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Short filmTranscript
00:00No, I don't think it's a big...
00:02I'm so sorry, I didn't see you.
00:06Elliot!
00:07Um...
00:08Hi, uh...
00:09Oh, let me call you back.
00:14What are you doing here?
00:20Well, I could ask you the same thing.
00:22Excuse me, my ex-rential boyfriend.
00:26You're going for a job at Empire.
00:28It's not a good business.
00:30It's funny, I thought you were bragging that night with your complicated family.
00:34Great steak, by the way.
00:36Could you show a little respect to your ex-client?
00:38Don't be so rude.
00:40You know, after that negative comment you made,
00:43I'm very curious about the detailed feedback you have about my service.
00:47Oh, Garrett, I'm sorry, okay?
00:49That bad review was an accident.
00:51I would have chosen excellent if I had a second chance.
00:54Well, there's a way to fix it.
00:57Just book my service again.
00:59I don't need that service.
01:01I have a free voucher from the company.
01:03Let me just send it to you.
01:04And just book within the next couple days.
01:05No, thanks.
01:06No, really.
01:07It's on the house.
01:08Plus, I'll do whatever you want during my service.
01:12I'll think about it.
01:14What brings you here?
01:16Don't tell me you actually work for Empire.
01:19Well...
01:24Guess what?
01:25You were right.
01:26I work in HR.
01:32You.
01:34You work in HR.
01:37Now, why would I lie to you?
01:38What about your rent-a-boyfriend gig?
01:41That's just a side hustle.
01:43It's for fun.
01:44Uh-huh.
01:48Okay, before I go, you're not actually going to be my interviewer, are you?
01:54It's me.
01:56Jesus.
01:57So you better be nice to your ex-boyfriend then.
01:59Rental ex-boyfriend.
02:00Whatever.
02:01Just use the voucher in a couple of days, okay?
02:03And that's an order from your HR interviewer.
02:08Fine.
02:09I'll think about it.
02:11And I really gotta go.
02:13I'm trying to be on time.
02:14Well, good luck.
02:16I'll see you in there.
02:21What am I doing?
02:22This is crazy.
02:27Thank you so much for having me.
02:29And these are my renderings.
02:31Um, I thought there were going to be two interviewers.
02:39It's usually just me.
02:41Oh.
02:43I just spoke with Elliot and he mentioned that he might be here too.
02:46And Elliot-
02:47Sorry I'm late everyone.
02:51Did you get my message?
02:58Whoa!
03:01Okay, let's get started.
03:04Shall we?
03:06Says here you used to work at Next Day Studios.
03:10Why'd you leave?
03:11Why'd you leave?
03:24Shit.
03:28I was laid off.
03:31The studio hadn't been making a profit for six months.
03:35Understood.
03:37Well, your work experience is impressive.
03:41Oh, thank you.
03:43It says here in your file you're a single mother.
03:49Is that correct?
03:55Yes, sir. I have a son.
03:57How old is he?
03:59He's just over 11.
04:01Okay.
04:02He won't be holding back my work.
04:07Thank you so much.
04:19Aren't you gonna say anything to your ex-boyfriend?
04:22Maybe ask me to help you get a job?
04:24What is your problem?
04:26Is this amusing to you?
04:28Humiliating me during this interview?
04:30Are you happy now?
04:32I have been struggling and trying so hard to make this work and you just ruined everything.
04:38I'm sorry. I didn't mean to mock you. It was just a joke.
04:42Just a joke.
04:44Bringing up my son.
04:46If I upset you, I apologize. I can make this right.
04:50Don't bother. Enjoy your day.
05:01I did ruin it.
05:02Oh my god.
05:16That can't be right. Oh my god.
05:27I hope you don't mind the traffic here.
05:29This is perfect.
05:32Of course.
05:33If you need anything, just let me know.
05:35Thank you so much.
05:49You chose a good spot for her, Leslie.
05:53Good luck on your first day.
