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00:00:00¡Suscríbete al canal!
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00:02:04Although the area has been cordoned off by police, sources say authorities have been unable to quantify a specific body count.
00:02:12¡Suscríbete al canal!
00:02:14In what's being described as a likely mass murder scene, police recover the bodies of over a dozen victims at various sites throughout the town.
00:02:24¡Suscríbete al canal!
00:02:28Police are combing the town's two square miles as they begin to unearth more clues to this shocking tragedy.
00:02:34We've got a body here.
00:02:36The body count in what police are calling the Sangre de Cristo massacre has risen to over 20.
00:02:46Residents of nearby Heinsman and the border communities are encouraged to avoid the general SDC area and to report any tips or suspicious behavior to the authorities.
00:02:56You have never made these extremely expensive things.
00:02:58There was a reality today to sell more clues.
00:03:00And if you're really supposed to have to climb up thoseous things, it's good to walk to the roads.
00:03:02It's an important way to view the site of everyyl and the ship.
00:03:04You have planned to leave the site of everyyl and your alley.
00:03:06But if you have to leave, you can watch the city of the dinner table.
00:03:08You're right.
00:03:10You're right.
00:03:11You're right.
00:03:12You're right.
00:03:13You're right.
00:03:14You're right.
00:03:15You're right.
00:03:16You're right.
00:03:17You're right.
00:03:18You're right.
00:03:19You're right.
00:03:20You're right.
00:03:21En todos mis años de la policía,
00:03:47Nunca se ha visto algo así.
00:03:53Dios abandona Sangre de Cristo.
00:03:57No hay nada más.
00:04:05Es still me amazes que el mayor single-day homicidio en la historia de la ciudad de Arizona
00:04:10ha tenido no atención, no media coverage.
00:04:15Es difícil imaginar la escala de la carnage.
00:04:17Most bodies were only partial remains, scraps of bloody clothing, limbs in the street.
00:04:24Some bloody trails ran out to a quarter of a mile as if the bodies had been dragged.
00:04:28Other trails veered out into the surrounding deserts and just disappeared.
00:04:33All of them, men, women, children, gone in one night.
00:04:41I've been a writer since 1995. I've written five different books.
00:04:45I've worked for a couple of years as an investigative reporter here in Los Angeles.
00:04:49We covered all the things that LA Times didn't cover.
00:04:51Every place is known for something.
00:04:53South Arizona, the vanishing capital of the United States.
00:04:58It's true. There's been more than a few who have gone missing from the area.
00:05:07But look what's going on.
00:05:09Drought trafficking, human trafficking, smuggling, weapons, gang activity.
00:05:15There's no place that has more crime than here in the borderlands.
00:05:18You lose one person, that's a tragedy.
00:05:28You see a whole town wiped out.
00:05:29We got lucky. It was their town, not ours.
00:05:39It's not a matter of if, it's a matter of when.
00:05:41Wake up. Listen to me. I've been telling you this for years.
00:05:44But you've ignored me up to now.
00:05:46Well, I'm telling you, you can't ignore me anymore.
00:05:49A person of interest was detained as he attempted to flee across the border.
00:05:53He is reportedly a Latino man in his 30s who was employed at Sangre de Cristo Ranch at the time of the murders.
00:06:01You know, I've seen 40 years of crime and violence.
00:06:06And the only man that ever scared me was Francisco Salazar.
00:06:14Francisco Salazar was an illegal who had been living in Sangre de Cristo for seven years.
00:06:18After jumping the border from Nogales, Mexico.
00:06:21Which made him a pretty convenient fit.
00:06:22Even with all the things that go on around here, you never expect to see something like this.
00:06:28He was raving when we caught him.
00:06:31He was raving when we put him in that jail cell.
00:06:33Once he was in there, he didn't say too much.
00:06:3623 hours after they closed Sangre de Cristo down,
00:06:39Salazar staggered into Desert Highway 67,
00:06:4212 miles east of SDC and collapsed at the side of the road.
00:06:46The only truck to stop was an independent rig called by Mario Shascarillo, who had just got his license.
00:06:56He dragged Salazar into the cab, turned around and drove in west to the nearest town with a hospital, Heintzeman.
00:07:02The hospital contacted the cops.
00:07:07How are you doing?
00:07:09How's good? How's Brad been?
00:07:10John Pirano understands his people, just like his father.
00:07:14A little comforting, a wink, a little bullying, a big hat, toothpick, his stories.
00:07:20It's kind of a big show.
00:07:24Never misses an opportunity to press his case.
00:07:27Even if it is some cheesy public access piece.
00:07:38I was born and raised right here in Heintzeman.
00:07:42I've been elected sheriff of Heintzeman County for seven consecutive terms.
00:07:47Before that, I was a deputy sheriff for ten years.
00:07:52I've devoted my entire life to the good people of this area.
00:08:01Sheriff, how would you profile Francisco Salazar?
00:08:05If there's ever a checklist for a serial killer, Salazar would check every box.
00:08:12He was a loner.
00:08:14He come from a low-class background.
00:08:17He had anger issues.
00:08:20His father abandoned him at an early age.
00:08:24You know, he was a drifter.
00:08:28Yeah, I actually worked with him for a little while.
00:08:30We were part of a re-roofing crew at the pharmacy.
00:08:34He was one quiet dude.
00:08:36You mean my friend?
00:08:37He dropped his sandwich at lunch.
00:08:39Salazar takes a fucking picture of it.
00:08:41They found dead corpses of little kids out in the desert.
00:08:45A lot of folks couldn't sleep at night.
00:08:47This is the start of something bigger.
00:08:50Salazar, he's La Raza.
00:08:53So where are the rest of his thugs?
00:08:55Coming here to wipe us off the map like he did SDC?
00:08:59He did our jobs around town.
00:09:04He painted houses of some of his eventual victims.
00:09:08Judge Jack Hudson has instituted a full media ban with no cameras permitted in the courtroom
00:09:13and no media personnel allowed within 200 yards at the courthouse.
00:09:17This Lawrence Ross guy, you know, he came here with the wrong idea.
00:09:25Everybody saw where it was going, so of course there was nothing but closed doors.
00:09:30You know, sorry.
00:09:31Look, we did not arrest Salazar because he was Mexican.
00:09:36We arrested Salazar because he was covered with 15 types of blood.
00:09:41Hey, AM 970, Hinesman, Arizona.
00:09:47This is the Gus Greer Show, and I'm Gus Greer.
00:09:49And for the next two hours, you are going to get the most valuable thing that you've ever had in your life,
00:09:54an education from me.
00:09:56The Mexican, the Cholo, La Raza.
00:10:00It's a culture that celebrates violence.
00:10:03They glorify death because they have nothing else to look forward to.
00:10:07I can't say the political climate at the time had anything to do with the way he was treated.
00:10:21I absolutely believe that an Hispanic man who is also an illegal immigrant
00:10:27can get a fair trial in the state of Arizona.
