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00:00:00Musica
00:00:30Musica
00:01:00Musica
00:01:02Musica
00:01:04Musica
00:01:06Musica
00:01:08Kimberley
00:01:10I wouldn't come if it wasn't urgent
00:01:12From the top
00:01:14TASS Agency Moscow
00:01:16April the 27th
00:01:18But that's six months from now
00:01:20The death of Sir Philip Kimberley
00:01:22was announced here today
00:01:24Former Director General of British Secret Service
00:01:26Defected
00:01:28It's all here
00:01:30Yes
00:01:32They can't do this
00:01:34Andropov will never allow such a crazy
00:01:35You're out of date
00:01:36Fyodorichuk has taken over
00:01:38Well Fyodorichuk knows I've been an important asset to this country
00:01:40An international figure
00:01:42Oh yes, here we go again
00:01:44I was forced to defect only when that bloody American Michael Strait
00:01:46turned in that little shit blunt
00:01:48And that's another story we all heard before
00:01:50I was gonna get a cabinet post
00:01:52I might even have been Prime Minister by now
00:01:54If you should go back to England now
00:01:56You would not get five years in the House of Commons
00:01:58You would get probably
00:02:0030 years in Brixton jail
00:02:02Is that it?
00:02:04That's what they think?
00:02:06That I'm planning to go back?
00:02:08Crazy
00:02:09You've been restless
00:02:11Discontented
00:02:12A nuisance
00:02:13And a drunken embarrassment for a long long time
00:02:16The worst of them all
00:02:18Even worse than that drunken scum Philby and Burgess
00:02:21And that wretched MacLean
00:02:23But it was last week that you killed yourself
00:02:26At the dinner
00:02:28When you kissed the minister on the mouth
00:02:30But Boris, I was drunk
00:02:32We were all drunk
00:02:33For once in our benighted life
00:02:35We were having a good time
00:02:36But that was before you peed on the table
00:02:39I don't remember
00:02:41I passed out
00:02:42First you passed water
00:02:44Then you passed out
00:02:45Oh, a joke Boris
00:02:47A joke
00:02:48Horas
00:02:57Horas
00:02:58Horas
00:02:59Horas久imbulin
00:02:59Yes
00:03:00Horas久ibedis
00:03:01Horas久ibedis
00:03:07Are you guys what's up
00:03:10Horas久ibedis
00:03:12No!
00:03:13Sons
00:03:17Grazie a tutti.
00:03:47Grazie a tutti.
00:04:17Grazie a tutti.
00:04:47Grazie a tutti.
00:05:17Grazie a tutti.
00:05:47Grazie a tutti.
00:06:17Grazie a tutti.
00:06:48No, wait. Come here.
00:07:50Grazie a tutti.
00:07:52Grazie a tutti.
00:07:54Grazie a tutti.
00:08:24Grazie a tutti.
00:10:54Grazie a tutti.
00:11:26Grazie a tutti.
00:12:28Grazie a tutti.
00:29:30Grazie a tutti.
00:29:32Grazie a tutti.
00:30:02Grazie a tutti.
00:30:32Grazie a tutti.
00:31:02Grazie a tutti.
00:31:04Grazie a tutti.
00:33:04Grazie a tutti.
00:33:34Grazie a tutti.
00:34:04Grazie a tutti.
00:34:34a tutti.
00:34:36a tutti.
00:34:38a tutti.
00:34:40a tutti.
00:34:42a tutti.
00:34:44a tutti.
00:34:46a tutti.
00:34:48a tutti.
00:34:49a tutti.
00:34:50a tutti.
00:34:52a tutti.
00:34:54a tutti.
00:34:56a tutti.
00:34:58a tutti.
00:35:00a tutti.
00:35:02a tutti.
00:35:04a tutti.
00:35:06a tutti.
00:35:08a tutti.
00:35:10a tutti.
00:35:42a tutti.
00:35:44a tutti.
00:35:46a tutti.
00:35:48a tutti.
00:36:20a tutti.
00:36:22a tutti.
00:36:24a tutti.
00:36:26a tutti.
00:36:27a tutti.
00:36:29a tutti.
00:36:31a tutti.
00:36:33a tutti.
00:36:35a tutti.
00:36:37a tutti.
00:36:39a tutti.
00:36:41a tutti.
00:36:43a tutti.
00:36:44a tutti.
00:36:45a tutti.
00:36:46a tutti.
00:36:47a tutti.
00:36:48a tutti.
00:36:49a tutti.
00:36:50a tutti.
00:36:51a tutti.
00:36:52a tutti.
00:36:53a tutti.
00:36:54a tutti.
00:36:55a tutti.
00:36:56a tutti.
