry about, honey.
00:06:05All fillies go through that stage.
00:06:07But Betty Lou is not a filly.
00:06:09She's a very attractive and highly romantic girl.
00:06:12She might do something foolish.
00:06:15I think we'd better send her away to school.
00:06:17Not on your life.
00:06:19You two are all I've got left, and I ain't letting neither one of you leave me.
00:06:23I know how you feel, but she's...
00:06:27Wait a minute.
00:06:28There may be another solution.
00:06:31Get a crew of ranch hands who won't interest her.
00:06:33Why, they'd have to be so old and decrepit they wouldn't be able to sit on a horse.
00:06:38Not at all.
00:06:39That celebration at Pendleford will attract a lot of good riders.
00:06:44I'll go in tomorrow and see what I can pick out.
00:06:53Go home for the old 49ers.
00:07:00Go home for the old mine, dear.
00:07:03They travel the millions and forty-nine miles in a thousand eight hundred and forty-nine years.
00:07:09Gold miners and old 49ers, get out all your rigging and gear.
00:07:14There's no use in waiting, let's start celebrating one thousand eight hundred and forty-nine years.
00:07:20One thousand eight hundred and forty-nine years.
00:07:23One thousand eight hundred and forty-nine years.
00:07:24It took them to come all the way.
00:07:26They dug and discovered the gold they uncovered in old California.
00:07:31Go home for the old 49ers.
00:07:34Go home for the old pioneers.
00:07:37They travel a million and forty-nine miles in a thousand eight hundred and forty-nine years.
00:07:45I joined up with Carson and Senator.
00:07:48Why, I'm one of the old pioneers.
00:07:51Get bandits and shot them, but I finally got them in a thousand eight hundred and forty-nine years.
00:07:57One thousand eight hundred and forty-nine years.
00:08:00It took them to come all the way.
00:08:03They dug and discovered the gold they uncovered in old California.
00:08:08Go home for the old 49ers.
00:08:10Go home for the old pioneers.
00:08:12Go home for the old pioneers.
00:08:14They traveled a million and forty-nine miles in a thousand eight hundred and forty-nine years.
00:08:20One thousand ten and forty-nine years.
00:08:22One thousand four hundred and forty-nine years.
00:08:23One thousand a hundred and four thousand five.
00:08:24One thousand a hundred and fifty-nine years.
00:08:25One hundred and a thousand three milligrams in a thousand.
00:08:26Five reais.
00:08:27Please are proud outta that−
00:08:38лавious.
00:08:47Trigger, you're going back to the hitching rack.
00:08:49I'll see you later.
00:08:55Try it again, stranger.
00:08:56You can't miss all the time, and I pay a dollar for every bullseye.
00:09:00Nothing doing it.
00:09:02This is a rack.
00:09:03Those pea shellers don't shoot straight.
00:09:04They shoot where you point them, stranger.
00:09:06Yeah?
00:09:08Maybe you can hit the bullseye.
00:09:09Nothing to it.
00:09:10Okay.
00:09:11Then I'll bank the game, and you do the shooting.
00:09:13Only let's make it interesting.
00:09:14I'll pay you ten bucks for every bullseye, and you pay me a dollar a shot.
00:09:19That's fair enough, ain't it?
00:09:20Sure, that's all right.
00:09:44Now, stranger, if you just kind of step aside and give some money...
00:10:00Oh, but I'm not through yet.
00:10:02Keep loading.
00:10:02That's a hundred bucks you've taken me for.
00:10:17Tell you what I'll do.
00:10:19I'll match that pile, and an even bet you missed the next shot.
00:10:22Put down your money.
00:10:22I've only got eighty.
00:10:26Wait a minute.
00:10:28This nugget on my lucky piece.
00:10:29It's worth twenty bucks.
00:10:31That'll make it an even hundred.
00:10:33It's a bet.
00:10:35Rabbit's foot, don't fail me now.
00:10:48Here you are.
00:10:49One shot, winner take all.
00:10:51Uh, I think I'll use this one.
00:11:08Thanks.
00:11:08That's all, folks.
00:11:13Shooting gallery's closed.
00:11:15The stranger here shot me plum out of business.
00:11:18You know, I'm surprised at you, pulling that blank shell gag on you.
00:11:22A guy will try anything when he's desperate.
00:11:24Even on a pal?
00:11:26If you was a pal, you wouldn't have busted up my business.
00:11:28Busted it up?
00:11:29Now that's gratitude for you.
00:11:31If I hadn't have dealt myself in, your money would be riding in that other fellow's pocket that hour.
00:11:36Oh, one pocket's the same as another, as long as it ain't mine.
00:11:39Well, he wasn't going to give it back.
00:11:40You mean you're going to?
00:11:43When we get back to the ranch.
00:11:45Well, why not give it to me?
00:11:46After all the money you've lost trying to run a concession, you ought to get wise to yourself.
00:11:50I tried to, Roy.
00:11:51But it's in my blood.
00:11:52I guess I'm just the kind of a man at heart.
00:11:54You might have the heart for it, but you certainly haven't got the head.
00:11:58Hot dog, mister?
00:11:59No, thanks.
00:12:00Give me one.
00:12:01Sure enough.
00:12:01There you are.
00:12:06Uh-huh, thank you.
00:12:07Hot dog, they are delicious.
00:12:08The best in the world.
00:12:12Hey, there ain't no hot dog in this.
00:12:14That's another reason why we ought to head back to San Fernando Valley.
00:12:17Gather up your stuff and meet me at the liver stable in ten minutes.
00:12:21Hey, look out!
00:12:25Roy, are you hurt?
00:12:26No, I'm all right.
00:12:30Hey.
00:12:30Oh, my goodness, the poor man.
00:12:38He stepped right in front of me.
00:12:43Well, don't just stand there.
00:12:45Get some water.
00:12:46Get a doctor, quick.
00:12:47Reckon we'd better find out who he is first.
00:12:49He may not be worth saving.
00:12:50I'll take care of this till he comes to.
00:12:52No, you don't.
00:12:54Shame on you picking an unconscious man's pocket.
00:12:59Oh, oh.
00:13:00Ouch.
00:13:01The idea of pretending you're hurt.
00:13:05I thought it was a good idea.
00:13:06Well, I hope you got bumped hard enough to learn to look where you're going.
00:13:09Oh, but I'm afraid I've been bumped harder than you realize.
00:13:14May I have your name and address?
00:13:17You may not.
00:13:18But I have an internal injury I'd like to come around and talk to you about.
00:13:22You have a colossal nerve.
00:13:25Takes nerve in a competitive world.
00:13:27I'll bet I have a lot of competition.
00:13:30Unless you're married.
00:13:31No.
00:13:31Yes, I am.
00:13:34I'm married and I have five children.
00:13:36But I heard you the first time.
00:13:38Well, I'm not interested in what you heard, nor in standing here talking to you.
