- 15 hours ago
"The First Man" (1996) is a reflective and gently paced drama inspired by themes of memory, identity, and personal history. Set against a backdrop of changing times, the film follows a writer who returns to familiar places from his past, revisiting formative moments that shaped his outlook on life. Through calm conversations, quiet landscapes, and thoughtful introspection, the story explores how childhood experiences influence one’s sense of purpose and belonging. The film emphasizes atmosphere, emotional depth, and the connection between the past and the present. Viewers who enjoy character-focused narratives, reflective storytelling, and meaningful drama will appreciate the film’s warm tone and introspective style.
the first man 1996, the first man movie, the first man film, the first man full movie, the first man hd, reflective drama film, character focused story, atmospheric drama, emotional journey movie, personal history film, memory themed movie, introspective drama, writer story film, thoughtful storytelling, calm paced drama, independent drama 1996, gentle narrative film, meaningful drama movie, scenic drama setting, life reflection film
the first man 1996, the first man movie, the first man film, the first man full movie, the first man hd, reflective drama film, character focused story, atmospheric drama, emotional journey movie, personal history film, memory themed movie, introspective drama, writer story film, thoughtful storytelling, calm paced drama, independent drama 1996, gentle narrative film, meaningful drama movie, scenic drama setting, life reflection film
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PeopleTranscript
00:00:00I don't know what to do.
00:00:30They're bringing his plane in now.
00:00:42As you know, the president's speech will be transmitted for 40 languages.
00:00:55A fantastic network of broadcasting.
00:01:00Let's go to Ted on a car phone.
00:01:17Protection.
00:01:18At least 200-foot mirrors.
00:01:21This is truly a marvelous observatory.
00:01:25These wonderful marble steps.
00:01:28Up the great marble steps.
00:01:31Here he comes.
00:01:32Let's listen now.
00:01:34Let's listen now.
00:01:43Vigilance.
00:01:45We have shared a vigilance.
00:01:49Listen not on quickly now.
00:01:51We have watched over our nation with stern vigilance.
00:01:56The purpose is going to die.
00:02:00I can't wait.
00:02:01There was a window in the room.
00:02:02Let's go.
00:02:03I'm going to die.
00:02:04Let's go.
00:02:05Let's head back down.
00:02:07Watch out for that.
00:02:12Let's go.
00:02:14Let's go!
00:02:15Let's go!
00:02:16Let's go!
00:02:17Do you know what time it is, Los Angeles?
00:02:47It's time to wake up.
00:03:17Do you agree with your testimony, Los Angeles?
00:03:24Do you agree with your testimony, Los Angeles?
00:03:31Do you agree with your testimony, Los Angeles?
00:03:38Do you agree with your testimony, Los Angeles?
00:03:45Do you agree with your testimony, Los Angeles?
00:03:52Do you agree with your testimony, Los Angeles?
00:03:55Do you agree with your testimony, Los Angeles?
00:03:57If you could just stay on the line with us and tell us anything.
00:04:00They are building these black skyscrapers.
00:04:05All the giant black steel and now they're all empty in the air.
00:04:12She is always on.
00:04:14See, just a few building, facing space.
00:04:17Well, the Halloween National Guard units continue their Halloween preparations.
00:04:22Sure, but what do you learn?
00:04:24Do I not?
00:04:25Okay, who are I?
00:04:27I'm going to ask you if you could just stay on the line with us and stay on the line with us just a little bit longer.
00:04:32I want you to join me in that again.
00:04:34I want you to join me in that again.
00:04:35What comes to most of the concerns are we know the fashion card units in anticipation of the whole violence in the world.
00:04:44And as you struggle on your way to work, we're going to struggle to make sense of these issues facing us today.
00:04:50I want to get your reactions in the present speechless.
00:04:55I want you to see that if someone around you or someone that you know is alien or is a human being that does not respect the sovereignty of the soil, the sanctity of the spirit, then we must all rise up.
00:05:12It is our duty to arm ourselves.
00:05:14To rise up and put these criminals in our gun sights.
00:05:18Not be afraid.
00:05:20We cannot be afraid.
00:05:22I don't know if this is an invasion.
00:05:28I don't know if I care.
00:05:31I know that I want to see something for my children.
00:05:34Is that too much to ask for?
00:05:52I don't know if I don't know if this has been rooted in itsobooks, but it is extremely dry.
00:06:58Uncle Phil, come up to my room.
00:07:00I'm going to show you my new path.
00:07:02You say, okay.
00:07:03You go to his room.
00:07:04You sit on the dresser.
00:07:06And next to them, baseball cards and the pocket knife and little knickknacks, there's a little
00:07:11jar.
00:07:12And your little nephew whispers in your ear and he says, Uncle Phil, this is my friend.
00:07:18My only friend.
00:07:19I love him, Uncle Phil.
00:07:22What's in the jar?
00:07:25It's an invader.
00:07:26It's a fucking invader.
00:07:28A fucking alien.
00:07:29That's what's in the fucking jar.
00:07:31Looks like a little mouse.
00:07:33Maybe a little cuter.
00:07:34It's got these big brown wed eyes.
00:07:36I just look up at you.
00:07:37You look at it if they're saying I'm homeless.
00:07:44So what do you do, Uncle Phil?
00:07:47What do you do with your nephew's best friend?
00:07:51His only friend.
00:07:52It's going to be nice working.
00:08:00It's going to be nice working.
00:08:31I'm glad I had to drive a lot because I don't know what I'd do with myself sometimes.
00:08:43My job was simple.
00:08:45I was being sent to Malibu to kill something.
00:08:49Something I probably wouldn't get a chance to understand.
00:08:54Maybe it would look different for me.
00:08:57Or maybe it would see inside my mind.
00:09:00And look like someone I knew.
00:09:02But something felt familiar.