00:10:31Let's not forget, Arizona embraced the KKK after Reconstruction.
00:10:35When we're talking about lynchings, Arizona had almost as many as anywhere else in the country.
00:10:41Different state, different era, same old monster.
00:10:47Controlling the power structure by day, hiding behind masks at night.
00:10:55Make no mistake, we are a war.
00:10:59You think the government's going to come in and save you?
00:11:01You think they're going to start putting troops on the border?
00:11:03Action has consequences, ladies and gentlemen, and inaction has more serious consequences.
00:11:09You have a choice to make.
00:11:11Are you going to sit there and roll over and let this tide roll over you and destroy you and your family?
00:11:17Or are you going to stand up?
00:11:19Are you going to fight for what's right and for what's yours?
00:11:21When you're talking about the history of this country, I mean, it's an indisputable fact.
00:11:29There are very few minorities who have gotten a fair trial in an all-white jury.
00:11:34They didn't need a trial.
00:11:36Public had already tried and convicted him before it ever even started.
00:11:40What do you get when you cross an illegal with an octopus?
00:11:43What?
00:11:44I don't know, but he sure can pick lettuce.
00:11:46A lot of lettuce.
00:11:47These damn illegal nations come over here and do all their drugs.
00:11:50Because that's not us.
00:11:53Because of all their killings and stuff.
00:11:54You know, if you go out there like they did in the old days in the John Wayne movies
00:11:58and hang one where everybody can watch them, one day they're going to stop doing them.
00:12:01They're going to stop doing them.
00:12:31The attorney they gave him was on his third case.
00:12:55Before that, he handled some counterfeiter and some petty thief.
00:12:59Salazar was his third case.
00:13:02I did my due diligence.
00:13:04I am sworn to defend my client to the best of my ability.
00:13:08I think that I did that.
00:13:13I sat in court.
00:13:15I expected to see a monster.
00:13:18I seen him.
00:13:18He was just slumped over, quiet with a blank stare.
00:13:23There was no one else left alive to question.
00:13:25He was the only survivor.
00:13:26But Salazar never said a single word during the trial.
00:13:38Teeth marks?
00:13:41That's something I'm not going to get into.
00:13:42Okay, how's it going, Bob?
00:13:49Day three of the trial, and I'm already sick to my stomach.
00:13:53I never want to hear another word about the freak eating the people he murdered.
00:13:58I basically believe that he killed these people.
00:14:01I believe he should get to death for doing what he did.
00:14:05He's an outcast.
00:14:06He should be put to death on the spot.
00:14:07Lethal injection.
00:14:09Fry his ass.
00:14:10And that was the level of analysis in the courtroom.
00:14:13A one-man serial killer army.
00:14:16They could only do forensics on seven partial corpses that were intact enough to be tagged and ID'd.
00:14:22When pressed about identifying the other remains, the coroner said on the stand,
00:14:26how do you run DNA tests on 20 square blocks of bloody sand?
00:14:31They didn't notice that the teeth marks on the victims didn't match Francisco's teeth.
00:14:52And yet, Francisco has bite marks.
00:14:56They matched the victims.
00:14:57Aki-basha.
00:15:06During the first trial, I felt like I needed to seek someone out who understood the local culture of the border.
00:15:13Carlos Olivares, second-generation border patrol agent, following in the footsteps of his father.
00:15:22When you grow up in this area, you realize that there's just certain things you need to do.
00:15:26There's just a protection that needs to happen.
00:15:29Spent 30 years patrolling this border.
00:15:32They're going to say some horrible things.
00:15:33You find bodies of dead women, children, dehydrated bodies, sometimes just 10 feet from a hidden stash of water bottles.
00:15:43Lately, these last few years on patrol, I started seeing some things that were getting harder to explain.
00:15:51Bodies that weren't just rotted by the sun.
00:15:56They'd been chewed.
00:15:58Not by mountain lions or buzzards.
00:16:00But nobody in my line of work talked about it.
00:16:22Whatever happened in Sangre de Cristo couldn't have been the work of just one man.
00:16:26I didn't need a law degree to know that.
00:16:30Based on the overwhelming amount of evidence given, we convicted Mr. Salazar, as I remember,
00:16:56in about a half hour, which was longer than it probably should have taken.
00:17:01Salazar was an easy target.
00:17:14He was a person easy to dehumanize.
00:17:17To the people of Heisman, he was just some guy who went job to job.
00:17:21He would work on construction jobs.
00:17:23He would do anything.
00:17:24He's minimized as being just some sort of drifter, you know, some cash-and-carry guy who you found on the end of a block,
00:17:31and you put in the back of a pickup, do your work, and you forgot about him five minutes after you dropped the back off.
00:17:37During the first trial, I knew that Salazar had been interviewed on camera.
00:17:41I knew that only once on the evening he'd been taken into custody.
00:17:46I spent 13 months filling out Freedom of Information Act requests at both the state and federal level.
00:17:53Nothing.
00:17:53The Arizona Open Meetings Act, I got nothing until I got this video.
00:18:01Francisco.
00:18:04Interviews.
00:18:06You said that they were people that you knew, but something wasn't right about them.
00:18:15They were the same people.
00:18:20But they were dead.
00:18:22Why didn't we hear about this tape before?
00:18:24The tape was never entered into evidence in the first trial, and it was barred in the second one.
00:18:30You didn't give serious thought to using the video in his defense?
00:18:33Have you seen the video?
00:18:34It's not an insanity defense.
00:18:36It's a suicide note.
00:18:38It sounds like the ramblings of a crazy man, sure.
00:18:41But given the evidence, his story actually made no more or less sense than the official version.
00:18:52The administrative staff were very concerned about him, me interviewing him, not being shackled to the chair, which is a typical thing.
00:19:01I wanted to get rid of as many barriers as I could, because I could tell that he was pretty closed off emotionally, and he was kind of a shell in his own head, and very, very, very scared.
00:19:11I said, listen, just let him come in and sit with me, because he was quiet, and, you know, you guys are outside the door.
00:19:23You've got cameras in here, and you have guns outside there, and whatever it is that you need to do to bust in, and, you know, what else could he do?
00:19:32What's your name?
00:19:33It took quite a while for him to even start to answer any questions, his name, or where he grew up, or basic, just, you know, assessment stuff that we do.
00:19:52And I was wondering if maybe he was regressing back into some childhood memory or feeling or something.
00:20:08The level of trauma that Francisco has seemed to experience in his life could easily be compared to somebody who's come back from being in a combat situation.
00:20:29It doesn't matter what you do to me. We're still out there.
00:20:34Who's out there?
00:20:38At least they can't get me in here.
00:20:44This is a guy who is facing death and the horrors of jail, yet somehow he feels safer on the inside than he does out here.
00:20:55In my professional opinion, even though his story sounds like it might be a little bit, you know, crazy and out there,
00:21:02I did not find anything about him that was psychotic, his behavior, anything he said to me.
