- 2 days ago
Summaries. When a Hollywood hunk has an affair with a fan, he regrets it immediately and tries to hide it from his fiancee. But the obsessive fan simply won't give up and resorts to murder to prove she's his number one fan.
Category
🎥
Short filmTranscript
00:00:00Oh
00:00:30That an eye makes no one
00:01:00It's a real shame what I'm going to do to you.
00:01:04It'll be like the face in the Mona Lisa.
00:01:30I guess you're right on time.
00:01:36For what?
00:01:37Last train to hell.
00:01:39I got your boarding pass.
00:01:41All you gotta do is ask.
00:01:55Send my regards to Satan.
00:02:00And cut!
00:02:10Check the gate, please.
00:02:11I think I'd like to print that one.
00:02:13Very nice of you.
00:02:15Very nice.
00:02:17Thanks for saving my life.
00:02:18I owe you one.
00:02:20I think you pay me back in the next seat.
00:02:22I was thinking about something a little more empty.
00:02:25Like you and my dressing room in about half an hour.
00:02:27Now you know I'm practically married.
00:02:29I won't tell you.
00:02:36Never trust a woman.
00:02:38Hey, Lieutenant.
00:02:38What are you doing down here?
00:02:40I'm giving some technical advice on a new cop show.
00:02:43I tell them in the finer points of police work,
00:02:45they ignore me and everyone in America goes on thinking cops are more.
00:02:48We gotta grab some lunch.
00:02:50Of course.
00:02:51Are you buying?
00:02:52Of course.
00:02:52You know I like their free food.
00:02:56Hey!
00:02:56Yo!
00:02:57You were wonderful.
00:02:59Yeah, it was okay?
00:03:00Oh, are you kidding?
00:03:01It was fabulous.
00:03:03I think we have another hit here.
00:03:04All right.
00:03:06I'll see you later.
00:03:07I'm going to take care of it.
00:03:10All right.
00:03:11Okay.
00:03:12I don't know.
00:03:14We have time for a minute.
00:03:33We love you.
00:03:34We love you.
00:03:42All right, all right, ladies.
00:03:43Come on, time to break it up.
00:03:45So my mother called today,
00:03:49and I told her we just wanted family and a few friends,
00:03:52but she still thinks that we ought to look at a few churches.
00:03:56I thought you didn't want a church wedding.
00:03:59Well, I didn't, but, I don't know, maybe we should.
00:04:03Of course, it'd be a bit hypocritical.
00:04:05I haven't been to church in years.
00:04:06I'd probably get struck by lightning walking down the aisle.
00:04:09I don't know. I just want everything to be perfect.
00:04:14Oh, it'll be perfect, because you'll be there.
00:04:17You don't have to say that.
00:04:19I already said yes.
00:04:21Hold that zipper any further. You're a dead man.
00:04:24This one's off limits. It's the wedding dress.
00:04:27Oh, I want to see it.
00:04:28No, I'm not finished with it yet.
00:04:29Besides, it's bad luck for you to see the dress before the wedding day.
00:04:32We don't have any bad luck.
00:04:35Not yet. Not in three years.
00:04:37It's been that long.
00:04:40Yes, you were shooting .45 Magnus.
00:04:43And it was my first job as a wardrobe assistant.
00:04:46And I got to dress you.
00:04:48Well, now you can undress me.
00:04:50Oh, no.
00:04:51Oh, yes.
00:04:51We've got to get going.
00:04:52I don't want to go.
00:04:53Oh, come on.
00:04:55I've been looking forward to this party.
00:04:58No, no.
00:04:59If you mess one hair on my head,
00:05:01I'll have to go back to that bathroom.
00:05:02Have a good night.
00:05:03I'll have to go back to that bathroom.
00:05:05If you look nice.
00:05:06Yeah.
00:05:07Didn't you pase it?
00:05:07I thought I didn't like any bathroom.
00:05:08No.
00:05:09I got a flatá uni for this party.
00:05:12While I'd have to go back to that bathroom,
00:05:15I got things to do with her сидit.
00:05:16I don't know whether you want to go back to the bathroom.
00:05:18I think the villain doesn't have to be diabolical or viciously cruel on the surface, right?
00:05:44I mean, that's so overdone, audiences don't take it seriously.
00:05:46A strong villain, who manipulates you by plenty of weaknesses, and when you let him in, he stabs you to the heart.
00:05:56Through the heart?
00:05:57He's quick, clean, and easy.
00:05:59What did you find in this guy?
00:06:00My grandma always falls in love with his characters, especially the villain.
00:06:04You have to admire a mind like that, no?
00:06:06Excuse me.
00:06:07By the way, I got this funny thing in the mail, something about a criminal.
00:06:10Gee, I wonder who that was from.
00:06:12I don't know how I eat it for me, please.
00:06:13I have no thought when I rather strangle the breath in a while.
00:06:17So don't come.
00:06:18We got one of these.
00:06:20It's crazy.
00:06:22It reminds me of this one.
00:06:24Or a special night.
00:06:25I said, if I have to go to that spot, I am not coming back.
00:06:29Gee, no.
00:06:30Gee, no.
00:06:31Gee, no.
00:06:32Gee, no.
00:06:33Gee, no.
00:06:34Gee, no.
00:06:35Gee, no.
00:06:36Gee, no.
00:06:37Gee, no.
00:06:38Mr. Berry.
00:06:39Mr. Berry.
00:06:40Mr. Berry.
00:06:41The perfect script.
00:06:43Yes.
00:06:44Yes.
00:06:47News.
00:07:00Close it.
00:07:01Thank you, Mr. Berry.
00:07:02If you believe that, you won't rest your time.
00:07:05If you've gathered, he's ready to play.
00:07:07OK?
00:07:08You won't rest your name.
00:07:12All right.
00:07:42How long have you been watching me?
00:07:53I wasn't.
00:07:54Meyer.
00:07:55You're Zane Barry.
00:07:57Guilty as charged.
00:07:58I had no idea you were into voyeurism.
00:08:01I'm sorry about that.
00:08:03I don't know why I did it.
00:08:04You're a man.
00:08:07So you're a friend of Foxy's?
00:08:08I've never seen you here before.
00:08:10I don't have Foxy.
00:08:12So you're a friend of a friend.
00:08:14Actually, I don't know anyone here.
00:08:16Could you button me up, please?
