- 2 days ago
Pakistani Drama 2025 Full Story REVEALED – You Won’t Believe This! is the drama that everyone is talking about right now. Discover the plot twists, behind-the-scenes secrets, and unexpected turns that are taking Pakistani television by storm in 2025. From powerhouse performances to jaw-dropping visuals, this drama is redefining the future of South Asian entertainment. Whether you're a long-time fan or a newcomer, this is the ultimate breakdown you can't afford to miss. Dive into our detailed story reveal, character analysis, and more! Stay ahead of the curve and find out why this drama is trending worldwide. Don’t forget to like, comment, and subscribe for the latest updates!
Category
📺
TVTranscript
00:00:00To be continued...
00:00:30It's the body we put on over our bodies.
00:00:48As our bodies grow old, so do our houses.
00:01:00As our bodies may sicken, so do our houses.
00:01:09And what of madness?
00:01:27If mad people live within, doesn't this madness creep into the rooms and walls and corridors, the very boards?
00:01:36Don't we sometimes sense that madness reaching out to us?
00:01:40Isn't that a large part of what we mean when we say a place is unquiet, festered up with spirits?
00:02:07We say haunted, but we mean the house has gone insane.
00:02:24Somebody help me!
00:02:44I am lost!
00:02:51Somebody help me!
00:02:53Help me.
00:02:55Help me.
00:02:57Oh, my God, sir.
00:03:03Help! Somebody help me!
00:03:15Where the hell did I come from?
00:03:27Ah!
00:03:34I hate you.
00:03:44I hate you.
00:03:58Your mommy was right. I'm a tramp.
00:04:03Somebody help me!
00:04:06Help me!
00:04:09Where is everyone?
00:04:14Nick, what's going on with something else?
00:04:16It's Vic! I think he's dead. I'm not sure I'm trying to get to him.
00:04:20What's going on?
00:04:21He said Vic is dead.
00:04:23Oh, my God.
00:04:24That's ridiculous. How can he be dead?
00:04:26Joyce, get rid of it.
00:04:27I said I think Vic is dead.
00:04:29Thank God. Thank God.
00:04:34You don't understand. My mother's here.
00:04:36Unless the house is imitating her.
00:04:38I suppose that could be.
00:04:39At first, I thought so, but the more I think about it, the more...
00:04:42and I got lost.
00:04:44I've seen things you wouldn't believe.
00:04:45Not now, Emery.
00:04:48We shouldn't be here.
00:04:49Not any of us.
00:04:50There's a bubble forming, I think.
00:04:52A kind of psychic bubble.
00:04:54What in the world would your mother be doing here?
00:04:56She worries about me.
00:04:57I'm worried about me, too, actually.
00:04:59About all of us.
00:05:01I saw Pam upstairs.
00:05:02I think she's dead.
00:05:03Where's Annie?
00:05:04I... I don't...
00:05:09It's stuck again.
00:05:10It's not just stuck.
00:05:11Of course it isn't.
00:05:16I'm ridiculous!
00:05:17Emery, come here.
00:05:18Is that your mother's car?
00:05:20Yeah.
00:05:21Mommy's a little scootabout.
00:05:22What did you do?
00:05:23Mommy's a little scootabout, alright?
00:05:25Mommy's little scootabout.
00:05:26That's what she calls it, okay?
00:05:27Who's scootabout.
00:05:28Sometimes we scoot about for ice cream, and sometimes we scoot about to the movies, and some...
00:05:33Stop looking at me.
00:05:34I think Mama's little scootabout is blocking another car.
00:05:39Is anyone in it?
00:05:40I don't know.
00:05:41I can't tell.
00:05:42I'm gonna check the kitchen door.
00:05:43I'll go with you.
00:05:44Steve!
00:05:45Not now, Dee.
00:05:46Penny!
00:06:07Penny, are you out there?
00:06:11Steve, come look at this.
00:06:13It's coming to life, isn't it?
00:06:14It's coming to life, isn't it?
00:06:18It's coming to life, isn't it?
00:06:43I think he's somewhere right outside there.
00:06:45I didn't exactly see.
00:06:48Oh, my God.
00:06:52No.
00:06:57Open in the name of Jesus!
00:06:59Open in the name of God!
00:07:12Where's Pam?
00:07:13Emory.
00:07:14Emory said she is dead.
00:07:16She was in Ellen Rimbauer's room.
00:07:18She said things to me, bad things.
00:07:20I can't be sure, but when I see people like that, they're usually dead.
00:07:24This place is gonna kill all of us if we're not careful.
00:07:27We were wrong to come.
00:07:28Is it cowardly a mistaken thing to say?
00:07:31Vic's dead.
00:07:32Pam's probably dead.
00:07:33And we can't get out.
00:07:34You need a reality check, lady.
00:07:38Just leave me alone.
00:07:39Annie, where are you?
00:07:40Annie, where are you?
00:07:41Annie, are you?
00:07:42Annie, where are you?
00:07:43Annie, are you?
00:07:44Annie, don't move!
00:07:45Annie!
00:07:46Annie!
00:07:47Annie!
00:07:48Annie, don't move!
00:08:04Annie!
00:08:05Annie!
00:08:06O'Conn!
00:08:08Annie, don't move!