00:13:41And furthermore...
00:13:42You're under arrest.
00:13:43You're under arrest.
00:13:44But Thor!
00:13:44We're arguing in the street.
00:13:46That's, again, celebration rules.
00:13:47Well, I have some business to attend to.
00:13:51I guess that'll have to wait.
00:13:52Take us away, Sheriff.
00:13:53Come on.
00:13:54Uh-oh.
00:13:55Look who's next.
00:13:56Ha-ha-ha.
00:13:57Well, this is one time she won't fire us for playing.
00:14:06Why, men?
00:14:08You mean right in that?
00:14:10Sure.
00:14:12I won't do it.
00:14:13Then you'll have to run along behind.
00:14:17I certainly hope I run into you again sometime.
00:14:24Thanks.
00:14:25At 60 miles an hour.
00:14:27Sit up, King.
00:14:34How long do we have to stay in here?
00:14:37Till you boys do some chirping.
00:14:39Help them out, boys.
00:14:43Fun, isn't it?
00:14:43Oh, I'm packing my grill
00:14:47And I'm leaving today
00:14:50Can I depend on that?
00:14:51Cause I'm taking a trip
00:14:53California way
00:14:56I'm gonna settle down
00:14:59And never more roam
00:15:02And make the San Fernando Valley
00:15:06My home
00:15:07Oh, I don't want to sing
00:15:10Cause I'm not feeling gay
00:15:13Why?
00:15:15And where you're concerned
00:15:16Just be on your way
00:15:19I hope you settle down
00:15:23And never more roam
00:15:25I will
00:15:26And make the San Fernando Valley
00:15:29Your home
00:15:31Why, sure?
00:15:32You've been acting too smart
00:15:34Who, me?
00:15:34Then it's time that it ends
00:15:37All lady have a heart
00:15:39Huh
00:15:39Can't we just be friends?
00:15:43We cannot
00:15:43There's only one thing
00:15:46More that I have to say
00:15:49What's that?
00:15:50Go to the San Fernando Valley
00:15:53And stay
00:15:54I think that I'm safe
00:15:58In Staten
00:15:59Someone is waiting
00:16:02Where?
00:16:03And I've been away
00:16:04For so long
00:16:06Well then
00:16:08If someone is waiting
00:16:10Then why all this hesitating?
00:16:13Oh, I don't know
00:16:14Don't you think
00:16:15That you should move along?
00:16:19Well, I'm a-hitting the trail
00:16:20To the cow country
00:16:23And that's for you
00:16:24You can forward my mail
00:16:27Care of RFD
00:16:29And if you ever feel
00:16:33A longing to roam
00:16:35Yeah, I know
00:16:37The San Fernando Valley
00:16:40Is my home
00:16:41Well, now that wasn't so bad, was it?
00:16:51It would have been nicer
00:16:52If I could have picked my own company
00:16:54You can pick my company anytime, Sheriff
00:16:57Well, what do you know about that?
00:16:59I lost my keys
00:17:00Lost the keys?
00:17:01Yeah
00:17:01Sheriff, how careless of you
00:17:03One of my deputies has a duplicate
00:17:05I'll be back in a minute
00:17:06If I can find him
00:17:07Now, don't go away
00:17:09Very funny
00:17:11This is my lucky day
00:17:13That's more than I can say
00:17:14You mean you'd really like to get out of here?
00:17:17I certainly would
00:17:18Well, I'll tell you how you can do it
00:17:20By going to the street dance with me tonight
00:17:23How did you get those?
00:17:26I'm a pickpocket
00:17:27Well, unlock this
00:17:28How about the dance?
00:17:30All right
00:17:33You win
00:17:34That's the spirit
00:17:35I knew you could be nice
00:17:36If you wanted to be
00:17:37Say
00:17:38If you have a girlfriend
00:17:40Bring her along
00:17:41I have a pal with me
00:17:42Oh, uh
00:17:48Where will I meet you?
00:17:50Now, you're not that simple
00:17:52You didn't really think
00:17:52I'd keep that date, did you?
00:17:54Why, yes
00:17:54Let me out of here
00:17:58I'm not that simple
00:18:00Let me out of here
00:18:03Help, help, help
00:18:06How about that date?
00:18:09No, let me out of here
00:18:12No, let me out of here
00:18:21No, let me out of here
00:18:21If I were a minute
00:18:22How about the date?
00:18:24No, never
00:18:25Ah, come on, boy
00:18:28Oh, you
00:18:35I've got to even with you
00:18:38If it's the last thing I ever do
00:18:39You let me out of this, Kate
00:18:50Let me out of this, Kate
00:18:52Kate, right now
00:18:53Get it out of here
00:18:56Get it out of here
00:18:57Get it out of here
00:18:58Get it out of here
00:18:59Get it out of here
00:19:00Stop this
00:19:01Stop it
00:19:06Stop it
00:19:07Stop it
00:19:08I give up
00:19:09I'll keep the date
00:19:10Please
00:19:11Woo hoo
00:19:15Did I hear you right?
00:19:22I'll go to 20 street dances with you
00:19:24But please let me out of this cage
00:19:26Well, now, that's more likely
00:19:27Where will I meet you tonight?
00:19:48Well, I guess you'd better pick me up at the house
00:19:50It's the second house
00:19:52On the left-hand side
00:19:53As you come into town
00:19:54And there's a picket fence around it
00:19:56Well, that ought to be easy enough to find
00:19:58At 8 o'clock
00:19:59Mm-hmm
00:20:00I'll be ready for you
00:20:01Stick them up
00:20:10Stick them up
00:20:15Get up
00:20:44You'd try anything, wouldn't you?
00:20:49I had to, Roy
00:20:50I need a hundred bucks right away
00:20:52What for?
00:20:53I got a chance to buy a ball-throwing concession
00:20:55It's a great moneymaker
00:20:57Yeah, then why does the guy want to sell it?
00:20:59Because I talked him into it
00:21:00Well, go back and tell him that I talked you out of it
00:21:03Oh, I was only trying to break you
00:21:04Well, I asked for it
00:21:22All right, take it easy
00:21:29And hand over that money
00:21:30Now, look, Keno, this is getting enough
00:21:32Oh, you're not, Keno
00:21:34Come on, the dough
00:21:35I thought you were a friend of mine
00:21:38He just tried the same thing
00:21:39Come on
00:21:45Thank you
00:21:46Now let's see who you are.
00:22:16Come back here!
00:22:38Willie, give me that!
00:22:45Give me that pipe! Come back here!
00:22:49I'm gonna twist your tail, you!
00:22:52Twist whose tail, you peeping coyote?
00:23:06Ain't you got no better manners than to come busting into a lady's blue door without knocking?
00:23:11You lopsided old tuba!
00:23:15What in the name of Maryland's going on around here?
00:23:22Dale!