00:21:08He was, you know, in layman's term, completely sane.
00:21:11But it didn't make any sense, which is why I tried for the insanity defense.
00:21:23He looked me directly in the eye and he was very specific about what he was saying.
00:21:31And he never changed his story.
00:21:35Salazar wasn't crazy, or at least not crazy all by himself.
00:21:40Crazy was what he saw that night.
00:21:42Crazy was seeing everyone he knew massacred.
00:21:45Some of them were bloody, but blood everywhere.
00:21:55It's the ravings of a madman, right?
00:21:58But do you know what was really crazy?
00:21:59I had to get help.
00:22:05I took my camera off.
00:22:07The arrest report listed the items on Salazar's person when he was dropped off by the truck driver.
00:22:13One SLR 35mm camera fitted with a 70-200mm lens and a flash unit.
00:22:20Everyone around here knew he was a photographer.
00:22:26He took pictures of everybody.
00:22:28La cámara siempre nos recuerda a nuestra mamá.
00:22:33It was almost involuntary.
00:22:35He just saw something and he took a picture of it.
00:22:37And he kind of, you know, painted a history of his life with it.
00:22:41Salazar was a lifelong Catholic.
00:22:43He believed in the power of the resurrection.
00:22:45Yo creo que Dios trabaja en diferentes maneras de misterios.
00:23:01He spent seven years in SDC.
00:23:04Taking pictures of dead things in a dead town.
00:23:08Being an illegal, strike one.
00:23:16A loner with a camera, strike two.
00:23:19Grace Putnam was pretty much strike three.
00:23:23Especially considering everything that happened.
00:23:26Grace Putnam lived in SDC.
00:23:28Francisco was a friend of the family.
00:23:29Salazar's house was jammed with these weird and suggestive photographs of children and roadkill.
00:23:41Well, I've looked at all of the earlier photos.
00:23:49I've spent some time with them.
00:23:51He has a photographer's eye for sure.
00:23:53The best photographer I've ever seen?
00:23:56No.
00:23:57But he definitely had a professional eye.
00:24:01The shots of the little girl.
00:24:03Several of those are delicate and beautiful.
00:24:05Shots of the roadkill are perfect counterpoint.
00:24:07You can read what you want into anything.
00:24:11That's part of what makes us human, I suppose.
00:24:14The shrinks have a fancy word for it.
00:24:17It's voyeur.
00:24:19My take, pervert.
00:24:21So Francisco was a photographer.
00:24:23Big fucking deal.
00:24:25But there was something on that tape.
00:24:27I couldn't put my finger on.
00:24:31I had to get out.
00:24:34I took my camera off.
00:24:37During the first trial, I tried to contact Shascarillo.
00:24:41The truck driver who picked up Salazar.
00:24:43He didn't want to talk.
00:24:44I left message after message.
00:24:46We never got together in person.
00:24:48But after the appeal was lodged, that's when I got this phone message.
00:24:52Mr. Ross, I'm sending you something.
00:24:56I found it in my cab under the seat.
00:24:58It must have been there for months.
00:24:59I don't know.
00:25:00I don't know what it is.
00:25:02And I don't want to know.
00:25:03So you have it.
00:25:04You keep me out of this, though.
00:25:06That's all I ask.
00:25:07I called him.
00:25:09Got no reply.
00:25:10A couple of days later...
00:25:11A week later, the roll arrived.
00:25:26What Francisco said on the tape, what everyone else discounted as insane ravings, turns out he documented it all.
00:25:46Something primal and horrible moved through Sangre de Cristo that night.
00:25:55And the one survivor made a record of it.
00:26:02Francisco had a camera with him that night.
00:26:05He took it with him.
00:26:06And he recorded what he saw.
00:26:08On one roll of film, 36 exposures.
00:26:11Still in the process of appealing his conviction, but I can't enter these photos as evidence.
00:26:17I'd be disbarred.
00:26:18Las fotos son horribles, pero tal vez pueden salvar la vida de mi hermano.
00:26:28All this stuff about the photographs is BS.
00:26:32Photos prove nothing.
00:26:34Nothing.
00:26:34I know many kids right here in Heisman who could Photoshop you into the famous grassy knoll in Dallas with a smoking gun in your hand.
00:26:46And you'd believe it was you.
00:26:52I've been a professional photojournalist for, Jesus, over 40 years now.
00:26:58Shot in Nam.
00:27:00Shot in Cambodia.
00:27:01Pretty much all around the world.
00:27:02These are as authentic as they get.
00:27:05Usually when somebody is playing with film, you can tell.
00:27:08There's rough edges.
00:27:09There are little things that a professional can tell when looking at photography.
00:27:15You look at these pictures, there's none of that.
00:27:17These pictures are real.
00:27:20The judge didn't want them.
00:27:22Pirano didn't want them.
00:27:24It doesn't matter.
00:27:26The photos are not evidence.
00:27:28I would tell the local authorities that they are wrong.
00:27:33These are as authentic as it gets.
00:27:36I'm frankly surprised their own people, having looked at the photos, have been able to confirm the truth of the pictures.
00:27:44I'll tell you what those photos are.
00:27:46A sick prank played by sick freaks.
00:27:49Everybody heard about the photographs.
00:27:57Nobody believed they were real.
00:27:59They were trying to make us feel sympathy for a man that didn't deserve it.
00:28:02The killing started, at least as far as Salazar's story was concerned, before he snapped a single frame.
00:28:13The only two explanations.
00:28:15Either the guy went out there and staged everything,
00:28:19or he's absolutely telling the truth.
00:28:23He was babbling, and I thought I was going to lose him, which I eventually did,
00:28:42so I asked him to start at the beginning.
00:28:49Francisco, what were you doing when Danny showed up at your house?
00:28:53I was putting film on the camera.
00:29:02According to Salazar, he's loading up his camera,
00:29:06getting ready to shoot some dead coyotes or possums,
00:29:09but Danny shows up on his doorstep, bleeding out like a stuck pig.
00:29:14And then you said that he came in, and he was bleeding,
00:29:20and you tried to help him.
00:29:23And you laid him down on the couch.
00:29:27Is that correct?
00:29:29I saw him die.
00:29:32How are you sure that he was dead?
00:29:34He was dead.
00:29:36I know he was dead.
00:29:37The police forensic reports back up that the victim did die at Salazar's house.
00:29:47Danny's body was one of the few that could be identified.
00:29:50But barely.
00:29:54Danny Montez was my cousin.
00:29:56I thought he and Salazar were cool.
00:29:59Montez used to work in the fields near Salazar's house.
00:30:01This is where it gets confusing to me.
00:30:11One minute he's alive and on your couch,
00:30:14and then he's dead, and then he's standing up,
00:30:18and he's coming at you, and you're afraid.
00:30:21He was dead, and then he came after me.
00:30:30And I had to stop him.
00:30:32That's what happened.