00:08:23Joyce, I think we've already established that that doesn't work.
00:08:27Annie?
00:08:29Annie.
00:08:36You were saying? See? Just stuck. No big deal.
00:08:44Mom, where are you?
00:08:47Is she all right?
00:08:48I don't know. Go down to the kitchen, get a lemon.
00:08:51If there's no lemon, bring the vinegar.
00:08:53Go! Hurry!
00:08:56What about the windows in the billiard room?
00:08:59You were pounding on them with your fist.
00:09:01You don't think that the glass was stuck, too?
00:09:06You be careful now.
00:09:20Mom?
00:09:22Mama?
00:09:36Mom?
00:09:42Who's that?
00:09:45Oh, I shouldn't be doing this.
00:09:47I shouldn't be doing this.
00:09:49I shouldn't be doing this.
00:09:50I shouldn't be doing this.
00:09:52I'm not doing this.
00:09:54If there's someone there, stop fooling around!
00:09:58Who's there?
00:10:00If you need help, I'll help you.
00:10:02If you only want to play games...
00:10:04Stay away from me!
00:10:10You stay away from me!
00:10:11You stay away from me!
00:10:12Wait!
00:10:13who's there if you need help i'll help you if you only want to play games
00:10:24stay away from me you stay away from me professor wait
00:10:30professor wait stay away
00:10:43you're no good to anyone bug i've got an idea why don't you go hang yourself
00:11:08you could do it in the parlor just like posy the rain around the rosy
00:11:15and not by the hair of your chilly chin chin
00:11:19help me
00:11:28stay away
00:11:30stop
00:11:37stop
00:11:39stop
00:11:43stop
00:11:47stop
00:11:53stop
00:11:56stop
00:11:57Help!
00:12:27Is she awake?
00:12:30No, but her breathing's strong and regular.
00:12:32Get Joyce.
00:12:33Well, can I stay with her?
00:12:34Get Joyce!
00:12:35She's a hell of a lot closer to a doctor than either of us.
00:12:38Go!
00:12:48I saw Vic!
00:12:50Yeah, you can't have Vic as...
00:12:52Oh, I know, I know. Vic was just another little rose-red mind movie
00:12:55like Pam and Deanna Petrie,
00:12:57but I also saw Miller, and he was real.
00:13:00Miller? Are you talking about Professor Miller?
00:13:02None other, although I'm not sure
00:13:03the Dean of Arts and Sciences would recognize him.
00:13:05He's out there in the high grass, running around like a madman.
00:13:08Oh, you're lying.
00:13:10No, he's not.
00:13:11No, I'm not.
00:13:12My mother's somewhere behind the house.
00:13:14I'm sure she is, but I can't get to the backyard.
00:13:16Not now.
00:13:17All right, look, calm down, Emery.
00:13:19Don't tell me that!
00:13:20You don't know what I've seen, so don't tell me to calm down.
00:13:23I'll call 911.
00:13:25I rather doubt it.
00:13:26I think we all need to take a step back,
00:13:28take a deep breath, and...
00:13:30Annie's had an accident.
00:13:33She's unconscious.
00:13:35Would you come?
00:13:36Where is she?
00:13:45This phone is working. Who shall I call?
00:13:48The cops.
00:13:49An ambulance.
00:13:50No one. Not yet.
00:13:51To hell with you, Joyce. I'm getting out of here.
00:14:03Honey, are you okay? Can you hear me?
00:14:06Hey.
00:14:15Emery.
00:14:28You're not there. You're dead. Both of you are dead.
00:14:33You are dead. No, we're not. We're not dead at all, Emery. That's the beauty of it.
00:14:39Please, Emery. Life could be different for you here. It could be better.
00:15:05It would be nice. Really nice. I'll pass. Rose Red's too much like the Roche Motel. They check in, but they don't check out. Not there. I'm hard up, girls. We're not quite that hard up.
00:15:24Annie, what is it?
00:15:30We seldom have company at Rose Red these days.
00:15:35I insist you stay a little longer.
00:15:39I just...
00:15:41I don't know.
00:15:45I don't know.
00:15:47I don't know.
00:15:48Look what it did to me. I have to get out of here.
00:15:58I'm afraid it's too late for that, Emmis.
00:16:12Here, Annie.
00:16:16Annie, no.
00:16:18Annie, be still and let her help you.
00:16:22It's okay.
00:16:33There you go.
00:16:34Okay.
00:16:35Sorry.
00:16:36There you go.
00:16:37Okay.
00:16:38You okay, honey?
00:16:39You think you can stand up?
00:16:40Let's try.
00:16:41Oh, there we go.
00:16:42Great.
00:16:43Yeah, it's okay.
00:16:44Okay.
00:16:45Hey, Annie.
00:16:46Look.
00:16:47And the sweet secret of that summer place is that it's anywhere when two people share
00:17:01all their hopes, all their dreams, all their love, all their dreams, all their love.
00:17:26I know the song, and I know the feeling to be safe, to be free to dream, and have all
00:17:39the time in the world to enjoy it.
00:17:42Yeah.
00:17:43Later on, I'll let you play with it all you want.
00:17:48I promise.
00:17:50Annie, look at me.
00:17:52Look at me.
00:17:53Annie.
00:17:54If you ever want to play with that dollhouse, you look at me right now.