00:23:24Lopsided old cue ball, am I?
00:23:26What is it, Gramps?
00:23:27That's what I want to know. What's that bunkhouse doing full of females?
00:23:31That is your new crew.
00:23:32New crew?
00:23:34You mean to say you're trying to saddle me with a covey of women wranglers?
00:23:38Now, don't get excited.
00:23:39What am I running here, a horse ranch or a harem?
00:23:42I don't like them either, Gramps. What we need is men.
00:23:45You're darned tootin'. You keep out of this.
00:23:48Women wranglers. You're crazy.
00:23:51No, I'm not. They're the answer to our problem.
00:23:53Well, I don't like the answer. I'm gonna chase them out of there pronto.
00:24:00Oh, what's all the bellerith about?
00:24:03Who is this half-pint moth-eaten galoot, honey?
00:24:06I ain't half-pint, I ain't moth-eaten, and I ain't a galoot.
00:24:09I'm the owner of this ranch.
00:24:11Owner?
00:24:16My mistake. We're there, boss.
00:24:18I'm Hattie O'Toole, your foreman.
00:24:20No hard feelings, I hope.
00:24:21Go on, Gramps. Tell them.
00:24:24Don't rush me.
00:24:24Tell us what?
00:24:26Well, I just wanted to tell you to ride out and check the fences.
00:24:31No sooner said they didn't, boss.
00:24:33Girls, hit the ladder.
00:24:48Well, see you later, boss.
00:24:50I guess I'll go to town and get a beer.
00:25:08Maybe two beers.
00:25:09Better get a new cook, too, Gramps. Frypan, quit.
00:25:12Quit?
00:25:13Yeah, he didn't like all those women either.
00:25:16That does it. It ain't enough to have a ranch house full of women.
00:25:19Now I got to sit in the middle of them and starve to death.
00:25:26Go on, take it. Take the whole shebang.
00:25:32This is a fine employment service.
00:25:35A starving man comes in here to hire a cook, and you ain't got any.
00:25:38Well, when you get one, send him right out to the ranch.
00:25:43A hot dog, mister?
00:25:44No.
00:25:45I'm going to be a cook.
00:25:46I'm going to be a cook.
00:25:47I'm going to be a cook.
00:25:48I'm going to be a cook.
00:25:49You're going to be a cook.
00:25:51Hey.
00:25:53How many?
00:25:53Can you cook?
00:25:54What makes you think I can't?
00:25:55I didn't say you can't.
00:25:56I asked you if you could.
00:25:57It's the same thing.
00:25:58You got a lot of nerve doubting my ability.
00:26:00I don't doubt your ability.
00:26:01I'm just trying to get a cook for my ranch.
00:26:03Underhanded, huh?
00:26:04Trying to get me away from my boss.
00:26:06I ain't trying to get you away from anybody.
00:26:08Oh, so now you don't want me.
00:26:09That's a fine thing.
00:26:10You get me to quit my job, and then you double-cross me.
00:26:12Nobody's double-crossing you.
00:26:14You're crazy.
00:26:15That's right.
00:26:16Insult me.
00:26:16Insult me.
00:26:17Just because you're an employer, and I only belong to the working class.
00:26:19Wait a minute.
00:26:20If I've insulted you, I'm sorry.
00:26:22So now you're sorry.
00:26:23I can stand anything but pity.
00:26:25All right.
00:26:26Never mind.
00:26:27Never mind.
00:26:28Forget it.
00:26:29You bet I'll forget it.
00:26:30I didn't want your job in the first place.
00:26:32All right.
00:26:33Hot dogs?
00:26:34Hiya, fellas.
00:26:35Come on.
00:26:36How'd you like to get your jobs back?
00:26:41Are you kidding?
00:26:42On a level.
00:26:43How about that sister of yours?
00:26:45Yeah, ain't she so at us anymore?
00:26:46I'm sure getting homesick for the old place.
00:26:48Me too.
00:26:48And don't tell me that she's canned those girls already.
00:26:51We'll give her a chance, and she'll tell you about it.
00:26:53She hasn't canned the girls, and she doesn't exactly want you back yet.
00:26:56But I'm sure she will if you do what I tell you.
00:26:58Well, what's that?
00:26:59Steal some of Gramps' horses.
00:27:02Oh, no, no, no, no.
00:27:05Well, I didn't mean exactly steal them.
00:27:06Just hide them away somewhere.
00:27:08Then when the girls can't find them, and Gramps is going crazy,
00:27:11you fellas bring them in and say you took them away from some wrestlers.
00:27:14Then he'll be so pleased, he'll be glad to give you your jobs back.
00:27:17Well, if that ain't the darndest idea I ever heard of in my life.
00:27:20Yeah, and I don't want no part of it.
00:27:21I'm afraid not.
00:27:22I think the little lady's got something.
00:27:24I'm for it.
00:27:25Me too.
00:27:26We can't get in a jam with her in on it.
00:27:28That's right.
00:27:29When everything's okay, I'll let you fellas know it.
00:27:31It'll be a cinch.
00:27:32Come on, fellas, please.
00:27:34Well, I don't know, honey.
00:27:35Gee, that's swell.
00:27:37Oh, here comes Gramps.
00:27:39Gee, if he sees me talking to you, he's liable to get suspicious.
00:27:42You fellas play something, and I'll pretend I just came to sing.
00:27:44Right.
00:27:55I draddled a drit-drit.
00:27:57You draddled a what-what?
00:27:59I graddled a grot-grot.
00:28:00Say, what does that mean?
00:28:02He wiggled a friend, wiggled a tran, bitty-daddy.
00:28:06It could happen to you.
00:28:08I draddled a drit-drit.
00:28:10She's blowing her top-top.
00:28:12I graddled a grot-grot.
00:28:13See what I mean?
00:28:15He muggled a woo, huggled me too, bitty-daddy.
00:28:19It could happen to you.
00:28:22Now, what is a drit-drit?
00:28:23I had a hunch you'd be asking.
00:28:25And maybe your knuckle you'd rattle a lottle and don't even know what it means.
00:28:29It's simply noose language, meaning I got a guy and he's right on the beam.
00:28:35I draddled a drit-drit.
00:28:36Oh, she's dropping a hmm?
00:28:38I graddled a grot-grot.
00:28:39That's confusing, ain't it?
00:28:41He wiggled a friend, wiggled a tran, bitty-daddy.
00:28:45Just wait till it happens to you.
00:28:47Now, what is a drit-drit?
00:28:49I had a hunch you'd be asking.
00:28:51And maybe your knuckle you'd rattle a lottle and don't even know what it means.
00:28:55Must be a new language.
00:28:57It means I got a guy and he's strictly on the beam.
00:29:01I draddled a drit-drit.
00:29:02She draddled a peter, so I might decide.
00:29:04I graddled a grot-grot.
00:29:05There she goes again.
