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Short filmTranscript
00:00Congratulations to Dorothy for winning the best original screenplay at the Rising Stars
00:16Media Awards.
00:18We did it.
00:20Three years ago, I was the most sought after screenwriter.
00:25Three years later, I fell in love with Drake.
00:28Give me my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:46Where the hell have you been?
00:48I told you that Stephanie was coming to help set up for my brother's birthday,
00:51and instead of helping us, he just disappeared.
00:54What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:01is because you're nothing more than a free maid.
01:04Otherwise, why would someone like you be allowed to marry my brother?
01:08What?
01:09A maid?
01:10I just hid my identity for the sake of this marriage.
01:14Well, I think Drake's idea is great, and it could be really good for us.
01:18But the risk is way too high.
01:23Dad.
01:24Please.
01:27Okay.
01:28And I'm sure you don't want him to know the real reason why I'm a person.
01:32Think about it, Dorothy.
01:38Since you got married, has he ever even touched you?
01:40How often does he actually come home?
01:43He doesn't even want to look at you.
01:45Let alone sleep with you.
01:47That's enough, Ellie.
01:49We're all here to celebrate Drake's birthday.
01:51I'm sure he wouldn't be happy to see us like this.
01:53Everybody knows that if it weren't for her, you would be married to Drake
01:57instead of being my late brother's widow.
01:59Ellie!
02:00Whatever happened between me and Drake is all in the past.
02:04Besides, I'm carrying Nick's baby.
02:10It's the perfect time.
02:14Oh my god, oh my god, Dorothy just pushed Stephanie into the pool.
02:18What?
02:23Quick, save Stephanie, she's carrying Nick's baby.
02:30Quick, get in there.
02:45He chose Stephanie over me.
02:50My baby.
02:51My baby is gone.
02:54Why would you do this to me?
02:57How dare you?
02:59You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:03Are you happy now that Stephanie's baby's gone?
03:05I didn't do it.
03:06I know you don't want me here.
03:08I told you whatever happened between me and Drake is in the past.
03:11You can hate me however you want to,
03:13but how could you be so cruel as to kill my unborn child?
03:16I didn't do it.
03:17You know me, I would never do that to Stephanie.
03:19Let's apologize to Stephanie.
03:23I'm not going to apologize for something I didn't do.
03:25Apologize to Stephanie right now or I will divorce you.
03:35Divorce.
03:35If you apologize right now, then I'm willing to give you another chance.
03:41It's been three years, Drake.
03:48I gave up everything to be your wife.
03:51You've always kept to the shadows, Dorothy.
03:53I already have a life.
03:55And right now I just want to focus on being on my marriage of Drake.
03:59I thought you would always be by my side, but I was wrong.
04:06The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:11Since you got married, has he ever even touched you?
04:13He doesn't even want to look at you.
04:18Fine.
04:20Let's get a divorce.
04:21There's nothing left in my heart.
04:31Drake's nothing without me.
04:34Ah!
04:35My ring!
04:37My ring is gone!
04:39Well, you must have taken it.
04:41Why would I take her ring?
04:43Well, look how quickly you packed your suitcase.
04:45You're probably seeing someone else.
04:47Dorothy.
04:47We were married for three years.
04:52Were you seeing someone else?
04:53Of course she was.
04:54She'd probably been cheating on you for a really long time.
04:57Couldn't wait for the divorce.
04:59So what if I was, huh?
05:01And what about you?
05:02Still hung up on your so-called sister-in-law?
05:05What gives you the right to talk about me?
05:08I only look after Stephanie because she's my brother's widow.
05:12But you actually seeing someone else?
05:14Who is he?
05:15Big talk!
05:15Don't bring me down to your level.
05:18I'm not like you.
05:21Since your sister-in-law lost her ring,
05:24why don't you take...
05:30this one?
05:36You've been waiting for this for a long time, haven't you?
05:43Bye.
05:43Bye.
05:45And so I left.
05:54This is ridiculous!
05:57We, the Bennett family, are one of the four major production companies in the world.
06:01I let him marry my daughter and even invest it in his business.
06:05How dare that Drake do this to my daughter!
