- 13 hours ago
A helicopter charter soon turns deadly when the female pilot finds that she is on a building held by terrorists. It is up to her and her husband to save the hostages. A helicopter charter soon turns deadly when the female pilot finds that she is on a building held by terrorists.
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🎥
Short filmTranscript
00:00:00This is a production of the U.S. Department of State.
00:00:30Van Nuys Tower, this is One Rocket Charlie. Do you copy?
00:00:46Roger, One Rocket Charlie. Go ahead.
00:00:48I'm leaving your airspace headed westbound. Destination downtown Los Angeles.
00:00:54Roger, that. Looks like clear sailing ahead.
00:00:57Until next time. Have a good one, Carrie.
00:01:00Zytex security.
00:01:01This is the heliscorp pilot. I'm making my approach. Requesting permission to land.
00:01:07Affirmative. You're clear to land. We've been expecting you.
00:01:25Hi. Morning.
00:01:27724 Spring Street. You're clear to land on the roof. And move it.
00:01:29I'm running late.
00:01:31Yes, sir.
00:01:45L.A. Tower. This is One Rocket Charlie.
00:01:49One Rocket Charlie. Go ahead.
00:01:51I'm heading eastbound. Leaving your airspace.
00:02:02Roger. Pass traffic at 2 o'clock.
00:02:05Roger, L.A. Tower.
00:02:06Jessica, Welluencia, a
00:02:16ourไป движущasses do a登録 of many others.
00:02:19Roger, We'll be right back.
00:02:20I know.
00:02:22Roger, we'll be right back.
00:02:24Use every primary one of our new mats in front.
00:02:26Go ahead.
00:02:27And we'll be right back.
00:02:32I know.
00:02:32Haha.
00:03:03He's from flying helisport, sir. Crossing in sometimes.
00:03:06Yeah, yeah.
00:03:07Yeah.
00:03:08Yeah.
00:03:09Yeah.
00:03:10Yeah.
00:03:11Yeah.
00:03:12Yeah.
00:03:13Yeah.
00:03:14Yeah.
00:03:15Yeah.
00:03:16Yeah.
00:03:17Yeah.
00:03:18Yeah.
00:03:19Yeah.
00:03:20Yeah.
00:03:21Yeah.
00:03:22Yeah.
00:03:23Yeah.
00:03:24Yeah.
00:03:25Yeah.
00:03:26Yeah.
00:03:27Yeah.
00:03:28Yeah.
00:03:29Yeah.
00:03:30Yeah.
00:03:31Yeah.
00:03:32Yeah.
00:03:33Yeah.
00:03:34Yeah.
00:03:35Yeah.
00:03:36Yeah.
00:03:37Yeah.
00:03:38Yeah.
00:03:39Yeah.
00:03:40Yeah.
00:03:41Yeah.
00:03:42Yeah.
00:03:43Yeah.
00:03:44Yeah.
00:03:45Yeah.
00:03:46I'm headed home until my next call.
00:03:48I'll be on my pager.
00:03:50Yeah, listen, will you just make sure you have it on this time?
00:04:16Mr. Booker, how are things at Zytec?
00:04:32Sign, Chief Mather.
00:04:34How was your flight from Langley?
00:04:35Smooth.
00:04:45Let's do this.
00:04:46Public places make me nervous.
00:04:49Daylight makes you nervous.
00:05:05It's not every day that you hold in your hands something that could affect the balance of power on the planet.
00:05:10When do we get the next piece?
00:05:21As soon as Uncle Sam pays for this one.
00:05:23Right.
00:05:24Thank you, Mr. Booker.
00:05:37Move it!
00:05:50Move it!
00:05:52Move it out!
00:05:53Go, go, go!
00:06:12Go, go!
00:06:23Go!
00:06:29Go!
00:06:45Watch out!
00:06:53Go, go, go!
00:07:23Let's go! Back up!
00:07:53Go, go!
00:07:57Go!
00:08:01Go!
00:08:14Go!
00:08:19Go!
00:08:21Oh, my God.
00:08:51Oh, my God.
00:09:21I wouldn't come any closer.
00:09:36Oh, my noble adversary.
00:09:39Tis that, that dame circumstance.
00:09:42You know I can't let you have this.
00:09:45Pushes us to the very bridge.
00:09:54Ciao, bello.
00:09:56No.
00:09:57No.
00:09:58No.
00:09:59No.
00:10:00No.
00:10:01No.
00:10:02No.
00:10:05No.
00:10:06No.
00:10:22No.
00:10:27I'm sorry, honey, this must be real important.
00:10:34I told him not to bother me.
00:10:36Wink here.
00:10:38Yeah.
00:10:39Yeah, all right, I'll be right in.
00:10:42Look, I'm sorry, honey.
00:10:44I gotta go.
00:10:45Honey, look, I love you, but you knew I was a cop when we got married.
00:10:49We'll have a baby.
00:10:50We just have to wait for the right time.
00:10:53Gordy, you lied to me.
00:10:55Carrie, that's not fair.
00:10:57That's not it.
00:10:59Bullshit!
00:10:59When would we have time for a kid?
00:11:01I mean, you work days, I work nights.
00:11:03I told you I'd stop flying for a year.
00:11:06You're the one making up all the excuses.
00:11:08You really want to bring a kid into this world?
00:11:11I mean, you know, while you're up there flying around in the clouds all day,
00:11:13I'm on the ground seeing the worst shit imaginable.
00:11:16It's like we're on an express train of hell at 150 miles an hour.
00:11:20Well, excuse me for still believing
00:11:22and Sunday walks in the park and little babies.
00:11:28Listen, Carrie, honey,
00:11:29I'm sorry, but I can't help the way I feel.
00:11:33Fine.
00:11:34Go.
00:11:37Fine.