00:09:07But something felt familiar.
00:09:09But something felt familiar.
00:09:10But something felt familiar.
00:09:20At first, I didn't recognize it.
00:09:47And then I did.
00:09:49And then I did.
00:09:49Just walk away.
00:09:51Just walk away.
00:10:09just walk away.
00:10:12Another trick of the mind.
00:10:29Well,
00:10:30it looks sick.
00:10:33I mean,
00:10:34that's typical of these ice plants, you know.
00:10:37They're drought resistant,
00:10:38so if you water them too much,
00:10:40they can pucker and look like they're dying.
00:10:42Yeah, it used to be
00:10:44that you didn't have to pump the ground full of vitamins
00:10:45just to make stuff grow.
00:10:47You're lucky.
00:10:49Because I remember
00:10:50when this place was full of those trees,
00:10:53most of them are gone now.
00:11:05So, you know,
00:11:06since you spend a lot of time here,
00:11:08you know, looking after my plants, you know, and...
00:11:10Yeah.
00:11:11Well, you.
00:11:12You.
00:11:12And the dogs.
00:11:15You.
00:11:16And the whole package.
00:11:17Yeah, yeah.
00:11:17Well, I mean,
00:11:18I think we're a good team,
00:11:19so...
00:11:21I mean,
00:11:21you behave like, you know,
00:11:23you find me attractive.
00:11:24I think that's a big part of a successful couple.
00:11:27Oh, yeah.
00:11:27Though I've never seen a successful couple.
00:11:30Oh, yeah.
00:11:31Well,
00:11:32we are.
00:11:33Mm-hmm.
00:11:34Well, we could be.
00:11:34Mm-hmm.
00:11:38I don't know if you count my parents,
00:11:39but their divorce,
00:11:40I guess it doesn't really count.
00:11:42No.
00:11:42Yeah.
00:11:43I know that
00:11:47I'm kind of, you know,
00:11:50nerdy and not all that handsome.
00:11:52No, I think you're beautiful.
00:11:55Thank you, but I'm really not.
00:11:57But I'm smart,
00:11:59and that makes me attractive, of course.
00:12:02Of course.
00:12:03You're very attractive.
00:12:09Would you like to get married?
00:12:10Because it won't be very expensive or anything.
00:12:19Yeah.
00:12:19I mean, I was...
00:12:20I was going to ask you.
00:12:40The following recording is served as pre-tournation.
00:12:56All of them have been served as pre-tournation as follows.
00:13:02All of them have been served as pre-tournation.
00:13:06All of them are still HCF.
00:13:10It's separate from CFL,
00:13:11as Ardena,
00:13:12to when you're at the whole park.
00:13:12It keeps the power of the space.
00:13:14Put your round and the fullest of that.
00:13:15And now,
00:13:16the background has been lived.
00:13:17Nice came back when you're veryknit ahead and there.
00:13:18Indeed, it runs to the brightness of your bombers.
00:13:19All of them,
00:13:20but how we get trapped.
00:13:20And when you are having a mass patrol,
00:13:21We hit up our batteries and move on to Ethan only.
00:13:23Number 1
00:13:26in land.
00:13:29感じ of this engineer.
00:13:30How we train our arbets.
00:13:31And that means you're r求,
00:13:32or how we're doing this?
00:13:33Or how we get trapped in theHoドン America this morning,
00:13:34Jointlleeta goes swimming.
00:13:35What's going on?
00:13:52You seen this thing?
00:13:53No.
00:13:54I was just in Malibu doing a cleanup.
00:13:57I called you, but you were teaching a class.
00:13:59No big deal.
00:13:59Two hours ago, Laszlo Amato, our project leader,
00:14:04was killed along with two guards.
00:14:06Men that have been with us for years.
00:14:07My name's Nan.
00:14:09It's Alan Grady.
00:14:11Louise.
00:14:12Do you have any pictures?
00:14:21Did Alan have enough files for all of you guys?
00:14:24They just asked me for some pictures.
00:14:27Well, you don't need pictures.
00:14:28I'll just tell you.
00:14:29We captured two life forms.
00:14:31One of which you've guessed has escaped.
00:14:33We don't need any pictures on this one
00:14:35because it's got a twin
00:14:36and it's still in confinement.
00:14:37Sounds like we're going to terminate
00:14:38the second one straight away.
00:14:39That we know.
00:14:41Alan here has been working on this for three months
00:14:43and tonight he watches the project leader get killed.
00:14:47Well, what are we waiting for?
00:14:50Let's just clean up this mess.
00:14:52Well, I appreciate your offer, Louise.
00:14:54I really do.
00:14:56But I need to talk specifically to you and Nan for a bit
00:14:58before we move on.
00:15:02All right.
00:15:03What else?
00:15:05Okay, this is going to be hard for me to say,
00:15:07so I'm just going to say it.
00:15:10It's coming up from higher up.
00:15:11It's not my decision.
00:15:12Hey, Phil.
00:15:18This is Phil Aronson,
00:15:19the new guy I was telling you about.
00:15:21Hey, man.
00:15:22Hello, please.
00:15:24Yes, sir.
00:15:25Yeah, I asked Phil to sit in with us
00:15:26in hopes that it would clarify some things.
00:15:28This report doesn't necessarily make clear.
00:15:31Nan, Louise, I think you're great, just great.
00:15:34But I can't have you in on this one.
00:15:37Hey, I work only with them.
00:15:38I mean, if this is something to do with the strength issue,
00:15:41I can only tell you that they...
00:15:42Jake, I know how you feel, okay?
00:15:45This has nothing to do with ability.
00:15:46Really, it doesn't.
00:15:49What the fuck?
00:15:51Maybe we should show them the second man.
00:15:54All right.
00:15:56Before you guys hate me,
00:15:57why don't we go downstairs
00:15:58and I'll show you what we've got.
