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  • 8 hours ago
India’s favourite crime thriller show is back! Abhijeet, Daya and other CiD officers, led by ACP Pradyuman, join forces with forensic expert Dr Salunkhe to track down the perpetrators who have committed heinous crimes, using every small clue they can find.

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😹
Fun
Transcript
00:00Where is this?
00:04Where is this?
00:06I am so happy.
00:08I am so happy.
00:10You are so happy.
00:12The same princess.
00:14One minute.
00:16Mom?
00:18I am so happy.
00:22Mom, what are you doing?
00:24I am so happy.
00:26You are the princess.
00:28One minute.
00:29Maa, perfect.
00:31I'm feeling very simple.
00:33Simple?
00:34Kalpu, you're my daughter.
00:36Look, how can you feel simple?
00:41I'm feeling very loving in this bridal get-up.
00:43Really?
00:44Just one second, I don't want anyone to see my daughter.
00:48Father, let me ask you to ask me.
00:50I'm sorry, Kalpu.
00:52Rajan, this is a friend, right?
00:55That's good work.
00:57Okay?
00:59Another thing, this guest house painting, check it out.
01:03It's okay or not?
01:04No need to complain about the girls.
01:06Sir, everything will happen.
01:08Don't worry, don't worry.
01:09Dad.
01:10Great.
01:11Nice.
01:12Tell me how I feel.
01:13Oh, oh, oh.
01:15Look at her.
01:16Maa says I feel good.
01:17Okay?
01:18Maa says I feel good.
01:24My daughter.
01:25Maa is saying truth.
01:27I feel good.
01:28I feel good.
01:30Sir, I'm absolutely right.
01:31Look at that.
01:32In the engagement party, you have all your heart.
01:38Wait a second.
01:39Yes.
01:40Rajan, one minute.
01:41Yes.
01:42Hello?
01:43Yes.
01:44I'm saying.
01:45Kuldeep.
01:46Wanglo's dispute has not been solved until until.
01:51This is the last warning for you.
01:52The next one will not be ringing.
01:56The next phone will not be ringing.
01:57You will die.
02:01I'm afraid of you.
02:02I'm afraid of you.
02:04Do you understand?
02:05Go.
02:06Don't joke.
02:07Kuldeep.
02:08What is this?
02:11These calls are not fun.
02:13Kuldeep.
02:14I've said before that.
02:16Relax, Metali.
02:17Relax.
02:18I've already told CRD.
02:20I just need to get some fresh air.
02:22Okay?
02:23I'm going to my room in my meditation.
02:24I'm going to my room in my meditation.
02:54I'm going to my room in my meditation.
02:55I'm sorry?
02:56Let's go.
02:57I'm going to my room in my meditation like this.
02:59I'm sorry.
03:00Sorry?
03:01I'll be okay.
03:02I'll be okay now.
03:04Wait.
03:05I'm sorry.
03:06I know.
03:07Hey, I know.
03:08I'm so sorry.
03:09I can't wait in an a minute.
03:10I'm sorry.
03:11I was okay with that.
03:12I'm sorry.
03:13I didn't hear too much.
03:14Can't wait.
03:15Alright, let's make sure.
03:17Okay.
03:18I'll be okay.
03:19Hey, I'm good.
03:20I will be okay with you.
03:21Hello?
03:22I know you.
03:23I'm good.
03:24Hi, sir. I'm Rajal. Kuldeep, sir, manager.
03:33Kuldeep ji, where are you?
03:35I didn't have to talk to him. It's necessary.
03:37Sir, it's been a little late for you.
03:39The fear of the matter was there.
03:41What?
03:43Where are you?
03:44Sir, here.
03:54Excuse me.
04:01Hey, come here.
04:24When did he come here?
04:38Sir, it was a few minutes earlier.
04:54Sir, this is Kuldeep Ji's death.
04:59Okay, sir.
05:05When did you see Kuldeep Ji's last time?
05:07Sir, the last time Kuldeep Ji didn't see Kuldeep Ji.
05:10This is Sir's bodyguard.
05:11What happened before Kuldeep Ji's meditation room?
05:15Sir, this morning from 4 o'clock,
05:17Sir came from the living room and came from the corridor to his meditation room.
05:21He closed the door and I was standing outside.
05:24Sir, the meditation session is about 20 minutes.
05:28But this time, it's about 40-45 minutes and Kuldeep didn't come out.
05:32Kuldeep Ji hasn't done anything yet.
05:34This is my fault, sir.
05:36Kuldeep Ji, sir.
05:38Sir, you're fine, right?
05:43What's your problem?
05:44Sir, it's about 40-45 minutes.
05:47As soon as Kuldeep is coming in 20 minutes,
05:49we can't wait until now.
05:53Kuldeep, sir!
05:54I think we have to break the door.
05:56Yes, okay.
06:02Kuldeep, sir!
06:03Kuldeep, sir!
06:04Kuldeep, sir!
