- 4 days ago
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Short filmTranscript
00:00Hello, Hi Sir. Thanks for coming.
00:03RRRR MUNDU, MAH RADESHAM PUBLICITY CHECTSTHU NANTHUKU, ROMBU ROMBAN NENDRY.
00:09The ANTHANYEM VOLVEDA THANNU.
00:12NEE TRANSFORMATION GURIN NG ZEPPU.
00:15SINIMA THAPPPA. SINIMA CAMERA THAPPPA.
00:18VEIRA E-CAMERA KANNAPPADINNA, DORANGA PAPARIPPOđDOUM.
00:22PROMOTION AUNTE BAY PADIPPOđDOUM.
00:24MIKE AUNTE IONTE IONKK EYEDO CHECTSAYEDOUM.
00:28Publicity AUNTE IONTE AUNTE BAYVON NEEKU.
00:30AUNTE SIGGUN NEEKU.
00:33AS CLOSE AS VAHUBAL LAKKUDA.
00:36PAKKAN RANA THAMANNAM MATRATUTTUTA MIDRU MATRATANNE NENY KURTUTA ONTAN
00:40AAPPRABAS NEEINCZI.
00:42MIKE KANAPADUTTEA VADAL KUNDA TAPPATLAPA MATRATUTTEA MATRATUTTEA MATRATTEA MATRATTEA MATRATTEA MATRATTEA DEADOM.
00:47PAKKANVOL SAMADHAN PRASNL KUDA VIVE SAMADHAN NANJEPPAYDOUM.
00:50ALEVEL KILPPAYO.
00:52AUNTE MOVAL KILPPAYO.
01:00MR.TOK.
01:03AUNTEителей, aye, KILPPAYO.
01:05MIMI nuekokGU, GPAURNKU.
01:08Ij**** KIVGUR BAYVonz opens up the book for the impression of the appropriation and pair of clothes.
01:14I was just staring at my religion.
01:17Discut the parents, I have just Алекс but its a good man.
01:20Of course
01:20It's okay. I think in part 2, everyone loves the art.
01:25We want to bomb in the press.
01:27Also, we do not have to buy it for a long time.
01:31But, you are not the best.
01:32But, in the business, you have to talk about it.
01:36You are in the business, you are in the business, you are in the business, you are in business, you are in business.
01:40So, you are in the business of the business, you are in business.
01:44So, now, there is a lot of business in India.
01:48They've been some years here.
01:50Suddenly, they have some advantage to their father.
01:54They said, when they were talking about your father again,
01:56he said, finally I talked about that.
01:58He's done that.
02:01So finally, you father got a father.
02:03The father got a father.
02:05He got the father.
02:07He got the father again in that house.
02:10Then, we're on the ground and against him.
02:12I can tell you that he's not.
02:14So, he's also known.
02:16That was a nature threatening.
02:17At the same time, it is not a domination.
02:20I mean, you don't know the astrology, the palmistry,
02:23you don't know the guru.
02:25You don't know the guru.
02:27You don't know the guru.
02:29That means, in a cinema,
02:31complete characterisation is one another.
02:36One another, you have a complete opposite characterisation.
02:38Trailer's, in a cinema, I am confident.
02:41Just my future.
02:44Even my future,
02:46there is a different aspect.
02:48You are confident.
02:51Contradiction too.
02:53So, the thing is, there is a reason.
02:56Flirt, whatever.
02:58Flirtationship in the film, there is a reason.
03:01One thing.
03:02And, yeah.
03:04Vikramadhyaya is like, he is the best.
03:15He is the Einstein of Palmistry.
03:18He is the Einstein of Palmistry.
03:20He is a genius.
03:21He is a genius.
03:22So, in his prediction or whatever he sees, in his work, his profession, he should be the master.
03:37So, in my personal opinion, the director also feels that.
03:41So, that's what he does.
03:43Okay.
