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Short filmTranscript
00:00Hi, guys. So, this is today I am here with...
00:03I mean, I have to settle down for 10 minutes
00:06because I have to talk a lot. I have to stress, anxiety, panic.
00:09Okay, sir.
00:10Because everybody is doing their own job.
00:12But I am just looking at what is happening.
00:14Okay, what is happening.
00:15But the ambience, the theatre, and everything,
00:18it is not a place in cinema.
00:20So, I am here with everyone's favourite,
00:23Ram Garu, Upendra sir,
00:25my three movie makers, Ravi Garu and Mahesh Garu.
00:28So, I am so happy to host you.
00:29It is my first time.
00:31You are here.
00:32And I am here.
00:33Sir, I have already done before videos.
00:35I did you.
00:36So, first time.
00:37I am very happy.
00:39And to break the ice, first thing,
00:41I just wanted to ask,
00:42what is happening in your life?
00:45What is happening in life?
00:47What is happening in life?
00:48The intro is happening.
00:49The intro is happening.
00:51The post-production is happening,
00:52the producer is happening.
00:54It is happening.
00:55It is happening.
00:57No.
00:58Oh, it is happening.
00:59Sir, there is no tension there.
01:00What is happening in the life of the cinema?
01:02The background is happening.
01:04The cinema is happening.
01:06The camera is being happening.
01:08No, it is happening.
01:09It is happening.
01:10What is happening in your life?
01:13It's normal.
01:14It's normal.
01:15It's normal.
01:16It's normal.
01:17It's normal.
01:18It's normal.
01:19It's normal.
01:20That's it.
01:21That's it.
01:22That's it.
01:23That's it.
01:24That's it.
01:25How is the stress?
01:27How is everything going around the film?
01:29What's happening right now?
01:31No.
01:32It's a post-production work.
01:34Okay.
01:35It's a promotion.
01:36It's a promotion.
01:38That's it.
01:39That's what happened.
01:40Sir, in the cinema set, tell me one thing.
01:42Now, there is a question that is you are making.
01:44What is that one thing in the cinema set?
01:47For what, what is happening?
01:49Is that the main thing for you?
01:51How does this job?
01:52Well, Ramghar.
01:53I am very intensely performing.
01:56I am light man.
01:58It's like everyone is coming.
01:59I am going to switch.
02:01I am going to ride you.
02:03I am going to be worried.
02:05I am going to be worried.
02:07200 people concentrate on one shot and then you can do it.
02:11That's all.
02:12That's all, that's all.
02:13If you have a chance, you can do it, you can do it, you can do it.
02:17That's all.
02:18That's all.
02:19That's all.
02:21That's all.
02:23Sir?
02:24Sir, honest,
02:28if you have a little 9-year-old, you can exchange it.
02:31Usually, 9-year-old is a pack-up time.
02:34If you have a little 10-year-old,
02:3610 a.m. or 10 p.m.
02:379 p.m. to 10 a.m. or 10 p.m.
02:4010 p.m.
02:42Are you going to say something?
02:43I'm going to say something.
02:44Are you going to say something?
02:47I'll say something.
02:51I'll say something.
02:52I'll say something.
02:54So, I'll say something.
02:56What is the name of the name?
02:57I'll say something.
02:58Do you have the name of the name?
03:00That's all.
03:01Because he is being a director, I think.
03:03He understands it.
03:04I'll say something.
03:05Sir, how do you keep setting up and visiting?
03:11So, what do you think about this entire process of doing this film?
03:14This film is a very beautiful moment.
03:21If you want to say something about this film,
03:24if you want to say something about this film,
03:26if you want to say something about this film,
03:28that's a beautiful moment.
03:29What is your point of view?
03:31If you are a regular film,
03:33this film is definitely a different film.
03:35If you want to see any new film,
03:37it's a very different film.
03:39This film is definitely a very big connection.
03:41If you want to say something about the film,
03:43you will have to say something.
03:46You will have to say something about this film.
03:48You will have to say something about it.
03:50Definitely, we are just waiting for the result
03:52to hear from the audiences and things.
03:55I think, and it is very challenging.
03:57Now, usually you have a lot of fans.
04:01So, you have a lot of fans.
04:04Now, you are a fan, a superstar, a hero place.