00:36:57a tutti.
00:36:58a tutti.
00:36:59a tutti.
00:37:00a tutti.
00:37:01a tutti.
00:37:02a tutti.
00:37:03a tutti.
00:37:04a tutti.
00:37:05a tutti.
00:37:06a tutti.
00:37:07a tutti.
00:37:08a tutti.
00:37:09a tutti.
00:37:10a tutti.
00:37:11Yes? Like dying here?
00:37:15Unfinished business. I have no intention of dying yet.
00:37:19Good. In that case, I'm gonna take you to some friends of mine.
00:37:23They own a hotel. You won't be found there.
00:37:26We could put you up until Friday, but we're booked for Easter.
00:37:29Oh, thank you. That's time out.
00:37:31The name is, uh, Fraser. H. Fraser.
00:37:34Would you and Penny want a table for lunch?
00:37:37No, thank you. I'm really not feeling very well.
00:37:40That's room number eight, Penny. You know the way?
00:37:42Thank you. I do.
00:37:44There. Bright, Chip, and Snit.
00:37:47Fraser H. Why that?
00:37:50Hamish Fraser. My boyfriend.
00:37:52I thought at least I'd know what name you're under.
00:37:54What does he do?
00:37:56United Nations. Works for the narcotics division.
00:38:00Travels the world.
00:38:02Talking of that, he'll be travelling to the cottage this afternoon.
00:38:06I'd better stop him.
00:38:10No.
00:38:12The call box will be safer.
00:38:16There's one downstairs.
00:38:24Oh, no, listen. I'm fleeing the cottage. It's damp and dreary.
00:38:28Can I come and stay at your place?
00:38:30Oh, lovely.
00:38:32Yes. No, I'll be there before six.
00:38:34Oh, and I'm taking the train.
00:38:36The car's playing up.
00:38:40Lovely.
00:38:42No, look. I... I can't really talk right now.
00:38:44I really can't, darling. I'll see you soon.
00:38:46Yes?
00:38:48Big kiss. Bye.
00:38:50Good God.
00:38:56Bangers.
00:38:58How I've missed them.
00:39:00Funny the things one can't forget.
00:39:02Bangers.
00:39:04England.
00:39:06Do you know that Burgess always wore his old Etonian tie?
00:39:14And Philby never wears any tie at all.
00:39:20Hell, I've missed more than sausages.
00:39:24Penny.
00:39:26There are some things I have to tell you, but, um...
00:39:30Not in here.
00:39:32All walls have ears.
00:39:34This is England.
00:39:36The Bull Hotel does not have ears.
00:39:38I've got to be in London by six.
00:39:40You can't go back to your place.
00:39:42I'm not going to.
00:39:44I'm staying with a friend.
00:39:46This Fraser? Fraser H?
00:39:48It's the best thing that's happened to me in a long time.
00:39:52Anyway, I've got a living to earn.
00:39:55I'm all day tomorrow at the Dautista Hotel.
00:39:58Translating at a convention.
00:40:00Clever girl, your daughter.
00:40:02Speaks five languages fluently.
00:40:04Even plodded through a course in Russian.
00:40:06Thought it might be simple.
00:40:08Yeah.
00:40:09You wrote to me.
00:40:14Why didn't you have a write back?
00:40:22Right, sir.
00:40:23What is it now?
00:40:24I'm Mr. Cameron, Scotland Yard.
00:40:26Well, can't you see I'm having breakfast?
00:40:28Tell him to wait.
00:40:29Come right in, Mr. Cameron.
00:40:31He's a nice face.
00:40:32An honest face.
00:40:33Sorry to disturb you so early, sir.
00:40:36No, no, no, no.
00:40:37Tea?
00:40:38No, thank you, sir.
00:40:41I am in charge of fingerprint section Scotland Yard.
00:40:46Now, these are the prints taken from Mr. Milroy's leather chair at the home office.
00:40:56And I went to my office at seven this morning knowing it is urgent
00:41:01and I'm off to see my wee daughter for the weekend.
00:41:04She's married now.
00:41:05Indeed.
00:41:06The matching prints.
00:41:08You will see, sir, why I felt it best.
00:41:10Come straight to you.
00:41:12Good God.
00:41:13Aye.
00:41:16Philip Kimberley.
00:41:17You see, sir Philip, when he first went to MI6, was screened by us.
00:41:22We did a proper job, unlike some other departments.
00:41:28Impossible.
00:41:30Can't believe it.
00:41:31Seeing is believing, sir.
00:41:37Oh, God.
00:41:38But I saw the man who made these prints.
00:41:42He's half Kimberley's age, for a start.
00:41:45A prints can't lie, but the face of a man.
00:41:51And women, too, so I've been told.
