Horror_Crime
Una serie di spaventosi omicidi a sfondo sessuale sconvolge l'Università di Perugia quando un sadico serial killer strangola bellissime ragazze universitarie con una sciarpa rossa e nera.
*
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#TopEuropeanFilms
#ClassicEuropeanCinema
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Una serie di spaventosi omicidi a sfondo sessuale sconvolge l'Università di Perugia quando un sadico serial killer strangola bellissime ragazze universitarie con una sciarpa rossa e nera.
*
#watchfreemovie
#watcnow
#fullmovie
#watchonlinemovie
#freestreaming
#StreamingNow
#MovieRecommendations
#MustWatch
#ClassicMovies
#Thriller
#Mystery
#WatchOnline
#TopRatedMovies
#CinemaLovers
#DramaFilm
#ForeignFilms
#AwardWinning
#MovieOfTheDay
#InstantClassic
#FeelGoodMovies
#RetroMovies
#MovieClips
#BestCinematography
#StreamingTonight
#LateNightMovies
#RomanticDrama
#Top10Movies
#PopcornTime
#MovieMarathon
#LoveStory
#romanticmovie
#WatchFree
#FreeMoviesOnline
#FilmOfTheYear
#BestMoviesEver
#Comedy
#FunnyMovie
#mustwatchmovie
#Movie
#Film
#filme
#Movies
#FullMovies
#ActionMovies
#ComedyMovies
#HorrorMovies
#DramaMovies
#RomanticMovies
#ThrillerMovies
#EuropeanFilms
#europeanmovie
#FrenchCinema
#SpanishMovies
#ItalianFilms
#GermanMovies
#EuropeanMovieClips
#EuropeanFilmFestival
#BestEuropeanMovies
#TopEuropeanFilms
#ClassicEuropeanCinema
#EuropeanDramaFilms
#EuropeanFilmAwards
#ScandinavianMovies
#EuropeanHorrorFilms
#EuropeanComedyMovies
#EuropeanArtFilms
#EuropeanIndieFilms
Category
🎥
Short filmTranscript
00:00:00I
00:05:27Poor Stefano, you didn't have to be quite so rude to him.
00:05:33Oh, he's hounded me for years. I can't shake him off.
00:05:36Just to be nanny, he enrolled in the university.
00:05:38No, summer school. He's crazy.
00:05:40Well, you don't find that kind of devotion very much.
00:05:42Well, I hope so.
00:05:45Flo, are you coming over this evening?
00:05:47I would if I weren't busy.
00:05:49Ah, then good luck.
00:05:51Bye.
00:05:53Flo!
00:05:57Flo!
00:05:59Flo!
00:06:00Flo!
00:06:01Flo!
00:06:02Flo!
00:06:03Flo!
00:06:04Flo!
00:06:05Flo!
00:06:06Flo!
00:06:07Flo!
00:06:08Flo!
00:06:09Flo!
00:06:10Flo!
00:06:11Flo!
00:06:12Flo!
00:06:13Flo!
00:06:14Flo!
00:06:15Flo!
00:06:16Flo!
00:06:17Flo!
00:06:18Flo!
00:06:19Flo!
00:06:20Flo!
00:06:21Flo!
00:06:22Flo!
00:06:23Flo!
00:06:24Flo!
00:06:25Flo!
00:06:26Flo!
00:07:57What's happened?
00:07:58That guy was spying on us.
00:08:00Sean, wouldn't we care if he was.
00:08:02Come back, Sean.
00:08:05Sean, come here.
00:08:06Where are you going?
00:08:36Sean?
00:08:37Sean?
00:08:38Sean?
00:08:39Sean?
00:08:40Sean?
00:09:06Sean?
00:09:07Where are you?
00:09:36Sean?
00:09:43Sean?
00:09:48Sean?
00:10:06Oh, no!
00:10:36Devo fare un'altra foto?
00:10:46Per lui basta.
00:10:47Va bene.
00:10:48Ricoprila.
00:10:51Sta arrivando il procuratore.
00:10:53Sì, l'abbiamo avvisato.
00:10:56Ma lei prima non aveva già visto quella macchina.
00:10:58Ma io non stavo mica qui.
00:11:00Io stavo lì.
00:11:01Vedi, commissario, qui non abbiamo tutti i servizi igienici.
00:11:04E allora come si dice?
00:11:07Inquiniamo?
00:11:08Doce capita.
00:11:09Come sarebbe, inquiniamo?
00:11:11Come te posso dire?