00:16:38Remember the twins we found in Colorado
00:17:02and how quickly they multiply?
00:17:04And they were all developing
00:17:06distinctive manipulative abilities.
00:17:08At first, I didn't think we were being invaded.
00:17:11When these things started landing,
00:17:12there were too many various species
00:17:14and they lacked organization.
00:17:16Frankly, they were easy to kill.
00:17:20But now I feel differently.
00:17:21I know that if a creature has the ability
00:17:23to manipulate a portion of a human being's emotional life,
00:17:26then we're only a hair's breadth away
00:17:27from being mentally enslaved.
00:17:29It doesn't seem to be threatening.
00:17:40Yeah.
00:17:41It looks like the first guy is...
00:17:43the only cure.
00:17:45Please just capture the other one and...
00:17:57I mean, don't be ridiculous, Larry.
00:18:00He can't be captured.
00:18:03We have to kill him.
00:18:04Why do you have to kill him?
00:18:07Don't we always kill them?
00:18:09Isn't that what we do?
00:18:11We'll just...
00:18:12capture the other one.
00:18:14We'll put him under observation.
00:18:16You know, if another agent even jokes
00:18:17about protecting an alien,
00:18:19we're supposed to report them.
00:18:21Please, man, guy.
00:18:23Don't leave me the rule book, okay?
00:18:25This is clearly no threat.
00:18:28You're all overreacting.
00:18:30Feels right, Louise.
00:18:32Coming like that can get you both...
00:18:35fired and arrested.
00:18:39Relax, guys.
00:18:45It's no big deal.
00:18:46I want to go around the room
00:19:14and gather all your opinions.
00:19:16It's important to me that you all relax
00:19:18and try to be as honest as possible.
00:19:20I'm going to start with you, Jay.
00:19:22And I want you to describe for me
00:19:23what you saw downstairs.
00:19:24Physically describe it.
00:19:26Can I say...
00:19:28Very humanoid.
00:19:30Bland.
00:19:31Striking features.
00:19:33Striking?
00:19:34Isn't that an understatement?
00:19:36Please, man.
00:19:37Phil,
00:19:39would you please describe what you saw physically?
00:19:42Well, there wasn't, uh...
00:19:44much to go on, actually.
00:19:46I mean, he looks a little like the Colorado stranger
00:19:48right about that.
00:19:50Only not as passable.
00:19:51Kind of reminds me of the, uh...
00:19:52ones we saw in New York last summer.
00:19:55Other than the bland humanoid features, uh...
00:19:58I don't see...
00:19:59I don't see much on the answer to go by.
00:20:00I think we need an autopsy.
00:20:02Uh...
00:20:03Excuse me.
00:20:07Huh?
00:20:08Oh.
00:20:08Sorry.
00:20:09No, no.
00:20:10Louise, perhaps you have something to contribute.
00:20:13Go ahead.
00:20:13Discard what you saw.
00:20:15Let me just say that I think you guys are blinded
00:20:17or something.
00:20:19I saw the New York strain.
00:20:20I did all the pre-termination briefings myself
00:20:22in person.
00:20:23This has nothing to do with them.
00:20:27Okay?
00:20:28Nothing.
00:20:29Three men were killed tonight.
00:20:32I know that.
00:20:33I know that, Phil.
00:20:35Louise, uh...
00:20:37Describe what you saw physically.
00:20:39Well, um...
00:20:42I don't think he's bland-looking, like Jake says.
00:20:45An unformed humanoid.
00:20:47I think he's...
00:20:49very beautiful.
00:20:51Exquisitely so.
00:20:52I think he's actually perfect-looking.
00:20:55I have to agree with Louise.
00:20:57This is a very humanoid type.
00:21:00Exceptionally well-formed.
00:21:01In fact, handsome.
00:21:03And I have to trust my gut feelings on these matters.
00:21:06I see no threats.
00:21:10No threat.
00:21:11Three men were killed in two hours.
00:21:14No threat.
00:21:15Oh, come on.
00:21:16This isn't New York.
00:21:17Okay, okay.
00:21:17Guys, guys.
00:21:18Nan, Louise.
00:21:19When do you and I have a question of termination ever?
00:21:21Especially when a subject is killed.
00:21:24Never.
00:21:24Nan?
00:21:25Well, maybe it's time we started.
00:21:27What?
00:21:28What?
00:21:30You're just jealous, Jake.
00:21:31Come on, because he's so hot.
00:21:33I mean, this thing or...
00:21:35or whatever man is gorgeous.
00:21:38Let me ask you something.
00:21:40Do you have a boyfriend?
00:21:42That's none of your fucking business.
00:21:43Answer the question.
00:21:44I'll take away your fucking badge right here and now.
00:21:47Yeah, asshole.
00:21:48I have a boyfriend.
00:21:49But if that guy upstairs came up to me in a bar,
00:21:51I'd leave with him in two seconds.
00:21:52Now you all know?
00:22:14What the fuck is going on?
00:22:16I'm no judge of beauty or anything.
00:22:18I mean, everyone is something that should lust after them.
00:22:20I mean, at least I hope so.
00:22:21But what the fuck?
00:22:23Survival.
00:22:25This is how it survives.
00:22:27It's attractive to women.
00:22:29Clouds are judgment.
00:22:31Exactly.
00:22:33Nan, Louise.
00:22:34Now you know what we're up against.
00:22:35It has nothing to do with your abilities.
00:22:40It has to do with the fact that you're women.
00:22:41And what we're dealing with here
00:22:43is a being that is wholly irresistible to women.
00:22:48Listen, I know that sounds crazy,
00:22:50but there's no two ways about it.
00:22:52I'm going to have to remove you guys from the case.
00:22:57No way.
00:22:59No way.
