- 6 months ago
A man investigates the disappearance of his sister with the help of her roommate. He uncovers a trail of prostitution, incest, blackmail...and murder. A man investigates the disappearance of his sister with the help of her roommate.
Category
🎥
Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:11CastingWords
00:01:13CastingWords
00:01:24Did you get the bread?
00:01:26Uh-huh.
00:01:27I'm just sticking around a few minutes,
00:01:29see if I can turn some extra bucks.
00:01:31Look, just get the hell out of there
00:01:32before he finds out the tapes are blank.
00:01:34Did you hear me?
00:01:35Kenya, did you hear me?
00:01:37Get the hell out of there now!
00:01:54Hmm, hmm.
00:01:56Hmm, hmm, hmm, hmm.
00:01:59That's all.
00:02:00Yes, that's all.
00:02:02Hmm, hmm, hmm.
00:02:16Knock, knock, knock, knock, knock.
00:02:24you looking for somebody oh mary i hope it's me
00:02:32i'm i'm looking for a girl isabel isabel blake i was uh told she lives in this building
00:02:41do you know her no i'm her brother
00:02:46now that one she told me her name was tanya tanya i always thought it was a bit stagey too
00:03:00most of the girls do what you know do it change the names of course
00:03:09mine's dolly
00:03:16anyway she's not at home and when she is at home she lives down there
00:03:24right at the end when did you last see her a couple of days ago maybe uh can you tell me
00:03:35where she works sorry cat
00:03:39come on let's go just wait i want to watch relax baby we'll go in a few minutes
00:04:00hey listen i need you tanya's pulled a no show and i've done
00:04:08hey forget it she's off tonight didn't she call in or anything are you kidding that one
00:04:12shit she's probably so spaced out luge you can't even dial a phone the next time she brings her
00:04:17tired ass here i'm gonna kick it out on the street i don't need an also over that
00:04:21but i'm doing it for tanya wally look i'm sorry babe but she's screwed if i don't take her spot
00:04:37yeah well what about me i'll see you after the show at your place okay
00:04:43so would you please give a very warm welcome to this year's international chairman of unisave
00:04:53and a very dear friend of mine mr hamilton blake well thank you very much finally so mr blake you
00:05:00must be very pleased with the response of the film and television community to this year's unisave
00:05:05telethon tony everybody's on a wonderful job and i know you'll agree with me oh yes i would
00:05:11and i'd like to express my gratitude to those very talented people who'll be taking time out from
00:05:16their busy schedule to help our underprivileged children on new year's day where will the money
00:05:21be going this year mr blake hello eric
00:05:33tony will you excuse us please of course hamilton hello eric welcome home
00:05:44isabel walked out of here nearly a year ago and you didn't even try to stop her i tried but you
00:05:56wouldn't be stopped your sister is just a little my sister was just a confused little girl she was
00:06:0316 there was nothing i could do you don't care where she's living or what she's doing i got reports
00:06:12and time to time did your reports tell you that she's living in a slum surrounded by degenerates
00:06:18you're well informed eric answer me isabel's life is her own business just as yours is if i remember
00:06:27your words correctly when you stormed out of here two years ago two years ago eric i accept no
00:06:34responsibility for either you are one cold-blooded son of a bitch long eric long enough to find out
00:06:41where she is and to find out what this means
00:06:44dearest eric things are really bumming out for me and i really need you i mean it's really serious
00:06:55and it's got me all messed up and you're the only one i can talk to about it please come home
00:07:01please
00:07:02now doesn't she mention me at all why would she
00:07:10why weren't you in dance class today hey i was checking out the joint down the street but all they want is mud wrestlers
00:07:38mud wrestlers shit yeah but they're packing them in
00:07:41i'd do it if your pay was better ain't enough hours in the day to make that kind of money
00:07:45whoo the animals are out tonight your papa to baldo in the front row yeah he drooled all over it
00:07:52hey louise have you seen tanya nope not for a couple of days
00:07:56i think she's really had it this time wally's real pissed off wally's always pissed off yeah but if we had a stronger union she wouldn't be getting fired oh christ not that again she didn't show up for two nights she deserves to be fired yeah but in detroit they've got a real strong union you want to work in detroit
00:08:14look if she was my roommate i'd be a lot more worried right now
00:08:19i'm not my sister's keeper oh i know but
00:08:23she's so young to get hooked up with a creep like fixer