00:41:53Aye.
00:41:54And even criminals to create a new identity.
00:41:57Bless you, Cameron.
00:41:58The prints do not lie.
00:41:59They transformed him and brought him here for a purpose that only he could accomplish for them.
00:42:12One thing, sir, why did they not burn off his fingerprints with acid?
00:42:16Because, Cameron, they had no intention of ever letting him out of their clutches until he'd fulfilled his purpose.
00:42:22But he defected.
00:42:28The dear, lovely, talented rascal, not finished with his chess game skin.
00:42:37For a second, I believe it.
00:42:40Seriously?
00:42:44In the mornings, plenty of choke, no acceleration.
00:42:47She has her habits.
00:42:50Will you be all right?
00:42:51Ress my ribs, I'll leave.
00:42:53Only if you take care of yourself.
00:42:55Go back to the hotel and rest.
00:42:57You must take those antibiotics.
00:42:59You don't want to get blood poisoning.
00:43:01What do women use to change the colour of their hair?
00:43:05Shampoo rinse.
00:43:07Shampoo rinse?
00:43:09Yes, you can buy it in a chemist.
00:43:11Take this.
00:43:13When I come back, I shall bring 200 pounds.
00:43:16Emergency money.
00:43:21Take care.
00:43:51Your driving licence, please.
00:43:55Excuse me, officer.
00:43:57Nothing wrong with your eyesight, I suppose.
00:43:59No, officer.
00:44:01Prohibited zone.
00:44:0450 quid fine and your licence endorsed.
00:44:08Well, this must be something new here,
00:44:10because I haven't been back in the old country now,
00:44:12what, for 20 years.
00:44:14American. Tourist?
00:44:16Well, kind of a tourist.
00:44:17I have British passports to do.
00:44:19I'm very proud of that.
00:44:20But I've lived in Oklahoma now for 30 years.
00:44:22I drill oil for a living.
00:44:24Well, in the interests of British economy,
00:44:27now that you know, don't do it again.
00:44:29Thank you, officer. I sure won't.
00:44:31And as they will keep saying in your country,
00:44:33have a nice day.
00:44:34You too, sir.
00:44:46Do you get any with your hand?
00:44:47No, of course.
00:44:48The wilderness.
00:44:49I've got a nice Arctic truck.
00:44:50I've got a nice heart attack.
00:44:51I'm not here.
00:44:52I've got a nice heart attack,
00:44:53but I can't do it again.
00:44:54I feel like in your country,
00:44:55I'll see.
00:44:56I don't know if you have to do it again.
00:44:57I feel so, I love you.
00:44:58You've got to do it again...
00:44:59Oh, of course.
00:45:00I feel so.
00:45:01I feel so.
00:45:02If you do it,
00:45:03you can do it.
00:45:04Grazie.
00:45:34I'm just about to lock up.
00:45:36We're just leaving.
00:45:37Thank you, ladies.
00:45:41I don't want to disturb you. There's no hurry at all.
00:45:43It's just a prayer of thanks to be here again for a long time.
00:45:47As you see, we're preparing for one of our big Sundays, the ascension into heaven.
00:45:51I sometimes feel we ought to be more dramatically reminded of the descent into it.
00:45:55Goodbye, Mrs.
00:45:58I see you're admiring our angel.
00:46:00Yes, I remembered her from the war.
00:46:03Of course, in those days, I too had wings.
00:46:05Ah, a flyer.
00:46:06Yes, I was stationed here about.
00:46:08In and out of Woburn, training.
00:46:10Ah, you were one of those, eh?
00:46:11I was out in the desert, 7th Armored.
00:46:13Fighting for a better world.
00:46:15Yes, and I'm afraid we have to keep on doing it.
00:46:18Choir practice tonight.
00:46:22Rehearsed for this Sunday.
00:46:24Meanwhile, it's brightening up a bit.
00:46:26I'm gonna try and get in a round of golf.
00:46:31Well, then.
00:46:33Goodbye.
00:46:34Maybe we'll meet again one of these days.
00:46:35Oh, I doubt it.
00:46:36Have a good ascent.
00:46:37Bye-bye.
00:46:38We'll be white.
00:46:39Oh, of course.
00:46:41Have you been and I got out of the pool?
00:46:43Bye-bye.
00:46:47I got out of gym.
00:46:48I got out of gym.
00:46:49I got out of gym.
00:46:50But I got out of gym, but I got out of gym, isn't it?
00:46:53That's OK.
00:46:54And they've got at the gym?
00:46:55I got out of gym.
00:46:56I got out of gym.
00:46:57I got out of gym, I got out of gym and I got out of gym.
00:46:59Sì, sì.