03:44So, for the master, did you believe your own instincts?
03:48One is a chief of palmist.
03:49One is a professional palmist.
03:50One is a professional palmist.
03:51Do you need to do anything you want to do anything you want to do.
04:00research laga alaag edana chesa walaathe nii instinct naam innu velpa ya this is how I should.
04:05Mostly instinct, koantho waraku director kar chephe aru because he believes in palm history and all.
04:10I never before I always meet koda delusun you know,
04:14hard work nakde nam thandalli nakthelihidhu anna nevani but after probably happened in my life
04:19day this is more than hard work I felt like there are many great actors in the country and
04:27there are many opportunities but
04:30Bahubali is a, I think it happened because of destiny and a feeling.
04:35So first time in my life I started believing destiny, faith or time or whatever.
04:41I know it's stupid, it's not my fault. I don't know, I never believed satirajigarhu
04:47we have discussed about it but I just believe in hard work sir and so satirajigarhu was a question
04:52here Bahubali. So that was the first thing that was triggered. Something like destiny,
04:57fate, all these things happened other than god or less. So he said like okay you are a hero,
05:04why? Yes sir. So then from there why, why, why, why, why, why? Where is it going? Finally it is
05:11going to something else. That is first time I had a question from satirajigarhu,
05:16from satirajigarhu, something like these exist. So many years I had a question from satirajigarhu,
05:23I believe in only hard work nothing else. So then when Bahubali happened it released
05:28part one and part two I completely believed that this is like I think it's a design or
05:34pre-planned or I don't know, I don't know exactly but yeah.
05:37That is, I think one extension is there is hard work. That is what we have in the world. So
05:46when we do hard work, the result is better. Destiny or pre-designed or fate or luck or something,
05:57that is why we have no one definition. We have no one in the world.
06:03We have no one in the world. So we have no one in the world. So when people say believe in your hard work,
06:07your hard work and that is what we do. Yeah, yeah, yeah, yeah, yeah.
06:11Palmistry, Astrology, Sciences and the sciences, the debate can go on. Yeah, yeah.
06:21But if we have no one in the world, we have no one in the world, we have no one in the world.
06:27That is what we don't believe. Yeah, yeah, we both don't believe in that.
06:32Yeah.
06:33Are the science of that? Yeah.
06:35I will say, I don't know. Yeah, even I will say that.
06:38Because we also, my family, me family, my family, there are many incidents.
06:41Many incidents are going together. My friends are trying to get started.
06:51Some of them are doing something. Same with the same, and many people are doing something.
06:54So, Kangana is an interesting news. She's known that she was looking at recently.
06:59She rode some village town into Chochintan, and she lived there before. Nothing,
07:05I don't know anything about cinema or something like that.
07:07So, Kerala, all friends and other people,
07:09I don't know what to say.
07:14I don't know what to say.
07:16So, she went there and told me that I was a heroine author.
07:20I was a heroine author.
07:24So, I went to land instance.
07:26But, I don't know.
07:31I don't know.
07:34I don't know.
07:36I have to say,
07:37I can't think of a thing.
07:39That's what I will do.
07:40That's how you really think that's what it is.
07:46Don't you think you were talking about the same thing?
07:48I never thought about it.
07:51You knew you had to get less confused with it.
07:53You couldn't speak more about it.
07:55You never thought just the same.
07:57You didn't want to do anything.
07:59You can find this fate. You can find it. You can find it.
08:04That's okay.
08:06So, yeah.
08:08If you decide to make a person, you can find it. That's the problem, I think.
08:19In that aspect of the film, I have touched a lot.
08:25If I can understand, instinct is something different. Train scene.
08:34Yeah.
08:35I will tell you.
08:36I know, I know.
08:37I know, I know.
08:38But in the cinema, Adithya character,
08:41with knowledge, with knowledge,
08:44with knowledge,
08:47and IOTA,
08:50IOTA,
08:51IOTA,
08:52IOTA,
08:54If I can understand, in the train episode,
08:57he will run.
