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00:00:00THE END
00:00:30Oh, my God.
00:01:00Oh, my God.
00:01:30And so, the pages turn and your school days are over.
00:01:36To you, they have been a small and we hope happy lifetime.
00:01:42But to us, they have been more like the miracle of a minute.
00:01:45The mischievous, loving children who came to us four years ago now leave us, as charming young ladies, to face the challenge of life with all the happiness and victories
00:02:15and all the courage and idealism and the sportsmanship that have made us all so proud to be associated with this graduating class.
00:02:27Goodbye, girls.
00:02:28Good luck.
00:02:32God bless you.
00:03:33I know that it sends chills up and down your back.
00:03:35As bad as that, eh?
00:03:37Where are your father and mother, Connie?
00:03:38We'd like to meet them.
00:03:39My parents are dead, Mr. Clark.
00:03:41Oh, I'm sorry.
00:03:42Mother, I have a wonderful idea.
00:03:44Why can't Connie come with us and spend the summer?
00:03:47Could you, Connie?
00:03:47We'd be so pleased.
00:03:48We'd be so pleased.
00:03:49It's very kind of you, but I have an aunt and uncle in New York and I'm going to live with them.
00:03:53You see, it's all been arranged that way.
00:03:56Her uncle is James F. Clinton.
00:03:57You know him, Dad.
00:03:58I owe everything to Uncle Jim.
00:04:00This school, my music, everything.
00:04:03I couldn't disappoint them.
00:04:04No, of course not.
00:04:05Jim Clinton, eh?
00:04:06Well, you're a very lucky girl.
00:04:08He's a fine man.
00:04:09Oh, yes, he is.
00:04:10Isn't it his daughter we read so much about?
00:04:12Yes, that's Barbara.
00:04:13She's a year older than I am.
00:04:14Oh, and she's beautiful.
00:04:16Did you see her picture in the magazine?
00:04:18She has her picture in every...
00:04:18Miss Constance Hardy?
00:04:20Yes?
00:04:21I'm Mr. Clinton's battler.
00:04:22We've called for you in the car.
00:04:24Then they're here.
00:04:26Oh, no.
00:04:26Excuse me, please.
00:04:28They're not here.
00:04:29I'm sorry, but only the chauffeur and I are here.
00:04:33Then they didn't come?
00:04:34No, miss, they were very busy.
00:04:37Of course, they couldn't leave me.
00:04:39New York, could they?
00:04:40No, miss.
00:04:44I'll be back in a few minutes.
00:04:46Very good, miss.
00:04:46If you'd be so kind of to show me where the car is, please.
00:04:49That's the car over there, miss.
00:04:50The black car with the white wheels.
00:04:55I'll go and get my bag.
00:04:57Very good, miss.
00:05:00Connie.
00:05:02Connie.
00:05:02They didn't come?
00:05:04No.
00:05:04Oh, Connie, change your mind.
00:05:06Spend the summer with us on the lake.
00:05:08We have a household.
00:05:08I'd love to, Marsha.
00:05:09Really, I would.
00:05:10But they've done so much for me.
00:05:12You know?
00:05:17Connie, when you go to New York, listen to that.
00:05:19I'm sorry, Sally.
00:05:20I have to hurry.
00:05:21Where do you think you're going?
00:05:22I'm going, young lady.
00:05:23I used to go up and change my clothes.
00:05:24Oh, no, you don't.
00:05:25Now, please let me go.
00:05:25Oh, you promised to sing.
00:05:26But, Tony, I can't really.
00:05:27Say, what do you think of that girl?
00:05:28She refuses to sing for her.
00:05:29Oh, I was the last time.
00:05:31Let's go to the music.
00:05:32Come on.
00:05:32Come on.
00:05:33Oh, my God.
00:05:34Yes, what is it?
00:05:37May we use the piano, Miss Wiggins?
00:05:39What for?
00:05:40Connie's going to sing for us.
00:05:43All right.
00:05:44Go ahead.
00:05:46Miss Wiggins says it's all right.
00:05:47Come on, friends.
00:05:48The leader of the Glee Club always sings for us.
00:05:50I don't feel like saying it.
00:05:52Oh, temperamental, eh?
00:05:54No, I'm not.
00:05:54Say, why that big girls?
00:05:55All those she gave her a butterfly sky.
00:05:56No, I, anything you like.
00:05:59Uh, a home sweet home, for instance.
00:06:00Yeah, all right.
00:06:01Have a game.
00:06:02All right.
00:06:03Need pleasures and palaces
00:06:24Though we may rule
00:06:31The devil's so humble
00:06:40There's no place like home
00:06:49A charm from the skies
00:06:58Seems to hollow us there
00:07:07Which sick through the world
00:07:16Is now met with elsewhere
00:07:26Home, home
00:07:35Sweet, sweet home
00:07:43There's no place like home
00:07:53There's no place like home
00:07:55There's no place like home
00:07:57Connie.
00:08:02What is it, Connie?
00:08:05That's funny.
00:08:07Connie never cries.
00:08:08I'm sorry.
00:08:10Don't you feel well?
00:08:12Don't you feel well?
00:08:14Get out.
00:08:14Go on.
00:08:15Go on.
00:08:25What's all this?
00:08:28Look up here.
00:08:35What's the matter with you?
00:08:37Nothing.
00:08:38It's just that
00:08:39Everybody's going home
00:08:41And I'm leaving mine.
00:08:49I thought so.
00:08:51Prying your eyes out
00:08:52Just because you don't have a home of your own to go to
00:08:55Or a mother and father to tell you how pity and clever you are.
00:09:01Poor little thing.
00:09:03You've just got a voice.
00:09:04You've just got a voice that comes to one in a million, straight from God to you.
00:09:10You alone.
00:09:11And you sit there feeling sorry for yourself.
00:09:14Yes, you are.
00:09:15Sorry for yourself.
00:09:16If I were that kind of girl, do you know what I'd do?
00:09:18I'd stick my tongue out of myself.
00:09:19Right there.
00:09:20Man!
00:09:30Get away.
00:09:31Get away.
00:09:32What's wrong?
00:09:33It's so wonderful to me, Miss Wiggins.
00:09:34Now you go on up there to New York and make those people love you as much as we do.
00:09:43We do.
00:09:44And then maybe someday you'll meet a prince.
00:09:48And you'll live happily ever after.
00:09:50Hmm?
00:09:51Those fairy stories haven't come true for over a hundred years, Miss Wiggins.
00:09:55Fiddlesticks.
00:09:56You just have to dust them off.
00:09:57Streamline them a bit.
00:09:58They'd still be fairy stories, wouldn't they?
00:09:59That's all life is.
00:10:00A fairy story.
00:10:01The trouble with you young people is you don't believe in anything.
00:10:02You're afraid.
00:10:03Afraid of hope.
00:10:04Afraid of happiness.
00:10:05What's New York?
00:10:06It's just another town.
00:10:07It's no bigger than you are.
00:10:08Go there and laugh in it.
00:10:09Loving it.
00:10:10Live in it.
00:10:11Make it yours.
00:10:12Hold it, Miss Clifton.
00:10:32No, boy.
00:10:37Hold it, Miss Clifton.
00:10:39Hold it, Miss Clinton.
00:10:42No, boy, come on!
00:10:44Hold it, Miss Clinton.
00:10:49Hold it, Miss Clinton.
00:10:53Isn't that wonderful?
00:10:55Right in the middle of the air.
00:10:57What's wonderful about it?
00:10:58It's like you were a bird.
00:11:00It's terrible.
00:11:01Throw that white bathing suit out.
00:11:02It looks like a flower sack.
00:11:03Yes, Miss.
00:11:04Get my comb.
00:11:05Yes, Miss.
00:11:06Send that editor a telegram telling him he's a darling for putting me on the cover.
00:11:08May I fix that spangle now, Miss Barbara?
00:11:10You should have done it before I put the dress on.
00:11:11But it wasn't loose then.
00:11:12Well, hurry up.
00:11:13Pull these curls out.
00:11:14Yes, Miss Barbara.
00:11:15Ollie!
00:11:16It's finished.
00:11:17It's all finished.
00:11:18Just one more.
00:11:19Can you hold just a little still, please?
00:11:20Give me that comb.
00:11:21You can pull on it.
00:11:22It won't come off.
00:11:23I didn't want to hurt you, Miss Barbara.
00:11:25Get my perfume, the Claude de Lune Bleu.
00:11:26Yes.
00:11:27Is mother ready?
00:11:28Yes, I got her done an hour ago.
00:11:29What's she wearing?
00:11:30A new one from Hendrix.
00:11:31What's it like?
00:11:32You don't have to worry, Miss.
00:11:33It's nothing like yours.
00:11:34Which one did you say, Miss Barbara?
00:11:36Claude de Lune Bleu.
00:11:37Yes, Claude de Lune Bleu.
00:11:38Bleu.
00:11:39Bleu.
00:11:40Bleu.
00:11:41Blur.
00:11:42That isn't right, but you're getting more.
00:11:43Oh, thank you, Miss.
00:11:44Here's your coat, Miss Barbara.
00:11:45All right.
00:11:46Bring it along.
00:11:47Which flowers would you like, Miss Barbara?
00:11:48I don't care.
00:11:49Any of them.
00:11:50I think these would look very nice on you.
00:11:52They're terrible.
00:11:53Give me the gardenias.
00:11:54Yes, Miss Barbara.
00:11:55Call me at noon tomorrow.
00:11:56Be sure that I get up.
00:11:57Yes, Miss Barbara.
00:11:58And you call that Swedish girl.
00:11:59Foot massage in the morning.
00:12:00You shouldn't dance so much, Miss Barbara.
00:12:02If Mr. Warrington calls, tell him to call back.
00:12:04If Mr. Patton calls, tell him I have smallpox.
00:12:06Yes, Miss.
00:12:07A headache for Mr. Patton.
00:12:09Where's my bag?
00:12:10Oh, I forgot it.
00:12:11Forget it.
00:12:12Mother, I'm ready.
00:12:15Where's Mother Walter?
00:12:17Are you ready?
00:12:18All but one cufflink.
00:12:19Mother, please.
00:12:21Oh, my darling child.
00:12:24You look so sweet.
00:12:27And that color's so good for you, too.
00:12:29Oh, maybe you're good for the color.
00:12:30You know, I always say the woman makes the clothes.
00:12:32Mother, let's get started.
00:12:33No, Mother.
00:12:34Even Walter's ready.
00:12:35Oh, ready and raring to go.
00:12:36Well, it can't go for quite a while yet.
00:12:38No good.
00:12:39What's the matter now?
00:12:40Well, George and Terry aren't back with your cousin Constance yet.
00:12:42And they have the car.
00:12:43Well, let's take one of the other cars.
00:12:44Which one, my dear?
00:12:45The sedan is waiting for your father's office.
00:12:47My little town car is in the garage having an oil treatment or whatever you call those things.
00:12:51And the big town car we can't use because the second chauffe is off today.
00:12:54You know, the one who was born in February.
00:12:55What's his name?
00:12:56Nick for Nicholas.
00:12:57That's it.
00:12:58This is terrible.
00:12:59I can't be more than an hour and a half late for Wilma's party.
00:13:02She's one of my personal friends.
00:13:03Why did that child have to graduate today?
00:13:05Well, but graduations are important.
00:13:07Well, what's much more important to me is that Wilma will think I'm deliberately sabotaging her party.
00:13:11Oh, well, if that's the case, perhaps we'd better take a taxi.
00:13:14That's idiotic.
00:13:15No one can get comfortable in a taxi.
00:13:17If you'd learn to drive, we wouldn't have to ride in them.
00:13:20Driving is work.
00:13:21Not as much work as walking, perhaps, but still work.
00:13:24Walter!
00:13:25You came that close to making an epigram.
00:13:28You know you...
00:13:29Here they are, Miss Barbara.