00:30:32So when he was telling me, the story was very clear and concise,
00:30:37and it seemed to, like, let a weight off his shoulders,
00:30:39and he exhaled, and he got very calm after he talked to me about this.
00:30:43So he was very clear in the details about what happened.
00:30:45I mean, doesn't that seem strange to you?
00:30:48This is not something I've never heard before.
00:30:50That's what happened.
00:30:51It was his same body.
00:30:55And the same face, but it wasn't Danny.
00:30:59Hmm.
00:31:02Did he say anything?
00:31:06No.
00:31:07No words.
00:31:09The boy's body was found in the middle of Salazar's living room.
00:31:13You stopped him.
00:31:14And how did you stop them from attacking him?
00:31:19I...
00:31:20I...
00:31:20I held him.
00:31:26And...
00:31:27I hurt him.
00:31:34And he stopped.
00:31:42How did you hurt him?
00:31:44That's tough evidence to overcome.
00:31:57There's no question that Francisco hacked up Donnie Montez to pieces.
00:32:02The question is, did he kill him?
00:32:05So after all that happened, then what did you do?
00:32:08I had to get help.
00:32:12If Salazar killed Montez, why would he run into town to get help?
00:32:19Because going south wasn't an option.
00:32:21No, no, no, no, no, no, no, no, no, no, no.
00:32:24Here is photograph 01 on the roll.
00:32:32This is the start of what Salazar saw.
00:32:35What sent him back toward town.
00:32:38This is what made him run.
00:32:40Salazar's roll of film was a map.
00:32:42From the edge of town, three miles across, what was left of Sangre de Cristo.
00:32:45en una manera
00:32:55no importa lo que creen los fotos
00:32:57pueden denigar
00:32:59pueden ver
00:33:01para los clues
00:33:02de lo que sucedió
00:33:03pueden llamar a ser un video
00:33:06pueden incluso
00:33:08esperarse a la salvación
00:33:09pero es algo
00:33:11y es que viene
00:33:12salazar
00:33:16lived about a mile outside of town
00:33:18on the fringes
00:33:19this cabin was at the foot of the hills
00:33:21he ran away through the fields
00:33:23toward the town
00:33:24based on the light in that first picture
00:33:27it was about 15 minutes of sundown
00:33:29migrant workers were still working
00:33:32sdc is the brown town that actually services heights
00:33:34that's where you get all the invisible people
00:33:36all your gardeners
00:33:38all the service people, all your maids
00:33:40people who pick your food
00:33:41who take care of the kids
00:33:43when we were kids
00:33:44we couldn't even pronounce
00:33:45the damn way
00:33:46we were like
00:33:47sandre de castle
00:33:49sandre de crystal
00:33:50we just call it
00:33:52savage land
00:33:53the cops found
00:33:54what they said
00:33:55were the remains
00:33:56of 11 victims
00:33:56out in the field
00:33:57that's just savage land
00:33:59living down
00:34:00to its reputation
00:34:01the first theory was cartels
00:34:04sdc is in an area of major cross-border drug supply lines
00:34:08maybe drugs were passing through and some gang wanted to stake out a new territory
00:34:14there were a lot of dealings with drugs
00:34:16drugs were coming in and like the cartel was coming in and influencing the young kids
00:34:21cartel killings are designed to make a point
00:34:24they stack the heads up all neat like it's an altar
00:34:27or they hang the bodies from bridges
00:34:29it keeps people in line
00:34:30this wasn't designed to make a point
00:34:33this was random carnage
00:34:35salazar's running for cover
00:34:37exposed
00:34:38out in the open
00:34:39coming out of the fields
00:34:44he headed into town
00:34:45and came across ron templeton
00:34:48templeton was a hunter from heinsman
00:34:56spent his off hours out here
00:34:59searching through the area
00:35:01i used to see him all the time
00:35:04out here on patrol
00:35:06i walk in the house and expect him to be here
00:35:09it's
00:35:10it's really hard to get used to the idea that he's not
00:35:13he's not in
00:35:15in
00:35:15in here anymore
00:35:16did you know ron templeton
00:35:22the police say that you were in his truck
00:35:29because he had a gun
00:35:40some of the victims were from heinsman
00:35:56some of them are beloved members of the community
00:35:58they were not just sdc residents
00:36:01i mean ron templeton was a member of the founders club
00:36:05people loved him
00:36:06he was such a big part of just the community too
00:36:11so every place i go and everything i do i expect to see him
00:36:17ron templeton was a good man
00:36:20when he came across salazar
00:36:23i i guess that he tried to find some good in him as well
00:36:29that was his big mistake
00:36:31try to get him to come with me
00:36:35to help these people to help
00:36:38my friends
00:36:39so the man in the trap did he shoot at the people of the field
00:36:44the one thing that continues to bother me is francisco salazar taking ron down
00:37:00he's such a little man
00:37:16according to the state's case
00:37:18a five foot nine hundred and seventy pound francisco
00:37:22ran bloody and screaming toward ron templeton
00:37:24with six foot one two hundred and ten pounds
00:37:27anyone who knew ron knew what an expert hunter he was
00:37:32he was an expert shot too
00:37:34he never missed
00:37:36i mean one shot is all it took to ever kill an animal
00:37:39and for him to miss that many times that close up
00:37:43impossible to even imagine
00:37:57this is where they found templeton's truck
00:38:03the blood trail that went off into the wash
00:38:08then disappeared
00:38:09we never found ron templeton's body
00:38:12his wife mido eileen
00:38:15will never get the closure that she deserves
00:38:19sorry
00:38:3457 people died here
00:38:44and the local newspaper ran one obituary
00:38:48the one white guy from heinsman
00:38:51many times i lie awake at night wishing ron had taken out salazar right then and there
00:38:58people tell me not to ask questions and to keep quiet
00:39:01and then i think are they lying to me
00:39:04and are they trying to make me feel
00:39:05that this is the way it happened
00:39:07just to make me be quiet and not question
00:39:10we've lived in this town forever
00:39:13would they be lying to me
00:39:15salazar runs until he reaches the edge of town
00:39:34you've got danny munchess
00:39:45dead
00:39:4611 more in the field
00:39:47but still leaves 45
00:39:49at this time it's about 8 p.m
00:40:13the more he runs
00:40:24the clearer it becomes
