- 14 hours ago
An Adventure in Space and Time (2013) is an engaging film that tells the story behind the creation of a beloved television series. It follows the journey of the team as they bring imaginative ideas to life, highlighting creativity, collaboration, and dedication. With memorable performances, thoughtful storytelling, and behind-the-scenes insights, the film captures the excitement of innovation and the challenges of turning ideas into reality. Its accessible narrative and fascinating portrayal of a creative process provide an entertaining and inspiring experience for audiences of all ages.
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An Adventure in Space and Time, An Adventure in Space and Time 2013, television history film, creative journey movie, behind the scenes story, classic TV series film, inspiring story, imaginative storytelling, character driven film, memorable performances, audience friendly movie, accessible storytelling, creative process film, collaborative story, engaging narrative, thoughtful movie, entertaining behind the scenes, iconic television story, safe for all ages, inspiring creative journey, classic media film, innovation story, engaging TV history film, family friendly movie, educational storytelling, inspirational movie, historical TV story, creative team adventure, fascinating narrative, character focused film
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CreativityTranscript
00:00:01This is the BBC. The following program is based on actual events.
00:00:07It is important to remember, however, that you can't rewrite history.
00:00:11Not one line.
00:00:13Except, perhaps, when you embark on an adventure in space and time.
00:00:30That could never be the only one.
00:00:44To be continuedavering.
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00:02:16I'M NOT READY
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00:03:42Can I see your pass, sir?
00:03:59Oh, come on, Harry.
00:04:00You know my fate.
00:04:01That's just my visa.
00:04:02Sidney Newman.
00:04:03Losing the name.
00:04:05Better than Andy Mugshot.
00:04:06Still need to see your pass, sir.
00:04:09Out of hell with it.
00:04:10That's not the way we do things at the BBC, sir.
00:04:16You don't say.
00:04:40So, we've got a great big thumping audience for grandstand, but we lose them before the teeny boppers tune in for jukebox jury, right?
00:04:48Right.
00:04:48Correct.
00:04:49We've got a gap to plug.
00:04:50Twenty-five minutes.
00:04:52How about another Dickens?
00:04:53Oh, fossilized, Mervyn.
00:04:55Fusty.
00:04:56Frusty.
00:04:57And all less polite words beginning with F.
00:05:00I've got a word for you, though.
00:05:01Fun.
00:05:02Fun.
00:05:02You heard of fun, Mervyn?
00:05:04Something else you brought with you from ITV?
00:05:06I hope so.
00:05:07I certainly hope so.
00:05:08We need stuff to keep the sports fans hooked, and the kids, too.
00:05:13Competitive tiddlywinks.
00:05:14You know what I'm talking about.
00:05:16Science fiction.
00:05:17Is it really that popular?
00:05:18It was.
00:05:19Last time I took a look.
00:05:21With juvenile boys, perhaps.
00:05:24I like it.
00:05:26Let's have a wonderful time.
00:05:28Let's have a wonderful time.
00:05:31Come on, everybody, and let's have a wonderful time.
00:05:35She thought the balloon had gone up.
00:05:37What?
00:05:38She thought we'd all had it.
00:05:40Cuba.
00:05:41No point in holding back if the missiles started flying.
00:05:45So she put it about a bit.
00:05:46Not.
00:05:47So, what did they say?
00:05:54You're only a production assistant, dear.
00:05:56It's a bit of a leap.
00:05:58I'm giving myself a year, Jackie.
00:06:00Get on in television or get out.
00:06:02Oh.
00:06:03Look, what do I know?
00:06:05I spend my time trying not to bump into the cameras.
00:06:08But don't pack in yet, Verity.
00:06:10Softly, softly, eh?
00:06:12You've got a...
00:06:13What?
00:06:14Red bar.
00:06:14Oh, red bar.
00:06:17Oh, Lord, it's on, isn't it?
00:06:20What?
00:06:21The space shot.
00:06:22The Soviets.
00:06:22Valentina, what's it?
00:06:25First woman in space.
00:06:27God, yes.
00:06:28And there she is, Valentina Pereshkova, looking appropriately enough on top of the world.
00:06:41The first woman in space, a major triumph there with the Soviet Union in the ever-escalating space race.
00:07:00Let's go, wait.
00:07:01Please, please.
00:07:01We've been waiting for my children for you.
00:07:04Hello?
00:07:05Verity, Sydney.
00:07:06What?
00:07:07Sydney.
00:07:08Sydney.
00:07:09Hello, stranger.
00:07:11Do you know anything about children, Verity?
00:07:13Not a thing.
00:07:14we want to do a science fiction serial legitimate stuff though no tin robots or
00:07:21BEMs BEMs bug-eyed monsters you know mutations and death rates brains in a
00:07:28glass jar that kind of crap it's gonna run all year long so good-looking guy
00:07:33good-looking gal the kid who gets herself into all kinds of trouble plus
00:07:38an older man quirky I'll come back to him they travel about space and time
00:07:43getting into scrape that's a lovely idea you know me we want history to proper
00:07:52history the kids at home we should learn something what about the other man the
00:07:57quirky character he's a doctor a doctor he should be a doctor don't you think
00:08:03maximum authority for you it's all kind of reassuring
00:08:08so what do you think look Sydney I would love to work with you again really I would it's just
00:08:19I gave myself a year get on in TV or get out hey hey hey I don't want you to be my assistant again
00:08:29kid I want you to produce produce it produce it sure they've never had a
00:08:38female producer here sit down you're just what this place needs someone with piss and
00:08:45vinegar in their veins thanks I think I did a show called pathfinders for ITV you see it
00:08:52um we had an old guy as the hero grumpy old guy that's what we want here
00:08:59no one wrong since you last asked all right five minutes ago all right all right you've only been
00:09:29out of work a couple of weeks well I'm not built for lazing around am I got a graft or I'll go
00:09:34round a twist what about that play another ruddy army part no fear nope it's all they ever offer me
00:09:42crooks and perishing sergeant majors well that's how the casting people see you isn't it love authority
00:09:48figures my grandfather's a funny and don't do that he's got to face like if it could any and stop it
00:09:59bloody rubbish you're not in front of duty my grandfather's a funny and I said stop it
00:10:07why are you so grumpy grandpa what what's gonna do with you silly girl
00:10:14duty duty pooty darling for goodness sake bill go after her I've told the girl once what's wrong
00:10:24where the cloth is don't you like being successful that's not success I'm legitimate a legitimate
00:10:33character actor of the stage and film this is variety
00:10:37I only asked
00:10:42so
00:10:47so
00:11:19What about Leslie French?
00:11:32He'd be marvelous.
00:11:33He's working with Visconti.
00:11:35He gave us a polite no.
00:11:38Cyril Cusack?
00:11:39A less polite no.
00:11:43Can I help you?
00:11:44I think you're in my office.
00:11:46That's a rather interesting way of looking at it.
00:11:49I'm rather an interesting person.
00:11:51I don't doubt it.
00:11:53Rex Tucker, I'm looking after Doctor Who.
00:11:56Pending the appointment of the permanent producer.
00:12:00Oh, is he with you?
00:12:02You're looking at him.
00:12:03I keep coming back to Hugh David.
00:12:08Who?
00:12:09He was in Night Errant on ITV.
00:12:11Lovely actor.
00:12:14Not old enough for the Doctor, surely.
00:12:16Well, we don't want Grandpa Moses, do we?
00:12:18We need someone who can play older.
00:12:20The shooting schedule is going to be pretty punishing.
00:12:23I've got some ideas.
00:12:24I'll call Hugh, see what he thinks.
00:12:25I'd rather you didn't.
00:12:26Is that a fact?
00:12:27Waste of time.
00:12:30We need someone like Frank Morgan in The Wizard of Oz.
00:12:33He's dead.
00:12:34Rex.
00:12:35And American.
00:12:36I said like.
00:12:39Perhaps we should all, um, sleep on it.
00:12:43After all, it took the months to find Scarlet O'Hara.
00:12:46Dear lady, may I have a word?
00:13:11Hello?
00:13:13Yes?
00:13:16Is it right you were Sydney's production assistant on the other channel?
00:13:28Yes.
00:13:29So this is quite a promotion.
00:13:31Apparently.
00:13:33Man to ruffle a few feathers.
