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Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're that thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:00:59No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:17I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain think they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:39Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in ten years working as a stick.
00:02:05But at least you're guaranteed to be alive in ten years. In my world, you're not guaranteed to be alive in ten days, let alone ten minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then? Shit.
00:02:35Oh, I guess you didn't hear. The repo guy. He came and towed your car away. Ugh. Said it was, like, collateral for a loan.
00:02:53Of course, I made the call and arranged everything. My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kind of suits you. So, enjoy.
00:03:14Go to hell.
00:03:16Go to hell.
00:03:17Go to hell.
00:03:18Go to hell.
00:03:19Go to hell.
00:03:20Go to hell.
00:03:21Go to hell.
00:03:22Go to hell.
00:03:23Go to hell.
00:03:24Go to hell.
00:03:25Go to hell.
00:03:26Go to hell.
00:03:27Go to hell.
00:03:28Go to hell.
00:03:29Go to hell.
00:03:30Go to hell.
00:03:31Go to hell.
00:03:32Go to hell.
00:03:33Go to hell.
00:03:34Go to hell.
00:03:35Go to hell.
00:03:36Go to hell.
00:03:37Go to hell.
00:03:38Go to hell.
00:03:39Go to hell.
00:03:40Go to hell.
00:03:41Go to hell.
00:03:42Go to hell.
00:03:43Go to hell.
00:03:44Go to hell.
00:03:45Miss?
00:03:47Just go away, alright? I don't need your cheap sympathy right now.
00:03:52Miss, your friend's gone. I just want to offer my cab services.
00:03:59Yeah, I'm sorry. A cab is just what I need right now.
00:04:05Alright, great. Come on board.
00:04:15Sorry, I don't have any cash right now.
00:04:32Give me a minute. I'll go grab some from inside.
00:04:35Here. Just proof I'm not trying to escape out on the fair.
00:04:45You have some nerve coming back here.
00:04:51I never wanted my son to marry you in the first place.
00:04:54And now that he's finally come to his senses and kicked you to the curb,
00:04:58you think that you can just waltz right back into his house?
00:05:02His house? My father left me this house.
00:05:07And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:14I always knew you were a nasty little hussy.
00:05:23Who the hell are you?
00:05:25This is a personal matter, so you should really mind your own business and stay outside.
00:05:29Actually, this is my boyfriend.
00:05:33So if it's a personal matter for me, it's a personal matter for him.
00:05:37Okay.
00:05:39What? You think your son's the only one capable of having secrets?
00:05:44Hey, thanks again for today. I know that's a weird position to put you in.
00:06:04Sorry.
00:06:05It is really nice to know that there is still good people out there that would help a total stranger.
00:06:14Have a good night.
00:06:15Alright, you too.
00:06:35Where's my necklace?
00:06:59Here.
00:07:02Just proof I'm not trying to skip out on the fair.
00:07:32How does a fancy broad like you find yourself in a place like this?
00:07:35Who the hell are you?
00:07:37Get out now!
00:07:38All I'm trying to do is introduce myself and you'll treat me like some dog shit you found stuck to your shoes.
00:07:45I'm calling the police!
00:07:49How about I give you a better idea?
00:07:51You and I are going to have some good old fashioned fun tonight.
00:07:57If I ever see you around here again you're dead!
00:08:00Get out of here!
00:08:02Hey.
00:08:04I'm so glad you're here.
00:08:08Where did you get this necklace?
00:08:12My father gave that to me.
00:08:14You better not be lying to me.
00:08:16I'm not lying to me.
00:08:17He made that with his own hands.
00:08:19It has my name on the back.
00:08:21It's really you?
00:08:45It's really you?
00:08:59Hey.
00:09:02How you feeling?
00:09:06How did... how did you...
00:09:09You left your bag in my car.
00:09:11How did you know where to find me?
00:09:15I have my ways.
00:09:19Hey, listen. I know it's none of my business, but it's not safe for you here.
00:09:24With everything that's happened in the last 24 hours, this is...
00:09:28all I can afford.
00:09:32Listen, I have an extra room at my place. Maybe you can just come stay with me.
00:09:45Welcome home.
00:09:46I really feel like my luck's starting to change. I mean, you've literally rescued me over and over today.
00:09:55I know what it's like. I've been rescued before.
00:09:56Um, I'm sorry. I don't think I can make rent right away, but, um, you could sell this ring and then it should cover me for a few months, at least until I'm back home.
00:10:02I thought he was a really rich guy. Why did he choose such a small diamond?
00:10:05I'm sorry, I'm sorry. I'm sorry. I don't think I can make rent right away. But, um, you could sell this ring and then it should cover me for a few months, at least until I'm back on my feet.
00:10:08I thought he was a really rich guy. Why did he choose such a small diamond? It's not a very good cut, either.
00:10:14Okay. No.
00:10:16No.
00:10:17No.
00:10:18No.
00:10:19No.
00:10:20No.
00:10:21No.
00:10:22No.
00:10:23No.
00:10:24No.
00:10:25No.
00:10:26No.
00:10:27No.
00:10:28No.
00:10:29No.
00:10:30No.
00:10:31No.
00:10:32No.
00:10:33No.
00:10:34No.
00:10:35No.
00:10:36No.
00:10:37Okay.
00:10:38Never mind.
00:10:39I...
00:10:40can just...
00:10:41No.
00:10:42It's fine.
00:10:43I'm just saying.
00:10:44You deserve a better ring than this.
00:11:06No, babe, stop. It's late, okay?
00:11:17You're still thinking about her.
00:11:19Who, Tasha? Are you kidding me?
00:11:22Then why are you wearing the wedding ring?
00:11:25Did you forget what she and her father did to you?
00:11:26I will never forget what she and her father did to me.
00:11:30But that has nothing to do with you.
00:11:32So why don't you stop mouthing off about shit that you know nothing about
00:11:36and let me handle my own affairs.
00:12:06Mary?
00:12:15What?
00:12:19Hey, what's going on?
00:12:21My daughter's missing.
00:12:22What?
00:12:23Tasha, you shouldn't have barged in like this.
00:12:38If Carl finds out...
00:12:39No, I don't care about Carl right now, okay?
00:12:42Where's my daughter? Where's Anna?
00:12:43Yeah. I sent her away.
00:12:47No.
00:12:48You have no right.
00:12:50Actually, as Carl's new wife and Anna's legal guardian,
00:12:55I have all the rights to do whatever I want with my stepdaughter.
00:13:01What?
00:13:01We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:10You think you're getting custody?
00:13:13Stai sognando.
00:13:15On one hand, we have a mother drowning in death with no place to live.
00:13:22On the other hand, we have a wealthy and well-respected father
00:13:27who happens to be the CEO of the world-renowned pro-group.
00:13:32What do you think the court will side with?
00:13:34Oh, what's going on?
00:13:43Oh, Carl!
00:13:45Carl, it's okay.
00:13:47Tasha was understandably upset about the situation.
00:13:49You know, I don't blame her for what happened.
00:13:52You trespass on my property?
00:13:54Assault my wife in her own home?
00:13:56Tasha, I have put up with your outrageous behavior for years,
00:13:59but don't you dare subject Raina to that kind of abuse.
00:14:02You don't understand.
00:14:03Raina sent Anna away!
00:14:05She did what any good mother would.
00:14:07I want to know where my daughter is right now!
00:14:10New Zealand.
00:14:11Getting medical care from one of the best cardiology departments in the world.