00:17:59Hmm?
00:18:00Annie.
00:18:01Are you holding the doors and the windows closed?
00:18:06Don't give me that blank stare.
00:18:09You understand me perfectly well.
00:18:11We understand each other.
00:18:15Are you?
00:18:18That's what the house wants you to do.
00:18:22And you just go right on doing it.
00:18:27And soon, I'll take that dollhouse down, and you can play with it all you want.
00:18:34In fact, we'll play with it together, and we'll take all the time we want.
00:18:41We'll see you later.
00:18:42Oh.
00:18:43Oh.
00:18:44Oh.
00:18:48Oh, sorry.
00:18:53God.
00:18:54Hey, get off him!
00:19:15Get off him!
00:19:16Hey!
00:19:17Get off him!
00:19:18That isn't gonna do any good.
00:19:29So what's next, Sherlock?
00:19:30You got any ideas?
00:19:31No.
00:19:32You?
00:19:33No, no.
00:19:34This place has always wanted me.
00:19:35I found that out when I was eight.
00:19:36I should've stayed away.
00:19:37Why didn't you?
00:19:38Because of Dee.
00:19:39She needs someone to look after her
00:19:40so she doesn't just go floating off into the big nowhere.
00:19:43I mean...
00:19:45Here they come again.
00:19:47Hey!
00:19:48Hey!
00:19:49Get off him!
00:19:50Move on!
00:19:51Hey!
00:19:52Get off him!
00:19:53Move on!
00:19:54Hey!
00:19:55Get off of him!
00:19:56Ah!
00:19:57Ah!
00:19:58Ah!
00:19:59Ah!
00:20:00Stop him!
00:20:01I think the power went out fifteen minutes ago.
00:20:16I don't think it'll be on again tonight.
00:20:18Uh...
00:20:19Don't...
00:20:20Don't you wanna know about Bollinger and Mrs. Waterman?
00:20:23Or Professor Miller?
00:20:24Aren't you curious at all?
00:20:25What about them?
00:20:26Any sign?
00:20:27No.
00:20:28None.
00:20:29Hmm.
00:20:30I think I knew that actually.
00:20:31Hmm.
00:20:32So...
00:20:33What is there to be curious about?
00:20:34The...
00:20:35We're all in the billiard room.
00:20:36We need to talk.
00:20:37Pam is also missing.
00:20:38And if Emery says she's dead, I think we have to believe him.
00:20:41About Vic, of course, there's no question.
00:20:42Joyce.
00:20:43Hmm.
00:20:44Do you understand what I'm telling you?
00:20:45Of course.
00:20:46Of course.
00:20:47But since there isn't anything I can do about any of these people, not now, at any rate,
00:20:56We need to talk.
00:20:59Pam is also missing, and if Emery says she's dead,
00:21:02I think we have to believe him.
00:21:04About Vic, of course, there's no question.
00:21:06Joyce, do you understand what I'm telling you?
00:21:10Of course.
00:21:12But since there isn't anything I can do about any of these people,
00:21:15not now, at any rate,
00:21:17I'll continue with my observations.
00:21:20I am a scientist, you know.
00:21:23Or did you forget that?
00:21:25No. No, I didn't forget that.
00:21:29Miller did.
00:21:33Running around like a madman.
00:21:37Might have liked to say that.
00:21:42Thank God for battery packs.
00:21:45Annie.
00:21:48Annie.
00:21:50Don't waste your breath.
00:21:52She can't understand you, can't even hear you,
00:21:54not in the sense that we understand hearing.
00:21:57Annie.
00:22:04Annie.
00:22:09There you are.
00:22:10Would you like to come with me into the other room for a while?
00:22:13Well, we could, uh, we could visit with Rachel and the others.
00:22:24Do you hear me?
00:22:26You do, don't you?
00:22:35Annie, come, please.
00:22:36You, uh, sure you won't come with us?
00:22:46All right.
00:22:49Let's go.
00:22:50It's the last one, it may be a little old, but, sorry.
00:23:02But this can't be choosers.
00:23:03Thanks.
00:23:06Don't suppose you have any nail polish in there?
00:23:09Nail polish?
00:23:10Uh, no, I don't use it.
00:23:12Why?
00:23:13We could pour some into a handkerchief and make her breathe it.
00:23:16Or what about drain cleaner?
00:23:18Just a whiff of that stuff and bingo out like a light.
00:23:21What are you talking about?
00:23:22I'm talking about survival, darling.
00:23:24Did I stutter?
00:23:25Well, I think you're insane.
00:23:27Those things could kill her.
00:23:28Oh, yeah.
00:23:29Gee.
00:23:32Having a good time, professor?
00:23:34Enjoying the idea of visiting your former department head in the local nut barn?
00:23:37Well, it'll try and take us tonight, you know, one by one or all together.
00:23:42You know, every time you open your mouth, you say something unpleasant, so why don't you just be quiet?
00:23:47And not just unpleasant, it's wicked.
00:23:50Now, I know that you have had an accident, Emery.
00:23:53An accident?
00:23:54That's right.
00:23:55I had an accident.
00:23:59Well, unpleasant Emery knows something about our reporter friend.
00:24:02Bollinger what?
00:24:03Oh, no.
00:24:04I don't think so.