00:13:35If feathers don't ruffle, nothing flies.
00:13:39This show's going to be a terrific challenge, you know.
00:13:43Outer space, time travel.
00:13:44Well, in this first script, they go back to the Stone Age.
00:13:48You're going to need all the help you can get.
00:13:51So, Rex is going to act as a sort of mentor to you.
00:13:55A ship can't have two captains?
00:13:58Dear lady.
00:13:59Please don't call me that.
00:14:01Sorry.
00:14:02And what about you, Mervyn?
00:14:05What's your function?
00:14:07I'm going to be your sort of technical boffin.
00:14:10Help you through the mire of all this.
00:14:16Sydney obviously thinks he's got the right person for the job.
00:14:19That's what he wants for Doctor Who.
00:14:21Someone with piss and vinegar in their veins.
00:14:23Did he say that?
00:14:25He's very blunt.
00:14:26Yes.
00:14:29Look, all I'm saying is, dear li...
00:14:31Verity.
00:14:34All I'm saying is, experience is not a dirty word.
00:14:40Don't fight us.
00:14:41Perhaps you could add a few drops of warm beer in with your, um...
00:14:45Piss and...
00:14:46...mixture.
00:14:48Just for the time being.
00:14:49Ah, we'd better clear out.
00:14:53We'll have the news team in here.
00:14:55That's clever.
00:14:57So they don't have to look down at their words all the time.
00:15:00Yeah.
00:15:01Quite a wheeze.
00:15:03Someone will make a fortune out of that.
00:15:05I suppose so.
00:15:07Shame I didn't get to the patent office faster.
00:15:10Why?
00:15:12I invented it.
00:15:13Well, have a look at it, Bill.
00:15:22It certainly sounds different.
00:15:25And it's an old man's heart, you know.
00:15:27Oh, is it?
00:15:28Yeah.
00:15:28Yeah, it's like the sporting life.
00:15:31Well, I...
00:15:31I love playing over.
00:15:34I know.
00:15:36Well, what next?
00:15:39Ollie's going to set up a meeting,
00:15:40and he sounded ever so upbeat on the phone.
00:15:44He says it's a smashing roll.
00:15:46Oh.
00:15:48B-B-C.
00:15:49Yeah.
00:15:50Yeah.
00:15:52And it's for kiddies.
00:15:55Come on, Stumpy.
00:15:56Come on, Stumpy.
00:16:00Size of the wire.
00:16:0117.
00:16:0217.
00:16:02Off to Madam Bovary.
00:16:16Well, I'm sure he'll be happier away from us.
00:16:20Any news from the design department?
00:16:22Not being very helpful, I'm afraid.
00:16:25What is this?
00:16:27What are we going to do with this?
00:16:28Stone Age man going, ugh.
00:16:30It's crazy.
00:16:31Cavemen and doctors and disappearing bloody police boxes.
00:16:35What is this?
00:16:35You're saying our director.
00:16:37Verity.
00:16:39Hi.
00:16:39What have you just been working on?
00:16:42Uh, compact.
00:16:43Oh.
00:16:44High art indeed.
00:16:48Shut up.
00:16:49Don't people say, ugh, in compact?
00:16:51Frequently.
00:16:52Mostly after a liquid lunch.
00:16:54Look, the cavemen script is the only one ready to go.
00:16:57We have to start with it.
00:16:58Right.
00:16:58And where are we shooting?
00:17:00Lime Grove.
00:17:02Studio D.
00:17:03Oh, God, not there.
00:17:06We can't do anything there.
00:17:07It's a broom cupboard.
00:17:08It's smaller on the inside.
00:17:11It's the wrong shape, and the sprinklers go off when it gets hot.
00:17:15Well, you'll make it brilliantly, won't you?
00:17:18Oh, I see.
00:17:19Simple as that.
00:17:21It'll never work.
00:17:22When do we start?
00:17:37Excuse me.
00:17:40Excuse me.
00:17:43Hello?
00:17:44Yes, sir?
00:17:45Gin and tonic and a pair of mugs.
00:17:46Vodka and tonic and a red wine, please.
00:17:48I'm sorry, love.
00:17:49I'm serving you.
00:17:49Vodka and tonic and a red wine, please.
00:17:52Vodka tonic, red wine.
00:17:56I'd have been stood here all night.
00:18:00We are all strangers in a strange land.
00:18:04Very profound.
00:18:05Isn't it?
00:18:07You'll find I'm generally pretty profound.
00:18:10I wish I had your front.
00:18:12I wish I had your behind.
00:18:13Shh.
00:18:13It's like a little peach.
00:18:14Shut up.
00:18:19Don't be fooled, worries.
00:18:22That's all it is.
00:18:23Front.
00:18:24Inside, I'm shaking like a leaf.
00:18:26I'm here by the skin of my bloody tea.
00:18:29First Indian director this place has ever had.
00:18:32So we've got to stick together, haven't we?
00:18:34Make our little show work.
00:18:36That'll teach them.
00:18:37Who?
00:18:38The old guard.
00:18:39This sea of fag smoke, tweed and sweaty men.
00:18:46Not that I'm knocking sweaty men.
00:18:49I should hope not.
00:18:51Listen, I overheard a couple of old horrors standing by the tea.
00:18:56They said, well, she didn't get here standing up, did she?
00:19:01Sydney's a bit of fluff, am I?
00:19:02No, that seems to be the impression.
00:19:04And how else could you get a promotion like this?
00:19:06A promotion like what?
00:19:08I'm trying to recreate the Stone Age with airfix glue and bloody baker foil.
00:19:12We're trying to.
00:19:13Yes.
00:19:14Yes.
00:19:14Sorry.
00:19:15Well, here's to us.
00:19:17Well, here's to us.
00:19:18The posh wok.
00:19:20And the pushy Jewish bird.
00:19:22L'chaim.
00:19:24Cheers.
00:19:25Cheers.
00:19:26We could have our own series.
00:19:28We do.
00:19:28I don't want any of this muck.
00:19:33Thanks very much.
00:19:34I'll have a drink.
00:19:35Right.
00:19:37You the director, son?
00:19:39Yes.
00:19:40Hardly out of the cradle, the pair of you.
00:19:42Right.
00:19:43Let's talk turkey.
00:19:45I'm not sure about this.
00:19:47Not sure at all.
00:19:48No?
00:19:48Apart from anything else, I don't want to take on another long run.
00:19:51Had enough of that on the army game.
00:19:53Nearly killed me.
00:19:54Would you like to order some drinks?
00:19:55Bloody rep.
00:19:56Whiskey and soda.
00:19:57Choppy, choppy.
00:19:58Yes, sir.
00:19:58Now, whose idea was all this?
00:20:01That fellow from ITV?
00:20:02Sidney Newman, yes.
00:20:04But so many people have been at the birth of the thing.
00:20:06We'd be here all day.
00:20:12Tell me about the characters.
00:20:14Two school teachers, Ian and Barbara.
00:20:17They're intrigued about one of their pupils, a young girl called Susan.
00:20:21She seems to have impossible knowledge for a girl from 1963.
00:20:26So, the school teachers follow her home.
00:20:28But home is a junkyard.
00:20:31Yes, yes, yes.
00:20:32Scripps.
00:20:33I need to see Scripps.
00:20:34Oh, they're going wonderfully.
00:20:36Wonderfully.
00:20:38The BBC are really excited about the show.
00:20:42I mean, they're throwing everything at it.
00:20:45State-of-the-art facilities.
00:20:47How do they get about?
00:20:48A flying saucer or something?
00:20:50Ours is a space and time machine that can blend in with its background.
00:20:55What, you mean it's covered in invisible paint or something?
00:20:58No, no, no, no.
00:20:58It adapts to suit its environment.
00:21:00It gets stuck in one shape.
00:21:02A police box.
00:21:03Police box.
00:21:04How gorgeous would that be?
00:21:06An ordinary 20th century object on the surface of an alien planet.
00:21:10Fantastic.
00:21:11And the opening titles are like nothing you've ever seen.
00:21:15Yes.
00:21:15You see, if you point a camera down its own monitor, it creates the most wonderful shapes,
00:21:20patterns, like mirrors, endlessly reflecting, swooping and pulsing like butterfly wings.
00:21:26Maybe I could be in them.
00:21:28Just pop in front of the camera, would you, Tony?