00:13:30This one matches everything.
00:13:31It doesn't match anything.
00:13:32Throw it out.
00:13:33Now, run outside and see if you can find a taxi.
00:13:34Yes, ma'am.
00:13:35Can you whistle, Agnes?
00:13:36You mean like this?
00:13:37Don't ever do that, Agnes.
00:13:38Well, I'm sorry.
00:13:39Will you please get that cab?
00:13:40Yes, ma'am.
00:13:41Get my clothes, please.
00:13:42In the future, I hope someone will have enough sense to keep at least one chauffeur around here.
00:13:44Ditto.
00:13:45I'm sorry.
00:13:46Will you please get that cab?
00:13:47Yes, ma'am.
00:13:48Get my clothes, please.
00:13:49I'm sorry to keep at least one chauffeur around here.
00:13:51Ditto.
00:13:52Now, now.
00:13:53It's all Mother's fault.
00:13:54I know.
00:13:55But really, here they are.
00:13:57Hello.
00:13:58Where have you been?
00:13:59I'm sorry we're so late, Miss Barbara.
00:14:01We had a flat tire, ma'am.
00:14:02A flat tire on an $8,000 automobile?
00:14:04Impossible.
00:14:05We almost had to take a taxi.
00:14:07I'm very sorry, Mr. Bolton.
00:14:09You tell me all about that flat tire in the morning, Terry.
00:14:11Yes, ma'am, but I thought I...
00:14:12When you're going touring again, be sure there's somebody here to drive for us.
00:14:14Yes, ma'am.
00:14:15Oh, Mrs. Clinton, your flowers.
00:14:17What's the matter with my...
00:14:18Come on.
00:14:19Connie!
00:14:20Hello.
00:14:21Oh, my baby.
00:14:22I'm so glad to see you.
00:14:24Barbara, you haven't said a word to Connie.
00:14:25Hello, Connie.
00:14:26So happy you managed to get here.
00:14:27Walter, what have you to say to your cousin?
00:14:29Hi.
00:14:30Hello.
00:14:31We have to run some friends away.
00:14:32Yes.
00:14:33We don't want to be late, but I'll cost you a horoscope the first thing in the morning.
00:14:35Do you still sing?
00:14:36Yes, I do.
00:14:37Oh, I don't know why.
00:14:38And, George, the minute Mr. Clinton comes in, be sure and tell him to be late, but...
00:14:41By the time we get there, there won't be a photographer left.
00:14:42Goodbye, Connie.
00:14:43Well, goodbye, goodbye, goodbye, goodbye, goodbye.
00:14:44I'll show you to your room, miss.
00:14:45Please come this way.
00:14:46What time do you think Uncle Jim will be home?
00:14:47You mean Mr. Clinton, miss?
00:14:48Yes.
00:14:49The goings and comings of this family are none of my affairs, but I might say,
00:14:52we're not going to be late.
00:14:53The time we get there, there won't be a photographer left.
00:14:54Goodbye, Connie.
00:14:55Goodbye, goodbye, goodbye, goodbye, goodbye.
00:14:57I'll show you to your room, miss.
00:14:59Please come this way.
00:15:05What time do you think Uncle Jim will be home?
00:15:07You mean Mr. Clinton, miss?
00:15:08Yes.
00:15:09The goings and comings of this family are none of my affairs.
00:15:12But I might say, we're not going to the hospital.
00:15:14But I might say, if they're out, Mr. Clinton usually is here.
00:15:17If they're here, Mr. Clinton usually is out.
00:15:21This way, miss.
00:15:29Here's your room, miss.
00:15:41Shall I put the window down, miss?
00:15:45I said shall I put the window down?
00:15:48No, thank you. It's all right.
00:15:49May I help you unpack, miss?
00:15:51I think I can do it myself.
00:15:53Will there be anything else?
00:15:54No, thanks.
00:15:55Very well, miss.
00:15:56There'll be a light supper served in the dining room just as soon as you are ready for it, miss.
00:15:59No, thank you.
00:16:01But surely you'll want something.
00:16:03I don't feel like eating.
00:16:05Very well, miss.
00:16:14May I help you?
00:16:18May I help you?
00:16:24Why did you not like eating?
00:16:26Please take me away.
00:16:28Please look at all the aids.
00:16:30Please take me away.
00:16:31All the aids are behind me.
00:16:33First, I'll be a bit.
00:16:35I'll be a bit.
00:16:37You're all ready?
00:16:55Pardon me, Miss.
00:16:57Oh, supper already?
00:16:59You certainly do things quickly around here, don't you?
00:17:01I thought you said that.
00:17:02Well, I'll be down as soon as I've changed.
00:17:04Certainly.
00:17:05And don't make that supper too light. I'm famished.
00:17:08Some more chicken, Miss?
00:17:10Oh, I couldn't really.
00:17:11Are you sure, Miss?
00:17:12Oh, yes.
00:17:13Very good, Miss.
00:17:14There is another little piece of white meat.
00:17:17Yes, there is another little piece of white meat, Miss.
00:17:20I know what you're thinking.
00:17:21I hope not, Miss.
00:17:22You're wondering if I always change my mind.
00:17:24I'll get your hot chocolate, Miss.
00:17:25Mmm, I would want any something.
00:17:27Will that be all then, Miss?
00:17:29Mm-hmm.
00:17:30Very good, Miss.
00:17:31Do you think if one makes up one's mind about doing something, that that really helps one to do it?
00:17:37Indubitably, Miss.
00:17:38Well, here's what I mean.
00:17:39I made up my mind that I like this house, and I like everybody in it, and everybody in it's going to like me.
00:17:43Very cheerful thought, Miss.
00:17:45They didn't have to have me come here to live with them if they didn't want me, did they?
00:17:48No, Miss, they did not.
00:17:49My Uncle Jim asked me to come here.
00:17:50So Mrs. Clinton told me, Miss.
00:17:52Say, don't you ever smile.
00:17:53I'm sorry, Miss, but if I may say so, gay butlers are a trifle rare.
00:18:00Do you like singing?
00:18:02Yes, I do, Miss, and no, I don't, if you know what I mean.
00:18:05I'm sorry.
00:18:06Either you do or you don't.
00:18:08Well, it's this way, Miss.
00:18:09Some people consider boop, boop, di-dum, da-dum, wadum, tchoo, an inspiring cantata.
00:18:15My preference is for something above that, Miss.
00:18:17Oh.
00:18:18I'm sorry, Miss.
00:18:21I'm sorry, too.
00:18:51You, my beautiful lady.
00:18:56You, I'm sorry.
00:18:58You, I'm sorry.
00:19:00You, I'm sorry.
00:19:02I'm sorry, Miss.
00:19:05You, my beautiful friend.
00:19:07I'm sorry, Miss.
00:19:13Amapula, amapula, no seas tan ingrota, amapula, amapula, amapula,
00:19:36amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula, amapula
00:20:06Oh my goodness, my mother,
00:20:10no seas tan gros a human.
00:20:17Oh, my mother,
00:20:23my mother,
00:20:26how could you live?
00:20:29You're Connie, huh?
00:20:31Yes, Uncle Jim, I...
00:20:33Well, what seems to be the trouble?
00:20:35Well, it's my fault.
00:20:37I'm very sorry, sir, but, uh...
00:20:39I thought everybody was out.
00:20:41They are out, sir.
00:20:43They are?
00:20:44Yes, sir.
00:20:45Good.
00:20:47See that there's no more noise until they get into trouble.
00:20:49See that there's no more noise until they get into trouble.
00:20:51I'm sorry, sir, but, uh, I thought everybody was out.
00:20:53They are out, sir.
00:20:55They are?
00:20:56Yes, sir.
00:20:57Well, I think that there's no more noise until they get in, then.
00:20:59Very well, sir.
00:21:07Uncle Jim?
00:21:09Uncle Jim?
00:21:11I...
00:21:13I...
00:21:15I just wanted to thank you for everything.
00:21:17No thanks, necessarily.
00:21:19You've done so much for me and...
00:21:21Oh, I signed a few checks.
00:21:23We do that all the time.
00:21:25We always take care of our own.
00:21:26Like to do it.
00:21:27And I like being here, too, Uncle Jim.
00:21:29You like being here?
00:21:30Uh-huh.
00:21:31You met your cousin?
00:21:32Yes.
00:21:33You met your Aunt Grace?
00:21:34Yes.
00:21:35And you like being here?
00:21:36Oh, yes.
00:21:37Hmm.
00:21:38Until I speak.
00:21:39Until I speak.
00:21:40Until I speak.
00:21:41Is there anything you want before you go to bed, child?
00:21:54We've got a big watermelon in the ice box.
00:21:57No, thank you.
00:21:58Don't start taking them too seriously, miss.
00:22:01You'll get used to them.
00:22:02Sure.
00:22:03We did.
00:22:06Good night.
00:22:07Good night, miss.
00:22:08And pleasant dreams.
00:22:19Good afternoon, Miss Barbara.
00:22:21I've been waiting for you to wake up.
00:22:23Your pictures are in all the morning papers.
00:22:27What time is it?
00:22:28It's a little after two.
00:22:30Which kind?
00:22:31I brought orange juice, tomato juice, grapefruit and grapes.
00:22:34Sauerkraut.
00:22:35Oh, I never seem to be able to guess.
00:22:38I might have known you'd be in the mood for sauerkraut today.
00:22:41When Mr. Drake called, I told him.
00:22:43Who called?
00:22:44Mr. Drake.
00:22:45He called twice.
00:22:46Why didn't you wake me up?
00:22:47Well, I tried to both times.
00:22:49You did not.
00:22:50Oh, yes, I did.
00:22:51The pillow the first time and then you threw the alarm clock the second time.
00:22:54Where'd he call from?
00:22:56Right here.
00:22:57Just got back in town.
00:22:58What'd he say?
00:22:59He just said he was going over to the club and wanted you to go riding with he and Miss Flory and Miss Van Everett and a lot of people and they were leaving at 2.30 sharp.
00:23:05Never be able to get there by 2.30.
00:23:07Couldn't you telephone him and ask him to wait?
00:23:09To make him think I'm running after him?
00:23:11I'd run after him.
00:23:12The papers say he's the catch of the season.
00:23:14If I could only stop him from leaving till I get there.
00:23:16I have an idea how to stop him, Miss Barbara.
00:23:18You'd call me when he phoned.
00:23:19You wouldn't need any of your ideas.
00:23:21But it's a good idea, Miss Barbara.
00:23:22Really it is.
00:23:23I'm sure it is.
00:23:24I'd hurry out to the club, see Mr. Drake and faint.
00:23:27That would stop him.
00:23:28Have this shine.
00:23:29Or I could throw myself under his horse's hoof.
00:23:31It wouldn't hurt me.
00:23:32I wouldn't mind doing it for you because I...
00:23:33Get that cousin of mine.
00:23:35Yes, but she isn't here by the time I count 10.
00:23:36You're fired.
00:23:37Yes, Miss.
00:23:42Miss Connie.
00:23:43What is it?
00:23:44Miss Barbara wants you this minute.
00:23:45Please hurry.
00:23:46Oh, yes.
00:23:47All right, Agnes.
00:23:48Miss Connie will be right in.
00:23:50Oh, I am.
00:23:51Oh, you are.
00:23:52Never mind.
00:24:01Yes, Barbara.
00:24:02I want you to do something for me.
00:24:03Some friends of mine are going riding at the country club in a half hour.
00:24:05And I want you to delay their start till I get there.
00:24:07Understand?
00:24:08You mean stop them?
00:24:09Yes, at least stop Ted Drake.
00:24:10But I don't even know him.
00:24:11Well, you know what he looks like.
00:24:12No?
00:24:13Only the most notable young man in New York.
00:24:15You must have seen his picture.
00:24:16I don't think so.
00:24:17Well, you'll find one in that drawer.