00:24:05No, no, no, no.
00:24:06Oh, you wouldn't want to hear it from me.
00:24:07Every time I open my mouth, something wickedy, wickedy, wicked comes out.
00:24:12Why don't you tell him, Nick?
00:24:13I'm tired of being wicked.
00:24:15You do some of the dirty work.
00:24:17Do you know something, or is he just talking?
00:24:21The Mirror Library, right?
00:24:24Yeah.
00:24:25What about the Mirror Library?
00:24:29Kevin Bollinger is dead.
00:24:30He brought Emery's mother into the house and then hung himself in the Mirror Library.
00:24:38Not so much a suicide as being Rose Red's latest victim.
00:24:45What about Mrs. Waterman?
00:24:48I can't see her.
00:24:50Or Professor Miller.
00:24:52What about you?
00:24:53I don't know.
00:24:55This means they're probably still somewhere around here.
00:24:58There's someone in this place.
00:24:59Please, a summer place.
00:25:07Where I'm safe.
00:25:11Mm-m-m-m-m-m...
00:26:18Stop it!
00:26:19Stop it.
00:26:21You're crazy.
00:26:24Can you see that he's crazy?
00:26:28I'm not crazy.
00:26:33I'm a mind reader.
00:26:34You know that and that's why I'm here.
00:26:36Now sit down!
00:26:37Rose Red won't let you have what you want Joyce.
00:26:51It won't let anyone have what they want.
00:26:53Ellen Rimbaud designed it to break hearts as hers was broken.
00:26:57To hurt as she was hurt.
00:26:59Well then we have to get out of here before it can...
00:27:01What?
00:27:02Killers?
00:27:03A real death would be merciful.
00:27:05Because I doubt if even poor old Vic is really dead.
00:27:08And that's the worst of it.
00:27:10The very worst.
00:27:11All right, so how do we get out?
00:27:13There are no secret tunnels, at least not that I know of.
00:27:15Oh, wake up.
00:27:16She's the one who's keeping us locked in.
00:27:19Yeah, her.
00:27:21Little Miss Mental Illness of 2001.
00:27:23Stop it.
00:27:25Losing his fingers has affected his mind.
00:27:28You mustn't hold it against him.
00:27:29Wake up, sweetheart.
00:27:31Wake up, all of you.
00:27:33It locked us in when she was awake, right?
00:27:36Then, after she knocked herself out, everything opened up again.
00:27:39It was like a cramp letting go.
00:27:41We could have gotten away then if we'd understood what was happening
00:27:43and acted fast enough on what we knew.
00:27:45And one of us did understand.
00:27:47Joyce understood, didn't you, Joyce?
00:27:50And when the little bitch woke up again, it...
00:27:53I can't...
00:27:55My hand hurts too much.
00:27:57You know as much as I do.
00:27:59You tell him the rest.
00:28:00Tell us he's insane. Start with that.
00:28:06But he's not.
00:28:08Why did you want psychics and telekinetics and automatic writers here in the first place, Joyce?
00:28:13It was to recharge a cell that was never dead, merely dormant.
00:28:17And we have all played our part, I think.
00:28:20But Annie has been key.
00:28:22But what Emery doesn't understand is that Steve has been key, too.
00:28:27Steve?
00:28:28Steve's about as psychic as a ham sandwich.
00:28:31Please be quiet, Joyce.
00:28:33Don't you tell me to shut up. How dare you?
00:28:38He asked you to be quiet.
00:28:40And do it. Please.
00:28:42I...
00:28:43I want to hear this.
00:28:53Everyone has some psychic capacity, Joyce.
00:28:56I've read your books and articles. You used to know that.
00:28:59Before all this psychic superstar infatuation stuff.
00:29:03And I know that Miller isn't the only imagination-challenged idiot that you've had to deal with.
00:29:09But you've become blinded and misguided.
00:29:12I have not become blinded.
00:29:16Whatever Steve's psychic ability in the outside world, here in Rose Red, it's amplified to the power of ten.
00:29:22Because he's blood. Ellen's blood.
00:29:25You said it yourself, Steve. You're the last of the Rimbowers.
00:29:28Tell it any way you want. I'm not the one holding the doors shut and turning the window glass into whatever it is now.
00:29:34No, of course you're not.
00:29:35Ellen's doing it through Annie, but also through you.
00:29:39And don't sit there and say that you don't know it, or at least sense it.
00:29:42She's not doing anything through me. I don't sense that. I...
00:29:45Hello, Stevie.
00:30:12No, Stevie.
00:30:15No, Stevie. Look. Please.
00:30:35Would you like to help me build, Stevie? I'll show you how.
00:30:40Steve? Stevie? Where are you?
00:30:47Go to her, but come back. Come back and help me build. Help me build, Stevie.
00:30:59Steve, what's wrong?
00:31:04That was a false memory. The house planted it.
00:31:06Are you sure?
00:31:08No, I'm not.
00:31:09For the time being, let's stick to the kid.
00:31:12If we take her out of the equation and the doors still don't open, we can worry about Rimbauer then.
00:31:16No one is going to hurt this child.
00:31:19Of course they're not.
00:31:21Of course they're not.
00:31:27And there's the rub.
00:31:29We're in trouble, ladies and gentlemen.
00:31:32Big trouble.