00:08:23I'm not big on parties.
00:08:25Let me guess.
00:08:26You prefer more intimate cross, let's say, one-on-ones?
00:08:31Maybe.
00:08:31Maybe I do, too.
00:08:35Well, we better get back before they send the bloodhounds out to find death.
00:08:40I'm sorry about watching you.
00:08:45I'm not.
00:08:46I took you so long.
00:09:03Where's the line?
00:09:04Come on, let's go.
00:09:04Oh, no.
00:09:05I'm not going to leave.
00:09:06I'm enjoying myself.
00:09:07Why don't we go back to my place?
00:09:09Maria's on vacation.
00:09:10You can enjoy yourself even more.
00:09:12You're drunk.
00:09:13You're right.
00:09:15Zane, people will see.
00:09:17Well, let's give them something to look at.
00:09:18What's got...
00:09:19Oh, what's coming into you?
00:09:21I'll carry you to the car.
00:09:21No, no, I can't go back to your place.
00:09:24Why not?
00:09:25Because I have a deadline that goes for you to do.
00:09:27I'll help you.
00:09:28Yeah.
00:09:29Ooh, I can't decide.
00:09:36Could someone from the prop department please remove the giant whale from fire lane one?
00:09:49Each and every stage has its own ghosts.
00:09:51It's its own story.
00:09:52Think back to the roaring 20s.
00:09:54Imagine your favorite movie stars moving about in costume, walking down the same alleyway as we're walking right now.
00:10:01And even today, our lot flourishes with the top stars in the business.
00:10:05As a matter of fact, this stage right here is the stage where Zane Berry's making his latest bell.
00:10:13Where did this come from?
00:10:16Oh, fan.
00:10:18You're going to call the number?
00:10:19No.
00:10:21I'm going to tell you, I'm excited.
00:10:22Every reporter in town called today.
00:10:24Good.
00:10:25You know, you've got to get some silverware here.
00:10:27You're living like a pig.
00:10:29Boobie stuff.
00:10:35Oh, it's not bad.
00:10:37I'd like to bake like this.
00:10:39I'd be a happy man.
00:10:39I've got to tell you.
00:10:41You've got to tell you in line.
00:10:43I'm excited.
00:10:44I've got to tell you.
00:10:45I'm excited.
00:10:45Every reporter in town called today.
00:10:47They want to know where the wedding is, they want to know if they can have press passes,
00:10:53they want to bring camera crews.
00:10:55unbelievable yeah i'll say i've got an angle about that you're not gonna believe this one
00:11:03hmm here's something for the kids
00:11:08there's a note let's see dear zane i read in the papers that you plan to marry that bimbo
00:11:19and i can't let that happen she's not the one for you i will save you from the mistake you're
00:11:23about to me and show you there's only one for you no signature no andrew it's another anonymous nut
00:11:30like all the rest of them
00:11:32you're ready for payback
00:11:49now i'll dry up over here you and your mineral water yeah it must be hurting badly
00:11:56now hey send around the drinks to my friend okay
00:12:00thanks
00:12:07you're welcome
00:12:14you like to stare at me don't you
00:12:18you were staring at me
00:12:20i guess it's your lucky day
00:12:22sure
00:12:24that looks pretty healthy yeah well i gotta be careful what i put in my body so do i
00:12:31see you never told me your name
00:12:33blair
00:12:34well it's quite a coincidence that we run into each other again isn't it blair
00:12:39you don't remember me do you should i
00:12:41we were neighbors back in omaha it was a long time ago
00:12:45blair matt's and your cess little sister
00:12:47give the man a prize
00:12:50wow last time i saw you were this big
00:12:52i was six
00:12:54but i remember you you know i used to pretend you were my boyfriend
00:12:58sounds cute
00:13:00you kissed me once i remember it like it was yesterday
00:13:05so how's seth
00:13:07he's fine he's working at xarvin
00:13:09he started there after high school and he'll
00:13:11probably be there till the day he dies
00:13:13so you living out here now visiting my aunt she's ill
00:13:17i'm sorry
00:13:19i didn't know her well thought my coming out here was the right thing to do
00:13:23you know i spent a lot of nights thinking about you
00:13:26i often wished i'd been a little bit more aggressive
00:13:29you were just a kid
00:13:31and i'm not now
00:13:34hey zane let's go man you're up
00:13:40go play darts with your friends
00:13:59what's your problem
00:14:07just my luck dead battery sure i left my lights on let me give it a try
00:14:18sorry i wish i had jumper cables
00:14:20where are you going
00:14:24just call a cab i don't feel like dealing with this tonight
00:14:27where were you staying
00:14:29hollywood
00:14:30i'll give you a lift
00:14:31that sounds like a come on
00:14:33it's a dangerous city at night you shouldn't be left alone
00:14:36it sounds like a come on also
00:14:37oh wow i just love your car it's so cool
00:14:49hey well i always wanted a porsche when i was a kid i used to cut out pictures and paste them on the wall
00:14:55i told my friends that when i make it that's the car i'm gonna get and everyone will know that i'm somewhere
00:15:01back home i don't even have a car so i guess i'm far from making it
00:15:15you're creeping in you're creeping in you're creeping in my heart
00:15:28well i guess this is it why don't you come up
00:15:31i better not come on i've got something i think you'd like to see
00:15:34now that sounds like a come on it's a surprise
00:15:39i don't like surprises what you don't trust me
00:15:41all right
00:15:57make yourself comfortable i'll grab back all right
00:16:11you like that
00:16:20i brought it in case i got lucky did you jury's still out so what do you want to show me
00:16:26do you mean i'm not you carry this with you
00:16:34that was the best time of my life
00:16:49it was beautiful just like i dreamed it would be
00:16:53you wanted me you wanted me from the moment you saw me that's why you followed me
00:16:58that's why i followed you and now here we are just the two of us in this motel
00:17:07fire burning can you feel it
00:17:08what were you thinking of nothing nothing i didn't have time to think i went with my instinct and before i knew it he was laying there he wouldn't move
00:17:23you're a good cop dalton i trust you like a brother but you didn't follow the rules
00:17:28now a guy is dead because of it we all have to bear responsibilities for our actions and you are
00:17:34gonna have to face the consequences what consequences i'm putting you on suspension
00:17:39without pay until further notice and consider yourself lucky next time you won't get off so easily
00:17:49and cut and print that one that was wonderful fellas the emotion at the end was very strong
00:17:55i just felt you're wonderful that's a wrap everybody monday on actors please try to remember to look at
00:18:05surprise hey what are you doing here i wanted to thank you thank me
00:18:09actually it was a good excuse to see you again how did you get in here
00:18:13that was never a problem for me don't i get a kiss
00:18:21now's a good time to show me your dressing room don't you think listen i can't tonight i gotta get
00:18:25home i got my battery charged i'll follow you i got plans so you can break them you're so adorable
00:18:34i want to feel you inside of me i'm going to a premiere so you can take me with you not tonight
00:18:55you
00:19:25Hi, Zane, it's Holly. It's about 6.30, and I'm running a little late. I'll have to meet you at the theater. I am so nervous. My first major movie. I'll see you soon. Oh, wear your dark suit. I like that one. Bye.