00:24:19Which one?
00:24:20The top drawer.
00:24:21In the dresser?
00:24:23Yes, in the dresser.
00:24:24Just open it.
00:24:25You'll find it.
00:24:26I don't see any picture here.
00:24:29Oh, you don't see any picture.
00:24:31I told you it was there.
00:24:32Why don't you look for it?
00:24:33What do you think this is?
00:24:34Oh, I guess...
00:24:35Then please hurry.
00:24:36What do I say to him?
00:24:38I don't care what you say.
00:24:39As long as you keep him there.
00:24:41And be sure he doesn't know I sent you.
00:24:43I don't think I can do it, Barbara.
00:24:46All right.
00:24:47Don't, then.
00:24:48Oh, I mean...
00:24:49After all this family's done for you,
00:24:50the first time we ask you to do something for us, you refuse.
00:24:53Well, I'll do it, then.
00:24:55But I don't know what to do.
00:24:57Faint and make him revive you.
00:24:58Fall in front of him.
00:24:59Steal his horse.
00:25:00I don't care what you do.
00:25:01As long as he's there when I get there.
00:25:02And hurry!
00:25:06Off a little stroll, Miss Connie?
00:25:09Oh, yes.
00:25:10I mean, no.
00:25:11Oh, I'll need the car.
00:25:12Hold my hat.
00:25:13I'll sit in there.
00:25:14I'll get the car, Miss Connie.
00:25:15Thank you, will you?
00:25:16I'm in an awful hurry.
00:25:17Why?
00:25:18I have to stop Ted Drake's horse at the country club for Barbara.
00:25:19Oh, not his horse.
00:25:20Him.
00:25:21But he'll be honest.
00:25:22You know what I mean.
00:25:23Oh, perfectly.
00:25:24Well, I have to run now.
00:25:25Goodbye.
00:25:26Connie, give me a cigarette, please.
00:25:28Yes, a cigarette.
00:25:29When were you born, Connie?
00:25:31December the 4th.
00:25:32Sagittarius.
00:25:33Oh, how interesting.
00:25:35What time of day?
00:25:36Oh, I don't remember.
00:25:37I'm going to do your horoscope for you.
00:25:39So hurry back and I'll tell you all about yourself.
00:25:41Yes, I'm ready.
00:25:47You'd better wait here.
00:25:48They might recognize the car.
00:25:49I'll keep the motor running in case we have to make a quick go away.
00:25:52Thank you, Terry.
00:25:53I'm awfully nervous.
00:25:54Don't worry.
00:25:55Mr. Drake, are the horses ready, Dan?
00:25:56Yes, sir.
00:25:57All 13 of them.
00:25:5813?
00:25:59Bad luck.
00:26:00Oh, but we're not superstitious, are we?
00:26:01Oh, let's wait for Barbara.
00:26:02Sure, it's all a little after 2.30.
00:26:03Oh, let's go.
00:26:04Barbara's a dear, but if we wait for her, we'll have to make this a moonlight ride.
00:26:06She'll probably just arrive by the time we get back.
00:26:08All right, let's go.
00:26:09Oh, I think if we go off without, it'll be good for her.
00:26:11Kitty, kitty, kitty.
00:26:12I still think we should wait for Barbara.
00:26:14Oh, of course, Barbara.
00:26:16Hey!
00:26:17Does Barbara know about this trip you're taking?
00:26:18I didn't even tell the family about it this morning.
00:26:19When do you leave?
00:26:20About a month.
00:26:21We don't start at the Amazon in late September.
00:26:22The Amazon's a river, isn't it?
00:26:23Named after a certain tribe of women.
00:26:25Women?
00:26:26Well, that's what's behind this expedition.
00:26:27Barbara will be thrilled when she hears about this.
00:26:28Are you with us?
00:26:29No, I'm not with anybody.
00:26:30I'm alone.
00:26:31How cozy.
00:26:32Mr. Kirkpatrick!
00:26:33Wanted on the telephone!
00:26:34All right, Willie, I'll take it.
00:26:35Yes, sir.
00:26:36Won't be a minute.
00:26:37It won't be a minute.
00:26:38The same race, in the same bag.
00:26:40Mr. Drake!
00:26:41The same race, in the same bag.
00:26:42Mr. Drake!
00:26:43Oh, you're with us.
00:26:44Oh, you're with us.
00:26:45Oh, you're with us.
00:26:46Oh, you're with us.
00:26:47I'm not with anybody.
00:26:48I'm alone.
00:26:49How cozy.
00:26:50Mr. Kirkpatrick!
00:26:51Wanted on the telephone!
00:26:55All right, Willie, I'll take it.
00:26:56Yes, sir.
00:26:57Won't be a minute.
00:26:58Mr. Drake!
00:26:59Wanted on the telephone!
00:27:00That must be Barbara.
00:27:01Maybe it's Dad.
00:27:02You go on along.
00:27:03Oh, we'll wait.
00:27:04No, no, go ahead.
00:27:05I'll meet you at the Willows.
00:27:06Don't be long.
00:27:07I won't.
00:27:08Mary Jane, love you too.
00:27:09Huh?
00:27:10LOOOOOOOOO!
00:27:11I don't know where to go,
00:27:12but I don't know where to go.
00:27:14Oh good.
00:27:15I'm almost.
00:27:16Weren't you?
00:27:17Yeah, I came to see a movie.
00:27:18I don't know who was on the phone.
00:27:19That must be Barbara!
00:27:20Well, maybe it's Dad.
00:27:21You go on along.
00:27:22Oh, we'll wait.
00:27:23No, no, go ahead.
00:27:24I'll meet you at the Willows.
00:27:25Don't be long.
00:27:26I won't.
00:27:27Mary Jane, love you too.
00:27:29Huh?
00:27:30Uh huh?
00:27:31Don't be afraid. I'm not going to hurt you. I just want to undo this. No, I'm not going to hurt you. See? Sugar. Sugar. See? I just want to undo this. See? There. That's it. Come on. Get the sugar now. Come on. I've got some more in here. You can have that when you get to the barn. Here. See the sugar? Now, come on. Come on. Get the sugar. See? I'll have it.
00:28:01I have a whole lot of it here, and you can have it all if you just come to the barn. Come on. Come on. I've got some more for you. You like sugar, don't you? So do I. Come on. Come on. Get the sugar. It's a good horsey. Come on. Come on. Say, did you call me to the phone? No, Mr. Drake. There was nobody on it, and somebody called. I'm sorry, sir. What's going on with that horse? Come on. Come on. I've got some more for you. Come on. I've got some more where this came from.
00:28:31Come on. Come on. Come on. Answer about it. I don't like my horse to have sugar. Oh, well, he likes it. He does. Hey, Shamrock. Come here, boy. Hey.
00:28:40Come on. Come on. Come over here. Hey. Hey, Shamrock. Here. Come back here.
00:28:47Here's another thing.
00:28:53Hey.
00:28:53Come on. Come on. The horse is having enough trouble with this jump without looking out for you.
00:29:03Oh, Chase Lee.
00:29:05He's chasing you. I was chasing the horse. Not that way. Look out.
00:29:09Let's get out of here before another horse takes after you.
00:29:12What are you trying to do? Kill yourself?
00:29:15Between stuffing my horse with sugar and making yourself a steeplechase has, you'd have a pretty busy day, hadn't you?
00:29:19If one of those jumpers had been short out there, you'd really have something to worry about.
00:29:23Now, run along and try and keep out of mischief.
00:29:25The horse is awesome. This thing running around the horse is going to get you getting in the place.
00:29:34Oh, come on. You're all right now.
00:29:38Is there a handkerchief in there? Let me get it for you.
00:29:40It's nothing. It's just the natural reaction.
00:29:42You must like horses an awful lot.
00:29:48No, I don't. I just...
00:29:49You'd carry a lot of sugar around for them, then.
00:29:51Oh, that...
00:29:53Could you show me the way out of here, please?
00:29:55You can get out the same way you got in. I'm sorry. I've got some friends waiting.
00:29:57But it'll only take a few minutes. I'm a little dizzy.
00:30:00Well, that young lady is a masterpiece of understatement. You're the dizzy.
00:30:04Now, I wonder what's happened to her. Well, that's fine.
00:30:15Come on, Henry. She's a nurse.
00:30:17Ted!
00:30:17Here.
00:30:21What are you doing?
00:30:22This kid's fainted. She had a bad scare.
00:30:24Well, you get some water. I'll take care of it.
00:30:26Who is she?
00:30:27I don't know. You better run down to the barn and get some water.
00:30:29All right. I'll be right back.
00:30:29All right. Thanks.
00:30:36You didn't have to kill yourself.
00:30:38But you told me to keep him here, Barbara.
00:30:40I didn't tell you to hang on his neck.
00:30:41Oh, but I didn't. He just held me up.
00:30:44All right. Now, go on home and don't let anybody see you.
00:30:46Well, I just wanted to thank him. He was awfully nice.
00:30:48Do you want to spoil everything now?
00:30:50Oh, no. No, but I...
00:30:51Then get out of here before he gets back and hurry up.
00:30:54But, Barbara, if you'd only...
00:30:55Would you do it your toe for a change?
00:30:56But I only want to thank him, Barbara.
00:31:01Now, go on home before he sees you again.
00:31:03But...
00:31:03Will you get my horse out, Frankie?
00:31:09Yes, Miss Clinton. Right away.
00:31:11What's happened to our patient?
00:31:12Oh, that little brat. The minute you left, she ran off like a rabbit.
00:31:15She's a funny kid. Who do you think she is?
00:31:17You mean to say you don't know?
00:31:19Now, wait a minute. The first time I ever saw her in my life
00:31:21is when I caught her feeding sugar to my horse.
00:31:22A likey story. Your trouble is girls just will chase you around.
00:31:25Hello, Wilma.
00:31:26Barbara, I'm so glad you finally got here.
00:31:28The gang went on, Ted.
00:31:30I'll get my horse. I'll be right back.
00:31:31You look lovely, Barb. If I slept this late, I'd be a sight.
00:31:34You're priceless, Wilma. You always look the same no matter what you do.
00:31:37Memoiselle Bristol says that whenever she gives me a facial.
00:31:40You ought to try her for that frown. She's marvelous taking bad lines out.
00:31:42She must be miraculous.
00:31:44She is. You'd be surprised what she can do for your nerves.
00:31:46That's where you plump people are lucky. You have no nerves.
00:31:49Hey, Mama's letting me...
00:31:50Be careful, dear. That hat might make him a little skittish.
00:31:53Oh, don't worry about the general. He has better taste than most people.
00:31:56They say horses always know more than their riders.
00:31:59Which path will we take, girls?
00:32:00The upper one is shorter, but I'm afraid there are too many jumps for Barbara.
00:32:03Oh, don't worry about me. The upper road is at least 10 minutes faster.
00:32:06Ted and I'll accept that challenge. We'll take the lower one and race you there.
00:32:09Come on, Ted.
00:32:09All right, let's go.
00:32:10Careful on those jumps, dear.
00:32:11Barbara, how nice of you to hurry home for tea.
00:32:27Tea? Who wants tea?
00:32:28My dear pet, what happened to you?
00:32:30Wilma Van Everett.
00:32:31Well, what did little Wilma do?
00:32:33Little Wilma? I'd like to kill little Wilma.
00:32:35Well, what did she do to you, dear?
00:32:36Something horrible, I trust.
00:32:38She just succeeded in making herself utterly ridiculous in front of everybody at the club this afternoon.
00:32:43You acted like such a fool over Ted Drake. It always made me ill.
00:32:45That's terrible. Put them there, Connie, please.
00:32:48All right.
00:32:48You certainly covered yourself with glory today.
00:32:51Well, I only tried to...
00:32:51You tried brilliantly.
00:32:52Never mind, never mind. I'll tell you a story, Barbara.