06:09Look, it's actually good for my dad.
06:11Now we know who he really is and he has no idea who I am.
06:17Still, you're my daughter.
06:19I can't let him do this to you.
06:21If it weren't for you, I would not have considered investing in his company.
06:24We're going to pull our investment immediately.
06:27Yes.
06:27It's time to cut him off.
06:29He doesn't deserve you.
06:31I'm over Drake.
06:32If we withdraw the plans now, it's going to hurt the family business.
06:37He's not worth it.
06:40Honey, why don't you just take a vacation?
06:45Oh, just put all this aside and take some time out for yourself.
06:49Yeah.
06:50I've wasted too much time with Drake over the three years.
07:00You know, now I want to focus on something that actually matters.
07:05You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:11Universal, Paramount, every major studio wants this.
07:15Liar's Game, your story on the big screen.
07:22If you're in, I'd be happy to be the one headlining it.
07:24Oh, so that's why they're making it, because of you.
07:28I'm sorry, Christopher Santoro.
07:30See, they're not funding the film.
07:33They're funding you.
07:34Oh.
07:36They're funding the story.
07:38It's more than good.
07:40It's phenomenal.
07:42Christopher is right.
07:43I'm taking my life back.
07:49I'm going to adapt to myself.
07:52You are?
07:54Yes.
07:55I will.
07:57Good for you.
07:59I won't tell anyone unless you.
08:00Congratulations to Aria Wong for winning the best director.
08:18This is my close friend from college.
08:21Aria, I need your help.
08:23I want to adapt to Liar's Game myself, and I want you to direct it.
08:28Of course.
08:30All right.
08:31Okay.
08:32There's just one thing.
08:33I want to keep my identity as the writer a secret.
08:37I don't want anyone to know, especially not the team.
08:41SQ.
08:42Are you sure?
08:43But why keep it a secret?
08:45I just want people to focus on the story itself.
08:47Got it.
08:49Your secret's safe with me.
08:51Hey.
08:52Yeah.
08:53Oh my God.
08:54That's so cool.
08:55That's so cool.
08:57Dave.
08:58Spit wind.
09:00Ever since news got out about our movie, my phone has not stopped ringing.
09:05Really?
09:12It's Stephanie.
09:13Yeah, just take it.
09:21Hello?
09:22Hello, Miss Wong.
09:24I've heard Liar's Game is being made into a movie.
09:26I'm interested in playing the lead.
09:28Can we arrange an audition?
09:32I'll speak to the writer, and I'll let you know.
09:35Thank you, Miss Wong.
09:36What do you think?
09:41Anyone can audition, right?
09:43As long as they're right for the role.
09:46What happened between me and Stephanie is not important here, so...
09:50Okay.
09:52I'll call her back and let her know.
09:54Mm-hmm.
10:04What about me?
10:06Can I be your hero?
10:13Oh, you mean, uh...
10:15A film, right?
10:17I...
10:18I've never considered anyone else.
10:23I have to take this.
10:25Hi.
10:31You know, I'm not just talking about the film, Dorothy.
10:35It's okay.
10:36I can wait.
10:40I've waited this long.
10:41Well, well, well.
10:47Look who it is.
10:51Why are you here?
10:53Oh, I see.
10:54You're the production assistant.
10:57Well, do your job.
10:59Get me a water.
11:00Stephanie.
11:00I'm not your P.A.
11:01I'm not your P.A.
11:06Look.
11:08It's my first day on set, and I want to buy coffee for the crew.
11:11Why don't you be a doll and mark down everyone's order?
11:15Are you deaf?
11:16Are you deaf?
11:17I'm not a P.A.
11:20Here's a tip.
11:22Go on.
11:24Show some respect, Stephanie.
11:26Do you know who she is?
11:27I want to keep my identity as the writer in a secret.
11:40I don't want anyone to know, especially not the team.
11:43What do you mean?
11:49Who is she?
11:52No one but a lower P.A., I'm sure.
11:54Isn't that right?
11:59Well, actually, she's...
12:01She's just a P.A.
12:06You're right.
12:08So why don't you show me a lower P.A., your acting skills?
