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03:59How can you, Craig?
04:01Come along, Billy. We've got a lot of work to do.
04:03Okay, Craig.
04:05Where are you going?
04:06To the factory.
04:08You mugs notice who always get called on when there's something important to do.
04:29Girl, I'll be doggone.
04:49There, there, there, there, there.
04:54There, there, there.
04:58Now, now, there, there you are.
05:02Well, now, that'll hold you till I get back.
05:23And don't you take any wood and nickels.
05:26Hey, Craig!
05:44Who's there?
05:44Who's there?
06:00What do you want?
06:03What was that?
06:04What was that?
06:06A shot.
06:07A shot.
06:08A shot.
06:10What were you shooting at, Jane?
06:19Somebody pin this note on my tent.
06:21Well, let's read it and see what it says.
06:23Let's read it and see what it says.
06:28Well, it's from death.
06:32Are you sure it's your father's writing?
06:45There's something phony about this.
06:47The skipper ain't yellow.
06:49Why, he'd, he'd never cry quits.
07:02Well, what I'm looking for isn't here, that's certain.
07:15Now, you stand guard in case anyone comes,
07:17and I'll search the other rooms.
07:18OK, Craig.
07:29I don't know what to do, whether to follow these orders
07:31or not.
07:36That's funny.
07:38What do you suppose all these pinholes
07:40are in the paper for?
07:42Looks like it's been hit by a birdshot.
07:44Look.
07:46There's one under the T.
07:49And look, another under the O.
07:52F-O-R-O-N-E.
07:57Wait a minute.
07:58They're spelling words.
08:00It's a message.
08:01It's a message.
08:02Look.
08:03W-A-T-E-R-S-T.
08:08That might be street.
08:09It is.
08:10241 Water Street.
08:13H-E-L-P-Q-U-I-C-K.
08:19Don't you see?
08:20Someone made him write it, and he took this way
08:22to let us know where he is.
08:23That's it?
08:24I knew the skipper wasn't yellow.
08:25Come on, let's get going.
08:26Oh, but we can't all go.
08:27Honey and I will be enough.
08:28You've got to stay here to open the show
08:29if we don't get back in time.
08:32We're going what I was after.
08:33What is it?
08:34It's a death calendar, and it's...
08:35It's a director's.
08:36You stay in the next room, and if I need help,
08:37go for it.
08:38You bet.
08:39I don't know.
08:40It's something all over you.
08:41I don't know why we came here.
08:43There's nothing that we can do.
08:44Well, we'll have to decide on our next move.
08:46Oh, no, you don't.
08:48One thing you can do is listen while I tell you
09:02who the man is behind all this mystery.
09:04Well, if you can do that, you're most welcome here.
09:07If you don't, it may go hard with you.
09:09Who is it?
09:10It's one of you, gentlemen.
09:12Nonsense.
09:13Why should one of us be threatening the other?
09:16The man that's threatening you wants to get control of your company.
09:19And he's throwing suspicion on Mr. Gregory to cover up his own tracks.
09:22And I can prove it.
09:26You all know that I wrote a message on this guy.
09:28You know what?
09:29You know what?
09:30Well, here are the instructions I received, unsigned.
09:33And this paper was torn over that desk calendar.
09:36And the edges match perfectly.
09:39See for yourself.
09:45Is it true?
09:46They match exactly.
09:49Gentlemen, I resign.
09:51I can't afford to be connected with an organization that is founded on crime.
09:54I can't afford to be connected with an organization that is founded on crime.
09:57with an organization that is founded on crime.
09:59I'm through.
10:01You're not through, Ward.
10:03As far as we know, you may be the eagle yourself.
10:05Who are you?
10:09I'm sorry, Ward.
10:11But get this.
10:13We got into this mess together,
10:15and we're all going to see it through.
10:17Innocent men don't run.
10:19Now, just a minute.
10:21Whose office did you find this in?
10:23I don't know whose it is.
10:25The pad was in that room.
10:27Why, that's Clark's office.
10:29Why, Clark couldn't have been the eagle.
10:31The eagle killed Clark right here in this room last night.
10:33Are you sure that Clark was killed?
10:37By George, we're not sure.
10:41Why, we saw him right there on the floor.
10:43Yes, but when we came back from searching the corridor,
10:45the body was gone.
10:47You mean it may have been a trick to throw us off the trail?
10:49Why not?
10:51It wasn't a trick.
10:53There's a blood spot where he fell.
10:55Are you sure that's blood?
11:05Well, what does it look like?
11:07Well, that isn't blood, it's iodine.
11:09Iodine?