00:32:55You wouldn't believe it unless you were there.
00:32:56I would.
00:32:57She only advertised to everybody present that she was head over heels in love with Ted Drake.
00:33:01That's silly.
00:33:02It was revolting.
00:33:03Why? Girls do fall in love with Ted all the time.
00:33:06You don't know what you're talking about. She only just met him.
00:33:08Love at first sight. I've read about it.
00:33:10It's very rare.
00:33:12A Leo and Sagittarius might do it if Saturn were in accord.
00:33:15Let this be her birthday on December the 4th.
00:33:17How do you know?
00:33:19I certainly shouldn't.
00:33:20Oh, you know her, do you?
00:33:22Well, what are you...
00:33:23Everybody knows Wilma Van Everett.
00:33:25She gets twice as much publicity as you do.
00:33:27She does not.
00:33:28Does.
00:33:28Doesn't.
00:33:28Does.
00:33:29Mother.
00:33:29Walder.
00:33:31Isn't that strange?
00:33:32That's the same Earth as you have, isn't it, Connie?
00:33:34Oh, yes. Yes, that's right. December the 4th.
00:33:38I'm going to fix Miss Van Everett, all right.
00:33:40I'll see her at the Drake's party.
00:33:42Oh, the Drake's going to have a party?
00:33:43On the 29th. And by that time, I'll have something very choice figured out.
00:33:46Everybody in town will know about it because everybody's going to be there.
00:33:49Everybody?
00:33:50Connie, what are you going to wear?
00:33:53Well, I... to the party you mean?
00:33:55Oh, I haven't been in a... I'm not going.
00:33:58Am I?
00:33:59Of course you are. Sister just said everybody's going.
00:34:01I haven't been in a... I'd have to wear... It's formal, isn't it?
00:34:06Barbara's probably got something upstairs in the dress department that would suit you perfect.
00:34:10How about it, sister?
00:34:10And have people say she's wearing my cast-offs.
00:34:13We wouldn't want that, would we?
00:34:14No. No, of course not.
00:34:16But I could wear my...
00:34:17Mother, now...
00:34:17Wait a minute. You're interrupting.
00:34:19Yes, Connie, you could what?
00:34:20Well, I was just going to mention that I could wear my graduation dress.
00:34:23It's very pretty, and it's long and white. All white.
00:34:26Now, white's a pretty color.
00:34:27Yes, it is.
00:34:28This isn't a garden party.
00:34:29Well, I... I couldn't make it into an evening dress.
00:34:31I just had to fix the sleeves a little...
00:34:32See how simple it is?
00:34:34Well, I'll go up now and start figuring out just what to do with it.
00:34:36And thank you. Thank you very much.
00:34:39I took sewing in school, you know.
00:34:41I'll have to fix the skirt a little bit, and maybe I can fix the neck.
00:34:44Mother, we're not going to drag her to the ball.
00:34:46If she fixes her dress and it looks all right, I'm afraid we'll have to take her now.
00:34:50You can't get out of it.
00:34:51You're very smart, but don't think I'm going to be bothered with her once she gets there.
00:34:54You must be nice to her at the ball, sister.
00:34:56Or people have an excuse to say some of the things they've been thinking about you for years.
00:35:05I'm going to the Drake's Ball.
00:35:07What are you going to do?
00:35:08I'm going to the Drake's Ball.
00:35:09No pulling.
00:35:10Absolutely.
00:35:11See, I have to cut the sleeves out of this, maybe.
00:35:13I have to make this into an evening dress.
00:35:14Does the Duchess know you're going?
00:35:16Barbara, certainly.
00:35:17Do you think a tight, loose sash would add enough color to that?
00:35:19They only just told me about it, you know.
00:35:21I didn't dream I was going.
00:35:22Oh, that's wonderful, Miss Connie.
00:35:23I'm so happy for you.
00:35:25Thank you, Agnes.
00:35:26I do want to look pretty when he sees me this time.
00:35:28I mean, when people see me this time.
00:35:30Well, I mean, you know.
00:35:31When who sees you this time?
00:35:33Everybody.
00:35:34Everybody in New York's going to be there.
00:35:36Let me see, what slippers shall I wear?
00:35:37But who's the he you were just talking about?
00:35:39I didn't mean any particular person.
00:35:41I didn't even need...
00:35:41Do you think these slippers will be all right?
00:35:42They won't show much with this skirt being long.
00:35:44Do you think...
00:35:45Well, maybe if I cut the neckline lower and sort of flare out the skirt.
00:35:48Miss Ollie could tell you she makes all her own clothes.
00:35:50Do you think she'd mind?
00:35:51Oh, no, Miss Connie, Ollie loves it.
00:35:53I didn't know you knew any he in New York.
00:35:56I didn't know any he.
00:35:58I mean, anybody.
00:35:59Just because you see a person doesn't mean you know a person, does it?
00:36:01Don't it?
00:36:02Certainly not.
00:36:03Let's go ask Ollie about the dress.
00:36:04She's in the kitchen.
00:36:06You know what, Miss Connie's going to...
00:36:08Yes, George told us.
00:36:09Oh, oh, they tell you about it?
00:36:11I couldn't help overhearing this, and I must say,
00:36:12I'm almost as happy as if I were going myself.
00:36:14Yes, I've never been to a really big party like this before.
00:36:17It'll be a great night for you.
00:36:18Yes, it certainly will.
00:36:19Is that the dress you want to make over?
00:36:21Yes, it is, Ollie.
00:36:21Agnes said you might help me with it.
00:36:23May I put it down here?
00:36:24Yes, put it anywhere, Miss.
00:36:25You see, it still has sleeves in it.
00:36:26I thought maybe if we'd only use a skirt up to here and then make a bodice
00:36:29and then sort of flirt the skirt.
00:36:31Don't mind me.
00:36:32I only eat here.
00:36:34That's my brother, Mike.
00:36:36This is Miss Connie.
00:36:37You know.
00:36:37I told you about her singing.
00:36:39How do you do?
00:36:40Go ahead.
00:36:41Don't let me stop the operation.
00:36:43I'm used to blood.
00:36:44Have you any more of this material?
00:36:45No, but I have a yard of silver lace upstairs.
00:36:47Maybe you can use that.
00:36:48Only a yard.
00:36:49Yes, but it's very pretty.
00:36:50I'll run up and get it.
00:36:51It's a yard mall and a yard wide.
00:36:52The design is lovely.
00:36:53You'll see what I mean.
00:36:54It's a good thing it wasn't one of the others that found you here.
00:36:56They would have called the police.
00:36:58Fine crack.
00:36:59Think you can fix it up all right?
00:37:00Well, I can try.
00:37:01I wish the waist was higher.
00:37:02Here, hold this.
00:37:04Gotta look beautiful at that ball for a very special reason.
00:37:07What's his name?
00:37:08What do you think I am?
00:37:08A tattletale?
00:37:09How about who?
00:37:10Never mind the hoops.
00:37:11You better watch that roast or we'll have a terrible dinner.
00:37:13Oh, my precious.
00:37:14Well done might be all right for the family, but I like my beef rare.
00:37:18Well, what can I do?
00:37:19Why don't you put some feathers on it?
00:37:21How about those things on the shoulders like football players wear?
00:37:24I just don't know what to do.
00:37:26I can tell you.
00:37:27This ought to be good.
00:37:29You take this dress and first you hide it away.
00:37:33And then you go out and you buy her a whole new outfit.
00:37:36With what?
00:37:37With money.
00:37:37Who's money?
00:37:38My money and your money.
00:37:40And mine too.
00:37:41Count me in.
00:37:42And me.
00:37:43Which only goes to show you don't get nothing for nothing in this world.
00:37:45Not even from your own sister.
00:37:47How much?
00:38:00Why, it wasn't hard to do at all, miss.
00:38:02I just want another yard or two of that lace and change the spur here and there.
00:38:05Every bit of it seems difficult.
00:38:08Well, when I remodel the dress, Miss Connie, I really remodel it.
00:38:11The slippers just arrived and I had to bring them up and see how she looked.
00:38:13Well, it's a perfect fit.
00:38:14It's real magnificent.
00:38:16I still can't believe it's a slipper.
00:38:18Wally did a lot of work on it.
00:38:19May I put these on, please?
00:38:22These aren't my slippers.
00:38:23Well, you see, we took them out to a man to have some silver put on.
00:38:27You know, like...
00:38:28And like dying.
00:38:29Yes.
00:38:30And while he was doing it, he spilled it all inside and you couldn't have worn them anyway.
00:38:34So he only did what was right.
00:38:36He got you a new pair.
00:38:37Oh, he shouldn't have done that.
00:38:38He's insured.
00:38:39Do they feel all right?
00:38:40Oh, yes.
00:38:42Well, they're just a little bit new, but they fit perfectly.
00:38:46Come in.
00:38:47I just wanted to see how you look, Miss.
00:38:49You couldn't even tell it was the same dress.
00:38:50You really look like a picture.
00:38:52I don't see how...
00:38:53Oh, Ollie must have worked day and night.
00:38:55Oh, turn around a minute.
00:38:56How does the skirt hang?
00:38:58Perfect.
00:38:58Why don't you go in Miss Barbara's room and see how you really look?
00:39:01Oh, that's a good idea.
00:39:02I'll be back in a minute.
00:39:04Oh, just a second, Miss.
00:39:05Just a second.
00:39:07Oh, thank you.
00:39:08These just came away, Miss.
00:39:10Oh, a corsage.
00:39:11How lovely.
00:39:11Who sent it?
00:39:12There wasn't any card in it.
00:39:13Probably some admirer knew you were going to the ball.
00:39:16Oh, what do you mean?
00:39:17No.
00:39:19How could he?
00:39:20Oh, I don't think so.
00:39:21But they just matched your dress.
00:39:22Now, isn't that nice?
00:39:23Ollie!
00:39:24Oh, I've been expecting that.
00:39:26Ollie, where have you been?
00:39:27Well, I just...
00:39:27I want a large chiffon handkerchief, black.
00:39:29I'll get back the bracelet.
00:39:30Yes, Miss.
00:39:33Pardon me a minute, Barbara.
00:39:34Excuse me.
00:39:35I just want to see how the skirt hangs in the back.
00:39:38I think it's all right, don't you?
00:39:39What school did you graduate from in that dress?
00:39:42We fixed it all up.
00:39:42You like it?
00:39:43I think the skirt hangs perfect.
00:39:45Oh, I forgot my lock.
00:39:45I've got to go get it.
00:39:47You look very nice, too, Barbara.
00:39:49Thanks.
00:39:49Only, I don't think I'd look so good in black.
00:39:52Oh, and you'd better hurry, Barbara.
00:39:54We don't want to be too late.
00:39:57Did you see that?
00:39:58Yes, Miss.
00:39:58I think she looks very nice.
00:40:00What's the matter with her?
00:40:00She's gone crazy, storming in here patronizing me.
00:40:03Oh, no, Miss Barbara.
00:40:04She's just so thrilled about going to the Drake's and all.
00:40:06She's taking an awful lot for granted.
00:40:08She isn't there yet.
00:40:09Bring my rack.
00:40:10Yes, Miss.
00:40:13Did you hear that?
00:40:14Yes.
00:40:14What's she say?
00:40:16Mother, are you ready?
00:40:17Yes, dear.
00:40:18I was looking up the stars for tonight, and we're going to have a really marvelous evening.
00:40:21I doubt that.
00:40:22Oh, you mustn't doubt the stars, dear.
00:40:23They control your destiny, whether you like it or not.
00:40:26Well, are we ready?
00:40:27That's a very smart gown you have on, actually.
00:40:29Oh, thank you.
00:40:30Have you seen my new vest?
00:40:31No, but Connie, it's amazing.
00:40:33My wrath, Lee.
00:40:34Mother, can we go?
00:40:35Certainly.
00:40:35George, is the car waiting?