12:13Maybe I'll be impressed even by who the coffee's myself.
12:16Watch this.
12:22I loved you once.
12:24Or so I thought.
12:28But now I see that it was all just a lie.
12:31A beautiful...
12:32Painful lie.
12:40You took everything from me!
12:44My dreams!
12:46My future!
12:50See?
12:51There's no soul.
12:52That's not acting.
12:54It's just...
12:55Reciting lines.
12:58Why don't you show her how it's done?
12:59What?
13:01Go on.
13:05Go on.
13:05I loved you once.
13:28So I thought.
13:29I loved you once.
13:30So I thought.
13:33But now I can see.
13:35It was all a lie.
13:36A beautiful, painful, painful, painful lie.
13:42You took everything from me.
13:47My heart.
13:49My dreams.
13:50My future.
13:51My future.
13:52My future.
13:54And for what?
13:57For your own personal gains.
13:59How is that possible?
14:12Dorothy.
14:13That was perfect.
14:15The role is yours if you want it.
14:18No!
14:20This role is mine!
14:22I'm the one with the investment.
14:24Without me, there's no funding for this movie.
14:26Do you want an investment?
14:27Do you even know who she is?
14:30Who is she?
14:36Who is she?
14:37As you know, no one but a PA.
14:41Dorothy.
14:42This movie is important to Stephanie.
14:44I mean, why are you here?
14:45You're not a real actress.
14:46What are you doing?
14:47You're trying to ruin her career.
14:48You're trying to get back at me by ruining her career.
14:50I'm not ruining anything.
14:52If she can't handle the role,
14:54that's on her, not me.
14:56You can't blame this on anyone else.
14:58You embarrassed her in front of everyone.
15:01I mean, I know what you're doing.
15:02You're the one pulling all the strings here.
15:04You're trying to make her fail so you can take her place.
15:06She's using this whole thing to get to you, Drake.
15:09She's been jealous from the start.
15:10Trying to ruin my chances to get back to you.
15:13I know.
15:14I don't want to fight anymore.
15:15Well, I'll just take a look at the script
15:17so maybe we can work something out.
15:20And you were just so damn selfish!
15:23You already care about yourself!
15:25Just give Stephanie her role back!
15:27You know what?
15:30I didn't want to do this.
15:32But I will.
15:33I'll take the role.
15:35I'll play the lead.
15:39I'll play the lead.
15:41No way!
15:41You can't be serious!
15:42She's not even a real actress!
15:44Dorothy's performance was far stronger than yours.
15:50Everyone in the room can see it.
15:54I'm so glad you've agreed to do the role.
15:58Right, it's settled then.
16:00The lead roles go to Christopher and Dorothy.
16:04I will double my investment
16:06if you give Stephanie a role.
16:09You two are just such...
16:17Okay, look.
16:21If the money's on the table,
16:23there's no reason to turn it down.
16:23Let's just...
16:25give her a part.
16:26We have nothing to lose.
16:27I guess that'll be fine.
16:29I'll talk to SQ.
16:31your father's production company is already the biggest investor in your movie.
16:33So, why take Drake's money?
16:34You don't still have feelings for Drake.