00:11:41Ah, damn it.
00:11:43I forgot.
00:11:44Jimmy dropped me off.
00:11:45My car's still at the station.
00:11:50Honey, could you give me a lift, please?
00:11:57With pleasure.
00:11:59Whoa, whoa, whoa.
00:12:00Hey, he's, he's.
00:12:01Come on.
00:12:01Come on, man.
00:12:13Come on, man.
00:12:13Come on, man.
00:12:13Come on, man.
00:12:13Come on, man.
00:12:14Come on, man.
00:12:21Hey, hey, hey.
00:12:24Not so close.
00:12:25It's lucky for me you don't fly like you make love,
00:12:50or I'd be in trouble.
00:12:51Well, if I did,
00:12:52we wouldn't be having this conversation.
00:12:53Listen to me.
00:12:54I'm not ready to be far from you.
00:12:56Let's wait another year and talk about it then, okay?
00:12:58Look, I just don't want to talk about it anymore.
00:13:11This is the way I feel, honey.
00:13:12Why don't you understand?
00:13:14Because I want a baby.
00:13:17Carrie, forget about it, all right?
00:13:19I gotta go.
00:13:21All right, fine.
00:13:22Go.
00:13:23Bye.
00:13:51Bye.
00:13:52Bye.
00:13:52Bye.
00:13:53One rocket, Charlie, one rocket, Charlie.
00:14:19Do you leave me open?
00:14:20This is one rocket, Charlie.
00:14:23Hey, Carrie, listen, I got you a good client over at the Nuitani Hotel.
00:14:27He'll give you a destination when you're in the air.
00:14:30Well, hello to you too, Chauncey.
00:14:33Well, hello to you too, Carrie.
00:14:35Are you happy now?
00:14:37Listen, this guy is a real big spender.
00:14:40He got four hours guaranteed, maybe more.
00:14:42So it's VIP status all the way.
00:14:50Come on.
00:14:51Come on.
00:14:52Come on.
00:14:53Come on.
00:14:54Come on.
00:14:55Come on.
00:14:56Come on.
00:14:57Come on.
00:14:58There's one guard left.
00:15:28There's one guard left.
00:15:58I cannot lie.
00:16:08I was humping my goat.
00:16:10So the DA says, but there's more to the story, isn't there, Farmer Brown?
00:16:14Of course.
00:16:15So Farmer Brown says, after I finished humping my goat, the goat turned around and licked
00:16:20my balls.
00:16:21At which point, the judge turned to Farmer Brown and said, hey, a good goat will do that.
00:16:27A good...
00:16:29Oh, come on, Gordy.
00:16:30I had everybody rolling with that this morning.
00:16:32You know you're sad, man.
00:16:33All units in the vicinity of 1421 Balboa respond to a 411 in progress.
00:16:38It's right around the corner.
00:16:40Well, let's jump on it.
00:16:42This is Unit 12 Apple.
00:16:43We're en route.
00:16:44A prettier pilot than I'm accustomed to.
00:17:03So, do you have a problem with women pilots?
00:17:10When a world of men could not prevail with all their oratory, yet have a woman's kindness
00:17:17over all.
00:17:19Henry IV.
00:17:20Yeah.
00:17:20I feel in good hands already.
00:17:23What's our destination today, sir?
00:17:25A high-rise condominium on 4th and Grand Long Beach.
00:17:29Address, please?
00:17:30Why do you need that?
00:17:32I have to call it in, sir.
00:17:34It's regulation.
00:17:3614-16 Grand.
00:17:48I'm tired.
00:17:49I'm so tired.
00:17:49Hey, I got another one for you.
00:17:51No, I don't want to hear it.
00:17:52It's about a hitchhiker.
00:17:52Just go.
00:17:54You sure?
00:17:55Yeah.
00:17:56All right.
00:18:06Jimmy, check this out.
00:18:07What do you got?
00:18:08It's open.
00:18:12Oh, shit.
00:18:15Take the car and go around.
00:18:16Call for back.
00:18:17Right.
00:18:19This way.
00:18:19The ship is right here.
00:18:25Yeah, okay.
00:18:26Okay.
00:18:33Yes.
00:18:34Great.
00:18:52We got company.
00:18:55Okay.
00:18:55Who are you?
00:19:05Who are you?
00:19:06Zarkov!
00:19:07Say it again.
00:19:11Cuck yourself.
00:19:12Officer requesting help.
00:19:29Shots fired.
00:19:30Tim with me.
00:19:52Ah!
00:19:52Ah!
00:19:53Ah!
00:19:53Ah!
00:19:53Ah!
00:19:54Ah!
00:19:55Ah!
00:19:55Ah!
00:19:55Jimmy!
00:20:01Jimmy!
00:20:06Jimmy!
00:20:13Jimmy!
00:20:15Jimmy!
00:20:17Jimmy!
00:20:20Jimmy, no!
00:20:23No! Don't you make a mess, Amy, no!
00:20:47Wait for us.
00:20:53I'm sorry.
00:21:23Mr. Fairfax, I'm so glad you could make it.
00:21:30A pleasure, Mr. Simpson, a pleasure.
00:21:33Would you like to partake in some of my delicacies?
00:21:38Pardonnez-moi, monsieur, the jadjul.
00:21:42C'est gentil, mon frère, plus que ça.
00:21:45Rien.
00:21:46Another time, another place.
00:21:50Perhaps, Mr. Simpson, but for now,
00:21:53businesses of the essence.
00:21:58Suit yourself.
00:22:04I don't say a fucking word
00:22:15without my attorney being present.
00:22:19If you don't,
00:22:20I'm going to shove your teeth
00:22:23so far down your skinny little throat
00:22:26you'll be shitting mullers for a month.
00:22:29You don't have the balls.
