The Freelancer – S01 E07 | Watch Now | HD | #Latest #Trending #Series - video Dailymotion

Giggle Galaxy

The Freelancer/ ex Cop Avinash Kamath (Mohit Raina) is a mercenary who specialises in covert operations. He is bound by a promise made to his colleague and dear friend Inayat Khan (Sushant Singh) to watch out for his wife and daughter in case he dies in the call of duty.Years later controversial suicide of Inayat Khan brings Avinash back home only to find that Inayat’s suicide was a call for help to rescue his daughter Alia who’s been forcefully taken to Syria by her husband and in-laws to join the ISIS.It is now Avinash’s mission to bring Alia home safely.What I loved:The Freelancer is gripping and you just cannot stop watching episode after episode. It keeps you on the edge. It’s extremely well researched and the minutest details are paid attention to.It’s beautifully shot. There’s a scene where Avinash is aboard a helicopter for a mission in Afghanistan, you can see Avinash and his team in the helicopter and also the shadow of the helicopter, falling on the ground, moving along with them; just signifies that these men also live in the shadows.

Transcript

00:01There's a friend of Papa. He was in the police.

00:03Abila, we can remove both of them from here.

00:05Really?

00:06Yes.

00:07I will remove that girl from Syria.

00:10This is the concern of the CIA.

00:12And you too.

00:13I actually think you will remove that girl from Syria.

00:23You have about an hour.

00:28What hour?

00:30I need to make a call.

00:47There's no extra information. I'll expose them to them.

00:49I'll give them everything to their desk, moral, ethical and strategic blunder.

00:52Calm down, Kamad.

00:54The CIA is talking about it.

00:55I have filed a declaration to my lawyers.

00:57If something happens, they're going to be very busy.

01:00I'll talk about it.

01:01I don't have to do anything.

01:02Just stop them.

01:03Just stop them.

01:15I'll talk to Bird and call back.

01:16I'll give you some names.

01:17I'll give you some names.

01:18I see some wonders.

01:19Bird, go down, forward.

01:20And stop them.

01:21Kamad.

01:22Kamad, my part.

01:23Go.

01:24We have a go.

01:25We have a go.

01:26Confirm.

01:27We have a go.

01:28Locking targets.

01:29Locking targets.

01:30Locking targets.

01:31Locking targets.

01:32Locking targets.

01:33Locking targets.

01:34Locking targets.

01:37Locking targets.

01:48Locking targets.

01:50Locking target.

02:08Kurt, Henry, hold your horses.

02:12Bert, what the freelancer has given you is very little.

02:15Nothing that your office in Tangiers would not have known with a little bit of effort.

02:19But what he's holding onto is of tremendous importance.

02:22To you, to your Israeli, French and British friends.

02:24He could be bluffing.

02:26No, he isn't.

02:27The girl that he's trying to protect, her husband is a certified chartered accountant.

02:32The freelancer will give you details of every major and minor financier of the ISIS.

02:37He has had the girl help him dig into the guy's computer.

02:40All that he's asking for in return is 18 odd hours.

02:46The pilot worries us.

02:48Why don't you check the goods?

02:50The names that I sent.

02:52See if the raids get you the right results.

02:54And if they do, he'll have the rest sent over.

02:56Have someone in Beirut meet him.

02:58You can always carry on this hit tomorrow night.

03:00You have the ability to strike at Freeville, now that you know the location.

03:04Thanks to him.

03:07We'll establish contact with him and let him know.

03:13Abort, for now.

03:14We'll regroup in a couple hours.

03:16Shit.

03:17It has stopped raining for a bit.

03:30I suggest you move the grains to the shed.

03:35I knew that being a woman, you would empathize with another woman.

03:52I guess even the freelancer jumps to easy conclusions sometimes.

04:13Apologies are due then, Mark.

04:15I will make amends and send you some goodies on your e-mail account I have.

04:18I will make amends and send you some goodies on your e-mail account I have.

04:19I will make the same thing.

04:20I will make the same thing.

04:21I will make the same thing.

04:22I will make the same thing.

04:23I will make the same thing.

04:24I will make the same thing.

04:25I will make the same thing.

04:26I will make the same thing.

04:27I will make the same thing.

04:28I will make the same thing.

04:29How are you talking about?

04:30Where are you talking about, brother?

04:31Where are you talking about?

04:32Where are you talking about?

04:33Where are you talking about?

04:34Where are you talking about?

04:35Where are you talking about?

04:36Where are you talking about?

04:37Where are you talking about?

04:38Where are you talking about?

04:39Where are you talking about?

04:40Where are you talking about?

04:41Where are you talking about?

04:42Where are you talking about?

04:43Where are you talking about?

04:44Where are you talking about?

04:45He said to me that I'm not going to read you in your life.

04:49That's your advantage.

04:50But this is the time of phone, Avinas.

04:53That's the correct time.

04:55In the meantime, some of the dealers are involved.

04:57I'm going to forward the name.

04:59I'm going to get all the money.

05:01I'm going to get some money.

05:02That's okay.

05:03And the child, I'm going to get some money.

05:0510.