00:21:31Let's see how that looks.
00:21:38Oh, Christ, no.
00:21:40That's terrifying.
00:21:42And wait till you hear the music.
00:21:44We're using the latest technology.
00:21:46How do you do it?
00:21:49Brian's house, Keith.
00:21:53What about the doctor himself?
00:21:56He's something like 600 years old.
00:21:58Looks like a senile old man, but he's tough.
00:22:01Tough.
00:22:01Tough and wiry like an old turkey.
00:22:03It's what you do so well, Mr Hartnell.
00:22:05Stern and scary.
00:22:08But with a twinkle.
00:22:10Trust me, Bill, you're perfect for it.
00:22:12No one will be able to resist you.
00:22:14Do you think so?
00:22:15C.S. Lewis meets H.G. Wells meets Father Christmas.
00:22:19That's the doctor.
00:22:20Doctor who?
00:22:37You're a brick for doing this.
00:22:39Contractually obliged, darling.
00:22:41No, no, I mean the show.
00:22:42You know, you'll all give it such gravitas.
00:22:48So, what do you make of him?
00:22:51No, I've always been a fan.
00:22:52Wonderful screen actor.
00:22:54And frightens the life out of me.
00:22:55Yeah, I think he's sweet.
00:22:57Bless him.
00:22:58Bless him?
00:22:59He's not as old as he looks.
00:23:00I'm a master by the touch.
00:23:02Jeff.
00:23:02Jeff.
00:23:05Are you okay?
00:23:06I'm scared to death.
00:23:08Me too.
00:23:09How about one with just a drink?
00:23:10Oh, well.
00:23:11Goodbye, real world.
00:23:13One more.
00:23:21Patience.
00:23:21I have the patience of a saint, but it's wearing very thin.
00:23:25And we need the inside of the TARDIS right now.
00:23:28I'm busy.
00:23:29I'll get your time machine when I can find the moment.
00:23:32Too busy for a children's program, is that it?
00:23:34Patience.
00:23:40If you could touch the alien sand and listen to the sound...
00:23:47Bugger!
00:23:49If you could touch the alien sand and hear the cry of strange birds...
00:23:54...and watch them wheel in another sky, would that satisfy you?
00:23:58Susan and I are cut off from our own people.
00:24:03But one day we shall get back.
00:24:06Yes.
00:24:07One day.
00:24:09One day.
00:24:11Who's Susan?
00:24:13My granddaughter.
00:24:15I'm your granddaughter?
00:24:17Yes.
00:24:18Yes, of course you are, darling.
00:24:20But she's my granddaughter in the story I'm doing on the television.
00:24:25I play a funny old man who lives inside a magic box.
00:24:28Like a jack-in-the-box, Sampa.
00:24:31A little like that, yes.
00:24:33But this is a machine in disguise.
00:24:37A time machine.
00:24:39Do you know how to fly a time machine, Sampa?
00:24:42Hmm?
00:24:43Oh, yes.
00:24:44Yes.
00:24:45Of course I do.
00:24:47You'll see.
00:24:48You'll see when I'm on the television.
00:24:50We'll be going back through history to meet kings and queens and...
00:24:55...oftidistant planets where the Doctor will have all kinds of adventures.
00:25:00The Doctor?
00:25:01He's the old man I'm playing.
00:25:04A Doctor?
00:25:06Does he make people better?
00:25:13No.
00:25:14Don't you think you're being rather high-handed young man?
00:25:17I have.
00:25:18You thought you saw a young girl enter the yard.
00:25:21You imagine you heard music or her voice.
00:25:24You believe she might be in there.
00:25:27Not very substantial.
00:25:28But why won't you help us?
00:25:30I'm not hindering you.
00:25:32You intrude here...
00:25:33He's tetchy as hell.
00:25:34...accusations and implications.
00:25:37If you both want to make fools of yourself,
00:25:39I suggest you do what you said you'd do.
00:25:41Go and ask a policeman.
00:25:43Bugger.
00:25:45Fetch!
00:25:46A policeman.
00:25:47Well, you nip off quietly in the other direction, I suppose.
00:25:50Come on, Barbara.
00:25:51What are you doing out there, Grandfather?
00:25:53Go back inside.
00:25:54Shut the door.
00:25:55Shut that door!
00:25:57Barbara!
00:25:58Okay.
00:25:59Okay, everyone.
00:26:00Fantastic.
00:26:01That's where we stop the tape and go inside the spaceship.
00:26:05When it's built.
00:26:06Okay, good.
00:26:07Well done.
00:26:08Everyone happy?
00:26:09No, I'm not happy.
00:26:11Not at all.
00:26:12Miss Lambert, a word, please.
00:26:14Coffee?
00:26:15Good idea.
00:26:18The set for the machine.
00:26:19Tardis, when is it arriving?
00:26:22There's...
00:26:23There's been a delay.
00:26:26No.
00:26:27It won't do.
00:26:28It just won't do.
00:26:29I don't know how I'm expected to cope with all the technical gibberish I have to spout without the bloody set to work on.
00:26:34I'm sorry, Bill.
00:26:35I need time to plot out all the buttons, you see.
00:26:40Buttons?
00:26:41On the controls.
00:26:43All those switches and dials.
00:26:45I need to know what they all do.
00:26:47What if I press something to open the doors and the next week I use it to blow us all up?
00:26:51You must see that.
00:26:53The children will spot it, you see, if we try and budge it.
00:26:57And we must discuss my character.
00:27:00Absolutely.
00:27:01He's too abrasive, too nasty.
00:27:03You see, where's that twinkle you talked about?
00:27:07The thing that made me so right for it.
00:27:10Oh, Sidney!
00:27:12Sidney Newman, Head of Drama.
00:27:14Let me introduce you to Mr. William Hartnell.
00:27:17Great!
00:27:18A doctor.
00:27:20Great choice.
00:27:22I'm a big fan.
00:27:23Big fan.
00:27:24Oh, thank you.
00:27:25But I do need to discuss the...
00:27:28What was that terrific war picture you were in?
00:27:31What was that?
00:27:32Well, I've done a few, uh, the way ahead.
00:27:35Yeah.
00:27:36Hell of a picture.
00:27:37You were sensational.
00:27:38Oh.
00:27:39Do you think so?
00:27:40Oh, yes.
00:27:41Absolutely extraordinary.
00:27:43Well, I, uh, I did get some very nice notices, yes.
00:27:49Oh, um, was that, uh, before or after Brighton Rock?
00:27:53Oh, before.
00:27:54Of course!
00:27:56You were in Brighton Rock!
00:27:58Wow!
00:27:59What a performance!
00:28:00Oh.
00:28:01Well.
00:28:03Well, very kind.
00:28:04It should have led to much bigger and better things, you know, but, um,
00:28:08I wasn't blessed.
00:28:10Not blessed?
00:28:11What the hell are you talking about?
00:28:13Of course you're blessed.
00:28:14You're gonna be Doctor Who, aren't you?
00:28:17Well, yes.
00:28:18Oh, perfect choice for my little show world.
00:28:21My idea, anyway.
00:28:22That's what I do.
00:28:23Ideas.
00:28:24One day I came into ITV.
00:28:25I got an idea, I said.
00:28:26The Avengers.
00:28:27What's it about, they said.
00:28:28How the hell should I know, I said.
00:28:29Well, what a title.
00:28:30Pop, pop, pop.
00:28:31You, sir, are gonna make a huge impact with this character.
00:28:33I am?
00:28:34Oh.
00:28:35Oh.
00:28:36Only a movie star could do it.
00:28:37So nuanced.
00:28:38So many layers.
00:28:39Well, you know, one tries.
00:28:41And these kids are perfect for it.
00:28:43You couldn't be in safer hands.
00:28:44Fun, energy, youth.
00:28:45Pop, pop, pop.
00:28:46Freaks.
00:28:47Thank you so much, Sidney.
00:28:48You've no idea what a difference it makes.
00:28:49Be a producer, Verity.
00:28:50You're a producer, Verity.
00:28:51I am.
00:28:52I am.
00:28:53I am.
00:28:54I am.
00:28:55Oh.
00:28:56Only a movie star could do it.
00:28:57So nuanced.
00:28:58So many layers.
00:28:59So many layers.
00:29:00Well, you know.