00:22:32Neither did that pussy partner of yours.
00:22:35You motherfucking diesel.
00:22:37Gordon, it's not worth it.
00:22:53Gordon.
00:22:54Gordon.
00:22:54Look, I know how you feel.
00:23:01Jimmy was a hell of a guy.
00:23:02Jimmy was more than a partner to me.
00:23:05He's like a brother.
00:23:07And I'll be damned if I'm going to let that murdering little prick get away with it.
00:23:10Just stay calm.
00:23:12Do your job.
00:23:13Gordon.
00:23:21Gordon.
00:23:23I'm sorry about Jimmy.
00:23:26It's a fucking shame.
00:23:27Yeah.
00:23:28Thanks.
00:23:30Listen, you hear anything from Interpol yet?
00:23:33Unless we can find somebody with Delta IV clearance,
00:23:35they're not going to tell a shit.
00:23:36Delta IV?
00:23:37Yeah.
00:23:38I mean, the guy's got to be a fucking Merce.
00:23:40Yep.
00:23:40Probably worked for the CIA at some time.
00:23:42How about the Zytix Corporation?
00:23:44You talked to them yet?
00:23:45Yeah.
00:23:47What they took was a silicon carbide instrument platform.
00:23:52Well, what the fuck is that?
00:23:53I don't know.
00:23:54It's got something to do with satellite guidance or tracking or something like that.
00:23:58Evidently, it comes in four interlocking pieces.
00:24:01Look at this thing.
00:24:05They only got one piece.
00:24:06Right.
00:24:07Without these other three pieces, it's useless.
00:24:10Thank you, Jimmy.
00:24:13You can go now.
00:24:20Two of my men died obtaining this.
00:24:22I should charge you a hundred extra grand.
00:24:24What a small price for infinite power, Mr. Simpson.
00:24:30I'm glad you see it my way.
00:24:31Authentic.
00:24:50Perfect.
00:24:51Perfect.
00:24:52We are halfway home.
00:24:54As for you, Mr. Simpson.
00:25:00What?
00:25:01You are all the way home.
00:25:04I'm glad you're here.
00:25:05I'm glad you're here.
00:25:05I'm glad you're here.
00:25:06I'm glad you're here.
00:25:07I'm glad you're here.
00:25:08I'm glad you're here.
00:25:08I'm glad you're here.
00:25:09I'm glad you're here.
00:25:10I'm glad you're here.
00:25:11I'm glad you're here.
00:25:12I'm glad you're here.
00:25:13I'm glad you're here.
00:25:14I'm glad you're here.
00:25:15I'm glad you're here.
00:25:16I'm glad you're here.
00:25:17I'm glad you're here.
00:25:18I'm glad you're here.
00:25:19I'm glad you're here.
00:25:20I'm glad you're here.
00:25:21I'm glad you're here.
00:25:22I'm glad you're here.
00:25:23I'm glad you're here.
00:25:24I'm glad you're here.
00:25:25I'm glad you're here.
00:25:26Welcome, my Fräulein.
00:25:42Good night, sweet prince.
00:25:56Let's go, I'm running late.
00:26:03So, how was your meeting?
00:26:05That's my chic success.
00:26:07So what's our next destination?
00:26:09Sci-Tex Corporation, downtown.
00:26:24Why'd they have to call me in on a Saturday?
00:26:26I had a date with a beautiful blonde.
00:26:29Yeah, right.
00:26:31Dirty Harry.
00:26:34Babylon, sister.
00:26:37You know getting me that.
00:26:40Babylon, sister.
00:26:42You know getting me.
00:26:45Babylon, sister.
00:26:49Dudley Duras of the Mounted Police.
00:26:53What's that?
00:26:54You know getting me out of there.
00:27:02Derby?
00:27:07The name's Officer Dudley Wright to you.
00:27:11Don't move or I'll put a bullet up your ass.
00:27:14So far, you'll be pissing out your nose.
00:27:20Just wait till I get my badge.
00:27:22Morning, Ralph.
00:27:33Mike.
00:27:35Morning, Mr. Pollard.
00:27:36Getting in a little overtime?
00:27:38Nose to the grindstone, Ralph.
00:27:40Where are you going?
00:27:401,600.
00:27:431,600.
00:27:43I'll be in 1,600.
00:27:45Mr. Drake's office?
00:27:50Yeah.
00:27:51I've got to install some new software on the old man's computer.
00:27:54Talk to you later.
00:27:56Michael Horn, Paul Stern, left to right on CR and the cable radio network on your radio dial.
00:28:01What an incredible game.
00:28:01And J.R. Williams has been doing a great job.
00:28:03Hasn't he, Paul?
00:28:03Williams.
00:28:04Yeah, this is right.
00:28:06I'm going on my round.
00:28:08Sure, Dudley.
00:28:08Copy that.
00:28:09Another J.R. Williams.
00:28:10He's up.
00:28:15Oh, UCLA.
00:28:16Syracuse 100.
00:28:17What an incredible effort by J.R. Williams.
00:28:20It's stupendous, Mike.
00:28:21I'm telling he has been hitting shot after shot this entire...
00:28:34Charlie to base.
00:28:46It's one rocket, Charlie.
00:28:48Do you copy?
00:28:54Do you copy?
00:28:58Is anyone out there?
00:29:00Is there a problem?
00:29:01Boss, Tom, our radio doesn't work.
00:29:04Sorry, but we'll have to land.
00:29:06Out of the question, I'm already late as it is.
00:29:08The building is closed.
00:29:10Just go there.
00:29:11We have permission to land.
00:29:20Wait here for us.
00:29:22We'll call into your dispatcher.
00:29:31CR and the cable-ready network on your radio dial.
00:29:44Been an incredible game, and J.R. Williams has been doing a great job.