00:08:26there but for the grace of god go all of us
00:08:29don't talk like that it makes me feel
00:08:32cheap
00:08:34i'm sorry tina
00:08:37you're right and you're not cheap
00:08:42but you're not very smart either otherwise you'd marry mark like he wants you to and get out of here
00:08:46well what about you i mean if you really feel that way what are you doing here
00:08:50gotta go
00:08:52look i'll let you know as soon as i find out about time okay
00:08:57bye
00:09:07i'm
00:09:16i'm
00:09:18i'm
00:09:20i'm
00:09:22i'm
00:09:24i'm
00:09:28i'm
00:09:32i'm
00:09:34i'm
00:09:52okay mr blake let's take five
00:10:01i'm
00:10:18i'm
00:10:22i'm
00:10:24i'm
00:10:26i'm
00:10:28i'm
00:10:49i'm
00:10:51i'm looking for for tanya
00:10:55please i'm her brother
00:11:06brother huh give you a point for originality
00:11:16five minutes
00:11:22nearly 48 hours and you didn't call the police
00:11:27they come and they go
00:11:30what did you say your last name was
00:11:33blake
00:11:36my sister's name is isabel like in the blake corporation
00:11:40our father owns it
00:11:42well isn't that a gas
00:11:45coffee made fresh pot
00:11:52any more questions
00:11:53hey i forgot there's a message for you on the service oh why didn't you tell me
00:11:56i want that on my desk by nine o'clock tomorrow morning
00:12:12why are we behind schedule hamilton when you go into a production as ambitious as this
00:12:17you can't expect everything to go on schedule i can
00:12:21and i do
00:12:23may i remind you how important this telephone is to me and to the stockholders relax hamilton
00:12:30i've never failed you before
00:12:35do you think this guy was on the level
00:12:38don't know he's some hunk isn't he isn't he mr butch
00:12:43do you know where i can find fixer oh louise not the pills again no no okay
00:12:56i just thought i'd ask around about tanya
00:13:00if you're looking for fixer why don't you take in a movie
00:13:04yep
00:13:13how old is she she's only 18.
00:13:21i can keep this
00:13:27so you talked to this louise harman i did but i'm sure she was keeping something from me
00:13:34okay
00:13:37we'll have a look into it
00:13:38can i read you through your father no
00:13:47it's strictly between my sister and myself whatever the first sign of anything we'll be in touch
00:13:56thanks
00:14:08and i'll be back later run a check and see what we've got on isabel blake alias tanya kelly and louise harman
00:14:27isabel isabel any relation to uh hamilton blake it's the daughter
00:14:39that's a fascinating address
00:14:43hey hey hey hey you yeah you come on in here i won't tell your wife
00:14:49it's all here
00:14:50the very best
00:14:51and that'll be the hottest scene you'll ever see
00:14:55scene fixer in the back
00:14:56the most dribbled girls in the world
00:14:58doing the most away to things
00:15:00sir all that can's nothing
00:15:02they got the biggest the lines
00:15:04the deepest the hairiest they're gorgeous
00:15:07get your
00:15:08the most
00:15:15um
00:15:22oh
00:15:22oh
00:15:22oh
00:15:22oh
00:15:23oh
00:15:27oh
00:15:28oh
00:15:29oh
00:15:31I'm Tanya lately.
00:15:32Tanya.
00:15:33Cut the bullshit.
00:15:34I know she's one of your party tricks.
00:15:36I'm out of business, ain't you heard?
00:15:38There's heat coming down on my ass all over the place.
00:15:41And I got lots more to worry about than what garbage can that bitch is crawling in.
00:15:44Look, fixer, there might be real heat.
00:15:46Her father's a somebody.
00:15:48Beat it, will you?
00:15:51Go on, kid.
00:15:54Enjoy the show, creep.
00:16:01Come on in, see those drums in a variety color behind the green door.
00:16:06See and Lynch and their lovely llamas.
00:16:09Come on, fellas.
00:16:11Move your lines.
00:16:12Turn to your line.
00:16:14Hey, hey, hey.
00:16:16You, yeah, you.
00:16:17Come on, I won't tell you.
00:16:19Come on, let's go.
00:16:49You're right, Lester.
00:16:51You're lying.
00:16:52You're lying.
00:16:54You're lying.
00:16:56You're lying.
00:16:57I'm lying.
00:16:59Louise Harman?
00:17:19No. Why?
00:17:20I'm looking for some information on a friend of Louise's.
00:17:23Do you know where I can find her?
00:17:25It's not a bust. It's something personal.
00:17:28Club 2000. She'll be dancing there tonight.
00:17:58Charming.
00:17:59Your miserable sight.
00:18:01Ladies and gentlemen, she's red hot. Here's Tina.
00:18:05Here's Tina.
00:18:06Here's Tina.
00:18:07Here's Tina.
00:18:08Here's Tina.
00:18:09Here's Tina.
00:18:10Here's Tina.
00:18:11Here's Tina.
00:18:12Here's Tina.
00:18:13Here's Tina.
00:18:14Here's Tina.
00:18:15Here's Tina.
00:18:21Here's Tina.
00:18:22Here's Tina.
00:18:28Here's Tina.
00:18:29Here's Tina.
00:18:39Here's Tina.
00:18:45Oh, yeah!
00:18:48Woo!
00:18:50Oh, yeah!
00:18:52Hey!
00:18:53Yeah!
00:18:54Yeah!
00:18:55Come on, baby!