00:40:27he's not outrunning anything
00:40:30francisco when you got into town
00:40:36what did you see what did it look like
00:40:39it was
00:40:45it was like hell
00:40:47people were running
00:40:55people were hurting each other
00:41:00at this point
00:41:27it's 8 15 p.m
00:41:29francisco is making his way through town
00:41:32trying to stay alive
00:41:34by his own account
00:41:37he has no weapon at this point
00:41:39just his camera
00:41:41the amazing thing about being a photographer
00:41:50is so long as you are behind
00:41:53that lens
00:41:54so long as you are shooting through that lens
00:41:56you are indestructible
00:41:58every photographer I know
00:41:59feels the same way
00:42:01while you're shooting
00:42:02you can't be hurt
00:42:04I have a stultifying fear of heights
00:42:07just looking out an upstairs window
00:42:10scares the hell out of me
00:42:11in NAMM
00:42:12I used to spend half of my time
00:42:13hanging out of an open helicopter door
00:42:15hanging onto a strap
00:42:17I wouldn't use as a belt
00:42:18and shooting away
00:42:19because nothing could hurt me
00:42:21as long as I had that camera in front of my face
00:42:23nothing could hurt me
00:42:24you basically have an illegal
00:42:42who's running amok
00:42:44all over savagely
00:42:45and killing at random
00:42:46at this point
00:42:48the prosecution case
00:42:49starts to get a little shaky
00:42:50Salazar would have said something to my grandpa
00:42:53and stuff would have went down
00:42:55my grandpa's not going to go down
00:42:56without a fight
00:42:57the autopsy certificates
00:42:59would have you believe
00:43:00that Salazar was
00:43:01sprinting through town
00:43:03dispatching victims
00:43:04with a machete
00:43:06he was some kind of trained killer
00:43:10Salazar knew every square inch
00:43:13of that town
00:43:14that's why he was able to move so quickly
00:43:17and kill
00:43:18without anybody realizing
00:43:20what was happening
00:43:21SDC is not a big place
00:43:25Salazar was in good shape
00:43:30if he were quick enough
00:43:33he could have covered all that ground
00:43:35and he did not want to leave any witnesses
00:43:38what's most amazing about these photographs
00:43:49is the fact that he got as many
00:43:51decent photographs as he did out of one roll
00:43:53I mean I can't imagine why he would go with one roll
00:43:56I have a feeling he probably had more
00:43:58that he lost along the way
00:43:59because I've done it myself
00:44:01one roll of film
00:44:07and 36 exposures
00:44:09and caught as many
00:44:10perfect shots as he did
00:44:12it is
00:44:13either brilliant film work
00:44:16or one of the greatest accidents
00:44:18in the history of photography
00:44:20we know that Salazar gets here
00:44:27to the one store in town
00:44:29it's a little way out
00:44:31of the rest of his route
00:44:31based on the photographs
00:44:33but
00:44:33we do know this market
00:44:35had a working landline
00:44:37but if that's what he was going for
00:44:40he was shit out of luck
00:44:42if you were in New York City
00:44:49and not Sangre de Cristo
00:44:50you would probably have 15,000 shots
00:44:53of what happened there that evening
00:44:55people's cell phones
00:44:56most people in STC didn't have cell phones
00:44:59they had phone cards
00:45:01once a month
00:45:02they'd come to the market
00:45:03buy one
00:45:04call home to Mexico
00:45:06say hi to mom
00:45:07confirm the wire transfer back home
00:45:09you can't take a picture with a phone card
00:45:12we're talking about a place
00:45:16where life was cheap
00:45:18illegal
00:45:19arriving illegally
00:45:21doing illegal things
00:45:23people ask me
00:45:25why didn't the people of STC call the police
00:45:27immigrants don't call police
00:45:29and when you live in STC
00:45:30the police are just another element
00:45:32another criminal element to them
00:45:34Salazar was also charged with murders that happened at the water tower
00:45:55but there's not a single piece of evidence to indicate that Salazar was ever there
00:45:59and remember those people that we found you know right next to the small water tower
00:46:05we know that they ran
00:46:07we know that they ran up to the top of that water tower
00:46:10and instead of confronting whatever was chasing them
00:46:14they chose to jump off the water tower
00:46:17now that just doesn't happen when you have an individual
00:46:19I don't care how horrible that individual is
00:46:21that doesn't happen
00:46:22eight people supposedly ran up there trying to get away from one man
00:46:27but instead of trying to fight him off on a single fire escape
00:46:32these eight people chose to jump
00:46:35they'd rather kill themselves
00:46:38and their families instead of fight him
00:46:40they told me that
00:46:43Jose and his family
00:46:46were some of the ones
00:46:49who died at that tower
00:46:50and it was only two blocks from their house
00:46:55I mean I look at his picture
00:47:00and
00:47:02Maria had such a strong sense of faith
00:47:07a really strong sense of faith
00:47:08I don't have that faith
00:47:10I just don't have that faith
00:47:11and it hurts me you know
00:47:13because I'm more angry about that
00:47:15I can't imagine
00:47:19why the two of them would
00:47:21would do something like that
00:47:24I just
00:47:25you had to climb that
00:47:28if you think about them standing there
00:47:31at that moment
00:47:34and then making that decision
00:47:38Salazar was never closer than
00:47:45three blocks to that tower that night
00:47:47the truth is
00:47:48he had a different route in mind
00:47:51from the start
00:48:00he was always heading here
00:48:02that's what he says
00:48:04to the church
00:48:06church mission
00:48:08to the Putnam family
00:48:10as for the Putnams
00:48:15Francisco had been
00:48:16working for them for years
00:48:17he was almost a friend
00:48:18you know
00:48:19they trusted him
00:48:20they gave him a key
00:48:21you know
00:48:22to the building
00:48:23and yet
00:48:24when I look at the crime scene
00:48:25doors had been ripped off their hinges
00:48:27now why would Francisco
00:48:29rip the doors off the hinges
00:48:30when he had a key
00:48:32what was going through your mind
00:48:35when you saw all of this
00:48:36I know
00:48:45I just wanted
00:48:46to help my friends
00:48:48you work for Dwayne and Judith Putnam
00:48:51didn't you?
00:48:52yes
00:48:58how did you feel about that?