09:00Yeah.
09:01He will run.
09:03Yeah.
09:04To do whatever he needs to do.
09:06Yeah.
09:07There is drama.
09:09Yes.
09:10He will run.
09:11Yeah.
09:13Yeah.
09:14Yeah.
09:15Yeah.
09:16But, human nature take-over,
09:18I thought it was a lot.
09:19Yeah.
09:20Yeah.
09:21Yeah.
09:22I know the original cut.
09:23The original cut is a lot.
09:25So, it was a great scene. I was really thrilled with the way I designed it and did it.
09:37So, there is an interesting point in the day.
09:41I don't think any inspiration for me is Cairo.
09:46So, but in the day, Paramahamsigar, there is no information.
09:53He is a guru.
09:56That information, in the second half of the scene,
10:01he will tell like, maybe if I am wrong,
10:05he will tell a point in the film.
10:08So, he has a doubt about something which Paramahamsigar is.
10:13Paramahamsigar is a guru.
10:14He is the one who taught him what.
10:16So, he gives an idea maybe.
10:18I don't want to talk about that in the film.
10:20He gives the idea or already had an idea,
10:23I don't want to talk about it.
10:24But Paramahamsigar gives that.
10:26No, there is something else.
10:28Very strong storyline.
10:30Very emotionally moving storyline.
10:32Not just emotional.
10:33Not just emotional.
10:34Audience needs to talk about the line.
10:39Yeah.
10:40Yeah.
10:41And the next danger is what will happen.
10:42That is the line.
10:44Yeah.
10:45Yeah.
10:46But it can be made in a very small movie.
10:47But it can be made as big, as grand as.
10:50Yeah.
10:51Meera inspiration.
10:52Rather.
10:53Yeah.
10:54So,
10:55Where did it go?
10:57Do you want to talk about Radha?
10:58Do you want to talk about Radha?
10:59Do you want to talk about Radha?
11:00Yeah.
11:01Or do you want to talk about Radha?
11:02Yeah.
11:03Definitely.
11:04After Bahabali, the producers,
11:06The actresses,
11:07the artworks,
11:08The art,
11:09the camera,
11:10the dressings,
11:11everything
11:12became naturally big,
11:14But Radha said
11:16the last episode,
11:17it was really grand.
11:18And
11:20yeah.
11:21As you pointed that,
11:22On the other side of it,
11:23on the other side of it,
11:24on the other side of it
11:25So,
11:26so,
11:27and them
11:29never see grand
11:31or as grand.
11:33So, he said, Manoj Parmahamsagar, Art, whatever, and our producers, Mundir Edi, yes, yes.
11:40So, he didn't do it, but yes, Radha has the idea of grand and trains.
11:47The ship episode decided in JC Rent, he wanted to show it very grand.
11:55Talking about ship episode, there were many questions.
11:59Abba, Rajmoli, another one, Rajmoli.
12:04Okay.
12:06Designing, I have learned a lot, just a little bit of a grander.
12:11Yeah, yeah.
12:13When emotions are linked, I know a lot.
12:19I think Radha has become a lot of emotions.
12:23Emotions, yes.
12:25Yes.
12:29Yes.
12:30And extreme wide shots, medium shots, close shots.
12:34The amount of hard work that has been done.
12:38Yeah, a lot, a lot.
12:40And in the writing itself.
12:42Yes, yes, yes.
12:43Yes, I understand.
12:44The writing itself is very, very well done.
12:48I always tell, I mean, you're an inspiration.
12:52And I learned a lot from you.
12:54I tell all my directors, Sujit Ghani, Radha Ghani,
12:57and Rajmoli, and Rajmoli.
12:58I will tell Rajmoli as well.
13:01It's a highlight of the 100 men episode.
13:05But the emotion which he builds before.