00:29:01One tries.
00:29:02And these kids are perfect for it.
00:29:03You couldn't be in safer hands.
00:29:04Fun, energy, youth.
00:29:05Pop, pop, pop.
00:29:06Freaks.
00:29:07Thank you so much, Sidney.
00:29:08You've no idea what a difference it makes.
00:29:11Be a producer, Verity.
00:29:13Find a way to deal with this stuff.
00:29:14That's it.
00:29:15Or are you out of your depth?
00:29:16John.
00:29:18What are you doing?
00:29:40What are you doing?
00:29:43Being patient?
00:29:44What?
00:29:45I can be very patient.
00:29:46You can't stay here.
00:29:47Now what shall we talk about?
00:29:48I've got all day.
00:29:49Oh, don't be ridiculous.
00:29:50The old curiosity shop.
00:29:51The Roman Forum.
00:29:52The Hanging Gardens of Babylon.
00:29:54Symphonies in pencil and ink.
00:29:55So surely you can turn your hand to my teeny little time machine.
00:30:01Just turn that blazing talent of yours to my little kiddie show.
00:30:04Who knows what might happen?
00:30:05Won't take you more than half an hour.
00:30:07You are a very trying woman.
00:30:08Then I'll get out of your hair.
00:30:09Maybe the muse will be with you.
00:30:14Maybe it will be the best thing you've ever thought of.
00:30:15Very well.
00:30:16Very well.
00:30:17Very well.
00:30:18Here.
00:30:19Here madam.
00:30:20Here's your bloody TARDIS.
00:30:21Here's your bloody TARDIS.
00:30:22TARDIS.
00:30:23Here.
00:30:24Here.
00:30:25Here.
00:30:26Here, madam.
00:30:27Here's your bloody TARDIS.
00:30:28TARDIS.
00:30:29TARDIS.
00:30:30Oh, how are you?
00:30:31It's so good.
00:30:32Oh, well...
00:30:33Have you seen your teeth in a row?
00:30:34This is not a lot of people.
00:30:35Not a bit of an old head.
00:30:36No.
00:30:37Not a bit, but, what is it?
00:30:38No?
00:30:39It's so good.
00:30:40Maybe the muse will be with you.
00:30:41Maybe it will be the best thing you've ever thought of.
00:30:42Very well.
00:30:43Very well.
00:30:44Here.
00:30:45Here, madam.
00:30:46Here's your bloody TARDIS.
00:31:00It's done rather well, isn't it?
00:31:11Ooh, the cupboard doors and into Narnia.
00:31:14Too bloody big.
00:31:15Take her apart from studio.
00:31:16Yes, my loved it.
00:31:17Yes?
00:31:18Yes, yes, Rose, I heard him.
00:31:20Can you pass me my script, please?
00:31:25Sorry, boys and girls.
00:31:27He says he won't have his teeth blacked out.
00:31:30Dougie, it's 100,000 BC.
00:31:33Yeah, I know.
00:31:34It's the tribe of gum.
00:31:35He says he got them whitened to get onto the temple.
00:31:38Well, does it matter?
00:31:39We only see his bloody shadow.
00:31:41I'll do it.
00:31:42What?
00:31:43I don't mind.
00:31:44I've already got Sam Feliz in my white front.
00:31:47It can't get much worse.
00:31:48Okay, stout man.
00:31:49I think we're sorted then, go.
00:31:51Thank you, Dougie.
00:31:53Red light, mail!
00:31:54Okay, into position, everyone.
00:31:56And roll to record in 15.
00:32:02God, it's hot in here.
00:32:04Anyone else hot?
00:32:05Yeah.
00:32:06Can we do something about the heat?
00:32:09I thought we'd be used to it.
00:32:11What?
00:32:12Nothing.
00:32:13Watch it, Arthur.
00:32:15Five minutes, chum.
00:32:16Then they turn the lights out.
00:32:18Them's the rules.
00:32:19Okay, everyone.
00:32:21Quiet, please.
00:32:22Quiet!
00:32:24Five.
00:32:25Four.
00:32:26Six.
00:32:27Three.
00:32:27Three.
00:32:41Okay, coming to camera one.
00:32:43On one.
00:32:45Okay, clear two.
00:32:46These people are known to you, I believe.
00:32:53What are you doing here?
00:32:55They're two of my school teachers.
00:32:57Is that your excuse for this unwarrantable...
00:33:00Unwarranted intrusion?
00:33:03You have no right to invite them here.
00:33:05I blame you for this, Susan.
00:33:07You wouldn't admit I'm going to that ridiculous.
00:33:09Coming on three.
00:33:10I want you.
00:33:11But grandfather, I...
00:33:12Is this really where you live, Susan?
00:33:14Yes.
00:33:15On three.
00:33:17Coming on one.
00:33:18It was just a box.
00:33:19On one.
00:33:21On three.
00:33:22Coming on two.
00:33:24You see, I knew this would happen.
00:33:26I'll...
00:33:27Move the camera.
00:33:28Get out of the cable.
00:33:29Move the bloody camera.
00:33:31I don't know what this, all right?
00:33:33That is the one we ever got.
00:33:35Now we are here.
00:33:36I'd just like to...
00:33:38I know this is absurd.
00:33:40The doors...
00:33:43What's happening to the doors?
00:33:44The TARDIS can go anywhere.
00:33:46The TARDIS.
00:33:47I don't know what you mean, Susan.
00:33:49I made up TARDIS from the initials.
00:33:52Time and relative dimensions in space.
00:33:55I thought you'd both realized when you came inside and saw the different dimensions...
00:33:58What's happening to the bloody doors?
00:34:03The thing that looks like a police box, stuck in a junkyard, can move anywhere in time and
00:34:10space.
00:34:12Oh, Susan, don't be refrigerating.
00:34:14This is a subject of this bullet.
00:34:15You are wonderful.
00:34:17You look like us.
00:34:18You sound like us.
00:34:20I was born in the 49th century.
00:34:32Covers.
00:34:36Everybody out.
00:34:38More on yet?
00:34:40Hey, anyone?
00:34:42I'm done with T.
00:34:43I wish I knew what bloody dimension I was in.
00:34:48Hello?
00:34:50Hello?
00:34:52Anyone?
00:35:03Know my child, we both know we can't let our secret loose into the world of the 20th century.
00:35:08But you can't keep the prisoners in!
00:35:10You can't keep us prisoners anywhere.
00:35:13I cannot let you go, Mr. Osie-Chunk.
00:35:15Whether you believe what you have been told is of no importance.
00:35:18You and your companion would be footprints to the time we were not supposed to walk.
00:35:23If I have to use force to get out of here, I will, you know.
00:35:26Maybe we've stumbled on something beyond our understanding.
00:35:29Oh, why did you come here? Why?
00:35:31Grandpa, no!
00:35:33No, you don't!
00:35:35Oh, stop it! Let him go!
00:35:37Let me go!
00:35:40Let's go to lunch.
00:35:43Let's go to lunch.
00:35:45Mmm.
00:35:48Mmm.
00:35:49Not hungry?
00:35:50Don't seem to have much of an appetite.
00:35:51I'm surprised.
00:35:52Not hungry?
00:36:03Don't seem to have much of an appetite.
00:36:06I'm surprised.
00:36:10We should fire the pair of you.
00:36:12Right.
00:36:14Take out the reference to the future time they've come from.
00:36:1849th century.
00:36:19It's too specific.
00:36:20It's Doctor Who, remember?
00:36:21And the old guy's too nasty.
00:36:24He should be cuter, funnier.
00:36:26And the kid needs to be cheeky too, like a regular teenager.
00:36:30Did you like any of it?
00:36:31Not much.
00:36:32Hate the opening titles.
00:36:34You're joking.
00:36:35Too weird.
00:36:35It's sensational just because it's new.
00:36:38Hey, hey, I like new.
00:36:39I do new, remember?
00:36:43It's too scary for the kids.
00:36:46I thought we were trying to scare them.
00:36:48Scare them, not traumatize them.
00:36:50Change it.
00:36:52Over my dead body?
00:36:54It can be arranged.
00:37:01It'll cost.
00:37:03And they'll crucify me for it.
00:37:05What?
00:37:06Do the whole thing again.
00:37:08I'm not right for the path.
00:37:15Bill.
