- 2 months ago
Catherine is a young British prostitute who decides to make money living in Paris
Category
🎥
Short filmTranscript
00:00:00Hello, may I see Mr. Surdwin? It's important.
00:00:10Ah, Mr. Marchand.
00:00:11Your shooting schedule.
00:00:14Would you tell Mr. Surdwin...
00:00:15Have you filled this up?
00:00:21Couldn't you just show these to him, please?
00:00:24Is you're out here yet?
00:00:26Not very likely.
00:00:27But he said that he'd help me.
00:00:30Well, then, follow me.
00:00:37Just ask anyone.
00:00:39Up ahead.
00:00:49More to the right.
00:00:51Keep turning.
00:00:53Come forward a little.
00:00:58Keep coming this way.
00:01:00Yeah, that's fine.
00:01:02All right, now.
00:01:03Try it higher.
00:01:05Get the skirt up higher.
00:01:07Do you know Mr. Surdwin?
00:01:09Well, yes, that's me.
00:01:10Oh, no, no, no.
00:01:11No, today it's me.
00:01:12Oh, no.
00:01:12Do you know where I might find him?
00:01:14I tried the problem.
00:01:15Up the street.
00:01:16Thanks.
00:01:17Excuse me, how does one make a phone call?
00:01:37Local call?
00:01:38I don't know.
00:01:39I don't know why.
00:01:40Is it in Paris or not?
00:01:42Why, yes, in Paris.
00:01:44That's 60 centimes.
00:01:46Yeah.
00:01:48Do you have one of those, um...
00:01:51Uh, a directory?
00:01:53Hello.
00:01:54Waiter.
00:01:55Do you have Surdwin's phone number?
00:01:57Sure, but he was just upstairs.
00:01:59He was?
00:02:00Did you tell him I was here?
00:02:02Yeah.
00:02:03Well?
00:02:04Well, he left.
00:02:06He didn't say anything?
00:02:07Oh, yeah.
00:02:08Well, what?
00:02:09You really want to know what?
00:02:13No.
00:02:23There's always a Salvation Army, I suppose.
00:02:26Oh, brother.
00:02:28When they house you?
00:02:28Yeah, sure.
00:02:30Don't you want to eat something before you sleep?
00:02:32Come on.
00:02:33It's on me.
00:02:36I'm not going to rape you.
00:02:40But what will I do with this thing?
00:02:42Here, give.
00:02:43I can always use it.
00:02:45Hey, hey, hey.
00:02:46Haven't you got anything else to wear?
00:02:49Why, yes.
00:02:56Hey, make it snappy.
00:02:57You saw me.
00:03:02There, aren't you?
00:03:18Sorry.
00:03:19There, I'm having a goin' in.
00:03:23Nice piece
00:03:33Have you always lived in a train station?
00:03:46Well, why not? It's practical
00:03:47Look, do you mind?
00:03:53Good evening
00:03:59Evening, Antoinette
00:03:59Hi
00:04:02Your wife is here
00:04:03What?
00:04:04Well, it's pouring on the Riviera
00:04:06Little bitch
00:04:06Oh, sorry, Catherine, William, I know you two will love each other
00:04:12A pleasure
00:04:12Come along
00:04:15Have you just arrived in Paris?
00:04:21Is it obvious?
00:04:22Yes
00:04:22Is it true that his wife is so terrible?
00:04:28Not at all
00:04:29She's quite charming
00:04:30And yours?
00:04:31Don't mind it
00:04:32So long ago
00:04:33I've forgotten
00:04:33Try not to change too quickly
00:04:40You wouldn't
00:04:52You wouldn't happen to have any milk instead
00:04:54No
00:04:56I want to know you all along with your name, ah, I'll stop you
00:05:05You wouldn't have to save you
00:05:05I don't know you
00:05:06I don't know you
00:05:37Good night, my dear.
00:05:43Good night. Thank you for coming.
00:06:03I'll be going now, sir.
00:06:05But you're welcome to sleep here.
00:06:07If you insist.
00:06:10Of course I insist.
00:06:14But don't forget, to sleep means to sleep.
00:06:16Oh, but that's what I meant when I said it.
00:06:20Sleep well.
00:06:20Nowadays, if you want to start a successful business, you incorporate yourself.
00:06:31No one can hurt a corporation.
00:06:33When business is good, everybody's a big shot.
00:06:35And when it's bad, they disappear.
00:06:37A corporation is you and me.
00:06:39And when you and me have problems, well, I don't know you, you don't know me.
00:06:43The company folds and everyone's rich, right?
00:06:48You're not sleeping, are you?
00:06:50Now, wait a second.
00:06:54Do British girls all behave like that?
00:06:56No.
00:06:58And are there many men around like me who'd leave you alone?
00:07:01Oh, no.
00:07:02I hope you know how lucky you are.
00:07:05Mm-hmm.
00:07:05The main thing is to remove all the organs intact.
00:07:12If you burst the gallbladder of the bird, you'll find the flesh is tainted.
00:07:15The bitter taste is unpalatable.
00:07:17Now, the twist of the wrist, you see?
00:07:21And everything is out in one piece.
00:07:24A simple operation.
00:07:25Why not you, then?
00:07:36Go ahead.
00:07:39Go on.
00:07:41Well?
00:07:43Oh, I'll never be able to do that.
00:07:55We'll collect a call from Manchester.
00:07:58In booth number one.
00:08:06Could you please try room again?
00:08:08Oh, one can always try.
00:08:11Hello, Mummy?
00:08:12Huh?
00:08:13I can't hear you.
00:08:15Did you enroll in the cordon bleu yet?
00:08:17Oh, yes.
00:08:18You'll be glad to know I'm having the most fabulous time.
00:08:21Wonderful, now.