00:18:57Whoa!
00:18:59Yeah!
00:19:00Yeah!
00:19:03Yeah!
00:19:04Yeah!
00:19:05Yeah!
00:19:06Yeah!
00:19:07Yeah!
00:19:08Yeah!
00:19:09Yeah!
00:19:10Yeah!
00:19:11Yeah!
00:19:12Yeah!
00:19:14Can you take a favor?
00:19:15Can you take a favor?
00:19:30Louise Harmon, I'm looking for some information on a roommate of yours, Tanya Kelly.
00:19:37Isabel Blake?
00:19:38I'm sorry?
00:19:39Isabel Blake?
00:19:40Yeah?
00:19:41You know where she is?
00:19:43No.
00:19:48I was supposed to see Detective Schuyler.
00:19:50Well, I'm sorry, but he's tied up right now.
00:19:53Look, did it occur to you that there might possibly be some connection between the death of this Andrea girl and the disappearance of my sister?
00:20:00Yes, sir, it has, but what we're working on is an apparent suicide.
00:20:04When I saw that Andrea girl this morning, she didn't look like anybody who was about to commit suicide.
00:20:09Well...
00:20:10You a psychiatrist, Mr. Blake?
00:20:12What do you mean?
00:20:13I talked to the same woman less than three hours ago, and I couldn't tell whether she was up, down, or sideways.
00:20:19Louise Harmon just identified the body. Take a statement from her.
00:20:22Okay, Frank.
00:20:23Uh, that stuff you wanted? Right there.
00:20:26Take a seat.
00:20:33Would you like a cup of coffee?
00:20:34No, I'd like some answers.
00:20:35Mr. Blake, when you've been dealing with their kind as long as we have...
00:20:40Their kind? Just what are you implying?
00:20:43Sorry, but it seems like your sister has not exactly been a good little girl. We have a few minor drug charges. We have one, two, three charges of soliciting.
00:20:53It's nothing big.
00:20:55But it's nothing good either.
00:21:00We're gonna do our best to find her. I can promise you that.
00:21:05You can help. You can talk to Louise Harmon. We've been questioning her about her dead roommate. Maybe she'll open up for you.
00:21:12Louise?
00:21:21Can we talk?
00:21:25Maybe it was a mistake. My leaving. If I'd seen her.
00:21:41If I'd stayed, perhaps Isabelle.
00:21:50Isabelle never talked much about her family.
00:21:54She never talks much about anything.
00:21:57How did you two meet?
00:22:00Well, we were both working at this little dive out in the suburbs.
00:22:04In the attic.
00:22:06More like a goddamn cellar.
00:22:12Anyway, Tanya, Isabelle, needed a place to crash.
00:22:16And we thought, what the heck, you can always use another roommate.
00:22:20And Andrea and me.
00:22:22I'm sorry about your friend.
00:22:29Louise.
00:22:33The police said that Isabelle has a record for soliciting.
00:22:39Is she a prostitute?
00:22:41Is she a prostitute?
00:22:46You never stabbed me.
00:22:54If that's true, does she have a pimp?
00:22:57Louise.
00:23:07His name is Fixer.
00:23:09Where can I find him?
00:23:11You can't.
00:23:12And even if you could, you shouldn't.
00:23:14He snuffed a dealer a couple weeks ago and is very dangerous.
00:23:18Take me to him.
00:23:20Not a chance.
00:23:24You know, Louise.
00:23:27If you were willing to cooperate with me, I could make it worth your while.
00:23:33You prick.
00:23:35I may show my ass, but I don't sell it.
00:23:38And I don't sell anything else either.
00:23:41Your little sister is making her life a pile of shit.
00:23:44That doesn't give you the right to treat the rest of us like dirt.
00:23:48I didn't mean...
00:23:49I know exactly what you meant.
00:24:04...
00:24:16Louise!
00:24:18Thank God!
00:24:34And then he ran right past me, almost knocked me down.
00:24:37What did the cops say?
00:24:38Oh, they wrote it all down.
00:24:41I'm sure they didn't believe me.
00:24:43They looked at me like I was shit.
00:24:45Like they always do.
00:24:54Dolly, did you get a look at his face?
00:24:55No, it was too dark. It all happened so fast.
00:25:04I'm sure he saw me, though.
00:25:07God.
00:25:10Christ.
00:25:11What am I going to do?
00:25:34What am I going to do?
00:25:53I'm sorry.