00:22:59First of all,
00:23:01if what you're saying is true,
00:23:03and I'm not really sure that it is,
00:23:06I can absolutely distinguish
00:23:07between some cheap alien mind control
00:23:09and my own attractions.
00:23:11So if you're telling me
00:23:12that I'm more of a threat than usual,
00:23:13it's bullshit.
00:23:15We're in danger every day.
00:23:16That's part of this job.
00:23:19Louise, I'm sorry.
00:23:20It's not up in the debate.
00:23:21Listen, take the file home and read it.
00:23:24Right now, I'm going to have to ask you
00:23:26and Nan to leave.
00:23:26Fuck you and your file.
00:23:30I'm in a logical complaint against you.
00:23:33Jake?
00:23:35Wait, just hold on.
00:23:36Wait a second.
00:23:37Just hold on.
00:23:38Is there any way they could serve
00:23:40in some capacity
00:23:41maybe as team liaisons?
00:23:43Thanks.
00:23:48Louise, wait.
00:23:53Listen,
00:23:54there's no reason for you to go away angry.
00:23:56Why don't you come by
00:23:58and have dinner with Larry and I tonight?
00:24:00And we can talk about this
00:24:02and maybe you won't feel so slighted.
00:24:05Maybe.
00:24:07Okay.
00:24:08Okay.
00:24:08Okay.
00:24:38Okay.
00:24:40Okay.
00:24:40Okay.
00:24:43Okay.
00:30:13Nothing.
00:30:15Should I have?
00:30:17I'm not very observant, you know.
00:30:18Don't shortchange yourself, Irene.
00:30:20Oh, hello, young man.
00:30:23Did I leave the back door open?
00:30:26No.
00:30:27No.
00:30:28I'm sorry.
00:30:29It's just procedure.
00:30:31No, don't be silly.
00:30:32It's perfectly all right.
00:30:34You want a cup of coffee?
00:30:35No, no, no, no.
00:30:36You know, I wouldn't mind a cup of coffee, but it's no trouble.
00:30:45Okay.
00:30:45We got a winner.
00:30:46It's no trouble at all, young man.
00:30:47I'll make enough for everyone.
00:30:48Do you want to come outside?
00:30:53Or we can talk outside.
00:31:09What happened?
00:31:18Oh, my God.
00:31:25Oh, my God.
00:31:27What have I done?
00:31:28Who did you see?
00:31:31You know, Marie and I have been together for 25 years.
00:31:3625 years, that's pretty good.
00:31:44What happened?
00:31:48I saw the two guards.
00:31:51I slowed down as it went by.
00:31:54The medic was there.
00:31:57Somebody motioned me to go by.
00:32:01I rolled down my window to give my voice ID.
00:32:06And all of a sudden, he was there.
00:32:09He just appeared at my window.
00:32:13Did he say anything?
00:32:15He didn't have to.
00:32:16I knew what was going on.
00:32:18I had to be with him.
00:32:23I suppose I opened the door for him.
00:32:25I really don't remember.
00:32:27My mind went blank.
00:32:29All I could think of was how I was going to get this man into my car.
00:32:35He'd get away where no one could see us and make love to him.
00:32:40And that's exactly what happened.
00:32:43I had sex with him.
00:32:45I had sex with him.
00:32:46In my car.
00:32:48In my goddamn car.
00:32:51Like a teenager.
00:32:52Where did he go after that?
00:32:55He was just gone.
00:32:59Into the woods.
00:33:00By the side of the road.
00:33:02I honestly don't know.
00:33:05It was somewhere before the turnoff for Route 15, I think.
00:33:11We may need to ask you a few more questions.
00:33:17This will stay between us, okay?
00:33:21Now you can call me if you think of anything else.
00:33:24Okay?
00:33:26Thanks.
00:33:28You're a nice girl.
00:33:28Coffee for four.
00:33:40What's wrong?
00:33:44There was that accident at Tanzer today, you know?
00:33:49Two guards were killed.
00:33:51Gabe Esperanto and...
00:33:53Le Moyne.
00:33:55Your wife knew them.
00:33:56It's terrible.
00:34:01It's terrible.
00:34:03There's so many animals out there.
00:34:05There's so many animals out there.
00:34:26There's so many animals out there.
00:34:35There's so many animals out there.
00:34:35There's so many animals out there.
00:34:37There's so many animals out there.
00:34:38There's so many animals out there.
00:34:39There's so many animals out there.
00:34:40There's so many animals out there.
00:34:41There's so many animals out there.
00:34:42There's so many animals out there.
00:34:43There's so many animals out there.
00:34:44There's so many animals out there.
00:34:45There's so many animals out there.
00:34:46There's so many animals out there.
00:34:47There's so many animals out there.
00:34:48There's so many animals out there.
00:34:49There's so many animals out there.
00:34:50There's so many animals out there.
00:34:51There's so many animals out there.
00:34:52There's so many animals out there.
00:34:53There's so many animals out there.
00:34:54Tell me the dirtiest joke you know.
00:35:19Okay, this guy is fucking this girl from behind, right?
00:35:22Yeah, yeah.
00:35:23And he pulls out and he starts to poke around her butt, right?
00:35:25Oh, yeah.
00:35:26And so she goes, well, what are you doing?
00:35:29And he goes, well, I thought I might fuck you up the ass.
00:35:32And she says, isn't that a little presumptuous of you?
00:35:35And he goes, isn't presumptuous a rather big word for a nine-year-old?
00:35:39Oh, my God.
00:35:49Oh, my God.
00:35:54Oh, my God.
00:35:59Oh, my God.
00:36:05Oh, my God.
00:36:09Oh, my God.
00:36:35I thought I saw something, but I didn't.
00:36:40Well, we should go.
00:36:44I left the car in the middle of the street, and you need to hang the pinata.
00:37:05I'm going to go to the store.