00:08:22You keep up the good work, Catherine.
00:08:24It's amazing I'm at every once for French cooking.
00:08:26But you know I'm broke already.
00:08:28How'll I keep the wolf from the door?
00:08:36Prune sorting is a real art.
00:08:38It takes more than time to sort out prunes.
00:08:40You've got to be an expert.
00:08:42Not anyone can be a prune sorter.
00:08:44Oh, you bet.
00:08:48You're not asleep.
00:08:49Do you think very many guys would let you get away with that?
00:08:54No.
00:08:58Tell me, who else but me would be dumb enough to leave you alone?
00:09:01Nobody would.
00:09:02I appreciate it.
00:09:04Now, you damn well better be, too.
00:09:06Because you don't find anyone else like me.
00:09:10Who else but me do you suppose would accept this?
00:09:12Nobody.
00:09:12I know.
00:09:13Ah, jeez.
00:09:17And every time it's the same thing.
00:09:19Talk, talk, talk.
00:09:20I've been a problem, though.
00:09:21Oh, mine's no problem.
00:09:22You see, my guy's married.
00:09:23And since I live with my folks, I just wait for the thundering.
00:09:26It's over there.
00:09:27I know, but the ones that I keep running into can't leave me alone and they won't shut up.
00:09:30Well, then why would you sleep with them?
00:09:31That's just the trouble.
00:09:32They won't let me sleep.
00:09:33During the day, the workmen are usually here.
00:09:39Well, they'll have to be swept out a little.
00:09:41Oh, you know for me, this is really the Ritz.
00:09:44If you use the telephone, try not to overdo it.
00:09:47Oh, are you sure that it won't make trouble for anyone?
00:09:50Not until I've sold it.
00:09:51Besides, it's much better if there's someone around while the work's being done.
00:09:54The owner should appreciate that.
00:09:55Still, perhaps it'd be better to tell him.
00:09:57Oh, never mind.
00:09:59I'll handle that part of it.
00:10:01It's not very fancy, I know.
00:10:02No blankets either.
00:10:04Oh, as long as I'm alone, I can sleep in the refrigerator.
00:10:33I'll do it.
00:10:34Bye-bye.
00:10:35Bye-bye.
00:10:35Bye-bye.
00:10:36Bye-bye.
00:10:37Bye, Bye-bye.
00:11:09Room service.
00:11:22Well?
00:11:24It's all right.
00:11:33Is my bed all right?
00:11:35Are you the owner?
00:11:37Oh, golly.
00:11:38Let me explain it.
00:11:40No, no problem.
00:11:41I've explained.
00:11:41So.
00:11:43So?
00:11:44So.
00:11:45I came to have a look.
00:11:48Ah.
00:11:52Your hand.
00:11:53Give me your hand.
00:11:54Doesn't my hand go well with yours?
00:12:00Ah.
00:12:02Ah.
00:12:03Well, yes.
00:12:04Oh, you shouldn't have hesitated.
00:12:07Because they're matched so well, it takes your breath away.
00:12:15François.
00:12:16My name's François.
00:12:17Catherine.
00:12:19Catherine.
00:12:20That spoiled it.
00:12:26What's wrong?
00:12:27We'll never be a perfect couple.
00:12:30François, Catherine.
00:12:33It's just not harmonious.
00:12:34It sounds hollow.
00:12:35Ah, right.
00:12:37It sounds hollow.
00:12:38It's so hollow, but it's like a vacuum.
00:12:40I'll leave you Snoopy.
00:12:53He'll take care of you.
00:12:54Do you think he knows all the tricks?
00:12:56Oh, you can teach him, I'm sure.
00:13:02So long.
00:13:03Hello, information.
00:13:27Can you give me the number of a William Martin, please?
00:14:00Where'd you find that?
00:14:18I found her in the bathtub.
00:14:20I turned the water on, and out came a mermaid.
00:14:22But then she swam off.
00:14:24She just washed up on shore again, and now I'm wondering if I can get her to return.
00:14:29Good morning.
00:14:56How are you?
00:14:57I love you.
00:15:00Bye-bye.
00:15:26How much will that be?
00:15:30Nothing, miss.
00:15:31I'm the one that owes you.
00:15:32What?
00:15:32It's already paid.
00:15:33Well, keep the change.
00:15:34No, no, the tips include.
00:15:45A guy gave me money just now.
00:15:48Let me have his address.
00:15:49It was William who paid me.
00:15:51That's awful, isn't it?
00:15:53It depends on the amount.
00:15:54He gave 500 flights to the taxi driver
00:15:56and the change was 490.
00:15:59So what is the problem?
00:16:01Hungry?
00:16:01But I wouldn't think of accepting it.
00:16:05What do you get for his money?
00:16:08What do you think?
00:16:09Oh, I think it was rather nice.
00:16:12Oh, come on now.
00:16:13Do you mean that?
00:16:14When they're generous with their taxis,
00:16:15it's a good sign.
00:16:16Now, that's something we'll never agree about
00:16:18because with me, the reaction's automatic.
00:16:20It starts me cold.
00:16:21At any rate, it didn't leave any traces.
00:16:25I'm not so sure.
00:16:26Come on.
00:16:38Where to?
00:16:39You are going out with me.
00:16:41Ah, like that.
00:16:41After two weeks with nowhere to talk.
00:16:43No where to talk.
00:16:43Come on, let's go.
00:16:49Let's go.
00:16:50There.
00:16:59Hop in the back.
00:17:00Asmaid?
00:17:17Mariel?
00:17:18Baba?
00:17:19Baba?
00:17:23Catherine?
00:17:24Catherine?
00:17:24That past between us
00:17:40Rain that lightly falls
00:17:47Upon the green grass
00:17:54Really?