00:14:16And remind me, what have you done for your daughter lately?
00:14:19Hmm?
00:14:20Abandon her?
00:14:21To go shack up with some cab driver boyfriend?
00:14:24You idiot!
00:14:25I found those cardiologists in New Zealand.
00:14:28Scheduling those appointments was the last thing I had Raina do
00:14:31when she was still my assistant!
00:14:32Tasha, Tasha, you disgust me.
00:14:35Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:40I'm going to make sure Anna stays far, far away from you
00:14:42so there's no possibility of her ever becoming anything like you.
00:14:46You backstabbing, homewrecking bitch!
00:14:58I advise you stay far away from my daughter and I.
00:15:03And by the way, the deed still lists me as the rightful owner to this house.
00:15:11So the two of you have no right to keep me from coming back here.
00:15:14Do you understand?
00:15:15Calm down.
00:15:16You can forge my signature, you can take my money, take my house,
00:15:21but you will never have a shred of the intelligence that I have.
00:15:25Tasha, you have made your point.
00:15:27I think it would be...
00:15:27You deserve that too!
00:15:30You should have told me about Anna a long time ago!
00:15:33Oh, don't stop at my account.
00:15:39Please, continue.
00:15:41Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:46And 20 millions of that is owned to me, personally.
00:15:50In fact, I'm going to call my lawyer and see to it
00:15:52that if you don't pay right away,
00:15:54you're never going to see your daughter ever again
00:15:57and you'll end up in debtor's prison.
00:16:01Ciao.
00:16:01Go ahead and check it out.
00:16:06But after your accountant, make sure this is all legit.
00:16:08I don't want you two jackasses hunting my girl for money ever again.
00:16:11Got it?
00:16:17Oh!
00:16:18And by the way,
00:16:20we're going to go ahead and take Anna in the future too.
00:16:22Don't worry, Carl.
00:16:24I'll be a better father to her than you ever can be.
00:16:27Tasha,
00:16:28you'll regret this.
00:16:31Thanks again, Kerr, today.
00:16:38For pretending to be my boyfriend.
00:16:41Was all that money real?
00:16:47As real as it comes.
00:16:48Why'd you get all that money?
00:16:50I robbed a couple jewelry stores for him to find you.
00:16:53Are you serious?
00:16:55No, I'm just joking.
00:16:59It was my dad's.
00:17:00Don't worry, it wasn't stolen or robbed or anything.
00:17:02But hey, listen.
00:17:03From now on, I want you to think of me as your creditor.
00:17:06Okay?
00:17:07I don't want you to worry about owing money to those scumbags.
00:17:10From now on, you'll just owe money to me.
00:17:12Do owe money to me.
00:17:13As long as you're okay with that.
00:17:16I could be okay with it.
00:17:18As long as you can satisfy one small request.
00:17:21What kind of request?
00:17:28My only request is that you just relax.
00:17:36Okay?
00:17:37Why don't you just take a load off.
00:17:39Why don't you start by telling me a story, you know, about the last time it was when you
00:17:44were happy.
00:17:58You know, I just...
00:18:00I never in a million years could imagine that Carl would betray me like this.
00:18:08I have nothing.
00:18:11Well, I mean, you always have me and, you know, other things.
00:18:21I can't hear you.
00:18:22You're whispering.
00:18:41You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:09That bitch.
00:19:11Honey, you know, you promised to put me in touch with the curator of the Fitz Gallery.
00:19:16I'm telling you, forget about the Fitz Gallery.
00:19:18Okay?
00:19:19The people who are running it are crooks.
00:19:21But I want my paintings to be showcased in the most prestigious venue possible.
00:19:26I know.
00:19:27I know.
00:19:28And I said I would help you find other galleries.
00:19:30Remember?
00:19:31Just stop nagging me about it.
00:19:33Okay?
00:19:34Okay.
00:19:36You're a little angel.
00:19:38It's okay.
00:19:39Just sleep in.
00:19:40It's okay.
00:19:41Just sleep in.
00:19:42It's okay.
00:19:43Just sleep in.
00:19:45It's okay.
00:19:46It's okay.
00:19:47Just sleep in.
00:19:52Well, it's certainly going to make things more complicated.
00:20:10So you want to pretend last night never happened?
00:20:15I thought we had a good thing going on between us.
00:20:21I mean, you've been going around the last couple of days telling everybody I was your
00:20:25boyfriend.
00:20:26Yeah, but that was just something I said to make my husband jealous.
00:20:31You mean your ex-husband?
00:20:34Yeah.
00:20:35Ex.
00:20:36Yeah.
00:20:37But I mean, you and I, you know I can't start a new relationship right now.
00:20:47So everything you said last night?
00:20:50We were just caught up in the heat of the moment.
00:20:53Heat of the moment.
00:20:55So it was all just bullshit.
00:20:58Why?
00:20:59To get me into bed with you?
00:21:01Just to have a one night stand?
00:21:04Because you miss being with your damn husband?
00:21:21So everything you said last night?
00:21:25Get older yourself.
00:21:26You just got divorced.
00:21:30You're not going to play mind games with men anymore.
00:21:35Hey.
00:21:36Hey.
00:21:37I wasn't sure what you liked, so I just made a little bit of everything.
00:21:45You made all this?
00:21:46Yeah.
00:21:47What do you think?
00:21:48It's delicious.
00:21:49I mean, you deserve to have some of your awesome breakfast too.
00:21:54Hey.
00:21:55You're not going to make me sit here and eat this alone, are you?
00:22:04You've got some sauce right here.
00:22:05All that for some sauce, huh?
00:22:11Are you kidding me?
00:22:12Hello?
00:22:13Mommy, I miss you so much.
00:22:14Anna.
00:22:15Mommy, I miss you so much.
00:22:16Anna?
00:22:17Mommy, I miss you so much.
00:22:18Anna?
00:22:19Mommy, I miss you so much.
00:22:20Anna?
00:22:21Mommy, I miss you so much.
00:22:22Anna, honey?
00:22:23What's going on?
00:22:24Anna?
00:22:25Okay.
00:22:26Well, both of your resumes look excellent.
00:22:35I have a question.
00:22:38Anna?
00:22:39Mommy, I made you so much.
00:22:40Anna, honey?
00:22:41What?
00:22:42What's going on?
00:22:43Anna?
00:22:44Okay.
00:22:45Both of your resumes look excellent.
00:22:50I have a question.
00:22:55If you spilled a glass of milk in the ocean, how would you get it back?
00:22:59What does that question have to do with our work?
00:23:02Well, I suppose you could contain the section of the ocean with the spilled milk, and then
00:23:11collect that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:18So, at our company, we are always trying to make the impossible possible.
00:23:23And for that, we need people who can think on their feet.
00:23:27Derive solutions, no matter how outlandish the task at hand may seem.
00:23:38Hello?
00:23:44Uh-huh.
00:23:46Okay.
00:23:47Congratulations, Ms. Michaels.
00:23:56Welcome to the Eastwood Corporation.
00:24:09If you don't mind me asking, why didn't I get the job?
00:24:14Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you
00:24:22start to look for work again.
00:24:26We don't want to make enemies with the Crow Group.
00:24:29So, I guess you didn't get it.
00:24:44I just don't understand why Carl hates me so much.
00:24:48I mean, he doesn't want me to work for his company, but he doesn't want me to work for any other company either.
00:24:54Look, you don't need that corporate job anyways.
00:24:56Yeah?
00:24:57What else can I do?