05:55Sally. I'm one of the senior designers.
05:56I really appreciate you, Sally.
05:59Don't mention it.
06:00If you need anything, feel free to ask.
06:02Please.
06:05Hi, Helena.
06:07I'm not Elliot Carter.
06:09I'm actually Coles Easton.
06:12The CEO.
06:16That doesn't work.
06:17Hey, Helena.
06:18So, about the other day, I...
06:20What's going on?
06:34Well, I've made some changes to the drafting scheme, but meeting this deadline that Joyce gave us with this workload might be impossible.
06:44What about the new hire? Can't she assist?
06:45Helena?
06:47Yeah. Is there a problem?
06:49No. It's fine. I'll get her started.
06:52Hi there. So sorry to dump this on you on your first day, but this is top priority project for Mr. Easton, our boss.
07:03Got it.
07:06It's a bit complex. It's a lot of information to sort through, but if you're comfortable with the software, we'd really appreciate your help getting started on the blueprints once you're done sorting through this.
07:17Sure. I'll handle it.
07:20Thanks. Appreciate it.
07:21Appreciate it.
07:51What are you doing here?
07:52Is everything okay, Mr. Easton?
07:53What are you doing here?
07:54Is everything okay, Mr. Easton?
07:55Yeah, couldn't be better.
07:56Mr. Easton, don't you mean Mr.
08:01Chris?
08:02This is Mr. Easton, our CEO.
08:03Mr. Easton, don't you mean Mr.
08:16Chris?
08:18Is everything okay, Mr. Easton?
08:21Yeah, I couldn't be better.
08:23Mr. Easton, don't you mean Mr. Chris?
08:25This is Mr. Easton, our CEO.
08:35It's okay, I've got it.
08:42Sally?
08:51It's the damn CEO.
08:53It's the damn CEO.
09:03Looks like it's time to call it a day.
09:06Yeah, just a few more files left.
09:10Did you know the boss beforehand?
09:14Um, not really. Just an acquaintance.
09:18Well, goodbye. I'm off. Can't be late for my date.
09:22I'll see you tomorrow.
09:25See you.
09:33Fine.
09:34Fine.
09:40I just hope he's not the nightmare boss type.
09:42Hey, move.
09:43Need this done today? End of day at the latest.
09:53All of this by today?
10:08We have any issues with that?
10:10No. You're the boss.
10:12You're the boss.
10:14I'm a bit bossy, though.
10:16That's part of the job.
10:25It's a lot. I know. And he can be demanding.
10:29You're doing great, though.
10:31Here is the initial draft.
10:34It just needs adjustments based on the client's latest feedback.
10:37And then I'll help you with the rest.
10:39Thank you, Sally. This is so helpful.
10:42We're a teen here.
11:12You're a teen.
11:13Interesting.
11:18You're a teen.
11:49You know you just asked for permission to enter my office.
12:04I discovered something significant.
12:07Okay.
12:09Helena Winslet, or should I say Helena Anderson,
12:14is the daughter of Thomas Anderson, the Anderson family.
12:21Helena Winslet, no?
12:24Anderson is the illegitimate daughter of Mr. Anderson,
12:29the powerhouse behind Titan Global Corp, our rival.
12:32Thank you, Sally.
12:41This is enough for now.
12:43Coles, I have to tell you,
12:45it's an extreme risk to keep Helena Anderson at this company.
12:51She could be a plant by the Anderson family,
12:54a ploy to deter your pap to succession.
12:56She can't stay at this company any longer.
13:00Your father sent me here to help you win the succession.
13:05I'm saying this only for you,
13:07not only as your business partner,
13:09but also as a close friend who grew up together with you.
13:16Thank you, Sally.
13:19I need a moment alone.
13:31Dad!
13:32We're divorced.
13:43It's over, okay?
13:44Do you understand that?
13:45You can't just show up at our house.
13:47Stephen needs me.
13:48No, he doesn't need creditors at the door or the police.