00:25:54guys who follow me around make me nervous what are you doing here
00:26:08i came to apologize for last night you come to a funeral to apologize
00:26:12look maybe i didn't know your friend but you're damn straight you didn't know her
00:26:15you think you've got us all pegged well mr blake i don't much care what you think of me but andrea
00:26:23she was special you don't belong here i have to find isabel and you're the only one who can
00:26:33help me i don't have time to look around for somebody's little sister i've got my own life
00:26:38to worry about now if you'll excuse me may i at least offer you a ride somewhere we can talk in
00:26:45the car sure you can drop me off at your dad's tv studio i've got an interview there for the telethon
00:26:51but i still can't help you i can't believe you my sister's out there nobody even knows where the
00:27:00hell she is quite possibly she's in a lot of trouble and she may need help and all you care
00:27:05about is the goddamn telethon you don't give a damn about isabel do you well if making a quick buck
00:27:13means more to you than my sister's life i guess i'm just talking to the wrong person
00:27:18wh mondo
00:27:21isabel do
00:27:26isabel do
00:27:28what
00:27:28isabel do
00:27:33is3
00:27:35is2
00:27:35am
00:27:39mm
00:27:40hmm
00:27:41I've been thinking maybe you'd like to perform for the telephone, hmm?
00:28:12It'd be great for you, Eric.
00:28:14No, it'd be great for you.
00:28:17You and my father.
00:28:19Listen, my father and I have a deal.
00:28:21He does nothing for me, and I do nothing for him.
00:28:25Crude, but it works.
00:28:27You're not being fair, Eric.
00:28:30Your father is a real humanitarian.
00:28:33A truly great man.
00:28:35My father is not a truly great man.
00:28:37He's just always had a great PR man.
00:28:39He drove my mother to an early grave.
00:28:42He drove me out of the house, and he drove my sister.
00:28:47Why don't you just leave?
00:28:50Have it your way, Eric.
00:28:51Why don't you leave me there?
00:28:52Why don't you leave me there?
00:28:53Why don't you leave me there?
00:28:54Why don't you leave me there?
00:28:55Why don't you leave me there?
00:28:56Why don't you leave me there?
00:28:57Why don't you leave me there?
00:28:58Why don't you leave me there?
00:28:59Why don't you leave me there?
00:29:00Why don't you leave me there?
00:29:02Why don't you leave me there?
00:29:04Mark, is that you?
00:29:34Oh, Christ, Dolly.
00:29:41Tina, I am so spooked.
00:29:45No kidding.
00:29:51I'm getting out, Tina.
00:29:53Well, I'll see you tomorrow, then.
00:29:55No, I'm right out of town.
00:29:57This is no place for a nice girl like Dolly.
00:30:04No, you're right.
00:30:11I'm not.
00:30:21Oh, my God.
00:30:22Oh, my God.
00:30:23Oh, my God.
00:30:24Oh, my God.
00:30:25No!
00:30:51Oh, my God.
00:31:21Oh, my God.
00:31:51No!
00:32:21Get me out of here!
00:32:23Get me out of here!
00:32:25Get me out of here!
00:32:27Hi, Tony Shaw here, inviting you to tune in this New Year's Day for the Unisave Telephone.
00:32:42Do you really need those?
00:32:44Yeah, I do.
00:32:45Somebody tries to kill me, I get a little nervous, you know?
00:32:48Do you mind?
00:32:50I still think we should report this to the police.
00:32:54You have a right to some protection.
00:32:56Are you from Mars?
00:32:59As far as they're concerned, we ask for any trouble we get.
00:33:03One of the girls at the club went to the labor union to see about our rights.
00:33:06You know what she got? Proposition, that's what.
00:33:09We got lots of protection.
00:33:11Well, the police are investigating Andrea's death.
00:33:15You think that's why they were at the funeral?
00:33:20They were taking down names, making lists of known degenerates so that they could protect other people from us.
00:33:28Look, if it's that bad, then why don't you quit?
00:33:32And do what?
00:33:39So why did you go back there anyway?
00:33:41I wanted to apologize again.
00:33:45Louise, I need your help.
00:33:47You're the only one who can help me find my sister.
00:33:49We'll find her, Eric.
00:33:51Oh, listen, can you drop me off at the club?
00:33:54I have to see Dolly.
00:34:10I'll miss you, Dolly.
00:34:13I'll miss you, too.
00:34:15You're a class act, Louise.
00:34:17What will you do?
00:34:21I don't know.
00:34:25Settle down in some nice little town, get married, have some kids.
00:34:32Oh, Christ.
00:34:37Bye.
00:34:38When I get where I'm going, I'll phone and leave a message in your service, okay?
00:34:44I'm nervous, okay?
00:35:05Hey, hey!
00:35:07Come on!
00:35:08Come on!
00:35:09Come on!
00:35:10Come on!
00:35:11Come on!
00:35:121, 2, 3, 4, 5, 4, 5.
00:35:171, 2, 3, 4...
00:35:22Hey, nome is to do it, right.
00:35:25If you're gonna come and call.
00:35:292, 3, 4, 5, 6...
00:35:33And if you can't do it right.
00:35:35Don't be okay.
00:35:38Oh, God, God, there, God!
00:35:39One, two.
00:35:40God, I don't know.
00:35:41Say, now, Mr. Do It Right, if you're gonna come and call.
00:35:56Don't do it.
00:35:59Don't do it.