00:29:07He wiggled a friend, wiggled a tran, bitty-daddy.
00:29:11Just wait till it happens to you.
00:29:13Gramp, I'll bet you're mad at me.
00:29:24I'll bet I am, too.
00:29:28I can see the look on old Cyclone's face now.
00:29:31When those cowgirls fizzle out, we bring them cayuses in.
00:29:35Bring what cayuses in?
00:29:36Say, it's unnatural, ain't it?
00:29:42Looks like that rabbit's foot is going to be good luck for us.
00:29:45Hey, come back here.
00:29:47I'll let him go.
00:29:48He's only got the rabbit's foot.
00:29:50I've still got the nugget.
00:29:55Hey, that dog.
00:29:57It was in her car when she bumped you yesterday.
00:29:59It was?
00:30:00Sure.
00:30:01Here, boy.
00:30:01Here, here, boy.
00:30:03Let's see where you're from.
00:30:10Willie, Kenyon Ranch.
00:30:11Now we're getting someplace.
00:30:13Yeah, and when we find her, we'll find my money.
00:30:16Oh, quiet, will you?
00:30:17She had nothing to do with it.
00:30:18How do you know?
00:30:19Because she's not that kind.
00:30:21Okay, okay, I won't say another word.
00:30:23Only when some strange girl sends me to an empty house,
00:30:26and I get waylaid and lose all my pals' money,
00:30:28that I had no business taking in the first place.
00:30:31Not to mention his lucky piece.
00:30:33I'd say it was plain as cow tracks in the mud.
00:30:35Oh, all right.
00:30:36I guess we might as well follow up every angle.
00:30:38And she ain't a bad angle.
00:30:41Is she in town, Willie?
00:30:42Go find her.
00:30:42No, but thanks to Willie, she won't be hard to find.
00:30:48Hey, hey, Willie, come on.
00:30:59Hey, what have you got in your mouth, you little pack rat?
00:31:04A rabbit's foot.
00:31:06Well, thanks for the luck I've been having lately.
00:31:08I need it.
00:31:09Here, boy.
00:31:10Boy, some spread.
00:31:11Yeah, and it's all the evidence I need to see we're barking up the wrong tree.
00:31:15A girl like that...
00:31:28Addie!
00:31:33Addie, come on!
00:31:34Addie, come on, Addie!
00:31:36Whoa.
00:31:37Yeah!
00:31:37Come on, Addie!
00:31:40Come on!
00:31:40...
00:31:41Addie, come on, Addie!
00:31:43Come on, Eddie! Come on, Eddie! Come on, Eddie!
00:31:48Come on, Eddie! Come on, Eddie! Come on, Eddie!
00:31:51Come on, Eddie! Come on, Eddie!
00:31:54Did you say, A, girl?
00:31:58Who ever heard of female drivers?
00:32:06We'll show this bald-headed galoot how to run a race.
00:32:09Come on, that's our butt!
00:32:11Come on! Come on!
00:32:13Come on, Eddie! Come on!
00:32:15We'll show that pickle-puss boss of ours
00:32:17that we're just as clever as any man that he's got on this track.
00:32:21We can't let a female driver beat us!
00:32:23Come on! Come on, Eddie!
00:32:25Come on, Eddie!
00:32:27Here, Eddie, give us the皇i!
00:32:28Eddie! Come on, Eddie!
00:32:39Oh!
00:32:40That's a girl, that's a girl!
00:32:42Woaah!
00:32:45Rhett, you are a wonderful...
00:32:47You didn't beat me! The horse did!
00:32:53Hold him, Cyclone! Hold him!
00:33:17The gun's silent! Whoa!
00:33:19Open it!
00:33:25Hold on!
00:33:28Oh, I wish I was mad!
00:33:32Oh, I wish I was mad!
00:33:35Oh, I wish I was mad!
00:33:38Oh, I wish I was mad!
00:33:42Oh, I wish I was mad!
00:33:44Oh, I wish I was mad!
00:33:48Whoa, Benny!
00:34:05Are you all right?
00:34:06Of course I'm all right!
00:34:08I was born on one of these go-karts.
00:34:10Sort of look like you might die on one, too.
00:34:12Well, I wouldn't mind that, either, if I was sure there wasn't any women where I'd go.
00:34:17You're having woman trouble, too, huh?
00:34:19You're gonna say that again.
00:34:20If I didn't own this outfit, I wouldn't stay here any longer than the cook did.
00:34:25You boys just come out from town?
00:34:27Yes, sir. We're looking for...
00:34:28Well, you don't have to look any further. You're hired.
00:34:31You won't have to cook any different for the women than you would for the men.
00:34:35Cook for them?
00:34:36I'm sorry, but you got us wrong.
00:34:38Now, wait, wait a minute, wait a minute.
00:34:40Before you say no, I'll give you 25 a month more than I told the agency.
00:34:45Now, look, mister, you're making a mistake.
00:34:47Well, maybe so, but a man as hungry as I am can't be choosy.
00:34:52Well, what about it?
00:34:54We'll take the job.
00:34:59Good. Follow me.
00:35:09What's the idea?
00:35:10I thought we came here to check on that girl.
00:35:13Can you think of a better way to do it?
00:35:14Well, this is it. Nice-looking kitchen. Yeah.
00:35:28Hello, grandfather.
00:35:29Hello. Now, if there's anything you boys...
00:35:33Oh, this is my granddaughter, Betty Lou.
00:35:35This is Roy Rogers, the new cook, and his helper. Howdy.
00:35:39How do you do, Mr. Rogers?
00:35:42How do you do?
00:35:43This is her boyfriend, Oliver.
00:35:45Howdy.
00:35:46How are you?
00:35:47Grandfather, please.
00:35:49Oliver is not my boyfriend.
00:35:51He's merely the little boy who lives on the next ranch.
00:35:54Is that so?
00:35:55Well, just for that, you could wash your old dishes.
00:35:58You sure were right, Cyclone.
00:36:00Women, phooey.
00:36:04He's so juvenile.
00:36:06Well, you can pitch right in.
00:36:07You'll find everything here that you need and cook plenty of food.
00:36:10I'm as hungry as a she-bear.
00:36:12Come along, Betty Lou.
00:36:13See you at dinner, Mr. Rogers.
00:36:15Until then.
00:36:16Come on.
00:36:17Come on, Betty.
00:36:21What's the matter with her?
00:36:22Nothing she won't grow out of.
00:36:25Well, shall we get started?
00:36:27Don't count on me for no help.
00:36:28I don't know nothing about no fancy cooking.
00:36:30You can read, can't you?
00:36:31Sure, I can read.
00:36:32I think.
00:36:34Well, cooking, my boy, is merely the art of following the recipe.
00:36:37The Bride's Bible.
00:36:3810,000 tantalizing tasty treats.
00:36:41Now, let's see what we're gonna have.