00:19:42Hello, senor Betty. This is Maria. Oh, I am so sorry I cannot be there. Pero, I want to tell you I make chicken mole. I'll see you next week. Bye-bye.
00:19:55Bye-bye.
00:20:25How did you get in my house?
00:20:34You shouldn't leave your doors unlocked. You never know, you might wander in.
00:20:38You left these. I thought you'd want me to bring them to you.
00:20:41I thought I told you no.
00:20:43No, it usually means yes, doesn't it?
00:20:44Not tonight.
00:20:45What's going on?
00:21:00I know I'm a bad girl, and I shouldn't have come.
00:21:02Please don't be upset with me.
00:21:04It's just my last night here, and I didn't want to be alone.
00:21:09I hate being alone with no one to care about me.
00:21:14That feeling frightens you too, doesn't it?
00:21:16I don't know.
00:21:16They're a good girl.
00:21:17They're a good girl.
00:21:19Oh, my God.
00:21:23I don't know.
00:21:23Oh, my God.
00:21:24Oh, my God.
00:21:27Oh, my God.
00:21:32I don't know.
00:21:32Oh, my God.
00:21:37Oh, my God.
00:22:07Like this?
00:22:08Like what?
00:22:09Turned on?
00:22:10Turned on?
00:22:11Yeah.
00:22:12Only when I think about you.
00:22:15Don't you have anybody back home?
00:22:18No.
00:22:20Not really.
00:22:21I'm surprised.
00:22:22You could really make somebody happy.
00:22:24Don't it make you happy?
00:22:25Yes.
00:22:26But my life's really complicated right now.
00:22:31You must really love it here.
00:22:33I mean, this place is just like paradise.
00:22:37Yeah, I guess it is.
00:22:40It's light years from Nebraska.
00:22:42God, it is so boring there.
00:22:43I hate it.
00:22:44I could die there.
00:22:48I've got to get dressed.
00:22:50No, I don't want you to go.
00:22:53I want you to stay.
00:22:54Come on.
00:22:55I told you, I've got a decent part.
00:22:58Forget about Holly tonight.
00:23:00There'll be other screenings.
00:23:03That's an important night for her.
00:23:06Holly's a big girl.
00:23:07She can handle a little disappointment.
00:23:09What am I supposed to tell her?
00:23:15Tell her something unforeseeable came up
00:23:19and there was nothing you could do about it.
00:23:23And tell her that you're really sorry
00:23:24and that you'll make it up to her.
00:23:26She'll believe you.
00:23:28She has no reason not to trust you.
00:23:29She has no reason not to trust you.
00:23:59She has no reason not to trust you.
00:24:06Southern California's weather
00:24:08is going to be mostly sunny today
00:24:09after areas of morning low clouds and fog
00:24:11with a northwest afternoon wind of 15 miles per hour.
00:24:15It will be mostly clear tonight and Thursday
00:24:17except night through mid-morning low clouds and fog.
00:24:20Highs today in the upper 60s along the coast
00:24:22to the upper 70s inland.
00:24:25Overnight lows in the upper 40s and 50s.
00:24:27The time is 10.20.
00:24:28I'm sorry we wound up shooting late.
00:24:30Well, you should have called me.
00:24:31I couldn't get to a phone.
00:24:32I was counting on you, Zane.
00:24:34I'll make it up to you, I promise.
00:24:35Remember, we have an appointment this morning.
00:24:37Yeah, I know.
00:24:37I haven't forgotten.
00:24:38Don't be late.
00:24:39I'll see you soon.
00:24:40Because you know you're always...
00:24:41Hey, let me get dressed.
00:24:42I hate you.
00:24:43Love you.
00:24:44What a tasty sight you are.
00:24:49Well, you're up early.
00:24:50I made you breakfast.
00:24:52Banana, cinnamon, French toast.
00:24:53I read it was your favorite.
00:24:55That's sweet, but I'm in a rush.
00:24:56Well, you're not leaving me.
00:25:07I have to go meet Holly.
00:25:09But it's my last day here.
00:25:11I thought we could spin it together.
00:25:16Look, I've had a great time the last couple days, but...
00:25:18But you have to get back to your complicated life now.
00:25:25Just like you do.
00:25:27I don't like this thing.
00:25:31What did you expect?
00:25:33A little honesty, you bastard.
00:25:37I'm sorry.
00:25:38I'm sorry.
00:25:39I don't know why I said that.
00:25:45I know we haven't seen each other in a long time.
00:25:47I had no right to expect anything from you.
00:25:50I just thought you and Seth were such good friends.
00:25:52I mean, you guys were like brothers.
00:25:55And when I came out here, I thought it would be fun to see you again.
00:26:02Come on.
00:26:04We've had a wonderful time.
00:26:06It's been fun.
00:26:08Look, I want you to stay and eat some breakfast.
00:26:11Just make sure you lock up before you leave.
00:26:13Zane, aren't you going to kiss me goodbye?
00:26:16You always kiss your leading lady goodbye.
00:26:18Goodbye.
00:26:18It's me.
00:26:20I've been busy, that's why.
00:26:47How's your aunt doing?
00:26:51Bad.
00:26:51Her condition's worsened.
00:26:53That's why I'm calling.
00:26:54I have to stay a few more days.
00:26:55What for?
00:26:56We need you here.
00:26:57I don't give a shit.
00:26:59Everything's falling apart.
00:27:00Hey, that's your problem.