00:36:03Oh, I used to live in life.
00:36:07I used to live in life.
00:36:10I never waste my time on in between.
00:36:15If you can't stand up to what I'm about,
00:36:20then you'll be checking in as I'm checking out.
00:36:24Out.
00:36:26Out.
00:36:28Out.
00:36:35Oh, say, I've been to Do It Right,
00:36:38If you're gonna come and call,
00:36:41Oh, if you can't Do It Right.
00:36:46Oh, if you can't do it right.
00:37:16Oh, no!
00:37:46All right, good night.
00:38:12Listen, buddy, nobody gets into our files.
00:38:15What would our clients think?
00:38:16Look, I appreciate your integrity.
00:38:18I really do.
00:38:19But the client in this case is my sister,
00:38:21and she's been missing.
00:38:22Forget it, Joy Boy.
00:38:24The boss says nobody gets into the files,
00:38:27and what the boss says goes.
00:38:29Oh, hello.
00:38:31You got a 20 on you?
00:38:33No, I'm sorry.
00:38:34There are no messages.
00:38:36That's right.
00:38:37Good night.
00:38:38You still here?
00:38:39Maybe we could make it worth your while.
00:38:41You guys cops or something?
00:38:44You ain't no cops.
00:38:45They got budgets.
00:38:47What was that name?
00:38:48Kelly?
00:38:49Tonya.
00:38:50Tonya Kelly.
00:38:56Yeah, here they are.
00:38:59Not many.
00:39:00I guess she didn't have too active a social life.
00:39:04Look, you want any more?
00:39:06Won't cost that much.
00:39:13Look.
00:39:15The same number.
00:39:16And this one was...
00:39:18Just three days ago.
00:39:19Right.
00:39:19Do you mind if I use your telephone?
00:39:23Thanks.
00:39:32Sundown Motel.
00:39:34Hello?
00:39:35Um, may I speak to Tanya?
00:39:37Tanya who?
00:39:38Tanya Kelly.
00:39:39Never heard of her.
00:39:40Wait, wait, wait, wait.
00:39:40Don't hang up.
00:39:41Um, how about, uh...
00:39:43Fix her.
00:39:43Fix her.
00:39:47It's something called the Sundown Motel.
00:39:50Oh, shit.
00:39:51You know it?
00:39:53I know of it.
00:39:56Come on.
00:39:57Come on, move.
00:40:20Ow!
00:40:20Shut the fuck up, lady, or her boyfriend loses his face.
00:40:24Throw the purse on top of the car where I can reach it.
00:40:28Come on, lady, or I'll cut her fucking eyes out.
00:40:31Take it!
00:40:38Come!
00:40:41Eric!
00:40:42Eric!
00:40:46Eric!
00:40:47Are you okay?
00:41:11You look sick.
00:41:13That was really something back there.
00:41:15You don't look like the type.
00:41:17I'm not.
00:41:19I was just scared.
00:41:21When I'm scared, I...
00:41:24I'm scared too, Eric.
00:41:30Now that Dolly's left,
00:41:33I don't want to go back there alone.
00:41:36Maybe I could stay with you tonight at your hotel?
00:41:41I could sleep on a couch.
00:41:43I could sleep on a couch.
00:41:51And...
00:41:52I got this one.
00:41:54Advice.
00:41:56Hmm.
00:42:01You know what I think?
00:42:02Hmm?
00:42:03The pain connect the bases.
00:42:04One, two, three.
00:42:08So you don't buy the suicide story?
00:42:10I never did.
00:42:10Well, this guy's name's Mark Cole.
00:42:15Checked his priors.
00:42:16Strictly small potatoes.
00:42:19Who wouldn't hurt to bring him in for a chat?
00:42:22What about, um...
00:42:23Harmon and, um...
00:42:25Tina, what's her name?
00:42:25Do you want to put a tail on her?
00:42:27For their own safety?
00:42:28Yeah.
00:42:30Come on.
00:42:30I want you to quit.
00:42:37What?
00:42:40I don't want you to strip anymore.
00:42:43Have you seen my eye shadow?
00:42:45You know, that, that, that sparkly gold stuff?
00:42:47You don't have to work here anymore.
00:42:49I heard you.
00:42:51Must be in my bag.
00:42:53What?
00:42:53The eye shadow.
00:42:54I need it for tonight.
00:42:56Here it is.
00:42:58That stuff makes my eyes water.
00:43:00I, I don't know why I wear it.
00:43:02You see, Guy's wearing the stuff now, you know?
00:43:04New way they're...
00:43:05Listen to me.
00:43:07Why can't you get another job?
00:43:11Wait on tables.
00:43:12Be a reception to anything.
00:43:13Drive a fucking truck.
00:43:14The thought of you on that stage taking your clothes off for a bunch of drunken assholes.
00:43:24You're driving me crazy.
00:43:27I love you too much for that.
00:43:31I know you love me.
00:43:33I love you, too.