06:05Kuldeep, sir!
06:06Sir!
06:07Kuldeep, sir!
06:08Kuldeep!
06:09Kuldeep!
06:10Kuldeep!
06:11Kuldeep!
06:12Kuldeep, sir!
06:13Kuldeep!
06:14Kuldeep!
06:15Kuldeep!
06:17Kuldeep, come on.
06:18Kuldeep!
06:19Kuldeep!
06:21Kuldeep!
06:22Kuldeep!
06:23We haven't come in my understanding how all this happens.
06:25Rajan, where were you when all of this happened?
06:27Sir, I in my study room.
06:29Sir, I was making a schedule for next day.
06:31Mr. Am i'm making an раньше schedule of my next day
06:32and when he walked out so far,
06:34I came out in the meditation room.
06:36So, friends.
06:38Okay, let's go out there.
06:48Pankaj, Sachin, let's talk about everything, see what happens.
06:57According to this entry, there are many people here?
07:00Yes, sir.
07:01Yes, sir.
07:02It's the dream of Kalpana baby's engagement, right?
07:05It's the work of the house and decoration.
07:08That's why many people came and went.
07:10Did anyone miss any entry?
07:11No, sir.
07:12There are many years of experience.
07:14No one can't come from my eyes.
07:16And if the eyes are closed, then?
07:18What does it mean, sir?
07:19It means that you're on duty here.
07:21You've got to sleep, you've got to sleep, you've got to go inside.
07:23Is that something like that?
07:24No, sir.
07:25I've never slept on duty.
07:27Is this another way to come to the village?
07:29it's the only way to come to the village.
07:33The door is only on the door.
07:36And outside, a body guard was standing.
07:41Sir, this door was shut from inside.
07:46There is no secret way to see it.
07:52There is only a table here.
07:55There is also a grill.
07:57Tell me that in the 40-45 minutes,
08:00someone came in the room or came out of the room?
08:03Or did you leave the room to leave the room?
08:06No, sir.
08:07I didn't leave the door for a moment.
08:10Neither came in nor came out.
08:13Sir,
08:14then how did this happen?
08:16And who did it?
08:18Because in this room,
08:20there is no secret place
08:22where someone can see it.
08:26Who is taking some paint here?
08:30Sir,
08:31you are working on renovation here.
08:34Why are you coming from there?
08:36No, inside.
08:38This way.
08:39I am coming from here.
08:41I am going to study this one.
08:43Yes,
08:44I am going to paint this one.
08:46I am going to paint this one.
08:47Yes,
08:49I am going to paint this one.
08:50Sir!
08:51Sir!
08:52Huh?
08:53Look at that.
08:56Sir, in the face of the aroma oil,
08:59in the face of the face,
09:01and in the face,
09:02there is a aroma oil.
09:04There is a aroma oil here.
09:06How much is it?
09:08And then,
09:10there is a bottle of aroma oil here.
09:15When you put the aroma oil in the diffuser,
09:18it will be stuck in your hand.
09:20But sir, why would you put the aroma oil in the face of the aroma oil?
09:24This oil, Kuldeep Ji has not put on his face.
09:26He has put the oil in his face.
09:28How is it, sir?
09:30Look at this.
09:31Look at this.
09:32Look at this.
09:35This.
09:39This oil...
09:40came from this oil.
09:43He...
09:44He has been out of his face,
09:47he has dropped his face from his face.
09:51From his face,
09:52He has put him on his face.
09:53When we get paid,
09:55He will probably put his face on his face.
10:00He has been used to remove the paint from here.
10:04He used the aroma oil from here.
10:10He removed his hand and his face.
10:20And probably...
10:23...Kuldeep Ji's body also took his sona.
10:28Sona?
10:29Look at this. In the photo.
10:32There's a chain on the chest.
10:35There's a bracelet.
10:38And here...
10:42...brislet, chain...
10:45...all are gone.
10:46Sir, we believe that the oil came from this door.
10:51But this door is on the higher floor.
10:53And this door is also on the plane.
10:55There's no support that he took off.
10:58How did he come up again?
11:01He didn't come down.
11:03So...
11:06He came from the ceiling.
11:07He came from the ceiling.
11:08He came from the ceiling.
11:10He came from the ceiling.
11:12Kuldeep Ji's phone.
11:14And he ran away from the ceiling.
11:18Sir Rajan, tell me...
11:20He's working on the decoration and painting.
11:22He's working on the decoration and painting.
11:23Does anyone supervise him in the house?
11:25Yes, sir.
11:26Kuldeep's wife, Mitali.
11:28I'm going to talk to you.
11:29I'm going to talk to you with CID.
11:30How are you doing now?
11:31I'm not going to talk to you.
11:32I'm not going to talk to you.
11:33I'm not going to talk to you with CID.
11:34I'm not going to talk to you with CID.
11:36How are you doing now?
11:37It's too bad, sir.
11:38I'm not going to talk to you with CID.