04:09Was it difficult for you?
04:11I thought you were thinking about what you are doing,
04:14like how crazy fans are about their heroes.
04:18So, is it difficult for that transition?
04:21It is difficult for you to get a point.
04:23If you have a bonnet, you can study it.
04:27So, you have a thought in life.
04:30If you want to tap that thought,
04:31then this is the story you want to tell.
04:33So, a lot of questions that were on my mind until now.
04:36I have a lot of questions that were on my mind,
04:39but I don't know how to tell you.
04:41That's a beautiful emotion.
04:43So, you know, you don't want to tell this point.
04:46There is excitement.
04:48I always had questions from the other side.
04:50So, that question is being answered in this film.
04:54And it is shown very beautifully that way.
04:56And last time, I saw Suryudu Water.
05:00Sir, Kalsara, last time?
05:02That's a student in the film.
05:04I saw a lot of people.
05:06I saw a lot of people.
05:07I saw a lot of people in the film.
05:08You see, it's called Kalsara.
05:09I saw a lot of people in the film.
05:10It's called the film.
05:11I saw a lot of people in the film.
05:12It's like the most beautiful.
05:14It's very nice.
05:15It's very nice.
05:16It's all different.
05:17Kalsara, Leda, Kalustara.
05:18But, sir, you are now, I think, are…
05:24I mean, was it like a superstar or fan?
05:27But you have really experienced that?
05:29I mean…
05:30I knew that.
05:31Kalsara, I have confidence in the film.
05:32I can't believe that you are today.
05:33Sir, I am not reading it.
05:34Sir, I will be reading it.
05:35I would say that you will find it.
05:36Sir, we are on the left.
05:37You can point here, sir.
05:39Sir, I am a player after that.
05:40I have a thing, sir.
05:41Sir, we are very excited to come to this film.
05:43I am a fan.
05:45He gave me some examples.
05:46I will tell you something.
05:48Sir, if you don't mind, I will go to that.
05:50Sir, I will tell you.
05:51I will tell you, sir.
05:53There were many things.
05:55There were tattoos, tattoos, etc.
05:58One of the fans was a film.
06:02The first one was a film.
06:04The first one was interested in the film.
06:06I said, I was going to film a few times.
06:09Then, I don't think I was going to film a few days later.
06:12I was going to film a few days later.
06:14Then, I learned a few days later.
06:18Then, after 10 years, I was going to film a few days later.
06:21After 10 years, there was a big publication opened by Nami The Book, Raasi.
06:27The story of the book is about this story.
06:30Sir, if you haven't talked to me yet, I haven't talked to you yet.
06:35This film is not a book.
06:38Tell me about it.
06:40No, in Canada.
06:42Sir, you are working on 250 people.
06:45You are working on this film.
06:47If you haven't talked to me yet, you will have satisfaction.
06:56I think it will take an attempt.
06:58I mean, it's like a second life.
07:00A film influenced him so much that I think because of you, someone is now again back to their life.
07:06And it's great.
07:08Sir, Meek, what is your biggest fan moment?
07:10You can say the biggest.
07:12No fan moment is big or small.
07:14You can say that on Instagram, you can say that.
07:16You can say that.
07:17You can say that.
07:18If you say that, you can say that.
07:21You can say that.
07:22Then you can say that.
07:23You can say that.
07:24You can say that.
07:25You can say that.
07:26So, you can say that.
07:27I mean, every moment is very special.
07:29And I always get a little emotional when it comes to fans because…
07:33I don't have a relationship with me.
07:35But what is this relationship?
07:36It's always on my mind.
07:38So, it could be the smallest of things.
07:41Like…
07:42A lot of examples.
07:43Look, sorry, I'm a coffee shop.
07:45I have a friend.
07:46I go to the front and I go to the front.
07:47I go to the front.
07:48I go to the front.
07:49My car stopped.
07:50And I go to the front.
07:51I go to college.
07:52I go to the back.
07:53I go to the back.
07:54And I go to the front.
07:55It's very obvious that she's a reader.
07:56And the other thing is,
07:58the other thing is,
07:59the other thing is sunlight.
08:00You can see the people in the car.
08:02When I say the face,
08:03you need a face to make them look like they are wearing their eyes.