00:43:36This is the only business I know, you know?
00:43:40I just need a little more time, that's all.
00:43:43Okay?
00:43:44Guess what?
00:43:51I've got an audition tomorrow morning for that telethon with Tony Shaw.
00:43:55Congratulations.
00:43:57Give me a smile.
00:43:59It's got to be better than stripping.
00:44:01If the last 48 hours is any indication of your lifestyle, then perhaps you're right.
00:44:06Nothing in the last 48 hours was any indication.
00:44:10Except my dad.
00:44:13Tonight I rather enjoyed it.
00:44:14Do you enjoy taking your clothes off in front of perfect strangers?
00:44:18Nobody's perfect.
00:44:23They're an audience, just like yours.
00:44:24When I'm dancing up there, all they can do is look.
00:44:30They don't touch me.
00:44:32Unless I let them.
00:44:39When I want someone to touch me, they'll know.
00:44:42Tell me, tell me before I break your damn neck.
00:44:55Tell me, tell me before I break your damn neck.
00:45:11I tried to be nice, didn't I?
00:45:14Yeah.
00:45:15But now you're ready to talk, aren't you?
00:45:17Yeah, yeah, yeah.
00:45:18But Jesus Christ, just let me go.
00:45:20Tanya Kelly, where is she?
00:45:21Mr. Gardner, mister, I don't know.
00:45:24You better tell me what you do know.
00:45:30Tapes.
00:45:32Videotapes.
00:45:33Yeah.
00:45:34Of the girls and their customers.
00:45:37Well, not all of them.
00:45:39Just some.
00:45:40What did one have to do to qualify?
00:45:42I mean, qualify.
00:45:45Who got taped?
00:45:48You know, it's got big shots.
00:45:52Who decided who got taped?
00:45:56Fixer.
00:45:59Yeah.
00:46:01Yeah, it was his scam.
00:46:02I didn't have nothing to do with it.
00:46:05He made me.
00:46:07He's crazy, mister.
00:46:09Real crazy.
00:46:11How were the tapes made?
00:46:12In the usual way.
00:46:15Play mirror.
00:46:16Camera in the other room.
00:46:20I want the tapes.
00:46:22I don't have them.
00:46:23I wish I did.
00:46:25Who has them?
00:46:27Fixer.
00:46:28Yeah.
00:46:30And I suppose you don't know where he is, right?
00:46:32No.
00:46:37I don't.
00:46:38I swear to God, I don't know.
00:46:40You chase your dreams of good.
00:46:45And even though you find them,
00:46:48you see that you grow old.
00:47:04Turn slowly.
00:47:04Okay.
00:47:06That's good.
00:47:08No, a little slower.
00:47:11Now hold it there.
00:47:13Okay, now stretch up.
00:47:14Up in your toes.
00:47:16That's fine.
00:47:16Hold it.
00:47:19You're a dancer, right?
00:47:20Yes.
00:47:21It shows.
00:47:22You have good legs.
00:47:24Let's see more of them.
00:47:26I'm sorry.
00:47:27Take off your skirt.
00:47:28Now the blouse.
00:47:42But I don't...
00:47:43Look, lady, do you want this job or not?
00:47:45Move on.
00:48:05What else?
00:48:06Hold it a minute.
00:48:08That's it for the day, Frank.
00:48:10Wrap it up.
00:48:11If you get the job, you'll be expected to wear a bra.
00:48:14Pay a scale. That'll be all, Miss Harmon.
00:48:17We'll let you know.
00:48:28I didn't even know you'd left.
00:48:31You're a deep sleeper.
00:48:34Among other things.
00:48:49Now.
00:48:52How about Fixer?
00:48:55No.
00:48:57Louise.
00:48:59It's important to me.
00:49:04Well, he's usually down there.
00:49:06But we'll check back later tonight, okay?
00:49:08Meanwhile, let's look down the street.
00:49:09Oh, hey, Jojo.
00:49:10Hey, have you seen Fixer?
00:49:13Whatever.
00:49:15Louise.
00:49:16Oh, come on. Let's go, Eric.
00:49:22Come on, you may have seen him.
00:49:24Willie, have you seen Fixer?
00:49:26No.
00:49:27I haven't seen him for a week.
00:49:29Come on, Eric. Let's go.
00:49:30Come on, Eric. Let's go.
00:49:31We're here.
00:49:33Hey, you guys see Fixer?
00:49:34No.
00:49:35No, you haven't seen.
00:49:37No, no.
00:49:38No, no.
00:49:39No, no.
00:49:40It's so loud.
00:49:42We're here.
00:49:44Oh, hi.
00:49:45No.
00:49:46No, no, no.
00:49:49Oh, hi.
00:49:50Hey, you guys see a fixer?
00:50:07So we're back where we started from.
00:50:10It's, uh, not past seven.
00:50:13I'm late for work.
00:50:15Want to come back for an encore?
00:50:18I'd love to.