00:27:02I don't even see why you gotta be out there.
00:27:04Because she's my aunt.
00:27:06We don't care.
00:27:07Well, I care now.
00:27:08When are you coming back?
00:27:10I don't know.
00:27:11Give me an idea.
00:27:12I said I don't know.
00:27:15I'll call you.
00:27:16And our garden is a beautiful setting for photographs, depending on the weather.
00:27:44It's no excuse saying you've gotten out before.
00:27:47I said I was sorry.
00:27:49Of course, some couples do prefer to have their photos taken inside.
00:27:53It's quite spectacular with all the stained glass.
00:27:55This is really important to me.
00:27:57It just seems like if it's not something for you, it's not important to you.
00:28:00Look, can we just drop this and pretend like we're happy we're getting married?
00:28:03Look, we have done several celebrity weddings.
00:28:08As you can see, the setting is magnificent.
00:28:10We do have a bridal room in the back.
00:28:12If you like, we can take care of the seating, the music, and the flowers.
00:28:18All you have to do is show up.
00:28:20Easier said than done.
00:28:21I thought you said Maria was in Mexico visiting her family.
00:28:34She is.
00:28:35Why does it smell like someone's been cooking?
00:28:37I know how to turn on the stove, honey.
00:28:39You never cook.
00:28:41Maybe I'm trying to impress you.
00:28:42Oh, what beautiful flowers.
00:28:52What are these for?
00:28:54For you.
00:28:56For me?
00:28:57I wanted to make it out to you.
00:29:00You're not so bad after all.
00:29:10Come on.
00:29:12I'm sorry I got mad at you.
00:29:33Ah, don't be.
00:29:34I should have been there.
00:29:36No, it's not that.
00:29:37Don't hear the screenings.
00:29:38Come on.
00:29:42I was upset because there was a time when you would do anything to be with me.
00:29:52Now there always seems to be something that comes between us, you know?
00:29:55I mean, I know that you have a lot going on.
00:29:57I do, too.
00:29:58I'm not blaming you.
00:30:03I just miss it when it was you and me.
00:30:05And nothing else seemed to matter.
00:30:14We've got to spend more time together.
00:30:18Can we have that in, please?
00:30:19And where's the dummy?
00:30:20I wanted the dummy.
00:30:21Is there a problem with time?
00:30:23Oh, well, it's all right.
00:30:25Listen, you didn't see anything that's going to compromise our art.
00:30:28You know what I do.
00:30:30You know what I do.
00:30:42You know what I do.
00:30:48They're all here.
00:31:14I've put them in order for you.
00:31:15What's going on here?
00:31:19I found them in the closet.
00:31:20They were all mixed up, and that one in the corner's not mine.
00:31:24You said this?
00:31:26Kind of mental progression, don't you think?
00:31:29I thought you were going back home.
00:31:31I decided to stay.
00:31:33How's your aunt doing?
00:31:35She's dead.
00:31:36She died?
00:31:37Yes, ten years ago.
00:31:40Look, please leave.
00:31:42I don't want to see you around here again.
00:31:43I'm not going to leave, Sam.
00:31:45I came here to rescue you from all the distractions that keep you so lonely and scared inside.
00:31:51You know what it's like, that nobody understands what you want, who you are?
00:31:57All you need is to be loved.
00:31:59Why are you doing this?
00:32:00Because I love you.
00:32:01You don't even know me.
00:32:03I want us to be together forever.
00:32:05That's impossible.
00:32:06Just like a fairy tale.
00:32:08I don't love you, Blair.
00:32:11It's too late.
00:32:12You can't take it back.
00:32:13Take what back?
00:32:14You already told me you love me.
00:32:16I did not.
00:32:17When I was six, you said you love me and I love you.
00:32:22I want us to be together forever.
00:32:24I want to do things for you.
00:32:25I want to please you.
00:32:27Later, sport.
00:32:28Blair was just leaving.
00:32:29What is going on?
00:32:51Who the hell is that?
00:32:52It's no big deal.
00:32:53Forget about it.
00:32:54No big deal.
00:32:55Look at you.
00:32:56Look at this place.
00:32:57Why don't you call security?
00:32:59I don't need security.
00:33:01I see you're above that.
00:33:02Well, I'll call.
00:33:03Scottie.
00:33:05Look, you do enough for me.
00:33:06Just let it go.
00:33:07Listen, you don't need this.
00:33:08I don't need this.
00:33:09I'll go down there myself.
00:33:17Your eyes and cameras focused on the left side of the tram.
00:33:20Currently under construction.
00:33:22Massive rest of some cities where they're killed at...
00:33:25Let's go.
00:33:26Take care.
00:33:37Bye-bye.
00:33:37Bye-bye.
00:34:13Hey, Hotshot, how the hell are you?
00:34:17I'm all right.
00:34:18How's the biz?
00:34:20You know, I rented one of your movies last week,
00:34:22and damn, if we couldn't use a few of you on the force.
00:34:25So what brings you all the way down here?
00:34:27I need some technical advice on our new script.
00:34:30Usually I get a phone call, and it's a technical question.
00:34:33Yeah, I was in the neighborhood.
00:34:34I've got a few minutes. Pull up a chair.
00:34:36Thanks.
00:34:36Thanks.
00:34:41So your main character sleeps with her?
00:34:44Right, and he thinks it's a one-night stand,
00:34:45but she just won't leave him alone.
00:34:47First thing he's got to do is cut her off,
00:34:49tell her no way Jose's not interested.
00:34:51Ah, but what if she doesn't take no for an answer?
00:34:54Well, you know what they say,
00:34:55it takes two to do the old hokey-pokey,
00:34:57if you know what I mean.
00:34:59Well, there's got to be something the police can do about it, right?
00:35:02Well, sure there is. We can talk to her.
00:35:04Maybe even put a tail on her,
00:35:05but that would require taking an officer
00:35:07off of his normal beat
00:35:08and away from more urgent police work.
00:35:09Okay, but what if she's sending him letters
00:35:11and real sick gifts and following him around?
00:35:13Can't you arrest her?
00:35:14Look, what are we talking about here?
00:35:16A spurned lover.
00:35:17Let's face it, if we arrest every spurned lover in L.A.,
00:35:20the whole damn city would be behind bars.
00:35:24Halsey here.
00:35:25I'll be with him in a moment, okay?