08:07They need to say the friend's face.
08:09Look, look, look at the face,
08:10they're changing so soon.
08:11Can you do that?
08:12What's your worst that?
08:13But, what is the impact that has created?
08:15You can see it in 30 seconds.
08:17So, you can see it all.
08:18You can see it all.
08:19What is the impact that we have created in their life?
08:22We have to do that.
08:24You can see that.
08:25But what is that?
08:26That is something that is beyond comprehension for a lot of people.
08:29I can't say that.
08:30There is an untold emotion.
08:31This could be a very small thing, but it's a very big thing for me.
08:34You know what I mean?
08:35So, IJSR, IJSR, you know.
08:37But that relation, that connection is something that is very important.
08:41I mean, it's…
08:43I'm a huge fan too.
08:45Like, because I…
08:46See, I don't have YouTube digitally.
08:48I don't have any films.
08:50So, today I feel like, see, like you did something in your life.
08:53You are sitting in front of them.
08:54You are hosting them.
08:55I can completely understand where you are coming from.
08:58And I mean, who are you a fan of?
09:00You are me Nalu Guru.
09:01I mean, you also, as a person, you would have liked someone.
09:05Yeah, yeah.
09:06Maishagar, you do not think so.
09:07Yes, I do not think so.
09:08Yeah, I do not know.
09:09No, I don't know.
09:10You are a cinema.
09:11What you do not know?
09:12You are a cinema.
09:13You are a cinema.
09:14You are a young man.
09:15I do not know.
09:16No, sir.
09:17I do not know.
09:18I do not know you ever fan of.
09:19I do not know you ever fan of.
09:20Definitely.
09:21My name is Rajkumar Sir.
09:23I have told people to get older.
09:25My name is Rajini Sir.
09:27I am a devotee.
09:29I don't know.
09:30Rajini Khan sir?
09:31No, no, no.
09:32So, you are a huge fan of Rajini sir?
09:33Rajini sir, Rajkumar sir, NTR sir.
09:36There are many people.
09:37I am a fan of film.
09:40What I mean is that if you look at a film,
09:42if you look at a film, if you look at me,
09:44I am a hero, I am a star.
09:46Right.
09:47If you look at me in 10 minutes,
09:49if you look at me and see me,
09:51I am a fan of that mood.
09:53It's inspiring.
09:55It's the magic of cinema.
09:57That's right.
09:58Yes.
09:59Sir, you are a fan of Meera?
10:01I don't know.
10:02I've always liked Jim Carrey and Rajini Khan.
10:05I've always liked him and Rajini Khan.
10:07Films and all.
10:08It's style and everything you like.
10:10More than that, I like his philosophy in his films.
10:12It's all subtle and commercial.
10:14Philosophy.
10:15Yeah.
10:16Sir, Meera?
10:17I am a young man.
10:19Do you want to see a cinema?
10:21I want to see a cinema.
10:23There is a lot of influence.
10:25Yeah.
10:26Influence is…
10:27I mean, Bouncer's influence.
10:29Yeah.
10:30Definitely.
10:31You like his film and everything.
10:32Of course.
10:33Obviously.
10:34It's a culture.
10:36It's a religion.
10:37Cult.
10:38It's a religion.
10:39That is nice.
10:40Sir, Meera?
10:41I am a man.
10:42You are a man.
10:43I am a man.
10:44You are also a man.
10:45I would like to see a cinema.
10:46What a man.
10:47I am a man.
10:48Cinema?
10:49When I say it is a cinema,
10:51the reason why?
10:52I am a man who is an exemption.
10:55I am an expert.
10:56I am a man.
10:57I am an expert,
10:58I am a man.
10:59Do you have any film?
11:00To get stars like Will, Will, Will,
11:03You know what kind of cinema is to get everybody together?
11:06As a producer, how do you handle it, sir?
11:09No, it's not.
11:11I think it's a simple thing.
11:13I think it's a good thing.
11:15You can't believe that Ramghar,
11:17Sir, I think it's a good thing.
11:19It's the first time,
11:21we are doing it.
11:23I'm the director of Bangalore.
11:27I'm the director of narration.
11:29I'm doing the film.
11:31I'm the director of the narration.