00:36:43Meats, meats, meats, meats.
00:36:45Ah, paprika cream schnitzel.
00:36:47Sounds good.
00:36:48Never mind how it sounds.
00:36:49How's it gonna taste?
00:36:50Here, you pick something to go with it.
00:36:52Pop-overs.
00:36:53Pop-overs?
00:36:54Never heard of them.
00:36:55Well, they're biscuits that turn summer sauce.
00:36:57Now, there's your recipe, so get busy.
00:36:59Uh, veal steak.
00:37:00Flour.
00:37:01Bacon.
00:37:02Eggs.
00:37:03Sour cream.
00:37:04Soil.
00:37:05Tomato sauce.
00:37:06Milk.
00:37:07And, paprika.
00:37:08Sugar.
00:37:09And, chopped onions.
00:37:10Well, let's get them.
00:37:11Oh, no.
00:37:12Oh, no.
00:37:13Oh, no.
00:37:14Oh, no.
00:37:15Oh, no.
00:37:16Oh, no.
00:37:17Oh, no.
00:37:18Oh, no.
00:37:19Well, let's get them.
00:37:40Here's Yanks.
00:37:41Now to...
00:37:43What'd you do at the cookbook?
00:37:45I didn't take it.
00:37:46Well, it was right here.
00:37:48Well, that's funny.
00:37:51What are we gonna do?
00:37:53Go ahead without it.
00:37:55We've got the ingredients.
00:37:57Nothing to puttin' it together.
00:37:59There ain't?
00:38:00No, simple.
00:38:01Okay, but I feel more at home, Brandon.
00:38:05Can't.
00:38:18Good evening to you, stranger.
00:38:19I'm sure, Eli Brown.
00:38:20I'm a lookin' for the barman.
00:38:21I'm a lookin' for the barman that held us up in town.
00:38:24They robbed the bank this mornin'.
00:38:26No!
00:38:27And carried off the dough.
00:38:28So, pardon me, could you tell me which way?
00:38:29I'm a lookin' for the barman that held us up in town.
00:38:31No!
00:38:32And carried off the dough.
00:38:33So, pardon me, could you tell me which way did they go?
00:38:35Why, sure.
00:38:36They went that-a-way.
00:38:37They went that-a-way.
00:38:38I seen them with the money.
00:38:39And they went that-a-way.
00:38:40I'll just surround those critters.
00:38:41I'm a lookin' for the barman that held us up in town.
00:38:44I'm a lookin' for the barman that held us up in town.
00:38:49They robbed the bank this mornin'.
00:38:51No!
00:38:52And carried off the dough.
00:38:53So, pardon me, could you tell me which way did they go?
00:38:57Why, sure.
00:38:58They went that-a-way.
00:38:59They went that-a-way.
00:39:01I seen them with the money.
00:39:03And they went that-a-way.
00:39:06I'll just surround those critters.
00:39:09And with my .45.
00:39:11As sure a shootin' stranger.
00:39:13I'll fetch them dead or alive.
00:39:15I'm a headin' up the mountain to spot them down below.
00:39:19But in the meantime, mister, which way did they go?
00:39:23They went that-a-way.
00:39:25They went that-a-way.
00:39:27I hope that you can fetch them.
00:39:29And they went that-a-way.
00:39:31I'll hang them in the courtyard.
00:39:37The law will have its way.
00:39:39Then I'll be re-elected on next election day.
00:39:43You bet!
00:39:44Oh, if there is a shortcut.
00:39:45Please tell me if and you know.
00:39:47How many of them was there?
00:39:49Which way did they go?
00:39:51They went that-a-way.
00:39:53They went that-a-way.
00:39:54They went that-a-way.
00:39:55Rode off in all directions.
00:39:57And they went that-a-way.
00:40:10Don't smell bad.
00:40:11Not too bad.
00:40:12What was that?
00:40:17Well, I don't know.
00:40:34No wonder they call them pop-overs.
00:40:36Come and get it!
00:40:43Howdy, boss.
00:40:44How you feelin'?
00:40:45Can't you say anything without using your hands?
00:40:48Sure, but it doesn't carry as much weight.
00:40:54Good evening, everybody.
00:40:55Well, where have you been all day?
00:40:57At that auction.
00:40:58Oh, oh yeah.
00:41:07What in the name of Chesapeake are you made up for?
00:41:10One is supposed to dress for dinner, isn't one?
00:41:12Yes, I suppose one is.
00:41:14Especially when we have a new cook.
00:41:16Isn't that right, Graffs?
00:41:17Yep.
00:41:18Two of them.
00:41:19But I thought-
00:41:20I know, I know, but they're all I could get.
00:41:22Bring on that grub!
00:41:33Good evening, Mr. Rogers.
00:41:34Hello.
00:41:35Would you care for some paprika cream schnitzel?
00:41:36How about a pop-over, Toots?
00:41:38Kind of thin plates, ain't they?
00:41:39Uh, what did you call this, Mr. Rogers?
00:41:40Paprika cream schnitzel.
00:41:41It's a new experience for me.
00:41:42I hope it's a pleasant one.
00:41:43They're sure heavy.
00:41:44If that's so they'll sink down in the gravy.
00:41:45They're used to cooking for he- men, not softies.
00:41:49Uh, do you really think I'm feminine for us?
00:41:50Well, we're all at the starting gate.
00:41:51Let's go!
00:41:52Oh!
00:41:53Oh!
00:41:54Oh!
00:41:55Oh!
00:41:56Oh!
00:41:57Oh!
00:41:58Oh!
00:41:59Oh!
00:42:00Oh!
00:42:01Oh!
00:42:02Oh!
00:42:03Oh!
00:42:04Oh!
00:42:05Oh!
00:42:06Oh!
00:42:07Oh!
00:42:08Oh!
00:42:09Oh!
00:42:10Oh!
00:42:11Oh!
00:42:12Oh!
00:42:13Oh!
00:42:14Oh!
00:42:15Oh!
00:42:17Oh!
00:42:18Oh!
00:42:19Oh!
00:42:23Oh!
00:42:27Oh!
00:42:28Oh!
00:42:29Oh!
00:42:30Oh!
00:42:32Oh!
00:42:33Oh!
00:42:34Where'd they all going in such a hurry?