13:07and
13:08and
13:09and
13:10and
13:11and
13:12and
13:13and
13:14and
13:15and
13:16so I always tell Rajmoli what he does because I have an experience.
13:19Bahubali
13:20it's
13:21it's
13:22the
13:23the grandest visual we have ever seen.
13:25We couldn't even imagine till then.
13:28But still we remember
13:29Aad Raja, Ead Raja.
13:31Sivu Ghamini, you know,
13:32the
13:33the
13:34the
13:35the
13:36the
13:37the
13:38the
13:39the
13:40the
13:41so the way he designs is more story
13:44than visual.
13:46We remember
13:47his story more than visual.
13:49And I always tell them what my experience with you.
13:52I learn from you only that.
13:54See it's not the visual.
13:55Visual is
13:56yeah
13:57good
13:58but the story behind is only
14:00the
14:01the
14:02the
14:03the
14:04the
14:05the
14:06the
14:07the
14:08the
14:09the
14:10the
14:11the
14:12the
14:13the
14:14the
14:15the
14:17the
14:18the
14:19the
14:20the
14:21the
14:22you're
14:24the
14:26the
14:27the
14:28observation skills are very good.
14:29yeah
14:30yeah
14:31because when I have a chance of working with you, I need to learn something
14:34something. And luckily I have four and a half years and I know you for almost 15 years.
14:40You used to explain to me about your films. You told me the whole story.
14:45So how much it will help me in my future. Magadhira, you showed me what is previous.
14:50First time I ever seen first shot of girl is falling off the cliff and Charan is giving hand.
14:56I don't remember exactly. So the first time I saw previous, I was like, oh, this is how the Hollywood people are made.
15:03You know, I explained whatever experience I had.
15:07I explained to you, I explained to Shiva, I explained to Sujit, I explained to Radha.
15:13Yeah, for me it is greatest. You being friend.
15:18Talking about emotions are the key to the films rather than the larger than life images.
15:25Of course, larger than life images enhance the emotions.
15:29After seeing so many things about Radha Shams in the trailers and the songs and everything, if you ask me what is one thing that
15:38that really strikes Radha Shams is the chemistry between the lead pair.
15:44Superb. That is very important.
15:46Usually commercial cinema, love track is not very intense.
15:54Yes, yes.
15:55And that could be a commercial aspect, after generate, next to the song.
16:01Not downplaying that part.
16:04But really intense, yes, these two people are in love.
16:09And commercial cinema, we will enjoy that.
16:12Yeah, yeah, yeah.
16:14In Radha Shams, that is there.
16:16Superb. It is very important.
16:18The intense love story between them.
16:21Intense or whatever, intense, that is a different angle.
16:25Yeah.
16:26These two people are in love with them, definitely.
16:28It is beautiful.
16:29Radha, sir, thank you so much.
16:30It is very important.
16:31I am waiting for the love story to see you.
16:33What is it?
16:34No, no.
16:35No, no, no.
16:35Even if you are interested in the love story,
16:37the love story is like action.
16:40Action is like action.
16:43Going on the love story, men, but we have action.
16:46We can call it an action thriller in a way.
16:48Some points, as you say, like the train interval or the climax.
16:55Yeah, but it is not easy to just tell Pravastir got you.
16:58Love story is like this, it is easy to tell you.
17:01I am not convinced you, Radha.
17:05I mean, say there is a lot of action in Radha.
17:08There is no fight, fight, fight.
17:10Fight for the fights sake.
17:13Yeah, yeah.
17:15Obviously, if someone says,
17:17Yeah, fight for the fights, they are not wrong.
17:19Yeah, they are not wrong.
17:20They are not wrong.
17:22So, how do you convince yourself?
17:24One point, the director is very strong,
17:28but UV, producers, auxiliary, there is a chance of fight.
17:32We can create a fight, any which way.
17:35No, no.
17:35Because Vikramayath is also, there is a chase,
17:39trick in the Jharata, so he has the action mode.