00:35:28Look, my suggestion is
00:35:29that he break off all contact with the girl.
00:35:32Try not to be alone.
00:35:33Try to be around public places
00:35:35and start a journal.
00:35:36Keep track of everything she says or does.
00:35:39Start a journal?
00:35:40I'm serious, son.
00:35:40Listen, it's important to keep a record.
00:35:43Now, that doesn't make for a very exciting movie.
00:35:45Well, I'm afraid real life
00:35:46is not as exciting as the movies most of the time.
00:35:49I know you've got to take this.
00:35:50Thanks, Jill.
00:35:52Anytime, pal.
00:35:55Hey, Zane.
00:35:56Yeah.
00:35:56I'm only a phone call away
00:35:58if you need any more technical advice.
00:35:59No, exactly for a line of control.
00:36:01I'm on the phone.
00:36:02I'm on the phone.
00:36:03Oh, my God.
00:37:03What is it?
00:37:19Probably just some neighborhood kids.
00:37:33I don't know.
00:38:03I don't know.
00:38:33I don't know.
00:38:38Hello?
00:38:39Hello, Holly.
00:38:40I hope I'm not calling too late.
00:38:42I mean, it's not the same.
00:38:43Who is this?
00:38:45Just put him on the phone.
00:38:47Tell him it worked.
00:38:49It's for you.
00:38:51It's a woman.
00:38:54Yeah.
00:38:55I forgive you, Zane.
00:38:59I forgive you, Zane.
00:39:06How the hell did you get this number?
00:39:08I'm trying to save you.
00:39:10We're destined to be together.
00:39:11It's not gonna happen, so just get it out of your mind.
00:39:14No, Zane.
00:39:15I won't get it out of my mind.
00:39:16I'm not gonna lose you.
00:39:17You don't even have me.
00:39:19It's only a matter of time, my love.
00:39:21Yeah, well, you're out of time.
00:39:23Don't ever call me again.
00:39:25Who's that?
00:39:38Just a girl.
00:39:39A girl?
00:39:40I'm a fan.
00:39:43A fan who calls you here at 3 o'clock in the morning?
00:39:52That's a girl that I used to know back in Omaha.
00:39:56She used to live on my block.
00:40:00Well, you're not in Omaha now.
00:40:02What's going on?
00:40:05She's been sending me things, letters, gifts.
00:40:08I didn't even know they were from her until she showed up.
00:40:13She's in town?
00:40:16She's been following me around.
00:40:18Following you where?
00:40:20Everywhere.
00:40:21On the lot.
00:40:22Off the lot.
00:40:24To your house?
00:40:26I think so.
00:40:29Inside your house?
00:40:31I don't know.
00:40:33You don't know?
00:40:35Zane, have you told the police?
00:40:38What are you waiting for?
00:40:40If I go to the police, every reporter in town is going to catch wind of it.
00:40:46I don't exactly need that kind of press right now, Ollie.
00:40:49But Zane, she knows where you live.
00:40:51I mean, what if she's one of these fanatics who comes after you with a gun or something?
00:40:55She's not going to come after me with a gun.
00:41:05Unless something else is going on.
00:41:10Zane, did you sleep with her?
00:41:17Dolly.
00:41:19Zane?
00:41:20Dolly.
00:41:21Dolly.
00:41:22Dolly.
00:41:43Dolly.
00:41:48Mr. Barry?
00:42:18Mr. Barry?
00:42:48Mr. Barry?
00:43:18Mr. Barry?
00:43:19What do you think of this one?
00:43:36Mr. Barry?
00:43:41It looks nice, but you might prefer this one.
00:43:48It has a blusher already attached.
00:43:52Great for those traditional church weddings.
00:43:55I like it.
00:43:58This one.
00:43:59I'll try on a few more, and I'll be right back.
00:44:01Okay, thank you.
00:44:08Oh, I'm sorry.
00:44:10I didn't see you there.
00:44:11Go ahead. I'm always grabbing at things.
00:44:13No, no, you try it on.
00:44:22Oh, yeah, that's nice.
00:44:24You're going to be a beautiful bride.
00:44:26You really think so?
00:44:27Yes. I'm jealous.
00:44:30So when are you getting married?
00:44:32October. What about you?
00:44:34I'm not really sure yet.
00:44:41Oh, yeah.
00:44:58Oh, yeah.
00:44:59Oh, yeah.
00:45:02No, yeah.
00:46:04You stupid bitch in your damn wedding dress.
00:46:06What do you think you are getting in the way of everything?
00:46:09You stay away from Zane.
00:46:10He's mine now.
00:46:11I love him, and he loves me.
00:46:12I'd like to make a click call.
00:46:33Your name?
00:46:34Blair.
00:46:41It's me.
00:46:41When are you coming home?
00:46:42Well, that's why I'm calling.
00:46:44I'm not coming home.
00:46:45Come home now.
00:46:45Never.
00:46:46Why the hell not?
00:46:48Because I don't love you, and I never did.
00:46:52I'm in love with someone else, and he's in love with me.
00:46:55None of your...
00:46:58Fine.
00:46:59Go to hell.
00:47:07Hey, where's 24A?
00:47:0924A!
00:47:10Around the corner to the left.
00:47:12I'm asking all of you over here now.
00:47:14I'm going to go around.
00:47:16I'll end over to me.
00:47:21Line two.
00:47:23Line two.
00:47:24She did this to me, didn't she?
00:47:50That woman who called the other night, your fan, she said you loved her.
00:48:02It's crazy I don't love her.
00:48:05Then why did you sleep with her?
00:48:07It just happened, I'm sorry.
00:48:10You lied to me.
00:48:15You're never gonna change.
00:48:27There's too much temptation out there.
00:48:29You need someone who can handle that.
00:48:30I can't.
00:48:31Holly, don't do this.
00:48:34I can't love you anymore, Zane.
00:48:38Please leave.
00:48:49I just want you to leave.
00:48:59Where were you this afternoon, Miss Manson?
00:49:12Shopping for lingerie.
00:49:13You wanna see what I bought?
00:49:14I'm wearing it.
00:49:15Did you or didn't you break into Holly Newman's apartment and strike her with a mannequin?
00:49:19I don't even know where she lives.
00:49:20So I take that as a no?
00:49:21Yes.
00:49:22What about all this business with you?
00:49:23I don't know.