00:17:56Kissing your fiancé in public, what could be more kitsch?
00:18:01Oh, it seems like this one will never end.
00:18:03My dear, in our day, things were different.
00:18:24Oh, it seems like this one will never end.
00:18:33Think that you love me, love me, I want you.
00:18:39Oh, it seems like this one will never end.
00:18:44Oh, it seems like this one will never end.
00:18:49Oh, it seems like this one will never end.
00:19:24What do you think of the wizard generation?
00:19:26What?
00:19:27What do you think of the wizard generation?
00:19:29Don't ask me. I'm you here.
00:19:35Twelve hundred minus eleven eighty-five.
00:19:40Fifteen francs.
00:19:47Oh, miss, you're forgetting your pay slip.
00:19:54Welcome to the playground of the establishment.
00:19:57Hello, you.
00:19:59Ah, you bet we do. We've known each other for ages.
00:20:01Yeah, we went to different schools together way back when.
00:20:04Uh-oh.
00:20:05You know what?
00:20:06You're going to meet the best tango dancer on the Riviera in 1939.
00:20:11Dear delightful girl.
00:20:13My father, the Marquis de Puissade, Catherine.
00:20:18How'd you do?
00:20:20Oh.
00:20:21If you were only twenty years older.
00:20:26Have a good time.
00:20:28Don't mind him.
00:20:29That's his classic opening gambit.
00:20:31Oh, really?
00:20:32From champagne.
00:20:33Thanks.
00:20:38Oh.
00:20:43Oh.
00:20:44What are you doing here?
00:20:45Merv's offended.
00:20:46Hey, hurry it up.
00:20:47You don't want to be late.
00:20:48Late?
00:20:49Ski train to Switzerland.
00:20:51Leaves in an hour.
00:20:51Oh, no.
00:20:52Not before I've eaten.
00:20:57Do you want to come along?
00:20:58Very funny.
00:20:59I'm a working girl, you know.
00:21:01Here, Bernard.
00:21:01Thanks, baby doll.
00:21:07You want to come?
00:21:08Or not?
00:21:09Oh, I've got to work, too.
00:21:14Well.
00:21:16I'll schedule you for my return.
00:21:18Uh-huh.
00:21:20Are you having fun with Snoopy?
00:21:22I exhaust him.
00:21:23He's absolutely worn out.
00:21:27Coming?
00:21:28Oh, yeah.
00:21:28Hey, I thought Osmaine was coming with us.
00:21:32She is.
00:21:33I'm picking her up right now.
00:21:34Why didn't you invite Catherine?
00:21:40Why do you think?
00:21:42Ay, ay, ay.
00:21:42You said it, yep.
00:21:44What now?
00:21:45Right now, the beautiful Osmaine awaits me.
00:21:48The rich Osmaine.
00:21:49Screw you.
00:21:49Did they leave yet?
00:21:58Oh, yes.
00:22:01Hey, shall we eat?
00:22:02We'll eat.
00:22:07No, no, no, no, no.
00:22:10Don't eat a bite of that, do you hear?
00:22:12Give me ten minutes to rid myself of these tiresome antiques.
00:22:16And I'll have the pleasure of your company for dinner.
00:22:18Huh?
00:22:24Come in.
00:22:25I'm terribly sorry, but I have a date.
00:22:30At half past midnight?
00:22:31Yes.
00:22:32It's with an actor.
00:22:34No use trying to hide it.
00:22:35You can tell him how lucky he is.
00:22:37Too late.
00:22:38We're only meeting tonight to decide not to meet again.
00:22:41My dear girl, the most successful goodbyes are achieved without explanation.
00:22:45Stay here with us.
00:22:45No, I prefer my goodbyes with explanation.
00:22:48In that case, good night.
00:22:50Good night.
00:22:51Call me.
00:22:51Well, you have a drop of cognac?
00:22:55This one is almost a century old and it's bearing up well.
00:22:58That's a comforting thought for me.
00:22:59What would I know about it?
00:23:00Beautiful.
00:23:10Butter cherry.
00:23:14Renoir.
00:23:17Oh, Fragona.
00:23:19The tour is now completed.
00:23:24You realize, my child, that woman represents the total sum of true perfection in art.
00:23:30You may be considered both renaissance and acrylic.
00:23:34How's that again?
00:23:36I mean, it would give me enormous pleasure if you would consider posing for me.
00:23:40Posing?
00:23:41Posing, posing?
00:23:42Why, of course.
00:23:43Posing, posing.
00:23:45Ah, you mean you want to paint my portrait?
00:23:48Well, of course, the term is somewhat in disuse, but let's say an interpretation of your image.
00:23:56I can hardly wait to begin our collaboration.
00:23:59Do you have an apartment?
00:24:00No.
00:24:00We can remedy that.
00:24:02Find one you like and we can arrange it over the phone.
00:24:05It's that simple.
00:24:06No fooling.
00:24:07You mean it?
00:24:08It's there to the left.
00:24:22I have a feeling I'm going to like it.
00:24:24No two ways about it.
00:24:35I feel at home already.
00:24:36Oh, now that's enough daydreaming.
00:24:38Let's go.
00:24:39Oh, but it's a perfect setting for a Renoir or whatchamacallit or I can't even remember what you said.
00:24:46Did he say 6,000 francs per month?
00:24:48Oh, but for him that's nothing.
00:24:50I'm considered to be his work of art.
00:24:52Aunt Williams said that a work of art is considered to be the smartest investment.
00:24:57Well, then, in that case, the work of art.
00:24:59Let me have her signature.
00:25:01Ah, well, yes, I'll be glad to, but listen, about the check.
00:25:06Do you think you could wait just a week?
00:25:08I just don't understand it.
00:25:10What?
00:25:11Well, why is it that the sticks worth ten points are always harder to get than the ones worth one point?