00:31:33Big trouble.
00:31:34Big trouble.
00:31:36Big trouble.
00:31:48Big trouble.
00:31:53Oh, my God.
00:32:23Hi. You want to play a game, Annie?
00:32:32You take ten or twelve real deep breaths
00:32:35and squat down and blow on your thumbs.
00:32:37You'll get all floaty, and then you'll go to the North Pole
00:32:40with Santa Claus and his eight tiny reindeer.
00:32:42The rest of us, meanwhile...
00:32:44Stop it!
00:32:45We'll scurry on out of here like the good little mice we are.
00:32:48It's not funny.
00:32:49Neither is this!
00:32:51Tell you what, sissy.
00:32:53Let's find some dry cleaning bags
00:32:55so we can wrap her up just until she passes out.
00:32:57Or pinch her nose shut.
00:33:00Just...
00:33:00How about you, handsome?
00:33:03You're the utility infielder on this team.
00:33:05Can you knock her out with your mind?
00:33:07Five minutes would be enough for us to make like bees and buzz.
00:33:10Hell, three.
00:33:11I can see her thoughts, but it's...
00:33:25It's the most peculiar thing.
00:33:27They're...
00:33:27They're high.
00:33:29Yes.
00:33:31High above me, as if she were a princess in a tower.
00:33:35And she's waving, but there's no way to reach her.
00:33:37At least not for me.
00:33:44And look at Ned.
00:33:51What are we going to do with you, little sister?
00:33:54How about this?
00:33:55Back of the head's the best place.
00:33:56Just above the nape of the neck.
00:33:58Hit her hard, the lights go out.
00:34:01Hit her harder.
00:34:01Oh, you ugly man.
00:34:04You ugly little troll.
00:34:07Don't tell me you've never thought of it.
00:34:09Come on, do us all a favor.
00:34:10Do yourself a favor.
00:34:12Back of the head.
00:34:12Or do you want to spend the rest of your life wiping your kid sister's ass?
00:34:16Stop it!
00:34:17Stop it!
00:34:17Stop it!
00:34:28Where are you going, Kathy?
00:34:31Um, I'm going to get a glass of iced tea.
00:34:35I saw a nice, uh, big picture of it in the fridge.
00:34:38Oh.
00:34:40You shouldn't go alone.
00:34:42I'm not.
00:34:43God goes with me.
00:34:45Everywhere.
00:34:45Everywhere.
00:34:46There you go.
00:34:52Let's go.
00:35:52Get away!
00:36:22Get away!
00:36:52Get away!
00:36:54Get away!
00:36:56I beg your pardon?
00:37:00Would you mind awfully letting her go?
00:37:02I guess now.
00:37:06Kathy, are you all right?
00:37:14I think so.
00:37:16What about her?
00:37:18My goodness, you really are a good Christian lady, aren't you?
00:37:22Well, is she all right?
00:37:24Is she even alive?
00:37:26Her pulse is strong and steady.
00:37:28You know who she is, of course.
00:37:30Emery's mother will have to tell him.
00:37:34You don't want to tell him?
00:37:36Emmys, your mother just popped out of the wine cellar like Jack out of his box and forget round the bend.
00:37:42She's off the planet.
00:37:44I mean, how does it sound to you?
00:37:46And given the condition he's in already?
00:37:48Oh, it sounds very bad.
00:37:50What should we do with her?
00:38:02Annie.
00:38:04Annie, can you open the doors?
00:38:06Can you open the doors and let us out?
00:38:13Annie, look at me.
00:38:19Don't touch her!
00:38:20Don't touch her!
00:38:29It wasn't her.
00:38:30I thought it was April Rimbauer.
00:38:32I'm sorry.
00:38:34Damn this house.
00:38:36If only there were a way to get through to her, to reach the Annie inside.
00:38:40You talk to her with your mind.
00:38:41I've seen you do it.
00:38:42But it's not high.
00:38:43It's not where Annie lives.
00:38:45If only there were a way to...
00:38:49What are you thinking about?
00:38:51I'm not sure.
00:38:54Where, Nick and Kathy?
00:38:55They should have been back by now.
00:38:56Why'd she have to go off on her own anyway?
00:38:59That was extremely stupid.
00:39:13This is wrong to me.
00:39:14The woman is ill.
00:39:16She's also dangerous to herself as well as to others.
00:39:20Will those hold her?
00:39:23I'd have preferred clothesline, but I think so.
00:39:25Besides, Emery gave me the impression that her interests run more to the home shopping network than amazing escapes.
00:39:34Drink up. It'll do you good.
00:39:36Here's to damsels in distress.
00:39:39And the knights who rescue them.
00:39:43Coming in here alone was very stupid.
00:39:46But Emery so upset me.
00:39:47Emery upsets everyone.
00:39:49And look at her.
00:39:50Well, I'm sorry, Kathy, but it's true.
00:39:53Oh.
00:39:56I think she's coming around.
00:39:58Now we only have to worry about Professor Miller.
00:40:03Mrs. Waterman?
00:40:07Have you seen Professor Miller?
00:40:10Joyce's department head?
00:40:11You killed my boy!
00:40:16Mrs. Waterman?
00:40:18I've got it wrong.
00:40:19Emery's fine.
00:40:20I understand.