00:49:03it's hard to get you
00:49:04they were good people
00:49:05go
00:49:05the Putnams
00:49:15were here to convert
00:49:16the old church
00:49:17and mission offices
00:49:18basically
00:49:19start a new ministry
00:49:21in a town
00:49:21other religious groups
00:49:23had long since abandoned
00:49:24we're proud of our church's
00:49:31missionary history
00:49:32God's mission for us
00:49:34is to go forth
00:49:34to the less fortunate
00:49:35to bear witness
00:49:36to his word
00:49:37the Putnams
00:49:41are some of my closest
00:49:42dearest friends
00:49:42in the world
00:49:43truly people of God
00:49:45Dwayne and Judith's engagement
00:49:48was sanctioned by our church
00:49:49with great excitement
00:49:50even though she wasn't baptized
00:49:52in her church at the time
00:49:53we knew in her heart
00:49:55she'd always believed
00:49:57she had great strength
00:49:59they're my friends
00:50:08Salazar had spent the summer
00:50:11working as a handyman
00:50:12on the mission
00:50:13doing odd jobs
00:50:14running errands for Judith
00:50:16hanging out with the two kids
00:50:18the Putnams went to that town
00:50:36to fix up that facility
00:50:37to empower those people
00:50:38this family reached out
00:50:41to Salazar
00:50:42and this is how
00:50:44he repaid them
00:50:44Greece is gone
00:50:56where is Greece
00:50:59but Salazar was too late
00:51:02Greece is gone
00:51:09don't judge me
00:51:19don't you judge me
00:51:22only God can judge me
00:51:27only he knows
00:51:31what I'm seeing
00:51:33only he knows
00:51:37this
00:51:37abolish
00:51:40I am Abraham
00:51:45a bird
00:51:47a bird offering
00:51:50on one of the mountains
00:51:51I have done everything
00:51:54I have no choice
00:51:59I will deliver
00:52:03my family
00:52:05to God's hands
00:52:06my lambs
00:52:08my little lamb
00:52:11my baby boy
00:52:15it's my
00:52:39his will
00:52:41that I will save them
00:52:43I am not
00:52:46I am clean
00:52:51we
00:52:53we are clean
00:52:55we are clean
00:52:55you get the biggest
00:52:57we shall
00:52:58open
00:52:58what do you wish
00:53:02were raised
00:53:03I get little
00:53:05alright
00:53:07birthday girl first
00:53:08when they got there
00:53:18I knew that I was too late
00:53:21where are their bodies
00:53:26in the official version
00:53:39forensics
00:53:40coupled with the Putnam
00:53:41phone recording
00:53:42led the police
00:53:43to conclude
00:53:44that Putnam
00:53:44killed his wife and son
00:53:46before killing himself
00:53:48that Putnam
00:53:50panicked
00:53:50of seeing Salazar
00:53:51running wild
00:53:52and snapped
00:53:53when he heard the screams
00:53:54outside the mission
00:53:55so he killed his family
00:53:58with a machete
00:53:59before turning it
00:54:01on himself
00:54:01that's Pirano's version
00:54:04were they still alive
00:54:08when you got there?
00:54:15only one
00:54:16but the official logic
00:54:25doesn't hold up
00:54:26Putnam wanted to give
00:54:27his family a mercy killing
00:54:29so they could all
00:54:30go up clean to Jesus
00:54:31that's one thing
00:54:31but why dismember
00:54:33his little kids?
00:54:35yeah we had
00:54:36dogs searching
00:54:38for the other remains
00:54:39we found nothing
00:54:42of course Salazar
00:54:43won't be telling us
00:54:44where he buried
00:54:46the bodies
00:54:47Dwayne Putnam
00:54:48thought he was
00:54:49a man of God
00:54:49but he made
00:54:54the wrong choice
00:54:55for a pastor
00:54:58a man of the Bible
00:54:59it must be hard
00:55:00to see these photos
00:55:01they show
00:55:02what you might call
00:55:03an inconvenient resurrection
00:55:06the only thing
00:55:08he can do
00:55:09is deny it
00:55:10God saw
00:55:14what Dwayne did
00:55:15he was a murderer
00:55:16and a suicide
00:55:18where was Grace Putnam?
00:55:42she wasn't there
00:55:44we're wishing
00:55:46if Grace wasn't
00:55:50at the mission
00:55:51he was at school
00:55:55the school is on
00:55:58the outskirts of town
00:55:59and Salazar
00:56:00still has a distance
00:56:01to go
00:56:02through the most
00:56:04densely populated
00:56:05area of town
00:56:05where most of
00:56:07the bodies were found
00:56:07most of the killings
00:56:09occurred on the street
00:56:10were just inside
00:56:12the entrances
00:56:12to homes
00:56:13people rushed out
00:56:15to see what was happening
00:56:16to protect their families
00:56:17I mean
00:56:20if this bullshit story
00:56:21were true
00:56:21why didn't Salazar
00:56:22put down his camera
00:56:24and help those people?
00:56:28Salazar was a handyman
00:56:29he had keys
00:56:30for baking buildings
00:56:31all over town
00:56:32he could cut through
00:56:33building to building
00:56:34from one end of town
00:56:35to the other
00:56:36hide
00:56:36look out
00:56:37look
00:56:39most of the time
00:56:40he probably wasn't
00:56:41even close
00:56:42to the action
00:56:43I mean
00:56:43a 70-200mm lens
00:56:46pulls in all sorts
00:56:47of distant detail
00:56:48you know
00:56:49sometimes you get nothing
00:56:50sometimes you get
00:56:54something extraordinary
00:56:55why did Francisco
00:57:07take the photos
00:57:08the better question
00:57:09is why not
00:57:10you are
00:57:13capturing moments
00:57:15of time
00:57:16that you are
00:57:17the only person
00:57:18it's a moral
00:57:19imperative
00:57:20almost
00:57:20you're the person
00:57:26with the camera
00:57:26you're the only person
00:57:27there with that option
00:57:28you take the pictures
00:57:29because you must
00:57:30because somebody
00:57:31has to take those pictures
00:57:33Salazar makes his way
00:57:36down Main Street
00:57:37and gets to the preschool
00:57:39all the children
00:57:52of the people
00:57:53who died in that field
00:57:54they were in that preschool
00:57:56that's the thing
00:58:13that messed with me
00:58:14the most
00:58:14what happened
00:58:16at that preschool
00:58:17well we're not
00:58:18the same as they are
00:58:19we don't kill babies
00:58:21there's almost nothing
00:58:39that you could say
00:58:40to change people's minds
00:58:41even planting
00:58:44the possibility
00:58:46the idea
00:58:48that you hurt
00:58:51or killed
00:58:52children
00:58:53to the school
00:58:58they got this
00:59:09there were nine kids
00:59:30in the preschool
00:59:31and one teacher
00:59:33Lisa Reyes
00:59:35forensics indicated
00:59:39that some of the kids
00:59:42had hidden
00:59:43behind a curtain
00:59:45it's a child's
00:59:47natural instinct
00:59:48to think
00:59:50if they make
00:59:50themselves invisible
00:59:51they can save
00:59:54themselves
00:59:54from the monster
00:59:55when I came back
01:00:11I just
01:00:12like I said