11:39I'm not going to talk to you with CID.
11:40I'm not going to talk to you with CID.
11:46How are you doing now?
11:47It's too bad, sir.
11:49I'm not going to talk to you with my child.
11:53Kuldeep Ji came from the ceiling.
11:58Do you have any idea about this?
12:00Yes, sir.
12:01I know who was calling from Kuldeep to the ceiling.
12:04Who?
12:05Hemat.
12:06He was a business partner of Kuldeep.
12:09Although, a few days ago, his partnership was finished.
12:11Why?
12:12There was a business dispute.
12:14He gave him some time to Kuldeep.
12:16I told Kuldeep that he was complaining about the police.
12:19But he never took my story seriously.
12:22And he looked at me.
12:24Baba!
12:25Baba!
12:26Baba!
12:27Baba!
12:28Baba!
12:29Baba!
12:30Baba!
12:31Baba!
12:32Baba!
12:33Baba!
12:34Baba!
12:35Everything is fine.
12:39Baba!
12:40Baba!
12:41Baba!
12:42Baba!
12:43Baba!
12:44Baba!
12:45Baba!
12:46Baba!
12:47Baba!
12:48Baba!
12:49Baba!
12:50Baba!
12:51Baba!
12:52Baba!
12:53Baba!
12:54Baba!
12:55Baba!
12:56Baba!
12:57Baba!
12:58It's not a tree or a tree or a hook, but this is the bathroom of the workers.
13:04There are bamboo, trees, paintings, etc.
13:07So if you haven't come from above, then you can come from below.
13:10There are trees and bamboo etc.
13:13Now you have to know who has come from here.
13:16Who has called?
13:18Sir.
13:21This Mr. Nakul has given the renovation of this bungle.
13:25You don't have to know that the grill of the meditation room didn't fit properly?
13:31Sir, there was no grill in the meditation room.
13:35Because of that, they came into the cupboard and they were bad at the meditation room.
13:39Khuldeep was very difficult.
13:41Mittali Madam told me to put the grill in there.
13:44Yes, but the grill didn't fit properly.
13:46No sir, there was only welding.
13:48The rest of it was fixed so that it could not come from the cupboard.
13:51Okay.
13:52Sir.
13:53Who is doing this grill?
13:54Who did this painting?
13:55Who did this painting?
13:56Sir, Jaggu.
13:57Tell Jaggu.
13:58Let's go.
13:59Sir, Jaggu is not here today, sir.
14:01I called him in the morning, but I was telling him the phone.
14:04What's his number?
14:05Sir.
14:06Yes.
14:11The number is an officer.
14:13Sir.
14:14Sir.
14:15Sir.
14:16The number is not here today, but you don't have to see it.
14:17Yes.
14:18Tell him to the watchman.
14:19Sir.
14:20Sir.
14:25Sir, there was no entry in the register.
14:26What is all this?
14:27Sir.
14:28Sir.
14:29Sir.
14:30Sir.
14:31Sir.
14:32Sir.
14:33Sir.
14:34Sir.
14:35Sir.
14:36Sir.
14:37Sir.
14:38Sir.
14:39Sir.
14:40Sir.
14:41Sir.
14:42Sir.
14:43Sir.
14:44Sir.
14:45Sir.
14:46Sir.
14:47Sir.
14:48Sir.
14:49Sir.
14:50Sir.
14:51Sir.
14:52Sir.
14:53Sir.
14:54Sir.
14:55Sir.
14:56Sir.
14:57Sir.
14:58Sir.
14:59Sir.
15:00Sir.
15:01Sir.
15:02Sir.
15:03Sir.
15:04Sir.
15:05Sir.
15:06Sir.
15:07Sir.
15:08Sir.
15:09Sir.
15:10Sir, in that time, he came into the jungle.
15:14What happened then?
15:15When he broke the door in the room, my eyes opened the door.
15:22So, sir, when his eyes opened,
15:25he came into the meditation room and left out of the room.
15:32Nakul.
15:33Yes.
15:34Do you keep all your employees' identification?
15:38Yes, sir. All the details were given to Bindra.
15:42Put the radar card from the jungle and leave the details.
15:47Give the radar card.
15:48Sir, let's go.
15:52And Pankar,
15:54all the people in the morning came from the jungle.
15:57Fingerprints, identification, all the details.
16:04This is Kuldeep's skin sample.
16:07And I got paint stains on it.
16:10Tell me something new to you.
16:12I got steric acid traces on it.
16:15This is new.
16:16Steric acid?
16:17And what is this, sir?
16:19Still, steric acid is a bit of a lot of paint.
16:24But there is something different here.
16:26There is something different here.
16:27Where the grill of the window,
16:28and where it has been painted for the renovation,
16:31I don't have any traces of this steric acid.
16:35Sorry, sir.
16:36I don't understand anything.
16:37I understand, Pankar.
16:38I don't understand, Pankar.
16:40Darsal Khouni has left this paint stain on the skin.