00:24:59I mean, I thought you were an artist, now a painter.
00:25:03How'd you know about that?
00:25:05You brought an easel.
00:25:10It's just a hobby.
00:25:12I gave it up.
00:25:14I don't paint anymore.
00:25:15Okay, well, if you don't love to paint anymore, then why were you an easel with you?
00:25:26I haven't painted in years.
00:25:28I'm sure it'll be just like riding a bike.
00:25:31Once you start, it'll all come back to you.
00:25:33That's my account. Why are they assigning it to someone else?
00:25:38Fine, fine. Just get me some damn answers and give me a call back soon, okay?
00:25:41Carl, this took me three months.
00:25:43I'm sorry, I just got some bad news at work.
00:25:45It's ruined now.
00:25:46Why?
00:25:47You have to start over.
00:25:49You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:25:52You're a remarkable woman, Tasha.
00:25:55Okay, and if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:01If you put your focus elsewhere, we could be rich enough to buy it.
00:26:05You have to buy it.
00:26:07You have to buy it.
00:26:08You have to buy it.
00:26:10You have to buy it.
00:26:12That's why you got to buy it.
00:26:14I mean, there's a lot of money.
00:26:16If you don't have to buy it.
00:26:17If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:22And then you could put whatever paintings you want in them, right?
00:26:26Painting's my passion.
00:26:29What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:38Because together, we'd be unstoppable.
00:26:42And right now, I am drowning.
00:26:44Hey, your dad and his partners have no faith in these.
00:26:50I need you.
00:26:53Look, you love me, don't you?
00:27:01Of course I do.
00:27:03Okay, that doesn't matter.
00:27:05Do this one thing for me.
00:27:07This one little thing.
00:27:08Please.
00:27:14You fly away with me, take you high, sorry, see your smile, it's my only dream.
00:27:31You're staring out into the sea.
00:27:36Finished.
00:27:38Yep.
00:27:43That is amazing.
00:27:46Thank you, I honestly never thought I'd paint again.
00:27:50Well, that would have been a shame.
00:27:51You're easily one of the most talented artists I've ever met.
00:27:54We're honored that you chose our gallery to showcase your work.
00:28:15I am curious about one thing, if you don't mind me asking.
00:28:20The subject in your paintings, your muse, is he your lover?
00:28:24Oh.
00:28:26No.
00:28:28He's just a friend of mine.
00:28:31But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:39Is Ken really in love with me?
00:28:46He's so young, though.
00:28:48At his age, he probably doesn't even know what love is.
00:28:52Oh, uh, sorry, you're in the way.
00:28:56Actually, you're in my way.
00:29:00Actually, you're in my way.
00:29:02I'm trying to get into my home.
00:29:05Is this your new girlfriend?
00:29:07I've never seen you with anyone like this before.
00:29:11Ken's my roommate.
00:29:12Now, if you'll please step aside so I can get in.
00:29:19Call me again if you need anything, okay?
00:29:21Bye.
00:29:25Hey, what are you doing home so early?
00:29:27Are they going to showcase your work?
00:29:29Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:35So, if you have something private to do, just do it in your room.
00:29:38I never said you need to tell me when you're coming or going.
00:29:40I'm just saying.
00:29:41Fine, you don't need to explain.
00:29:42Just, I just want to be alone.
00:29:49What?
00:29:50I'm so sorry, sir.
00:29:56She just barged in without permission.
00:29:58It's okay.
00:30:00Miss Roberts, please.
00:30:01Grab a seat.
00:30:03We signed a contract.
00:30:05Why can't you show my paintings now?
00:30:07I'm afraid I don't have the answers you're looking for.
00:30:09You want to know what happened?
00:30:10Ask Carl Crow.
00:30:11I want my paintings back, right now.
00:30:19Well, they're probably somewhere in the warehouse.
00:30:22They haven't been thrown away yet.
00:30:23You've already searched the entire warehouse ten times.
00:30:51If you haven't found what you're looking for, it's not here.
00:30:52You better hope I find what I'm looking for,
00:30:55or I'm going to make this entire gallery compensate me.
00:30:58And then I'm going to sue you, and you'll be the first to lose your job.
00:31:02Yeah, that's great, lady.
00:31:03Go ahead and sue.
00:31:04I'm sure things will go exactly the way you described it.
00:31:45You really care about her.
00:31:55Shh, keep your voice down.
00:31:57She's had a long day.
00:31:59Also, you can't just come over here so casually in the future.
00:32:03Casually?
00:32:04Are you kicking me out?
00:32:06You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:11You men are cold as hell.
00:32:13I think my lucky star is a lesbian.
00:32:14Look, I just can't have her finding out about the work that we do, okay?
00:32:18Are you serious about her?
00:32:22Yeah.
00:32:23Have you thought about the consequences if your dad finds out?
00:32:28Look, no.
00:32:29You and I have been best friends for over 20 years, okay?
00:32:32And my dad has taught me everything that I know.
00:32:35I think maybe it's time I just figure things out on my own.
00:32:37And you know exactly what I went through last time.
00:32:42I'm not gonna lose her again.
00:32:48Don't worry, Anna.
00:32:49Mommy's gonna find a way to bring you home soon.
00:32:51All the evidence is here.
00:33:00It's exactly what you thought.
00:33:03Let me know if you want me to find out more.
00:33:05Carl, let's meet.
00:33:21Oh, wow.
00:33:30It's not every day a famous painter comes to visit.
00:33:36To what do I owe the pleasure?
00:33:37The company I supposedly borrowed money from.
00:33:43It's a shell company owned by you.
00:33:47So what?
00:33:49All our operations are legal.
00:33:51You signed the documents.
00:33:52You borrowed the money.
00:33:54All you can do now is pay it back.
00:33:59You know, I don't think you actually want me to pay back the loans.
00:34:05But you were just looking for an excuse to have me back in your life.
00:34:11You're obsessed with me.
00:34:13This is just your sick way to dominate me and make me surrender to you.
00:34:17I'm just getting even.
00:34:20For the years I spent in your father's shadow.
00:34:23The years of belittlement and him treating me like a clown.
00:34:27My father hired you when no one else would.
00:34:30Not my fault that your insecure petty took his support as belittling.
00:34:40I wouldn't upset me if I were you.
00:34:43Remember, I'm your creditor now.
00:34:47Two months.
00:34:48That's all I can give you to pay me back the remainder of $180 million.
00:34:51What are you doing here?
00:35:03I was just in the neighborhood.
00:35:05Thought I'd give you a ride home.
00:35:09Hi.
00:35:11Hey.
00:35:13Who is this?
00:35:17This is Ken's roommate.
00:35:18We're going to be dropping them off before we head home.
00:35:23Yeah.
00:35:23Hey, listen.
00:35:24I didn't introduce you last time.
00:35:25But this is my best friend, Nell and her girlfriend, Maria.
00:35:33Nell and I have been nothing more than friends since we were kids.
00:35:36She's not into men.
00:35:37She never has been.
00:35:39And her and I are nothing more than just platonic friends.
00:35:42All right?
00:35:42I'm sorry.
00:35:45I jumped to conclusions the other day.
00:35:47It's okay.
00:35:49I just didn't want you to get the wrong idea.
00:35:54Look, I...
00:35:56I appreciate it.
00:35:58I really do.
00:35:59I just...
00:36:00I still think you and I are better off just as friends.
00:36:05Just...
00:36:06Why?
00:36:08Why?
00:36:08Why?
00:36:08Why?