00:25:16Oh, if I knew the answer to that, I'd be a whole lot richer today.
00:25:19Why's that?
00:25:20Last week I missed a stock deal.
00:25:22Thought it was too risky.
00:25:24It would have meant all I had.
00:25:26And the trouble was I got cold feet.
00:25:29That's right.
00:25:29You never risk anything, do you?
00:25:31Oh.
00:25:35Your turn.
00:25:36You see that?
00:25:37That one there?
00:25:39I'll get it.
00:25:40Careful.
00:25:41You'll lose everything.
00:25:42It's possible.
00:25:43But then nothing ventured.
00:25:46Nothing gained.
00:25:48Is that the way you make your decisions?
00:25:50Of course.
00:25:51What have I got to lose by it?
00:25:53I never saw my mother take a risk in her whole life.
00:25:57But now the years have caught up with her.
00:25:59I don't ever want to look at myself in the mirror and have to say,
00:26:03it's too late now, dum-dum.
00:26:07You missed the boat.
00:26:09You know what I mean?
00:26:10I don't know.
00:26:13You know it's possible to lose.
00:26:24It's not a crime.
00:26:26Talk about something else, huh?
00:26:28If you wish.
00:26:31Tell me how a corporation works.
00:26:33Oh, no you don't.
00:26:34When I explained it last time, you fell asleep on me.
00:26:36Come on, I'd like to know.
00:26:38Oh, all right.
00:26:39Money is all you need.
00:26:41Money?
00:26:42Money?
00:26:43Whose money?
00:26:43The stockholders.
00:26:47More than one?
00:26:48Naturally.
00:26:49Each one comes up with a little.
00:26:54Each one comes up with a little.
00:26:56Hey.
00:26:58You've begun more auspiciously.
00:27:01Allow me to express my thanks.
00:27:02And apropos of that, I believe I promised to assist you on a monthly basis for those.
00:27:08I loathe having to talk about such things, but here you are.
00:27:13No.
00:27:14Till next Monday, then.
00:27:15Until next Monday.
00:27:19You needn't bother to see me out.
00:27:21I already know the way.
00:27:22Mm-hmm.
00:27:26Bye-bye.
00:27:27Bye-bye.
00:27:27Is that all?
00:27:36Damn it.
00:27:45Do you want me to get a taxi for you again?
00:27:47Bye-bye.
00:27:51Why bother from now on?
00:27:54We can bypass the middlemen.
00:27:55I hope you haven't forgotten about me.
00:28:11Yes.
00:28:12Ah.
00:28:13So I cannot counter you, hmm?
00:28:15Oh, well, if you don't mind, I've got an old jeep for you.
00:28:18An old jeep?
00:28:19What can I get out of an old jeep?
00:28:21A bad workman blames his tool.
00:28:23What, what, what, what, what, what, what, what, what, what, what?
00:28:24Why, no, I wouldn't forget about you.
00:28:27I think I have just what you want.
00:28:28Ah, baby.
00:28:29I chose it personally for you.
00:28:31No fooling.
00:28:32Can we have a look?
00:28:33Uh, no.
00:28:34No?
00:28:35No.
00:28:35We have to prepare her to polish her so that she'll be especially beautiful for you.
00:28:40Well, when do I get her?
00:28:41Uh, she'll be ready at six o'clock at the corner of Avenue Yenna and Rue de Bassinot.
00:28:46But that's right where my office is.
00:28:48I know.
00:28:49Ah.
00:28:50That's pretty good, eh?
00:28:52Getting organized around here, hmm?
00:28:55And what's the make?
00:28:57Oh, she's English.
00:28:58Born in Coventry.
00:29:01Fantastico.
00:29:02Uh, I warn you one thing, though.
00:29:04You have a slight price increase.
00:29:06Oh, don't worry.
00:29:07It's of no importance.
00:29:09At your service.
00:29:10Ha, ha.
00:29:11Oh, my God.
00:29:41Where do we go?
00:29:47Wherever you want is up to you.
00:29:55Oh, la, la.
00:29:57Yeah?
00:29:59Yeah.
00:30:00Hey, that's not bad.
00:30:02No.
00:30:03Not bad at all.
00:30:05Si.
00:30:07Let's go.
00:30:09Va bé.
00:30:10Adiamo.
00:30:11What's wrong?
00:30:26Just that I got a wife and six children.
00:30:30Oh, really?
00:30:31Girls or boys?
00:30:33All girls.
00:30:34You don't mean it.
00:30:36Six girls.
00:30:36Well, that's wonderful.
00:30:39I mean, when I...
00:30:41I somehow feel so bad about it.
00:30:44A man who feels bad only because he's enjoyed himself?
00:30:46What a fool.
00:30:48Oh, easy for you to say.
00:30:50Not at all.
00:30:51It took me a long time to find that out.
00:30:54I'm a fool, I know.
00:30:56Yeah, sure.
00:30:57You're right, I know.
00:30:59We can still have fun together, hmm?
00:31:01Ah, no.
00:31:02We're just good pals.
00:31:04See you next Thursday?
00:31:06I'll be right there.
00:31:07Same place, same car.
00:31:09By the way, the race you mentioned, it was how much?
00:31:14Um...
00:31:15The smig, hmm?
00:31:16Will that do?
00:31:17The what?
00:31:18The smig.
00:31:19That's the maximum interprofessional weight scale.
00:31:24I can't get more?
00:31:25You won't get more.
00:31:27I promise you, next time we'll have spaghetti.
00:31:29Basta che c'è sto soo
00:31:32Cacero rimasto male
00:31:35Dami la cora a cora
00:31:37E la canzone che c'è la
00:31:40E la canzone che c'è la
00:31:40E la canzone che c'è la
00:31:42E la canzone che c'è la
00:31:45Ok, now we're going uphill, so we get into gear, and...