13:52Please just leave.
13:53Just trust me, Helena.
13:55All right?
13:56Do you know how happy Stephen would be to see me?
13:58I promised I'd teach him how to play the harmonica.
14:02Mom, I really want to play the harmonica with Dad.
14:20Okay, we'll think about that, right?
14:22Okay.
14:32You are looking stunning tonight, sweetie.
14:41Oh, thank you.
14:42You look beautiful, too.
14:44I noticed you didn't have a drink.
14:46I'm not really a drinker.
14:48Oh, but the drinks here are so delicious.
14:50You got to try it.
14:52It's peachy.
14:52Okay, I'll try it for you.
15:00Okay, yeah, that's really good.
15:02I told you so.
15:02It's like punch.
15:05How about joining me for a drink, ladies?
15:11You got to try this whiskey.
15:13So good.
15:14Am I supposed to swirl it?
15:16Yeah.
15:16I can't really call this.
15:18Cheers to you.
15:18Cheers.
15:22I just haven't ever seen you before.
15:28Oh, I'm there to the department.
15:30I'm going to just...
15:32Well...
15:33Excuse me.
15:37It's just time to read me.
15:42Mr. Houston?
15:44Leave her alone.
15:45You didn't have to be so violent, Mr. Easton.
15:55You've been here ten minutes, and you're just going to drink anything.
15:59Some stranger hands you?
16:01He's homeless.
16:06Are you jealous?
16:09I think you're jealous.
16:10I think you're jealous.
16:12No.
16:14Well, I need some air.
16:16Come with me.
16:37Hold on.
16:38What?
16:39Why did you bring me out here?
16:41I want to go back to the side.
16:42It's cold.
16:42Oh.
16:43I know.
16:43I know.
16:51I can't stand company parties.
16:56Why's that?
16:57I just feel like I have to...
17:00be someone else.
17:04Where are you now?
17:07Oh, yes.
17:09Our calls.
17:12For you, Helena Winslet.
17:15I can be both.
17:16Oh, good morning.
17:43Can you explain why I'm here?
17:48You had a lot to drink last night.
17:51Oh, and so you brought me here.
17:55Yeah, I thought it was better than leaving you to fend off unsavory characters.
18:02Like yourself?
18:07Ooh, I do have a soft spot for bacon, though.
18:10I guess I made the right choice.
18:12But I don't really like scrambled eggs.
18:15Ah, too late.
18:17Because you didn't mention that last night.
18:31Something is up with Helena and Mr. Easton.
18:34They were way...
18:35How about we focus on the work at hand?
18:38Like the abandoned building project?
18:42Thank you for the food.
18:43You're welcome.
18:44Where's your necklace?
18:45What?
18:46What?
18:47The necklace you wore to your uncle's dinner.
18:48Oh, um...
18:49I've lost it.
18:50I've lost it.
18:51Why does it matter?
18:52It was just an ordinary necklace.
18:53Oh, um...
18:54I've lost it.
18:57Why does it matter?
18:58It was just an ordinary necklace.
19:00Was it really?
19:01You know something, don't you?
19:02You know something, don't you?
19:03You're Thomas Anderson's daughter.
19:04What?
19:06The necklace you wore to your uncle's dinner.
19:09Oh, um, I've lost it.
19:17Why does it matter?
19:18It was just an ordinary necklace.
19:22Was it really?
19:27You know something, don't you?
19:30You're Thomas Anderson's daughter.
19:34Um, biologically, yes.
19:40Why have you been alone all these years?
19:42Oh, it's a long story.
19:47I'd rather not go into it.
19:54Well, whenever you're ready, there's no pressure to share.
20:04Steven, I haven't heard from him since last night.
20:09He's with Cameron, he'll be fine.
20:10That's exactly why I'm worried.
20:16Hey, Mom.
20:17Hi, baby.
20:18Is everything all right?
20:19Did you get my message?
20:20Yeah.