00:49:24I don't know.
00:49:25I don't know.
00:49:26I don't know.
00:49:27I don't know.
00:49:28I don't know.
00:49:29I don't know.
00:49:30I don't know.
00:49:31I don't know.
00:49:32I don't know.
00:49:33I don't know.
00:49:34I don't know.
00:49:35I don't know.
00:49:36I don't know.
00:49:37I don't know.
00:49:38I take that as a no.
00:49:39Yes.
00:49:40What about all this business with Zane Berry?
00:49:43Sending him all this crap?
00:49:45I sent him a few things.
00:49:46Is that a crime?
00:49:49What about this?
00:49:50What is that?
00:49:51A doll.
00:49:53This is not Holly Newman.
00:49:55Of course not.
00:49:56You said she was in the hospital.
00:49:58Why did you send all this stuff to Mr. Berry?
00:50:01Why did you come to Los Angeles?
00:50:03I sent him these things because I enjoy seeing his movies.
00:50:06I came to Los Angeles because I wanted to go to Disneyland.
00:50:09You came to Los Angeles to see Zane Berry.
00:50:11First you seduced him.
00:50:12Then you stalked him and then you attacked him at his girlfriend's house.
00:50:15Does that ring a bell?
00:50:17He's the one who started all of this.
00:50:20He followed me at the party.
00:50:22He watched me in dress.
00:50:23Then he picked me up at a bar.
00:50:25He took me home and he fucked me.
00:50:26He fucked me again.
00:50:28He confused me.
00:50:30He led me to believe that he wanted to keep seeing me.
00:50:32It's only natural that I became upset when he turned on me.
00:50:35Sometimes you do things when you're upset.
00:50:38He told us that you wanted to get horizontal on his bungalow and he said no.
00:50:43Yes, he did say that, but I knew he didn't mean it.
00:50:46No usually means yes for men.
00:50:49Why can't it mean yes for us too?
00:50:52Why didn't you tell me the truth?
00:50:53I thought I could handle it.
00:50:54Well, I can tell you from experience.
00:50:55That only makes matters worse.
00:50:56So what are we going to do about it?
00:50:57Well, we can actually do the truth.
00:50:58Why didn't you tell me the truth?
00:50:59I thought I could handle it.
00:51:00Well, I can tell you from experience.
00:51:01That only makes matters worse.
00:51:02So what are we going to do about it?
00:51:03Well, we can ask the judge for a restraining order.
00:51:04She can't see you, talk to you, phone you or fax you.
00:51:05That's not going to stop her.
00:51:06It'll slow her down, she'll get frustrated, she'll go home.
00:51:08I say you bust her in the room.
00:51:09Can you tell me the truth?
00:51:10He didn't tell me the truth.
00:51:11You don't know what was going to do.
00:51:12We didn't see her attack her face.
00:51:13You didn't see her attack her face.
00:51:14And without hard evidence, there's no way we can prove it was Blair.
00:51:15You should have played it straight with me, Zane.
00:51:16I mean, I thought we were supposed to be friends.
00:51:17Why didn't you tell me the truth?
00:51:18I thought I could handle it.
00:51:19Well, I can tell you from experience, it only makes matters worse.
00:51:22So what are we going to do about it?
00:51:25Well, we can ask the judge for a restraining order.
00:51:27She can't see you, talk to you, phone you or fax you.
00:51:30That's not going to stop her.
00:51:32It'll slow her down, she'll get frustrated, she'll go home.
00:51:35I say you bust her and let the DA take his chances.
00:51:37Yeah, but you're not in charge. That's not the way it works.
00:51:40What does she have to do, kill someone before you arrest her?
00:51:42Is that the way it works, Lieutenant?
00:51:43Look, Zane, I don't like this deal any better than you do, okay?
00:51:45But without proper evidence, no jury in his right mind is going to convict her.
00:51:49Then we'll lose her.
00:51:50Now, I'll talk to threat management and I'll see what I can do.
00:51:53But I got to tell you something, son.
00:51:54As of right now, you got no case.
00:51:58That's just the way it is.
00:52:02I told you, that's the wrong guy.
00:52:03It's the wrong guy.
00:52:04It's the wrong guy.
00:52:06All right, come on.
00:52:08That's good.
00:52:09Come on.
00:52:10Our fault.
00:52:11Yeah.
00:52:12All right.
00:52:13Hey, Zane!
00:52:15What do you think, the cops are going to stop and meet each other?
00:52:17I'm not moving.
00:52:18No one can stop us.
00:52:21I got you.
00:52:23I told you, she went down the street, it never lets you go.
00:52:29You may start your message now.
00:52:34Scotty, it's Zane.
00:52:36It's 8.30.
00:52:37Where the hell are you?
00:52:38I'm going to send the cops out looking for you if you don't give back to me.
00:52:41Okay, call me.
00:52:42Bye.
00:52:43I'm sorry, Mr. Berry, but Holly expressively asked that you not be allowed in her room.
00:52:48We do have a waiting room down the hall.
00:52:50I'm sorry, Mr. Berry, but Holly expressively asked that you not be allowed in her room.
00:53:03We do have a waiting room down the hall.
00:53:05Mr. Berry, I must tell you I'm a big fan.
00:53:16I've seen all your movies.
00:53:18Do you think I could get your autograph?
00:53:22It's for my niece.
00:53:23Her name's Stacy.
00:53:24She says she's going to marry you someday.
00:53:25I bet you get that all the time.
00:53:26Thank you so much.
00:53:27I'll let it go.
00:53:28I'll let it go.
00:53:29Give it back.
00:53:30I'll let it go.
00:53:31Come on.
00:53:32Come on.
00:53:33Let me begin.
00:53:34I'll let it go.
00:53:35I'll let it go.
00:53:36It's for my niece.
00:53:37Her name's Stacy.
00:53:38She says she's going to marry you someday.
00:53:40Bet you get that all the time.
00:53:42Thank you so much.
00:53:57Whoo! Cowboys! Come here, you mean, come in, find us!
00:54:04See you, girls.
00:54:10What?
00:54:11Blair Morgan's room, please.
00:54:13You're going to warrant an invitation to a winning lotto ticket.
00:54:15I'll give you the number. If you don't, get lost.
00:54:17I'm her husband.
00:54:19Yeah. We've got a lot of husbands around here.