00:37:15I'll go.
00:37:17I'll go to the store.
00:37:20Okay.
00:37:22Oh, my God.
00:37:23Oh, my God.
00:37:24Oh, my God.
00:37:25Oh, my God.
00:37:26Oh, my God.
00:37:27Oh, my God.
00:37:28Oh, my God.
00:37:29Oh, my God.
00:37:30Oh, my God.
00:37:31Oh, my God.
00:37:32Oh, my God.
00:37:33Oh, my God.
00:37:34Oh, my God.
00:37:35Oh, my God.
00:37:36Oh, my God.
00:37:37Oh, my God.
00:37:38Oh, my God.
00:37:39Oh, my God.
00:37:40Oh, my God.
00:37:41Oh, my God.
00:37:42Oh, my God.
00:37:43Oh, my God.
00:37:44Oh, my God.
00:37:45Oh, my God.
00:37:46Oh, my God.
00:37:47Oh, my God.
00:37:48Oh, my God.
00:37:49Oh, my God.
00:37:50Oh, my God.
00:37:51In the woods, my senses were alive.
00:38:07I knew where to go.
00:38:16I could see a young couple struggling.
00:38:21Then my brain burned.
00:38:31And I could see something else.
00:38:35Something was here.
00:38:39Someone.
00:38:51Don't worry, Matt.
00:39:01Come on, let's go.
00:39:06Did you find anything?
00:39:16Don't worry, Matt.
00:39:19Come on, let's go.
00:39:20Come on, let's go.
00:39:50Come on, let's go.
00:39:58I'm going to check that license plate out.
00:40:03Why don't you go home for a little while, get some rust.
00:40:05It's going to be a picky of about an hour.
00:40:08I don't know.
00:40:13I don't know.
00:40:18It's going to be a good time.
00:40:20And now a tune that never loses favor, the ever-popular Stardust, Raymond Rickello and his orchestra.
00:40:50Ladies and gentlemen, following on the news given in our bulletin a moment ago, the Government Meteorological Bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet Mars.
00:41:17Due to the unusual nature of this occurrence, we have arranged an interview with a noted astronomer, Professor Pearson, who will give us his views on this event.
00:41:25In a few moments, we will take you to the Princeton Observatory at Princeton, New Jersey.
00:41:29We return you until then with the music of Raymond Rickello and his orchestra.
00:41:33Here you go. It's for you. For you.
00:41:37Okay. Be careful. Happy Halloween.
00:41:53Nice.
00:41:55We are ready now. Coming.
00:41:57The Princeton Observatory at Princeton, where Carl Phillips, our commentator, will interview Professor Richard Pearson, famous astronomer.
00:42:03We take you now to Princeton, New Jersey.
00:42:07Good evening, ladies and gentlemen.
00:42:09Carl Phillips speaking to you from the Observatory at Princeton.
00:42:13I'm standing in a large semicircular room, pitch black except for an oblong split in the ceiling.
00:42:19Through this opening, I can see a sprinkling of stars that cast a kind of faulty glow over the intricate mechanism of the huge telescope.
00:42:25The ticking sound you hear is the vibration of the clockwork.
00:42:29Professor Pearson stands directly above me on a small platform, peering through the giant land.
00:42:35I ask you to be patient, ladies and gentlemen, during any delay that may arise during our interview.
00:42:39Besides the ceaseless watch of the heavens, Professor Pearson may be interrupted by telephone or other communications.
00:42:45During this period, he is in constant touch with the astronomical centers of the world.
00:42:49Professor, may I be in our question?
00:42:51Any time, Mr. Phillips.
00:42:53Professor, would you please tell our radio audience exactly what you see as you observe the planet Mars through your telescope?
00:42:59Nothing unusual at the moment, Mr. Phillips.
00:43:03A red disc swimming in the blue sea. Transverse stripes across the disc.
00:43:07Quite distinct now, because Mars happens to be at the point nearest the Earth in opposition, as we call it.
00:43:13In your opinion, what do these transverse stripes signify, President?
00:43:17Oh, not canals, I can assure you, Mr. Phillips.
00:43:20Although, that's the popular conjecture of those who imagine Mars to be inhabited.
00:43:25From a scientific viewpoint, stripes are merely the result of atmospheric conditions peculiar to the planet.
00:43:30Then, you're quite convinced, as a scientist, that living intelligence as we know it does not exist on Mars?
00:43:36I'd say the chances against it are a thousand to one.
00:43:39Now, the smoke's spreading faster. It's reached Times Square.
00:43:47People are trying to run away from it, but it's no use. They're falling like flies.
00:43:53Now, the smoke's crossing 6th Avenue.
00:43:585th Avenue.
00:44:02100,000 yards away.
00:44:0650,000 feet.
00:44:1150,000 feet.
00:44:1350,000 feet.
00:44:1450,000 feet.
00:44:1550,000 feet.
00:44:1650,000 feet.
00:44:1750,000 feet.
00:44:1850,000 feet.
00:44:1950,000 feet.
00:44:2050,000 feet.
00:44:2150,000 feet.
00:44:2250,000 feet.
00:44:2351,000 feet.
00:44:2451,000 feet.
00:44:2551,000 feet.
00:44:2651,000 feet.
00:44:2751,000 feet.
00:44:2851,000 feet.
00:44:2951,000 feet.
00:44:3051,000 feet.
00:44:3151,000 feet.
00:44:3251,000 feet.
00:44:3351,000 feet.
00:44:3451,000 feet.
00:44:3551,000 feet.
00:44:3651,000 feet.
00:44:3751,000 feet.
00:44:3851,000 feet.
00:44:3951,000 feet.
00:44:4051,000 feet.
00:44:4151,000 feet.
00:44:42And, uh, anyone?
00:44:46Hey, Trish!
00:44:48Trisha!
00:44:50Trisha!