17:42No.
17:42And if you do it, he can do action.
17:46Yeah.
17:47If you do it, he can do it,
17:49but if you do it, he can do it,
17:50you can do it.
17:51And the love story is not wrong.
17:53So, you can see the first one.
17:54You can see the first one.
17:56You can see the first one.
17:58You can see the first one.
18:00You can see the first one.
18:02You can see the first one.
18:03You can see the first one.
18:04You can see the first one.
18:05You can see the first one.
18:06You can see the first one.
18:08You can see the first one.
18:09You can see the first one.
18:10You can see the first one.
18:11You can see the first one.
18:12You can see the first one.
18:13You can see the first one.
18:14You can see the first one.
18:16You can see the first one.
18:17You can see the first one.
18:18You can see the first one.
18:19You can see the first one.
18:20That's how I can see the first one.
18:21I came to see the first one.
18:22It varies in four years.
18:24You can see the first one.
18:25You can see it.
18:25Yes.
18:27You can see it, Raj Molli.
18:29But yeah, that was a little interesting part.
18:32Because the travelling,
18:33like we have like 10 years or 15 years or 18 years,
18:36I don't remember.
18:37So, the first one I came to see the first one.
18:40I'm a man.
18:41I'm a man.
18:41And then, my mother, I want to play a cinema in my life.
18:45I don't know how much I am.
18:48I don't know how much I am. I don't know how much I am.
18:51But I don't know how much I am.
18:53I don't know how much I am.
18:57So finally, you liked the guy behind the girl or girl behind the guy, whatever you liked.
19:03No, just the...
19:05Yeah, the eyes...
19:06Just eyes low, walk and knock.
19:09That was very simple.
19:10I don't know how much I am.
19:11I think you are developing.
19:14I have made a Sanchari song in the cinema.
19:19Super.
19:20Super.
19:21Again, in the Sanchari song, there are so many things that you did.
19:27In the Sanchari song, I have made a happy smile.
19:32Mine? I have?
19:33I have a very very happy smile.
19:37Okay.
19:38There is something else behind that smile.
19:41Yeah, it has a story.
19:42There is a story.
19:43There is a...
19:44Okay.
19:45Okay.
19:46There is sadness. How did you feel?
19:47I have made a smile and feel like I am not.
19:48I have made a smile and feel like I am not.
19:53I have made a sadness and accept, but I feel like I am happy.
19:58Everything.
19:59Yeah.
20:00Actually, I am ready.
20:01I have made a smile and feel like I have made a smile and feel like I am jumping out of the flight.
20:10Everything.
20:11Every shot of that song, happiness, I am happy.
20:17I am happy.
20:19Yeah.
20:20Yeah.
20:21Yeah.
20:22So, actually, I have made a smile and feel like I have made a smile and feel like I am not.
20:25I am happy.
20:26But, you know, maybe character...
20:31The character is a meaning.
20:34If I am happy, there is always a meaning.
20:38So, I am happy to be able to feel like I am not doing anything.
20:42But, yeah, one biggest director is saying that I feel it's superb.
20:47I feel very happy.
20:48Now, I like the song more.
20:49I think.
20:50So, that is it for me.
20:52Maybe, a flow in the subconscious already is the song.
20:57There is a lot of times.
20:59And, a flight in the flight, rather, I don't want to feel the montage.
21:02I feel like I am having a promotion.
21:04So, that is the most important thing I am happy to tell you.
21:08So, making videos.
21:09We started highlighting making videos from Bahuballi.
21:14Yeah.
21:15I had to make a video for Sahu making videos.
21:21The first time, I had a emotional feeling of Radisham making videos.
21:25I said, Covid stopped Radisham in Europe.
21:30I said, if Radisham was able to get an IP, I was able to get a few days ago.
21:36So, Radisham brought Europe to India and I was proud and emotional.