11:33I'm the director of the narration,
11:37and I'm the director of the narration.
11:39I'm the director of the narration.
11:42So, I don't think it's a good thing.
11:48It's a few hours.
11:51So, you're going to do it?
11:52Yes, it's a good thing.
11:54You're going to talk a little bit about it.
11:57Basically, I think it's a good thing.
11:59I think it's a good thing.
12:04It's not a good thing.
12:05It's a good thing.
12:07It's a good thing.
12:08So, we are happy for that.
12:10Well, the beginning is half done.
12:11Yes, sir.
12:13I'm the director of the narration.
12:15I'm the director of Vyza Club.
12:16I'm the director of Vyza Club.
12:18I'm the director of Vyza Club.
12:20I'm the director of Vyza Club.
12:22He is the director of the Vyza Club.
12:25This is at the Bindwara movement.
12:27I was the director of the show with my daughter.
12:29What, I'm the director of Vyza Club.
12:32You're the director of Vyza Club.
12:34Then, we will send Vyza Club.
12:36Then, you're from a boy,
12:37show us how you're from,
12:38where are you from?
12:41I'm from Vyza Club.
12:42You're from Vyza Club.
12:43I'm the director of Vyza Club.
12:43You're the director of Vyza Club.
12:45Sorry, sir.
12:46Okay. Sir, I think you all have triggered this concept.
12:52Where are you a huge fan of someone that you wrote? I mean, you thought that you were a huge fan of someone?
12:58Or how did this trigger you?
13:00I mean, the fan is very well.
13:02Of course, the story is very interesting.
13:06So, if you are doing a similar ambience in the cinema,
13:11it doesn't connect to the cinema.
13:13So, I thought that this connection is very beautiful.
13:22He doesn't even know the face of that person or personal life.
13:28It doesn't connect to the person.
13:30But he is so excited watching him on the screen.
13:36So, there is a magical connection.
13:39I should explore a story on it.
13:42That is when?
13:43The scene happened.
13:45Then, okay.
13:46Why Ram Garu and why Upendra Garu?
13:50See, of course, we developed the story.
13:52We developed a story later.
13:55Then, Ravigaru talked about the story first.
14:00Of course, he approved the story.
14:02How did he do it?
14:03How did he do it?
14:03How did he do it?
14:04How did he do it?
14:05How did he do it?
14:07So, after that, we want to cast the film, right?
14:12Obviously, so we need a star.
14:14So, after that, it was a tricky part.
14:18I was worried about Ravigaru.
14:20I was worried about how we approach the star.
14:24So, you are not playing a star in the film.
14:27You are not playing a star in the film.
14:28You are not playing a star.
14:29Because their personal life is all stars together.
14:31How did he interpret it?
14:33Playing a fan and everything.
14:35So, but since the story is surrounded with the fans' life of…
14:41Of course, I really did.
15:06And he told me that the star was on the film.
15:08I think 10 minutes into the film, I stopped him.
15:10There's a matter not to me.
15:11I told him to tell him the most details.
15:13He told him to tell him the most.
15:14He told him to tell him to tell him the most.
15:16But I was completely...
15:17First, like I said, he mentioned to him a fan.
15:20I said, no, he's a fan, he's a fan.
15:22I was like, okay, we'll get you.
15:23I got it in the formality, actually.
15:25I was like.
15:27But I think 10 minutes into the film, I was like, no, no, stop.
15:29He told him to tell him.
15:30And for the first time, like I said,
15:32I said, he's going to be a good job.
15:34He said to him, he said to him.
15:35I'm not a hero, I'm not a star, I'm not a fan.
15:38I'm not a superstar, I'm not a character.
15:41We can't say this beautiful story.
15:44You know what I mean?
15:45So, it's a very beautiful relation between a superstar and a fan,
15:48which both of us have to, like really feel the story and get into it.
15:52And to explore this relationship, we really have to feel this.
15:56Only then, the audience will be able to feel it.
15:58Meiru?
15:59Why do you say that?
16:00So, sir, why do you say that?
16:03You can represent a superstar in this cinema.
16:07The superstar will have a character of all the superstars that we have seen.
16:12There are many different fanships.
16:15There are many different fanships.
16:16There are many people who choose.
16:18So, they represent each other.