00:42:37so when you mistook us for cooks i took advantage of it because i thought miss kenyon just worked
00:42:57here how much you say you lost about four hundred dollars all told and my good luck piece a rabbit's
00:43:04foot with a nugget on a chain it was worth about twenty bucks i'm sorry my little joke turned out to be so
00:43:10unfunny i hope you find those men i'm afraid there isn't much of a chance well keno i guess we better
00:43:18head back for san fernando valley if you ever back our way again look us up i certainly will miss kenyon
00:43:34help help damn grams help but hello where are you
00:44:00help help sound as if it came from near the pool there she is
00:44:07what's the matter better than you what happened don't let them kill me don't let them kill me
00:44:16don't let who get you honey men what men well i was walking out here and i heard a noise and
00:44:22when i came to see what it was well two men grabbed me two men yes they tried to take me to their horses
00:44:28but i kicked and screamed and they got scared and rode away oh you poor kid what'd they look like
00:44:33oh i don't know they had their faces covered but i nearly tore the shirt off of one of them
00:44:38maybe there's a piece of it lying around here that'll help you find them we'll take a look
00:44:42there ain't no pieces of shirt around here watch this
00:44:50that's my rabbit's foot the nugget's gone
00:44:56they must have been the same two fellows who robbed me don't let them get me don't let them get
00:45:04me they'll come back i know they will if you don't mind miss kenyon i'd like to stick around a little
00:45:08while longer if those fellows do come back i want to be here why certainly but not as a cook
00:45:13oh mr rogers that's wonderful you don't know what it means to me to have you near
00:45:18come on let's go back to the house did i ever tell you how beautiful you are many times
00:45:24oh excuse me uh-huh hey is that dale up there with mr rogers yeah it looks like some
00:45:33i didn't know she rode to town with him what difference does it make makes a lot of difference
00:45:39oh so that's it that's why you wanted to ride out this way to hunt ground squirrels you figured
00:45:45on meeting them and riding back to the ranch with him don't be juvenile i'm not so juvenile i can't
00:45:49see you're stuck on them so what so i'm through playing second fiddle that's what no girl's going
00:45:55to waste 10 years of my life and get away with it come on
00:45:58help
00:46:08help
00:46:12help
00:46:17help
00:46:23help
00:46:25help
00:46:26help
00:46:27help
00:46:33help
00:46:36help
00:46:37help
00:46:38help
00:46:52help
00:46:53help
00:46:55help
00:46:56help
00:46:57I don't know what I'm going to do with you.
00:47:02Yeah, I don't know what I'm going to do with you either.
00:47:06How did you happen to be with Roy today?
00:47:08Well, I met him by accident as he was returning from town.
00:47:11Accident. What did you talk about?
00:47:14Now, wait a minute, young lady. You're the problem child around here, not me.
00:47:18And I want you to stop throwing yourself at Mr. Rogers.
00:47:21Oh, afraid of competition, huh?
00:47:24Competition.
00:47:26Yeah, there's no need to deny it.
00:47:28It's the age-old story. Two women and one man.
00:47:32For heaven's sake, Betty Lou, where do you get all this nonsense?
00:47:35I want you to forget it. Do you understand?
00:47:37And if I don't...
00:47:39There isn't any if about it.
00:47:41Oh, honey, don't you see? It isn't right.
00:47:44Roy's a grown man. You're just a little girl.
00:47:47You'll only make yourself look ridiculous.
00:47:49Not half as ridiculous as you'll look when Roy puts a ring on my finger.
00:47:53You wait and see.
00:47:56Mr. Rogers, I wonder if you'd do something for me.
00:48:00Just name it.
00:48:02Well, it concerns Betty Lou.
00:48:04I suppose you've noticed she's quite infatuated with you.
00:48:08She has been a little obvious.
00:48:10I tried to make her see how impossible the situation is, but...
00:48:14She's jumped to the conclusion that my objection is prompted by jealousy.
00:48:18She refuses to listen.
00:48:20Kids do get funny ideas, don't they?
00:48:22I want you to help me kill her interest in you by...
00:48:26By pretending you care for someone else.
00:48:28Like who, for instance?
00:48:30Well, one of the girls.
00:48:32How about Doris, the blonde?
00:48:34I don't like blondes.
00:48:36Well, and Helen. She's quite pretty.
00:48:38It wouldn't work. I haven't even spoken to her.
00:48:40Besides, Betty Lou would know it was a put up job.
00:48:42You're the only one for the part.
00:48:44Me?
00:48:45Sure.
00:48:46She already suspects you're being a rival. It's a natural.
00:48:49Perhaps you're right.
00:48:50Good.
00:48:51But, I'm sure you're right.
00:48:52You're the only one for the part.
00:48:53I'm sure you're right.
00:48:55Well, I'm sure you're right.
00:48:56I'm sure you're right.
00:48:57You're right.
00:48:58But, you're right.
00:48:59I don't like blondes.
00:49:00Well, and Helen.
00:49:01She's quite pretty.
00:49:02It wouldn't work.
00:49:03I haven't even spoken to her.
00:49:04Besides, Betty Lou would know it was a put up job.
00:49:06You're the only one for the part.
00:49:07Me?
00:49:08Sure.
00:49:09She already suspects you'd be an arrival.
00:49:10It's a natural.
00:49:11Perhaps you're right.
00:49:13Good.
00:49:14When do we start?
00:49:16Well, let's see.
00:49:18How about tonight, right after dinner?
00:49:21Would that be all right?
00:49:22That'll be perfect.
00:49:23I'm much more convincing in the moonlight.
00:49:26Thank you, Mr. Rogers.
00:49:29I do appreciate your help.
00:49:31This is a pretty serious matter to me.
00:49:33Oh, uh...
00:49:35I might suggest, just to help the deception, of course,
00:49:38that you drop the Mr. Rogers and just call me Roy.
00:49:41That's a very good suggestion.
00:49:43I'll do it, Mr. Rogers.
00:49:50Willie?
00:49:51I think we're going to like this.
00:49:58Okay.
00:49:59Now watch the nut closely.
00:50:01See?
00:50:02There it is.
00:50:03Now keep your eye on it.
00:50:05Okay, which one is it under?
00:50:18Doggone it, you've done it again.
00:50:20That same bucks I owe you.
00:50:24Jim!
00:50:26Well, I'll be a Baltimore Oriole.
00:50:28I never saw such luck.
00:50:29Luck?
00:50:30Look!
00:50:32Boss, you nearly killed me.
00:50:35Someday I'll finish the job, so help me.
00:50:39I thought Roy was out here.
00:50:40Oh, ain't seen him around, dear.
00:50:43Hello, Betty Lou.
00:50:44Oh, hello.
00:50:47Look what I brought you.
00:50:49Oh, for me?
00:50:50Uh-huh.
00:50:51But I thought you, um...
00:50:53Oh, well, that was this afternoon.
00:50:55The fella says a lot of things in the daytime he doesn't mean at night.
00:50:58Yeah.
00:50:59Says a lot of things at night he doesn't mean in the daytime, too.
00:51:05How could anyone be sweeter than you?
00:51:13You're the sweetest one that I ever knew.
00:51:22Why I adore you...
00:51:24...is easy to see.
00:51:26For more and more you mean everything to me.
00:51:28How could anyone have so much appeal?
00:51:32Is it any wonder you are my ideal?
00:51:33Really?
00:51:34Sincerely?
00:51:35You're too good to be.
00:51:37True.