00:37:15Just not right for it.
00:37:17It isn't me.
00:37:18It isn't me at all.
00:37:19Bill, listen to me.
00:37:20Sidney thought it was good.
00:37:23He's over the moon.
00:37:24I let you down.
00:37:26Well, you let me down.
00:37:29You were right.
00:37:33You were so right.
00:37:34Look, we've made the doctor too abrasive.
00:37:36We need much more of you in him.
00:37:38Much more charm and warmth and twinkle.
00:37:42You knew it.
00:37:43I couldn't see it.
00:37:44I'm sure you've got the right man.
00:37:47Of course I am.
00:37:54I'm frightened, you see.
00:37:56I've never really done anything like this before.
00:38:00The pressure, the schedule, and all those ruddy words.
00:38:06I'm here for you, Bill.
00:38:13Promise?
00:38:16Every step.
00:38:27Right.
00:38:31I've got to tell the others now.
00:38:33Time and tide wait for no many.
00:38:35Time and space, Bill.
00:38:38And they wait for no woman either.
00:38:50I'm not hindering you.
00:38:52If you both want to make fools of yourselves,
00:38:54I suggest you do what you said you'd do.
00:38:57Eclare three.
00:38:59Eclare three.
00:39:01In shot two.
00:39:03Tide one two.
00:39:05I want to see your faces when you try and explain away your behaviour to a policeman, Chesson.
00:39:11Chesson, we're going to find one.
00:39:13He got the name wrong.
00:39:14Can we go back?
00:39:16Can we go back?
00:39:17We've already stopped recording three times.
00:39:19Any one more edit allowed, son?
00:39:21Thank you, Mervyn.
00:39:21Barbara!
00:39:22Four edits in a whole show.
00:39:23Young man!
00:39:24It's so bloody primitive.
00:39:26Young man, speak truth.
00:39:27BBC equipment from Stonehenge.
00:39:29We have no choice, do we?
00:39:30Onwards, Warris, onwards.
00:39:32Okay, stand by on one.
00:39:33Oh, no, Barbara!
00:39:35Let me help!
00:39:36Let me through.
00:39:36Get back to the ship, child!
00:39:44It could be anywhere.
00:39:46Dear, dear, dear, dear.
00:39:47It's of no help to us at all.
00:39:49I suggest before we go outside and explore,
00:39:52let us clean ourselves up.
00:39:54Okay.
00:39:54What does the radiation read, Susan?
00:39:58It's really normal, grandfather.
00:40:12Okay, good.
00:40:14I'll tell them we can make the transmission date.
00:40:20How are the other scripts coming along?
00:40:22Your Canadian pal is doing us one about Marco Polo.
00:40:25Terrific!
00:40:26That's more like my brief.
00:40:27Get the kids hooked on real history.
00:40:29We're also trying one of Tony Hancock's writers, Terry Nation.
00:40:32You got a script?
00:40:33Yes, it's good.
00:40:34What's it about?
00:40:35Robots.
00:40:36No.
00:40:37No, no, they're not robots.
00:40:39Rule one.
00:40:40No robots.
00:40:41Rule two.
00:40:42No bug-eyed monsters.
00:40:43I know, but I promise you they're not.
00:40:45It's a really interesting story.
00:40:46Set on a distant planet after a nuclear war.
00:40:49Okay, okay, whatever.
00:40:50Send it straight up to me.
00:40:52Then we'll see.
00:41:00Oh.
00:41:02This time in a few weeks, episode one will have aired.
00:41:06Hmm.
00:41:09Braveheart, darling.
00:41:10I think you'll be a smash.
00:41:12Fingers crossed.
00:41:13We could do with a bit of luck.
00:41:14Hideous, machine-like creatures.
00:41:32A lens on a flexible shaft.
00:41:34Axe, as an eye, you will move ahead of us and follow my directions.
00:41:48Ian breaks away and dashes for it.
00:41:51Exterminate.
00:41:57Exterminate.
00:42:01Exterminate.
00:42:01It is with deep regret that we announce that President Kennedy is dead.
00:42:16He was shot down as he was driving in an open car through the city of Dallas, Texas.
00:42:21The identity of the assassin remains unconfirmed at this time.
00:42:26It was very good, Bill.
00:42:44And now we return to the news.
00:42:48Vice President Lyndon Johnson was yesterday sworn in as the 36th President of the United States
00:42:55following the assassination of John Fitzgerald Kennedy in Dallas.
00:43:01They'll all be watching the news.
00:43:03Because the is a new deal.
00:43:04It's a new deal.
00:43:06We've been trying to save those flags.
00:43:06Yes, thanks, sir.
00:43:07God bless you.
00:43:07God bless you.
00:43:08God bless you.
00:43:09Christ.
00:43:09God bless you.
00:43:16We've got our own horse.
00:43:25We die.
00:43:26She's way over budget.
00:43:39No, no.
00:43:40It's more than that.
00:43:42I'm afraid Miss Lambert
00:43:44doesn't know what she's doing.
00:43:47First cavemen.
00:43:49Now these silly robots.
00:43:52What are you saying?
00:43:53That you're not to do any more than these four episodes
00:43:56you've already got in production.
00:43:59Kill it, Sidney.
00:44:02Kill Doctor Who.
00:44:07They're right in the village where I live down there.
00:44:11Reviews were respectable.
00:44:13Uh-huh.
00:44:14Ratings too respectable,
00:44:16considering what happened.
00:44:23Sidney wants to see you, Verity.
00:44:26It's my fault I promoted you too soon.
00:44:50I don't much like the way the show's going.
00:44:53First, goddamn cavemen.
00:44:55No choice.
00:44:56And then these Daleks.
00:44:58Daleks.
00:44:59Exactly what I wanted to avoid.
00:45:01Cheap jack, science fiction trash.
00:45:03Have you read the script?
00:45:04Yes.
00:45:05Really?
00:45:05Well, enough to know garbage when I see it.
00:45:07Jesus, door locks.
00:45:09Daleks.
00:45:10Whatever.
00:45:11Bug-eyed...
00:45:11They're not bug-eyed monsters.
00:45:14They used to be like us.
00:45:16Radiation has made them retreat inside these impregnable metal shells.
00:45:20And now they hate everything that isn't like them.
00:45:23All they know how to do is lash out.
00:45:25The Doctor and his friends turn up and try to make them see differently.
00:45:28To understand other people and make peace.
00:45:31It's good stuff.
00:45:32It's strong stuff, Sidney.
00:45:34And I really, truly believe in it.
00:45:38Well, I wanted someone with piss and vinegar.
00:45:45Look, I think we've got something really special here, Sidney.
00:45:49A knockout.
00:45:50We've just got to hold our nerve.
00:45:54Okay.
00:45:54I'll talk to the high-ups.
00:46:08And I want to repeat.
00:46:10What?
00:46:11On Saturday.
00:46:13Repeat episode one before episode two.
00:46:15No one was watching because of the assassination.
00:46:17Oh, I see.
00:46:19This is Kennedy's fault.
00:46:21We deserve a fair crack of the whip, Sidney.
00:46:23You better be right about these Daleks.
00:46:29Let me be very clear, young lady.
00:46:32Your neck's on the block.
00:46:44Yeah, come on.
00:46:45Get a move on.
00:46:46Looks like a rabbit hutch in here.
00:46:50I'm asleep.
00:46:51Okay.
00:46:51What the hell's that?
00:47:04Monster for the next story.
00:47:07What, a sink puncher and an egg whist?
00:47:10Oh, well.
00:47:11They can't take over the universe.
00:47:12Might be able to whip up a decent omelette.
00:47:14Rolls are recorded in 15, 14, quiet please, everyone.
00:47:2910, 9, 8, 7, 6, 5, 4, action.
00:47:39You will move ahead of us and follow my directions.
00:47:48On two.
00:47:48On two.
00:47:49Immediately.
00:47:51Tighter on one.
00:47:53They're tighter.
00:47:56Stand by one.
00:47:59On one.
00:48:01Near three.
00:48:04Stand by two.
00:48:06On two.
00:48:08I said, immediately.
00:48:15My leg.
00:48:16On two.
00:48:17My leg.
00:48:18Your legs are paralyzed.
00:48:21You will recover shortly unless you force us to use our weapons.
00:48:27Eat that cake.