21:42My thoughts were fantastic. Very nice.
21:47A lot of people are saying, making videos was worse than that.
21:51The first time, I had a feeling.
21:54So, I had to make a video.
21:56Making videos are better and better and emotional.
22:00I felt very nice about it.
22:02There is confidence, there is creativity, there is emotion, everything.
22:07Radisham brought Europe to India.
22:10There is a lot of, and truth, truth to that.
22:14So, it felt very nice.
22:15Luckily, it was nice.
22:17At the correct time, everyone was making videos.
22:22And yeah, before the release, I was very happy.
22:27So, in the cinema, there was an interesting thing in Radisham.
22:32When we were shooting, we had a set up.
22:35We had 3-4 set ups.
22:37So, I think that there was a set up set up.
22:42So, we had a set up set up.
22:46And we had to make a set up.
22:47And we had to do it.
22:48So, we had to do it.
22:49So, we had to do it.
22:51And we had to do it.
22:52And we had to do it.
22:53So, we had to do it.
22:54But, it was an extraordinary, I think, it was rare.
23:01And we had to do it.
23:02So, we had to do it in two weeks.
23:06And we would show my cinema.
23:08With the friends, you're friends.
23:12But in one set, we had to do it.
23:17Yes.
23:18He was in the same way.
23:20It's a very beautiful thing happened for Radhesha.
23:25For both films.
23:27We don't have a lot of films.
23:30We don't have a lot of films.
23:32We don't have a lot of films.
23:33You know, you're correct.
23:35In one set, you have a lot of films.
23:37You're acting like Radha.
23:40So, it's a very nice feeling.
23:43So, now, you, Simhadiri, Magadheera, Ega, Bahabali,
23:50So, you have a lot of films.
23:54Creating a different world.
23:56And now, everybody are trying that.
23:59Now, you're doing a small film.
24:02Okay, okay.
24:03You have 3 or 4 films.
24:05You can tell a lot of lines.
24:07I want to do a small film.
24:09Mariyadam is a small film.
24:11But still, it is Rajmoli Mariyadam.
24:14Mariyadam.
24:15It is not Mariyadam.
24:16It is a small film.
24:17It is Rajmoli.
24:18When the Sunililanaga, I call it Da-Dang!
24:21It is, it is not a small film.
24:23So, you,
24:24So, you,
24:25That's how you do it personally.
24:27That's the same.
24:28That's how you do it.
24:30Tell me, darling.
24:31See, the way I work is,
24:34Obviously,
24:36Emotion is what,
24:38Yeah, yeah.
24:39What makes us,
24:41Do a film.
24:42Yeah.
24:43High emotional feel,
24:44That's how you do cinema.
24:46Cinema, it is not just one scene.
24:49Yeah.
24:50It has 50-60 scenes.
24:51Yeah.
24:5250-60 scenes,
24:53Each scene, maybe 10-20 shots.
24:55Yeah.
24:56My habit itself is,
24:59Pretty short bound.
25:00Yeah.
25:01Pretty short.
25:02Yeah.
25:03In short of it,
25:04It has a purpose.
25:05Yeah.
25:06So, it is perfect.
25:07Is it the best that we can do?
25:09Yeah, yeah.
25:10So, it is,
25:11It is,
25:12Best game,
25:13Yeah, yeah.
25:14But,
25:15We try to better it,
25:16Better, better, better, better,
25:17Better, better.
25:18Yeah.
25:19So,
25:20Yeah.
25:21So, my challenge,
25:22Mood Kotal,
25:23Cinema,
25:24Is not my challenge at all.
25:25Yeah, yeah.
25:26Okay,
25:27Channa cinema,
25:28Chai Galva is,
25:29Yeah, yeah.
25:30Is a challenge.
25:31Yeah, right.
25:32Channa theme.
25:33Yeah, yeah.
25:34But, channa theme,
25:35What is the best that I can do for it,
25:36I'll do.