00:29:46Hasn't he, Paul?
00:29:47Williams, it's very, very sharp, Mike.
00:29:49All right, back now.
00:29:50UCLA with the ball.
00:29:51They come down.
00:29:51Hammer, look.
00:29:55He's up.
00:29:56He's got it.
00:29:56He's in with another basket.
00:29:57102, UCLA, Syracuse.
00:30:00Oh, shit.
00:30:04And it is just incredible the way he has been hitting it right now.
00:30:06Timeout called as UCLA now.
00:30:09Ahead 102, Syracuse 100.
00:30:16The rope.
00:30:16Au revoir.
00:30:29Au revoir.
00:30:35Mr. Charlie Drake.
00:30:37Um.
00:30:38Hi.
00:30:40Hi.
00:30:40Um.
00:30:42Um.
00:30:42Do you mind if I use the phone?
00:30:45Sure.
00:30:46Just, um, use the one out there.
00:30:50And, uh, make it quick.
00:30:51I've got a lot of work to do.
00:30:53Thank you, sir.
00:30:54Oh, and, uh, could you close the door on your way out?
00:30:57Sure.
00:30:57Sir.
00:30:57Hey, Gaudet.
00:31:12Anyone who is wearing their badge shows up in their position.
00:31:16Anyone not wearing a badge is supposed to come online with the Sancidor heat laser system.
00:31:25Yeah.
00:31:25Hello, Chauncey.
00:31:27Hey, Carrie.
00:31:29What's up?
00:31:30My goddamn antenna broke off.
00:31:32I don't know how, but it's gone.
00:31:34Shit.
00:31:36Listen, just stay put.
00:31:38First, I will take care of the phones.
00:31:42Hello, hello.
00:31:44Hello.
00:31:45Hello.
00:31:46Next, we lock off the building.
00:31:49No one gets in or out without our permission.
00:31:54Move it.
00:32:08Move it.
00:32:09Down.
00:32:09Down.
00:32:10All right.
00:32:17All right.
00:32:20Come on.
00:32:20Move it.
00:32:21Let's go.
00:32:22Oh, no, no, no, no.
00:32:52The package has just arrived.
00:33:11He's got the case, but both men are armed.
00:33:17You know, I don't trust these bastards or any...
00:33:20I want you to cover me in the lab, okay?
00:33:22Yes, Mr. Cranston.
00:33:23Okay.
00:33:44This is Mr. Cranston.
00:33:46How do you do, Mr. Cranston?
00:33:48Let's dispense with the fucking formalities.
00:33:50Where's Fairfax?
00:33:51Yes.
00:33:52Yes.
00:33:53Yes.
00:33:54Wrong, son.
00:33:55Good to see you again.
00:33:57Good to see you again.
00:34:02Good to see you again.
00:34:05Good to see you, son.
00:34:07Yes.
00:34:21Ransom.
00:34:23Good to see you again.
00:34:25Comment allez-vous, monsieur?
00:34:28Ça va?
00:34:29Très bien.
00:34:29I'm delighted you decided to accept my propose.
00:34:33Ah, yeah, well, I thought if I was going to sell my soul to the devil, I might as well go straight to the devil himself.
00:34:40Thanks for the flattery, but, uh, I'm nearly a man, and if you prick me, I do bleed.
00:34:48Oh, jeez, you're still doing that Shakespeare crap. Can we get on with this?
00:34:53You have the other three pieces?
00:34:56Yes, I do.
00:34:57Good.
00:35:03Ah, yes.
00:35:20And now, for phase two.
00:35:24The money.
00:35:25The money is the root of all evil.
00:35:30You son of a bitch.
00:35:32Ah, but, Mr. Canstan, I can still see you.
00:36:01Good, Uncle.
00:36:19D'accord, Mephat.
00:36:20He's on the elevator going up.
00:36:22And he just got off on the twentieth floor.
00:36:26Jesus, who are you?
00:36:30I'm the helicopter pilot.
00:36:32What happened?
00:36:33I...
00:36:34Go!
00:36:50Okay, I gotta stop.
00:36:51Gotta stop.
00:36:52Okay, what is going on?
00:36:56They're gonna kill us for what's in this briefcase.
00:37:01Attention, attention, they are headed for the roof.
00:37:04Oh, I can't go anymore.
00:37:24This is bullshit.
00:37:25I'll cover you.
00:37:28You just take this and get out of here.
00:37:29Go on.
00:37:32Go!
00:37:32Go!
00:37:33Go!
00:37:33The end of life cancels all bands.
00:37:58Fuck you.
00:38:06Later, baby.
00:38:11Ciao.
00:38:12Oh, shit.
00:38:25Oh, shit.
00:38:27Oh, shit.
00:38:32Oh, shit.
00:38:33Oh, shit.
00:38:35Oh, my God.
00:39:05Oh, my God.
00:39:35Oh, my God.
00:40:05Oh, my God.
00:40:35Oh, my God.
00:41:05Oh, my God.
00:41:35Oh, my God.
00:42:05Ralph, I got two dead bodies on monitor set.
00:42:10Ralph?
00:42:11Ralph?
00:42:13Oh, my God.
00:42:15Oh, my God.
00:42:45It was pitiful.
00:42:45There are people all over this building.
00:42:47Now, hurry up and round up the rest or we will never find that pilot.
00:42:51Here you go.
00:43:00Here you go.
00:43:00Thanks.
00:43:01Hey, Billy Ray, be careful.
00:43:12Hey, Billy Ray, be careful.
00:43:12Hey, Billy Ray, be careful.
00:43:22Beep, beep, beep, beep, beep, I'll run to come through.
00:43:27Beep, beep, beep, beep.
00:43:28Mr. Drake, Mr. Drake, what the hell happened to you?