00:36:12Maybe because I'm just getting over a failed marriage.
00:36:21Because I owe an unthinkable amount of money and I have no idea how I'm going to pay it back.
00:36:27I also have no idea how I'm going to get my daughter back.
00:36:32And getting into a relationship with you, that's just something I can't do right now.
00:36:37Love has brought me nothing but pain, okay?
00:36:40So just, please, just leave it.
00:36:43Do you have any other paintings?
00:37:06Do you have any other paintings?
00:37:06Yeah, I have several.
00:37:15What are you looking for?
00:37:18I would like to buy them all.
00:37:20I love your painting style.
00:37:22It is so unique.
00:37:23I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:27Thank you for your kind words about my paintings, but I've been in some trouble lately and it's
00:37:35probably best if I don't involve your gallery.
00:37:42None of this matters to me.
00:37:44If someone wishes to cause me trouble, well, just let me try.
00:37:48I mean, it has to be a mistake.
00:38:00Or a prank, or a cruel practical joke.
00:38:04I mean, it seems pretty authentic to me.
00:38:06It has their seal and your name and address are, like, clearly written on it, so...
00:38:11It looks authentic.
00:38:17But how would they have seen my paintings?
00:38:21I don't know, maybe one of those auction sites that you've been posting your work on?
00:38:24I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:30I own a large gallery and I would love to establish a long-term collaboration.
00:38:39It's him.
00:38:42It's him.
00:38:43The guy who's been on my paintings.
00:38:45He must be the owner of the Fitz Gallery.
00:38:48Well, in that case, we better get going.
00:38:50Where?
00:38:51Gotta go get you a dress.
00:38:53Can't have you showing up to the Fitz Gala in rags.
00:39:00Babe, which one do you like more?
00:39:02This one or this one?
00:39:05I need to be the hottest girl at the Fitz Gala.
00:39:09Everything just, uh, looks so good on you, honey.
00:39:13So, um, just pick whichever one you want.
00:39:16I gotta take a call, okay?
00:39:18Wrap this up, you twitch.
00:39:20I'll take them both.
00:39:28Wow.
00:39:28I used to buy dresses like this all the time without even thinking about the money, but
00:39:33I can't afford something like this now.
00:39:38You know what?
00:39:40Consider it a congratulatory gift for me.
00:39:42Alright?
00:39:44And when you make it big in the art world, you can just pay me back.
00:39:46Oh, hi, excuse me.
00:39:50Yeah, my, uh, friend would like to try on this dress.
00:39:52Oh, your friend has amazing tastes.
00:39:54This dress is actually a limited edition.
00:39:57Each one handcrafted by hand and therefore entirely unique.
00:40:00Truly a work of art.
00:40:01Well, how fitting that's gonna be worn by a very talented artist.
00:40:04I'll have someone on the team bring it out to you.
00:40:08Veronica, please bring the limited edition.
00:40:14Why limited edition?
00:40:17Tasha?
00:40:19Do you really think you can afford this dress?
00:40:24You can afford this dress?
00:40:28Please.
00:40:29Reina, I don't think you need to worry about Tasha's finances, okay?
00:40:34We established that last time.
00:40:37Hey, you.
00:40:38Get over here.
00:40:40I'm gonna pay twice what it's worth.
00:40:42But I want this dress.
00:40:44Ma'am, this dress is $4,000.
00:40:46Did I ask you how much it cost, you pluritarian scum?
00:40:49Just shut your mouth and add it to my bill.
00:40:51She's willing to pay double.
00:40:53I'll double her offer and I'll pay $16,000.
00:40:56Okay, sir.
00:40:57Sold.
00:40:58$32,000.
00:40:59You know what?
00:41:02She wants to dress so bad, let her have it.
00:41:05You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:09I'll show you who's a pigeon, you little bitch.
00:41:11How dare you assault me?
00:41:14Tasha, are you okay?
00:41:17What is going on here?
00:41:19What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:22I swear to God, they're all lying.
00:41:25I never touched her.
00:41:26I saw everything.
00:41:27This gentleman and his girlfriend were very nice and politely inquired about a dress and suddenly your wife appears and attacks her for no reason.
00:41:34Shut your mouth, you little lying asshole.
00:41:37You know what?
00:41:37Why don't you just call security before this crazy maniac hits somebody else?
00:41:40Wait a second, Reyna.
00:41:41What actually happened here?
00:41:42What's going on?
00:41:43Why don't you believe me?
00:41:44Don't you?
00:41:46Don't we just call 911?
00:41:47Are you blind?
00:41:49Oh, Tasha, can you stop this bullshit?
00:41:51You know what, Reyna, can you just stay away?
00:41:53Can I get someone down here?
00:41:55Room A, 122?
00:41:56No, no, that's not necessary.
00:41:57We are leaving right now.
00:41:58Let's go.
00:41:59Bro, but...
00:41:59Okay, you've embarrassed us both enough for one day, okay?
00:42:03Let's go.
00:42:12Wherever Reyna goes, trouble's sure to follow.
00:42:16It is nice to see a better taste of her own medicine, though.
00:42:18Yeah, it's just saying, though, you would have looked really great on that dress.
00:42:26Don't worry about that.
00:42:27I have a solution.
00:42:36What are you going to do with all this stuff?
00:42:39I'm going to design my own dress and wear it to the gala.
00:42:42Are you sure there's enough time?
00:42:44Have some faith in me.
00:42:45I graduated with honors in design and fine art.
00:42:48I got this.
00:42:51All right.
00:43:10How do I look?
00:43:14How do I look?
00:43:18What?
00:43:22Is...
00:43:23Is something wrong?
00:43:24Is it...
00:43:25Is it too much?
00:43:26Should I change something?
00:43:27No, no.
00:43:29You look...
00:43:31That dress, like...
00:43:34That is one of the most beautiful dresses I've ever seen.
00:43:36but there's something missing
00:43:41should I
00:43:44resell the beads?
00:43:46no
00:43:47I have a gift for you
00:43:49something to
00:43:51complete the whole look
00:43:52just try harder you idiot
00:44:00Mrs. Crow
00:44:01I am doing everything I can
00:44:03I don't know what more I can do
00:44:06you're calling me fat?
00:44:08of course not
00:44:09you're not fat at all
00:44:11it's the dress
00:44:12it's not made for a woman's body
00:44:14just shut up and do it
00:44:17babe
00:44:18just put on another dress
00:44:20you're gonna be late
00:44:21I spent so much money on this dress
00:44:25I am wearing this dress
00:44:27I can't
00:44:46it's
00:44:46it's too much
00:44:49no
00:44:50it was made for you
00:44:52I can't wait to see what you've brought to the auction
00:45:04can we have a little hint?
00:45:06well
00:45:06actually
00:45:07I brought some of my very own paintings
00:45:11to auction tonight
00:45:12what's wrong?
00:45:15it's just Tasha Roberts
00:45:18my husband's dreadful ex-wife
00:45:21I'm tired of seeing her sorry face everywhere
00:45:26you know she's also a horrible person
00:45:29if it isn't everyone's favorite white collar criminal
00:45:34turned homeless vagrant
00:45:36Tasha Roberts
00:45:37so the other day
00:45:40when you were trying to buy this dress
00:45:42with that working class thug boyfriend of yours
00:45:45you were trying to come here?
00:45:47are you sure you were even invited?
00:45:53I'm sorry
00:45:53are you working for security details?
00:45:56do I need to show you my invitation?