25:37Yeah, yeah.
25:38Just like Radha Shams.
25:39Yeah.
25:40Talking about Radha Shams.
25:41Yeah, yeah.
25:42It can be done in a small, this thing,
25:43It can be done in a,
25:44Yeah.
25:45Grand scale.
25:46A grand scale,
25:47Even if you ask Radha.
25:48No.
25:49I can see that it's the,
25:50I can see that it's the most high emotion,
25:51I can see that it's the most strong,
25:52Yeah.
25:53And,
25:54Yeah.
25:55He wrote it's the last minute,
25:56Against,
25:57That kind of prediction against,
25:59I can see that it's the most strong,
26:01Yeah.
26:02That's the point that I can see that,
26:03Yes.
26:04So,
26:05And,
26:06Yeah.
26:07That,
26:08Yeah.
26:09Then,
26:10Yeah.
26:11It is a small man. I have an amazing man, such man, and I am a grown man.
26:16I made my guest appearance.
26:20If I was a small man, you were born in real life.
26:24I didn't realize it's a long time in the day.
26:27You didn't get away from that vision?
26:31I was just saying that, you're still a ship to take you.
26:35Ok.
26:37Come to the same example.
26:39We can kiss the woman the same thing.
26:45I am not sure.
26:47I know that I'll speak the same thing because I'm the atheist.
26:51You can walk the same thing, or you can read through the cinema.
26:53I can encourage you to do the cinema.
26:56I can convince them to do the same thing.
26:58So, I don't know how to make a show.
27:03You're not sure how to make a Disney Disney Disney movie.
27:05I said, if I was doing that cinema, I would like to be a hero.
27:09When I was working with Tarak and I was talking to him,
27:12I told him about Tarak.
27:14I said, I'm going to do Tarak next to Tarak.
27:17I said, I'm going to do it.
27:20Then I was working with Bobuli, Chetrabathi.
27:23Chetrabathi, I said, there's no line.
27:26I said, I'm going to do that.
27:29Then I was working with Bobuli, I told him about three.
27:33I said, I'm going to do that inspiration for the hero.
27:40So, I'm going to do that.
27:42So, if I'm going to do this, I'm going to do that.
27:46So, I'm going to do that.
27:51I was going to do a part in the summer.
27:55I'm going to do the cinema.
27:57I have a lot of fun in this day, Sanchari, Naguamata. I have a lot of fun.
28:06I have a lot of fun in this day. I have a lot of fun in this day.
28:11So, if I try to do this day, I will be able to do it.
28:19It will be a continuation of Sanchari.
28:22It will be the best of the two.
28:25I have a lot of Naguamata.
28:27I have a lot of fun in the last talk.
28:31My family has first day of the first show on a group.
28:36They have a lot of 40-40-40.
28:43Next Friday, the cinema release is coming in the group.
28:49Next cinema release is coming in the ticket.
28:52So, I have a lot of fun.
28:57So, usually the number is 25, 30, 31.
29:02So, there are 15, 10.
29:06So, maximum 30 to 33.
29:09On 5 days back, March 11, Radheshavan Bittment, 44 tickets.
29:13So, I have a lot of fun.
29:14So, I have a lot of fun.
29:18So, I have a lot of fun.
29:22Just an indication of how eager people are waiting for Radheshavan.
29:27Thanks.
29:28Thanks.
29:29Just very, very eager.
29:30I learnt the release of the event.
29:32I learnt the event.
29:33I learnt it.
29:34I learnt it.
29:35Of course, I have a lot of fun.
29:36But, everyone is coming in the 18th room is different.
29:42Yeah, with crowd.
29:44But, everyone is coming in the theatre.
29:46So, I am eagerly eagerly.
29:48I am eagerly eagerly.
29:49And, after COVID, I have missed the theatre in the theatre.
29:52I have missed the experience for 2-3 years.
29:54Very, very.
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