16:21Some of us are not a fan of this.
16:22So, the uniqueness of this is why.
16:23That's the secret is that.
16:24You know, you have to feel the same.
16:25You have to feel the same.
16:26You have to feel the same.
16:27You have to feel the same.
16:28There are many other fans and fans.
16:30You have to feel the same.
16:31You have to feel the same.
16:32If you want all cinema, you want to be able to see all the fans acceptability.
16:40Correct.
16:41That's the advantage of you.
16:43That is nice.
16:44If you don't know what you want to see, you want to see a post-result design?
16:47In the starting stages, you want to see a title.
16:50Then, you want to see a random A-A input.
16:53You want to see a superstar cut-out with a fan.
16:55You want to see a type in A-A.
16:59You want to see a superstar cut-out with a small fellow.
17:01A-A showed your cut-out.
17:03You don't know that.
17:04That's not the reason you want to see a superstar cut-out.
17:08That wasn't the reason, but that also was there at that point.
17:12Sir, if you want to see a narration, you want to see a poster.
17:19That is nice.
17:20And also, one more reason is,
17:23I think, after Rajanikanth Gharu, you want to see a philosophical cinema.
17:28You know, it's commercial and at the same time, very philosophical.
17:32And people find it a little eccentric.
17:34But again, eccentricity is to penetrate into the masses.
17:37That's the way he says it.
17:38But if you see, if you observe his films,
17:40it's a bit extreme.
17:42Next-level philosophy is to be.
17:44And there is a lot of points that he says it.
17:47That's why I think it was the last time.
17:49But I really want to know,
17:51Sir, what goes on in your mind?
17:54What's going on in your mind?
17:55What's going on in your mind?
18:00The film makers…
18:02I am very frank,
18:06I am very interested in it.
18:07We start our life and it starts our life.
18:10It's all the time.
18:11When I start, I want to see the start of the game.
18:15I will play a role in my audience.
18:19With a small amount of the time,
18:21I am a director and a hero.
18:25I know that fan following and the crazy fan following.
18:30I'm wondering, what is this?
18:32I don't know if I'm doing anything, I don't know where to go,
18:35I don't know where to go, I don't understand.
18:39Later, I realized that I was a good actor.
18:45Let me be very practical,
18:47I'm going to film it, I'm going to film it,
18:49I'm going to film it, I'm going to film it, I'm going to film it.
18:52And this is the movie I'm going to film.
18:56It's an opportunity to film.
18:58I'm going to film it, I'm going to film it I'm going to film it,
19:01but I'm going to film it after I'm going to film it.
19:04I'm not going to film it.
19:06I'm going to film it.
19:10But since I was 15 years old,
19:15I'm not going to film it.
19:17That's not my mind,
19:18it's not my mind.
19:20It is like a very divine approach.
19:26Now our duty is to do film for them.
19:29Not only entertain you, but you have to do the film in the same way.
19:36If you talk about this subject...
19:38Sir, how are you, sir?
19:42Sir, I am a fan of you.
19:45I am a fan of Kanada.
19:47I am a fan of Kanada.
19:49I am a fan of Kanada...
19:51Why don't you punish me for this subject?
19:56Sir, I am a fan of you.
19:59You are thinking about it.
20:02Don't you blame me?
20:03If you do it, I have to try it.
20:07Sir, I will make a new friend.
20:10I am not varios.
20:12Can I talk about it?
20:13Kanada, I am a fan of you.
20:16I will not be able to do this.
20:18I will always try. Even though small mistakes,
20:21I will try to do this.
20:22We will try to get a good location.
20:24You are not in Canada.
20:26Sir, you are looking for the first cinema in the theatre.
20:30Sir, you are starting to start with Japan.
20:33I am looking for the first cinema.
20:35You are looking for the first cinema.
20:39You are not looking for the first cinema.
20:41I am looking for the first cinema, but it is an impact cinema.
20:44I am looking for the first film.
20:46Kaidi Simma is the most impactful cinema.
20:48Yes, that is absolutely fantastic.
20:50I have seen 6 times in the life.
20:53Kaidi Simma.
20:55I was in 2nd class and 3rd class a day to live 6 times.
20:58I was just inside my eyes.
21:01Sir, how are you the first film?