01:00:13I couldn't believe it
01:00:14I didn't want to believe it
01:00:16and to go to the funeral
01:00:19it's one of the hardest things
01:00:23you know
01:00:26it was a close clasket
01:00:27all the family
01:00:29was there
01:00:29a lot of people
01:00:32wish that
01:00:32they would have been
01:00:33able to see her
01:00:34before she
01:00:34you know
01:00:36I kind of like
01:00:37keep my own
01:00:39last memory
01:00:39of
01:00:40I don't
01:00:42wouldn't want to
01:00:42see her in there
01:00:43anyways
01:00:44I want to remember her
01:00:47the way I remember her
01:00:48you know
01:00:48Linda Perez
01:00:50is my daughter
01:00:50she was five years old
01:00:52she lived with her father
01:00:53in SDC
01:00:54I worked in Heinzman
01:00:56I hardly got to see her
01:00:58because I worked
01:00:59long hours
01:01:00she was wearing a
01:01:02a purple
01:01:04top
01:01:06and pants
01:01:08and white tennis shoes
01:01:10she was very picky
01:01:12about
01:01:13what she wanted to wear
01:01:14when I left
01:01:16she was
01:01:16three
01:01:18and
01:01:22I wasn't
01:01:23even nice
01:01:24to her
01:01:24I could have been
01:01:26nicer to her
01:01:27but she was always
01:01:30bugging me
01:01:31and I just
01:01:32I feel like an asshole
01:01:33Benny
01:01:34you want to see him
01:01:36right here
01:01:37I mean look at that
01:01:39look at that smile
01:01:40you know
01:01:44he was
01:01:44he was born
01:01:45premature
01:01:45and
01:01:46he was tiny
01:01:48tiny
01:01:49he weighed
01:01:49two and a half pounds
01:01:50and you know
01:01:52he had some problems
01:01:53he got pneumonia
01:01:54as a newborn
01:01:54but
01:01:56he had a tough
01:01:58strong heart
01:02:00I could have
01:02:01gone home more
01:02:02but
01:02:02you know
01:02:03it was a piece of shit town
01:02:04and
01:02:04I left when I could
01:02:06and I was just hoping
01:02:08maybe
01:02:08when she got older
01:02:09we could
01:02:09wake up for last time
01:02:11that's
01:02:12that's all I was thinking
01:02:14but
01:02:14now I don't have time
01:02:16I took this from her school
01:02:18this was the last thing
01:02:21she was wearing
01:02:22grace is gone
01:02:28where is grace
01:02:31grace is gone
01:02:34by his own account
01:02:42Salazar couldn't even
01:02:43get inside the school
01:02:44he squirted around the back
01:02:46by the storeroom
01:02:46the one aspect
01:02:50of that role of film
01:02:51that sort of fascinates me
01:02:53is why he spent so much
01:02:55of the last of it
01:02:56taking pictures of that one
01:02:57subject
01:02:58that little girl
01:02:59I wouldn't have
01:03:01it's not what I would have done
01:03:11certainly
01:03:12and I don't think
01:03:12most other professional
01:03:14photographers would have done it either
01:03:16she was on the other side of the window
01:03:25she was reaching out
01:03:29couldn't help her
01:03:33based on my evaluation
01:03:37of the other photographs
01:03:38this was the first time
01:03:39that Salazar even used
01:03:41this flash unit
01:03:42the question is
01:03:43why now?
01:03:51I
01:03:51try
01:03:52to start
01:03:56with
01:03:57a flash
01:03:58is the one where he's reaching
01:04:28through the bars
01:04:29where he
01:04:29is trying to take
01:04:31the girl's hand
01:04:32and suddenly
01:04:33stops being
01:04:34a
01:04:35historian
01:04:37stops being
01:04:38an observer
01:04:39and becomes
01:04:40an active participant
01:04:41the moment
01:04:43he stopped
01:04:44being a photographer
01:04:45and decided
01:04:47to do
01:04:47a single
01:04:48human action
01:04:49to
01:04:50save somebody else
01:04:52is the moment
01:04:56that changed
01:04:56everything for him
01:04:57you give up
01:04:59being a photographer
01:05:00to become a human being
01:05:01and you lose
01:05:03what has kept you
01:05:04alive and safe
01:05:06through us in the process
01:05:07just held her hand
01:05:10and I sang
01:05:12esta niña linda
01:05:17que nació de día
01:05:21quiere que la lleven
01:05:26a la dulcería
01:05:30esta niña linda
01:05:34que nació de noche
01:05:39quiere que la lleven
01:05:44a pasear en corte
01:05:48he was planning this
01:05:58all along
01:05:59there's only three possibilities
01:06:06either he's lying
01:06:08he's crazy
01:06:10or he's telling
01:06:11the truth
01:06:12and in my
01:06:13professional opinion
01:06:14he's not lying
01:06:16and he's not crazy
01:06:18salazar had his shot
01:06:36in court
01:06:37we're appealing
01:06:40that's all we could do
01:06:41at this point
01:06:42it's in the hands
01:06:44of the criminal justice system
01:06:45of the state of Arizona
01:06:47you know
01:06:51I'm going to be glad
01:06:52when this appeal
01:06:53goes nowhere
01:06:53so this town
01:06:54can start going
01:06:55somewhere again
01:06:56you know
01:07:08if you've been
01:07:08a reporter like me
01:07:09in an inner city
01:07:11you've seen murders
01:07:13you've seen murders
01:07:14of every type
01:07:14I can tell you
01:07:15in a second
01:07:16gangland shot
01:07:18you know
01:07:18personal shot
01:07:19in terms of
01:07:20you know
01:07:20two different people
01:07:21who know each other
01:07:22I can tell you
01:07:23how a person died
01:07:24murders have signatures
01:07:26so who had the resources
01:07:31the weapons
01:07:32the political will
01:07:33the anger
01:07:34the motive
01:07:35to carry out
01:07:36the single night massacre
01:07:37of an entire town
01:07:38it's a familiar story
01:07:41we've seen played out
01:07:42time and time again
01:07:43it's not smoke and mirrors
01:07:45it's desert
01:07:47sand
01:07:48hate
01:07:49fear
01:07:51matt turner
01:07:56scottsboro boys
01:07:58the tulsa race riots
01:08:00zoot suit riots
01:08:01camp grant massacre
01:08:03operation wetback
01:08:04rodney king
01:08:06it's aggro de cristo
01:08:18this is the community
01:08:39that we are
01:08:39we do take an eye
01:08:41for an eye
01:08:41because not only
01:08:43is that fair
01:08:43that's our god-given right
01:08:45and we will be
01:08:48watching the border
01:08:49for all future
01:08:50salazars
01:08:51they don't care
01:09:01who you are
01:09:02they don't care
01:09:03what you do
01:09:04they'd
01:09:07basically rather
01:09:09shoot you
01:09:10than
01:09:10than uh
01:09:12give you a dollar
01:09:14the great wall
01:09:16of america
01:09:17between us
01:09:17and mexico
01:09:18i don't hear them
01:09:19trying to build that
01:09:20wall between here
01:09:20and canada
01:09:21and they're not
01:09:22saying somebody
01:09:22some canuck
01:09:23is coming down
01:09:24and killing people
01:09:25up in michigan
01:09:26there's a lot
01:09:28more salazars
01:09:29out there