00:31:51Oh!
00:31:54Oh, I see.
00:31:55I was in reverse for the time.
00:31:56Not too fast.
00:32:03Not too fast.
00:32:04What's the good of being in a car if we're just going to creep along?
00:32:06Oh, they can't beat our car!
00:32:14It's against the law to honk the horn.
00:32:22I love it.
00:32:23I love it.
00:32:24Everybody's looking at us.
00:32:25I love driving.
00:32:27It's great fun.
00:32:29Oh, darn, my handbag.
00:32:30Oh, that's really nice.
00:32:32May I?
00:32:33Oh, that's really nice.
00:32:35May I?
00:32:36Oh, that's really nice.
00:33:07It's my turn now.
00:33:08It's my turn now.
00:33:09Go on.
00:33:40Well, thanks.
00:33:41Third floor.
00:33:42Third floor.
00:33:43Yes, I know.
00:33:47Oh, dear.
00:33:48Oh, dear.
00:33:49Bells, bells, bells, bells.
00:33:50Oh, dear.
00:33:51Bells, bells, bells.
00:33:56Oh, dear.
00:33:57Oh, dear.
00:33:58Bells, bells, bells.
00:34:00Oh, dear.
00:34:17Bells, bells, bells.
00:34:30Oh.
00:34:38Tell me, what's a company supposed to do when it's got a sort of deficit?
00:34:41Well, there are two possibilities.
00:34:43One is you go into bankruptcy.
00:34:44Oh, that I won't!
00:34:45Or else it manages to procure an expansion of its capitalization.
00:34:48An expansion of its capitalization?
00:34:50Yes, well, you either float a new stock issue or you go after a new market.
00:34:54Oh, of course, I must get some new stockholders.
00:34:56How silly not to have thought of that.
00:34:57Oh, but you're cheating. Cut it out.
00:34:59I'm not the one that's cheating. It's you.
00:35:00Oh, my Lord.
00:35:07Put you there.
00:35:10Tom.
00:35:11Thomas.
00:35:16And do you earn a regular salary?
00:35:18Uh, no, no, mine's very irregular.
00:35:20Goes up a lot.
00:35:22I'm forming my own company, you see.
00:35:26And would you prefer the checkbook in your name or the company's?
00:35:29Well, though, it's not important at all. The company's me.
00:35:32Who's there?
00:35:49Francois.
00:35:54Well, you still around?
00:35:56I'm still around.
00:35:57Aren't you going to kiss me?
00:35:58Too busy just now.
00:35:59Something cool.
00:36:01Five years.
00:36:01You're right.
00:36:02I'll do it.
00:36:02I'll do it.
00:36:03I'll do it.
00:36:04I'll do it.
00:36:04I'll do it.
00:36:05I'll do it.
00:36:05pretty classy stuff you've got here how'd you pay for all that it's the company that pays
00:36:19oh yeah what's that oh it's a tax gimmick i don't understand a thing about it well never mind
00:36:24what should we do well nothing just now i'm going out
00:36:30you want to get married oh i'd love to but not today i'm in a terrible hurry
00:36:36where are you going i'll give you a lift if you want don't bother i've got my own car
00:36:42ciao i'll schedule you for one day next week okay
00:37:00you had lunch yet no all right come and have lunch
00:37:08come on what's come over you look i have a feeling you've got a lot of things to tell me
00:37:15who is it room service
00:37:38i believe madam ordered a bottle of mineral water
00:37:44golly a week certainly went by quickly it's amazing how time flies
00:37:49go on in
00:37:52i'll be right with you
00:37:55what's the special occasion in honor of your promotion
00:38:24by what
00:38:26i hope your company's a great success
00:38:32you didn't chill the champagne
00:38:38don't you belittle my efforts i don't belittle yours
00:38:42are you quite sure
00:38:46well look you lived your life
00:38:50huh that's fine that's perfect
00:38:52did i do the right thing
00:38:54how should i know you're the only one who'd know about that
00:38:57that's right the only one
00:39:00then everything's fine
00:39:02apparently you decided to postpone your wedding
00:39:08apparently
00:39:10well
00:39:12what are you waiting for
00:39:14do the others make you scream that much
00:39:30what do they all affect you that way
00:39:36that's right you think you can't make a mistake
00:39:40oh but i certainly can you're proof of that
00:39:42sorry i'll leave you to your clients
00:39:45they're not my clients they're stockholders
00:39:47well you can call them what you will it doesn't change a damn thing
00:39:50but it changes everything don't you understand they're friends of mine don't you see
00:39:53how are they now
00:39:54well i'm good for you
00:39:55i would have slept with them sooner or later
00:39:57so if they give me money as well
00:39:58i don't think you'd get upset about it
00:40:01me
00:40:02then you poor idiot that's different
00:40:04do i hold it against you for wanting osmaine and all her money do i
00:40:08whatever you give to her it won't be something you've taken from me
00:40:11nor am i going to give my friends
00:40:13something i've stolen from you
00:40:15you keep off me and once a week you see me
00:40:20okay
00:40:21if you want saturday's hours
00:40:23but the rest of the week's yours
00:40:25i wouldn't even want you to be faithful
00:40:28i just want you to love me
00:40:30that's what you can expect from me
00:40:32i thought you might want to know
00:40:38don't worry about the law
00:40:39as long as you keep off the sidewalks
00:40:41they won't put you in jail
00:40:42they won't put you in jail
00:40:45they won't put you in jail
00:40:47they won't put you in jail
00:40:48they won't put you in jail
00:40:49they won't put you in jail
00:40:50they won't put you in jail
00:40:51they won't put you in jail
00:40:52they won't put you in jail
00:40:53they won't put you in jail
00:40:54they won't put you in jail
00:40:55they won't put you in jail
00:40:56they won't put you in jail
00:40:57they won't put you in jail
00:40:58they won't put you in jail
00:40:59they won't put you in jail
00:41:00they won't put you in jail
00:41:01they won't put you in jail
00:41:02they won't put you in jail
00:41:03they won't put you in jail
00:41:04they won't put you in jail
00:41:05they won't put you in jail
00:41:06they won't put you in jail
00:41:07they won't put you in jail
00:41:08they won't put you in jail
00:41:09Let me get off here.