21:03Do you choose?
21:04My first film is Nagarachavwani.
21:06With small glimpses are shown in the first film.
21:09You are looking for an amazing film.
21:11Sir, what are you?
21:12I am not sure what I wrote.
21:13I am not sure what I wrote.
21:16I don't know what cinema you did.
21:19I didn't know what I was looking at.
21:21I was looking at the scene and I was looking at the scenes.
21:24I wondered if I was looking at the scenes and I didn't know how to match the scene.
21:29First time I felt that they changed and changed and went to the scenes.
21:35There is a dialogue in Japan.
21:37But the dialogue was done by the same time.
21:39I was not sure.
21:41Say hi.
21:43I don't know when we go to the cinema.
21:45Show us a bit.
21:46After you talk about the dialogue.
21:47Here are some of them?
21:48Yes!
21:49I think the director has talked about the dialogue,
21:51or you could start the film.
21:53If it were done, you would think I could start the film.
21:55When it was done, you would often change.
21:57You were done with me.
21:59When you started the film, you could start the film.
22:00Sir, sir.
22:02You would do this now.
22:04Sir, that's it.
22:05That's it. Okay.
22:06If you didn't like that video, you would know him.
22:08Just like this, I'm genuinely interested in it.
22:10Oh, I'm not going to play this. I'm not going to play this in the cinema.
22:13I'm going to play this in the 27th.
22:17What was the most difficult thing for you?
22:20What was the most difficult thing for you to give up for me?
22:24You usually have tension.
22:26So, how do I have tension?
22:28I have tension.
22:30So, I'm putting you in the spot.
22:33Who would you be more comfortable working on the set?
22:37Huh? Comfort?
22:40With whom were you more comfortable?
22:46Upendra or Ram?
22:48Fortunately, I don't have a problem as an actress.
22:55I'm not going to play any other.
22:57Costumes, make-up, you know, crowd and all that.
23:00Boat, you don't have to cut the boat to the left and right.
23:07So, that's it.
23:07I'm not going to play any other actors.
23:10I'm not going to play any other actors.
23:12I'm not going to play any other actors.
23:13Okay.
23:13Sir, one thing that you really love about your director?
23:16A very honest filmmaker.
23:19And if you see, MSMP also has a very sensitive point.
23:26So, that I think very few filmmakers have.
23:28So, I think very much respect for the entire industry and audience.
23:36Sir, Miku.
23:39Honesty.
23:41I have a very important discussion.
23:45I'm very strict about the current and the business that's correct.
23:48You're a perfect.
23:50You can do this.
23:52You don't have to do this because you don't have to do this.
23:54You don't have to do this.
23:55You're a very perfectionist.
23:56If you're a perfectionist, you're a perfectionist.
24:01If you're a perfectionist, you're a perfectionist.
24:05Yes, sir. There's a lot of contrast.
24:08I don't know how many people do this.
24:12I don't know how many people do this.
24:14It's an inception.
24:16There's a whole world in the world.
24:18I'm a perfectionist.
24:20I think it's a cinema or scene.
24:23I think there are extra factors in that scene.
24:29The scene is a short shift.
24:32It's a complicated process.
24:35I'm a headache.
24:37I'll handle you, but I think it's a producer.
24:42Sir, let me tell you.
24:44One easy thing about producing and one most...
24:47What is the most easy thing about producing?
24:49You don't want to represent a producer as a producer.
24:54You're a very customer.
24:56As a producer.
24:58If you're spending money, it's the most difficult thing.
25:02If you start to finish a budget,
25:08it's very, very comfortable.
25:10I think it's very simple.
25:12One word is very simple.
25:14That's okay.
25:15He's different in the world.
25:17That's not very simple.
25:18Sir, who is your favourite person?
25:20Who is your favourite person?
25:21I'm saying.
25:22Who is your favourite person?
25:24Who is your favourite person?
25:26If you're paying attention to your own question,
25:29it's going to get to own a categories.
25:31As a respectable and offer a stage,
25:34I hope you're going to enjoy it.
25:35I don't know.
25:36It's not me.
25:37I don't know.
25:38I want everyone to buy attention.
25:40Sir, let's talk about my favourite. Who is your most favourite person on the set?