20:21But last night, Dad took me to a circus show.
20:23It was so cool.
20:25Oh, I'm so glad you had fun.
20:26Just come home soon, okay?
20:27Can I stay a bit longer, please?
20:28Will you have school tomorrow, honey?
20:29But Dad doesn't take me to school.
20:30I want to spend more time with him.
20:31Well, let me speak with your dad.
20:32Come on.
20:33Come on.
20:34You're ready.
20:35Come on.
20:36Come on.
20:37Come on.
20:38Come on.
20:39Come on.
20:40Come on.
20:41Come on.
20:42Come on.
20:43Come on.
20:44Come on.
20:45Come on.
20:46Come on.
20:47Come on.
20:48Come on.
20:49Come on.
20:50Come on.
20:51You're ready to stay, Helena.
20:52You better bring him home soon.
20:53Please, Mom.
20:54Just one more day.
20:55Okay.
20:56But just for today, all right?
20:58All right.
20:59But the whole day, you got that harmonica I bought you?
21:00Yeah.
21:01I'm sorry.
21:02I'm sorry.
21:03I'm sorry.
21:04I'm sorry.
21:05I'm sorry.
21:06I'm sorry.
21:07I'm sorry.
21:08I'm sorry.
21:09I'm sorry.
21:10I'm sorry.
21:11I'm sorry.
21:12I'm sorry.
21:13I'm sorry.
21:14I'm sorry.
21:15I'm sorry.
21:16I'm sorry.
21:21Why do I have this bad feeling?
21:24It'll be fine.
21:26You just need to relax a little bit.
21:44This one's no good, man.
21:45It's broken.
21:46You want a new one?
21:48Can we go now?
21:50Yeah, let's do it.
21:51Come on.
21:56Your food is actually pretty good.
21:58Is it worth a good review?
22:00For you, Coles Easton?
22:04Or for you, Elliot Carter?
22:09Maybe both.
22:20Yeah?
22:21Okay.
22:22Yeah, I'll be right there.
22:35I have to go.
22:36We have competition.
22:37Joyce is considering a new designer.
22:39Okay.
22:40I'll go with you.
22:41All right.
22:42This is cool, right?
22:43All right.
22:44Come on.
22:45Grab a seat.
22:46All right.
22:47So I need you to wait here.
22:48Play a couple games.
22:49All right.
22:50I'm going to go ahead and make a couple of money.
22:51And we'll get that harmonica for you afterwards.
22:52Okay?
22:53All right.
22:54I'm going to hit this big red button.
22:55It's going to spin, spin, spin, spin, spin, spin.
22:56Eventually, it's just going to stop.
22:57And yeah, it shows you if you won or lost.
22:59All right.
23:00Give it a try.
23:01Can I come with you?
23:02Not this time.
23:03All right.
23:04I need to make some money first.
23:05And then afterwards, we're going to go ahead and make a couple of money.
23:06All right.
23:07So I need you to wait here, play a couple of games.
23:08All right.
23:09I'm going to go ahead and make a couple of money and we'll get that harmonica for you afterwards.
23:10Okay?
23:11All right.
23:12All right.
23:13All right.
23:14All right.
23:15Give it a try.
23:16Can I come with you?
23:17Not this time.
23:18All right.
23:19I need to make some money first.
23:20And then afterwards, we can get that harmonica together.
23:21Come on.
23:22Give it a go.
23:23It's fun.
23:24You promise?
23:25Yeah, man.
23:26I promise.
23:27Of course.
23:28It's fun.
23:29Just do this for a bit.
23:30Okay?
23:31I'll be right back.
23:32Okay.
23:33All right.
23:34All right.
23:35All right.
23:36All right.
23:37All right.
23:42Okay.
23:43You're welcome.
23:44All right.
23:45All right.
23:46All right.
23:47All right.
23:48Okay.
23:49All right.
23:50All right.
23:51All right.
23:52All right.
23:53All right.
23:54Okay.