00:47:29Sì, sì.
00:47:59Suse?
00:48:01Penny?
00:48:02I've been ringing you everywhere.
00:48:04Have you?
00:48:05Is the dragon out?
00:48:06Dragon's always out.
00:48:07No customers anyway.
00:48:08Might as well dust down the Albert Hall.
00:48:10Listen, Jamie's back, so I'm staying with him.
00:48:12Moving in?
00:48:13Lucky you.
00:48:14No, no, no.
00:48:15Not quite like that.
00:48:16Trying to.
00:48:17Thanks, Penny.
00:48:19Don't answer the phone.
00:48:20I won't.
00:48:21I thought you might like to stay there with Ginge.
00:48:24That is still Ginge, isn't it?
00:48:25Still Ginge.
00:48:26I told Mother I was staying with you.
00:48:28Want some tea?
00:48:29No, thanks.
00:48:30I must go and get supper.
00:48:31I've got to create a good impression.
00:48:33Oh, don't lose my keats, please.
00:48:34You know my bag.
00:48:35Safe as houses.
00:48:36Could live for a week on everything that's in it.
00:48:38Ciao.
00:49:06Come here, hon.
00:49:07Come here, we're in it.
00:49:08Come here.
00:49:09Come here.
00:49:10Come here.
00:49:13Come in, Ginger.
00:49:43Hello?
00:49:50Yes, ma'am.
00:49:53I hate to disturb your amative carnalities,
00:49:56but I do require you in the office with Chorley first thing in the morning.
00:50:00What? Russian?
00:50:03Not a word.
00:50:06And you have received my letter with instructions?
00:50:11Yes, yes. It arrived first thing this morning.
00:50:13I found the snippet of microfilm very interesting.
00:50:18Not that intercept yet.
00:50:20We make exchange in Geneva,
00:50:23but first you pay half of money to Daughter of Kimberley here in England.
00:50:29Agreed. Now, my courier will...
00:50:32You were saying your courier?
00:50:43I was saying... One moment.
00:50:45You can forget the intercepts. It's a waste of time.
00:50:48I was saying my man will meet you at Woburn Abbey at 2 o'clock tomorrow afternoon
00:50:54in front of the sweet shop at the children's zoo.
00:50:57Though your money will be in a red case, you can check it,
00:51:00and then go with my man.
00:51:03My man will escort you to Geneva. You can trust him completely.
00:51:12I am grateful your escort is a safe man.
00:51:15I must leave here now.
00:51:17Perhaps one day you will visit me abroad for a pleasant holiday.
00:51:22If ever I visit you, it'll be to put my boot up, you double-stealing Russian arse!
00:51:31I made all the arrangements at Woburn.
00:51:33The Marquis and Henrietta Tavistock have given us everything we need.
00:51:37So, you'd better get down there pronto. I'll join you later.
00:51:41The Russian's no fool.
00:51:43He knows the playground and zoo will be stiff with kids,
00:51:45so there'll be no guns going off.
00:51:47Plenty of guns to go off, not with the police, the Russians, not to mention ours.
00:51:52Likes to live dangerously, doesn't he, our Kozminski?
00:51:55At least we're going to play straight with him.
00:51:57You're going to make the contact,
00:51:59then you're going to see him off on a Royal Air Force plane to Geneva.
00:52:04Why me?
00:52:05Because you're so good at making contacts.
00:52:07Aren't you, dear boy?
00:52:17You all right, sir?
00:52:37It can't me, sir.
00:52:47Sorry.
00:52:49Who then?
00:52:51It's hard to say.
00:52:53All the lions and their keepers.
00:52:55Them monkeys and those keepers.
00:52:57The giraffes and the giraffe minders.
00:52:59It could be anyone.
00:53:01But to shoot at my car?
00:53:05It could be a stone.
00:53:07You heard the shot.
00:53:09Why, there'd be some people after shooting the squirrels today.
00:53:13Pretty little things, but pestilential.
00:53:15Besides, no car allowed on these side roads.
00:53:19Except for family.
00:53:21Trespassing.
00:53:23Will you be a trespassing car too, sir?
00:53:27Friend of the Marquis.
00:53:35Afternoon, sir.
00:53:37Accident.
00:53:39Can you organize some temporary transport from the carpool and get this repaired?
00:53:41Yes, sir.
00:53:43Somewhere around, I'll show you the temporary HQ.
00:53:45Leave to be armed. Any information to central FB2.
00:53:47FB2 over and now.
00:53:49Sir.
00:53:51Anything moving?
00:53:53One green line driver reports he thinks he saw our man.
00:53:55The section news owner.
00:53:57Ah.
00:53:59Treza.
00:54:01Keep him hiding.