00:11:12Con licenza parlando io ci vengo a fare un pochetto...
00:11:15un pochetto di cacca.
00:11:17Però oggi, quando che l'ho visto,
00:11:19mi so sentito bloccata.
00:11:20Tutto qui, vedi?
00:11:21Qui dentro.
00:11:22Raccolga la deposizione.
00:11:24That one's one thousand dollars.
00:11:27I'll take it.
00:11:28I'll take it.
00:11:58That's right. Junk and cast-off. They're not in my line.
00:12:05Thank you, and come again.
00:12:07Who is he?
00:12:09He's a doctor.
00:12:10Well, at least he seems to have good taste.
00:12:15Carol!
00:12:17Hi.
00:12:18Ciao, Carol.
00:12:19Ciao.
00:12:21Have you seen the paper?
00:12:23No, why?
00:12:24Wait. You haven't heard?
00:12:26No, what's happened?
00:12:28Can I have your paper on her?
00:12:29Sure. Here you are. I must be going.
00:12:31Sorry, I can't wait for you.
00:12:32Okay, ciao.
00:12:37She was a friend of yours, wasn't she?
00:12:41Dad!
00:12:42No!
00:12:43No!
00:12:44Daniela, passes have been canceled for today.
00:12:53I think that painting's one of the most moving things...
00:12:55I've ever seen.
00:12:56Are you sure you haven't changed your opinion of Perugina?
00:13:01I'm not prepared to quite yet, I'm afraid.
00:13:03No, my dear, I just dropped in by chance.
00:13:05Sometimes even we professors get bored with books...
00:13:08...and have to look at the originals to regain our perspective.
00:13:10Anyway, I'm glad I ran into you.
00:13:12Chance is the spice of life.
00:13:14Or maybe in my case it's necessity.
00:13:16You're mixing your metaphors.
00:13:17Variety is the spice of life.
00:13:18Necessity is the son of invention.
00:13:20Now you're mixing yours. Necessity is the mother of invention.
00:13:23And we're both becoming pedantic.
00:13:25That's my department.
00:13:27May I offer you a drink or something?
00:13:30Why not?
00:13:31But only on condition we don't discuss art aesthetics or the university.
00:13:35You know you have the nicest eyes when you haven't got your glasses on.
00:13:38No, don't. Please don't make fun of me.
00:13:41I wouldn't dream of it.
00:13:46You really surprised me the other day.
00:13:48I did? How?
00:13:49I would never have imagined that a product of...
00:13:51...of American technology could be so...
00:13:54...so moved by the works of the old master.
00:13:57It's really quite refreshing.
00:14:00I don't know whether or not to take that as a compliment, but I will.
00:14:05That proves that some Americans know how to be less American than other Americans.
00:14:09You didn't come to Italy to buy the Colossea?
00:14:11No, only to study.
00:14:13I studied painting.
00:14:15Then I taught for two years in the South.
00:14:18Then I decided to specialize and applied for a scholarship in Italy.
00:14:22Do you like music, too?
00:14:23Of course I do.
00:14:24I thought you might.
00:14:26If I should get a couple of invitation tickets to an Academy concert, you wouldn't mind coming along?
00:14:31I'd love to. In fact, I'll count on it.
00:14:35There's no need to thank me. It's been a pleasure.
00:14:38Goodbye, friend.
00:14:40Goodbye, Jane.
00:14:41I'm sorry, but I don't want to go over all that again. I told you, Carol, I won't be able to see you anymore.
00:14:46Oh, no, you don't. You're not leaving me.
00:14:47I never promised you a thing.
00:14:48I can't face it alone.
00:14:49I'm a friend of yours, Susan.
00:14:50Next time, Hanson.
00:14:51Next time, Hanson.
00:14:52Ciao, Bella.
00:14:53Ciao, Bella.
00:14:54I'm sorry, but I don't want to go over all that again. I told you, Carol, I won't be able to see you anymore.
00:14:59Oh, no, you don't. You're not leaving me.
00:15:00I never promised you a thing.
00:15:01I can't face it alone.
00:15:02I'm a friend of yours, Susan.
00:15:03Next time, Hanson.
00:15:04Ciao, Bella.
00:15:05Next time, Hanson.
00:15:06Ciao, Bella.
00:15:20Come on, honey.
00:15:44Take off all the rest.
00:15:45I got another appointment.
00:15:47What's wrong?
00:15:50Oh, I get it.
00:15:54You want a little persuasion, huh?