16:43This steric acid is left to Kuldeep's body.
16:46But sir,
16:47now you have said that the acid grill or paint is not matched with acid.
16:51It can also be that this steric acid has come from murder weapons in his body.
16:58Okay, sir.
16:59Besides this,
17:00this steric acid,
17:01and what kind of thing is used?
17:03Sachin.
17:04Besides this,
17:05this steric acid is used in cosmetics and skin care.
17:10Like,
17:11like,
17:12like,
17:13like,
17:14like,
17:15I've been using cosmetics,
17:17there's a shampoo,
17:18there's a shampoo,
17:19there's something else.
17:20Thank you, boss.
17:21I've checked,
17:22well,
17:23I didn't get any residue from it.
17:25I didn't get any residue from Kuldeep's body.
17:27So,
17:28what does that mean?
17:29What does that mean?
17:30Why would you use these things?
17:32I mean,
17:33when Kuldeep's face was removed from Kuldeep's face,
17:36then,
17:37maybe,
17:38that steric acid is in Kuldeep's face.
17:39Right.
17:40One more question, boss.
17:41Kuldeep's face was removed from Kuldeep's face.
17:43Right.
17:44One more question,
17:45boss,
17:46I don't think Kuldeep is professional.
17:48What does that mean?
17:49I mean,
17:50that,
17:51that,
17:52that,
17:53that,
17:54that,
17:55that,
17:56that,
17:57that,
17:58that,
17:59that,
18:00that,
18:01that,
18:02that,
18:03that,
18:04that,
18:05that,
18:06that,
18:07that,
18:08that,
18:09a,
18:10having,
18:11the ethical issue?
18:12That's right.
18:13To act for a personal marketing,
18:14To act as someone
18:15who were also conspiring their lives.
18:16To act as a painter of Kuldeep a client,
18:17as a painter,
18:18as a painter,
18:19even if he made the money.
18:20As a painter,
18:21whether,
18:22fans of a painter could've usedes people let.
18:23As a painter's job,
18:24to promote their purpose.
18:25Or experience as his 업iler,
18:26旧 Evee,
18:26in this case.
18:28Any rebel who are carrying a critique of Kuldeep as an expert partener at Kuldeep?
18:31He is the one who is Kuldeep's ex-business partner with Kuldeep, Hemanth.
18:42Mr. Hemanth, Kuldeep was your first place with your land deal and bungalow ownership.
18:48You are right. When we bought bungalow, we were both partners.
18:54We wanted to build a bungalow building.
18:57And Kuldeep took the bungalow.
19:01I was the owner of the property of the property.
19:04Is there any proof?
19:05I can show you.
19:10Look at this.
19:12We wanted to build the building.
19:15This is a blue print.
19:17This is the agreement between us.
19:21There are some photos.
19:23Look at the photos.
19:27You too.
19:31They took the bungalow from you.
19:33That's why you gave them a bungalow.
19:36And then gave them a bungalow.
19:37No sir.
19:38I just wanted to sell it.
19:39The property of this property is the 50% power I have.
19:47I wanted to kill them.
19:49I never wanted to kill them.
19:51But it was gone, yeah?
19:52You can do that not want to kill them.
19:54Or will they kill you from another?
19:56If you get hurt?
19:57so that your hands would get hurt.
20:02I was afraid of him.
20:04And I also wanted him to be able to die like him.
20:08But it doesn't mean that I have killed him.
20:11We believe only in the proof.
20:13And the proof doesn't say it.
20:15If it is proof, take it away.
20:17If you both think that I have killed Kuldeep,
20:21take it away.
20:23I don't have time to get the proof.
20:26Once the proof is taken away,
20:30the proof will come in front of me.
20:32Yes.
20:33So, at the same time?
20:35Okay.
20:36We will take these photographs,
20:37blueprints and whatnot.
20:44Where are you?
20:47Great.
20:49Where is it?
20:51Okay.
20:52We'll get it.
20:54I've got to know.
20:56I'm just going to find him.
20:57So, let's take a look at him.
20:59And...
21:01I'm going to check his phone records.
21:03But who was behind him?
21:06Okay.
21:09Hello?
21:10I'm talking to you, Patidev.
21:13Yes.
21:14Yes.
21:15What is it?
21:16I've got a new phone.
21:17And this is a new number.
21:19Save me.
21:20Okay?
21:21Yes.
21:22This is the number of people.
21:23Okay?
21:24And...
21:25Listen.
21:26Today, I'm going to sit in the first place.
21:33What?
21:34Goji.
21:35I've got a little time for you.
21:37I've got to talk a little bit.
21:38I've got to talk a little bit.
21:39Who are you guys?
21:40I'm not talking to people.
21:42You're not talking to people.
21:43You're not talking to people.
21:44You're from Sassural.
21:45Sassural?
21:46My?
21:47CID.
21:48What happened, sir?
21:49CID?
21:50What happened, sir?