00:51:38How could anyone have so much appeal?
00:51:40How could anyone have so much appeal?
00:51:44How could anyone have so much appeal?
00:51:45How could anyone have so much appeal?
00:51:47Is it any wonder you are my ideal?
00:51:50I wonder you are my ideal
00:51:54Really, sincerely
00:51:58You're too good to be true
00:52:03How could anyone be sweeter than you?
00:52:11Mmm, la-dee-la-da-do
00:52:20All my future dreams are wrapped up in you
00:52:28Why I adore you is easy to see
00:52:37Far more and more do you mean everything to me
00:52:46How could anyone have so much appeal?
00:52:54Is it any wonder you are my ideal?
00:53:02Really, sincerely
00:53:06You're too good to be true
00:53:11How could anyone be sweeter than you?
00:53:23Make it convincing now
00:53:29Don't worry, I will
00:53:31Dale, do you believe in love at first sight?
00:53:34I don't know, Roy
00:53:36I suppose it can't happen
00:53:38I know it can
00:53:39Because that's the way it's been with me
00:53:41Ever since the day you ran me down
00:53:43It was your own fault
00:53:44You stepped right in front of me
00:53:45Don't argue, make love
00:53:47When you knocked me for a loop
00:53:50We did it in more ways than one
00:53:58Looks like we put it over
00:54:00Yeah, I guess we did
00:54:02You're quite an actress
00:54:04But I wasn't acting
00:54:07Boy, oh boy, yippee
00:54:19Hello, Bob
00:54:20This is Betty Lou
00:54:22Are you fellas ready to swipe those horses?
00:54:26Yes
00:54:28Tomorrow night at 9 o'clock
00:54:30Goodbye
00:54:33What's going on here?
00:54:52Hello, Harry
00:54:54Hello, Harry
00:54:55Hello, Harry
00:54:56Hello
00:54:58What are you glutes up to?
00:55:00Can't you see we're up to our ears and romance
00:55:03Can't you see the look in our eyes?
00:55:05Oh, just a bunch of moon-struck wolves, eh?
00:55:08That's right
00:55:09And this is our night to howl
00:55:10What's all this racket about?
00:55:13Hello, Mr. Kenyon
00:55:14Well, we came down to serenade the gal
00:55:16I hope you don't mind
00:55:17Serenade the gal?
00:55:18Well, I guess I can stand it if they can
00:55:21Over the rainbow trail we'll ride
00:55:35After the day is done
00:55:40We'll find the golden rainbow's end
00:55:45We'll be the lucky ones
00:55:50There'll be millions of things
00:55:53A pony with wings to ride on
00:56:00There's a golden crusted saddle
00:56:03And a pair of diamond spurs to wear
00:56:08So hope you'll meet me there
00:56:12Down past the waterfall
00:56:15We'll ride
00:56:17Beyond the river's bend
00:56:22Across the rolling plain so wide
00:56:28We'll find the rainbow's end
00:56:32There's a castle so high
00:56:35It touches the sky
00:56:38And dreams that are made to come true
00:56:43For me and you
00:56:51Over the rainbow trail
00:56:57What's that?
00:57:10Somebody's stealing the horses
00:57:12We'll get them
00:57:22Come on, Kenyon
00:57:27Well, I guess that puts us out of the running
00:57:43And out of the walking too
00:57:49If there hadn't been so much fiddling going on
00:57:51We'd have hurt them rustlers and time to stop them
00:57:54Now, don't tell me they got away
00:57:57Well, they started shooting at us
00:57:58And we didn't have any guns
00:57:59Well, if that don't beat anything
00:58:01That ever happened in Maryland
00:58:03Stealing a bunch of horses
00:58:05Right out from under my nose
00:58:07Oh, I'd sure like to get a beat on them rustlers
00:58:11My trigger finger's just itching
00:58:18Now, who put shells in this shotgun?
00:58:24Just as I thought
00:58:29It was Betty Lou who tied her saddles last night
00:58:32It don't make sense
00:58:33A kid like her working with a bunch of horse thieves
00:58:36It is a little confusing
00:58:37But she knows who they are and so does Willie
00:58:39Willie?
00:58:40Yeah
00:58:41If they'd have been strangers
00:58:42He would have barked
00:58:43And there wasn't a peep out of him
00:58:44He was the same way the night they tried to kidnap her
00:58:46There's something phony about this, Kenyon
00:58:48Phony?
00:58:49But what about finding my rabbit's foot?
00:58:51That's a question I can't answer
00:58:54Yet
00:59:08Any luck?
00:59:09No
00:59:10Confounded
00:59:11They took to the rocky country where we couldn't track them
00:59:14I found some very interesting tracks over by the fence
00:59:17You did?
00:59:18Yeah
00:59:19I think they might lead to something
00:59:22I, uh, I think I'll go put some coffee on
00:59:25I'll make some sandwiches
00:59:27Did you find them, Mr. Kenyon?
00:59:28No, we didn't find them
00:59:29Well, that, that's too bad
00:59:30Maybe we could trail them
00:59:31You couldn't trail a tractor
00:59:32Why, Ken here is the best trailer in the state of Texas
00:59:33Yeah, but this ain't Texas
00:59:34You sound like you don't want them Cayuses back
00:59:36I don't, huh?
00:59:37I'll give 500 bucks to the party that finds them
00:59:38Would you give us our jobs back?
00:59:39No, I don't, huh?
00:59:40I'll give 500 bucks to the party that finds them
00:59:41Would you give us our jobs back?
00:59:43Yes, I, I'd even do that
00:59:44It's a deal
00:59:45Come on, boys
01:00:08Hey, um, wait a minute, boys
01:00:12We'd better stall around a bit.
01:00:14If we bring those horses in too fast, it might look suspicious.
01:00:16Hey, you might have something.
01:00:17I think that's a good idea.
01:00:19Hey!
01:00:20Hey, you fellas!
01:00:22It's Matt and Dusty.
01:00:31What happened?
01:00:32Bloody.
01:00:33We was taking it easy waiting for you fellas,
01:00:34and a couple guys sneaked up and got the drop on us.
01:00:38Then they hogtied us and loaded the horses and trucks
01:00:41and drove away.
01:00:42We never saw the guys before,
01:00:44but they sure worked like they knew their business.
01:00:46Well, I'll phone the office and have the highways covered.
01:00:48Well, of all the cockeyed, idiotic, harebrained schemes
01:00:51I ever heard, this one takes the blue ribbon.
01:00:54Do you know those horses are worth $15,000?
01:01:01You guitar-picking polecats tried to do us girls out of our jobs.
01:01:06Now, Hattie, it's nothing personal.
01:01:07It's just that women in this kind of work,
01:01:09it ain't ethical, that's all.
01:01:11Stealing horses ain't ethical either.
01:01:12And if I don't get them back, I'll put you men so far in jail,
01:01:15it'll take a week to get bread and water to you.