00:15:59You're cute.
00:16:08What's the matter?
00:16:10Hmm?
00:16:13If you need something more, I have a mirror and nice movies, Swedish movies.
00:16:21Of course, it'll cost you a little extra if that's what you want.
00:16:26Well, that's a real good start.
00:16:27Why do all hang-ups come my way?
00:16:30Honey, even if you're queer or infant, you're paying the price I charge just the same.
00:16:38Don't kill me.
00:16:39Don't kill me.
00:16:40Say that to me.
00:16:41I'll kill you, bitch.
00:16:42I'll kill you.
00:16:42I'll kill you.
00:16:43I'll kill you.
00:16:59I'll kill you.
00:16:59Oh, Carol, where have you been?
00:17:11You've been away?
00:17:13What happened?
00:17:14What's wrong?
00:17:15Can't you tell me?
00:17:15Nothing.
00:17:16Nothing.
00:17:17I have to go.
00:17:18I have an appointment.
00:17:19It's very urgent.
00:17:20It doesn't matter, Carol.
00:17:20I'm sorry.
00:17:21Bye.
00:17:23Watch out!
00:17:28Ciao, Danny.
00:17:29Ciao.
00:17:29Ciao.
00:17:59Ciao.
00:18:00Ciao.
00:18:01Ciao.
00:18:02Ciao.
00:18:03Ciao.
00:18:04Ciao.
00:18:05Ciao.
00:18:06Ciao.
00:18:07Ciao.
00:18:08Ciao.
00:18:09Ciao.
00:18:10Ciao.
00:18:11Ciao.
00:18:12Ciao.
00:18:13Ciao.
00:18:14Ciao.
00:18:15Ciao.
00:18:16Ciao.
00:18:17Ciao.
00:18:18Ciao.
00:18:19Ciao.
00:18:20Ciao.
00:18:21Ciao.
00:18:22Ciao.
00:18:23Ciao.
00:18:24Ciao.
00:18:25Ciao.
00:18:26Ciao.
00:18:28Ciao.
00:18:30Ciao.
00:18:33пов
00:18:35zw
00:19:22Hey, what's the matter?
00:19:46First, you've got to take your clothes off.
00:19:49Whatever you say.
00:19:57Fuck you!
00:19:58Fuck you!
00:20:00Fuck you!
00:20:02Fuck you!
00:20:04Fuck you!
00:20:06I'll strangle the bitch!
00:20:36I'll strangle the bitch!
00:21:01Did you hurt?
00:21:04Let's not bother with that hooker.
00:21:05Oh, come on!
00:21:06Forget it!
00:21:07Leave her here!
00:21:33No.
00:21:37Let's go.
00:21:39Let's go.
00:21:42No!
00:25:55Daniella, what's wrong?
00:26:01Jane, I'm frightened.
00:26:09Jane, I'm frightened.
00:26:19Come on, the inspector's given us all a shot.
00:26:27But you realize I'm the last person who saw Carol and I.
00:26:29How could that be?
00:26:31Well, I saw her get on a motorcycle with a couple of boys, Peter and George. Oh, she was in a terrible state. It was almost like a kidnapping.
00:26:37It's your imagination.
00:26:38It's your imagination. Why would they want to kidnap her?
00:26:39I don't know.
00:26:40Anyway, neither of those boys was wearing a red scarf. You noticed? I don't know how it stayed on my mind. Come on, get in the car.
00:26:49And yet I swear I've seen that scar from somebody I know. Jane, please take me home.
00:27:07Please take me home.
00:27:37I swear I'm very tired.
00:27:39I swear I made her now.
00:27:41She's gone.
00:27:42I swear I should take my
00:28:04hello hello a word of advice if you want to be spared don't try to recall who you've seen
00:28:25wearing that hula or else the colors red and black could mean for you what they meant who is
00:28:31speaking hello hello who's calling answer me
00:29:01oh thank god it's you uncle dino i'm so afraid try and control yourself my dear find some way of
00:29:26getting your mind off it all i'm afraid don't leave me alone danny just pack up and go away
00:29:32for a while to the country house the air there would be good for your nerves alone i'd go too
00:29:37but there's this business in paris it wouldn't be fair to leave you by yourself invite some of your
00:29:41friends to go with you you'll soon get over your fright all you need is some good fresh air
00:29:46say you must know about everybody in town don't you
00:29:57oh no i don't i'm sorry sir it's like a seaport this place strange spaces here every day
00:30:03all sorts of colors all sorts of races in fact you close your eyes and don't notice anyone
00:30:08oh no believe me i keep voting but just how can i help you for example
00:30:16you sell scoffs did you sell this one i handle those that kind japanese silk prints but uh i mean
00:30:25they're rather ordinary i have some right over there ever sell this full eye i might have sold one of
00:30:32course i can't recall them all but can you remember who might have bought one it's very important
00:30:38no i do a steady business even if it does look unimportant do you believe i can recollect who bought
00:30:44what here who bought this who bought that they come in crowds and they go in crowd if you do remember
00:30:50call me at headquarters you got that that's for inspector martino
00:31:02uh
00:31:21Bad news.