11:11Here, let me see.
11:13See if the bottle's still in the washroom.
11:15Why, it's Clark!
11:17Is he dead?
11:19No, but he's uncursed us.
11:21Somebody get some water and try to bring him too.
11:23Well, now that we've gotten Gregory,
11:25how are we going to make the water?
11:27No, but he's uncursed us.
11:29Somebody get some water and try to bring him too.
11:31Well, now that we've gotten Gregory,
11:33how are we going to make the water?
11:35No, don't you?
11:37Well, now that we've done, Gregory, how are we going to make him talk?
11:41Wait till he comes, too.
11:51He's come, too, if you want to talk to him.
11:55Wait till he comes, too.
12:02He's come, too, if you want to talk to him.
12:06Now we'll find out what the eagle wants to know.
12:36No, you won't talk, eh?
12:40Hand me that persuader.
12:44You heard me.
12:46No, you won't talk, eh?
12:50Hand me that persuader.
12:52You heard me.
12:54No, you won't talk, eh?
12:58Hand me that persuader.
13:00You heard me.
13:02No, you won't talk, eh?
13:04No, you won't talk, eh?
13:06Hand me that persuader.
13:08You heard me.
13:10This is already, really.
13:11I will talk to you soon.
13:12You can't or take a倒ic internationale
13:13And take a Mädels with a problem or not.
13:16Do you think they can't?
13:17No, I didn't think they would be thatед Why don't you control me?
13:20Hello?
13:26Okay boss.
13:29Just a second.
13:32Go ahead.
13:34Okay, I got you.
13:38Hello?
13:41Okay, boss.
13:42Just a second.
13:44Go ahead.
13:46Okay, I got you.
13:48McCoy's at the factory, and it's getting too close to the truth.
13:52But what are we going to do?
13:58Throw a wrench into the machinery.
14:00Well, if you didn't write this, how does it happen that McCoy proved that it came off your own desk pad?
14:06Well, because he wrote it himself.
14:08What? Wrote it himself?
14:10Yes. When I came to last night, I was lying on the floor in my office.
14:14And he was bending over the desk writing on the pad.
14:18Why, that's a lie.
14:19Here, wait a minute.
14:20It was he that tied me up and put me in the closet.
14:22Yeah? Your little...
14:24Wait a minute. Your little trick didn't work, McCoy.
14:27We were right all along.
14:29Gregory is the eagle, and Mr. McCoy is working with him.
14:35Hello?
14:36You'd stand in the shadow of the eagle.
14:39Unless McCoy walks out of the factory of three men.
14:44One or all of you will suffer the consequences.
14:48It's the eagle demanding McCoy's release.
14:51How could he know that we have him?
14:53Shh.
14:54Get away from that phone.
15:00Get away from that phone, I tell you, or I'll shoot.
15:03It's a woman's voice now.
15:05Hello?
15:10Hello? Hello.
15:11Whoever you are, come quick.
15:14I've got the eagle.
15:15Who are you?
15:16I'm Jean Gregory.
15:17They're holding my father prisoner.
15:18Yes, I'm Jean Gregory.
15:20Three of them.
15:22They had my father prisoners.
15:25But I've got the drop on them.
15:31Help! Come quick.
15:33It's 241 Water Street.
15:39Hello, Toten. The knob's broke off. I can't get a good hold of it.
15:42Well, let me get at it.
15:58Hello.
16:00They've turned the tables on.
16:02Quick, we've no time to lose.
16:04You're not going anywhere.
16:06It's the trick of the eagle to get McCoy out.
16:08It's not a trick, I tell you. Gene's life may be at stake.
16:11Look!
16:12The shadow of the eagle.
16:30Come on, Billy. We've got one chance to save Gene.
16:36There he goes.
16:40We can beat him to the yard by the stairs. Come on.
16:44Come on.
16:46Come on.
16:47Come on.
16:48Come on.
16:49Come on.
16:50Come on.
16:51Come on.
16:52Come on.
16:53Come on.
16:54Come on.
16:55Come on.
16:56Come on.
16:57Dr. Lowbelly, we're going to have to crash that gate.
17:27They're gaining on us. You've got to throw them off.
17:57No time to turn back beating around the block.
18:07That's great. You lost him.
18:23Big team, let's beat it.
18:24We can't. Dad's in here.
18:27It's locked.
18:30Look, we're reaching along the scaffold.
18:54We're reaching out to a new place.
19:02We're reaching out to an end.
19:05And the final stage, we're reaching out to the center of the ånd.
19:09The final stage, I'll say.
19:11Daddy's gone.
19:12I am an athlete.
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