16:37table there's no reason to turn it down let's just give her a part we have nothing to lose
16:42i guess that'll be fine i'll talk to sq
16:52your father's production company is already the biggest investor in your movie so why take
16:56drake's money you don't you don't still have feelings for drake no he's an asshole come on
17:07i've got an idea why don't we just give her a character that'll make her miserable
17:15wow mrs suntaro i feel bad now
17:18i only wish you didn't have feelings for drake anymore
17:29how did she land herself the role she's practically a nobody no fan base no real experience
17:36just one good scene doesn't make sense
17:41find out everything you can about dorothy i want all the dirt
17:48director there must be a mistake i'm only a side character and not even in the main scene
17:57you wanted a role we gave you a role i came in with an investment
18:04well you're more than welcome to take it back and leave the set
18:10even a small role in sq's film is going to do great things for your career now is not the time
18:13for you to be messing around fine
18:24two take one action lily you're my best friend how could you do this to me i'm sorry but this is
18:30what the hell are you doing okay take it again from the slap action
18:49cut stephanie why aren't you saying your lines you have to keep going in the scene
18:54i think you've had enough for today we'll just try again tomorrow
19:07did you see her face absolute goal i mean she got what she wanted she asked for a role and that's
19:14what we gave her so seriously her performance is all over the place maybe we should just
19:21cut down on her screen time and we all know the film's better without her slowing us down
19:27you're right i'm not gonna let anyone ruin your story
19:36so if you can just give me something that's a bit more
19:41something about her job
19:42what's going on with my scenes why have so many of them been cut it's a collective decision
19:55fuck that let me talk to the writer
19:58the writer is sq and as you know they never show their face so their decision is final
20:06i'll see you on set in five
20:12i'll see you on set in five
20:20now it all makes sense
20:27now it all makes sense that's the head of the production company
20:32no wonder she got the role let's see how john's wife feels about that
20:42i'll see you on set
20:46everyone i have an announcement to make today will be stephanie's last day on set
20:56you really think i don't see through your little gaze somebody will be walking out that door today
21:02but it won't be me you really think you can get away with this sleeping your way up
21:12john's wife is on her way let's see how you talk your way out of this one
21:16slut
21:21that's enough
21:26so were you the one who was stalking and secretly taking photos
21:29what scared the truth is going to come out someone had to expose her for who she really is
21:35so you admitted you did it damn right i did and i'd do it again if i had to
21:42you don't know who you just cross oh i know just some rich old bastard throwing a tantrum
21:50i sent those photos to your wife too and now your mistress is about to be exposed
21:56yeah security stephanie is banned from the studio make sure she never sets foot here again
22:03you can't just do that oh this is insane what i have right i was only telling the truth she is a mistress
22:10a loose woman a lady with the knife
22:20is it true that dorothy is john sugar baby otherwise why would he come onto the set and get me banned
22:25from the movie that's unbelievable and he humiliated me he had me dragged off the set like a criminal
22:32you should have seen it i'm not gonna let her just ruin her reputation like this i mean this whole
22:38message is making us look like fools dorothy's always been trouble i mean first she goes off with a
22:45married man and now this i don't know how you put up with her for three years you should have got a
22:52divorce earlier stephanie are you 100 sure that dorothy is john's sugar baby it's the only explanation
23:01she's clearly nothing but a slut oh drake stephanie is your sister-in-law now you need to take care of
23:11her and forget about dorothy can't you see she's the one behind all of this she was sleeping her way to
23:18the top killing stephanie's unborn child and john dragging her off the set you should be sticking up
23:25for stephanie i'm not gonna let her do this to you
23:32do you think you can just walk away from what you did like nothing happened i didn't walk away from
23:50anything you did you chose stephanie over me remember this one well she's my sister-in-law
23:56i'm so sick of hearing this you have feelings for her and i'm just tired of it you're out of your
24:03mind if you think i'm gonna let you get away with this you do what you want to do but for now get out
24:11why
24:17we were married for three years
24:19we'll never
24:20we'll never
24:20we'll never
24:20we'll never
24:20we'll never let go
24:32no wonder you want me to go
24:35just look at yourself you're not half the man christopher is
24:41get out or i will call the cops just go
24:49we'll never get out or we'll never get out or we'll never get out or we'll never get out
24:54are you okay
25:00ready remember safety first the lifeguard's right there if you need him
25:10anything you need to let the ad know okay got it got it
25:19here's a coffee for you thank you it's still early before the shoot take your time
25:49oh
26:00oh
26:14oh
26:19Something's wrong.
26:25That's not acting! She's in trouble!
26:33Where's the lifeguard?
26:38Where's the lifeguard?
26:49Where the fuck is the lifeguard?
27:01Where the fuck is the lifeguard?
27:11Come on, Dorothy!
27:19No!
27:35Why did you do that?
27:38I'll do anything for you, Dorothy.
27:43Christopher risked everything without hesitation.
27:46How could I have been so blind?
28:12I wasn't expecting that.
28:13I don't know.
28:21Where were you? Dorothy could have drowned!