00:45:58honey
00:45:59I'm just trying to look out for you
00:46:00okay
00:46:01I want to spare you the embarrassment of being kicked out
00:46:04when everybody finds out
00:46:05that you were not invited
00:46:07you mean like how you were kicked out of the mall?
00:46:10I see
00:46:11you still quite don't understand your place in the world
00:46:14you think you're fucking Cinderella or something
00:46:18and life is a fairy tale
00:46:19but don't worry
00:46:21I'll help you figure it all out
00:46:24what's wrong with you?
00:46:27you can't just see people are walking through
00:46:29Rina this time you've gone too far
00:46:32stop shouting you dreadful o
00:46:34these were supposed to be auctioned tonight
00:46:35well if it is of any consolation
00:46:37I don't think the wine has reduced their value of very much at all
00:46:41now you can go and cry to your fairy gut mother
00:46:46loser
00:46:48oh I think the auction is starting
00:46:51well I'll see you there
00:46:53toodles
00:46:54for our first auction item
00:47:03I'd like to welcome
00:47:04Ms. Rina Crow to the stage
00:47:06with her collection
00:47:07of original paintings
00:47:09as you can see
00:47:26Ms. Rina Crow's style is very unconventional
00:47:29certainly these works defy easy categorization
00:47:34and yet there are touches of whimsy
00:47:37and an almost playful quality about them
00:47:39as depicted here through the bold use of a duck
00:47:42as a central figure
00:47:43it's a dog
00:47:45what?
00:47:46it's a dog not a duck you buffoon
00:47:48oh yes of course
00:47:50a dog
00:47:51seen through a very unique prism
00:47:55portrayed as only an artist of Rina's caliber
00:47:58could possibly portray it
00:48:00now that we have familiarized ourselves
00:48:03with the art and the artist
00:48:04let's start the bidding
00:48:05the starting price will be $50,000
00:48:07do I hear $50,000?
00:48:11anyone?
00:48:13$50,000 do I hear $60,000?
00:48:18anyone?
00:48:19$50,000 going once
00:48:21$50,000 going twice
00:48:23sold!
00:48:25sold for $50,000
00:48:26and now we'll invite our second artist for the evening
00:48:35Ms. Tasha Roberts
00:48:36who will also be presenting a series of paintings
00:48:40Ms. Tasha Roberts where are your paintings?
00:48:50I don't have my paintings tonight
00:48:53but I will be auctioning off this dress
00:48:58wow
00:49:10it's beautiful
00:49:12stupendous
00:49:14I've never seen a dress
00:49:15so beautiful
00:49:16oh stupendous
00:49:22I've never seen a dress
00:49:23so beautiful
00:49:24a stunning work of art
00:49:26indeed
00:49:26there's no need for me to say another word
00:49:28about this masterpiece
00:49:29everyone in the audience
00:49:30can clearly see
00:49:32the extraordinary talent
00:49:33and extraordinary artistry
00:49:35let's start the bidding
00:49:36at $50,000
00:49:37$55,000
00:49:38$75,000
00:49:40$90,000
00:49:41$100,000
00:49:42$150,000
00:49:45$250,000
00:49:47$250,000 going once
00:49:52$250,000 going twice
00:49:54gold!
00:49:55this beautiful dress was sold for $250,000
00:49:59is that the heart of sun necklace
00:50:08that sold for $200,000,000 a few months ago
00:50:10and a big deal?
00:50:11impossible
00:50:12how can that lowly peasant possibly afford it?
00:50:15it must be a fake
00:50:17thank you so much for your bid Ms. Munzlo
00:50:23I'm going to design a few custom pieces in your size
00:50:26and design them to your elegance and style
00:50:29have you ever considered
00:50:31creating your own clothing brand?
00:50:35your creations are so extraordinary
00:50:38you should really share your talent
00:50:39with the rest of the world
00:50:41thank you
00:50:42I never considered it
00:50:43but I certainly will now
00:50:44hi
00:50:46I'd be careful if I were you
00:50:48I personally wouldn't put any faith
00:50:51into someone that wears
00:50:52cheap replicas of famous pieces of jewelry
00:50:54what are you talking about right now?
00:50:58this woman is a phony and a con artist
00:51:01for as long as I worked with her
00:51:02she's done nothing but defraud and cheat
00:51:05the people she's done business with
00:51:07and let me make it clear
00:51:08for everybody that wants to do business with this woman
00:51:11they won't be allowed to do business with the crow group
00:51:15is that so?
00:51:20well, let it be known
00:51:21that if anybody refuses to work with Ms. Tasha Roberts
00:51:24because of the baseless rumors and lies
00:51:26being spread by Ms. Raina Crow
00:51:28you will no longer be welcomed back to the Fitz Gallery
00:51:31that's the curator of the Fitz Gallery
00:51:34not just the curator
00:51:37he's also the director of the Fitz Foundation
00:51:40the curator?
00:51:43is he the man who bought my paintings?
00:51:46why does he seem so familiar?
00:51:48Ms. Tasha Roberts is my guest of honor tonight
00:51:53alright, I invited her personally
00:51:55so if anybody treats her with the slightest bit of disrespect
00:51:58they'll be asked to leave
00:52:00and never again invite it back to the Fitz Gallery
00:52:02as the director of this esteemed organization
00:52:05am I interested to know that
00:52:07your guest of honor is wearing a cheap replica
00:52:10of a priceless work of art
00:52:13she is not to be trusted
00:52:15I'm assuming you mean her diamonds
00:52:17what evidence do you have to prove that it's not real?
00:52:20well, the real heart of the sun
00:52:23has the initials of the craft man
00:52:25engraved in the joint between the gemstone and the pendant
00:52:28so Tasha, would you indulge us all
00:52:31and show us if what you're wearing is a genuine article
00:52:34or a cheap knockoff?
00:52:37this was just given to me by a friend
00:52:40I never claimed it was the real heart of the sun
00:52:43I don't want to embarrass him by having people pour over it for imperfections
00:52:48so it's a forgery
00:52:51you were so happy to have everyone believe it was the real thing
00:52:54until I challenged you and called your bluff
00:52:56Ms. Roberts
00:52:59you were so happy to have everyone believe it was the real thing
00:53:05until I challenged you and called your bluff
00:53:07Ms. Roberts
00:53:09you have nothing to fear from this woman
00:53:11just show her the necklace
00:53:12and I'll personally see to it
00:53:14that there are no despairing comments
00:53:16about its craftsmanship or quality
00:53:17and the question has to be asked
00:53:20whether it is the true heart of the sun
00:53:21see, just like
00:53:30what?
00:53:34how is this possible?
00:53:39I do say
00:53:40this engraving looks entirely authentic to me
00:53:43this is indeed the one and only heart of the sun
00:53:48well that settles it then
00:53:49this necklace is authentic
00:53:51from now on
00:53:52no one will be permitted to question
00:53:54or harass my guest of honor
00:53:55now if everyone is satisfied
00:53:58can we please get back to tonight's festivities?
00:54:10Ken, you have a lot of explaining to do
00:54:12okay, what's wrong?
00:54:16I can't accept this necklace
00:54:18and I can't give you what you want
00:54:21do you even know what I want?
00:54:23I don't want to know
00:54:25we can just be friends, nothing more
00:54:28Tasha, you're just afraid
00:54:30you're just afraid of going after what your heart truly desires
00:54:33and I just think you're afraid of just being true to yourself
00:54:38you're the last person that should be lecturing anybody on the truth
00:54:42who are you?