23:55All right.
23:56All right.
23:57Okay.
23:58All right.
23:59Can you please go back to your office?
24:02I thought my presence here was actually very productive.
24:09Yes, but your presence is not distracting me.
24:12Okay.
24:27Dad, I can't find my phone.
24:29Did you check your backpack?
24:35It's not there.
24:37Just don't worry about it, okay? We'll look for you later afterwards.
24:40Okay.
24:43Finally done.
24:48Well, this project will be ours.
24:50There's no doubt about that now.
24:55Thank you for your hard work.
25:00It's my pleasure.
25:02You are so beautiful.
25:13I just have to call Steve in before we head out.
25:22Please leave a message after the beep.
25:24It's weird it went to voicemail. We'll call Kevin.
25:32Blackjack!
25:34Yes!
25:35Come on, man. Give me the money.
25:36I think you'll be okay.
25:49I think you'll be okay.
25:52Come on.
25:54Let's go.
25:55I'm gonna find my son.
25:56Any idea where he must be?
25:59The casino.
26:00Good.
26:01Give me your phone. He knows more.
26:06Hello?
26:07Are you at the casino with Steven?
26:08No, I'm not at the...
26:09No, he's safe at home.
26:13Hello?
26:14Steven?
26:15Cameron?
26:16Cameron?
26:17Where?
26:18Big Money Street. There's an underground casino there.
26:19I'm not at the casino.
26:21Hello?
26:22Are you at the casino with Steven?
26:23No, I'm not at the...
26:24No, he's safe at home.
26:26Hello?
26:28Steven?
26:30Cameron?
26:31Let's go.
26:33Where?
26:35Big Money Street. There's an underground casino there.
26:38Okay.
26:39know there
26:46steve
26:48i will kill you if anything happens to him
27:18take your fucking hands off of her
27:24maybe you should focus on your son who's in the emergency room because of you
27:32how is he we've stabilized his vitals but he remains unconscious
27:37the impact caused significant head trauma
27:42we've stopped bleeding but we're concerned about brain damage
27:46if he doesn't wake up soon he may not fully recover
27:51he's only 11. there's a chance that he wakes up
27:56it's more than 40 which is significant oh my gosh
28:01take care
28:10now yeah i got it
28:16it's gonna be okay
28:19it's gonna be okay
28:21so is she okay yeah i need to run back to the office quickly
28:25okay i'm not gonna be one
28:29i think it's gonna be nice i'll be back soon
28:39leslie he's been here for over an hour collecting data from helena's computer
28:45we sent the blueprints to joyce today how could they accuse us of plagiarism so quickly
28:50somehow titan global corporation presented a similar proposal to joyce before us
28:56undercutting us by five percent
29:00titan global corp
29:00the anderson family
29:10officer
29:13mr easton there are allegations of unfair business practices against your company we need your cooperation
29:20we're going to require your assistance
29:25helena winslet there are accusations of trade secret leaks linked to you we're going to require your assistance
29:31we're going to require your assistance
29:35the relationship with coles easton is it a ploy facilitated by a rent-a-boyfriend service
29:46i'm not speaking to you without my lawyer present well your involvement makes it look
29:52like you're trying to advance them in the company unlawfully
30:06miss winslet that was a lawyer for the anderson family they paid your bail you're free to go
30:14okay however we may require your cooperation in the future
30:24mr easton the investigation's ongoing helena's connection to titan global hasn't been dismissed
30:35it wasn't me
30:50explain
30:52i didn't do it
30:55rent a boyfriend
30:57planning a job at my company it's all coincidence
31:00why would i sabotage everything you had access and motive you could have leaked the proposal to
31:06your father i i've never seen him that way in my entire life you wore your family necklace
31:13to your uncle's dinner after i recognized it you haven't worn it since why
31:21you never trusted me did you
31:27someone like you
31:30some new rents-a-boyfriend to go show them off to your family
31:38why would i
31:45i'm done here go
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