21:51Nothing.
21:52It's a new phone.
21:54A new number.
21:55A new ticket.
21:56A plane ticket.
21:57Huh?
21:58No, no.
21:59Don't die.
22:00What?
22:01You've got a photo ID to buy.
22:02And you've used a photo ID to buy.
22:03And you've used a card.
22:04That's right.
22:05That's right.
22:06Our card is looking for you.
22:08Let's go.
22:10Let's go, Sassural.
22:11Huh?
22:12Sassural?
22:13No.
22:14Hey, hey, hey.
22:15Hey, what's up?
22:18What's up?
22:19We'll be a senior?
22:20Run, run, run.
22:21Let's go.
22:44Hey, man.
22:45Sir, sir, sir, sir, sir.
22:46Sorry, sir.
22:47You are on the murder of Kuldeep's murder.
22:49Do you understand?
22:50Why would I kill him, sir?
22:51What's my responsibility?
22:53It's not a responsibility.
22:54It's a friend.
22:55But with money.
22:56Sir, you're being angry at me.
22:59No.
23:00Don't be angry.
23:01Your friends will meet with the room.
23:04Do you understand?
23:05That's why I painted the room.
23:08And I don't know that you didn't put the grill right away.
23:10So you can return to that road
23:12and get rid of Kuldeep's murder.
23:15No, no, sir.
23:16He told me to do this.
23:17There was some work of soldering there.
23:19And there was also a coating on it, sir.
23:22That's why he left it.
23:23Why didn't he come here today?
23:24Sir, sir.
23:25He came, sir.
23:26It was a little late.
23:27He came here.
23:27He came here.
23:28He came here.
23:29He came here.
23:30He came here.
23:31And there was no trouble.
23:33He took me the grill right away.
23:36And I left there, sir.
23:38I met him here.
23:57What's that, sir?
23:59I'm talking about that, sir.
24:01I didn't see anyone's blood.
24:03I was talking about killing him there, sir.
24:05My mother.
24:09Sir.
24:11Sir, I checked CCTV footage from an ATM.
24:15He's talking about Jaggu, sir.
24:17He was going towards the murder.
24:19That's what I mean,
24:21that Jaggu can't be blood.
24:23Then, if Jaggu is not blood,
24:25then who is blood?
24:27Sir, we didn't get any finger prints on the grill.
24:31And Prabhakar also said that
24:33he didn't see anyone in the meditation room.
24:35But if there's no grill or window
24:37who's angry,
24:39who can kill Kuldeep Ji?
24:43Sir.
24:45Sir, I checked Kuldeep Ji's record.
24:47He came to the last call
24:49for 10 minutes, sir.
24:51After the call, he was in the meditation room.
24:53Who was the call?
24:55Why didn't he call Kuldeep Kuldeep?
24:57Why didn't he call Kuldeep Kuldeep?
24:59And he was also
25:01at the time of meditation.
25:03Sir, you know,
25:05he called Kuldeep to come to the meditation room
25:07and Kuldeep Ji didn't know.
25:09In this case,
25:11he was happy in the room.
25:13He was out of the room and left.
25:15But Prabhakar said that he was out of the room.
25:17He didn't see anyone in the room.
25:19Pankaj,
25:20he doesn't have any help.
25:21He doesn't have any help.
25:23He doesn't have to be the same.
25:25He can be.
25:26Prabhakar and Mitali
25:28get him.
25:29And after the death of Kuldeep,
25:31after the death of Kuldeep,
25:33this business and property
25:35are going to be named Mitali.
25:37Okay.
25:39So,
25:41that's the thing.
25:43So,
25:44Ravjit,
25:45call them both in the room.
25:47You know,
25:49that the Kuldeep
25:51and Mitali
25:52are going to eat
25:53with a fish.
25:55Mother,
25:56where are you going?
25:58I'm going to the office.
26:00Why are you going to the office?
26:01It's a necessary job, Kalpana.
26:03If I have a father,
26:05I won't go.
26:06I won't go.
26:07But if I'm not a father,
26:09I don't have to ask anyone.
26:11No, Kalpana.
26:12I'll have to go to the office.
26:13I'll have to go to the office.
26:14Yes.
26:15Hello,
26:16Rajan is also here.
26:18You sit with Rajan
26:20and talk with Rajan.
26:21I'll come back.
26:22I'll come back.
26:41I'll come back.
26:42I'll come back.
26:43What's the matter, Mitali?
26:45Did you have to work very soon
26:46to work a business?
26:47Yes, sir.
26:50My husband Kuldeep
26:52had some mistakes
26:53to deal with business.
26:55I just tried to do it.
26:58He came to do it?
27:00You came to do it?
27:01You came to do it.
27:02What are you saying?
27:03No.
27:04He died.
27:05He came to do it.
27:06He came to do it.
27:07He came to do it.
27:08He came to do it.
27:09He came to do it.
27:10He came to do it.
27:11He came to do it here.