00:40:36Yes, Miss Connie.
00:40:37Your cigarette case.
00:40:38Where did you find it, darling?
00:40:39I've heard Mr. Clifton's study.
00:40:40Oh, dear, well, I'll leave it next.
00:40:42I'll have a ball and be a ball.
00:40:43Have you seen the newspaper?
00:40:44The society page is full of details about the ball.
00:40:46Really?
00:40:47It mentioned the names of all the famous people who are going to be there, and lots of them.
00:40:50It's sure to be a brilliant affair.
00:40:52Oh, yes, I hope they don't just play rumbits.
00:40:54You'd prefer waltzes.
00:40:55I like waltzes.
00:40:56I do, too.
00:40:57So do I.
00:40:58Dreamy ones.
00:40:59My wrath.
00:41:00This one, Miss Barbara?
00:41:01No, the other one.
00:41:02Mother, I think I'll wear your pearl bracelet.
00:41:04It goes down in the black dress.
00:41:06Certainly, dear.
00:41:07This isn't mine.
00:41:08It's just tonight, Miss.
00:41:09Tomorrow he'll go back in Cousin Egbert's show window.
00:41:11Oh, but really, I...
00:41:12Dear, Miss, shh.
00:41:14If Mr. Clinton comes, tell him we'll be late.
00:41:16Yes, ma'am.
00:41:16Mother, suppose Uncle Jason comes in from Washington tonight, and we're all out.
00:41:20Well, what makes you think he's coming tonight?
00:41:21Oh, nothing, except Aunt Louise said yesterday that he might.
00:41:24She did?
00:41:24Yes, I forgot to tell you about it when she called.
00:41:26Oh, let's all hope he doesn't arrive until tomorrow.
00:41:28But if he does come, and there isn't even one member of the family at home, we'll never hear the end of him.
00:41:32I'll be glad to stay and welcome him, sister.
00:41:34He hates the sight of you.
00:41:35Can't say that I blame him.
00:41:36How about your father?
00:41:37Oh, your father won't be home until all hours.
00:41:39Well, it's no great problem.
00:41:40Connie can stay and sing to him or something.
00:41:42You don't mind, do you, Connie?
00:41:44Tonight?
00:41:45Now?
00:41:45Your debts do it, Connie.
00:41:48You mean I'm to wait here?
00:41:51Just make our excuses.
00:41:52Then fuss over him when he arrives.
00:41:54Noah.
00:41:56No.
00:41:57No, you're not really going to make me miss the party.
00:41:59You can't.
00:42:00That isn't fair.
00:42:02You could have told me sooner, so I wouldn't plan it.
00:42:05And wait a minute.
00:42:07You're going to argue about everything we ask you to do, Connie.
00:42:09I'll stay myself.
00:42:10Well, no, you can't do that.
00:42:11The Drakes would be offended.
00:42:13We'll make it up to you, Connie.
00:42:15Barbara, you're only...
00:42:17I should think you'd be happy to do something for us once in a while.
00:42:20I could have told you a week ago this had happened.
00:42:22Just wanted to see if I guessed right.
00:42:24I did.
00:42:25Night.
00:42:26I could have told you.
00:42:27I could have told you.
00:42:27I could have told you.
00:42:28I could have told you.
00:42:29I could have told you to go back.
00:42:30Harry.
00:42:31Sorry, madam.
00:42:35Oh, talk.
00:42:35Let's go.
00:43:05Let's go.
00:43:35Let's go.
00:43:41All right.
00:43:43I'll stay home.
00:43:45I'll say you will.
00:43:49Going to the ball wasn't my idea in the first place.
00:43:51You were pretty anxious.
00:43:53I like to dance. Is there anything wrong with that?
00:43:55Who would you dance with? Ted Drake?
00:43:57Well, that's silly.
00:43:59Of course it's silly.
00:44:01That's who you mean.
00:44:03And it's twice as silly to be getting any foolish ideas about it.
00:44:07I'm not getting any foolish ideas.
00:44:09Oh, no.
00:44:11What about that picture you cut out of the newspaper?
00:44:13Who was that? Ted Drake, that's who.
00:44:15Well, I'd just cut it out.
00:44:17There wasn't any reason for cutting it out.
00:44:19I suppose there isn't any reason for keeping it hidden in that book either.
00:44:23In what book?
00:44:25In what book? In that book.
00:44:27That?
00:44:29Now stop being a silly girl.
00:44:31Get that picture and tear it up and throw it away this very minute.
00:44:33That's just exactly what I'm going to do.
00:44:35I'll throw it away.
00:44:36Here, see?
00:44:37I'm tearing it up.
00:44:38I don't want to hear any more about him or think any more about him or have any more silly ideas about myself or anybody like...
00:44:47Georgia, I didn't know you.
00:44:49I knocked twice, miss.
00:44:50And when I heard you talking to someone, I thought I'd better step in.
00:44:53Well, there's no one in here.
00:44:55Talking?
00:44:56Oh, I must have been talking to myself.
00:45:00I'm sorry to interrupt, miss.
00:45:02But everything's been arranged and you're going to the ball after all.
00:45:05I am?
00:45:06Indeed you are, miss.
00:45:07Uncle Jason's still in Washington.
00:45:08Oh, but Aunt Grace said...
00:45:09Well, they'll be there.
00:45:10They won't arrive until midnight, miss.
00:45:12Midnight?
00:45:13Oh, they'll be there long before that.
00:45:14They've been gone for...
00:45:15Oh, no, they won't, miss.
00:45:16Everything's been changed about.
00:45:17You'll be there and back before they even arrive.
00:45:19How will I go, miss?
00:45:20In your car and it's a fippin'.
00:45:21Well, who'll take me?
00:45:22You'll have an escort of six white bikes.
00:45:24Six white what?
00:45:25Bikes, miss.
00:45:26The motor police.
00:45:29And there they are, miss.
00:45:34You mean I'm to go with them?
00:45:35They'll get you there before you can see Jack Robinson.
00:45:37Mike told me you're in a hurry.
00:45:38Mike?
00:45:39My brother, miss.
00:45:40These lads worked with him.
00:45:41They even borrowed the commissioner's car.
00:45:43Now, remember, miss.
00:45:44You'll not have to stay a minute later than 12 o'clock.
00:45:46I won't.
00:45:47And the boys will be waiting for you to bring you back.
00:45:51I...
00:45:52I just want to tell you all how much I appreciate all this.
00:45:54I'll never forget this night as long as I live on the theater.
00:45:59I don't think I can see them.
00:46:00I don't think I can see them.
00:46:01I don't think I can see them.
00:46:02That's all right.
00:46:03You have the time of your life.
00:46:04You have the time of your life.
00:46:05You have the time of your life.
00:46:06You have to tell the clock.
00:46:08We're going to kill the cops!
00:46:31Everybody gone?
00:46:32Everybody, sir. That's good.
00:46:34What time will they be back?
00:46:35Very late, I'm quite sure, sir.
00:46:36That's good, too.
00:46:38Motorcycle.
00:46:41What'll that family think of next?
00:46:42I really don't know, sir.
00:46:44Well, see that there's no noise around here until they get back.
00:46:47Very well, sir. Will that be all, sir?
00:46:48That'll be all.
00:46:50Police.
00:46:52Passport.
00:46:54Servants.
00:46:55No.
00:47:08Well, have you got it or ain't you got it?
00:47:10I know I had it yesterday. I usually keep it in the pocket in this store.
00:47:14I don't want to know anything about your personal habits, fella.
00:47:16All I want is to see the owner's license.
00:47:18Terry, tell the young man we have to go now.
00:47:20Yes, ma'am, just to sort of...
00:47:21I think the whole thing is ridiculous.
00:47:23Maybe it is and maybe it ain't, sister.
00:47:25But I gotta stop all cars of this make and model and see the owner's license or else take him in.
00:47:29This is my father's car.
00:47:30Maybe.
00:47:31Come on, come on, buddy.
00:47:32You're making a big mistake, officer.
00:47:33This is Mr. Clinton's car.
00:47:34This is Mr. Clinton's family.
00:47:36That ain't my mistake, bud.
00:47:37That's Mr. Clinton's.
00:47:38Now, officer, we can't stay here all night.
00:47:40People are waiting for us and we're all going to a party.
00:47:42Ah, none of that.
00:47:43I got it worse till 2.30.
00:47:45You're being very insolent.
00:47:46I don't think you'll realize who we are.
00:47:48Oh, yes, I do.
00:47:49Just three people all dressed up riding around in a car you ain't even got an owner's license for.
00:47:53Do we look like the kind of people who would steal an automobile?
00:47:56Why should I answer that and make you sore?
00:47:58You'll pay for this.
00:47:59We know our rights.
00:48:00And when I tell my father what you've done that...
00:48:02All I know is, lady, that I gotta do my duty and I'm doing it.
00:48:05How do I know that ain't a dead body?
00:48:08Why, that's Walter.
00:48:10Say something to the officer, Walter.
00:48:12Hello.
00:48:14See, he's all right.
00:48:16Could be ventriloquism.
00:48:18Make him move.
00:48:20You think I'm a dummy?
00:48:22I'll pass that question too, brother.
00:48:24You're being deliberately difficult.
00:48:25You're humiliating us and keeping us here without any cause at all.
00:48:28I wouldn't do that for the world, lady.
00:48:29If you don't want to stay here, we'll go someplace else.
00:48:31Why don't you cut out doing that St. Vitus dance and admit you ain't got it?
00:48:34I guess I left it when I changed uniforms or I lost it today.
00:48:37I've heard that in a million times.
00:48:39May we go now?
00:48:40Right this minute, lady.
00:48:42And just because you've been so nice, I'm going to have the judge take your case before anybody else.
00:48:46Right at 12 o'clock.
00:48:47At 12 o'clock?
00:48:48We won't go.
00:48:49We'll settle it right here.
00:48:50You're going, sister.
00:48:51Do you want to go in the car or do you want to go on the bike?
00:48:55Follow me.
00:48:56I could have told you this would happen.
00:48:58I saw it in the stars.
00:48:59You and your stars, you told me this was going to be a perfect evening.
00:49:01I know, and it would have been except for Venus.
00:49:03You see, my dear, when Venus...
00:49:04Tell her to the judge, mother.
00:49:05Well, she's a good judge, mother.
00:49:35May I check your wrap, miss?
00:49:36Oh, yes, please do.
00:49:37You'll check, miss?
00:49:39Well, where are you going to put that?
00:49:40In the check room just over there.
00:49:41It'll be all right there, won't it?
00:49:42Indeed it will, miss.
00:49:44Indeed it will, miss.
00:49:47Well, where are you going to put that?
00:49:48In the check room just over there.
00:49:49It'll be all right there, won't it?
00:49:50Indeed it will, miss.
00:50:14Hello there.
00:50:15Wonderful party, isn't it?
00:50:16Hello.
00:50:17Glad to see you.
00:50:18Excuse me.
00:50:19It's a jolly little group here this evening, isn't it?
00:50:21Yes.
00:50:22I'm trying to think where we met before.
00:50:23Of course, I know you perfectly well, but I can't seem to remember your name.
00:50:26It's not Fisher.
00:50:27It's not Fowler.
00:50:28Foster.
00:50:29Wrong.
00:50:30Follinsby.
00:50:31I know you're Caroline Follinsby's daughter.
00:50:32Wrong again.
00:50:33I'm sorry.
00:50:34I have a remarkable memory of her name.
00:50:36It's not Fisher.
00:50:37It's not Fowler.
00:50:38Foster.
00:50:39Wrong.
00:50:40Follinsby.
00:50:41I know you're Caroline Follinsby's daughter.
00:50:42Wrong again.
00:50:43It's a remarkable memory for names.
00:50:44I'll get yours in a minute.
00:50:45Oh, I don't think you will.
00:50:46Oh, yes, I will.