00:40:26Liar!
00:40:28Blimey Jack-Tar!
00:40:30Blimey Jack-Tar.
00:40:32I've been called many things, but never that.
00:40:35I'm afraid we are going to have to leave you alone for a little while, Mrs. Waterman, only until you feel yourself again.
00:40:44Kathy, come here.
00:40:48We're doing that. It's feeding office.
00:40:54And you must feel it, too.
00:40:56Of course I do.
00:40:58Oh, dear Jesus, please get us out of here. We have to get out of here.
00:41:01Steve.
00:41:03Steve couldn't hold us by himself.
00:41:06Not with me, you, and Emery working against her.
00:41:08No, the problem is Amy.
00:41:10Emery was right about that.
00:41:14Could you...
00:41:16Could I hurt her?
00:41:19I have the power.
00:41:21No, of course I couldn't hurt her.
00:41:22No, of course I could hurt her.
00:41:31No!
00:41:33No!
00:41:36No!
00:41:38No!
00:41:40No!
00:41:42No!
00:41:44No!
00:41:46No!
00:41:47No!
00:41:48What is it, Mrs. Waterman?
00:41:54Do you want to buy a vowel or spin again?
00:41:56That's not funny.
00:41:58Sorry.
00:42:00What are you trying to say?
00:42:08Anything?
00:42:12No.
00:42:14But it's so cold.
00:42:18It's coming from in there.
00:42:22Close the door, then.
00:42:28We're going to leave you, Mrs. Waterman, but not for long,
00:42:30and you'll be perfectly safe.
00:42:32Something's happened to her.
00:42:36Rose Red has happened to her.
00:42:38Come on. Let's join the others.
00:42:40Wait. I'm sorry we can't make you more comfortable,
00:42:42Mrs. Waterman, but we'll be back to get you soon.
00:42:46No, I...
00:42:48I...
00:42:50She's fried.
00:42:52That's also unkind.
00:42:54It's also true.
00:42:56Ah! Ah! Ah!
00:43:08This is not the way we came.
00:43:10You're telling me.
00:43:24You're welcome.
00:43:26Welcome back.
00:43:44Seattle livery 1924 but it's brand new you'd have thought after all these years that she
00:44:05would have had Rose Redd eat at least one halfway decent carpenter
00:44:14of course the real question is how does it go what is it the reincarnation of Emery's mother
00:44:28sorry Kathy the truth is just now I'm rather scared let's find the others we won't we're never
00:44:39going to see them again of course we are I promise and I never break a promise
00:44:44old friends is true friends they're the friends you love
00:44:52the best you never know with new friends old friends is best
00:44:59hey where's Rimbauer I'm Frankenbabe's big sister
00:45:23I had to look for Nick and Kathy I imagine
00:45:27and then there were three little Indians sitting on a shelf
00:45:34gotta check the equipment
00:45:39it's quite delicate you know equipment which interfaces with the invisible world must by
00:45:49its very nature be quite delicate come with me Annie I'll leave her with me why don't you
00:45:57I'll take care of her come on Annie I'm gonna play with your dominoes
00:46:19one little Indian down to one little Indian all by himself
00:46:24hey Joyce wait for me what are you doing here Kathy getting the scared out of me what else
00:46:35for the rest of us yes but not for you my therapist said I was a compulsive quitter
00:46:42he said I keep starting things so I could stop them and what did you say I stopped seeing him
00:46:50huh so here I am
00:46:53miss
00:47:09Nick
00:47:12run Kathy run
00:47:16I don't want to thank you
00:47:40no
00:47:41Oh, this is wrong, Jesus.
00:47:52Give me strength.
00:48:00Nick.
00:48:03Nick.
00:48:04Nick.
00:48:06Nick.
00:48:07No.
00:48:11No, no, I'm not crazy.
00:48:30I'm not crazy.
00:48:32I'm not crazy.
00:48:34I'm not crazy.
00:48:36Help us.
00:48:36Help us.
00:48:37We have to build.
00:48:45Help us.
00:48:47Help Rose Red.
00:48:51Help us or die.
00:48:54Oh, God.
00:49:00Oh, please.
00:49:02Oh, please.
00:49:02Oh, please.
00:49:04Oh, please.
00:49:06Oh, God.
00:49:12Where am I?
00:49:18Help me.
00:49:23Oh, please.
00:49:25Oh, please.
00:49:27Oh, please.
00:49:32Oh, please.
00:49:33Oh, please.
00:49:34Oh, please.
00:49:35I don't know.
00:50:05Oh!
00:50:08Oh!
00:50:10Oh!
00:50:13Troy!
00:50:14Jesus!
00:50:15Help me!
00:50:32No!
00:50:33No, it can't be!
00:51:03No!
00:51:05No!
00:51:06No!
00:51:07I don't know.
00:51:37I don't know.
00:52:07I don't know.
00:52:37I don't know.
00:53:07I don't know.
00:53:37Can you explain it to your whores?
00:53:39Explain it to them down in hell!
00:53:40I don't know.
00:53:42I don't know.
00:53:44Where does this one go to?
00:53:50Steve?
00:53:54It goes to the tower in the attic.
00:53:58Come on.
00:54:02Come on.
00:54:10Come on.
00:54:12I don't know.
00:54:20I don't know.