25:47Definitely, there is a director. He is my favourite.
25:51But I have seen a few shots actually.
25:55I really felt that he was so innocent.
25:59He is such a wonderful artist and dancer.
26:05He is such a wonderful artist.
26:08I could see that he is a star, a fan.
26:13He is a 100% fan.
26:16He is the innocent.
26:18He is the force.
26:20He is the climate.
26:22He is the actor.
26:24He is the actor.
26:26He is the actor.
26:28You should see that he is the actor.
26:33Sir, when I met my manager in Whatsapp,
26:37I would like to give you a photo.
26:39I would like to give you a lot of fans.
26:43Next level.
26:44Sir, I would like to give you a ticket to the Simma Theater.
26:49Back then. Before all this.
26:53Now, you can tell us that I am reading about the theater.
26:56My father and I are my brother.
26:59If you only have two tickets,
27:04you don't have to give me two tickets.
27:05You don't have to give me three tickets.
27:06When you have a full time.
27:08But I am reading about the last two tickets,
27:11you only have two tickets sold out.
27:12Wow.
27:13Sir, Amiru?
27:14I didn't understand any of the tickets.
27:23I didn't understand anything about tickets.
27:27After we came to know,
27:28we had all the shows in 3-4 and 4.
27:31Right.
27:32I knew there was a show.
27:37I was going to get a show.
27:40I knew there was a show.
27:42I still remember that in my visa, Jagadamba, Jagadamba,
27:48I thought I had a ticket for the first time.
27:51I thought I had a ticket for the first time.
27:54So, in Jagadamba Centre Theatre, my first experience was a cushy movie.
28:01Madam Officer, I don't have a ticket for the second time.
28:06I don't have a ticket for the second time.
28:08I don't have a ticket for the second time.
28:09I don't have a ticket for the second time, but I don't have a ticket for the second time.
28:13So, now, as a team, we have a lot of efforts to make a cinema product.
28:21But the audience, I am a fan.
28:24I am a fan.
28:25I am a fan.
28:27I am a fan.
28:30I am a fan.
28:31I am a fan.
28:33I am a fan.
28:34Sir, I am a fan.
28:36I am a fan.
28:56You have to choose the only one I will choose.
28:58If you choose the only one I will choose.
29:01Sir, let me ask.
29:02I'm the only one who knows I have to find a film.
29:06I can't tell the film that you have to find a film in all of a people's films.
29:11I can't tell the film that you have to find a film in all of a people's films.
29:15Impactful film.
29:16That is the value.
29:18You feel that.
29:19That is true.
29:21I do not believe in a 100%.
29:22There is 1000% confidence.
29:24And, sir, these fan wars, I mean, usually,
29:28because I am on Instagram and I am a social media influencer,
29:31there are many fan wars that are here today.
29:35There are many fans who are in the cinema.
29:39These are super...
29:41I mean, it's my religion.
29:43If it's not a fan war, it will happen in fans' lives.
29:47It's part of their life.
29:49Did you show that in the film?
29:51It has a very beautiful message in...
29:53I mean, if you say a message,
29:55you can see that in the film,
29:58you can see that in the film,
29:59you can see that in the film.
30:01So, if you have a friend,
30:04you can see that in the film,
30:05you can see that in the film,
30:07it all depends on what kind of a person we are,
30:09how we want to express love.
30:10So, you can see that in the film,
30:13you can protect yourself,
30:15you can see that in the film.
30:16Correct.
30:17But there is always a line that people shouldn't cross.
30:20That means,
30:21see, most of the problems in the society are not
30:24feminism issue, star issue, fans, it's all human issue.
30:27If you are in the film, there will be problems.
30:29So, I think it's very important for you to draw that line
30:32and not cross it.
30:34At the same time, yeah,
30:35you enjoy whatever your star issue is.
30:36Enjoy it, but please stay safe and don't cross it.
30:38Sir, you have said about the star issue.
30:41You are meant to be at the star issue.
30:43You are meant to be a fan,
30:45you are meant to be a fan,
30:46you are meant to be a fan.
30:48I will show you a person,
30:49and you will feel like you are going to guide us,
30:52and then obviously,
30:54you are meant to be all.
30:55Sir, how do you think Telugu is doing more films and what is the biggest difference that you have seen from Kannada to Telugu?