05:07I have to manage some missions.

05:09I'll ask you one thing.

05:11Why am I so happy?

05:14When you get to the house, why don't you ask the question?

05:16Bye.

05:18That's okay.

05:44Bye.

05:46Bye.

05:48Bye, everyone.

05:50Bye, everyone.

05:52This is the Kathryn making.

06:00Oh, no.

06:02We're going to fix that decision.

07:04The CIA will elect to debrief her.

07:08We'll see what you've got.

07:09If it's good,

07:11you've got time to tomorrow evening.

07:15This is the rest of it.

07:34This is the rest of it.

07:46I don't know what to do, but I don't know what to do, but I don't know what to do.

08:16I don't know what to do with her.

08:18I don't know.

08:19Good.

08:20I'll call one hour later for you.

08:22Okay.

08:23Alia.

08:24Yes.

08:25Make sure it is all okay.

08:27I will try.

08:28Alia, try not.

08:30Do whatever it takes.

08:32It is now or never.

08:34We'll get out of here.

08:37That is only tomorrow.

08:39What will happen?

08:42Do you understand that?

08:51I will make sure everything is fine.

08:53Good.

08:54Good.

08:55Good.

08:56Good.

08:58Good.

08:59Good.

09:01Good.

09:02Good.

09:03Good.

09:04You're leaving to our house a little while?

09:06Why are you going to go to the bathroom a few times?

09:18That's nothing.

09:20Is that okay?

09:22Yes.

09:23No.

09:24I don't know.

09:25I had a little vomiting feeling.

09:27That's why.

09:28You sleep.

09:36Now what's going on?

09:46She was taking medicine.

10:06What do you want to go?

10:11I want to debrief Aliyah in Beirut.

10:15Are you taking Aliyah back to Beirut?

10:17According to him, yes.

10:19According to him, obviously.

10:21Yeah, too unsafe for him.

10:23Take some rest, guys.

10:25We have a long day tomorrow.

10:36Stop.

10:53Focus.

10:57Make sure you hide all the handguns.

10:58Copy that.

11:06Let's go.

11:36Sorry, I'm not good at myself today.

11:52But no.

11:53No.

11:54What will happen today?

11:56I'll take everything else.

11:58I don't know why you're saying this.

12:06Huh?

12:08You're a very good mom.

12:11Really?

12:12Really.

12:13I've seen a smile on your face for a few days.

12:20Let's go.

12:36That was awesome.

12:43You ever rode Lamborghini before?

12:45No.

12:46But that was great fun.

12:47I always wanted to.

12:48You stay with me.

12:49You ride different car every day.

12:51Yeah, yeah.

12:52Sure.

12:53You're very beautiful.

12:54I make you my wife.

12:55I treat you like queen.

12:57Well, thank you.

13:00But Mumbai, Mary John.

13:02What?

13:03Yes.

13:04Mumbai is my John.

13:08My John?

13:09No.

13:10Yeah, no.

13:11Come on.

13:12Why don't you go on?

13:13You're at times of your car.

13:14Come on, girl.

13:16OK, so you need to have a taxi.

13:17You're at least in my car.

13:19You're at least in a car.

13:22Why don't you go on a car?

13:23No, no, no.

13:24You're at least in your car.

13:25What?

13:26No, no, no.

13:27You're at least in my car and you're at least in your car.

13:28You're at least in your car too.

13:29No, no, no, no.

13:30Oh, yeah.

14:00Bukesh, are you talking about the transporters?

14:10Yes, you need to get the car.

14:14Okay, thank you.

14:20Jazz, rock.

14:22Toss a coin.

14:24Heads jazz, tails rock.

14:26Rock it is.

14:30Right.

14:56Hello.

14:58How are you?

15:00How are you?

15:02It's a coin.

15:04I'm out.

15:06I'm out.

15:08How are you?

15:10I'm out.

15:12I'm out.

15:14I'm out.

15:16I'm out.

15:19Hello. How are you?

15:21I'm talking about social media.

15:23I'm chatting every day.

15:25Kamehsha Rukhsar.

15:26This is your supporting actor.

15:28I think I'm going to do some drama.

15:30You have to do an exit.

15:32I'll take it.

15:34Okay?

15:48Guys, we've got company.

16:00Have you checked for the weapons?

16:03Take positions.

16:18The body language is odd.

16:21They might check the vehicles.

16:23I agree.

16:24They look pretty suspicious.

16:26They won't buy my Syrian looks.

16:28You're not missing any.

16:41Rahavat, it's 11.

16:425 was 12.

16:443 at 11.

16:495 being able.

16:50Sign ing out.

16:51Go.

17:21Are you mad?

17:48Why did you bring such a big bag?

17:50And who's a woman wearing shoes here?

17:53We're going in the car.

17:54We're not running away from the border.

17:56I need my things.

17:57When is the pickup coming?

18:02They'll call.

18:03Come inside.

18:04I'll make you something.

18:12Make sure you dump their phones.

18:20All okay, Alia?

18:21All okay.

18:22Good.

18:23We're ready.

18:24All okay, Alia?

18:25All okay.

18:26Good.