00:43:39Mr. Drake.
00:43:47What the hell happened to you?
00:43:52Some people?
00:43:53Some people are trying to kill me.
00:43:56Some people are trying to kill me.
00:44:03Some people are trying to kill me.
00:44:08You stay here and I will go get security.
00:44:16We have some activity on the elevator, and...
00:44:33Look, it is our friend, one Rocket Charlie.
00:44:46Come on, get in here quick.
00:44:49Hey, take it easy, babe.
00:44:51Got it all afternoon.
00:44:52Shut up.
00:44:53Ooh, you like the strong silent type?
00:44:56Yeah, I can do that.
00:44:58Look, why don't you and I, we get a little more, you know,
00:45:02ooh, I don't like those zippers.
00:45:05And she has a friend with her.
00:45:08Shut it down.
00:45:09What the hell's going on?
00:45:18I've stopped them on 23.
00:45:25I...
00:45:26Look at me.
00:45:27We're gonna make it out, okay?
00:45:32Come on, snap out of it.
00:45:35I can't breathe.
00:45:36I can't breathe.
00:46:06Go check around front.
00:46:10Okay.
00:46:11It's too hot for this BS.
00:46:14Oh, nasty fall.
00:46:17Nice watch.
00:46:18Hey, listen, that's not really my concern right now.
00:46:21Did you get any word on the hitters?
00:46:23Yeah, yeah, they were slick.
00:46:25Foreign, professional.
00:46:26Damn it.
00:46:29You know how to get to the roof?
00:46:31Yeah, yeah, sure, follow me.
00:46:32Let's go.
00:46:33Don't look like anybody's been up here.
00:46:37Well, let's check it out.
00:46:39Yeah, well, I'm calling in.
00:46:41Hey, Clancy, Gordon, you get anything on that weasel yet?
00:46:44Jesus Christ, Gordon, where the fuck have you been?
00:46:47We got bad news, man.
00:46:49Somebody got to him.
00:46:51What does that mean, that somebody got to him?
00:46:52I mean, somebody waltzed into the station and iced him.
00:46:56He's been dead for two hours.
00:46:58Shit.
00:47:00Clancy, have you heard from Gordy?
00:47:03My man, if I was you, I'd get my ass down here.
00:47:05Captain's throwing a flying shit fit, and he's looking for you.
00:47:07Hey, what's up?
00:47:10Look at this.
00:47:11Tell him I'm coming right in.
00:47:13All right, pal, you got it.
00:47:15Where'd you find this?
00:47:16Over here, man.
00:47:24Hey, how was Gordy?
00:47:25Hey, Chauncey, it's Gordy.
00:47:26Hey, Gordy, how the hell are you?
00:47:28Has Kerry called in yet?
00:47:30She called from a phone booth, and she said that she had radio trouble,
00:47:33and, uh, but then we got disconnected.
00:47:35I don't know.
00:47:36She just disappeared.
00:47:37What do you mean she just disappeared?
00:47:40Where was her last drop?
00:47:41The Hyatt Regency in Long Beach.
00:47:43I checked, but she's not dead.
00:47:45No, listen.
00:47:45I'm up here at the Hyatt Regency.
00:47:47I'm up on the roof.
00:47:48There's a stiff down at the pool.
00:47:50Yeah, I got a bad feeling about this.
00:48:05When you go to shoot, safety right here.
00:48:12You don't shoot with your finger, just the tip.
00:48:15Okay?
00:48:16In here.
00:48:16Not bad, huh?
00:48:23Okay.
00:48:24Okay.
00:48:26Remember what I told you.
00:48:27Okay.
00:48:27Okay.
00:48:27Remember, I'm from Hyatt, Texas.
00:48:45Hyatt, Texas.
00:48:47Uh-huh.
00:48:48Uh-huh.
00:48:49Uh-huh.
00:48:49Uh-huh.
00:48:50But those are the things that you can do good.
00:48:54Oh, is that right, such as?
00:48:56Yeah.
00:48:57Uh-huh.
00:48:59Uh-huh.
00:49:00Uh-huh.
00:49:02Uh-huh.
00:49:03Uh-huh.
00:49:04Memories be kind
00:49:21Bring back the two of us
00:49:34Come on, let's go
00:50:04There's only 11 spots to land a helicopter in Los Angeles
00:50:07She must be a woman
00:50:09Check all the other floors
00:50:26I want this bitch called right now
00:50:28Get easy
00:50:29Shut up
00:50:30This man has something he wants to tell you
00:50:34You want the good-looking blonde in the jumpsuit?
00:50:39Yes
00:50:40I know where she is
00:50:42I tell you
00:50:49You let me go
00:50:51Deal?
00:50:54Deal
00:51:00Zarkov, Zarkov
00:51:28You're slipping up, buddy
00:51:29Freeze!
00:51:30Don't move!
00:51:31Cut it out!
00:51:33You're one of them, aren't you?
00:51:35Huh?
00:51:36Do I look like a killer to you?
00:51:38Huh?
00:51:39Yeah
00:51:39Yeah, you could be
00:51:41Give me that
00:51:42Hey!
00:51:43You can't do that
00:51:44You don't even have any bullets in here
00:51:48It could go off
00:51:49My insurance only pays half
00:51:51I've got some activity next to this stairwell on 23rd
00:51:55Leave the mire, take care of it
00:51:56We need a place to hide
00:51:58Do you have a place to hide?
00:52:01Yeah
00:52:02Yeah, come on
00:52:03In here
00:52:09This way
00:52:09In here
00:52:13Give me the bullets
00:52:18Okay, come on
00:52:33I think it's better if I back you up from here
00:52:38Okay?