00:54:46what do you do?
00:54:47is this even your house?
00:54:49I mean
00:54:49how do you own a necklace that's 200 million dollars?
00:54:57I just...
00:54:58see, you don't even respect me enough to tell me the truth
00:55:02but you expect me to jump into a relationship with you?
00:55:06you could be a total stranger
00:55:10I have no idea who you are
00:55:13Tasha, I want to tell you
00:55:15I do
00:55:16but
00:55:16I just can't right now
00:55:19alright?
00:55:21like maybe in the future
00:55:22when we can sit down and
00:55:22no, Ken, there is no future for us
00:55:25not if you can't tell me one thing about yourself that isn't a lie
00:55:29when you find someone that you really love and trust
00:55:33you let them in
00:55:35but that person won't be me
00:55:58are you okay?
00:56:02director Fitz
00:56:03I had a wonderful time at the gala
00:56:05thank you for supporting me
00:56:08and standing up for me
00:56:09I wasn't bothered by the way the other guests treated me
00:56:13I've endured far worse
00:56:16lovely
00:56:20I'm glad to hear it
00:56:21I would like to exclusively showcase your work
00:56:24at the Fitz Gallery
00:56:25for the foreseeable future
00:56:27think of it as a sort of artist's residency
00:56:29would you be interested in such an opportunity?
00:56:33this dress is every bit as exquisite as I expected it to be
00:56:45thank you, my dear
00:56:46you're very welcome
00:56:48have you given any more thought to my proposal?
00:56:52if you wish to start a clothing brand
00:56:55I would be more than happy to invest whatever you require to get started
00:56:59it's a very gracious offer
00:57:01but I just, I have to ask
00:57:04I mean, there are so many other talented designers
00:57:06why do you have such faith in my abilities?
00:57:09it's not just me, you know
00:57:11the curator of the Fitz Gallery
00:57:14has never been seen in public before the gala last night
00:57:17and everyone in attendance was certain
00:57:21that the only reason he chose to make an appearance
00:57:23was because of you
00:57:24his guest of honor
00:57:26that was his first appearance ever?
00:57:31indeed
00:57:31his very first and only time to appear in the flesh
00:57:35before this he was a figure of myth and mystery
00:57:39many people doubted he existed at all
00:57:43but all because of you
00:57:45he chose to grace us with his presence last night
00:57:49seems like a marvelous young man
00:57:51don't you think?
00:57:53he certainly had a charm about him
00:57:54oh, undoubtedly
00:57:56you know
00:57:57many people flock to the Fitz Gallery
00:57:59for more than just the art
00:58:01they want to learn all about the enigmatic young curator
00:58:05really? I mean, what's so interesting about him?
00:58:09have you ever wondered
00:58:11how the Fitz Gallery has managed to surpass
00:58:14all of the established art collections
00:58:17to become the top venue for fine art
00:58:19in just two years?
00:58:21I mean, I heard rumors
00:58:24something about foul play
00:58:25but I always just assumed they were baseless
00:58:28those rumors have quite a bit of truth to them
00:58:31seems like the Miller crime family
00:58:34is actually behind the Fitz Foundation
00:58:37the one and the same Miller crime family
00:58:41that monopolizes all the underground trade
00:58:44in all of North America
00:58:46he seems like such a gentleman
00:58:48I just...
00:58:49I find it hard to believe
00:58:50that he ever was involved
00:58:51in something so sordid
00:58:52you must never judge a Brooklyn's cover
00:58:55my dear girl
00:58:57even people close to us may be harboring
00:58:59many secrets
00:59:01we never really know what's going on inside
00:59:04you got that right
00:59:05I learned that lesson the hard way
00:59:08let me be frank
00:59:10I have tremendous faith in you
00:59:13thank you, Mr. Wingo
00:59:15but I...
00:59:16dear
00:59:17all my friends call me Laura
00:59:21this is in a shack
00:59:23for five million dollars
00:59:25it should help you get your clothing brand started
00:59:30shall we become business partners
00:59:32in addition to being friends?
00:59:33my friends?
00:59:47Director Fitz
00:59:48I'd like to work with you
00:59:50it would be my honor
00:59:52Miss Tasha Roberts
00:59:56Fly away with me
00:59:59Take you high
01:00:01I'm soaring
01:00:04to your smile
01:00:06it's my only dream
01:00:11staring out into the sea
01:00:15waves come crashing up to me
01:00:19my toes slip into the sand
01:00:23dream that I'm with you
01:00:27staring out into the sea
01:00:30with me
01:00:31waves come crashing up to me
01:00:33my toes slip into the sand
01:00:35dream that I'm with you
01:00:39my toes slip into the sand
01:00:40dream that I'm with you
01:00:55Congratulations Miss Roberts
01:00:56we expect a huge success from your art exhibition
01:00:59thank you
01:01:00thank you
01:01:01thank you
01:01:14you're looking at her
01:01:15you're obsessed with her
01:01:17didn't she humiliate me enough the other night at the gala?
01:01:20but no
01:01:21now I have to watch my husband stare at her picture
01:01:26well maybe if you didn't give her the opportunity to humiliate you
01:01:30so it's my fault now?
01:01:31oh wait let me guess
01:01:32maybe it's my fault too when the two of you broke up
01:01:35okay
01:01:37Reina
01:01:38I've been thinking
01:01:40I don't think this is working
01:01:42I want a divorce
01:01:43Brutto
01:01:46figlio di puttana
01:01:48you used me to push Tash out of your company
01:01:50take her property
01:01:51and now you cast me aside like what a used piece of garbage
01:01:55I won't allow this
01:01:58mark my words Carl Crowe
01:02:01you will regret this
01:02:02I'm spending too much time around Ken
01:02:18he's dominating all my thoughts
01:02:20I have to distance myself from him
01:02:23for my own sanity
01:02:24as if nothing I can do to get you to stay
01:02:41I'm sorry
01:02:43but no
01:02:45you and I
01:02:47our relationship
01:02:48we'll just
01:02:50keep going in circles
01:02:51but thank you
01:02:55for everything you've done for me
01:02:57I have a little bit of money now
01:02:59so
01:03:00you should be able to pay off your loan soon
01:03:04in long talks
01:03:07in awkward silence
01:03:09wait nights
01:03:11walking through the garden
01:03:13running
01:03:15with your hand in mine
01:03:17inside
01:03:21it's so
01:03:34this is what happens when you steal from the millers
01:03:37please
01:03:38let me go
01:03:41I promise you'll never see me again
01:03:43let me go
01:03:49what we got here
01:03:51right this way
01:03:53boss
01:03:55I found this one peeking around the corner
01:03:58not sure how long this little bitch has been watching
01:03:59but I'm pretty sure she tried to call the cops
01:04:06don't worry boss
01:04:07I got a knife with her name on it
01:04:09we can dump her body with the other guy
01:04:10no
01:04:16let her go
01:04:17what?
01:04:18didn't you hear what I said?
01:04:19she's seen everything
01:04:20let her go
01:04:21before I rip off your fucking arms
01:04:22and throw them in the river
01:04:32walk away
01:04:33this doesn't mean anything to you
01:04:35is this what you couldn't tell me about?
01:04:38boss
01:04:39boss
01:04:40you know this woman?
01:04:42you're gonna kill him
01:04:44call the police then
01:04:45see if they can save his life
01:04:46no!
