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00:00You must forgive me, senorita.

00:15I want only to tell you how beautiful you are.

00:18And instead I bore you with politics.

00:20Don Arturo!

00:30I want to tell you how beautiful you are.

01:00I want to tell you how beautiful you are.

01:30An affair of honor, partly, has no right.

01:33I want to tell you how beautiful you are.

01:37Oh, my God.

02:07What is that? What is happening?

02:37Take everything you can carry.

02:52What?

02:54What, are you badly hurt?

02:55It is nothing like this thing of a being. That is all.

03:02It...

03:03Quick, you better get the horses or they'll escape.

03:21There are no horses. They've got them loose.

03:23But who are these bandits who want only guns?

03:26Answer that and I'll wage you 5,000 pesos

03:27so as you find out who tried to kill John Fremont.

03:29What?

03:38Ah!

03:41Come on, come on, come on.

03:47Bob!

04:11Jose Martinez.

04:41What does it mean, Arturo, all this killing, this stealing of weapons?

04:59We wanted those guns to prevent any foreign power from trying to take California by force.

05:04But this Jose Martinez seems to know all our plans as quickly as we make them.

05:08Then he must be in the pay of one of these foreign governments.

05:11Yes, but which one? We must find out and we must get the guns back.

05:15Si, but how is this to be done?

05:19The men who staged the raid tonight were peons.

05:22Bandits.

05:24We are taught that water seeks its own level.

05:27So?

05:28A peon among peons is not a suspicious character.

05:32He can come and go where he chooses with his mouth closed and his eyes and ears open.

05:36Listen, this Jose Martinez is the key to the door of this mystery.

05:40I must get that key in my pocket and then find the door that it opens.

05:46You?

05:47Why not?

05:48But, Arturo, it could mean your life.

05:53I must ask you two favors.

05:55First, that you keep the gold here till I return.

06:00Second, that you pray for me every day that I do return.

06:03At least let someone go with you to help.

06:06Two makes twice as big a target.

06:10I shall pray for you, my son.

06:13Come, I'll get your clothes.

06:15Come, I'll get your clothes.

06:45Come, I'll get your clothes.

06:46Come, I'll get your clothes.

07:03We go slowly, amigo, in respect to your venerable age.

07:07Perhaps the fine air of Monterey will breathe new life into your creaking bones, huh?

07:12Well, a peon must have a peon's horse.

07:16It's a lonely life, amigo.

07:18It's too bad you don't play cards.

07:22Well, perhaps if you dream of hay and I dream of Senorita Lawrence,

07:29the nights will go more quickly.

07:32Buenas noches, amigo.

07:33Let's go.

07:41Let's go.

07:45Come out with your hands up.

08:07I expect an argument, but it won't do you any good.

08:16You're wearing those horrible pants again.

08:20On special occasions, I have a long dress that goes over these.

08:23Where did you get those eggs?

08:25I swiped them. I passed a ranch. Chickens didn't mind.

08:30What are you doing here?

08:32I've been following you for days. That's a slow horse you've got there.

08:36Not so loud. He's sensitive.

08:39I'm going with you. But don't get the idea that you and I are...

08:43What I mean is...

08:47Well, you're only to think of me as a man.

08:50I think of you only as my grandmother.

08:53That'll be fine. Thanks.

08:55When she talks, she doesn't make sense either.

08:57I don't understand one word you are saying.

09:00I'm going to get the man that killed my father.

09:04And you're going to take me to him.

09:07You are going after this man?

09:10I heard you talking to Fray Lindis and the rectory.

09:13You have other fish to fry.

09:16But one fish will be for me.

09:19Then you know my mission.

09:21You must go back, Julia.

09:22There's too much at stake. With a woman along...

09:33There was no one in the world who knew more about guns than my father.

09:37Now that he's gone.

09:40Well, I'm top man now.

09:42Julia, you are a very nice girl and a very good shot.

09:46And beautiful even in these pants.

09:48But I don't want to see you hurt.

09:50Look, let's get this straight.

09:52I'm no concern of yours.

09:54A man must have a little concern for his grandmother, no?

09:57Then we've nothing to worry about.

10:00What's wrong with your grandmother?

10:02You have to worry about them.

10:03I'm sorry, for you to worry about.

10:05I'm sorry, for you to worry about...

10:06There's nothing to worry about.

10:08You're not going to worry about that.

10:11You're not gonna be afraid of it.

10:13There is nothing to worry about.

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