00:52:38Okay
00:52:39I think it's better if I back you up from here
00:52:52Oh
00:52:52Oh
00:52:52Oh
00:52:53Oh
00:52:54Oh
00:52:55Oh
00:52:56Oh
00:52:56Oh
00:52:57Oh
00:52:58Oh
00:52:59Oh
00:53:00Oh
00:53:01Oh
00:53:02Oh
00:53:03Oh
00:53:04Oh
00:53:05Oh
00:53:06Oh
00:53:06Oh
00:53:07Oh
00:53:08Oh
00:53:08Oh
00:53:08Oh
00:53:09Oh
00:53:39Oh
00:54:08Oh
00:54:38Oh
00:54:40I did it
00:54:41I did it
00:54:44I did it
00:54:44Liedermeyer
00:54:45Liedermeyer
00:54:45Liedermeyer
00:54:49Liedermeyer
00:54:50I think we've lost Liedermeyer
00:54:54There it is, that's a chopper
00:54:58You circle around
00:55:06You circle around
00:55:07You circle around, head back
00:55:08oh my god they've got hostages we gotta do something we can't just leave them there
00:55:34yeah i know but what oh damn what they've got the emergency containment system on every exit's
00:55:41locked up tight i'm gonna go look for a way out i can't just stay here all right hey be careful
00:55:48out there huh you too clever
00:56:04i have an intruder alert on the top floor in the stairwell couldn't be her
00:56:14it's the police
00:56:31mommy mommy where are you
00:56:42mom where are you mom are you okay i'm scared i want my mommy your mom is gonna be fine
00:56:57come on
00:57:00here here shh
00:57:15okay
00:57:29okay they're not here let's go
00:57:31yeah all right
00:57:38what's your name billy ray johnson
00:57:47well billy ray i'm gonna go find your mommy and i want you to stay right here okay
00:57:53no don't leave me i don't want to be here alone
00:58:00okay
00:58:03okay
00:58:07okay
00:58:08okay
00:58:12okay
00:58:17Oh, my God.
00:58:47I don't have time for petty games.
00:59:06Every five minutes I will kill a hostage until you return the case to me.
00:59:14And, by the way, I have enough for about one hour.
00:59:21Look, I'm going to find a safer floor for you to hide on, okay?
00:59:25Okay.
00:59:25I'm going to find a safer floor for you to hide on, okay?
00:59:30Okay.
00:59:32Come on.
00:59:33Come on.
00:59:34Come on.
00:59:35Come on.
00:59:37I don't know.
01:00:07I don't know.
01:00:37I don't know.
01:01:07I don't know.
01:01:09I don't know.
01:01:11I don't know.
01:01:13So, where are you?
01:01:16I'm where it's hot.
01:01:17I don't know.
01:01:25I don't know.
01:01:27I don't know.
01:01:29I don't know.
01:01:31I don't know.
01:01:33I don't know.
01:01:35I don't know.
01:01:39I don't know.
01:01:43I don't know.
01:01:45I don't know.
01:01:47I don't know.
01:01:49I don't know.
01:01:53I don't know.
01:01:55I don't know.
01:01:57I don't know.
01:01:59I don't know.
01:02:07I don't know.
01:02:09I don't know.
01:02:11I don't know.
01:02:13I don't know.
01:02:15I don't know.
01:02:19I don't know.
01:02:21I don't know.
01:02:23Okay.
01:02:24I'm out of here.
01:02:25A deal's a deal, right?
01:02:27You little prick.
01:02:29You see, that's what's wrong with this society.
01:02:33Women like that.
01:02:35Can you believe this shit?
01:02:37Technically, sir, you did not deliver.
01:02:41I found the woman.
01:02:43Wait, stop.
01:02:45I siphoned off hundreds of thousands of dollars.
01:02:49And I can cut you in on it.
01:02:53Now he wants to make me his partner.
01:02:57Or better yet.
01:03:01It's yours.
01:03:09A plague upon it when thieves cannot be true to one another.
01:03:19No!
01:03:27Now to you, Mrs. Wink.
01:03:31If you harbor any hope of staying alive, you tell me where the case is.
01:03:37Let the hostages go.
01:03:39And I'll tell you...
01:03:41You're hardly in the position to bargain, Mrs. Wink.
01:03:45This is a very big building.
01:03:47You could be looking for that briefcase for months.
01:03:55Natasha, would you be so kind and kill one of Mrs. Wink's precious hostages, please?
01:04:01No!
01:04:03Wait!
01:04:13Shall we go for another?
01:04:15No.
01:04:16I'll take you.
01:04:17No!
01:04:18No!
01:04:19No!
01:04:27No!
01:04:28No!
01:04:29No!
01:04:30No!
01:04:39Ah, fucking hell!
01:04:41The whole fire department has shown up.
01:04:48Kasia, roll out the red carpet.
01:04:56I swear it was here.
01:04:59Bullshit.
01:05:00Come on, man. Let's just off this bitch.
01:05:02I don't have time for fucking games, baby.
01:05:06I swear it was here.
01:05:08Maybe it's on a different floor.
01:05:12You take her in there.
01:05:13She's yours to play with.
01:05:14And you come with me, sir.
01:05:15Okay?
01:05:17Yeah, my pleasure.
01:05:19You and I just gotta go play a little bit.
01:05:41Come on.
01:05:48Come on.
01:05:52Come on.
01:06:06Come on.
01:06:10Run!
01:06:10Run!
01:06:11Run!
01:06:11Run!
01:06:12Run!
01:06:12Run!
01:06:13Run!
01:06:13Run!
01:06:14Run!
01:06:14Let's go!
01:06:44Holy shit.
01:07:00Captain Woods here.
01:07:01Got a cold three situation.
01:07:04Give me SWAT, paramedics, and a crowd control unit.
01:07:08Now.
01:07:10This is not good.