28:23I'm sorry. I had a stomachache. I had to go to the back.
28:26Make sure it doesn't happen again.
28:32Do you think that I should call Dorothy just to make sure she's okay?
28:36Are you still hung up on her?
28:39No.
28:41It's not like that. I'm just trying to be helpful.
28:43Don't you remember, Drake?
28:46She's the one who had me kicked out of the movie.
28:49She's the one who killed my baby!
28:52Not just my baby, but Nick's baby!
28:53I know I'm just her sister-in-law.
28:56Whatever happened between us is in the past, but...
28:59I have no one now.
29:01No husband.
29:03No baby.
29:04What the fuck I have left is you.
29:09Can't you see through Dorothy yet?
29:12She's nothing but a slut sleeping away to the top.
29:14You don't know that.
29:16You know her right!
29:18What else would John come onto the set and stand up for her?
29:22Not just John, but Christopher too!
29:24She's sleeping around with anyone she can find!
29:25She's a whore!
29:26Shut up!
29:37You want war?
29:39I'll give you war.
29:44Do it.
29:46And make sure Dorothy feels every bit of it.
29:49It's okay.
29:53Breaking news!
29:54Unknown actress seduces Hollywood heartthrob.
29:57Rising star or opportunist?
30:00Actress Dorothy's shocking affair with Christopher.
30:03Christopher's new flame for a heartless gold digger.
30:05Dorothy!
30:07Liar!
30:08Hey man!
30:10This is getting out of hand.
30:13Maybe we should just reveal her real identity.
30:16Let everyone know she's not just some random actress.
30:19Christopher, no!
30:24Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:28There's someone behind us.
30:30And whoever they are, I'll make them hang.
30:39Fuck off.
30:46This just can't be right.
30:50I die in the second scene.
30:54This must be Dorothy and John forcing SQ to cut me out.
30:58They won't get away with this.
30:59Trey, can you believe this?
31:00They've completely written me out of the script.
31:01Do you remember when Nick was lying in that hospital bed?
31:02You promised him you'd look after me.
31:04I've already lost my husband and my baby.
31:05I can't lose my career too.
31:06Don't worry.
31:07Don't worry.
31:08Don't worry.
31:09I'll get you your character back.
31:10I'll get you your character back.
31:11I'll get you your character back.
31:12Don't worry.
31:13Don't worry.
31:14Don't worry.
31:15Don't worry.
31:16I'll get you your character back.
31:18Don't worry.
31:19Don't worry.
31:20Don't worry.
31:21Don't worry.
31:22Don't worry.
31:23Don't worry.
31:24Don't worry.
31:25Don't worry.
31:26Don't worry.
31:27Oh someone just said hi to your2435 little sq at home kimono.
31:29There's a tape of a documentary that apparently SQ has always wanted, so if we win this bid
31:45and we gift it to them, we should be able to get you your robot.
31:51Up next, a rare gem.
31:54The original film documentary, chronicling the creative journey of none other than herself,
32:00legendary screenwriter Margaret Lane.
32:0350,000.
32:06What's she doing here?
32:08I don't know.
32:11I'm not going to let her win this.
32:1360,000.
32:1870,000.
32:21100,000.
32:25This is my grandmother's documentary.
32:27It's her legacy.
32:29She's the one who inspired me to become a screenwriter.
32:31I can't let it fall into the wrong hands.
32:36500,000.
32:43500,000.
32:47Trying to get you your robot.
32:51Don't worry.
32:52I've got it covered.
32:53I've got it covered.
32:55Ladies and gentlemen, we are down to the final bid.
32:59Standing at a whopping 500,000.
33:02500,000 going once.
33:04500,000 going twice.
33:07Sold.
33:08To the lady in the blue dress.
33:10I can't believe this.
33:21You have no right to take that film reel with you.
33:29You have no right to take that film reel with you.
33:31What's going on?
33:38Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited
33:47guest.
33:48Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:54This is ridiculous.
33:55I was invited.
33:56Well, in that case, may I see your invitation?
34:01I did have it, I swear.
34:07I'm sorry, Miss Dorothy.