00:54:03Bag these for you, dear boy.
00:54:05Memento mori.
00:54:07Thank you.
00:54:09But to the hunter, he spoils.
00:54:11Field HQ.
00:54:12Yes, dear boy.
00:54:13Your name?
00:54:14Yes.
00:54:15Number.
00:54:16Yes.
00:54:17And with the Bedford Arms, if wanted.
00:54:19Perhaps you could call him at your local police station, then.
00:54:21Thank you.
00:54:22Oh, huh.
00:54:29Like a prick.
00:54:30Hmm?
00:54:32Don't you think it's like a prick?
00:54:33Maybe not like Mr. Miles,
00:54:36but like a big, aggressive prick.
00:54:40Maybe not like Mr. Nance,
00:54:43but like a big, aggressive prick.
00:54:49You think me vulgar, don't you?
00:54:52Oh, yes, I've seen it in your eyes.
00:54:55Paul Caracciolo didn't think me vulgar.
00:54:58Paul liked me,
00:55:00and not many people know I wear a wig.
00:55:03Don't have even old scathe nose.
00:55:06I've four wigs, all different lengths,
00:55:09change them every week until it looks as though I need a trim.
00:55:13Paul Caracciolo liked the medium one.
00:55:17Poor Paul.
00:55:19You were with him, weren't you, at the Waldorf when he...
00:55:23I wasn't with him.
00:55:25I was in California.
00:55:27Take a look at my report.
00:55:29I can see it's a sensitive subject.
00:55:31For you,
00:55:33as well as for me.
00:55:36A melancholy subject.
00:55:38And as far as I'm concerned, closed.
00:55:40Yes.
00:55:42Closed.
00:55:44Tell me about the accident in your car.
00:55:46Did you see anyone?
00:55:48Must have been a stone.
00:55:50I presume you got the report of a woman seeing a Russian on the bus.
00:55:53He wouldn't have been on the bus if scathe had held onto him.
00:55:57Held him?
00:55:58A lame old man up against a Russian thug who would half kill a copper with a single blow?
00:56:03You've always been the admiral's boy, haven't you?
00:56:07Well, I suppose someone has to take his place.
00:56:11Don't you find yourself a little youthful for the role?
00:56:14I'm quitting this service as soon as the Kuzminski file is wrapped.
00:56:18If you quit before, before going to America,
00:56:21Paul Caracciolo might still be alive and well and living in London.
00:56:25Strange.
00:56:27Safety razors are the thing, old boy.
00:56:31These can be dangerous weapons.
00:56:35They do their job.
00:56:37Yeah.
00:56:43I'm just across the corridor.
00:56:45Nice and close.
00:56:47What a curious laugh it is.
00:56:49Well, on with the motley.
00:56:53You won't let on about my wigs, will you?
00:56:56I know.
00:56:58Bad for morale, aren't they?
00:57:02Hello?
00:57:03Hello, Gin.
00:57:04How are you and Suze?
00:57:06What do you mean?
00:57:08I gave her the keys to my place days ago.
00:57:10I thought you were together.
00:57:12She can't be too sick to pick up her telephone.
00:57:15That could be my fault, actually.
00:57:17I did tell her not to answer it.
00:57:19Don't be silly.
00:57:21Of course she hasn't disappeared.
00:57:23Well, I don't really want to go there because of the newspapers.
00:57:26All right.
00:57:27I'll come with you.
00:57:29I'll come with you.
00:57:46Oh, no.
00:57:47How could I?
00:57:48Jesus.
00:57:49Where's Sue?
00:57:50Mrs. Louise.
00:57:51No other rooms?
00:57:52No.
00:57:53That bloody suitcase of hers.
00:57:54She wouldn't move a foot without it.
00:57:55Keys.
00:57:56Where are my keys?
00:57:57Oh, no.
00:57:58Oh, no.
00:57:59Sue.
00:58:00What's the matter?
00:58:01Snap out of it, Penny.
00:58:02No.
00:58:03It's Sue.
00:58:04I'm in terrible trouble, and now she's involved.
00:58:07What trouble?
00:58:08What's happened to her?
00:58:09What's happened to her?
00:58:10I'm in terrible trouble, and now she's involved.
00:58:12What trouble?
00:58:13What's happened to her?
00:58:15Listen, you know me as Penelope Black.
00:58:17That's not my real name.
00:58:18I'm Philip Kimberley's daughter.
00:58:21Sir Philip Kimberley.
00:58:23The spy.
00:58:25Kimberly?
00:58:26c'è un problema
00:58:28cosa ha fatto?