00:50:19But I'm going to keep looking.
00:50:21I think I'll check this place out one more time.
00:50:27See you later.
00:50:39Eric, please be careful.
00:50:40He carries a gun.
00:50:49No.
00:50:55No.
00:50:57No.
00:50:58No.
00:51:01No.
00:51:08No.
00:51:09No.
00:51:11I'm Tonya's brother.
00:51:34Shit.
00:51:36How's that for a kick in the balls?
00:51:39She never told me about no brother.
00:51:41Though she probably couldn't even remember you.
00:51:44What do you mean?
00:51:45Come on, man.
00:51:46She's wired.
00:51:48She was starting to freak out the Johns, and that's bad for business.
00:51:51Where is she?
00:51:52I don't know, man.
00:51:54Nowhere.
00:51:56The tapes.
00:51:57The videotapes.
00:51:58I want them.
00:52:03Okay.
00:52:03Okay.
00:52:04Rayhound number 337, leaving from Chicago, is leaving at 10.15 p.m. at gate 11.
00:52:15Rayhound number 443, arriving from Detroit, will be late, will be arriving at 12.30 this morning.
00:52:26Rayhound from Oshawa, will be arriving at 6.15.
00:52:32Hello?
00:52:52Hi.
00:52:53It's me.
00:52:54Did I wake you?
00:52:55No.
00:52:56Are you sure?
00:52:57Did you find him, Eric?
00:53:01Yeah.
00:53:02I'm sitting here watching these lousy videotapes right now.
00:53:05You got him?
00:53:07Yeah.
00:53:08Are you okay?
00:53:09I'm fine.
00:53:11I'll tell you about it in the morning.
00:53:12Oh.
00:53:14I might not be here.
00:53:15I got the telethine job.
00:53:18Congratulations.
00:53:19I think.
00:53:20Yeah.
00:53:21So, I have to stop by at home and pick up my wardrobe.
00:53:25I'll call you after rehearsal, okay?
00:53:27Take care of yourself, understand?
00:53:31Louise?
00:53:36I think I'm beginning to like you quite a lot.
00:53:43Yeah, me too.
00:53:57Wally, are you still here?
00:54:13Wally?
00:54:14I don't know.
00:54:14Wally?
00:54:15I don't know.
00:54:15Wally?
00:54:16Wally?
00:54:16Wally?
00:55:18Dina.
00:55:20Dina.
00:55:22Who's there?
00:55:23Who's in here?
00:55:25Wally?
00:55:26Mark?
00:55:27Who's there, god damn you?
00:55:31Who's there, god damn you?
00:55:38Who's there?
00:56:10Here, here, here, here, here.
00:56:29Tina.
00:56:33Tina.
00:56:40Tina.
00:56:46Over here.
00:57:16Over here.
00:57:46Over here.
00:58:16Over here.
00:58:18Over here.
00:58:20Over here.
00:58:22Over here.
00:58:24Over here.
00:58:25Over here.
00:58:26Over here.
00:58:27Over here.
00:58:28Over here.
00:58:29Over here.
00:58:30Over here.
00:58:31Over here.
00:58:32Over here.
00:58:33Over here.
00:58:34Over here.
00:58:35Over here.
00:58:36Over here.
00:58:37Over here.
00:58:38Over here.
00:58:39Over here.
00:58:40Over here.
00:58:41Over here.
00:58:42Over here.
00:58:43Over here.
00:58:44Over here.
00:58:45Over here.
00:58:46Over here.
00:58:47Over here.
00:58:48Over here.
00:58:49Over here.
00:58:50Over here.
00:58:51Over here.
00:58:52Over here.
00:58:53Over here.
00:58:54Over here.
00:58:55Over here.
00:58:56Over here.
00:58:57Over here.
00:58:58Over here.
00:58:59Over here.
00:59:00Over here.
00:59:01it'll be worth it sit down father
00:59:08behind your desk where you belong remember you earned it don't play games with me sit down
00:59:23there's something i want you to see
00:59:24oh my god
00:59:33oh my god
00:59:37how dare you subject me to this me your own father how dare i look at it that's you isn't it
00:59:50no isn't that's you you bastard no you fucking your own daughter but eric that's how you cared
00:59:57for her that's how you loved her you bastard for god's sake you don't understand how long father
01:00:07how long
01:00:12i don't know
01:00:15it's five or six years after your mother
01:00:17i don't know i i loved her rick i loved her she was my only weakness
01:00:23my only weakness she tried to black me shut up shut up all i want to know is where is she
01:00:32where is she oh i don't know i i asked asked tony sean handled i don't know honestly god i don't know
01:00:44what are you gonna do eric
01:00:48what are you gonna do
01:00:51i'm gonna let this tape do it for me it's called pressure father you taught me all about it
01:00:57eric i loved her eric i loved her eric i i loved this
01:01:27oh
01:02:09It all looks so cheap.
01:02:33Cheap?
01:02:34This is the nicest joint in town.