01:01:18But they're not to blame, Gramps.
01:01:19What do you mean, not to blame?
01:01:21I put them up to it.
01:01:23You?
01:01:24Betty Lou.
01:01:25And you calling me Jubinal?
01:01:27Well, I don't care.
01:01:29What we need is men on this ranch.
01:01:30I know what you need.
01:01:32Gramps, what are you going to do?
01:01:34I'm going to get at the seat of this trouble.
01:01:36I'll hold her for you, Cyclone.
01:01:37Well, I guess we ain't doing any good standing around here.
01:01:41Come on, Dusty.
01:01:43Well, we'll see you later, Dale.
01:02:06How'd you make out?
01:02:07We're in the clear.
01:02:08Did you get the money for him?
01:02:10Yeah.
01:02:11Here's your cut.
01:02:12Do you mind if we ride along with you?
01:02:29Well, it's a public road.
01:02:31A couple of good-looking horses you got there.
01:02:33Not as good-looking as the one you're riding.
01:02:35No, but they're good enough to steal
01:02:36if a fellow's doing a little rustling.
01:02:38Meaning what?
01:02:39Meaning I can't figure out why the fellows who jumped you
01:02:41and took Cyclone's horses didn't take yours.
01:02:43That's right.
01:02:44Reckon how he happened to slip up like that?
01:02:47I don't know.
01:02:48That's something you'll have to ask the rustlers.
01:02:50That's what I'm doing.
01:02:52You butted your nose into my business a couple times, Cowboy,
01:02:56and I'm getting tired of it.
01:02:57You ought to try a business you wouldn't be so touchy about.
01:03:00Okay.
01:03:01Think what you like.
01:03:02Our word's as good as yours.
01:03:03That's right.
01:03:04What I need is proof.
01:03:05Something like the money you receive for the job.
01:03:08And I've got a hunch it's right in your pocket.
01:03:15Get his gun, Keno.
01:03:16Get off your horses and turn your pockets inside out.
01:03:29Don't move.
01:03:33Drop those guns.
01:03:35Go!
01:03:38Now, let's go back.
01:03:39Do what?
01:03:40No one.
01:03:41Let he go back.
01:03:43Lead in
01:04:03Hey, where are you going?
01:04:16Where till I get my hands on you?
01:04:20Oh!
01:04:22Ow!
01:04:24Where till I get my hands on you?
01:04:33Take me for a boat ride, will you?
01:04:57Come on.
01:05:03Come on.
01:05:33Come on.
01:06:03Come on.
01:06:05Come on.
01:06:07Get back!
01:06:09Whoa, Trigger!
01:06:11Hey!
01:06:13All right, get up.
01:06:15Watch him, Trigger.
01:06:25Get up.
01:06:27This is what I'm looking for.
01:06:31There wasn't nothing on this guy, Roy.
01:06:33There's plenty on this one, including this.
01:06:35My nugget.
01:06:36Yeah.
01:06:37We really got a prize in this package.
01:06:39Come on, you two.
01:06:41Come on, you two.
01:06:43You can send your men and meet women in for your horses in the morning.
01:06:45They'll be there.
01:06:46On your way.
01:06:47Bob, I'd like to keep you and the boys here.
01:06:48And the girls, too.
01:06:49So would I.
01:06:50So would I.
01:06:51There's work enough for everybody.
01:06:52Now, just a minute.
01:06:53I said I'd like to.
01:06:54But I can't.
01:06:55On account of Betty Lou.
01:06:56Well, that's no problem.
01:06:57I know how you can keep the boys here, and Betty Lou won't pay any attention to.
01:07:00Now, just a minute.
01:07:01I said I'd like to, but I can't.
01:07:06On account of Betty Lou.
01:07:07Well, that's no problem.
01:07:08I know how you can keep the boys here, and Betty Lou won't pay any attention to.
01:07:13Well, that's the thing.
01:07:16You're listening to Betty Lou, and we're having a worry for our children.
01:07:19I want to keep them here.
01:07:20Not just so much.
01:07:21I wish your children with them.
01:07:23And I'd love to be here.
01:07:24Oh, and we're imitating a...
01:07:25Oh, I'm back to my grave
01:07:47And I'm here today
01:07:49Cause I'm taking a trip
01:07:52California away
01:07:54I'm gonna settle down
01:07:57And make the San Fernando Valley my home
01:08:03I think that I'm safe and stay
01:08:07You'll be there waiting
01:08:09When my lonely journey is done
01:08:13And kindly old Reverend Towers
01:08:16Make good his promise
01:08:18He has made the twelve of a one
01:08:22So I'm hittin' the trail
01:08:25To the cow country
01:08:27Beautiful time, male
01:08:29Care of RFD
01:08:31We're gonna settle down
01:08:34And never morone
01:08:36And make the San Fernando Valley
01:08:40And make your home
01:08:41And make your home
01:08:41It takes a period on that
01:08:45I believe you're going to be there
01:08:47And I know that number
01:08:47Maybe I agree
01:08:48I love you're going to be there
01:08:49And I love you
01:08:50And make it
01:08:51that I am happy
01:08:52I love you
01:08:53And do
01:08:54I love you
01:08:55I'm through with gin rummy
01:09:13At bridge I'm no longer dummy
01:09:16With you, baby, my hobby is love
01:09:20I used to go dancing
01:09:24And I never liked romancing
01:09:27But now, baby, my hobby is love
01:09:32I used to ride the rain
01:09:35And love the sun so bright
01:09:38Now all I do is watch the moon with you at night
01:09:43I've no great desire
01:09:46To set the world on fire with you
01:09:50Baby, my hobby is love
01:09:54I love you, baby, my hobby is love
01:09:59I love you, baby, my hobby is love
01:10:01I love you, baby, my hobby is love
01:10:03I love you, baby, my hobby is love
01:10:05I love you, baby, my hobby is love
01:10:07I love you, baby, my hobby is love
01:10:09I love you, baby, my hobby is love
01:10:11I love you, baby, my hobby is love
01:10:12I love you, baby, my hobby is love
01:10:13I love you, baby, my hobby is love
01:10:14I love you, baby, my hobby is love
01:10:16I love you, baby, my hobby is love
01:10:17THE END
01:10:47THE END
01:11:17THE END
01:11:47THE END
01:12:17THE END
01:12:47THE END
01:13:17THE END
01:13:19THE END
01:13:23THE END
01:13:25THE END
01:13:29THE END
01:13:31THE END
01:13:33THE END
01:13:35THE END
01:13:37THE END
01:13:39THE END
01:13:43THE END
01:13:45THE END
01:13:49THE END
01:13:51THE END
01:13:55THE END
01:14:01THE END
01:14:03THE END
01:14:05THE END
01:14:07THE END
01:14:11THE END
01:14:13THE END
01:14:15THE END
Comments