18:27We're ready.

18:28I'm on my way.

18:29Let's go.

18:30All okay, Alia?

18:31All okay.

18:32Good.

18:33We're ready.

18:34We're ready.

18:39I'm on my way.

18:40Okay.

18:42Let's go.

18:43Let's go.

18:44One minute.

18:45Matthew.

18:46Okay.

18:47Okay.

18:48One minute.

18:49Matthew.

18:50Okay.

18:51Okay.

18:52One minute.

18:53Matthew.

18:54Okay.

18:55Okay.

19:21Okay.

19:27He hasn't reached the house yet.

19:28What the hell is going on?

19:30Freelance are up to his old tricks.

19:32Calm down, Bert.

19:33He gave you the names.

19:34He will keep his head of the bargain.

19:36What's the case of the British king?

19:51Who?

19:52That is Nabila?

19:53He reaches your house every day.

19:56He comes to help Alia for the mower.

19:59He's a mess.

20:01He's a mess.

20:02He's a strange, strange, strange.

20:04He's a mess.

20:06Today, we know that he's wearing a suit

20:08and wearing running shoes.

20:10Okay.

20:11I'll see.

20:34Big time.

20:35Hello.

20:36Hello.

20:37Hello.

20:38Hey.

20:39Hey.

20:40Hey, I'm ready.

20:41Why are we going to get to this guy?

20:42Hey.

20:43Hey.

20:44Go ahead.

20:45Hey.

20:46Hey.

20:47Hey.

20:48Hey.

20:49Hey, hey, hey.

20:50Hey!

20:51Hey, hey, hey.

20:54Hey.

20:55Hey.

20:56Hey.

20:57Hey Matt.

20:58Hey.

20:59Hey.

21:00Happily, hey, hey.

24:31We'll be clear.

24:33Set to go.

24:33We'll be clear.

28:31Alia!

28:44Alia!

28:51Alia!

28:59You okay?

29:01They kill you very well.

29:04Alia!

29:06You got me?

29:08No!

29:31Let's go.

30:01Let's go.

30:31The pilot is headed to the house and the accountant, as well.

30:45Kurt, how soon can we do this?

30:47I can start now?

30:49Go for it.

30:50Blow it up.

30:50Guys, alert.

31:02This is unexpected.

31:04This exit had no checkpoints.

31:06Moving patrol here, guys.

31:07Two seconds.

31:08Be ready.

31:09Can we afford to let them check us?

31:11Now that we have the girl.

31:12We have the papers and we have two women now.

31:14Why would they be suspicious?

31:17Keep going.

31:17Copy that.

31:18Okay.

31:25Okay.

31:27Okay.

31:31Okay.

31:33Okay.

31:35Okay.

31:37Okay.

31:39Papers?

31:41Last one.

31:43Cards, one.

31:45Quick.

31:47Papers?

31:49Last one.

31:53Cards, one.

31:55Quick.

32:03To Art, two.

32:07Okay.

32:11One, two, three.

32:13Cross- Staats, two.

32:15One, two, three.

32:21Zero.

32:23One, two.

32:25One, two, three.

32:27Africa, some.

32:29One, two.

32:30One, two.

32:32Two, three.

32:33Papers.

33:03I know this lady, and it seems that the name has changed, I'll return it to her.

33:18Go ahead!

33:20Take it!

33:21Take it!

33:22Don't kill the fire!

33:23Don't kill them!

33:24Come on, come on.

33:40Shit.

33:42Mario!

33:54Oh, yeah.

34:24We have to go back for Aliyah.

34:34But if he's here, what did he do to Aliyah?

34:38The police will take me.

34:40I'll just go. Let us match time now.

34:43This shooter will go after the alert.

34:45Maybe someone has alerted him.

34:48If he hasn't come back to me,

34:50he'll go out here.

34:52Nadia, I need to do this alone.

34:54No way. A lone man will be too suspicious.

34:56They might be fooled by presents or for women.

35:00Let's go then.

35:03Are you sure you want to do this, Nadia?

35:05I'm gonna get that girl back.

35:22I'm going to have to go.

35:24You'll be fine.

35:25I'll be fine.

35:26I'll be fine.

35:28I'll be fine.

35:30You've got to take room for him.

35:32He's a little girl.

35:34It's not his fault.

35:36He's not his fault.

35:37It's not his fault.

35:38He's a lucid.

35:40Aliyah!

36:10Let's go.

36:26I'm going to go.

36:33Let's go.

36:40I'm going to go.

36:44Let's go.

36:47Shut up!

36:50Let's go.

36:52Let's go.

36:54Let's go.

36:56Let's go.

36:58Shut up!

37:10Let's go.

37:12Shut up.

37:14Hit her.

37:16Is she ready tolock?

37:21Come on.

37:23I have to go.

37:25I do a lot more Bank Candy.

37:29Let's move on to the east side stage.

41:00See you guys.

41:03Stay safe.

43:30We're right back.

46:00We're right back.

48:00We're right back.

The Freelancer – S01 E07 | Watch Now | HD | #Latest #Trending #Series

Category

Transcript

Be the first to comment

Recommended