01:04:47don't call the police
01:04:48you stupid bitch
01:04:51my world is more cruel than you can possibly imagine
01:04:54so since you didn't want to get involved
01:04:56just walk away
01:05:07hey babe
01:05:20what do you want for breakfast?
01:05:21what do you want for breakfast?
01:05:22my world is more cruel than you can possibly imagine
01:05:23so since you didn't want to get involved
01:05:24just walk away
01:05:25my world is more cruel than you can possibly imagine
01:05:29so since you didn't want to get involved
01:05:30just walk away
01:05:31I never imagined that Ken could be such a dangerous and violent man
01:05:32there must be something or someone forcing him to do all of this
01:05:35even people close to us may be harboring many secrets
01:05:36even people close to us may be harboring many secrets
01:05:38I don't want to get involved
01:05:39I never imagined that Ken could be such a dangerous and violent man
01:05:42there must be something or someone forcing him to do all of this
01:05:44even people close to us may be harboring many secrets
01:05:47we never really know what's going on inside
01:05:48forget it
01:05:49this has nothing to do with me
01:05:50I decided to leave Ken
01:05:51so I have to do my best not to look back
01:05:52so I have to do my best not to look back
01:05:53so I have to do my best not to look back
01:06:23Tasha, let's talk
01:06:31your pro-magnet boyfriend
01:06:40is he not joining us?
01:06:42it's all over
01:06:43I'm not with him anymore
01:06:45where's Reyna?
01:06:47Reyna was a mistake
01:06:50that's all over too
01:06:52Tasha
01:06:57I want you back
01:06:59I can't stop thinking about us
01:07:02you were right
01:07:03you belong in my life
01:07:05so if you just sign those documents
01:07:09then you can come back to me
01:07:12come back to the house
01:07:13we can carry on like none of this ever happened
01:07:16I can give you your old job back
01:07:18that'll be fun
01:07:19working together again
01:07:20and then all that debt you owe me
01:07:22will be wiped clean
01:07:23you, uh, be a pet?
01:07:31you think I'd get back with you after everything you put me through?
01:07:37here is
01:07:40a hundred million dollars
01:07:42I'll pay the rest on time
01:07:44and
01:07:45for your agreement
01:07:47take these documents
01:07:53and
01:07:54shove them right up your ass
01:07:56you disgust me, Carl
01:08:00you should think about Anna
01:08:02do you really want her growing up without a mother?
01:08:05with all her health problems
01:08:07she could really use your support
01:08:08don't you dare talk about Anna
01:08:10she'll be with me soon
01:08:12then I'll never let her out of my sight again
01:08:14she needs her mother and her father
01:08:16not a father, like you she doesn't
01:08:18she'd be better off with no father at all
01:08:31I'm sorry, am I interrupting?
01:08:33are you texting a new boyfriend already?
01:08:36can it wait?
01:08:38I'm not done talking here
01:08:40you're pathetic, Carl
01:08:42okay, Tasha
01:08:44ta...
01:08:46Tasha
01:08:49hey, Tasha
01:08:51Tasha, come back
01:08:53where are you going?
01:08:54this place is disgusting
01:08:55ta... come on, Tasha
01:08:57don't you remember the happy times?
01:08:59come on, we can have that again
01:09:01think of Anna
01:09:02think of me, please
01:09:03I love...
01:09:04who...
01:09:05who...
01:09:10sorry folks
01:09:24it's the end of the line for you
01:09:30no hard feelings
01:09:32but
01:09:33we gotta do what the people who pay us tell us to do
01:09:36who's paying you?
01:09:38hmm
01:09:40I'll give you a hint
01:09:41a very
01:09:42beautiful woman
01:09:43paid us a small fortune
01:09:44to make sure you two would
01:09:46make sure you two don't make it
01:09:49Reina
01:09:50that fucking bitch
01:09:52do you know who I am?
01:09:54I'm Carl Crow
01:09:56the CEO of the Crow Group
01:09:58what if she's paying you?
01:10:00I'll pay double, okay?
01:10:01yeah, yeah
01:10:02you pay me double
01:10:03I guess you haven't heard the news, buddy
01:10:05see, I don't think you have the means
01:10:07to outbid your pretty little friend
01:10:12oh, that text-standing slut
01:10:15please, pick up the phone
01:10:17you trying to phone a friend?
01:10:19that's a big no-no, sweetheart
01:10:21that's breaking the rules
01:10:25sweetie
01:10:27don't waste the little time you have left
01:10:29trying to call for help
01:10:31it won't do you any good
01:10:33no one
01:10:37they can help you now
01:10:42three hours, where's Tasha?
01:10:45hey, Nell
01:10:46hey, listen
01:10:47I need you to do me a favor
01:10:49yeah, I need you to pull out
01:10:50the city surveillance system
01:10:51in the area
01:10:52and find all the footage
01:10:54yeah, no, something's wrong
01:10:56good job
01:11:06what are you doing?
01:11:08we have to get out of here
01:11:16huh?
01:11:17you should just...
01:11:22go
01:11:24save yourself
01:11:25leave me
01:11:27it's what I deserve
01:11:30I'm not gonna leave you
01:11:33I'm not that type of person
01:11:40come on, let's go
01:11:41let's go
01:11:44come down here
01:11:45wait until they come in
01:11:51hey, Tasha
01:11:56I'm so sorry
01:11:59now's not the time for that
01:12:00there's no time for that
01:12:18all in
01:12:19looks like we got ourselves a suicidal prick here fellas
01:12:31I can't think of any other reason why somebody would kick in the door
01:12:34that's got Vincent Santorelli on the other side of it
01:12:40oh shit
01:12:42boss
01:12:44I didn't realize it was you
01:12:45these your guys?
01:12:49where the fuck are they?
01:12:52you better find them
01:12:53quick
01:13:10now it's your turn
01:13:15pretty little thing like you
01:13:16I was gonna make it painless
01:13:33but I guess you didn't want that
01:13:35all the same
01:13:39who's this fucking monkey?
01:13:40lower your fucking gun
01:13:41Vinnie what the fuck is going on
01:13:43you fucking down
01:13:44Yo, lower your fucking gun!
01:13:46Are you...
01:13:48Are you Ken Miller?
01:13:50Hey, how can that be? What the fuck is going on?
01:13:52Ken Miller.
01:13:54The one and the same
01:13:56Miller crime family
01:13:58that monopolizes all the
01:14:00underground trade in all of North
01:14:02America.
01:14:04It's you.
01:14:06You know what you have to do.
01:14:14Boss, please.
01:14:18He's my brother.
01:14:20Rules are rules.
01:14:36I was pushing you away as Ken and
01:14:40growing closer to you as Fitz.
01:14:44I'm sorry, Tasha, but
01:14:48there's just nothing I can do
01:14:50that will make you happy.
01:14:52And I just...
01:14:54I just can't win over your heart.
01:15:00Is Ken Miller always this loving
01:15:02with the hostages he rescues?
01:15:04Or is this just special treatment
01:15:06reserved for his lovers?
01:15:10Tasha, I love you.
01:15:11My heart has belonged to you
01:15:13and only you
01:15:14for the past fifteen years.
01:15:20Fifteen years?
01:15:22No, we just met a few months ago.
01:15:26We met fifteen years ago.
01:15:32You went to Marr Middle School.
01:15:34Yeah.
01:15:36And you saved my life, eh?
01:15:46Stand up, chicken!
01:15:47And hit us back!
01:15:48Isn't that what your dad does for a living?
01:15:50Beat people up?
01:15:52I'm not my dad!