00:58:32tu conosci me come Penelope Black
00:58:34non è il mio nome
00:58:36è Philip Kimberley's daughter
00:58:40Sir Philip Kimberley
00:58:42il spy
00:58:44Kimberley?
00:58:46in Moscow
00:58:48yes
00:58:50quando died
00:58:52sent a man with a message for me
00:58:54they didn't want me to get that message
00:58:56who?
00:58:57the Russians
00:58:58I don't believe a word of it
00:59:00I'm bloody mad
00:59:06listen to me
00:59:07please listen to me
00:59:09he came to warn me this man that I was in terrible danger
00:59:12the Russians would do anything to get their hands on me
00:59:14anything
00:59:15hijack me
00:59:16hijack me to Moscow
00:59:17which is what they've done
00:59:18they thought it was me
00:59:20that van
00:59:22that green van
00:59:24was I here when you arrived?
00:59:25no
00:59:26we pulled off as we were going inside
00:59:28squeaky brakes
00:59:30and what the hell are we whispering for?
00:59:32Penny if you're trying to take the mickey out of me
00:59:34there's only one other person who can help us now
00:59:40if I was you I'd take a couple of days complete rest
00:59:42you look as if you could do with them
00:59:44yes
00:59:46Philip
00:59:48oh hello Penny
00:59:49Penny my love
00:59:50yes yes
00:59:51the place is in complete shambles
00:59:54they've obviously been here the Russians they've taken her by mistake
00:59:57she's probably gone home
00:59:59I must go to the police
01:00:00don't be such a bloody fool Penny
01:00:02you can't go to the police
01:00:04now wait till tonight she'll come to no harm
01:00:06don't be stupid Philip
01:00:08she could be dead by tonight
01:00:09she's no good to them dead is she
01:00:11I mean she's got a tongue in her head
01:00:13she can explain
01:00:14in Russian
01:00:15in Moscow
01:00:16let's both calm down
01:00:18I'll speak to the Soviet embassy myself
01:00:21don't be stupid she might be dead by tonight
01:00:24and another thing Philip
01:00:26there's a green van
01:00:28which has been following me
01:00:30and um
01:00:32it might be the police
01:00:34but more likely it's the Russians
01:00:36Penny
01:00:38do you mean you're speaking to me from your apartment
01:00:42well get out
01:00:44get out now
01:00:45get out
01:00:46you stupid cow
01:00:48the phone is tapped
01:00:50we have to get out of here
01:00:52how about the Russians out there
01:00:53you think they're going to let us blow
01:00:54let us blow
01:00:59go on get the door get safe Jane
01:01:15I'm going to call the police
01:01:16no no you're not
01:01:17no Philip
01:01:18I've got another
01:01:19screw Philip
01:01:24No!
01:01:25No!
01:01:32The window.
01:01:34I'm going to shout for help.
01:01:37Si, doggie.
01:01:39No, no.
01:01:40Si, come over.
01:01:41They won't see you.
01:01:42They'll shoot you.
01:01:45Come over here.
01:01:47Don't do that.
01:01:57They're going away.
01:02:00No, they're not going.
01:02:03Go away!
01:02:04Go away!
01:02:06Kimberly!
01:02:08Miss Kimberly!
01:02:09You'll go away.
01:02:10We've already called the police.
01:02:11We are the police all the same thing.
01:02:14Look at this for God's sake.
01:02:17It's a hell of a long time since I was last asked to show this card.
01:02:22But read it.
01:02:23What shall I do?
01:02:24I knew you.
01:02:25I've known you.
01:02:26I knew your mother for more years than I'd like to mention.
01:02:29But read the name.
01:02:31You'll know it!
01:02:35No, don't.
01:02:36How do we know?
01:02:37Look out of the window, you bloody young fool!
01:02:40Maybe you know the police car when you see it.
01:02:44Thank God you're here, whoever you are.
01:02:47What a living image.
01:02:53These men.
01:02:54They've been here.
01:02:56Yeah.
01:02:57Two.
01:02:58Two of them.
01:02:59Russian diplomatic passports.
01:03:01Nothing we can do.
01:03:02And then the van, the green van.
01:03:04It's all right.
01:03:05It's already gone.
01:03:06This is Ginger, I take it.
01:03:08Um, Susan Slochenvar.
01:03:10Were you here when she made the call?
01:03:13Answer me, damn you!
01:03:14Were you here when she made the call?
01:03:16Yes.
01:03:17Ah, well.
01:03:18Take him in.
01:03:19Oh, no!
01:03:20No, don't you hurt him.
01:03:21Don't you dare hurt him.
01:03:22He has nothing to do with any of this.
01:03:23He doesn't.
01:03:24No one's going to hurt him.
01:03:27Now, tell me, where was Philip when you talked to him?