00:48:28Well, everyone.
00:48:30Meet the Daleks.
00:48:32They're creepy, aren't they?
00:48:36They're actually really creepy.
00:48:38Bring in the old sand.
00:48:40Now, listen up.
00:48:41Two hundred days of gold.
00:48:43The radiation count was 93.
00:48:45It is now 15 minutes.
00:48:48Michael!
00:48:49Dennis!
00:48:51Your tea's getting cold!
00:48:53Oh, I might think you want me to watch it so.
00:48:56Why are you suffering from radiation sickness?
00:49:02Why?
00:49:04Because we weren't aware of them until it was too late.
00:49:06That's why.
00:49:07The truth is that your supply of drugs has failed.
00:49:10And you came into the city to see if you could find more.
00:49:14Hells?
00:49:14Is he talking to that?
00:49:16We're not in hells or whatever we may call them.
00:49:18Can't you see we're very ill?
00:49:20You and your companions need a drug to stay alive.
00:49:25We have no gloves.
00:49:27Drugs.
00:49:28You said gloves.
00:49:30Eh?
00:49:32Yes, yes.
00:49:33I, uh, I did.
00:49:35Because the Daleks are nasty.
00:49:38And you were seen to have special gloves to touch them.
00:49:40I do not understand.
00:49:42Yes.
00:49:43Yes.
00:49:44Yes.
00:49:46You know things like that because you're Doctor Who.
00:49:50That's right.
00:50:02Exterminate!
00:50:03Exterminate!
00:50:04Exterminate!
00:50:05Exterminate!
00:50:06Exterminate!
00:50:07Exterminate!
00:50:08Exterminate!
00:50:09Exterminate!
00:50:10Exterminate!
00:50:11You and me, my prisoner!
00:50:12Exterminate!
00:50:13You won't believe what I saw on the bus this morning.
00:50:16It's thrilling.
00:50:17Cindy wants you, Verity.
00:50:42Exterminate!
00:50:45Exterminate!
00:50:5010 million viewers for your bug-eyed monsters.
00:50:5710 million.
00:51:01So, what do I know about anything?
00:51:04Well done, kid.
00:51:25A bus?
00:51:27What were you doing on a bus?
00:51:29Getting in touch with our audience.
00:51:32Our great, big, fat, enormous, bloody audience!
00:51:57Quickly, child. We're running out of time. Check the formicator.
00:52:01I can't locate you.
00:52:03Okay, I think we better hold it there, please.
00:52:07First positions again.
00:52:13Verity. Verity.
00:52:16Look at this. Just look at this.
00:52:19General de Gaulle. De Gaulle.
00:52:22What?
00:52:24No, no, no.
00:52:25We've really got some in here.
00:52:30They love us.
00:52:32We're walking back to happiness with you.
00:52:37Lovely stuff, this, you know.
00:52:40Shame it's not in colour.
00:52:42Come on.
00:52:43How much have I won?
00:52:44Er...
00:52:4635 elephants,
00:52:474,000 white stallions,
00:52:4925 tigers...
00:52:50And ten bob, you old devil.
00:52:52Right.
00:52:53Make up an early done with Cublican's digit,
00:52:55so we best press on.
00:52:57What do you think?
00:52:58Oh.
00:52:59Oh.
00:53:00Very swish.
00:53:01Do you like it?
00:53:02Gorgeous, Carol.
00:53:03I wonder if you're going to let me buy it.
00:53:05Turn a few heads on the King's Road.
00:53:07Oh, God.
00:53:09Something in matter, Bill?
00:53:11You should be more careful, sweetheart,
00:53:13throwing your money around like that.
00:53:16It's an insecure profession, you know.
00:53:18We should all bear that in mind.
00:53:20Fancy anything at Newmark here, Bill?
00:53:22Oh.
00:53:23You know what I mean.
00:53:24I'm just saying.
00:53:25Splashing out on you togs all the time,
00:53:26you don't know you're already born.
00:53:28I'm not a child.
00:53:30I'll spend it how I like.
00:53:37You're all right, of course, Bill.
00:53:39None of us knows how long this is going to last.
00:53:42No one's irreplaceable.
00:54:04Who told you that?
00:54:05Well, everyone mentions it.
00:54:06So you didn't go to ride?
00:54:08Rodine, darling.
00:54:10Hey.
00:54:11The girls' school.
00:54:12Must have been a typo on my CV.
00:54:14I've not got the heart to tell CV.
00:54:16Bill, thank you so much for the blower.
00:54:20Sorry to see you go, son.
00:54:22So what's next for you?
00:54:23I've been offered a passage to India.
00:54:25One way?
00:54:26Bill, I hope you never change.
00:54:29Bill, Bill, come on.
00:54:31The car, please, everybody.
00:54:32For the hush, ladies and gents.
00:54:33Oh, yeah.
00:54:34For the hush, ladies and gents.
00:54:37Sure you won't stay?
00:54:38Oh, come on.
00:54:39Do some more with us?
00:54:40The past is new.
00:54:42It's been a bloody blast, Verity.
00:54:44Couldn't have done it without you, darling.
00:54:46Shoulder to shoulder.
00:54:47I saw you interfering with some dials only last night.
00:55:02So I've decided to show you all the things that you mustn't touch under any circumstances.
00:55:06What the bloody hell is it?
00:55:21Hello, my darling.
00:55:26What do you think?
00:55:27Drills galore.
00:55:34Full-size, real-life Dalek play suit from the BBC TV series Doctor Who.
00:55:39Strike a light.
00:55:40Only 66 shillings and six pounds.
00:55:45And we have these.
00:55:47Goodness.
00:55:48Man and boy, I've been at this lark.
00:55:50Well, I've never known anything like incredible.
00:55:57No one's irreplaceable, eh?
00:56:04So much for Softly Softly, but this way you'll be running the place.
00:56:14Dear Uncle Who.
00:56:17Uncle Who.
00:56:20I've got my physics O-level coming up and I need your help.
00:56:26I don't know why they think I can help them.
00:56:30It's all gobbling look to me.
00:56:34Please?
00:56:36Doctor Who, now please have your autograph.
00:56:41Now then, what's this?
00:56:43An autograph?
00:56:46Teacher said it would be alright.
00:56:48Well, that must make you a very special little boy, um...
00:56:51Alan.
00:57:05Please?
00:57:07Doctor?
00:57:09Yes, what is it, um...
00:57:11What is it, Alan?
00:57:13Please?
00:57:15When are them Daleks coming back?
00:57:17Daleks?
00:57:18They're taking over the ruddy world.
00:57:20Well, it's what they do best, isn't it?
00:57:23Oh!
00:57:25Oh, wow!
00:57:26Wow!
00:57:27Wow!
00:57:28Oh!
00:57:30Look at this for me!
00:57:32That's going to be...
00:57:33Thanks.
00:57:34Come on!
00:57:35Come along!
00:57:36Keep up!
00:57:37We must all get back to the TARDIS!
00:57:39What's this?
00:57:43What's this?
00:57:43Look out!
00:57:44Look out!
00:57:44Run!
00:57:45Run!
00:57:47Exterminate!
00:57:49Exterminate!
00:57:56Take three!
00:57:57Cut!
00:58:20Cut!
00:58:21Cut!
00:58:22Right!
00:58:23One more, please!
00:58:24Quick as you can!
00:58:25Men!
00:58:26You were nearly off the curb!
00:58:28Why is it we always seem to have to go again because of you?
00:58:31Well, I need a wee, don't I?
00:58:32You all try being in here!
00:58:33These cars are what they've been stuck in the room now and got charged!
00:58:36Let's go again!
00:58:36It's not my fault!
00:58:37Bill!
00:58:38Um...
00:58:39Bill, I thought I might try something when I'm carrying you down the ramp.
00:58:42What?
00:58:43I thought maybe I'd just throw a look towards you.
00:58:46Sort of showing the roboman's inner turmoil.
00:58:49You know, I was a man once sort of thing before the Daleks made me like this.
00:58:54What do you think?
00:58:55Don't be so bloody ridiculous.
00:58:57It was just a suggestion.
00:58:58Yes, well, stow it.
00:59:00What's up with you?
00:59:01Mind your own business.
00:59:08It's not too late, you know.
00:59:10No.
00:59:11I've made up my mind.