00:44:52Trisha, come here.
00:44:54I want to say something. Look, I just finished setting all these guys up.
00:44:56That guy's already gone.
00:44:58But, uh, do you want to see them all turn on at once?
00:45:00It's really cool.
00:45:02Okay, watch.
00:45:08Now, this one's really cool.
00:45:12Pretty fancy, huh?
00:45:16Trisha?
00:45:26Trisha.
00:45:28Trisha, look.
00:45:34Cool, huh?
00:45:36I don't know if I was still sleeping.
00:45:50But I found myself standing on the edge of the city.
00:45:54I saw a shadow.
00:45:56The vision I had earlier returned.
00:46:00I knew that I was amongst the wreckage of a craft.
00:46:02And I knew there was something else here.
00:46:04The vision I had earlier returned.
00:46:08I knew that I was amongst the wreckage of a craft.
00:46:10And I knew there was something else here.
00:46:12Something struggling to survive.
00:46:14I knew there was something struggling.
00:46:16Something struggling to survive.
00:46:20I knew there was something else here.
00:46:22Something struggling to survive.
00:46:24I knew there?
00:46:26I knew there was something else.
00:46:28I knew there was something else was inside.
00:46:30But I knew there was something else here now.
00:46:32And there was something else
00:46:46yeah hey it's me listen i'm leaving right now i traced those plates so we can go up to this house
00:47:03you want me to bring you a sandwich or something uh no no okay you all right yeah i'm fine
00:47:16so
00:47:24so
00:47:30so
00:47:36I don't know.
00:48:06I don't know.
00:48:36I don't know.
00:48:37I don't know.
00:48:38I don't know.
00:48:39I don't know.
00:48:40I'm leaving in a minute.
00:48:41Don't push me away, Jake.
00:48:43Alan and Larry were killed and I thought you should know.
00:48:45They were?
00:48:46Less than an hour ago.
00:48:47I don't think it would be a good idea.
00:48:54Don't you want to talk?
00:48:57This is a weird case.
00:49:04And I don't think it would be ethical if we met.
00:49:08Ethical?
00:49:09Oh, Jake.
00:49:10It's not a word you use very much.
00:49:16No, it's not, is it?
00:49:19You don't have to use words a lot to use them once in a while.
00:49:24That's true.
00:49:25Do I sound weird to you?
00:49:26How did they die?
00:49:27What are you really asking me?
00:49:28I sound like I always do, right?
00:49:31Yeah, Jake.
00:49:32You do.
00:49:33I gotta go, Louise.
00:49:34I gotta go.
00:49:35Forgive me.
00:49:36I gotta go.
00:49:37I gotta go.
00:49:38Forgive me.
00:49:39Jake.
00:49:41Yeah, Jake, you do.
00:49:46I gotta go, Louise.
00:49:49I gotta go.
00:49:51Forgive me.
00:50:05Jake.
00:50:07I know you're there.
00:50:09Pick up, baby.
00:50:11Pick up.
00:50:41Pick up, baby.
00:50:51Hi.
00:50:52Hi.
00:50:54I came up here this afternoon when I saw this at the time.
00:50:57What about it?
00:50:58I don't feel comfortable with anyone yet.
00:51:00What about Jake?
00:51:02What about Jake?
00:51:02I took Jake home.
00:51:05He's taking a nap.
00:51:06He wasn't feeling so good.
00:51:11So, uh, you grew up around here, huh?
00:51:13Yeah, I did.
00:51:16It's really nice.
00:51:17It's very beautiful.
00:51:20Yeah, I grew up right over.
00:51:22Over there.
00:51:24It's great.
00:51:25It's nice.
00:51:25It's great.
00:51:26I think Jake came up here.
00:51:44I got scared and killed it.
00:51:45He's taking his form.
00:51:47I don't know.
00:51:49Maybe it's some kind of trick.
00:51:50I don't know.
00:51:50It's too soon to tell.
00:51:51Okay.
00:51:54So?
00:51:55So I'm telling you because you're his friend.
00:51:57You work with him.
00:52:00He's acting weird.
00:52:01Like, he's...
00:52:02He's tired all the time.
00:52:03He's depressed.
00:52:05Frankly, I don't think he's fit to do his job.
00:52:08Look, um...
00:52:09Is there something going on between him and Louise?
00:52:12What does that have to do with anything?
00:52:14Well, he came up here alone today.
00:52:17That's against the rules.
00:52:18You're good for that one.
00:52:20Him and Louise might be angry with each other or something.
00:52:22I don't know.
00:52:24You know what I think?
00:52:25I think that you're overanalyzing everything.
00:52:27I mean, Jake came up here this afternoon.
00:52:30He did his job.
00:52:30I mean, look at this.
00:52:32Why are you so worried about us?
00:52:35Why don't you worry about yourself?
00:52:37Maybe you have a crush on Jake, too.
00:52:39No.
00:52:41Look, all I'm trying to say is I don't really trust Jake.
00:52:44Not like all you do.
00:52:45I mean, I know you guys are all friends.
00:52:46You work together.
00:52:48When the time comes,
00:52:49I just want you to back me up.
00:52:54Watch my back, okay?
00:52:55Please.
00:52:57How can you trust me?
00:52:58I mean, what if I can't control myself like what happened before?
00:53:03It's not you I'm worried about.
00:53:07It's Louise I'm worried about.
00:53:10Look, I'm...
00:53:11I'm going by my instincts.
00:53:14And my instincts usually serve me well.
00:53:16Maybe it's...
00:53:17Maybe it's not right.
00:53:18I don't know.
00:53:18Maybe being too safe.
00:53:19I don't know.
00:53:20But I trust you.
00:53:23Just watch my back, okay?
00:53:25Don't worry.
00:53:26Okay?
00:53:26I'm going to do my job.