01:07:12Wait, wait, wait, wait, wait. Not good at all.
01:07:16Maybe we should abort Fairfax.
01:07:20Nobody gets out of the building until I have what we came for.
01:07:26Hello, my friend.
01:07:28I'm sorry, Matt.
01:07:35Anybody call the feds in?
01:07:37Please, ma'am.
01:07:39Who left that car on the corner?
01:07:42Wayne DeLusky.
01:07:43I designed the Simmons 588.
01:07:47The computer operating system that runs the building.
01:07:50I built it.
01:07:52All right, Wayne.
01:07:53What the hell do we get in there?
01:07:57May I?
01:07:59Hey, Mary.
01:08:0033 has to wait to John's Medical Center.
01:08:06Oh, dear.
01:08:07That's not good.
01:08:08What?
01:08:09I designed this high-rise to withstand civilian riots, paramilitary attacks, things like that.
01:08:15The developers?
01:08:16South Africans.
01:08:18We were pretty happy with it when it was finished.
01:08:21But then that's why they pay me the big money.
01:08:23All right, big money.
01:08:24How the hell do we get in there?
01:08:28Well, basically, you're fucked.
01:08:30God was very good to you, wasn't he?
01:08:35Too bad you missed out.
01:08:39You know...
01:08:41I usually prefer to buy ladies a drink first.
01:08:48But excuse me...
01:08:51If I just don't have the time...
01:08:54Doesn't sound so bad to me.
01:09:00Inside the building.
01:09:05It's Los Angeles Police Department.
01:09:08Open the lobby doors.
01:09:10I will make a fourth entry.
01:09:12I repeat.
01:09:13Open the lobby doors.
01:09:17We are the People's Democratic Liberation Party.
01:09:21We have 17 hostages and we will kill them all if provoked.
01:09:31We stand for honesty, democracy, and the American way of life.
01:09:37The government is evil and we are willing to die for our cause.
01:09:43There is a four-wire shut-off switch to the main computer.
01:09:46Now, if you can get to the four wires and cut them, fuse a digital transponder to the lines,
01:09:51then I can override the computer's Centricom and open the building from out here.
01:09:57Uh, theoretically.
01:10:16That's Johnny Hill.
01:10:26Let that serve as an example.
01:10:31If you attempt to rescue or display any form of aggression against us,
01:10:38we will throw another hostage to his death.
01:10:43The People's Liberation will not be intimidated by bureaucratic arm-twisting.
01:10:50So what I want to say, Captain, is...
01:10:54Don't fuck with me!
01:11:08Oh, my God.
01:11:34Uh...
01:11:35One, two, three, four.
01:11:50Hey, my memory. Shoot me.
01:11:51I can answer you.
01:11:53My memory, copy.
01:12:02Oh, shit.
01:12:04Come back up, move me.
01:12:05What the fuck are you?
01:12:35We can't stop! Let's go!
01:12:44Go!
01:12:46Go!
01:12:52My leg!
01:13:00Oh, shit!
01:13:02Hmm. Short, guys.
01:13:05Hey!
01:13:07Oh, God!
01:13:10Oh, please!
01:13:12Please!
01:13:21Au revoir.
01:13:23Oh, good.
01:13:30Interpol again.
01:13:32South Africa, Reese Commander.
01:13:33South Africa?
01:13:34What an irony.
01:13:35IQ 175, Oxford graduate, ex-SAS lead covert death squads in Angola, Bosnia and Mamre.
01:13:39What the hell would that son of a bitch want here?
01:13:40Why'd they have to pick my building?
01:13:46Why'd they have to pick my building?
01:13:47I'm telling you, man, I didn't see no silver case.
01:13:53I'm telling you, man, I didn't see no silver case.
01:13:54So why the fuck you don't look again?
01:13:55All right, all right, man.
01:13:56All right, all right, man.
01:13:57You didn't see no black case.
01:14:02I'm telling you, man.
01:14:03I'm telling you, man, I didn't see no silver case.
01:14:04I'm telling you, man, I didn't see no silver case.
01:14:05I'm telling you, man, I didn't see no silver case.
01:14:07So why the fuck you don't look again?
01:14:08All right, all right, man.
01:14:09You didn't see no black case.
01:14:10I said silver.
01:14:11Whoa!
01:14:12What's that, man?
01:14:13Hey, man, where you from?
01:14:14East side, man?
01:14:15Not really.
01:14:16Where from, man?
01:14:17From hell.
01:14:18Ah!
01:14:19Oh!
01:14:20Ah!
01:14:21Ah!
01:14:22Ah!
01:14:23Ah!
01:14:24Ah!
01:14:25Ah!
01:14:26Ah!
01:14:27Ah!
01:14:28Ah!
01:14:29Ah!
01:14:31Ah!
01:14:32Ah!
01:14:33Ah!
01:14:34Ah!
01:14:35Ah!
01:14:36Ah!
01:14:37Ah!
01:14:38Ah!
01:14:39Ah!
01:14:40Ah!
01:14:41Ah!
01:14:42Ah!
01:14:43Ah!
01:14:44Ah!
01:14:45Ah!
01:14:46Ah!
01:14:47Ah!
01:14:48Ah!
01:14:49Ah!
01:14:50Ah!
01:14:51Ah!
01:14:52Ah!
01:14:53Ah!
01:14:54Ah!
01:14:55Ah!
01:14:56Ah!
01:14:57Ah!
01:14:58Ah!
01:14:59Ah!
01:15:00Ah!
01:15:01Ah!
01:15:02Ah!
01:15:03Ah!
01:15:04Ah!
01:15:05Ah!
01:15:06Ah!
01:15:07Ah! Ah!
01:15:08This is my top, you putain.
01:15:38Zarkov, the cop is in the basement.
01:15:57Take care of him.