00:31:41Ah, you know.
00:31:42I'm Johnny Tomas, the scarf seller in the piazza.
00:31:47Because this afternoon the inspector was snooping around.
00:31:49I believe I should sell the business.
00:31:53No, I'm not trying to blackmail.
00:31:55You want me to keep a friendly secret.
00:31:58To make sure I can pretend that I never sold you that full life.
00:32:04Two million lire would be plenty now.
00:32:06Pretty cheap.
00:32:08We ought to pay the initial expenses.
00:32:11How do you mean?
00:32:14Have the money.
00:32:15You're responsible for my complete silence.
00:32:19See you tonight.
00:32:22So let's all meet at the station tomorrow at three o'clock.
00:32:24All right?
00:32:26Look, there are still plans I'm making out tonight.
00:32:28Seeing as we're off for a lean weekend.
00:32:30Ciao.
00:32:31Ciao.
00:32:32Danny.
00:32:33Danny.
00:32:34Danny.
00:32:35Stop.
00:32:36Let me go.
00:32:37Danny.
00:32:38I have to talk to you.
00:32:39I must.
00:32:40Why don't you go away?
00:32:41Why don't you leave me alone?
00:32:42I've got to speak to you.
00:32:43I've got to speak to you.
00:32:44You're going to listen.
00:32:45Danny.
00:32:46You have to talk to you.
00:32:47I must.
00:32:48I don't.
00:32:49You have to.
00:32:50I don't.
00:32:51I don't.
00:32:52Danny.
00:32:53Danny.
00:32:54Danny.
00:32:55Danny.
00:32:56You've got to belong to me and no one else.
00:32:58Classes have been canceled for today.
00:32:59Shhh.
00:33:00Shhh.
00:33:01Shhh.
00:33:02Shhh.
00:33:03Shhh.
00:33:04Shhh.
00:33:05Shhh.
00:33:06Danny.
00:33:07Danny.
00:33:08I have to talk to you.
00:33:09I must.
00:33:10Why don't you go away?
00:33:11Why don't you leave me alone?
00:33:12I've got to speak to you.
00:33:13You're going to listen.
00:33:14Danny.
00:33:15You have to.
00:33:16I don't.
00:33:17Danny.
00:33:18Danny.
00:33:19You've got to belong to me and no one else.
00:33:23Classes have been canceled for today.
00:33:24Shhh.
00:33:25Shhh.
00:33:26Shhh.
00:33:27Shhh.
00:33:28Shhh.
00:33:29Shhh.
00:33:30Shhh.
00:33:31Shhh.
00:33:32Shhh.
00:33:33No.
00:33:34No.
00:33:35Let me go.
00:33:36Let me go.
00:33:37Let me go.
00:33:40Daniela.
00:33:41Open this door.
00:33:42I've got to speak to you.
00:33:44What's going on up there?
00:33:45Who's out on the stairs?
00:33:47What are you doing up there?
00:33:50Hello?
00:33:51Oh, hello, Jane.
00:33:52Can you come over right away?
00:33:53I must talk to you.
00:33:54Right now.
00:33:55It's urgent.
00:33:56It's Stefano.
00:33:57What Stefano?
00:33:58He was wearing that scarf the day Flo died.
00:34:01Oh, hello.
00:34:02Can you come over right away?
00:34:03I must talk to you.
00:34:04Right now.
00:34:05It's urgent.
00:34:06It's Stefano.
00:34:07What Stefano?
00:34:08He was wearing that scarf the day Flo died.
00:34:09Jane, it's terrible.
00:34:10Oh, come on.
00:34:11You need to relax.
00:34:12Let me help you, too.
00:34:13No, Jane.
00:34:14I remember it so well.
00:34:15Stefano was really wearing that scarf, and he didn't ever wear it again.
00:34:16What have you got against that boy?