01:03:33I'll tell you, if you bring Susan Graham here, tell your thugs to go and get her.
01:03:42They've got her!
01:03:43We haven't.
01:03:44Now do begin to understand.
01:03:46Sit down.
01:03:47Transcript of your conversation to Ginger this morning.
01:03:54And we've just, just recently picked up conversation between you and Philip Kimberley,
01:04:01in which you implore him to take you to the Soviet embassy.
01:04:06Now Philip is in danger.
01:04:08Great danger.
01:04:10We must get to him before he's shot down, either by the comrades or our own police.
01:04:17Penny.
01:04:18Where is he?
01:04:23You warned me not to tell anyone.
01:04:25You might be working for the Russians and only waiting to kill him.
01:04:31Do I look like anybody's bloody comrade?
01:04:40The pool.
01:04:41The pool.
01:04:43The pool hotel at Wargrave.
01:04:49Anybody there?
01:04:54Ah, there you are.
01:04:55I'm just off to pick up Penny.
01:04:57She wants her car back.
01:04:59So if you'll give me a bill, I'll pay you.
01:05:01I heard you speaking to that girl.
01:05:03Everybody could hear you shouting.
01:05:05Now we're very fond of Penny, and I think you'd better explain a bit.
01:05:07What on earth?
01:05:08Before you leave my house.
01:05:09What on earth are you talking about?
01:05:10Perhaps we'd better get the police.
01:05:12No, not only in the undergroundary public.
01:05:14Look sharp.
01:05:15The old man's on his way.
01:05:18Roger, you better watch this, Mum.
01:05:19Sì, sì, sì.
01:05:49La mia moglie ha avuto un po' di te, un po' di te, un po' di te, un po' di tosse e un po' di tosse.
01:05:54I'll give you a call when I'm ready to have a chat.
01:05:56Come in, my dear.
01:06:03Matthews, take it round the back and then you and Connolly cover the side door to the bar.
01:06:07Right, sir.
01:06:13His wife, she's identified Kuzminski from the passport photograph.
01:06:17I see.
01:06:21Thank you.
01:06:25Polly, send the young lady.
01:06:32Come in, Penny.
01:06:35Sit down.
01:06:41I've got more bad news, I'm afraid.
01:06:47The landlord of the Bull Hotel, Mr. Ransom, he's been killed.
01:06:55Doug.
01:06:57No.
01:06:59It was your father.
01:07:02Whether it was an accident or he killed him and threw him down his own cellar staircase, I don't know.
01:07:08However, whatever, he must feel terribly threatened.
01:07:21It's Kate here.
01:07:23Yes.
01:07:24You mistrust someone close to me.
01:07:30Well, as I said, anything's possible.
01:07:31I see.
01:07:32Then we'll change the place of the rendezvous to the church just inside the gate of Woburn instead of the children's zoo.
01:07:42Right.
01:07:45Right.
01:07:45Now, there's one other change.
01:07:46This time it's mine.
01:07:47Your messenger will be a woman.
01:07:50Long, fair hair.
01:07:51Blue jeans.
01:07:52Gray jacket.
01:07:54Yellow scarf.
01:07:55Yes, we'll bring a doctor.
01:08:00That was my father.
01:08:02Yeah.
01:08:02You didn't ask him about Douglas Ransom?
01:08:07No.
01:08:08Irrelevant at this point.
01:08:12What'll happen to him?
01:08:14I shall keep my promise if I can.
01:08:16Get him to Switzerland.
01:08:19It's the documents you want, isn't it?
01:08:22Yeah.
01:08:24And you plan to send me as your messenger.
01:08:29Why?
01:08:30He'll be more pliable.
01:08:32All right.
01:08:36I'll bargain with you.
01:08:38Bargain?
01:08:39Yes.
01:08:40I'm bargaining now.
01:08:43I want Philip Kimberley to stay dead.
01:08:47He died in Russia.
01:08:50He knew nothing of this.
01:08:52It was that man, Kuzminski.
01:08:55Understand?
01:08:56Yes.
01:08:58I understand.
01:08:59I understand you, Miss Kimberley.
01:09:07I'll go to the church.
01:09:09And I'll do what must have done.
01:09:12So long as Philip Kimberley remains in his grave.
01:09:14Agreed?
01:09:15Oh, yes.
01:09:18It's as I would have wished it myself.
01:09:32Yes, sir.
01:09:33Fill her up, please.
01:09:34He's got to be some kind of a lunatic.
01:10:00Seen this man?
01:10:05No, I don't think so.
01:10:06Will he get a little mini?
01:10:07Yeah, just now.
01:10:07He's gone out of here like a bad out of hell.
01:10:09Left me with a tenner.