34:09If you do not have the invitation at hand, the documentary reel has to go to the second
34:13highest bidder.
34:14This is the protocol.
34:15Oh, you don't understand.
34:16I'm sorry.
34:24These are the rules.
34:38The documentary reel will go to the honourable couple.
34:54Stephanie, wait.
35:01Just sell it to me.
35:04Name your price.
35:05I'll pay you anything you want.
35:07It's really important to me, please.
35:09Why are you doing this?
35:11Are you just trying to get my attention by going after something that Stephanie wants?
35:15No, you don't understand.
35:17Just let me buy this.
35:20Whatever it takes.
35:22Dorothy.
35:23You think this is about money?
35:25Please.
35:26This isn't something you can just buy.
35:28Dorothy.
35:29What the hell are you doing?
35:32Why do you always have to go against her like that?
35:34This reel is important to Stephanie.
35:36She can use this to help her career.
35:37Her career?
35:39Is this about your role being cut from the bone?
35:43Is that why you're doing this?
35:46I'm the writer.
35:49I'm gonna fix this.
35:51Then you write the story and bring your character back.
35:54Just...
35:55Just let me have the real person.
35:57You're the writer.
35:59Are you telling me that you're SQ?
36:05You!
36:06The writer SQ!
36:07Can you give us a break?
36:08Look.
36:09This reel is important to Stephanie.
36:12End it.
36:13Don't make this harder than it has to be.
36:15You've been with Dorothy for so long and you don't even know her!
36:20Oh and you do!
36:21A hell of a lot more than you!
36:22Who the fuck do you think you are?
36:24Both of you, calm down!
36:25AHHHHHH!
36:26AHHHHH!
36:27AHHHHH!
36:28AHHHHH!
36:29AHHHHH!
36:32AHHHHH!
36:33AHHHHH!
36:34AHHHH!
36:35AHHHHH!
36:36AHHHHH!
36:37AHHHHH!
36:38AHHHHH!
36:39Scratched!
36:40All over!
36:41It's ruined!
36:42Not even fit to be a gift anymore!
36:44I can fix this.
36:45Stephanie, I know someone who can restore it.
36:47Just sell it to me please.
36:48Just name you a price.
36:50Even if I had no use for it, I'd never give it to you.
37:20I want to be a writer like you, Grandma. I want to make movies like you do.
37:29This reel has more than pictures and sound on it.
37:34Really?
37:35An entire world I've captured, but it's just one way of seeing things.
37:41The magic is creating it yourself. Someday you will.
37:50Dorothy, I need you to go apologize to Stephanie and give her her role back.
38:02Apologize? To her? She destroyed the reel.
38:06And she wouldn't have done that if you hadn't pushed her.
38:13So go apologize or I'm pulling my funding.
38:16Look, Dorothy, let's be real here. Without Stephanie, Barry's gonna rest.
38:24Even the production company will call out if they hear that she's not involved anymore.
38:27Her name carries weight.
38:29Let's not pretend that your reputation is exactly stellar right now.
38:32Christopher's fans hate you. Stephanie's fans hate you.
38:36Even if you actually make this film, no one's gonna support her. You will be Barry.
38:42If you apologize to Stephanie even now, I can help you.
38:48I can control the press. I can control the narrative. I can actually give you a chance.
38:54What's so funny?
38:58What's so funny?
39:00Pull your funding? Do it. You'll see it does nothing for the movie.
39:08Okay. So what if I tell the production head to pull his funding too?
39:12Didn't I tell you that I know Mr. Bennett?
39:15No. Go ahead. Quiet.
39:18You want me to call?
39:20Mm-hmm.
39:22Fine.
39:27Hi, Mr. Bennett. It's Drake. Drake Mosbacher.
39:30Yeah, I'm pulling my funding from Liar's Game and I suggest that you do the same thing.
39:33I've seen it and it's a sinking ship.
39:35Ha ha ha ha ha! You pulling out? Great! I'll take full control of the investment. Not a problem.
39:42Not a problem!
39:49So you slept with him?
39:53That's why he's supporting you, isn't it?
39:58Is this how you see me?
39:59The type of woman who would use her body to get what she wants?