00:41:17What?
00:41:18Look, I thought we were going to get off here.
00:41:34One more station and we come to the end of the line.
00:41:36Don't worry, I'm coming to the end of the line now.
00:41:39Don't worry, I'm coming to the end of the line.
00:42:09Don't worry, I'm coming to the end of the line.
00:42:10Don't worry, I'm coming to the end of the line.
00:42:11Why did you tell you that they love you?
00:42:12My parents do it by proxy then.
00:42:13Don't you see them much?
00:42:14I don't see them at all.
00:42:15They pay for everything.
00:42:16You must have some friends.
00:42:17No.
00:42:18You must have some friends.
00:42:19No.
00:42:20No.
00:42:21No.
00:42:22You must have some friends.
00:42:23No.
00:42:24You must have a girlfriend.
00:42:25No.
00:42:26Not me.
00:42:27I think girls are silly.
00:42:28Oh, I don't believe you.
00:42:29Oh, I don't believe you.
00:42:30Why did you close the blinds the other evening?
00:42:31Huh?
00:42:32Why do you want to know?
00:42:33Someone else.
00:42:34You spend all your time at the window.
00:42:35You don't love me.
00:42:36Oh, but I do.
00:42:37Every Tuesday.
00:42:38Won't you let me have two days a week?
00:42:39No.
00:42:40I can afford it.
00:42:41It's one of the rules.
00:42:42Never favour one stockholder at the expense of the others.
00:42:43Stockholder?
00:42:44Don't worry about it.
00:42:45Hello?
00:42:46Hello.
00:42:47Hello?
00:42:48Hello?
00:42:49Hello?
00:42:50Hello.
00:42:51Hello?
00:42:52Hello?
00:42:53Hello?
00:42:54Hello.
00:42:55Hello?
00:42:56Hello?
00:42:57Hello?
00:42:58Hello?
00:43:00Hello?
00:43:01Hello?
00:43:02Hello?
00:43:03Hello?
00:43:04Hello?
00:43:05Hello?
00:43:06Hello?
00:43:07Hello?
00:43:08Hello? Hello? Oh, damn.
00:43:27Tell me, do you have this sort of idea often?
00:43:30That I'm not alone. I've been helped by all my associates.
00:43:34Now, now, don't be modest. You've got imagination. I can see that.
00:43:39That's possible.
00:43:41I'll say.
00:43:46Oh, my dear young lady, I'm about to make you the greatest heroine in France today.
00:43:51Heroine? Me?
00:43:52Yes, and if I get you this contract in New York, you'll be a worldwide star.
00:43:57Huh?
00:43:59Now, you're going to write a book.
00:44:00But, but that's absurd. I can't write.
00:44:06But there's no question of your writing.
00:44:08Nowadays, no good author's supposed to write.
00:44:10Well, yes, but all the same.
00:44:11Of course, but no, no, no, no.
00:44:13Nowadays, the author is insufferable.
00:44:15All we do is to allow the reader to read him, huh?
00:44:18You understand? Have a moment. You get started.
00:44:21You want to enter me right now?
00:44:22No, you just talk about yourself.
00:44:24You have the microphone. Here's the button.
00:44:26You push it down, speak.
00:44:27You just say anything comes into your head, no matter what.
00:44:30If you're ready, go on, go on. Just talk.
00:44:34You could do that, can't you? Go ahead.
00:44:38Wait a minute.
00:44:41Oh, it's nice to be a celebrity and all that, but...
00:44:44Huh?
00:44:47How much?
00:44:48Oh, just something in advance.
00:44:50A hundred?
00:44:51I'm surprised at you.
00:44:54How about two?
00:44:55How about three?
00:45:08Now, come on. Four.
00:45:11Oh, all right. Five, then.
00:45:14Oh, by the way, generally I'm free on Fridays.
00:45:17Oh, wow.
00:45:25Thank you, love.
00:45:26Shall I have it wrapped up for you, miss?
00:45:28Huh? No. I'm going to wear it.
00:45:30Put Lucy Brown in the box.
00:45:31But there are no prices on this menu.
00:45:41How can I order the most expensive food, then?
00:45:45Well, you just choose all the things you prefer, like caviar or foie gras or lobster thermodeau.
00:45:51Any food on this menu will be a pure work of art.
00:45:54And shouldn't be eaten.
00:45:56Oh, well, you taste them a little, but only as a gesture.
00:45:59Or else you also have the choice of having an enormous appetite and devouring everything.
00:46:04In snobbism, there's one law.
00:46:07Do whatever you want.
00:46:07Oh, that's very easy.
00:46:09Oh, you can't imagine how much work is involved in being a snob.
00:46:13You have to know a little about all that one should know.
00:46:16But you must know it before everybody else.
00:46:18All that you should know?
00:46:19Well, yes, the plays that are on, the exhibitions, the books.
00:46:24But what if I don't like to read?
00:46:27Never fear. You won't have to.
00:46:29We can't expect you to waste your life turning pages.
00:46:31No, it might wear out your lovely eyes.
00:46:34Michel?
00:46:36Yes, sir?
00:46:37Bring us a book that won one of those literary prizes.
00:46:40Is there one you prefer, sir?