01:02:36Just somebody else's fantasies, Wally.
01:02:38Done up in sparkles and feathers.
01:02:41Women.
01:02:42Even the fantasies are cheap.
01:02:54Maybe you know somebody can use these.
01:02:56I'll take good care of them for you.
01:02:59I'm going to miss you, Lou.
01:03:00Wally, I think I'm in love.
01:03:02By the first time in my life, I feel like I don't have to run away.
01:03:08So why am I scared?
01:03:10You got nothing to worry about, kid.
01:03:12You take care of yourself, Wally.
01:03:27Louise?
01:03:32Louise?
01:03:32Louise?
01:03:53Louise?
01:03:53Louise?
01:03:55.
01:04:32Oh, my God.
01:04:39Louise!
01:04:48Dolly?
01:05:03Hello? Anybody here?
01:05:07Hi?
01:05:09Good morning, Miss Harmon.
01:05:11You're right on time.
01:05:14I admire punctuality.
01:05:17Um, I thought this was a rehearsal.
01:05:19Where is everybody?
01:05:20You're the last.
01:05:23I've been waiting for you.
01:05:24You know me, don't you?
01:05:31Of course. Everybody knows you, Mr. Shaw.
01:05:35Yes, they all know me.
01:05:37And Mr. Blake.
01:05:39And all that we represent.
01:05:40But scum like you, you can't stand that, can you?
01:05:48No, you try to tear us apart with your schemes.
01:05:52I don't know.
01:05:54You dream of dragging us down into your own slime
01:05:58where you can pick at our bones.
01:06:00Oh, my God.
01:06:05But you see, I can't let you do that to us.
01:06:10We tried to help you all.
01:06:13We wanted to drag you out of the gutter that you called life.
01:06:17You, Isabelle, your sordid associates
01:06:22and that miserable little faggot.
01:06:27You all shared in the joke.
01:06:30You all knew.
01:06:32Plotting behind our backs.
01:06:37Why are you doing this?
01:06:39All you scum had to do
01:06:41was to give me the tape.
01:06:44But no, you had to cheat, didn't you?
01:06:45Now, no one will ever know.
01:07:15No, no one will ever know.
01:07:16No, no one will ever know.
01:07:17No, no one will ever know.
01:07:18No, no one will ever know.
01:07:19No, no one will ever know.
01:07:20No, no one will ever know.
01:07:21No, no one will ever know.
01:07:22No, no one will ever know.
01:07:23No, no one will ever know.
01:07:24No, no one will ever know.
01:07:25No, no one will ever know.
01:07:26No, no one will ever know.
01:07:27No, no one will ever know.
01:07:28No, no one will ever know.
01:07:29No, no one will ever know.
01:07:30No, no one will ever know.
01:07:31No, no one will ever know.
01:07:32No, no one will ever know.
01:07:33No, no one will ever know.
01:07:34No, no one will ever know.
01:07:35No, no one will ever know.
01:07:36No, no one will ever know.
01:07:37Oh, my God.
01:08:07Oh, my God.
01:08:37Oh, my God.
01:09:07Oh, my God.
01:09:09Aaron!
01:09:13Louise!
01:09:15Miss Harmon, I've learned a great deal lately about how to use this.
01:09:30Now, I can kill you quickly, no pain, or I can kill you slowly.
01:09:37The way you and your crowd of sick degenerates tried to kill Hamilton Blake,
01:09:42greatest man who ever lived in this country, with your lies and your sordid little blackmail games.
01:09:48Hamilton Blake, Miss Harmon, Hamilton Blake!
01:09:54Mr. Blake proposes, Mr. Shaw disposes.
01:10:00That's how it is.
01:10:02Shaw!
01:10:03Shaw!
01:10:04Shaw!
01:10:05Shaw!
01:10:06Shaw!
01:10:10Shaw!
01:10:11Shaw!
01:10:12Shaw!
01:10:13Shaw!
01:10:14Shaw!
01:10:15Shaw!
01:10:16Shaw!
01:10:17Shaw!
01:10:18Shaw!
01:10:19Shaw!
01:10:20Shaw!
01:10:21Shaw!
01:10:22Shaw!
01:10:23Shaw!
01:10:24Shaw!
01:10:25Shaw!
01:10:26Shaw!
01:10:27Shaw!
01:10:28Shaw!
01:10:29Shaw!
01:10:30Shaw!
01:10:31Shaw!
01:10:32Shaw!
01:10:33Shaw!
01:10:34Shaw!
01:10:35Shaw!
01:10:36Shaw!
01:10:37Shaw!
01:10:38Shaw!
01:10:39Shaw!
01:10:40Shaw!
01:10:41Shaw!
01:10:42Shaw!
01:10:43Shaw!
01:10:44Shaw!
01:10:45I'll let you rule them, huh?
01:10:57Gary!
01:11:15Gary!
01:11:17Gary!
01:11:18Gary!
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