40:01What other explanation do you have?
40:04You know nothing about Dorothy.
40:06Apologize to Stephanie. Cut ties with Mr. Bennett and end this.
40:12Dorothy, come back to me. Whatever he's offering you, I'll match it. I'll double it.
40:17You must be out of your fucking mind.
40:20What makes you think I would ever go back to that living hell?
40:23Living hell?
40:24You heard me!
40:26Being married to you was a fucking nightmare.
40:30You made me believe you loved me.
40:32And then you had me waiting in vain for three years, Drake!
40:37You said you always protect me, but then when I need you the most...
40:41You just turned your back on me.
40:44You chose your sister-in-law over your wife.
40:50I've had enough, Drake.
40:51You were my prison.
40:53So just go back to your precious Stephanie.
41:00Let's just go.
41:02Why are you hurt?
41:12Are you okay?
41:20What are you, Steph? What are you doing?
41:21Well, you want me, don't you?
41:22Yeah.
41:23Just kiss me, I'm all yours.
41:24Steph!
41:25You're Luke's wife.
41:26I've always thought of you like a sister.
41:29Sister?
41:31Funny.
41:32Don't you remember when you came to me the night Nick and I got married?
41:34Don't you remember what you said?
41:38Remember this?
41:39Yeah. Why not marry Stephanie?
41:42God.
41:43You were practically begging me not to marry Nick.
41:45No, I shouldn't have said that. I shouldn't have said that.
41:47I don't see it.
41:50What's that?
41:52Oh, it's nothing.
41:53What is that?
41:54No, Drake, no.
41:55Please.
41:58You lied about this.
42:02You lied about this.
42:06You said that Dorothy pushed you into the water, but this shows you shoving her in.
42:11It's a glitch.
42:12A glitch.
42:14So, do you actually expect me to believe that?
42:17What's this?
42:20Find pills off the black market.
42:23Terminate your pregnancy.
42:25It's you.
42:26First time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
42:31Please, no, you have to believe me.
42:33I didn't...
42:34You know what? I've always thought of you like a sister.
42:36I've always taken care of you.
42:37I even thought that I loved you once, but that was before you were Nick's wife.
42:43You changed.
42:47You changed.
42:49You're not the person I thought you were.
42:53I only looked after you because I thought it was my duty as an ex-brother to look after his widow.
42:57I guess there's no need to look after you anymore, eh?
43:02But what does that mean?
43:04You're just going to throw me away?
43:06I'm going to throw you away?
43:08But this is my house.
43:11I'm going to back. I hope you'll be gone.
43:14But you can't just walk away from me like that.
43:16I've said everything that I need to say.
43:18Now I'm going to go find the person that I actually care about.
43:20Oh, Dorothy.
43:26This is all your fault.
43:31Let's take this bitch down.
43:46Dorothy, please.
43:47No.
43:51No.
43:53I was wrong.
43:56I misunderstood everything about you and about us.
44:02Can you please just hear me out?
44:05You think you can just come here and apologise?
44:08After everything?
44:09I didn't mean to hurt you.
44:10I didn't mean to hurt you.
44:13Look, I understand what I did.
44:14But it was just because of Stephanie and anyone.
44:17Can you please just forgive me?
44:20I don't need your apology, Drake.
44:22You let me down.
44:24You abandoned me.
44:26When I needed you the most.
44:28You used me.
44:30Manipulated me.
44:31And now you beg for my forgiveness.
44:34Oh my god, please just don't show me out.
44:36I can fix this.
44:38I can fix that.
44:39I can do anything with Dorothy.
44:40Please, just...
44:42No.
44:44You were never the person I thought you were.
44:47And I'm not either.
44:49I've moved on.
44:50Don't.
44:53I don't need you.
44:57Not like I used to.
44:59Just stay back.
45:01After everything.
45:02Yeah, that's it.
45:15I deserve better than this.
45:20Before you all celebrate this movie, there's something you should know.
45:47Dorothy is nothing but a homewrecker.
45:51What's going on?
45:53A glorified mistress who's been playing the part of a wonderful actress
45:57when all she's really done is ruin lives.