00:54:22But they never wear their wedding rings, if you catch my drift.
00:54:27Hey, let's go.
00:54:28Give me room now, or you ain't going to take another bite.
00:54:33What's your name again?
00:54:34Morgan. Blair Morgan.
00:54:42I don't have a Morgan. I've got a Blair Madsen.
00:54:47That's her.
00:54:48She's the blonde.
00:54:49218.
00:54:51She's not in!
00:54:57Don't break anything!
00:55:00Asshole.
00:55:01I thought you were my friend.
00:55:02You're not my friend.
00:55:23I thought you were my friend.
00:55:23You're not my friend.
00:55:24What are you doing here came to get you what do you think
00:55:47How did you find me telephone company you called collect
00:55:54Do I want to feel good that bad do I really want to take that chance on loving you
00:56:11When I know I'll lose
00:56:14So where is he?
00:56:16Who?
00:56:17The guy you've been seeing
00:56:19I have your business
00:56:20It doesn't matter anyway
00:56:23It's all over now
00:56:25I won't be seeing him anymore
00:56:28Can I use the bathroom or do I have to sit here and watch you drink yourself under the table?
00:56:42It's God's country
00:56:43Just don't think you're going anywhere
00:56:46Do I want to feel good that bad do I really want to take that chance on loving you
00:56:53When I know I'll lose
00:56:57I can tell my heart
00:56:59Hey, I'll show you something. Come on, get back!
00:57:02Looking for these?
00:57:22Lookin' for these?
00:57:30Let go of me!
00:57:35Get in there!
00:57:52Let go of me!
00:58:13Let go of me!
00:58:23Let go of me!
00:58:28Let go of me!
00:58:34Let go of me!
00:58:44Let go of me!
00:58:49Let go of me!
00:58:55Let go of me!
00:59:05Let go of me!
00:59:10Let go of me!
00:59:16Let go of me!
00:59:28You're a good Christian.
00:59:30I know in your heart you didn't mean to lie and cheat on me.
00:59:34But you've got to come back.
00:59:37Talk to the minister.
00:59:39He'll know what to do.
00:59:41But you don't belong here.
00:59:44You belong with your husband.
00:59:47And your daughter.
00:59:49Don't you think she needs you?
01:00:14We get back to that motel.
01:00:26You're packing your bags.
01:00:27You're on the first plane to Omaha.
01:00:29You're on the first plane to Omaha.
01:00:42Yeah...
01:00:44You're going to mess again.
01:00:49You gotta get back to me!
01:00:51You're on the first plane?
01:00:55Yeah.
01:00:59No, no, no, no.
01:01:29No, no, no.
01:01:59What are you doing, sweetheart?
01:02:03Get out of my house.
01:02:05What are you going to do, shoot me?
01:02:06I might.
01:02:08I've got a restraining order.
01:02:10You're not supposed to be within 100 feet of me.
01:02:12No court order can come between you and I, my love.
01:02:16What's behind your back, Blair?
01:02:19Nothing.
01:02:20Show me your hands.
01:02:22I fooled you, didn't I?
01:02:23You're sick.
01:02:29Tim!
01:02:30Let go of me!
01:02:32Open the door!
01:02:47Let me in!
01:02:48Open the door!
01:02:51Tim!
01:02:52I'm sorry I wasn't honest with you.
01:03:08I only kept the truth from you to protect you.
01:03:11But you're all that matters to me.
01:03:13And if that means not being a cop anymore,
01:03:18if that's too hard for you to handle,
01:03:20then I'll give it up,
01:03:21if that's what you want.
01:03:25Line, please.
01:03:27I just want you back.
01:03:30Zane, please.
01:03:32Zane, wait a minute.
01:03:33Wait, where are you going?
01:03:34Out of here.
01:03:35Yeah, but Zane,
01:03:36we still have three and an eighth pages to shoot.
01:03:38Shoot it without me!
01:03:39Zane!
01:03:39Zane, come back here!
01:03:42This is very unprofessional!
01:03:48Who's it?
01:03:49Zane!
01:03:49Zane!
01:03:50Hey, ladies.
01:03:51Oh!
01:03:59Will Security Department
01:04:00please report to Parking Lot A?
01:04:03Does anybody call?
01:04:04Come on, get...
01:04:05Come on, get the parking lot.
01:04:08Come on, come on!
01:04:09Come on, get the parking lot.
01:04:11Somebody call the parking lot!
01:04:12Somebody call the parking lot!
01:04:14Mr. Barry, stand back.
01:04:15We'll take care of this.
01:04:16Barry, stand back!
01:04:18We'll take care of this!
01:04:19Mr. Barry, Mr. Barry, we just have a word with you.
01:04:41Do you think that the fire is an act of arson?
01:04:46Is there any truth to the rumor that you're fiancé did it
01:04:48because you were having an affair with one of your fans?
01:04:50Where in the hell did you hear that?
01:04:54Get some more coverage of the fire for the 5 o'clock news.
01:04:56I want to find out about this rumor.
01:05:04The fire was no accident.
01:05:06Someone doused your car with gasoline.
01:05:07Someone?
01:05:08Well, now that's impressive.
01:05:09It's nice to know the police department has narrowed it down to someone.
01:05:13There's no need for insults.
01:05:14We do our job just like you do yours.
01:05:16We got a script we got to follow to you.
01:05:18You start improvising, you get screwed.
01:05:21So you want to see my journal, lieutenant?
01:05:23Look, our witness ID'd Blair from a photo lineup.
01:05:26I sent a black and white out to a motel, but she never came back last night.
01:05:29She left all her stuff there, though.
01:05:31Great.
01:05:31So she's still out there?
01:05:33Well, there's more.
01:05:34We found her car abandoned in the parking lot with the keys still in it.
01:05:38I got men out looking for her right now.
01:05:39We'll catch up to her.
01:05:41And in the meantime, what am I supposed to do?
01:05:43Well, if you're worried about her coming back, relax.
01:05:46She knows we're looking for her.
01:05:48And she wouldn't dare come after you in that.
01:05:50Don't count on it.
01:05:53Yeah, I talked to Holly today.
01:05:54She got back from the hospital.
01:05:55Did she ask about me?
01:05:59I told her about the fire.
01:06:01And?
01:06:02She want to know if you're okay.
01:06:05Did she say anything else?
01:06:07Did she say she wants to see me?