00:34:17He's so strange.
00:34:18No, Jane.
00:34:19I remember it so well.
00:34:20Stefano was really wearing that scarf, and he didn't ever wear it again.
00:34:22What have you got against that boy?
00:34:23He's so strange.
00:34:24So violent.
00:34:25He frightens me.
00:34:27And then...
00:34:28Then what?
00:34:29Jane, you won't tell anyone, will you?
00:34:30Of course I won't.
00:34:31Surely you're not afraid of me, too.
00:34:34No, no, no.
00:34:35No, no, no.
00:34:36No, no.
00:34:37No, no, no.
00:34:38No, no.
00:34:39No, no, no.
00:34:40No, no, no.
00:34:41No, no.
00:34:42No, no.
00:34:43No, no.
00:34:44No, no, no.
00:34:45No, no.
00:34:46No, no, no.
00:34:47No, no.
00:34:48No, no.
00:34:49No.
00:34:50No.
00:34:51No, no.
00:34:52No, no.
00:34:53No, no.
00:34:54No, Jane, but I received this phone call from the killer, and he threatened to kill me,
00:34:59too, if I told anyone who it was that I'd seen wearing that scarf.
00:35:05Come in.
00:35:07Excuse me.
00:35:08I just wanted to say goodbye.
00:35:10Good evening, Jane.
00:35:12Good evening.
00:35:13I'll have to go now.
00:35:14If not, I'll miss my flight at 10.
00:35:16I'll phone you from Paris when I arrive.
00:35:19Take care of her, Jane.
00:35:21All right, till tomorrow morning.
00:35:23I can't go up to the village till later.
00:35:24I have a few things to do in town.
00:35:25You didn't tell me.
00:35:26No, but I told Ursula and Katia.
00:35:28I'm sorry.
00:35:29Oh, you'll be all right.
00:35:30You'll have the others with you.
00:35:32You'd better dry off.
00:35:33Hm.
00:35:34I have to go.
00:35:35I have a good trip.
00:35:36But you promised.
00:35:40Yes, but I want to talk to Stefano first.
00:35:42He may be a strange boy as you say, but that doesn't mean the killer's Stefano.
00:35:47I'll drive out later.
00:35:48Don't worry.
00:35:49Don't play for this liksom.
00:35:51Don't play for this.
00:35:52Don't play for that.
00:35:53Don't—
00:36:15Let's go.
00:36:45Let's go.
00:37:15Let's go.
00:37:45Let's go.
00:37:47Let's go.
00:38:17Hello?
00:38:31Hello?
00:38:35Hello?
00:38:41Anyone home?
00:38:45Anyone home?
00:38:47Is anybody there?
00:38:53Stefano?
00:39:05Stefano?
00:39:09Stefano?
00:39:15Stefano?
00:39:17No.
00:39:27No.
00:39:29No.
00:39:31No.
00:39:33No.
00:39:45No.
00:39:47No.
00:39:49No.
00:39:50No.
00:39:51No.
00:39:53No.
00:39:55No.
00:39:57No.
00:39:59No.
00:40:01No.
00:40:03No.
00:40:05No.
00:40:07No.
00:40:09No.
00:40:11No.
00:40:13No.
00:40:15No.
00:40:17No.
00:40:19No.
00:40:21No.
00:40:23No.
00:40:25No.
00:40:29No.
00:40:31No.
00:40:33No.
00:40:35No.
00:40:37No.
00:40:39No.
00:40:49No.
00:40:51No.
00:40:53No.
00:40:55No.
00:40:57No.
00:41:01No.
00:41:03No.
00:41:05No.
00:41:07No.
00:41:09No.
00:41:11No.
00:41:12No.
00:41:13No.
00:41:15No.
00:41:16No.
00:41:17No.
00:41:18No.
00:41:19No.
00:41:20No.
00:41:21No.
00:41:22No.
00:41:23No.
00:41:24No.
00:41:25No.
00:41:26No.
00:41:27No.
00:41:28No.
00:41:29No.
00:41:30No.
00:41:31No.
00:41:32No.
00:41:33No.
00:41:34No.
00:41:35No.
00:41:36No.
00:41:37No.
00:41:38No.
00:41:39No.
00:41:40Where's she from?
00:41:41You mean the one with the suntan makeup?
00:41:42She didn't buy it.
00:41:43Oh, with those legs, she could outrun a rabbit.
00:41:45I'm a rabbit.
00:41:45Hey, what do you think I'm here for?