46:02Is it true, Dorothy?
46:03Were you involved with a married man?
46:04What's your response to Stephanie's claim?
46:10This is ridiculous.
46:12Let's talk about how she got here.
46:14Shall we?
46:15She didn't get here off her talent.
46:17Oh no.
46:18She got here by clinging to powerful men.
46:22No real experience.
46:23No skill.
46:24Just a man's name and a man's money.
46:27Security!
46:28Get her out of here.
46:29Wait.
46:30If she has something to say, let's hear it.
46:33Dorothy, it's a trap.
46:35I'm not afraid of the truth.
46:37Let's see what she's got.
46:38What's going on?
46:39So tell us, Dorothy.
46:40How did you get here?
46:41Did you use your relationship with John Bennett to land the part?
46:50A homework, are you saying?
46:51Is there something wrong with me appearing with my own dad?
47:00You're the one who sent me this photo, right?
47:01How about you take another one?
47:02This time, of my lovely family of three.
47:03Dorothy!
47:04Dorothy!
47:05Dorothy!
47:06Dorothy!
47:07Dorothy!
47:08Dorothy!
47:09Dorothy!
47:10Are you really John Bennett's daughter?
47:11Yes.
47:12I bet you never ask my last name.
47:13It's Bennett, by the way.
47:14So Dorothy is the producer's daughter.
47:16Dorothy, so did you use your father to get the part?
47:19Uh-huh.
47:20So it's just nepotism then.
47:21Well even if she didn't fuck her way to the top, she still only got here through her connections.
47:35Whether you like it or not, my performance speaks for itself.
47:38I'm not sure if I'm not sure if I'm not.
47:44I don't know.
47:45I don't know.
47:46I don't know.
47:47connections. Whether you like it or not, my performance speaks for itself. And everyone
47:52here saw it. She was actually really good. Yeah, she handled the movies. Or are you saying
47:57that everyone here is wrong? You think you're so clever, don't you? Fine, you can act a little
48:04bit. But let's be real, you didn't land this role on your own. You just snapped your bony
48:09little fingers and let daddy give you a role. How else would a nobody like you have landed
48:14yourself the lead otherwise? Dorothy isn't just a nobody. She wrote Liar's Game. She
48:23is SQ. Dorothy is SQ. How can that be possible? Liar's Game is a masterpiece. There's no way
48:34you could have written it. You don't have to believe me. Just let the credit speak for
48:39itself. How can this be true? Dorothy Bennett, you're the daughter of the producer and the
48:52famous writer SQ. Why did you keep your identity a secret so long? Why did you keep your identity
49:00a secret so long? Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker, I'm arresting
49:05you on the suspicion of defamation. No, no, no, no, no, I didn't do anything wrong. This
49:08was all Stephanie's idea. I didn't do anything.
49:17This whole time she was actually telling the truth. Dorothy's SQ. She geniused. That's why
49:27she always had a book in her hand. Always writing something on her laptop, always lost in her
49:33thoughts. Didn't you ever see her? Guess I was blind all along. I don't deserve her.
49:49I've missed this place. Don't you remember? Of course I do. We saw so many films here. We
50:12would just stay in our seats and talk about life and everything. But you just made me feel
50:20like I could face more anything, really. God, I used to be so nervous back then. About everything
50:30of the future. But you just made me feel like I could face more anything, really.
50:38No. Someone had to be there to make sure you didn't ever think everything. I remember
50:45you used to unpick every little detail like it was a life or death situation.
50:53You know, Dorothy, life's not been the same without you.
51:02Even when we parted ways, I... I always knew that we would find each other again.
51:08I don't care what we've been through. I don't care what's happened. All I know
51:15is that I need you now. More than ever.
51:21And the award for Best Adapted Screenplay goes to... Dorothy Bennett with Liar's Game.
51:42Wow. Best Screenplay. What, shall I start calling you Your Majesty?
51:51I think that's a great idea. Why don't I start now?
51:55You deserve this. Your Majesty. Every bit of it. Now, since you won, I think this calls for a reward.
52:07Oh, yeah? And what would that be?
52:12May.
52:31Hello.
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