00:54:22Kathy?
00:54:32Nick?
00:54:33Where are you?
00:54:34Here!
00:54:36I'm here.
00:54:37I'm here.
00:54:40I don't know.
00:54:50I don't know.
00:54:52I don't know.
00:54:54I don't know.
00:54:55What is it?
00:54:56What do you see?
00:54:58I could hear her breathing.
00:55:00And I could smell her.
00:55:04Sometimes I see her with a doll and sometimes with a hammer.
00:55:08Maybe she's really the same.
00:55:10I don't know.
00:55:11Who are you talking about?
00:55:13It's no one.
00:55:14Never mind.
00:55:15Come on.
00:55:16Come on.
00:55:46Come on.
00:55:49That's for scaring me all those years ago.
00:55:51And for trying to make me take the hammer.
00:55:55How could Alan still be alive?
00:55:56Where has she been?
00:55:57In the part of the house ordinary people can't see.
00:56:00Her husband was no suicide.
00:56:02She killed him.
00:56:11A withered heart.
00:56:16That wasn't Alan.
00:56:29Then who?
00:56:30April.
00:56:31But that means...
00:56:33That Alan's somewhere still around here.
00:56:36Yeah.
00:56:46It'sым.
00:56:48I don't know.
00:56:50T date.
00:56:51Up with the gun.
00:56:52Even a sec.
00:56:53Yeah, totally.
00:56:54Good girl.
00:56:55Just a stroke.
00:56:57It's been released.
00:57:01Take care of yours.
00:57:04I am surprised.
00:57:06Right by the way.
00:57:06You won't see it.
00:57:07The 그건 have never really lights,
00:57:12Were you?
00:57:13Help! Help me! Help me!
00:57:43I'm telling you, it was April Rimbauer.
00:58:01Where's your proof?
00:58:04We all saw it.
00:58:07How many Indians left by midnight, do you think?
00:58:11Please don't expect me to believe that your 90-year-old great-aunt is a vampire living in the tower.
00:58:18As a scientist, I just can't...
00:58:20Don't be deliberately obtuse. It's the house that's the vampire, and I think you know that.
00:58:26Obtuse?
00:58:27Oh, what a dreadfully big word for a college dropout. Wouldn't you say?
00:58:32Why, what a sharp tongue you have, Grandma.
00:58:35Another country heard from? Tell me, big sis.
00:58:38Be quiet. I don't want to talk to you.
00:58:41Oh, but I want to talk to you. I'm curious. How often do you dream of her dying? Tell the truth and shame the devil?
00:58:49Stop talking like that! Why do you have to be so miserable?
00:58:54Because I am miserable, you over-Christianized idiot!
00:59:03Don't you touch her!
00:59:05If he does, he'll regret it.
00:59:06Oh, so strong and brave. Threatening the man with four missing fingers.
00:59:12What good is she anyway? Just tell me that. She even knows she's alive. I doubt it.
00:59:17Cut it out, Em.
00:59:18Please. What can you do to me that's any worse than what this house is going to do to me before the night is over?
00:59:23I don't know. Send you out of the room maybe? How would that be?
00:59:26No! Don't go out there alone!
00:59:43Hey! Hey!
00:59:45It's true enough! It's no good to herself, or to me, or to anyone. All she can do is help the house kill us, and it wants to.
00:59:57I'm not psychic, but I can feel that it wants to.
01:00:01Yeah.
01:00:06We're running out of time, aren't we?
01:00:08Yes. And that's why we have to stay together. Come on.
01:00:20Steve, you have to get through to Annie. You're the only one who can do it.
01:00:25I've tried. Maybe I could on the outside, but whatever's in here has closed her off.
01:00:29Maybe, uh... Maybe you did.
01:00:33Steve! Go!
01:00:34No change in the temperature readout! No, no change in any of the readout! Dammit!
01:01:04No!
01:01:26No!
01:01:31Henry!
01:01:34It has to be you! No! I... I... I...
01:02:03Yes.
01:02:17I forbid this! It's dangerous! You have no idea how dangerous!
01:02:20You're scared of Javira with might!
01:02:22Leave it alone with me!
01:02:23No, they... They can't open themselves up to the forces in this house!
01:02:26He'll kill them both! They'll swap them like flies!
01:02:28We don't have any other options!
01:02:30No!
01:02:31Here!
01:02:32Do you wanna try, Annie?
01:02:37Yes, Annie. Go ahead and try.
01:02:39Let's do it together, shall we?
01:02:40Let's do it together, shall we?
01:02:52Yeah, that's good.
01:02:53No!
01:02:54You better stop. I'm warning you!
01:02:56Go on. Go on, Annie.
01:03:01That's good.
01:03:13You better stop.
01:03:14I'm warning you.
01:03:15Go on.
01:03:15Go on, Annie.
01:03:16Yes.
01:03:17Go on.
01:03:23No!
01:03:31Go on.
01:03:47No!
01:03:48No!
01:03:48No!
01:03:56Master!
01:03:57Get off!
01:03:58You better get us all killed!
01:04:01Keep going, Annie!
01:04:31Get off!
01:04:32Get off!
01:04:44Come on!
01:04:45You better get off!
01:04:46Stop it!
01:05:10Stop it!
01:05:11Stop it, you're tearing apart!