01:10:13It's two in the morning.
01:10:14Where have you been?
01:10:39Kuzminski's been sighted.
01:10:40Bulatel Wargrave.
01:10:41I was hot on his heels when-
01:10:42Never mind that.
01:10:42Orders from the Admiral.
01:10:44Cancel all previous instructions.
01:10:45Operation Paymaster has been scrubbed.
01:10:47We're not taking Kuzminski in.
01:10:50What the hell's going on?
01:10:51I don't know what the devious old master's up to.
01:10:55Well, I'll tell the people at the zoo it's all over.
01:10:58Call for the main gate, sir.
01:10:59What?
01:11:00There's an ambulance arrived.
01:11:01Orders from Admiral Scaith.
01:11:03Stationed in front of the church.
01:11:04Driver wants to know if there are any further instructions.
01:11:06The church.
01:11:07Oh, my God.
01:11:11I knew they all pushed up to somebody.
01:11:37and it was a very interesting thing.
01:11:38It's all right.
01:11:39It's all right.
01:11:40It's all right.
01:11:42It's all right.
01:11:44It's all right.
01:11:45It's all right.
01:11:46It's all right.
01:11:47Penny.
01:11:48What's she doing here?
01:11:49It's all right.
01:11:50Kuzminski.
01:11:51We've got Kuzminski in there.
01:11:52You've what?
01:11:53It's all right.
01:11:54Half the money is for her.
01:11:56Her father planned it all.
01:11:57Kuzminski's merely the go-between.
01:11:59and then he goes with us to Geneva.
01:12:02It's all right.
01:12:29Penny.
01:12:30Phillip.
01:12:31Who brought you here?
01:12:32Admiral Scaith sent me.
01:12:33Everything's going to be all right, Phil.
01:12:34There's an ambulance and a doctor waiting for you.
01:12:35You look so sick.
01:12:36I promise I'll tell you.
01:12:37Jamie.
01:12:38You tricked me.
01:12:39No, I didn't.
01:12:40Move to the right, move to the right.
01:12:41MOVE TO THE RIGHT.
01:12:42I mean, you did.
01:12:43If you took a seat, you took a seat,
01:12:44you took a seat.
01:12:45Where's your seat?
01:12:46Florian.
01:12:47Penny.
01:12:48Penny.
01:12:49пром, Penny.
01:12:50Fenny.
01:12:51Who brought you here?
01:12:53Who brought you here?
01:12:54Admiral Scaith sent me.
01:12:55Everything's gonna be all right, Phil.
01:12:56There's an ambulance and a doctor waiting for you.
01:12:58You look so sick.
01:12:59I promise I'll tell you.
01:13:00Jamie?
01:13:01You tricked me.
01:13:02No, I did.
01:13:04Move to the right. Move to the right.
01:13:09I didn't... I didn't...
01:13:12Put that gun away. You won't need it, you lying bastard.
01:13:15You have to believe me. I'm your friend.
01:13:19Put your hands on seats in front of you.
01:13:23You too.
01:13:34Reach down the back of the statue and take the package out of the bottom of it.
01:13:44Get down, Kimberly!
01:13:48Hold it there. Drop gun on floor.
01:13:54Kick it towards me.
01:14:00Get away quickly. First three door.
01:14:02Not yet.
01:14:04See how these bastards treat me.
01:14:06Get the package.
01:14:11It's not that package over here!
01:14:12No! Kosminski's a killer. Do exactly as he says.
01:14:15Fraser, there's your traitor. He's the mole.
01:14:18Move.
01:14:21You move. Move.
01:14:23You too. Round corner.
01:14:26Right back.
01:14:27All of you. Thank you. Thank you.
01:14:31All of you. Thank you. Thank you.
01:14:38Army men! Army! Stand back.
01:14:42Help me, Fraser! Get away!
01:14:43xen одного!
01:14:47Help me, Fraser! Get away!
01:15:07120VE
01:15:08Grazie a tutti.
01:15:38Grazie a tutti.
01:16:08Grazie a tutti.
01:16:37Grazie a tutti.
01:17:07Grazie a tutti.
01:17:37Take Charlie and the other ambulance and then report to headquarters for you.
01:18:11Grazie a tutti.
01:24:13Grazie a tutti.
01:26:15Grazie a tutti.
01:26:47Grazie a tutti.
01:26:49Grazie a tutti.
01:26:51Grazie a tutti.
01:26:53Grazie a tutti.
01:27:53Grazie a tutti.
01:28:23Grazie a tutti.
01:28:25Grazie a tutti.
01:28:27Grazie a tutti.
01:28:57Grazie a tutti.
01:28:59Grazie a tutti.
01:29:01Grazie a tutti.
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