00:46:42Absolutely not.
00:46:43Right away, sir.
00:46:49Here you are, sir.
00:46:52Very good of you, my friend.
00:46:56Pay attention.
00:46:57This is most important, though.
00:46:59On one side, the author's life story.
00:47:02And on the other, is what the book's all about.
00:47:06Oh, the rest serves no purpose, but the author wouldn't be happy if they didn't print the whole thing.
00:47:10Francois.
00:47:11Hmm?
00:47:13Francois is here.
00:47:16Well, why don't you give him a smile?
00:47:18Not me.
00:47:20I'll smile at him for you.
00:47:22A little courtesy doesn't cost anything.
00:47:34I would have come over before, but you were having an intense conversation.
00:47:37Oh.
00:47:38How are you?
00:47:41Fine, and you?
00:47:44Oh, we've been discussing literature.
00:47:47I've read a sublime book.
00:47:50Ah.
00:47:51Ah, you recommend it, then.
00:47:54You have to love reading.
00:47:57What'd I do?
00:47:59For you.
00:48:02I'll read it right away.
00:48:05Sir.
00:48:05Well done.
00:48:12But I feel I ought to point out one thing.
00:48:15I am perfectly willing to give you a few lessons in snobbism.
00:48:18But be careful to what use you put it.
00:48:21Hmm?
00:48:22As it turned out, it was all over before the end of the second act.
00:48:49He asked me to sit on his lap, and he was really awfully nice, so, well, I did.
00:48:56And then...
00:48:59It's great, huh?
00:49:04Uh-oh.
00:49:19Well, what's the matter?
00:49:29There's something I've got to tell you, but I don't know where to begin.
00:49:32Oh, and the thing you're to say is disagreeable?
00:49:36Well, yes.
00:49:37Well, then say quickly.
00:49:39Your book will never be published.
00:49:41Oh, but I always knew that it was awful.
00:49:44That doesn't bother me at all.
00:49:44Oh, no, I didn't mean that.
00:49:45I meant that I've always known that it would never be published.
00:49:51Oh, but...
00:49:52But then why did you make me write it?
00:49:54For my personal pleasure.
00:49:58Your what?
00:49:59You won't understand.
00:50:01Well, I think I'm beginning to, but tell me anyway.
00:50:05Well, I wanted to live a dream, with the illusion of it not being a dream.
00:50:10Gosh, each to his own, but...
00:50:13You mad at me?
00:50:15Oh, well, yes.
00:50:15Are you really a publisher?
00:50:20Oh, sure.
00:50:22Medical books, that's all.
00:50:24I'm glad of that.
00:50:25I'll see you Friday.
00:50:27What?
00:50:28Well, sure.
00:50:29There's plenty of new material to write for volume two.
00:50:32That's not going to be published either.
00:50:37William!
00:50:38What?
00:50:40What on earth's the matter?
00:50:42Here.
00:50:43Read this.
00:50:45Sugar topping out at 3,000.
00:50:48Please advise.
00:50:50I sold it for you.
00:50:53I don't have any more sugar?
00:50:54No.
00:50:55Neither sugar nor coffee.
00:50:57Oh, that's awful.
00:50:58How am I going to live then?
00:51:02Invest.
00:51:03Invest with what?
00:51:04The 5,000 in options I placed.
00:51:06That sale earned you a big bundle from the sugar and coffee.
00:51:09You've got 100,000 now.
00:51:10100,000 dollars.
00:51:12Net?
00:51:13Net.
00:51:13And it's already in your account.
00:51:15Here.
00:51:30What's that?
00:51:31A commission for you.
00:51:34How about a small personal commission?
00:51:36A what?
00:51:37Well, the commission on the commission.
00:51:40What a crook.
00:51:41What a crook.
00:51:46What a crook.
00:51:47What a crook.
00:51:54The 4,000.
00:51:55This is going to be aé©š move.
00:51:56What a crook.
00:51:57What a crook.
00:51:58What a crook.
00:52:00What a crook.
00:52:01What a crook.
00:52:03Something omit.
00:52:04A crook.
00:52:04On, on.
00:52:05The 5,000 in.
00:52:08THE END
00:52:38Ah, I hope I'm not too terribly late
00:52:47You late? That's impossible
00:52:49No party could begin without you
00:52:51Perfect, my darling, perfect
00:52:54Oh, Osme, I was afraid you couldn't come
00:52:56So was I
00:52:57Well, hello
00:52:58Ah, Bernard
00:53:02Courage, my friends, Paris is looking at us
00:53:08You know, we two were idiots
00:53:20That's right
00:53:22But I'm home
00:53:24Yes, you are now
00:53:26They're all looking at you
00:53:34You're being an ostrich
00:53:46Yes
00:53:46I changed my mind, I didn't sell
00:53:51What didn't you sell?
00:53:54The old studio
00:53:55I'm gonna keep it
00:53:58Your lady friend was too much for you
00:54:02Not because of that
00:54:02I just preferred not to sell it
00:54:06But why?
00:54:08Don't ask me
00:54:09You liked it, didn't you?
00:54:13Oh, yes
00:54:14Sometimes
00:54:16Someone's looking at you
00:54:23You know I love that
00:54:26He loves
00:54:27I'll be back
00:54:38Thomas
00:54:42Thomas, Thomas
00:54:43I want you to do me a favor
00:54:45Just leave me alone
00:54:46Oh, come on, smile
00:54:47Just once
00:54:47Will you give me an exchange?
00:54:50A promise
00:54:51What's that?
00:54:53You'll see me tomorrow
00:54:54If you still want to
00:54:55Just a smile
00:54:57Oh, yes
00:54:58But I want it all evening
00:55:00A big smile
00:55:00Why shouldn't I want to see you again?