01:06:09I only spoke for her.
01:06:10Did you tell her I'd been calling her?
01:06:14She said she had to go.
01:06:18I don't know what I was thinking.
01:06:22Hello, Holly.
01:06:23How could I do this to us?
01:06:25Oh, you can't blame yourself, man.
01:06:27Blair's been playing this for a long time.
01:06:29You didn't know what you were walking into.
01:06:31Oh, yes, I did.
01:06:33I had no doubt about what I was walking into.
01:06:35I just couldn't resist.
01:06:41That's because you're a man.
01:06:45That's what she said.
01:06:49She's been planning this all along.
01:06:53Man, she worked me.
01:06:57Yeah, well, so now you know, right?
01:06:59You figured her game plan, her mode of manipulation.
01:07:06Now you got to take your life back.
01:07:08Make up with the girl.
01:07:11It's not too late for a happy ending.
01:07:14God knows this town's full of them.
01:07:16Is that all this is to you?
01:07:18Is it a movie?
01:07:20Yeah, not to me, man.
01:07:23To her.
01:07:23To her.
01:07:23To her.
01:07:53I'm going to ask one more time, Mr. Dalton.
01:08:00Where's the girl?
01:08:02Where are your manners, McSway?
01:08:03I don't think you realize the effect of sulfuric acid on human flesh.
01:08:08I don't think you realize you're a piece of shit.
01:08:11It's too bad you're such a smartass.
01:08:14We'll find that girl.
01:08:16But nobody's ever going to find you.
01:08:18Ever.
01:08:21He's all yours.
01:08:22Just make sure nothing's left.
01:08:24Not even a screen.
01:08:28Goodbye, Mr. Dalton.
01:08:30Have a nice bubble bath.
01:08:36And cut!
01:08:37Check the gate.
01:08:38I think I'd like to print that one.
01:08:40Very nice.
01:08:41Bring him down.
01:08:42That's a wrap, everybody.
01:08:43See you tomorrow morning.
01:08:44See you tomorrow.
01:08:46See you tomorrow.
01:08:46See you tomorrow.
01:08:48All right, girl.
01:08:54Get everything out of there.
01:08:55Zane, this is Cindy from Scotty Youngman's office.
01:09:21I got your message.
01:09:22I'm sorry, but I still haven't heard from Scotty.
01:09:24I'm going over to his house on my way home.
01:09:26I'm hoping he's there.
01:09:28I'll call you if I find out anything.
01:09:29Talk to you later.
01:09:30See you tomorrow.
01:09:54Bye.
01:09:54Bye.
01:09:54Bye-bye.
01:10:55Where the hell are you hiding her?
01:11:03How could you do this to us?
01:11:05How could you destroy my family?
01:11:06You think because you're some big shot you can have whatever you want, but she's my wife.
01:11:21That don't give you any right.
01:11:22How could you do this?
01:11:35Oh, oh, oh, oh, oh.
01:12:05yeah hello sweetheart the show's over blair the show's never over until the happy ending
01:12:28the only happy ending is you out of my life don't worry this isn't over yet we're going to see each
01:12:34other real soon and how do you figure that you still have to save the damsel in distress she's very pretty
01:12:42and quite sweet too bad she's going to be missing her wedding day look blair please let her go she
01:12:50didn't do anything she's a thorn zane she needs to be black blair she's nothing to you let her go
01:12:58you're right it's you that i want then let me see you blair let me see you right now
01:13:06meet me on stage 12 in an hour i'll be there bring the cops you break for holly's heart
01:13:15see you on the set my love
01:13:19so
01:13:26Oh, my God.
01:13:56Oh, my God.
01:14:26Oh, my God.
01:14:56Holly, hang on.
01:14:59It's coming.
01:15:04Swing your legs, honey.
01:15:06Swing your legs.
01:15:06Swing your legs, lose the gun, or we're going to have a real-life bonfire.
01:15:20Put that down, Blair.
01:15:21I said lose the gun.
01:15:29That's better.
01:15:31You go to hell.
01:15:33I'm not going to roll over and die, saying I'm your number one fan.
01:15:37I'm going to love you no matter what.
01:15:39The movie's over, Blair.
01:15:40The movie's never over until they've lost the credits.
01:15:44You're not going to make it there, Laura.
01:15:46Neither is she.
01:15:47She's going to burn like the hair took the kids.
01:15:49No!
01:15:50Stop!
01:15:50You said you'd let her go.
01:15:55I did say that, I guess.
01:15:56Guess what?
01:15:58I lied.
01:15:59I've been going to do that.
01:16:02Blair, you want me.
01:16:03You don't want her.
01:16:06Right.
01:16:07But you'll never be mine.
01:16:11Not until she's out of the picture.
01:16:12It's for the best.
01:16:13Deep down, you know I'm right.
01:16:33Molly, hang on!
01:16:37I'm here, honey.
01:16:43I'm here!
01:16:45Come on!
01:16:46Come on!
01:16:49I got it!
01:16:56You all right?
01:16:58Let's go.
01:17:00Ben!
01:17:02Holly, run!
01:17:07Get out of there!
01:17:12Get in!
01:17:16Oh!
01:17:28No!
01:17:29Master!
01:17:30Get out of here!
01:17:32Zane!
01:17:34Get out of here!
01:17:35Come on!
01:17:37Get the hell out of my way!
01:17:54Oh, my God!
01:17:56Lee!
01:18:07Come on over this way.
01:18:30They're still sifting through the ashes.
01:18:37So far, we've only found three bodies.
01:18:40Flares?
01:18:41I don't know.
01:18:41We won't know who's who until the coroner examines them.
01:18:44I've got to be truthful, man.
01:18:46Those bodies are so charred, it could take days.
01:18:50You ought to thank your lucky stars.
01:18:51You're still alive.
01:18:52Double-check it.
01:18:54Double-check it.
01:18:55It's coming.
01:18:56It's coming.
01:19:00Double-check it.
01:19:31Thomas!
01:19:32Oh, my God.
01:19:33Pray on the roof of the rain.
01:19:49Friends, we are gathered here at this hour to witness and to celebrate the coming together of two lives.
01:19:57You may kiss the bride.
01:20:18You may kiss the bride.
01:20:27You may kiss the bride.
01:20:34You may kiss the bride.
01:20:42You may kiss the bride.
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