27:12We'll talk to you, Mr. Ayman.
27:14Now, I'm going to ask him to ask him.
27:17You'll be going to go to the police.
27:20Come here.
27:21Come here.
27:22Yes.
27:23Let's go.
27:24Tell him a question.
27:25When Kuldeep is in his room,
27:43you got his phone call.
27:46Why?
27:47Why didn't he take this call?
27:49Because he chose no one.
27:50If he is or not,
27:52or not, we will decide, Mitali Ji.
27:55We are saying that you have met with Prabhakar
27:59and killed Kuldeep.
28:01Why did you do that, Prabhakar?
28:02You didn't call your boss.
28:04Don't say anything.
28:05You got your finger prints on our body.
28:07Sir, I didn't kill Sir.
28:09And why would I kill him?
28:11And the finger prints when I saw him.
28:14Then Mitali Madam said,
28:16that you had a very big deal with Kuldeep.
28:19Did you kill him?
28:21No sir.
28:21There wasn't anything that happened.
28:23He was saying that.
28:24Why did he say that?
28:25Sir, he wants to kill me.
28:27And I doubt that Mitali Madam has murdered him.
28:31Why did he say that?
28:33Because after the death of Sir,
28:35Mitali Madam took over the whole business.
28:38Sir, I doubt that Mitali Madam will not kill Sir for money.
28:43I called Kuldeep to Kuldeep,
28:45because I was telling Kuldeep that
28:47we are going to get to the airport.
28:50That's a new story.
28:55So when Kuldeep came to the airport,
28:57where did you go?
28:58I was my daughter Kalpna.
29:00We were both on the video call.
29:02with the manager of the event management company.
29:05Sir,
29:06my daughter is going to be married for two months.
29:08We were talking about the manager's plans.
29:11If you want,
29:12we can cross-check with the manager.
29:14We will cross-check with Mitali.
29:16But as soon as our investigation will not be done,
29:19you will not leave the city.
29:21Do you understand?
29:22Do you understand?
29:30Sir.
29:31Yes.
29:32Sir, that lotion bottle that Mitali had used,
29:34didn't get a trace of steric acid that we had in the body.
29:36What?
29:37Sir.
29:42Abhijit,
29:43this is the blueprint.
29:45This is the old Bangla's blueprint,
29:47which we haven't given.
29:49Now,
29:50in this blueprint,
29:51the Bangla and Meditation Room were attached.
29:55Connected.
29:56But now,
29:57this is the connection.
30:01And here,
30:02this wall was opened.
30:04So,
30:04it's not like this.
30:05Someone had eaten a tree with this tree.
30:11Sir,
30:11when we investigated,
30:13all the trees were checked.
30:15All the trees were originally estimated.
30:18There was no tree with this tree.
30:20But Sir,
30:20then,
30:21the man in the room,
30:22he killed the tree.
30:31How can it be?
30:34No one came in the room.
30:38No one came in the room.
30:39What does it mean, Sir?
30:40What does it mean?
30:42It can also be,
30:43that,
30:45when it was in the room,
30:46it was in the room before this room.
30:49And after that,
30:52it was gone from the room.
30:55It was there in the room.
30:57Sir,
30:58tell me a little detail.
31:00Please, Sir.
31:01.
31:02Pankaj,
31:04this is the original photograph of the bungalow in the vault.
31:08Which was in the sale.
31:11And,
31:16this is the latest photograph of the bungalow in the vault.
31:20It was the represal of the crime scene for the vault.
31:27Hmm?
31:28Take care, Pankaj.
31:30There is something missing in these photographs.
31:47Oh, good!
31:49You understand, Pankaj?
31:51If we haven't seen any pictures of this bungle,
31:56then what is the real game of the bungle?
31:59I don't know.
32:05In this photograph,
32:09there was a statue here.
32:13Where is that statue, Amit Ali?
32:17That?
32:18About the statue,
32:20Kuldeep told that the statue is damaged.
32:23Yes, sir.
32:24I remember that.
32:25Kuldeep told me that he was going to repair the statue.
32:28The statue is broken.
32:30Send it to the statue.
32:31Yes, sir.
32:32Where is that statue?
32:33Sir, I kept the statue in the garage.
32:36Take it.
32:37Mr. Ramam.
32:48Mr. Ramakar.
32:49Yes, sir.
32:51Kuldeep, after killing the statue,
32:53in the room,
32:55so this statue was here?
33:01I was shocked, sir.
33:03My attention is not that this statue was there or not.
33:07There was a statue here, but there was no.
33:10What does it mean, sir?
33:12It means that the wood was standing here and standing here.
33:16He coloreds you from the paint of the statue
33:20and has been standing here.
33:22Then, Kuldeep Ji was waiting for him.
33:26When Kuldeep Ji was standing here,
33:31he came behind him,
33:34and then he was standing there.
33:39When the house, staff and workers came here,
33:43he took his clothes off from his chair
33:46and took all of them.