00:55:03I just thought you might
00:55:04All right, come on
00:55:05I've got something for you
00:55:25How sad can my life
00:55:50My dear Catherine, of course, you know González-Arzabó.
00:56:01Oh, yes. I try very often to decipher his articles,
00:56:05so I feel I've spent lots of time in his company.
00:56:08Isn't she exquisite?
00:56:09I've learned from the best.
00:56:11With your permission, I'd like to borrow our dear Marquis.
00:56:14The permission granted.
00:56:16Excuse me.
00:56:17Certainly.
00:56:20I'll leave the dream in your heart.
00:56:28That is about that.
00:56:36That's Friday.
00:56:40Monday.
00:56:42That is for you.
00:56:45For me?
00:56:46For me?
00:56:46Oh, but what's this for?
00:56:53And this also is for you.
00:56:55What's that?
00:56:58But it's an enormous sum.
00:57:01Oh, and it's not all that huge.
00:57:02It's the precise sum that you'd invested.
00:57:04But...
00:57:04I checked my books and I reimbursed you to the last penny.
00:57:07But my darling, you and I have never cared about that.
00:57:09Well, since we don't care about that.
00:57:12And you know, in any case, I couldn't accept it.
00:57:14Oh, but what could prevent you accepting from me what I've accepted from you?
00:57:17That's very true.
00:57:20But I hope you...
00:57:21You're not closing down, are you?
00:57:23Oh, I'm not, no.
00:57:25Just returning the capital.
00:57:26Excellent initiative.
00:57:29But...
00:57:29But then...
00:57:31Well, I've got some ideas to reorganize the business all around.
00:57:34Oh, I see.
00:57:35Yes.
00:57:36But what'll happen to your poor old stockholders?
00:57:41You're all dear to me.
00:57:42As friends, not only as stockholders.
00:57:44If I may be quite frank,
00:58:09I'm afraid I'm not fooled by the Child of the People Act your friend puts on.
00:58:13You are?
00:58:14The girl is too distinguished.
00:58:16I'm a good judge of blood, you know.
00:58:17The girl is too distinguished.
00:58:21As a misty breeze
00:58:35Upon the breeze
00:58:39That pass between us
00:58:44Rain that lightly forms
00:58:51Upon the breeze
00:58:56There are some sleds
00:59:04The clouds do not
00:59:09All pass right over
00:59:13Sunshine, nature calls
00:59:20Then we're in hope
00:59:24Watch the world go round
00:59:35Stop creating
00:59:40All right, who's that?
00:59:50A very old shareholder
00:59:51You mean that he is an ex-stockholder?
00:59:56Why not? Why do you say that?
00:59:58He was one of the first
00:59:59You mean you're going on?
01:00:04But I mean, why not?
01:00:11It really beats me
01:00:12It's simple, you know
01:00:15But why all these men?
01:00:18You've got enough money
01:00:19Oh, Luke, why bring it up again?
01:00:21I don't know what you want anymore
01:00:22You know
01:00:22But I'm free on Saturdays
01:00:24Why not come then?
01:00:26No, I'll marry you
01:00:28Oh, but why?
01:00:32Because on Saturday, Sunday, Monday, Wednesday
01:00:34And Thursday and Friday
01:00:35All of them, I want you
01:00:36Sure, I know what you meant by it
01:00:37But why?
01:00:39You really want a reason?
01:00:41Yes, give me one good reason
01:00:42Yes, give me one good reason
01:01:10Thank you
01:01:40It's all right.
01:02:06Excuse me.
01:02:10Give me a smile.
01:02:17What will I get in exchange?
01:02:20A dance.
01:02:21Okay with you?
01:02:23Yes, it's fine.
01:02:26Come on, lad.
01:02:40Come on, lad.
01:03:10Come on, lad.
01:03:40Come on, lad.
01:04:10Buy them?
01:04:10Buy them, of course.
01:04:12Listen, what should I do with these papers?
01:04:13Is it you who signs them?
01:04:15What is that?
01:04:16A lot of legal stuff, I don't know.
01:04:18Oh, well, you better ask William.
01:04:20I have to call him now anyway.
01:04:21Ever since we're business partners, I never see him anymore.
01:04:23Oh, yes, I got that in the mail this morning.
01:04:31Mr. and Mrs.
01:04:33Mr. and Mrs.
01:04:33and Mrs.
01:04:34are pleased to inform you of the marriage of their beloved daughter, Osmaine Marie, Friday,
01:04:41July 10th, to Mr.
01:04:42of François de Charmaison.
01:04:49Well, looks like that's it.
01:04:51Looks that way.
01:04:52Where are you going?
01:04:56Where are you going?
01:04:59THE END
01:05:29How isn't it right, Preeti?
01:05:47Shh!
01:05:50What are we waiting for?
01:05:52The mayor.
01:05:59What are we waiting for?
01:06:29What are we waiting for?
01:06:59What are we waiting for?
01:07:59Hold on a minute.
01:08:09Thanks for coming. Nice of you.
01:08:13Not at all. It was the least I could do.
01:08:16I hope you're doing well.
01:08:19Just fine.
01:08:22And you're not sorry?
01:08:25No.
01:08:27Are you sorry?
01:08:29No. No, I'm not.
01:08:36Well, my very best wishes for your success.
01:08:40I appreciate that.
01:08:45Oh.
01:08:47Saturday, you're free sometime?
01:08:50Sunday, I'm free too.
01:08:54Oh, Sunday, I'm not sure if I am.
01:08:57Okay.
01:08:59Friendly kiss?
01:09:01Oh, no.
01:09:03A handshake's better.
01:09:04I love you.
01:09:08I love you.
01:09:11I love you.
01:09:12I love you...
01:09:13I love you, too.
01:09:24You
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