31:07Kannada and Telugu are the only difference.
31:10I know, I think it's a bit different from Kannada to Telugu.
31:14Sir, do you think your lyrics are the song?
31:17I don't think so.
31:19How do you think your lyrics are the same?
31:26I think your lyrics are the same.
31:28So, I think there is so much honesty in the story.
31:31Actually, yes.
31:33No question.
31:35Actually, Sir, when you travel to the car, I know a lot of people in English.
31:41So, you also have a pointless rap.
31:45Rapper is the same.
31:46I don't know.
31:48I don't know.
31:50There are many English songs and many deeper meanings.
31:53Very different perspectives.
31:54And I enjoyed listening to all of the songs.
31:57So, when you tune this song,
32:00I am trying to explain the meaning of the lyric that has to come on.
32:05I don't think so.
32:06I don't know.
32:07I do not know.
32:09I think that is the lyrics of the song.
32:12I don't know.
32:13I don't know.
32:14I don't know.
32:16I don't know.
32:18But I have to tell you.
32:20I was really worried that
32:22I have to tell you.
32:24I have to tell you.
32:26I am confused.
32:28I am confused.
32:29We met at 10 o'clock or 11 o'clock, and he came up with four lines.
32:36Sir, this is exactly what we want to say, sir.
32:40He said, this is what we want to say, sir.
32:43Sir, this is what we want to say.
32:44He said, this is what we want to say, sir.
32:50Next day, he came with Pallavi.
32:52Sir, now?
32:53After that, he said, this is what we want to say.
32:58Luckily, I didn't get the words.
32:59But, after that, I was happy to say, that's what I wanted.
33:03If you think about the song, the song, the song, the song, the song, the song, the song, the song.
33:10I don't think so.
33:12I don't know.
33:13But, you know, I'm not sure.
33:14But, you've written it.
33:16So, is there anything personal connection for you?
33:18Like for the song or for the lyric?
33:21That's a personal connection.
33:22No, no.
33:22But, I was actually able to find Sagar's character.
33:25I was able to think a lot more like him.
33:31And then, write the song.
33:33And, also, just continue.
33:34This is what we want to say.
33:35After that, some lines have multiple meanings.
33:41You know what I want to say?
33:43You know what I want to say?
33:45You know what I want to say.
33:46The sun, the water is a cinema.
33:48The feel is a cinema.
33:50Disappointed the song.
33:51I think that one's very important.
33:52In my opinion, actually, we can trust you and the audience.
33:57And we will learn anything.
33:59In my opinion, we will tell you how to explain anything about your performance.
34:01In my opinion, we will tell you as a beautiful artist.
34:04It's beautiful, it's beautiful, it's beautiful, it's beautiful as an audience.
34:12So, if you request that you can see the cinema, you can see that you can see the excitement.
34:22Regular, commercial, fight, song, you can see that you can see it's compulsory, fit out.
34:31You can definitely come and watch the film in the US.
34:36We are going to the 26th night premiere show.
34:40We are going to release one day before the 27th.
34:44That means on November 27th, on Thursday, we are going for the release of this film.
34:49Andhra King Talooka.
34:51Andhra King Talooka.
34:522 plus 7 is not sentimental.
34:54Numerology.
34:55Sir, you are sentimental.
34:57Sir, you are the numerology number.
34:59Yes sir.
35:00You are the number one.
35:01You are the number one.
35:02You are the number one.
35:03No.
35:04If you are not, you are the number one.
35:06Sir, you are the number one.
35:07Sir, you are the number one.
35:08That's right.
35:09So, guys, this is the number one.
35:11And I am happy.
35:14I am like full happy to do this collab with such a great team.
35:19Andhra King Talooka will release the 27th of November 27th.
35:24So, for every cinema, we are going to be ready for a light man.
35:29as as a year and director, we will notify the cinematography that are Niagara nationwide.
35:33So, please, please, please make the cinema ticket ticket to this theatre.
35:39People do not encourage piracy.
35:41There is an employment for every entire staff.
35:44for a lot of people so please encourage cinema and please watch Andhra King
35:49Taluka on November 27th in your nearest theatres thank you guys thank you sir
35:53thank you so much thank you
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