33:49Then, he went to the bathroom.
33:51He went to the bathroom, cleaned his paint,
33:53and then he took his job,
33:55as if nothing didn't happen.
33:59In this clothes, there are the marks of the bronze color.
34:02Like this statue.
34:03He was standing there,
34:04and he was standing there.
34:05And the same color,
34:07was also in the character of the killer's face.
34:11He was standing there.
34:12In the same color,
34:13we have to have the steric acid.
34:14The steric acid comes in the cosmetic paint.
34:16And this steric acid was also in the body of Kuldeep Ji.
34:20I mean, the height of the earth and the height of the statue should be the same.
34:35Now the question is that which height matches the height of the statue.
34:45And where I remember only one person.
34:50Ballou.
34:53But sir, if Ballou is mixed in the middle, then why did you see him?
34:57Because someone has helped him from here.
35:02But who is he?
35:04He will tell Ballou.
35:20What?
35:21What?
35:22What's going on?
35:23Ballou, this is your last installment of your work.
35:26Okay.
35:28What?
35:29What's going on?
35:30Ballou, this is your last installment of your work.
35:33Okay.
35:34What?
35:35What's going on?
35:36Ballou.
35:37Ballou.
35:38Ballou.
35:39Ballou.
35:40Ballou.
35:41Ballou.
35:42Ballou.
35:43Ballou.
35:44Ballou.
35:45Ballou.
35:46Ballou.
35:47Ballou.
35:48Ballou.
35:49Ballou.
35:50Ballou.
35:51Ballou.
35:52Ballou.
35:53Ballou.
35:54Ballou.
35:55Ballou.
35:56Ballou.
35:57Ballou.
35:58Ballou.
35:59Ballou.
36:00Ballou.
36:01Ballou.
36:02Ballou.
36:03I haven't done anything, sir.
36:04Stop!
36:05What have you done or not? You all know we have.
36:08Why were you running?
36:09Stop!
36:10How much money?
36:12Who gave you?
36:13How did you get to me?
36:15This is back to the temple.
36:17Do you understand?
36:18This is your friend's temple, right?
36:20The painter?
36:21Who gave you the painter?
36:33What are you doing?
36:34Are you out here?
36:35Do you want to buy a tent of a buyer?
36:36Do you want to buy a tent?
36:37Yes, Sachi.
36:39Are you?
36:40Yes, Sachi.
36:41No?
36:42No.
36:43No.
36:44No.
36:45Yes.
36:46No.
36:47No.
36:48No.
36:49Yes, not.
36:50No.
36:51No?
36:53No?
36:54No.
36:55No.
36:56No.
36:57No.
36:58No.
37:00No.
37:01No.
37:02No.
37:03You're dead, uncle.
37:05Sir.
37:06Sir.
37:07Sir.
37:08Sir.
37:09Sir.
37:10Sir.
37:11Sir.
37:12Sir.
37:25Why did you say that?
37:26First, you killed Kuljit Ji.
37:28You killed him after that.
37:30Sir, I didn't kill him after that.
37:32I got the money, but I took the money.
37:35I killed Kuljit Ji.
37:37He was telling Rajan.
38:02He killed Kuljit Ji.
38:03Then, who killed Rajan?
38:04There's no one who wanted to reach Rajan.
38:05He's still running out of the way.
38:07He killed Kuljit Ji.
38:08He killed Kuljit Ji.
38:09He killed Kuljit Ji.
38:10Then, who killed Rajan?
38:12There's no one who wanted to reach Rajan.
38:17He's still running out of the way.
38:22He's still running out of the way.
38:23Not going to knock off.
38:25In Mr. Rajan, he broke the money, and had to go to Rajan's knowledge.
38:27It was a resin-based compound, which was mixed in lip-bomb.
38:28Definitely.
38:29In Mr. Rajan's body, he was given the money, who had a bottle of lip-bomb.
38:32which was mixed with lip balm.
38:35That means,
38:37whoever has a spoon,
38:39may be aware that Rajan
38:41is using lip balm.
38:44Sir,
38:46he has a laptop,
38:48he has a password protected,
38:49but he has a gift box in his laptop bag.
38:52He has a diamond pendant.
38:54He has a bill, but Rajan has not bought.
38:56The interesting thing is that
38:58the initial diamond pendant
39:00is M.
39:05M.
39:07Varevaa M.
39:10Abhijit,
39:13in this case,
39:16there is only one person
39:19whose name is M.
39:22Mitali.
39:25Thank you so much for your service.
39:28Today,
39:30we are leaving the house.
39:32What will happen, Mitali?
39:36Where are you going to go from?
39:38Sir,
39:40I and Kalpana are going to our old house.
39:43After Kuldeep's death,
39:45we will have to live in this house.
39:47And then,
39:48we will have to change a little bit here.
39:50In the old house,
39:51you will have to go from the house.
39:53And the other one will go from jail.
39:55Jail?