01:09:30more riveras
01:09:31more sanchez's
01:09:33more carlos's
01:09:34but make no mistake
01:09:36it's a matter
01:09:38of when
01:09:38not if
01:09:39basically
01:09:40there's a hundred
01:09:41thousand
01:09:42that try to come
01:09:43across
01:09:44and there's only
01:09:45maybe a thousand
01:09:46border patrol
01:09:47they ain't gonna get
01:09:49everybody
01:09:49yeah maybe we just
01:10:04got our priorities
01:10:05right here in
01:10:06arizona
01:10:06a lot of our people
01:10:10have been waiting
01:10:10a long time
01:10:11for this
01:10:12i'm also proud
01:10:14that this state
01:10:15is carrying out
01:10:16salazar's sentence
01:10:17in half the time
01:10:18it took to do the
01:10:19same to timothy
01:10:20mcveigh
01:10:20yo pienso que
01:10:25el hubiera estado
01:10:26mejor
01:10:26si se hubiera
01:10:27ido a mexico
01:10:28at 12.05 a.m
01:10:31arizona time
01:10:32not bleeding
01:10:34liberal time
01:10:34not east coast
01:10:36wine and cheese
01:10:37time
01:10:37not west coast
01:10:38free drugs
01:10:39time
01:10:39american justice
01:10:41was served
01:10:42no more
01:10:44lawyers appeals
01:10:44no more bills
01:10:46no more
01:10:48three square
01:10:49meals a day
01:10:49no more
01:10:52excuses
01:10:52and no more
01:10:55fear my friends
01:10:55francisco was
01:11:08the only witness
01:11:09to what happened
01:11:09that night
01:11:10and the court
01:11:11killed his
01:11:12photographs
01:11:12and then the
01:11:14state
01:11:14killed him
01:11:15yo sé que
01:11:25mi hermano
01:11:25era bueno
01:11:26no quisieron
01:11:28dar mi visa
01:11:29para asistir
01:11:30a su ejecución
01:11:33nunca pude
01:11:40decirle
01:11:41adiós
01:11:41do you know
01:11:46where salazar
01:11:47gets buried
01:11:47he gets buried
01:11:50right here
01:11:51in the state
01:11:52of arizona
01:11:53he must be
01:11:55pretty pleased
01:11:55with himself
01:11:56he snuck in
01:11:57here
01:11:58he hid here
01:11:59he killed
01:12:00here
01:12:00he's executed
01:12:02here
01:12:02but even in
01:12:04death
01:12:05he manages
01:12:06to avoid
01:12:06being deported
01:12:07except they
01:12:12got it all
01:12:13wrong
01:12:13this doesn't
01:12:14end with
01:12:15the execution
01:12:15of francisco
01:12:16salazar
01:12:16francisco
01:12:18salazar's
01:12:18photos
01:12:19don't end
01:12:19with francisco
01:12:20salazar
01:12:20i wish i was
01:12:26there
01:12:26i wish i had
01:12:27been the guy
01:12:27behind the
01:12:28camera
01:12:28why did
01:12:30francisco
01:12:31take the
01:12:31photos
01:12:31i don't know
01:12:32maybe he
01:12:33thought he
01:12:33was going
01:12:33to die
01:12:34like everybody
01:12:34else
01:12:34why the hell
01:12:35not
01:12:36leave something
01:12:38behind
01:12:38leave some
01:12:39record behind
01:12:39so he didn't
01:12:40die for nothing
01:12:41there's a piece
01:12:42of history left
01:12:44and if you're
01:12:45gonna go out
01:12:46go out
01:12:47with something
01:12:48of value
01:12:49do something
01:12:50make your death
01:12:51count for something
01:12:52the photos show
01:13:00us the truth
01:13:01the truth is that
01:13:02i'm the one who
01:13:03found the photos
01:13:04i'm the one who
01:13:05released them
01:13:06ross found
01:13:07the truth
01:13:08but he
01:13:10couldn't see
01:13:10it
01:13:10he got
01:13:11scared
01:13:12i don't
01:13:14blame him
01:13:15as a journalist
01:13:20i deal in
01:13:20facts not
01:13:21speculation
01:13:21and the facts
01:13:23are that
01:13:23francisco
01:13:24recorded whatever
01:13:25moved through
01:13:25that town
01:13:26that night
01:13:26and that was
01:13:27the only
01:13:27real evidence
01:13:28and the local
01:13:30will to
01:13:30investigate
01:13:31was non-existent
01:13:32so the photos
01:13:34exist in a
01:13:35vacuum
01:13:35i think a lot
01:13:36of people will
01:13:37sleep better at night
01:13:38believing that they
01:13:38are photoshopped
01:13:40than believing they
01:13:41are seeing something
01:13:41that's actually
01:13:42happening
01:13:43there's no going back to
01:13:53normal
01:13:53because normal doesn't exist anymore
01:13:59there were no masks
01:14:05no cartels
01:14:06no mob of illegals
01:14:08at night
01:14:08the photos do tell us
01:14:10something
01:14:11they're numbered
01:14:12number one was taken
01:14:14from the southern wash
01:14:15in the foothills
01:14:16number 36
01:14:20at the schoolhouse
01:14:21when you look at
01:14:22the crime scene
01:14:23the police reports
01:14:25the layout of the town
01:14:26you realize that
01:14:28this carnage
01:14:28wasn't random
01:14:29it was just so huge
01:14:31that nobody could see
01:14:33the bigger picture
01:14:33they were always
01:14:41heading in one direction
01:14:42they were heading north
01:14:52have you ever actually
01:15:06seen the border fence
01:15:07it's 20 feet high
01:15:09corrugated steel
01:15:11razor wire
01:15:12in some place
01:15:13anyone
01:15:15with any regard
01:15:16for human livelihood
01:15:17stay the hell away
01:15:19from that fence
01:15:20you own a gun
01:15:22I do
01:15:25ever since
01:15:26I've seen these photographs
01:15:27I've been sleeping
01:15:28with it under my pillow
01:15:29this is a cruel land
01:15:35where death
01:15:37is a certainty
01:15:37we grow up with it
01:15:39we accept
01:15:40you know what made my morning
01:15:42hearing that some group
01:15:44of unknown patriots
01:15:45found where Salazar's grave was
01:15:47and dug it up
01:15:49the body's gone
01:15:50my friends
01:15:51and good riddance
01:15:53the floor
01:16:02and good riddance
01:16:04it is a dream
01:16:10it is another number of
01:16:16it is another number of
01:16:17all of us
01:16:18and a trust
01:16:18the 2014
01:16:19all of us
01:16:20Seguimos después de la muerte de Salazar, los muertos de dos campos se encontró en el Tonto
01:16:38National Forest, 115 miles north de Sangre de Cristo.
01:16:435 unexplained deaths and sick griefs, multiple attacks in Ajo, Cayente, Wilcox to the east,
01:16:54Hilldale was the first town in Utah, 12 dead, the same patterns emerging east to Juarez.
01:17:01Up into New Mexico and Alamogordo, 5 dead, in Trevino Ranch, 3 dead, 9 unaccounted.
01:17:132 dead, in Trevino Ranch, 5 dead, in Trevino Ranch, 5 dead, in Trevino Ranch,
01:17:4312 dead, in Trevino Ranch, 15 dead, in Trevino Ranch, 54 dead, in Trevino Ranch, 51 dead, in Trevino Ranch,
01:18:13Gracias por ver el video.
01:18:43Gracias por ver el video.
01:19:13Gracias por ver el video.
01:19:43Gracias por ver el video.
01:20:13Gracias por ver el video.
01:20:43Gracias por ver el video.
01:21:13Gracias.
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