01:15:54You and your father are both scum!
01:15:56Let's teach this little and thug a lesson!
01:15:58Ya idiot!
01:16:00Get up and show us what you've got!
01:16:02Hey!
01:16:03Hey!
01:16:04Hey!
01:16:05Hey!
01:16:06Hey!
01:16:07Hey, hey, hey!
01:16:08Stop!
01:16:09That's enough!
01:16:10That's enough!
01:16:11It's none of your business, Robert!
01:16:12Get out of here, Robert!
01:16:13Hey!
01:16:14Stop!
01:16:15Go home!
01:16:16Go home!
01:16:17Go home!
01:16:18Go home!
01:16:19Go home!
01:16:20Go home!
01:16:21Go home!
01:16:22Go home!
01:16:23Go home!
01:16:24Go home!
01:16:25Go home!
01:16:26Go home!
01:16:27Go home!
01:16:28Ever since I saw you that night in the cab with that necklace on, I just, I knew I found
01:16:33you.
01:16:34Look, this isn't just some feeling for me, okay?
01:16:39This is, this is everything to me.
01:16:42Like, you are everything to me.
01:16:44But no matter what happens between us, I will always care about you.
01:16:49And maybe, one day we can, make it work in a different way.
01:17:09I just need some time to process this.
01:17:14Okay?
01:17:15And after that, maybe we can pick up where we left off, that first night you spent here?
01:17:26Maybe.
01:17:27You play your cards, right?
01:17:29That's alright.
01:17:44Does everything look good to you, my artist?
01:17:47Yeah.
01:17:48Thanks for everything.
01:17:50That doesn't sound very convincing.
01:17:53Is there anything you want to change?
01:17:55No.
01:17:56I just, I never got around to asking why you wanted to start an art gallery in the first
01:18:01place.
01:18:02Honestly?
01:18:03Just to get to you.
01:18:04See, I thought if I owned the world's greatest art museum, that one day you might find your
01:18:08way in here, and I don't know, that I might find you.
01:18:25I want to see what kind of woman this is that has ensnared my son.
01:18:50Okay.
01:18:51Okay.
01:18:52Okay.
01:18:53Just concentrate on painting.
01:18:54Don't think about him.
01:18:55Okay.
01:18:56Okay.
01:18:57Okay.
01:18:58Okay.
01:18:59Okay.
01:19:00Just concentrate on painting.
01:19:01Don't think about him.
01:19:02No.
01:19:03What?
01:19:04Okay.
01:19:05I'm sorry.
01:19:07What?
01:19:08Hmm.
01:19:09No.
01:19:10See, I thought if I owned the world's greatest art museum, that one day you might find your
01:19:11way in here.
01:19:12And I don't know, but I might find you.
01:19:13Okay, okay.
01:19:15Just concentrate on painting.
01:19:17Don't think about him.
01:19:22Who are you?
01:19:39Miss Tasha Roberts?
01:19:41Mortimer Miller would like to speak with you privately at his home.
01:19:46Come here.
01:19:48Take a look.
01:19:52She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:58She's young, beautiful, well-educated.
01:20:03I think she'll make a fine wife for my son, Ken.
01:20:07With all due respect, sir,
01:20:11I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:16I'll choose you. Not a chance.
01:20:22You're no match for my son.
01:20:25I'll choose you.
01:20:26I'll choose you.
01:20:27I'll choose you.
01:20:29Now, you owe money to the Crow Group.
01:20:36I'm going to pay your debt.
01:20:38And in return, you will agree to never see my son again.
01:20:50It's our decision whether we want to be together or not.
01:20:53Your son and I love each other.
01:20:55There's nothing in this world that can keep us apart.
01:20:58Natasha, do you want us to be together?
01:21:04It's impossible.
01:21:05Father.
01:21:06I forbid it.
01:21:07Father, this is the love of my life.
01:21:10I can't lose her again.
01:21:12I'd rather leave the family business.
01:21:14Then leave if you wish.
01:21:16But she will never have my approval, ever.
01:21:19And she'll never be a part of the Miller family as long as I live.
01:21:22You'll come running back without the Miller family power and money.
01:21:30You'll accomplish nothing.
01:21:33You're making a big mistake.
01:21:36Choosing this old hag instead of family.
01:21:42Family.
01:21:51Ken, where are you?
01:21:53Why aren't you back yet?
01:21:58Oh, you're still awake?
01:22:12Who did this to you?
01:22:18Don't worry about me, I'm fine.
01:22:20There's nothing out of the ordinary.
01:22:34Hey babe.
01:22:35Yeah, no, I'm just right outside.
01:22:40You son of a bitch.
01:22:42You're making me cut my own brother's hand.
01:22:45Now you think you can betray the Miller family?
01:22:48Walk away scot-free?
01:22:50Not a fucking chance.
01:22:53This guy means nothing to the Miller family now.
01:22:56He's worthless.
01:22:58Helpless.
01:23:00You're absolutely nothing now.
01:23:02Let's make him feel the pain
01:23:04that my brother felt.
01:23:06Come on boys.
01:23:12He's feeling MP4.
01:23:30Stop.
01:23:32Stop hurting him!
01:23:34Stupid bitch.
01:23:35Stop!
01:24:00Stop at once, you insolent fools!
01:24:05Son, you know how hard it is for me to admit that I made a mistake?
01:24:21But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:27Tasha, you are the perfect woman for my son.
01:24:34Go.
01:24:35Be together.
01:24:39You approved?
01:24:41You have my blessing.
01:24:44From this day onward, you'll have nothing more to do with the legal activities of the family.
01:24:52But, you'll always be a miller.
01:24:58As will she.
01:24:59Get off me!
01:25:13Get off me!
01:25:26Stop!
01:25:27Useless, impotent man-child!
01:25:30The Krog Group is bankrupt!
01:25:32That hurt.
01:25:33Getting involved with you is the worst decision I could have made in my life!
01:25:37Get off! This is all your fault!
01:25:38You spent every single thing that we had.
01:25:41Now we have nothing left.
01:25:42No company, no house, no money, not even a dime.
01:25:46And it's all because of you, you greedy cow!
01:25:49Don't you? Don't!
01:25:50Hey, hey, hey!
01:25:58The late Mrs. Miller was a beautiful woman, sir.
01:26:03Yes.
01:26:06Back then, my wife protected me from every danger that befell our family.
01:26:11And today, my son found the perfect woman in us, and I did the same for him.
01:26:21He's a lucky man.
01:26:22Wow. You look so beautiful.
01:26:38No, you can't be here right now.
01:26:40Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:44Kim, can you promise me one thing?
01:26:48I can promise you two if you'd like.
01:26:51I'm serious.
01:26:54I want you to walk away from the family business.
01:26:57There's a city called Ostia.
01:27:02It's on the southwest side of Rome by the ocean.
01:27:06What?
01:27:07You know what I found over there?
01:27:10I'm doing an art teaching job.
01:27:11I had a public school.
01:27:13I already took tickets.
01:27:15I leave in the morning.
01:27:16You're sending me away?
01:27:18No.
01:27:18I opened my own restaurant.
01:27:21It's just down the street.
01:27:24I'll have one more thing.
01:27:27I enrolled Anna at the school they're going to be teaching at.
01:27:30I think she's going to really live it over there.
01:27:35So you really are walking away?
01:27:37Yeah.
01:27:37You got some socks.
01:27:43You got some socks.
01:28:07I'm going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be teaching at the school they're going to be
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