39:56Jail?
39:57Jail?
39:58Jail?
39:59Jail?
40:00Jail?
40:01Jail?
40:02And in the car we got the body of Rajan, we got a pendant in that car.
40:07And we're sure that this pendant is the one who made the phone with Rajan's phone and was running his phone.
40:13And the initial pendant in this pendant, that is M.
40:18So, the phone is a man whose name starts from M.
40:21Sir, there are thousands of names from M.
40:24Why do you think that M is only a M?
40:27What are you doing on me?
40:29Mmeera and Rajan's phone?
40:31No, no, we didn't say that. We were so lucky.
40:35Then we got a Rajan's laptop, we cracked it, so that the laptop has all the Raja's phone.
40:42He has all his feelings on his laptop.
40:45There were many love letters that he didn't mail.
40:50And he has one name on all the letters, whose initial starts from M.
40:55Listen to me, sir, you guys have no mistake.
40:59No, no, no, no. There's no wrong idea, Mithali Ji.
41:02He was loving to some M-name of the girl.
41:07Why, Kalpna Ji?
41:09How do you know me, sir?
41:10No, no, no.
41:11Listen to the whole thing.
41:12I'm saying, why Kalpna Ji and Mithi?
41:19You call him like this, Mithi.
41:23M.
41:24He's the same thing, what have you seen me in the house for?
41:28He's the same thing, you've been watching.
41:33He's got your brother in the house for your college.
41:36He's got your brother here in the house.
41:37He's the same thing, Kalpna Ji,
41:38now tell me, why did you kill him?
41:40He was the same thing.
41:40Tell me, why did you kill Rajan from whom you loved him?
41:44I didn't love Rajan from him.
41:46He was asking me.
41:47That's why I used it for his use.
41:49I don't know why I'm scared of my heart.
41:53I don't understand how to say that I love him from him.
42:06Ma'am, you...
42:09Ma'am, that...
42:09What is it?
42:10I don't understand anything.
42:12I was trying to type something.
42:18Rajan...
42:21I know that you love me very first.
42:26And tell me...
42:30I love you too.
42:33What?
42:34I really want to marry you.
42:37I love you too.
42:38I love you too.
42:39I love you too.
42:41I love you too.
42:43But...
42:44How will it happen?
42:49What happened?
42:50But...
42:51Why are you waiting for me?
42:52I love you too.
42:53I love you too.
42:54About my marriage.
42:55I will never want to marry you too.
42:56I love you too.
42:57I want to marry you too.
42:58I love you too.
42:59My wife will never get a father who will marry you too.
43:00I know...
43:02I love you too.
43:04Are you taking attention to me?
43:07I am, right?
43:07I will go to Kuldeer, sir.
43:09I'll take your hand.
43:10No, Rajan.
43:11You're not understanding.
43:14We'll never believe Papa's future.
43:16If we don't believe him,
43:18we'll die.
43:20What do you do?
43:22There's a path.
43:24What?
43:25We'll have to kill Papa.
43:26What?
43:28We'll stay with him.
43:29No, no.
43:31This path is completely broken.
43:33You can't stay without me.
43:35I can't stay.
43:36You don't understand.
43:37Why do you understand me?
43:38I'll die without you.
43:39I'll never do a wedding.
43:40But okay.
43:41I can't...
43:47Okay.
43:49If you're saying that,
43:52we'll die with Kuldeer.
43:56I've used Rajan.
43:58So that Papa can't get me in the wedding.
44:00Rajan has called Papa's help.
44:03But when I realized that Rajan is going to be exposed,
44:07I've also taken away from him.
44:09But I also wanted to kill him.
44:10And why did you want to marry Rajan?
44:13I didn't want to marry him.
44:15I wanted to become a son of Papa.
44:16His business.
44:18I wanted to grow his empire.
44:21But Papa,
44:22his thoughts were very small.
44:23He's a girl.
44:25He's going to marry him and marry him.
44:28I wanted to change his thoughts.
44:30And I tried to do a lot.
44:31But...
44:33I was just a business deal for Papa.
44:36Right, Ma?
44:38Sir, we don't have any life of young people.
44:41We don't have anything from our lives.
44:44We don't listen to all our lives.
44:47Don't do that.
44:48Don't do that.
44:49Don't do that.
44:51What?
44:53I also wanted to live my life.
44:55I wanted to live it in my way.
44:58I wanted to make what I want to do all my life.
45:04It's the truth of my life.
45:07It's the truth of living one of our lives.
45:10It's the truth of truth.
45:11And today's time, it's the truth.
45:13Yes, if the quarter of the people with the fight
45:15hucki ladai ladnay pade to uske bhi rastte hai
45:17lekin joh rastah tumne chuna o gala ta
45:20tumhari is fayaslaya nne tumhari puri zindagii pabarbat kardhi
45:23ab baqi ki bachee hoi zindagii
45:26jel ki salakon ke pichhe kaatni padegi tumhai
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