01:16:08Take care of him.
01:16:38Take care of him.
01:17:08Take care of him.
01:17:38Take care of him.
01:18:08Take care of him.
01:18:10Take care of him.
01:18:12Gordy.
01:18:13Oh honey, are you okay?
01:18:15Baby, I was looking for you.
01:18:17I was looking for you.
01:18:22Listen, I gotta go check on the hostages.
01:18:26Hostages?
01:18:27Yeah, hostages.
01:18:29Hey, I love you.
01:18:38What are you doing here?
01:18:40I thought we were going to meet up on the roof.
01:18:42The truth.
01:18:43The plan has changed.
01:18:44I know.
01:18:45The fucking bitch has fucked up everything.
01:18:49Actually, she has made things much simpler.
01:18:54I lost for you.
01:18:55I knew you well.
01:19:04Parting is such sweet sorrow.
01:19:07I mean, I'm going to meet you.
01:19:08What happened?
01:19:09I've messed up the door as well.
01:19:14Well, then I've been waiting for you.
01:19:18Fuck you.
01:19:22Does anyone know how to disable the computer system?
01:19:27I do.
01:19:28I can help too.
01:19:29Come with me.
01:19:38Oh my God.
01:19:39Don't worry, he's one of them.
01:19:48Oh my God.
01:19:50There's a kid loose in the building.
01:19:51I'll go get him.
01:19:52Wink, come back.
01:19:53That's crazy.
01:19:54Oh my God.
01:19:55There's a kid loose in the building.
01:19:57I'll go get him.
01:19:58Wink, come back.
01:19:59That's crazy.
01:20:01It's a kid loose in the building.
01:20:03I'll go get him.
01:20:06Wink, come back.
01:20:08It's crazy.
01:20:11I'm trying to find him.
01:20:14Hey.
01:20:18Hey.
01:20:19Hey, hey.
01:20:20Hey, hey, hey.
01:20:22Hey, hey hey.
01:20:23Hey.
01:20:24Hey, hey, hey, hey.
01:20:26Hey, hey, hey, hey.
01:20:28Try System 5.
01:20:37Come on, come on.
01:20:47Are you having fun?
01:20:56We did it.
01:20:58We did it.
01:21:00We did it.
01:21:14Come on, come on.
01:21:15Come on, come on.
01:21:16We did it.
01:21:17We did it.
01:21:18We did it.
01:21:19We did it.
01:21:20We're out of here.
01:21:21We're out of here.
01:21:22We're out of here.
01:21:23We're out of here.
01:21:23We're out of here.
01:21:24Let's go.
01:21:25Let's get that plan when you want, man.
01:21:26They're headed to the roof.
01:21:36I don't want to go.
01:21:54Shut up.
01:21:54I want my mommy.
01:21:56We did it.
01:21:57We're out of here.
01:22:00We're out of here.
01:22:00We're out of here.
01:22:01We're out of here.
01:22:05Wink. So very nice you could join us. We're ready for departure now. Get in.
01:22:30Please. Get in.
01:22:35Get in the chopper. Now. Not to let the boy go. Let her go. Gordy wait. We can all live through this. I have a very nervous trigger finger and very little patience. Look. I'll make a deal with you. You let the boy go over to Gordy and I'll take you anywhere you want to go.
01:23:05I don't even like children. I'd rather play with you.
01:23:11Go to Gordy.
01:23:13Come here.
01:23:15There was never a story of more woe than this of Juliet and Romeo.
01:23:25Gordy!
01:23:27No!
01:23:29No!
01:23:30No!
01:23:31No!
01:23:32No!
01:23:33No!
01:23:34No!
01:23:35No!
01:23:36No!
01:23:37No!
01:23:38No!
01:23:39No!
01:23:40No!
01:23:41No!
01:23:42No!
01:23:43No!
01:23:44No!
01:23:45No!
01:23:46No!
01:23:47No!
01:23:48No!
01:23:49No!
01:23:50No!
01:23:51No!
01:23:52No!
01:23:53No!
01:23:54No!
01:23:55No!
01:23:56No!
01:23:57No!
01:23:58No!
01:23:59No!
01:24:00No!
01:24:01No!
01:24:02No!
01:24:03No!
01:24:04No!
01:24:05No!
01:24:06No!
01:24:07No!
01:24:08No!
01:24:09No!
01:24:10DCC News. I'm standing here live in front of the Zytex building.
01:24:15Just a short hour ago, hostages were released in what appears to be a terrorist takeover.
01:24:20You're still waiting for details on casualties.
01:24:23Are you ready to go?
01:24:26Are you okay?
01:24:30Excuse me, ma'am. Can I get a call?
01:24:32Oh, just sit here.
01:24:35There you go.
01:24:37All right, got it.
01:24:40See? I told you everything would be okay, didn't I?
01:24:45Uh-huh.
01:24:46Uh-huh.
01:24:48See? Give me a kiss.
01:24:52Look who I see.
01:24:54Got a surprise for you.
01:24:55CD!
01:24:57Look at that.
01:24:59Look who's in there.
01:25:01Your mama's waiting.
01:25:02Let's go in.
01:25:03Hey, Gordy.
01:25:09You're lucky your wife was there to take care of you.
01:25:11Oh, well, thank you, Captain.
01:25:13And he thinks I can't have a baby.
01:25:15I give. I give.
01:25:18Hey, hey.
01:25:19Okay, okay. Enough of this.
01:25:20Now, both of you get inside now.
01:25:21Come on.
01:25:23One of you guys give me a hand here.
01:25:24Just sit.
01:25:25All right, they're in.
01:25:40All right, folks.
01:25:41Show's over.
01:25:43Get them out of here.
01:25:44Move them back.
01:25:46Let's go.
01:25:46Come on.
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