00:41:47Make eyes at me.
00:41:50Come on, let's go.
00:41:52We still have a lot of shopping to do.
00:42:03Oh!
00:42:04Bring the bread and the milk every morning.
00:42:06Please don't forget.
00:42:08I'll remember, Signorina, every morning.
00:42:33Pretty girls, eh, Ballard?
00:42:35If you could only speak to them, how they'd love it.
00:42:37The way they looked at you, you saw.
00:42:40Say, why don't you go up to the villa and pay them a visit?
00:42:42They're expecting you.
00:42:43Yeah, sure.
00:42:44No kidding, Ballard.
00:42:45You can measure them for shoes.
00:42:47What they came here for is a strong man like you.
00:42:50They love leather.
00:42:52Don't miss your chance, Ballard.
00:42:54Save one for me.
00:42:55I can't get you.
00:43:17We will eat.
00:43:55Oh, with all the windows barred, it seems like a prison.
00:44:05There's no one here most of the year.
00:44:07It was a paradise for thieves, so we put up the bars to discourage them.
00:44:10God, where's Jane?
00:44:11She must have found the roads full of traffic.
00:44:13Or she couldn't leave.
00:44:15Why not telephone?
00:44:16There we are.
00:44:17That's it.
00:44:18Ciao.
00:44:19Ciao.
00:44:25Yes, Llorina?
00:44:29Excuse me.
00:44:31Can you show me the road to Villa Santa Alba?
00:44:33Oh, yes.
00:44:34It's just up the hill, but slow down.
00:44:36It's bumpy.
00:44:37Well, I better have you check the car.
00:44:38I think there's a spring broken.
00:44:40It's impossible to check that until morning.
00:44:42But tonight, if you like, I'll go with you.
00:44:45Yes, if you please.
00:44:45You'll have to walk up the hill, though.
00:44:49I'm sorry.
00:45:01They told me she left three hours ago.
00:45:03Ah, then she's found interesting company, I guess.
00:45:06Stop joking.
00:45:07I'm afraid.
00:45:08I'm worried.
00:45:18Hey, girls, you can open this door or not.
00:45:21It's Jane.
00:45:26Oh, it's loud.
00:45:28Wow, what a climb.
00:45:31I had trouble with my car and I had to leave it in the village.
00:45:34Hi, Ciao.
00:45:36Hi, Ursula.
00:45:36Fanny was worried about you.
00:45:39Well, she was right.
00:45:40It's the fault of my driving, I suppose.
00:45:43Look, I've cleared the whole thing up.
00:45:45Stefano has nothing to do with it.
00:45:48Of course.
00:45:49Stefano's scarf was different.
00:45:51This had a red design on a black background.
00:45:53The one the inspector showed us was just the opposite.
00:45:56I'm so confused.
00:45:59If Stefano wasn't wearing that scarf,
00:46:03then who...
00:46:05I know he saw it on somebody.
00:46:07Look, forget about the scarf.
00:46:09I won't hear any more about it.
00:46:12Now, I could do with a drink.
00:46:14I think I've caught a cold.
00:46:15Oh, what a terrible day.
00:46:17Forget it, boys.
00:46:18Those three birds aren't for the likes of us.
00:46:20Forbidden fruits, the best there is.
00:46:22There's some grapes.
00:46:23Well, that niece of the owner is really ripe.
00:46:25I wouldn't mind spoiling her a little bit more.
00:46:27She looks willing enough to me.
00:46:28Let's go up there and give him a try.
00:46:29Yeah, we'll be wasting our time.
00:46:30Let's play bocce ball.
00:46:32Listen to Casanova.
00:46:33That's how you get to sleep so much.
00:46:34I go for that exotic milk.
00:46:36The one with the long legs.
00:46:37Oh, yeah.
00:46:37Wow, what a grip she must have.
00:46:38She looks like a man, either.
00:46:40I feel safe with one of the others.
00:46:41They're all the same in the dark.
00:46:42Well, maybe, but I'd like to start with that little bit.
00:46:44Where's my workout?
00:46:45Well, I'm off to bed.
00:46:56Good night, Danny.
00:46:57Good night.
00:46:58Good night.
00:47:15Good night.
00:52:58It's about time.
00:53:00Come on, you lizards.
00:53:02Breakfast is here.
00:53:04Come on.
00:53:05Look, James.
00:53:14Look, James.
00:53:18Oh, no.
00:53:20I twist my ankle.
00:53:21How awful.
00:53:22Milk, milk, bread and eggs and eggs and things.