01:05:14Stop it!
01:05:16Stop it!
01:05:25It stopped.
01:05:41Joyce?
01:05:44No!
01:05:46Joyce!
01:05:47What are you?
01:05:48No!
01:05:49No!
01:05:50No!
01:05:51No!
01:05:52No!
01:05:53No!
01:05:54No!
01:05:55No!
01:05:56No!
01:05:57No!
01:05:58No!
01:05:59No!
01:06:00No!
01:06:01No!
01:06:02No!
01:06:03No!
01:06:04No!
01:06:05No!
01:06:06No!
01:06:07No!
01:06:08No!
01:06:09No!
01:06:10No!
01:06:11No!
01:06:12No!
01:06:13Come on, she looks like it's time to go.
01:06:20Go.
01:06:22Come on, I have a thousand things to do.
01:06:25Kenny, come on.
01:06:28Dee, Dee, the house is open. We have to leave.
01:06:30Come on, get out. Take that traitor with you.
01:06:33Joyce, please!
01:06:34Let's get out of here when we can.
01:06:35Joyce, listen to me.
01:06:44Get out!
01:06:46Dee!
01:07:02The first thing I want is a morphine milkshake.
01:07:04Cameron.
01:07:07The second thing I want is...
01:07:10Come here, Eddie!
01:07:13I want to see if you've been cleaning your nails.
01:07:16I want to look behind your ears.
01:07:17I need to look at your teeth.
01:07:19And what about down there?
01:07:22Come to Mama, Emmy.
01:07:23Come to Mama.
01:07:25Have you been doing that nasty thing again?
01:07:27I hear you in your room at night.
01:07:30Mommy hears everything.
01:07:33Help me for God's sake, help me!
01:07:35Teacher Emmy, who wasn't your miserable life?
01:07:38Fight her!
01:07:39Not there, not there, not there!
01:07:42Not there!
01:07:43Not there!
01:07:46Not there, not there, not there!
01:07:48I'm your mommy, Emmy.
01:07:49Emmers, no!
01:07:51I'll always be there for you.
01:07:53After all, I'm your father!
01:07:55No!
01:07:57No!
01:08:02No!
01:08:03No!
01:08:04Yes!
01:08:05Steven!
01:08:06The great grandboy.
01:08:14Take it!
01:08:15You wanted it then, and you want it now!
01:08:18If you don't take it, you'll want it forever.
01:08:20You'll never sleep without dreaming of it.
01:08:23Take it.
01:08:24Help me.
01:08:25Help us.
01:08:26Help Rosered.
01:08:27Help us build!
01:08:28Steve, no! Please don't take it!
01:08:35He has no choice. He's one of us.
01:08:39Steve...
01:08:40But I do have a choice.
01:08:42I don't want this. Here, you take it.
01:08:52Let's get out of here.
01:08:58I don't want this one.
01:09:00No!
01:09:01No!
01:09:02Steve!
01:09:07No!
01:09:14No!
01:09:16Steve!
01:09:28You took my embers.
01:09:52Jeez.
01:09:56Stay away from me.
01:09:58He's gone.
01:10:00No.
01:10:02Stay away from me.
01:10:07Joyce.
01:10:08Let me show you the garden.
01:10:09There's lots to investigate.
01:10:11You're right, Joyce.
01:10:13I apologize.
01:10:14There is another world that is quite wonderful.
01:10:19And the best part is...
01:10:23You'll never have to leave.
01:10:24Stay back.
01:10:25Joyce.
01:10:26Welcome home.
01:10:28Oh no.
01:10:40Oh no.
01:10:41Oh no, no stop.
01:10:45Oh no, no radio.
01:10:48Oh no.
01:10:50Oh no.
01:10:51Bad, bad place, a bad house, bad, that's right, Annie, very bad.
01:11:21Oh, dear God, it's the stones again.
01:11:51Baker, stop!
01:12:07I can't.
01:12:14And I don't want her to.
01:12:30Come on.
01:12:39Come on.
01:12:43Come on.
01:12:52Come on.
01:12:58Come on.
01:13:19Come on.
01:13:26Oh, God.
01:13:32Come on.
01:13:47I think it's over.
01:13:53It'll never be over as long as the house stands.
01:14:00It'll never be over as long as the house stands.
01:14:15It'll never be over as long as the house stands.
01:14:32Roses mean...
01:14:35Roses mean...
01:14:39remember.
01:14:41That's right.
01:14:42Roses mean remember.
01:14:45Monday.
01:14:55Monday it is.
01:14:58The wrecking ball arrives promptly at seven.
01:15:04I'll keep an eye on her.
01:15:25Annie, who's that one for?
01:15:29I like her dress.
01:15:30It's very pretty.
01:15:45Can you still reach her with your mind?
01:15:48No.
01:15:49But I don't have to.
01:15:52We communicate pretty well, don't we, Annie?
01:15:59Hm.
01:16:22.
01:16:29.
01:16:45.
Recommended
38:22
|
Up next
16:51
38:59
35:18
38:49
37:10
21:58
36:12
38:57
38:51
38:59
39:29
40:01
37:40
0:50
37:32
37:28
39:59
37:24
38:33
37:18
38:04
17:46
2:11:50
2:39:44
Be the first to comment