00:59:13They can rewrite this stuff in the shop.
00:59:14It's time to move on, Bill.
00:59:17There's lots of other things I want to do.
00:59:19Well, of course.
00:59:20And there's more to life than just screaming at nasty monsters.
00:59:24There's no way to talk about me.
00:59:26One day, I shall come back.
00:59:40Yes, I shall come back.
00:59:46Until then, there must be no regrets, no tears, no anxieties.
00:59:52Just go forward in all your beliefs and prove to me that I am not mistaken in mine.
01:00:01Goodbye, Susan.
01:00:09Goodbye, my dear.
01:00:10That's lovely, Bill.
01:00:26Really lovely.
01:00:27Doesn't like farewells, does he?
01:00:42Just stepping off for a minute, Waris.
01:00:57He's been doing that a lot lately.
01:01:13That's it.
01:01:14The marriage was all still, Waris.
01:01:16That's it.
01:01:17Let's go over here, please.
01:01:18Cheers!
01:01:19Cheers!
01:01:20Cheers!
01:01:21Cheers!
01:01:21Cheers!
01:01:22Cheers!
01:01:23Cheers!
01:01:23Cheers!
01:01:24One more.
01:01:25One more.
01:01:25One more.
01:01:25The glasses up.
01:01:26And just look at Bill!
01:01:36You look all in.
01:01:41Come on, love, why don't you get your head down?
01:01:43We can go through this in the morning.
01:01:45No, no, got to get him in. Got to.
01:01:48Maybe it's time you thought about moving on, love.
01:01:57Moving on?
01:01:59You're shattered all the time.
01:02:01I can't, even if I wanted to.
01:02:03They're all relying on me, hundreds of people, aren't they?
01:02:07And all those kiddies out there.
01:02:10You can't have Doctor Who without Doctor Who, can you?
01:02:18Come on.
01:02:23Vortis, what galaxy is that in?
01:02:30It's the Aisop galaxy.
01:02:32The Aisop galaxy, Chesterton.
01:02:36It's many, many light years away.
01:02:48He is becoming delirious. I do not understand his words.
01:03:05He is becoming delirious. I do not understand his words.
01:03:10Bill mustn't know I've spoken to you.
01:03:17You play Mary Hell.
01:03:19What's the matter?
01:03:23That our GP rang.
01:03:27It was not very well.
01:03:29Oh dear. Nothing serious?
01:03:31Not in the short term.
01:03:35It's, erm...
01:03:39Arteriosclerosis.
01:03:44It's a hardening of the arteries.
01:03:48I see.
01:03:49He smokes too much.
01:03:59Drinks too much.
01:04:01And these days, the only exercise he gets is walking the dog.
01:04:06That, plus doing Doctor Who virtually all year.
01:04:11Do you think he should stop?
01:04:14No.
01:04:16No, he can bear that.
01:04:18He loves the programme.
01:04:19He's so proud of it.
01:04:20And all of you.
01:04:21You should hear him.
01:04:23But if there's anything you can do to lift the burden from his shoulders,
01:04:27you know, let him slow down a little.
01:04:29Well, I'll have a quiet word with my successor.
01:04:41Oh.
01:04:46Oh, I see.
01:04:56Vortis?
01:04:58What galaxy is that?
01:04:59The Aesop galaxy, Chesterfield.
01:05:02Chesterton.
01:05:03Many, many light Earths.
01:05:07Light years from us.
01:05:11From Earth.
01:05:13And yet, the Vortis planet hasn't a moon.
01:05:23Hm?
01:05:25Eh?
01:05:28Right.
01:05:29Hold it there, please.
01:05:31All this stuff.
01:05:32You know, I can do it with a look.
01:05:35Bill, I really think we should stick with what's on the page.
01:05:38That is it.
01:05:40I can do all this with a look, you know.
01:05:42I don't need all these lines.
01:05:44It's like Ruddick King Lear.
01:05:46I remember Lindsay Anderson saying the same thing about me on Sporting Life.
01:05:50He just ripped a couple of pages out of the script.
01:05:52Bill can do all this with a gesture, you see.
01:05:55A raised eyebrow.
01:05:57Do you see what I mean?
01:06:01Of course.
01:06:05Bless you.
01:06:07Actually, I'm glad to have the chance to talk to you.
01:06:10You're my rock, Verity.
01:06:11You know that, my rock.
01:06:13I don't know about that.
01:06:15Since that day you first started telling me about Doctor Who, I've been spellbound.
01:06:20Spellbound.
01:06:22Look at us now, eh?
01:06:24Just look at us.
01:06:25Your ass is a rebutter.
01:06:29What did you want to tell me?
01:06:33Which, of course, was her way of saying, take a hike.
01:06:38So I'm justifiably proud of myself.
01:06:41I can spot talent light years away.
01:06:44Ladies and gentlemen, Verity.
01:06:46Verity.
01:06:48Best goddamn appointment I've ever made.
01:06:51Verity.
01:06:53Verity.
01:06:55For she's a jolly good fellow.
01:06:57For she's a jolly good fellow.
01:06:59For she's a jolly good fellow.
01:07:01And so say all of us.
01:07:04And so say all of us.
01:07:07For she's a jolly good fellow.
01:07:11For she's a jolly good fellow.
01:07:12For she's a jolly good fellow.
01:07:14And so say all of us.
01:07:28Not joining us?
01:07:29Perhaps in a minute.
01:07:51Bill, I wanted to say thank you.
01:07:54For everything you've done.
01:07:56I'm in demand, and it's all down to you.
01:08:00No nonsense.
01:08:01In no small measure, Bill, Doctor Who has made me.
01:08:04But why does it have to change?
01:08:06Why do things always have to change?
01:08:07Why can't we just go on as we are?
01:08:15Life.
01:08:21What about you?
01:08:23Not ready for a rest?
01:08:24Me? No.
01:08:26Not a bit.
01:08:28This old body of mine's good for a few years yet.
01:08:34Go miss all this.
01:08:42You've got some...
01:08:44Oh, well...
01:08:46Is that me?
01:08:47What am I going to do without you?
01:08:59What am I going to do without you?
01:08:59Till we meet again.
01:09:15Till we meet again.
01:09:19All right.
01:09:26I'm listening to the 오늘 police.
01:09:29I'm going to do relaxing.
01:09:32Besides, you're all right.
01:09:33I'll do my thing.
01:09:34Let's go.
01:09:35I'll do it.
01:09:36Run.
01:09:37You're one of my quick members.
01:09:38I Карh, is gone.
01:09:39I've got red nails...
01:09:40Five or four times.
01:09:41Maybe.
01:09:41There's fun.
01:09:42I've got siphany.
01:09:43Get down.
01:09:43I'm going to do it!
01:09:44You're definitely going to do it?!
01:09:45Bye!
01:09:46I'll do it.
01:09:47ë‚™ Vanguard people.
01:09:47All right, when you're ready, Bill.
01:09:59Mr Hartnell to you, Sonny.
01:10:02Sorry.
01:10:03You might call me by my first name if we get to know each other better.
01:10:07If you last on my show, that is.
01:10:12Can we go from the top of the scene, Mr Hartnell?
01:10:14You'll make the TV screen come on.
01:10:16The scanner.
01:10:18Scanner, right.
01:10:19And then you flick the switch and the door's open.
01:10:22No, no. Can't do that.
01:10:25Beg pardon?
01:10:25I'd have to move around to the other side.
01:10:27That's where the door switch is.
01:10:30Does it matter?
01:10:32Of course it matters.
01:10:34All right. I'll work around it.
01:10:36You move where you like, Mr Hartnell.
01:10:38Thank you. I will.
01:10:41Okay. Top of the scene, then.
01:10:42The glass cylinder should be going up and down.
01:10:49The ship is in flight.
01:10:51Right. Yes. Sorry.
01:10:59Well?
01:11:00Sorry. You're right with you.
01:11:01Does anybody know how to make it go?
01:11:13Oh, for Christ's sake.
01:11:14Doesn't anyone know how to do anything?
01:11:18Out, out, you.
01:11:19Out, out.
01:11:19I'm sorting myself.
01:11:20Out, out.
01:11:50Out, out, out.
01:11:51Three now.
01:11:52Sir, uh, uh...
01:11:53Ten.
01:11:54Nine.