00:53:30Don't worry.
00:53:34It'll be all right.
00:53:35It's not broken.
00:53:36Why the hell are you standing there?
00:53:41Go get a doctor, quickly.
00:53:42Oh, no, no, no.
00:53:44Yeah, sure.
00:53:45Yeah.
00:53:45Hey.
00:53:46Oh, no.
00:53:47Yeah, a little bit.
00:53:48Sorry.
00:53:49I'll do it.
00:53:50Oh, yeah.
00:53:51Oh, yeah.
00:53:51Oh, no.
00:53:52Oh, yeah.
00:53:53Oh, no.
00:53:53Oh, yeah.
00:53:55Oh, yeah.
00:53:56Oh, no.
00:53:57Oh, yeah.
00:53:58Oh, yeah.
00:53:58Oh, yeah.
00:54:00Oh, yeah.
00:54:02I don't think it's anything serious.
00:54:19But if the swelling hasn't gone down by tomorrow,
00:54:21call me and we'll have it x-rayed.
00:54:25In case you don't sleep tonight, young lady,
00:54:27because of the pain, I'll leave you these.
00:54:29But don't take more than two.
00:54:30Some vacation.
00:54:34Haven't I seen you somewhere before?
00:54:36You might have.
00:54:39On the train. I remember now.
00:54:41You were in the same compartment.
00:54:43Yes, that's right.
00:54:46You weren't with your friends.
00:54:47I came later by car.
00:54:49If necessary, I can bring you into town tomorrow.
00:54:51My ankle isn't broken.
00:54:53I can drive myself tomorrow.
00:54:55Well, I'll be off.
00:54:56And if you want to reach me, you know where to find me.
00:54:58I'll see you till the door.
00:55:00Goodbye.
00:55:01Goodbye, doctor.
00:55:04The doctor's all right, huh?
00:55:06Not bad.
00:55:10You know, you should have something done about that road.
00:55:13It's not easy getting up here.
00:55:15Oh, excuse me.
00:55:16Hello.
00:55:22Oh, it's you, uncle.
00:55:23How are you?
00:55:25You were right.
00:55:26I'm okay.
00:55:27But where are you?
00:55:29Paris?
00:55:31It sounds as if you were calling from the next room.
00:55:34Uh-huh.
00:55:36Oh, yes.
00:55:37The weather's marvelous here.
00:55:38Oh, yes.
00:55:39The weather's marvelous here.
00:55:40Oh, yes.
00:56:10I told you, sir.
00:56:11Oh, well.
00:56:13At least it's warm in the sun.
00:56:14Oh, thank goodness.
00:56:15Oh, thank goodness.
00:56:15Come on.
00:56:17Oh.
00:56:18Oh.
00:56:24Stefano!
00:56:29Stefano!
00:56:34Come out!
00:56:35What are you doing there?
00:56:36Stefano!
00:56:39Danny!
00:56:43But I don't see anyone.
00:56:45I'm sure I saw someone a moment ago.
00:56:47It looked like Stefano.
00:56:48But Danny, you were frightened.
00:56:50That's all.
00:56:52It was Stefano.
00:56:55Let's go home now.
00:56:58If it was Stefano, you would have answered, no?
00:57:00Come on, Jane, this'll fix you up.
00:57:10The James Enkro.
00:57:11Bottoms up.
00:57:14Oh, boy.
00:57:15Nisa didn't need champagne.
00:57:17She won't wake us up in the morning.
00:57:20Let's not excite the patient.
00:57:21She's full of goof pills now.
00:57:23She needs some rest.
00:57:24I think the piano was tuned.
00:57:26She was there and ate her.
00:57:27Yeah.
00:57:28How about a lullaby?
00:57:29Come on, then.
00:57:31Good night.
00:57:32Good night, everybody.
00:57:33Good night.
00:57:35Good night, Jane.
00:57:36Weren't the lights off?
00:57:37You can turn the big one off.
00:57:38I'm going out like a light, too.
00:57:41Night.
00:57:41Night.
00:57:42Night.
00:57:42Night.
00:57:44Night.
00:58:05Night.
00:58:07Night.
00:58:08Night.
00:58:10Night.
00:58:11Sorry.
00:58:11You two make wonderful company.
00:58:16What are you doing?
00:58:18Do you have a call, boy?
00:58:19Wish I had.
00:58:20No, I'm going to call Stefano and see if it's home.
00:58:22Oh, forget Stefano.