00:53:28I'll watch your back.
00:53:30Okay?
00:53:31I'll watch your back.
00:53:32And...
00:53:32In life.
00:53:33Hey!
00:53:34I'll show you the best.
00:53:47Okay?
00:53:47Never.
00:53:48Hey!
00:53:49Hey!
00:53:49Hey!
00:53:49Hey!
00:53:49Take care!
00:53:51Woo!
00:53:52Hey!
00:53:52Hey!
00:53:52Hey man!
00:53:52Yeah!
00:53:53All right.
00:53:55Hey!
00:53:56Hey!
00:53:56Money!
00:54:27Okay, everybody, over there on the patio prepare for feats of amazing press, the digitation, follow me.
00:54:57Good evening, my dear friends. Before we begin, I must remind you that this is more than about a magic show on some pagan holiday known as Halloween.
00:55:15This is about the joining of two people in a beautiful union. Carl and Tricia were just married. So let's congratulate them, shall we?
00:55:32Terrific.
00:55:33Terrific.
00:55:35Now, what I'm wondering is who amongst you knows what it's like to be...
00:55:41...inhuman.
00:55:42Hello, Herman.
00:55:43Oh, hello yourself, Mr. K.
00:55:45And how are you today?
00:55:47Not bad for a guy who sleeps in a box.
00:55:49You don't like sleeping in a box?
00:55:51None of us dummies do.
00:55:53And why is that?
00:55:54Well, truth be told, it's cold and dark and scary.
00:55:58Oh, it's cold and dark and scary.
00:56:01Well, I feel bad for you, Herman.
00:56:04But you do understand that you're not human, don't you?
00:56:08Ha! That's what you think.
00:56:11Oh, you think that you are...flesh and blood?
00:56:16Well, tell me, how does this feel?
00:56:21Ow! I'm sorry.
00:56:25Now you seem to know your place.
00:56:27You must sleep in a wooden box.
00:56:30Now, just to make you feel a little better,
00:56:33why don't we see what it would be like to put...
00:56:37...a human being into a wooden box?
00:56:42Now I will scan the crowd for a willing victim...
00:56:47...subject, excuse me.
00:56:50And this young man over here has been watching me all night.
00:56:53Why don't you step up here, young man?
00:56:56Let's give him a little hand, shall we?
00:57:01What's your name, young man?
00:57:03Mark.
00:57:04Mark. And where are you from, Mark?
00:57:05Bellflower.
00:57:06Bellflower.
00:57:07Beautiful city.
00:57:08Beautiful city.
00:57:09Mark, are you afraid right now?
00:57:11Oh, I feel good.
00:57:12Do you know the word mesmerized?
00:57:15Yes.
00:57:16You understand that word?
00:57:17Uh-huh.
00:57:18I would like to keep everyone aware of the fact that what's about to happen is real.
00:57:25This man is about to be mesmerized.
00:57:27Look at me, Mark.
00:57:28Look at me, Mark.
00:57:29Look at me, Mark.
00:57:30Look at me.
00:57:31Look at me.
00:57:32I'm too late.
00:57:33I'm too late.
00:57:34I'm too late.
00:57:35I'm too late.
00:57:36I'm too late.
00:57:37I'm too late.
00:57:38I'm too late.
00:57:39I'm too late.
00:57:40I'm too late.
00:57:41I'm too late.
00:57:42I'm too late.
00:57:43I'm too late.
00:57:44I'm too late.
00:57:45I'm too late.
00:57:46I'm too late.
00:57:47I'm too late.
00:57:48I'm too late.
00:57:49I'm too late.
00:57:50I'm too late.
00:57:51I'm too late.
00:57:52Everyone, Mark is now mesmerized.
00:57:57Mesmerized is a terrifying word.
00:58:00He can do anything we want him to now.
00:58:03Let's not take advantage.
00:58:07Do not be afraid.
00:58:10Do not panic.
00:58:12We are responsible for this person's life.
00:58:15Only we can bring him out of this state he's in.
00:58:21He's going to see what it is like to sleep in a box.
00:58:32I don't know this place.
00:58:35He's in here.
00:58:39Wait a sec.
00:58:41Hey!
00:58:47You want to tell me what's going on?
00:58:50I'm sorry.
00:58:52Jake, you okay?
00:58:53Yeah, I'm fine.
00:58:54I've just got to search this place.
00:58:57You sure?
00:58:59I know this place.
00:59:02I know it!
00:59:04Come on!
00:59:05Something!
00:59:06What's wrong with me?
00:59:07What's wrong with me?
00:59:09What's wrong with me?
00:59:11What's wrong with you?
00:59:12I'm okay.
00:59:13I'm going to have a look.
00:59:14I'm okay.
00:59:15I don't know it's.
00:59:16I'm so wrong.
00:59:17I'm so wrong.
00:59:18I'm so wrong.
00:59:19Yeah.
00:59:20I'm okay.
00:59:21I'm okay.
00:59:22I'm okay.
00:59:23I'm okay.
00:59:24I'm okay.
00:59:26I'm okay.
00:59:58Listen, Jake, I know we don't know each other very well, but if you've got some personal
01:00:12bums, if you talk to me, you know?
01:00:15Oh, man.
01:00:18Shit.
01:00:20Let's go check out this loser party.
01:00:33I want to see this trick, I want to see this asshole get buried.
01:00:37I want to see this asshole get buried.
01:00:50I want to see this asshole get buried.
01:00:56I want to see this asshole get buried.
01:01:09I want to see this asshole get buried.
01:01:15I want to see this asshole get buried.
01:01:30I want to see this asshole get buried.
01:01:34I want to see this asshole get buried.
01:01:49I want to see this asshole get buried.
01:01:53I want to see this asshole get buried.
01:02:08I want to see this asshole get buried.