01:11:55There are a lot of people dancing about in my eyeline.
01:11:57It's very off-putting. Do you mind?
01:11:59Come on here, please.
01:12:01All.
01:12:06Now, they've all gone.
01:12:12All gone.
01:12:13None of them ever understood.
01:12:20Not even young Susan.
01:12:21Who...
01:12:22Who...
01:12:23Who...
01:12:27Who...
01:12:31Who...
01:12:32Who...
01:12:32Who...
01:12:33Who...
01:12:33Who...
01:12:34Who...
01:12:35Who...
01:12:36Who...
01:12:37Who...
01:12:38Who...
01:12:39Who...
01:12:40Who...
01:12:41Chatterton.
01:12:42Chatterton.
01:12:43Oh God.
01:12:45Perhaps...
01:12:46I shall go back to my own time.
01:12:51To my own planet.
01:12:53To my own planet.
01:12:58But I...
01:13:01I can't.
01:13:04I can't.
01:13:09Is everything okay?
01:13:11I, uh...
01:13:13I can't.
01:13:15Are you alright?
01:13:17I...
01:13:20I can't.
01:13:22I can't.
01:13:27Mr. Hardlaw?
01:13:29I am.
01:13:33Mr. Hardlaw?
01:13:47Hey, hey, what's up?
01:13:50Annika?
01:13:51Annika, turn to me, love.
01:13:52Turn to me.
01:13:53Thanks, love.
01:13:54I can get used to this.
01:13:58As you can see...
01:14:00Yeah, yeah, I hear you.
01:14:02But it can't go on.
01:14:04It's become so difficult to work with.
01:14:06And he's lying.
01:14:07I hear you.
01:14:09The poor man's worn out.
01:14:12Shame.
01:14:14Goddamn shame.
01:14:17So that's that, I suppose.
01:14:20What do you mean?
01:14:22Well, we can't have Doctor Who without Doctor Who, can we?
01:14:26Samper!
01:14:27Samper!
01:14:28Samper!
01:14:29Samper!
01:14:30Samper!
01:14:31Samper!
01:14:32Samper!
01:14:33Samper!
01:14:34Oh, hello there.
01:14:35Where are you going to take the TARDIS next, Samper?
01:14:36Oh, I had your note, darling.
01:14:37Miss says you should go back in time and see Oliver Cromwell and tell him not to be so horrible.
01:14:38Yeah, maybe I should go back in time and see Oliver Cromwell and tell him not to be so horrible.
01:14:39Yeah, maybe I should.
01:14:40But I want the butterfly men to come back.
01:14:44They were pretty.
01:14:45We need to go back in time and see Oliver Cromwell and tell him not to be so horrible.
01:14:46No.
01:14:47No.
01:14:48No.
01:14:49No.
01:14:50No.
01:14:51No.
01:14:52No.
01:14:53No.
01:14:54No.
01:14:55No.
01:14:56No.
01:14:57No.
01:14:58No.
01:14:59No.
01:15:00No.
01:15:01No.
01:15:02No.
01:15:03No.
01:15:04No.
01:15:05No.
01:15:06No.
01:15:07No.
01:15:08No.
01:15:09They could have a big fight with the Daleks, and you could fly on their backs with a bow and arrow.
01:15:14Listen, darling, you mustn't expect too much from your grandfather, you know.
01:15:18I get very tired these days, and...
01:15:21Graham Potter says the TARDIS will run out of petrol soon.
01:15:25I need to take things a bit easier.
01:15:27But I told him he was stupid. The TARDIS will go on and on forever,
01:15:31because it's special and magic, like my Sampa.
01:15:34My Sampa's Doctor Who, and he can do anything.
01:15:49I hope you don't think it's presumptuous of me to ask for this meeting, Sidney.
01:15:54Presumptuous? Hell no, Bill.
01:15:57I was gonna ask you to come in as it happens.
01:16:01Oh, yes?
01:16:03Yeah.
01:16:06Yeah.
01:16:08Things...
01:16:10Things can't go on the way they are.
01:16:16Exactly.
01:16:18Exactly, Sidney.
01:16:19I'm committed to Doctor Who. 100% committed.
01:16:23But, um...
01:16:25Well, I need more time off.
01:16:28Bloody schedule would kill a man half my age.
01:16:31All those lines they give me.
01:16:33The kiddies don't want to hear all that waffle.
01:16:36Um, but perhaps it would be best if the writers just, um, sort of sketched in the story and left me to, um, make up the rest.
01:16:44No, no, that's probably a step too far, but, um, you take my meaning.
01:16:50Um, I'm the star of your show.
01:16:54I'm the Doctor, and, um, if we're to continue, you, uh, have to take account of that.
01:16:59Proper account.
01:17:00We've got great plans for Doctor Who, Bill.
01:17:02Believe you me.
01:17:03Great plans.
01:17:04I'm, uh, we're 100% committed to it.
01:17:07Very glad to hear it.
01:17:08But we're looking at ways of refreshing it, um, regenerating it.
01:17:13Oh, yes.
01:17:14Quite right.
01:17:15Spice things up a bit.
01:17:16Bill.
01:17:17I'm glad we're on the same wavelength anyway.
01:17:20Oh, hell, Bill.
01:17:21There's no easy way of saying this.
01:17:23Um, we want Doctor Who to go on.
01:17:29Yes.
01:17:32But not with you.
01:17:39Like you said, things have got to change.
01:17:43I see.
01:17:57Who, who, who've you got in mind?
01:18:02You're a hard act to follow, Bill.
01:18:04No need for soft soap, Sidney.
01:18:06You know me better.
01:18:08Who?
01:18:13Yeah.
01:18:20Do you approve?
01:18:21Oh, yes.
01:18:22Yes.
01:18:23Quite.
01:18:25Patrick Troughton.
01:18:27Excellent choice.
01:18:34I'm so sorry, Bill.
01:18:36Fortune goodnight, smile once more, turn thy wheel.
01:18:48Huh?
01:18:50King Lear, I did it once, carried a spear.
01:18:56Long time ago.
01:18:58Long, long time ago.
01:19:06Long, long, long, long, long, long.
01:19:14Long, long, long, long, long, long, long, long, long, long.
01:19:24Everything alright, sir?
01:19:28Are you okay?
01:19:31You need to move along now, sir.
01:19:35Sir. You're in the way. I'm sorry, sir, but you're here. Aren't you?
01:19:47I'm sorry. Very sorry, officer. You're him, aren't you?
01:19:52Very sorry, officer.
01:19:53Your cops are who? Wait till I tell the kids. They blooming love you!
01:20:05Well, it's been agreed by, erm, by mutual consent that I should, erm, pack it in.
01:20:28I... oh, right.
01:20:32Give it up.
01:20:35I see.
01:20:48Well, erm, I think it's for the best. Truly, I do.
01:20:56You can't go on like this.
01:20:59And I've made my mark, shown everyone I can do it. I'm sure it leads to lots more interesting stuff. Hmm?
01:21:08Well, I'll make us a nice cup of tea.
01:21:23I... I... I... I don't want to go. I... I don't want to go.
01:21:40I... I don't want to go.
01:21:44Help me.
01:21:46Help me.
01:21:48Well then, who's who?
01:22:18I won't lie to you. I'm scared stiff.
01:22:21Oh, you'll be fine. In fact, you'll be wonderful.
01:22:25I told them, you know, there's only one man in England who can take over.
01:22:29Oh? Couldn't they get him?
01:22:48Dread light out!
01:22:58Okay, positions everyone, please.
01:23:04And roll to record in 15...
01:23:18...
01:23:27...
01:23:31...
01:23:37...
01:23:46...
01:23:50...
01:23:56...
01:24:09...
01:24:13...
01:24:32...
01:24:47...
01:24:51...
01:25:00...
01:25:01I want you to belong somewhere.
01:25:03To have roots of your own.
01:25:05With David, you'll be able to find those roots.
01:25:08Live normally like any woman should do.
01:25:11Believe me, my dear, your future lies with David, and not with a silly old buffer like me.
01:25:18One day, I shall come back.
01:25:21Yes, I shall come back.
01:25:23Until then, there must be no regrets, no tears, no anxieties.
01:25:29Just go forward in all your beliefs, and prove to me that I am not mistaken in mine.
01:25:37...
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