00:50:47And when I do, I'm going to make you pay a forfeit.
00:50:48All right.
00:50:49But I don't think you'll find out.
00:50:50I have to go and look for somebody.
00:50:51Goodbye.
00:50:52Goodbye.
00:50:53Hello, Bevins.
00:50:54Signorina Catalina.
00:50:55Oh, Mr. Bevins, you are sweet.
00:50:58And you're going to sing for us tonight.
00:50:59Oh, I can't.
00:51:00I'm in such poor voice.
00:51:02My tour was so, so trying.
00:51:04I said to Doug, I will go, but I will not sing.
00:51:07Oh, you must sing.
00:51:08I insist.
00:51:09But I can't possibly.
00:51:10And I have no music with me except, Doug, you have it.
00:51:13It's just a straw small.
00:51:15A straw small.
00:51:16And tell the orchestra that I did mark a change in tone in the first eight bars in case they do have to play it, you know.
00:51:22We'll talk about that land.
00:51:24I have none of that.
00:51:25Oh, I'm sorry.
00:51:27Mr. Drake.
00:51:28I should have watched where I was going.
00:51:30Oh, no.
00:51:31It's all my fault.
00:51:32Having a good time?
00:51:33Oh, yes.
00:51:34Yes, I am.
00:51:35Fine.
00:51:36I'm glad you came.
00:51:37Oh, are you?
00:51:38Oh, I didn't think I was going to get here at all.
00:51:40That would have been terrible.
00:51:41I...
00:51:42How's the rest of your...
00:51:43How's everybody?
00:51:44Oh, I don't know.
00:51:45I haven't seen them since...
00:51:46Well, I...
00:51:47They're all right, I guess.
00:51:49How are you?
00:51:50You're...
00:51:51You still live at the same place on...
00:51:52Oh, yes.
00:51:53Yes, so do we.
00:51:54Ted, we're dancing this one.
00:51:56You're going to be around?
00:51:57Oh, I'll be around somewhere here.
00:51:58Excuse me.
00:51:59I'll see you later.
00:52:00Who's that pretty little girl?
00:52:03No, I have faces to me.
00:52:04I can't figure out where I met her.
00:52:14Oh, good evening.
00:52:15How do you do?
00:52:16Good evening.
00:52:20Ladies and gentlemen, we are most fortunate in having with us tonight a singer whose greatness is exceeded only by a loveliness.
00:52:40She truly has the gift of song, a golden voice, an inspired talent, and a charming personality.
00:52:47Now she's a very shy young lady.
00:52:50And though I know I should not impose upon her by making this request, I do so in the name of Mr. Drake, our host.
00:52:56And because it happens, quite by chance, that the orchestra has here a Strauss-Waltz, which I think we may persuade her to sing for us.
00:53:04Shall we ask her?
00:53:05Ladies and gentlemen, it is now my great privilege to introduce to you Signorina Margherita Cottellini.
00:53:14Wrong again.
00:53:15I'm afraid someone's made a frightful mistake.
00:53:16Oh, no, no.
00:53:17Whoever told you I could sing was right, but my name is not that signorina whatever you say.
00:53:21Life is sweet and gay, all the words that pay.
00:53:24There are blossoms of sunbeams that glorify the day and the gentries.
00:53:25Walking through the trees, serenade, and there are blossoms of sunbeams that glorify the day
00:53:29and the gentries.
00:53:30Walking through the trees, serenade, and there's a music of tender melodies.
00:53:31Mr. Drake.
00:53:32Oh, no, no.
00:53:33I'm afraid someone's made a frightful mistake.
00:53:34I'm afraid someone's made a frightful mistake.
00:53:35Oh, no, no.
00:53:36Whoever told you I could sing was right, but my name is not that signorina whatever you say.
00:53:37I'm afraid someone's made a frightful mistake.
00:53:38Oh, no, no.
00:53:39Whoever told you I could sing was right, but my name is not that signorina whatever you say.
00:53:40Life is sweet and gay, all the words that pay.
00:53:45There are blossoms of sunbeams that glorify the day and the gentries.
00:53:58Howl, howl, howl, howl, howl, howl!
00:54:04Kindly sweet to me, so sweet and mestrely.
00:54:08Today I'm having me along with life!
00:54:13This is maytime, flowers in bloom varnish the gluum.
00:54:23This is playtime, joy fills the air in a maytime.
00:54:34Ah, ah, ah, ah, ah, ah, ah, ah, ah.
00:54:46And my heart is so light and gay.
00:54:53Being in my heart is forever and ever to be.
00:55:01And I'll sing to the birds as they sing to me.
00:55:10I am the name of my heart.
00:55:16I sing with it soon.
00:55:21Will forever grow me part of my heart.
00:55:31I am the name of my heart.
00:55:41Spring in the dawn is forever and ever to be.
00:55:48And I'll sing to the birds as they sing to me.
00:55:56I am the name of my heart.
00:56:04Spring in the dawn is forever and ever to be.
00:56:10Spring in the dawn is forever and ever to be.
00:56:16Every day I feel spring in my heart.
00:56:26In my heart.
00:56:33Bravo! Bravo! Bravo!
00:56:37Bravo! Bravo!
00:56:40My dear young lady, that was a real treat. I want to thank you for it.
00:56:48Well, you're welcome. I like you singing.
00:56:50Gerald, Gerald, this young girl has a great voice.
00:56:52I thought you'd like her, Mr. Drake. You were splendid.
00:56:55Oh, are you...
00:56:56Yes, I'm Ted's father. Just between us, I'm going to tell that young man something.
00:56:59We're not bringing you around sooner. Where is that boy?
00:57:01Right over there.
00:57:02Ted.
00:57:03Wasn't that great?
00:57:04I'm glad you liked it.
00:57:05I was just telling this young lady I was a little disappointed in you and keeping her hidden this long.
00:57:09Well, this long while, I didn't even know that...
00:57:12Now, now, now, son. I know I'm old, but there's nothing wrong with my eyes.
00:57:15I can tell just by looking at you two that you're real old friends.
00:57:18Mr. Drake.
00:57:19Would you like the young fellas nowadays? She'd love to dance.
00:57:21Yes, I would.
00:57:22Yes, I would.
00:57:35Lovely young lady, Gerald.
00:57:36Yes, indeed she is, Mr. Drake.
00:57:37I wish that boy of mine would get really interested in a girl like that and stay home instead of hopping off on that South American thing.
00:57:43Well, maybe he will.
00:57:44Yes, maybe.
00:57:45What did you say her name was?
00:57:46Now, don't stop that. I don't know.
00:57:52Oh, I'm sorry.
00:57:57It's my fault.
00:57:59I'm used to leading.
00:58:00You know, at school, when just three girls danced, one led.
00:58:03And the other followed?
00:58:04That's right.
00:58:05How's your horse?
00:58:06Shamrock?
00:58:07Yes.
00:58:08I hope the sugar didn't make him sick.
00:58:13What's the matter?
00:58:14Oh, I'm sorry.
00:58:15I was just thinking how different you look.
00:58:17Oh, I'm glad of that.
00:58:19I didn't see my face until I got in the car.
00:58:21You were in a pretty bad way there for a few minutes.
00:58:23I didn't thank you for being so nice about everything and tell you I was all right.
00:58:27I figured you were all right when I heard that you'd run away.
00:58:29I couldn't help that.
00:58:31No, don't ever run away again, will you, without saying goodbye?
00:58:34I mean it.
00:58:36I just don't do a lot, it's time to request a guide.
00:58:38No, no, it's time for all you to meet.
00:58:39No, stop.
00:58:40You're right, I'll do it.
00:58:41I'll go.
00:58:42I'm going to do it again.
00:58:43It's time for you to win.
00:58:44THE END
00:59:14THE END
00:59:44THE END
00:59:46TOO MANY PEOPLE HERE
00:59:49LET'S GO OUTSIDE
00:59:51ALL RIGHT
00:59:53WHAT ISN'T TOO COOL FOR YOU IS IT
01:00:03OH NO NO NOT AT ALL
01:00:04YOU'D RATHER GO INSIDE
01:00:06MAYBE YOU WOULD THOUGHT
01:00:08GET YOUR WRAP
01:00:10NO NO REALLY I'M ALL RIGHT
01:00:11WILL YOU
01:00:12GO AHEAD
01:00:13NO IT WAS NOTHING
01:00:14WHAT WERE YOU GOING TO SAY
01:00:15I WAS JUST THINKING
01:00:16I'M
01:00:17I'M LEAVING HERE NEXT WEEK
01:00:18WILL YOU
01:00:20I'M GOING TO SOUTH AMERICA
01:00:21WITH DR. MACKENZY
01:00:22YOU'VE HEARD OF HIM HAVEN'T YOU
01:00:24MACKENZY I THINK I HAVE
01:00:26HE'S THE WORLD'S GREATEST AUTHORITY
01:00:28ON RUMBER TREES
01:00:29HE'S PINNED TO THE AMAZON
01:00:3030 TIMES
01:00:31HE ALWAYS SAYS
01:00:32I'M VERY VERY FOND
01:00:33OF THE WEE RIVER
01:00:34HE TALKS LIKE THAT
01:00:35AND CALLS ME LODDY
01:00:36LODDY
01:00:37DO YOU HAVE TO GO?
01:00:42I WANT TO
01:00:43IT'S SORT OF A DECLARATION
01:00:44OF INDEPENDENCE TO DAD
01:00:45HE'S GOT A LOT OF IDEAS
01:00:46ABOUT HANDING ME A
01:00:47READY-MADE FUTURE
01:00:49OH I SEE
01:00:51LOOK AT THAT TRAFFIC
01:00:53IT'S AFTER 12 O'CLOCK
01:00:55YES IT CERTAINLY IS
01:00:57WILL YOU BE AWAY LONG?
01:00:59ABOUT SIX MONTHS
01:01:01WHERE WILL YOU STAY?
01:01:02ON OUR BOAT
01:01:03IT'S A BIG SAILBOAT
01:01:05AN AUXILIARY
01:01:06DIESEL ENGINE
01:01:07SAILBOATS ARE BEAUTIFUL
01:01:10YES THEY ARE BEAUTIFUL
01:01:23WHAT'S A DIESEL ENGINE?
01:01:25WELL IT'S THE SAME PRINCIPLE
01:01:27AS A REGULAR GASOLINE
01:01:28ENGINE ONLY INSTEAD OF
01:01:30USING CRUDE OIL
01:01:31I MEAN INSTEAD OF
01:01:32DID YOU SAY IT WAS
01:01:3312 O'CLOCK BEFORE?
01:01:34IT'S AFTER 12
01:01:35SEE THE CLOCK DOWN THERE?
01:01:36OH I...
01:01:37WELL GOODBYE
01:01:39YOU ARE NOT GOING TO
01:01:46RUN AWAY NOW ARE YOU?
01:01:50Hey, Dad.
01:01:54Hey ha.
01:01:58We're going to life.
01:02:07Hey, I'll try again.
01:02:07Hi, Father queda.
01:02:08Unterschied.
01:02:09I mean, I'm hungry.
01:02:11Come on.
01:02:12That's wrong.
01:02:13You what?
01:02:15Let me hear the noise, Bea, please, man.
01:02:17You're not going to run away now, are you?
01:02:19What are you doing with that slipper?
01:02:20Oh, looking for its owner.
01:02:21I'll be right back.
01:02:22Who'd he say he was looking for?
01:02:23I don't know.
01:02:24Oh, he's probably playing some games.
01:02:25He certainly seemed delighted we were here.
01:02:26Hello, Grace.
01:02:27Oh, we thought you'd never get here.
01:02:28Well, we were doing the law.
01:02:29It wasn't simply horrible, dear.
01:02:30It wasn't much fun.
01:02:31I'd rather enjoy this.
01:02:32Well, what happened?
01:02:33Well, you see, just as we were...