00:58:24Besides, Danny, it's late.
00:58:25If he answers, I'll hang out.
00:58:29Hell, it's out of order.
00:58:35Somebody's here?
00:58:36Maybe it's the doctor paying a late call.
00:58:41Who's there?
00:58:56Come on, you might as well open the door.
00:59:05Stefano!
00:59:06Oh!
00:59:08I
00:59:11Love more people!
00:59:12I
00:59:12don't know!
00:59:19Now you're all going back and waiting to work,
00:59:21Bob!
00:59:22Yes, Plter!
00:59:23Oh, my God.
00:59:53Oh, my God.
01:00:23Oh, my God.
01:00:53Hey, I'm hungry.
01:01:03Aren't patients supposed to have their breakfast in bed?
01:01:23Ursula?
01:01:30Katya?
01:01:35Danny?
01:01:38Ursula?
01:01:42Ursula?
01:01:42Daddy!
01:02:02Danny?
01:02:25Danny?
01:02:37Danny?
01:02:38Danny?
01:02:40Oh!
01:02:41Oh!
01:02:43Oh!
01:02:45Oh!
01:02:46Oh!
01:02:47It's...
01:02:53oh.
01:02:55Oh.
01:02:59Oh.
01:03:02Oh.
01:03:09Oh.
01:03:12Danny.
01:03:13Oh, oh.
01:03:43Oh, oh.
01:04:13Oh, oh.
01:04:43I have to pick up the empties.
01:04:52Anyone home?
01:05:08Well?
01:05:10Well?
01:05:12Oh.
01:05:14Oh.
01:05:16Oh.
01:05:18Oh.
01:05:20Oh.
01:05:24Oh.
01:05:26Oh.
01:05:28Oh.
01:05:30Oh.
01:05:32Oh.
01:05:34Oh.
01:05:36Oh.
01:05:38Oh.
01:05:40Oh.
01:05:42Oh.
01:05:44Oh.
01:05:46Oh.
01:05:48Oh.
01:05:50Oh.
01:05:52Oh.
01:05:54Oh.
01:05:56Oh.
01:05:58Oh.
01:06:00Oh.
01:06:02Oh.
01:06:04Oh.
01:06:06Oh.
01:06:08Oh.
01:06:10Oh.
01:06:12Oh.
01:06:14Oh.
01:06:16Let's go.
01:06:46Let's go.
01:07:16Let's go.
01:07:46Let's go.
01:08:16Let's go.
01:08:46Let's go.
01:09:16Let's go.
01:09:46Let's go.
01:09:48Let's go.
01:09:50I don't think those girls are politically aware.
01:09:52Who cares?
01:09:52I'd like to have a whole beard.
01:09:54On a desert island.
01:09:56Naked.
01:09:56In a storm.
01:09:57In a storm?
01:09:58Why?
01:09:59It's more emotional.
01:10:00It's more emotional.
01:10:00You need an assist?
01:10:01I don't know.
01:10:02I'm Sorry.
01:10:02You need an o'er.
01:10:04I don't know.
01:10:06Let's go.
01:10:07Let's go.
01:10:08Let's go.
01:10:09I don't know.
01:10:09Let's go.
01:10:11Here you are.
01:10:12Here you are.
01:10:13Here you are.
01:10:13Here you are.
01:10:14Here you are.
01:10:14I'm sorry.
01:11:15Oh, no.
01:11:27Oh, no.
01:11:57Oh, no.
01:12:27Oh, no.
01:12:57Oh, no.
01:13:27Oh, no.
01:13:57Oh, no.
01:14:27Oh, no.
01:14:57Oh, no.
01:15:27Oh, no.
01:15:57Oh, no.
01:16:27Oh, no.
01:16:57Oh, no.
01:17:27Oh, no.
01:17:57Oh, no.
01:18:27Oh, no.
01:18:57Oh, no.
01:19:27Oh, no.
01:19:57Oh, no.
01:20:27Oh, no.
01:20:57Oh, no.
01:21:27Oh, no.
01:21:57Oh, no.
01:22:27Oh, no.
01:22:57Oh, no.
01:23:27Oh, no.
01:23:57Oh, no.
01:24:27Oh, no.
01:24:57Oh, no.
01:25:27Oh, no.
01:25:57Oh, no.
01:26:27Oh, no.
01:26:57Oh, no.
01:27:27Oh, no.
01:27:57Oh, no.
01:28:27Oh, no.
01:28:57Oh, no.
01:29:27Oh, no.
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