01:02:12I want to see this asshole get buried.
01:04:01So, we need to search this place.
01:04:23Okay.
01:04:31Oh, Jacob, look at me, he's so scared.
01:04:51Okay, he wouldn't hurt anybody, he wouldn't, he wouldn't hurt anybody.
01:04:55Just get out of the way, man.
01:04:57Get out of the way, man.
01:04:59Get out of the way, man.
01:05:00Get out of the way, man.
01:05:01He's like a baby.
01:05:02Move out of the door.
01:05:03He's like a baby.
01:05:04Jake.
01:05:05Please.
01:05:06Man, get out of the way.
01:05:07Don't.
01:05:08Jake.
01:05:09He's like a baby.
01:05:10Jake.
01:05:11Jake.
01:05:12Jake.
01:05:13Jake.
01:05:14Please.
01:05:15I don't want him to do this.
01:05:17He doesn't want him to die.
01:05:19He can't.
01:05:20Okay.
01:05:21Okay.
01:05:22Okay.
01:05:23Okay.
01:05:24Okay.
01:05:25Okay.
01:05:26Okay.
01:05:27Okay.
01:05:28You okay?
01:05:29Okay.
01:05:30It's okay.
01:05:31It's all right.
01:05:32Just come here.
01:05:33Come here.
01:05:34Come on.
01:05:35It's all right.
01:05:36It's all right.
01:05:37It's all right.
01:05:38It's all right.
01:05:39It's okay.
01:05:40You okay?
01:05:41It's okay.
01:05:42Alright. It's okay.
01:05:44You okay?
01:05:46It's okay.
01:05:48It's okay.
01:05:50Come here.
01:06:00You are so fucking soft, you know that?
01:06:04You're soft and weak, just like she was.
01:06:06Just do your fucking job and be a man!
01:06:10You know, I've had my doubts about you.
01:06:14You know, you're...
01:06:16You're either an alien
01:06:18or a faggot.
01:06:20Both, I don't know.
01:06:22Don't...
01:06:24Fucking...
01:06:25Threaten me.
01:06:33Then do your fucking job.
01:06:40You're crazy.
01:06:42Yeah.
01:06:43Right in here.
01:06:44Yeah!
01:06:46Yeah!
01:06:48Yeah!
01:06:50So, well...
01:06:51Go, go, go!
01:06:52Go, go, go, go!
01:06:53Go, go, go!
01:06:54Go, go, go!
01:07:16Ah!
01:07:21I finally understood
01:07:37and I hated myself.
01:07:51Don't do it, Jake.
01:08:06I changed, huh?
01:08:08I'm not me anymore.
01:08:21You're one of them, aren't you?
01:08:26You're one of them.
01:08:33I changed, huh?
01:08:51Please, I know you both were soft.
01:08:58I didn't think you were this pathetic.
01:09:00Why are we, Phil?
01:09:02Why are we?
01:09:03Stop it, Louise.
01:09:04He's right.
01:09:05I'm not me.
01:09:06I've changed.
01:09:08Something happened to me in Malibu.
01:09:11There's no point in blaming Phil.
01:09:14It was me that was there.
01:09:16I wasn't looking at an alien.
01:09:19I was the alien.
01:09:21And I was looking at myself.
01:09:24I know you love me, Louise.
01:09:27And that's why you'll kill me.
01:09:29You can't let me live like this.
01:09:31You can't let me live like this.
01:09:33You can't let me live like this.
01:09:35You can't let me live like this.
01:09:36Jake, shut up.
01:09:37You can't.
01:09:38Shut up, Jake.
01:09:40I know what happened in Malibu.
01:09:42You did have backup.
01:09:44I sent the new guy in.
01:09:46He got there after you left.
01:09:48Didn't you, Phil?
01:09:50You killed Larry and Alan.
01:09:53Now you're trying to destroy Jake.
01:09:59What did you say before, Phil?
01:10:02My mind was clouded.
01:10:08It almost worked.
01:10:13I tried.
01:10:14Yeah, you sure did.
01:10:16Why?
01:10:17Because I could.
01:10:21Because I needed you to survive.
01:10:23What's sad is that you never protected anyone but yourself.
01:10:29I guess that's a law in the universe, somehow.
01:10:33How about.
01:10:37You make me sick.
01:10:40It's gonna feel good to kill you.
01:10:42You, Hal.
01:10:43Yeah.
01:10:44I can feel you.
01:10:45I can feel your finger.
01:10:47I can feel your finger against the trigger.
01:10:48You can't hurt me.
01:10:49You don't want to hurt me.
01:10:50Please listen to me.
01:10:51Oh, Louise, I can feel your finger.
01:11:01I can feel your finger against the trigger.
01:11:04You can't hurt me.
01:11:06You don't want to hurt me.
01:11:08Louise, listen to me.
01:11:11I can feel your finger on the trigger, Louise.
01:11:16You don't want to shoot me.
01:11:21You don't want to shoot me. I just want to live.
01:11:23I deserve to live.
01:11:25I deserve to live.
01:11:26I deserve to live, don't I?
01:11:51I deserve to work.
01:12:14I deserve to live.
01:12:15I deserve to live.
01:12:16I deserve to live.
01:12:18Woo!
01:15:18I can't let you do it.
01:15:28Yeah, you can.
01:15:30Things are changing around here, Jake.
01:15:37It's time to get a new job.
01:15:39Not me.
01:15:43This is all I can do.
01:15:48It's that hate to think that this is the only thing that can make you happy.
01:15:51Whatever gets you through the day, right?
01:16:04Whatever gets you through the day, right?
01:16:10Yeah.
01:16:14I guess so.
01:16:19Thanks.
01:16:23Thanks.
01:16:49I'm so książ is something.
01:17:05I'm sorry.
01:17:06I'm sorry.
01:17:08I'm sorry.
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