01:02:34Oh, Ted, your father knows the mayor, doesn't he?
01:02:36His mother wants to reform the whole city government.
01:02:38Good.
01:02:39Oh, excuse me, a minute.
01:02:40Say, you didn't see a girl go anyplace around here without a slipper, did you?
01:02:43No, Mr. Drake, I didn't.
01:02:44Well, I'll be back in a minute.
01:02:45I never heard such inefficiency.
01:02:46Does anybody know who Ted's looking for?
01:02:47Probably the girl who was singing.
01:02:48He's certainly in a dither about it.
01:02:49Well, let's all go up and help him find her.
01:03:14Did you see that girl with the white wrap?
01:03:15She looked just like Connie.
01:03:16Well, it can't be Connie.
01:03:17Connie isn't here.
01:03:18Did that wrap she was wearing have a hood on it?
01:03:19I don't know.
01:03:20Have you seen Ted running around with that slipper in his hand?
01:03:21I thought it was yours till I saw how small it was.
01:03:22It belonged to some new girl somebody no one ever saw before, and she just ran away with
01:03:36the party.
01:03:37Nobody's even seen Ted since she sang.
01:03:39And when she danced, she just closed her eyes and lost herself in the dream.
01:03:42Did that girl wear a silver lace dress?
01:03:44Mm-hmm.
01:03:45Very sweet.
01:03:46Not severe like your black.
01:03:47Just girlish.
01:03:48Do you know her?
01:03:49I'll tell you later.
01:03:50Get my wrap, please.
01:03:51Yes, Miss.
01:03:54We've been waiting for you, Miss.
01:03:56Oh, God.
01:03:57I don't know where to begin.
01:03:58Did you have any trouble getting in?
01:03:59Oh, no.
01:04:00You didn't run into visit Clinton and the brats, did you?
01:04:01Oh, no.
01:04:02No, but I saw them.
01:04:03You did?
01:04:04Did they see you?
01:04:05No, I hid behind a post.
01:04:06They got in about midnight.
01:04:07How did you know that?
01:04:08Oh, a little bird told us.
01:04:09A little bird named Mike.
01:04:10Did you dance?
01:04:11Yes, and I sang.
01:04:12Oh, I bet they cheered.
01:04:13Oh, and Mr. Drake.
01:04:14Oh, so that's the he.
01:04:18Agnes, it was what I wouldn't have given to see you.
01:04:20He was so nice, Agnes.
01:04:21Oh, don't ask me.
01:04:22Why don't you sing?
01:04:23The Strauss was.
01:04:24You know.
01:04:27We best go in the kitchen, Miss, don't you think?
01:04:29I've got some hot chocolate and a nice piece of cake for you.
01:04:31And you can start at the very beginning.
01:04:32You're lame.
01:04:33Oh, I just lost my slipper.
01:04:34Well, how'd you do that?
01:04:35Oh, it was awful.
01:04:36I had to start running.
01:04:37There's no more here.
01:04:38The old man's working in his study, and we'll get in a...
01:04:44I'm working.
01:04:45You're making noise.
01:04:46So we'll have to stop the work or stop the noise.
01:04:49Nobody saw it.
01:04:50It's my fault, Uncle Jim.
01:04:52Maybe it is.
01:04:53We won't have any more of it.
01:05:02Uncle Jim.
01:05:03Huh?
01:05:04George told me to be quiet or go to another room so I wouldn't disturb you.
01:05:06Have a nice town at the party.
01:05:08What?
01:05:09Oh, yes.
01:05:10Wonderful.
01:05:11Dance, huh?
01:05:12Uh-huh.
01:05:13Met some nice people.
01:05:14Oh, yes, Uncle Jim.
01:05:15Very nice.
01:05:16What did your cousin say to you when she saw you?
01:05:18Well, I didn't speak to Barbara or Aunt Grace or Walter either.
01:05:22Smart girl.
01:05:24Run up to bed now.
01:05:25Good night.
01:05:26Good night.
01:05:27The family must have stopped someplace on the way.
01:05:30Yeah, stopped in jail.
01:05:32Kept them there till midnight.
01:05:33Should have kept them there longer.
01:05:35Jail?
01:05:36What happened?
01:05:37Don't know.
01:05:38They called me to get my lawyer.
01:05:39Couldn't get him.
01:05:40Couldn't remember his telephone number.
01:05:41Couldn't even remember his name.
01:05:42I couldn't remember his name.
01:05:43I couldn't remember anything.
01:05:45I don't understand.
01:05:46Had a good time, you said.
01:05:47What?
01:05:48You knew about Uncle Jason?
01:05:50I know a lot of things.
01:05:51I know Evercloud has a silver lining.
01:05:52They went to jail.
01:05:53You went to the ball.
01:05:54Uncle Jim, you...
01:05:55Oh.
01:05:56Car coming up the driveway.
01:05:58Oh.
01:05:59This is all a secret.
01:06:00Oh, never tell a soul.
01:06:01Make my life miserable if you do.
01:06:02Yours too.
01:06:03It's Barbara.
01:06:04You better squat.
01:06:05Good night.
01:06:06I'll be out,ford.
01:06:07I'll be out,ford.
01:06:08Get up.
01:06:09Lucky.
01:06:10æ–°é®®, where are you going to murder?
01:06:11Get up.
01:06:12Get up.
01:06:13Get up.
01:06:14Get up.
01:06:15Get up.
01:06:16Get up, get up.
01:06:17Get up.
01:06:18Get up.
01:06:19Get up.
01:06:20Get up, get up.
01:06:22Get up.
01:06:23Get up.
01:06:24Get down.
01:06:25Get up.
01:06:26Get up.
01:06:27Get up.
01:06:28Hurry up, hurry up.
01:06:30The Duchess is coming in.
01:06:52Are you asleep?
01:06:54Uh-huh.
01:06:55That light hurts my eyes.
01:06:57I just wanted to see that you were in.
01:06:59I'm in. Good night.
01:07:01Have you been in all night?
01:07:02What time is it?
01:07:04You were home all night.
01:07:05Uncle Jason didn't arrive.
01:07:07I'm sorry if I interrupted your beauty sleep.
01:07:10Oh, that's all right.
01:07:27You were at the party, huh?
01:07:28Yes.
01:07:29And you sang.
01:07:30Mm-hmm.
01:07:31I sang.
01:07:32Didn't I tell you to stay here?
01:07:33I didn't want to.
01:07:34Oh, you didn't want to.
01:07:35Nope.
01:07:36I knew Uncle Jason wasn't coming and I had a chance to go, so I went.
01:07:38You mean so you sneaked in.
01:07:39There's nothing you can do or say that could spoil this night for me.
01:07:40Would it spoil things if I ask how you turned your graduation dress into a Paris creation?
01:07:42Ollie made it over out of some silver lace I had.
01:07:44Not that it's any of your business.
01:07:45And that wrap, I suppose she made that out of a pair of pet ermine she's been keeping all these years.
01:07:48A friend of mine said I could, uh...
01:07:49I'm not going to quarrel with you, Barbara.
01:07:50I'm so sorry I wasn't there.
01:07:51You must have been wonderful.
01:07:52Oh, thank you.
01:07:53Now, if you're through being sarcastic.
01:07:54Even Ted, do you want to?
01:07:55I want to.
01:07:56Nope.
01:07:57I knew Uncle Jason wasn't coming and I had a chance to go, so I went.
01:07:59You mean so you sneaked in.
01:08:00There's nothing you can do or say that could spoil this night for me.
01:08:02Would it spoil things if I ask how you turned your graduation dress into a Paris creation?
01:08:05I'm not going to quarrel with you, Barbara.
01:08:06I'm so sorry I wasn't there.
01:08:08You must have been wonderful.
01:08:09Oh, thank you.
01:08:10Now, if you're through being sarcastic.
01:08:11Even Ted said he never had so much fun in his life.
01:08:14He thought you were a nightclub singer pretending to be somebody important, so he decided to play up to it.
01:08:19It's so funny, Ted.
01:08:20And his imitation of you dancing with your eyes shut is wonderful.
01:08:23People just roll on the floor when he does it.
01:08:25He does it over and over again.
01:08:27And leaving your slipper, that was so touching.
01:08:29Ted's going to use it to try and find you again.
01:08:31He wants to hire you to play the same joke on a friend of his in Boston.
01:08:34Now, you get out of here.
01:08:35This is my room.
01:08:36Oh, you want to be alone.
01:08:37You have so much to think about and so much to dream over.
01:08:40Get out!
01:08:41All right.
01:08:42I'll go down in the kitchen and tell your chums what a success you were.
01:08:55Good morning, sir.
01:08:56Morning.
01:08:57Your orange juice, sir.
01:08:59Your coffee, black as usual.
01:09:01Anything else, sir?
01:09:03Not a thing.
01:09:04Then this is goodbye, sir.
01:09:05Going someplace?
01:09:06I'm leaving, sir.
01:09:07Miss Barbara sacked the whole staff last night when she found out we'd help Miss Connie get to the party, sir.
01:09:10What?
01:09:11Oh, that's all right, sir.
01:09:12Not one of us would have stayed after Miss Connie left.
01:09:16Connie left?
01:09:17Bag and bag, sir.
01:09:18We wanted her to stay and have a talk with you, sir.
01:09:19But she said she had made enough trouble.
01:09:20Didn't leave a note?
01:09:21She said she'd write to you, sir, when she was settled and making her own way.
01:09:24I do think she was trying to make it easier for us all.
01:09:27Well, I'd like to talk to the other servants, George.
01:09:29They've been gone hours, sir.
01:09:30Jimmy.
01:09:31Oh, Jimmy.
01:09:32You may have to drive me to town.
01:09:33We have no chauffeur, you know.
01:09:34Did you know that Connie had been here?
01:09:35Did you know that Connie left?
01:09:36Connie left?
01:09:37Bag and bag, sir.
01:09:38We wanted her to stay and have a talk with you, sir.
01:09:39But she said she'd made enough trouble.
01:09:40And didn't leave a note?
01:09:41She said she'd write to you, sir, when she was settled and making her own way.
01:09:44I do think she was trying to make it easier for us all.
01:09:49Well, I'd like to talk to the other servants, George.
01:09:51They've been gone hours, sir.
01:09:52Jimmy.
01:09:53Oh, Jimmy.
01:09:54You may have to drive me to town.
01:09:56We have no chauffeur, you know.
01:09:57Did you know that Connie had left?
01:09:59Yes, so has everyone else.
01:10:00No cook, no butler, no mazer.
01:10:02And you're not with us anymore, are you, George?
01:10:04No, madam.
01:10:05I'm not.
01:10:06Such a pity.
01:10:07You're such a good butler, too.
01:10:08It was nothing personal, you know, George.
01:10:09Just a bad constellation for everybody.
01:10:12It won't happen again.
01:10:13Connie's a very young girl to be out on her own.
01:10:16It's not right.
01:10:17I'm going to look up her horoscope and find out what evil influences brought all this about.
01:10:21And I'm also going to see if it's a good time to employ new people.
01:10:23You know, we have to wait until the stars are all rise.
01:10:26I'm hungry.
01:10:27The cook has left, Mr. Walter.
01:10:29Say, Father, can you make coffee?
01:10:35Do you know that your cousin has left this house?
01:10:38I only know I'm hungry.
01:10:41Don't you think we'd better do something practical about Connie?
01:10:52I'm doing the most practical thing in the world.
01:10:54Checking her complimentary influence against Jupiter's emphasis.
01:10:57Then there's a trend of depression.
01:10:59That's not a problem, Connie.
01:11:01Oh, dear.
01:11:18Jim, what are you doing?
01:11:22Jim, it's taken me years to work that all out.
01:11:24I never liked this thing either.
01:11:30Jim, stop it.
01:11:31You're losing your mind.
01:11:33Now, you listen to me, Gracie Schultz.
01:11:35I've had all the twaddle I'm going to have about the eighth and ninth house
01:11:38and the influence of this and that
01:11:40and Leo being in the library that I'm going to have.
01:11:42They only make you eat these things.
01:11:44But if I ever hear another peep out of you about the sun, the moon, or the stars,
01:11:48I promise you, the big and little dipper,
01:11:50that you'll only be talking about stars.
01:11:52You'll be seeing them.
01:11:54Now you let the heavens take care of themselves
01:11:56and you get on Earth.
01:11:59Right.
01:12:01Jim, you brute.
01:12:02Don't flatter me.
01:12:04I've only just begun.
01:12:05Father, have you gone crazy?
01:12:07Oh, you're up.
01:12:08That's fine.
01:12:09I was hoping I wouldn't have to go upstairs and pull you out of bed.
01:12:11Father.
01:12:12Never mind your mother.
01:12:13Why did you make Connie leave this house?
01:12:14No, Father.
01:12:15Don't bother me.
01:12:16I know what you did.
01:12:17And for once in your life, you're going to pay the consequence.
01:12:19You selfish little dress.
01:12:20Stop being crazy.
01:12:21Why don't we talk to him like that?
01:12:22Yes, we'll stop.
01:12:23Please.
01:12:24You come here.
01:12:25Mother.
01:12:26You're just a child and I'm going to treat you like a child.
01:12:28What are you doing?
01:12:29Don't.
01:12:30What are you doing?
01:12:31What are you doing?
01:12:32What are you doing?
01:12:33What are you doing?
01:12:34What are you doing?
01:12:35What are you doing?
01:12:36Help me.
01:12:37Help me.
01:12:38Help me.
01:12:39Help me.
01:12:40Help me.
01:12:41Help me.
01:12:42Help me.
01:12:43Help me.
01:12:44Help me.
01:12:45Help me.
01:12:46I'll pay you for this.
01:12:47Oh, no, sir.
01:12:48This one's on me.
01:12:49There's one more thing I wanted you to...
01:12:50Don't you ever do anything but sit sprawled out in that chair?
01:12:51But, Father, I have a theory, you know.
01:12:52Really?
01:12:53A theory of relaxation.
01:12:54I worked it all out myself.
01:12:55In that chair?
01:12:56No.
01:12:57No.
01:12:58No.
01:12:59No.
01:13:00No.
01:13:01No.
01:13:02No.
01:13:03No.
01:13:04No.
01:13:05No.
01:13:06No.
01:13:07No.
01:13:08No.
01:13:09No.
01:13:10No.
01:13:11No.
01:13:12No.
01:13:13No.
01:13:14No.
01:13:15No.
01:13:16No.
01:13:17No.
01:13:18No.
01:13:19No.
01:13:20No.
01:13:21No.
01:13:22No.
01:13:23No.
01:13:24No.
01:13:25No.
01:13:26No.
01:13:27No.
01:13:28No.
01:13:29No.
01:13:30No.
01:13:31No.
01:13:32No.
01:13:33No.
01:13:34No.
01:13:35No.
01:13:36No.
01:13:37Almost too simple.
01:13:38You see, Father, I don't spend energy.
01:13:40I hoard it.
01:13:42Sort of sit on it.
01:13:43Exactly.
01:13:44I've already proved that all forms of exercise are wrong.
01:13:47Say a man gets up in the morning and does his daily doesn't.
01:13:50The first time he stretches, bends over, touches the floor,
01:13:55he spent 14 pounds of energy.
01:13:58Now, to get back to his normal position,
01:14:00how much do you think he spends?
01:14:03From the position that you were in just now?
01:14:06Mm-hmm, identical with it.
01:14:07Just about?
01:14:09Well, practically none, because I'd help him like parents.
01:14:16Very well bowled, sir.
01:14:18Now, there's only one more thing we've got to do here,
01:14:21and that's to find Connie and bring her back here.
01:14:24Does everybody understand that?
01:14:35This is your station, Miss.
01:14:52Oh, Miss Wiggins, did you get my telegram?
01:14:56No.
01:14:57I mean all the trains.
01:14:58That's all I have to do.
01:14:59Did I get your telegram?
01:15:00Get those bags up.
01:15:01Get those bags up.
01:15:05It's so quiet and restful here.
01:15:08It's going through that stage, eh?
01:15:09The cities are such noisy places.
01:15:11They're not dull and full of squealing girls.
01:15:14Yes.
01:15:15Are you surprised that I'm back?
01:15:16No.
01:15:17Oh, you must be.
01:15:19All right, then I will be.
01:15:20I'm surprised.
01:15:20Feel better?
01:15:23I want to teach music.
01:15:25Most of them want to be missionaries.
01:15:27Who?
01:15:28Never mind.
01:15:29Go on.
01:15:29You want to teach.
01:15:31Yes, but I'll have to have more training.
01:15:33I hope so.
01:15:34I'd like to get a scholarship at the Teachers' Conservatory of Music.
01:15:38Mm-hmm.
01:15:39I suppose it's only fair that I tell you why I've made this decision,
01:15:43Miss Wiggins.
01:15:45Practice that little speech on the way up?
01:15:47Well, I guess I did.
01:15:49What's that?
01:15:50I guess I did.
01:15:52Never mind the rest.
01:15:53I know the important part.
01:15:55Your heart's broken.
01:15:56Your faith's gone.
01:15:56You want to be independent.
01:15:57Who told you?
01:15:58About 40 old maids, I know.
01:16:00It happened to them, too.
01:16:02Make it 41.
01:16:03I've forgotten myself.
01:16:05Well, the...
01:16:06This is so...
01:16:08Well, you don't want to hear about it.
01:16:09Oh, go on.
01:16:10Get it off your chest.
01:16:11Might make you feel better and won't make me feel any worse.
01:16:16First, you'll be a junior instructor.
01:16:18You'll get paid for that about half as much as you need to live on.
01:16:21Do you call it living?
01:16:22You'll wear last year's hats and two-year-old dresses and patched-up shoes.
01:16:26But it won't make much difference how you look,
01:16:28because there won't be anybody looking at you except a lot of so-called students.
01:16:31I'll have my work.
01:16:33You'll have that.
01:16:35Later on, by scrimping, you'll have enough money to travel on.
01:16:38Third class, alone, or with another teacher.
01:16:41I like to be alone.
01:16:42You don't even know what the word means, child.
01:16:45My pupils will love me.
01:16:47I hope as much as they love you.
01:16:49I'm a character.
01:16:50A crotchety, lovable old character.
01:16:52I hate being a character.
01:16:55Do you like cats?
01:16:57No, not much.
01:16:59You'll get to love them.
01:17:00They've got sense.
01:17:01They're like men.
01:17:03Feed them, pet them, and admire them, and they'll purr.
01:17:07Every woman wants to make somebody purr.
01:17:09You want to lock yourself up in a world of women.
01:17:11A little world, a sheltered world, a useless, polite, frightened world.
01:17:16Miss Wiggins, I'm not a child.
01:17:17I know what I want to do, work and support myself and not depend on other people for happiness
01:17:22or anything else.
01:17:24All right.
01:17:29Where's your diploma?
01:17:31I'll have to send it along with the application for the scholarship.
01:17:35It's right here.
01:17:39There's a teacher's power here on the 6th.
01:17:43You'll be here from all over the state.
01:17:46I'll have to line up some votes for you while they're on the ground.
01:17:49Here's a list of credits.
01:17:50Hmm.
01:17:51Pretty sippy.
01:17:53The other one, I suppose, is the one Mr. Blake had.
01:17:55Mr. Drake.
01:17:57What you keeping it for?
01:17:58Just having to pack it.
01:18:00There's something to cry into 20 years from now.
01:18:03Then you get rid of it.
01:18:09Now you will sing at that meeting.
01:18:10Show them a sample of what you know about music.
01:18:13Have them make up their minds right away.
01:18:15Oh, thank you.
01:18:16That'll be marvelous.
01:18:17It'll be terrible, but I'll do it.
01:18:20You get a new dress for it.
01:18:21I'll have all the girls go to the auditorium so you'll have an audience.
01:18:25And you'll sing something that'll be effective.
01:18:27The spring song?
01:18:28No, not the spring song.
01:18:29One Fine Day, Butterfly by Puccini.
01:18:32Know it?
01:18:34Yes.
01:18:35We'll get to work on it.
01:18:37That'll make them all cry.
01:18:39All the old maids will sniffle.
01:18:41You know, one fine day he'll come back to me.
01:18:44Oh, but I'd rather...
01:18:46I...
01:18:47Rather what?
01:18:48Well, couldn't I sing something else?
01:18:50Why?
01:18:51Well, I don't think it's a good idea to make them sad.
01:18:54Make you sad to sing it?
01:18:55No.
01:18:56No, not me.
01:18:57You just said it to make them cry.
01:18:58Old maids are only happy when they cry.
01:18:59You'll find that out.
01:19:00Miss Wiggins, we just heard the coffee.
01:19:01Oh, hello, Connie.
01:19:02How's it going to be here?
01:19:03Oh, everybody.
01:19:04How'd you get to be here?
01:19:05Go along, all of you.
01:19:06Stop that chattering.
01:19:07Come on.
01:19:08Why didn't you go with Connie?
01:19:09Oh, I don't know her.
01:19:10I just came in to see if you'd mark the cuts in this orchestration for me.
01:19:13I really didn't really know how to make me happy when I said it to make them cry.
01:19:15He said it to make them cry.
01:19:16Old maids are only happy when they cry.
01:19:18You'll find that out.
01:19:22Miss Wiggins, we just heard the coffee.
01:19:23Oh, hello, Connie.
01:19:24Why didn't you go with Connie?
01:19:25Oh, I don't know her.
01:19:27I just came in to see if he'd marked the cuts in this orchestration for me.
01:19:30I'll fix it.
01:19:31You will?
01:19:32Oh, thanks a lot, Miss Ricketts.
01:19:33Goodbye.
01:19:38I said I'll fix it, didn't I?
01:19:44Weeping and why and why
01:19:51At his faith you are knocking
01:19:58Hear me
01:20:05One fine day we'll notice
01:20:12A thread of smoke arising
01:20:19On the sea
01:20:22In the far horizon
01:20:27And then the ship appearing
01:20:34Then the trim white vessel
01:20:40Glides into the harbor
01:20:48Thunders for the cannon
01:20:55Señor, now he's coming
01:21:05I do not go to meet him
01:21:12Not I
01:21:14I stay upon the brow of the hillock
01:21:20And wait there
01:21:23And wait for a long time
01:21:29But never weary
01:21:33Of the long waiting
01:21:37From out the crowded city
01:21:38From out the crowded city
01:21:39There is coming
01:21:40From out the crowded city
01:21:43There is coming
01:21:44And in a little speck
01:21:51In the distance
01:21:54Climbing the hillock
01:21:59Can you guess who it is
01:22:06And when he's reached the summit
01:22:09Can you guess what he'll say
01:22:13He will call
01:22:14He will call
01:22:16Butterfly
01:22:19From the distance
01:22:22I without answering
01:22:24Hold myself quietly concealed
01:22:28A bit to tease him
01:22:30A bit to tease him
01:22:31And a bit
01:22:33So as not to do
01:22:35Do as not to do
01:22:39And ever see him
01:22:43And then a little troubled
01:22:45He will call
01:22:48He will call
01:22:52Dear baby wife of mine
01:22:56Dear little orange blossom
01:23:01The names he used to call me
01:23:04When he came here
01:23:09This will all come to pass
01:23:11As I tell you
01:23:14Then he shall ever fear
01:23:19For he shall repent
01:23:24He shall repent
01:23:30He shall repent
01:23:33He shall repent
01:23:37He shall repent
01:23:38He shall repent
01:23:39The DEFALL
01:23:57THE END
01:24:27THE END
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