- 2 hours ago
Ek Jhooti Kahani ep 17 Pakistani drama
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12:25I'm a big brother, I'm a big brother, I'm a big brother, I'm a big brother, I'm a big brother,
12:30I'm not able to do this, I'm going to sit with you in your own room,
12:35and then my opponent will give you my name.
12:38That's how I am, I've also left all the young people for their children.
12:45And when Bushra took your hand, I asked a question from my heart.
12:53He said, ''Mushir, here's your hand.
12:56Do you know your wife's happiness or your own?''
13:00Do you know what the answer is?
13:02''Mahen's happiness''.
13:06Oh my God, you've decided your lunch.
13:10Today's lunch, you've got some samosas.
13:13Oh my God, I'm so happy.
13:16I wanted a few hours for a few hours.
13:23What's your health?
13:25Yes, I don't want to show you the truth of the doctor.
13:33Okay, you go.
13:35It's my fault.
13:38Why are you so hurt?
13:40I'm going to explain it.
13:42This is the problem.
13:44Which one?
13:45It's the problem of the marriage.
13:47Oh, okay.
13:49Oh, this is brown.
13:52Yes.
13:53Are you ready?
13:55Yes, what did you do?
13:57What did you do for lunch?
13:58What?
13:59The Lord was Archshar, he's holding his hand,
14:00which he's holding his hand,
14:01and he's holding his hand,
14:02and he's holding his hand in their hand.
14:04He's getting so intense.
14:05So, we'll be able to have a chance.
14:06Why don't you wish to offer his mother,
14:08and to bullshit him?
14:10He's who will want to run by them?
14:11We are going to get into a situation and he will die.
14:14Wait a minute.
14:15If I had so much trouble, I would have killed my brother.
14:19What do you mean?
14:21I mean, it's a filmy dialogue.
14:23He said it like that.
14:25Why don't we go out?
14:27Okay, let's go.
14:28Wait a minute.
14:29I will go out and open the door.
14:32I mean, I'm engaged.
14:33You will come out.
14:35I don't know who I am.
14:36I don't know who I am.
14:38I don't know who I am.
14:40You will not know who I am.
14:43You will not know who I am.
14:46I'm not a friend.
14:48I am a friend.
14:50The husband is a friend.
14:52My husband is a friend.
14:54I'm a man who is a man who is at home.
14:57I'm sitting here alone.
15:03Oh, Mom.
15:04Don't say anything.
15:06Let me take no help.
15:09Hello, mother?
15:11What are you saying, mother?
15:16She arrived there?
15:18She killed her?
15:20She killed her?
15:22She also scared her?
15:25What did she do?
15:31What are you doing here, Nandor?
15:34What are you doing here?
15:38She had to give up on her hands.
15:41She had to give up.
15:43Okay.
15:44Give up?
15:46Yes.
15:48What was she doing?
15:50She was doing normal things.
15:52She's home.
15:54There's no plan to get out of her.
15:58The mission is this.
16:01Okay.
16:04Hi, Bashir.
16:05Are you going to Fakhra?
16:07I can't even go.
16:09I have to give up on her.
16:11The show is over, Bashirah.
16:16Go back.
16:19What did you want to do?
16:21What did you do once again?
16:23It's not possible.
16:25I have to give up on her.
16:27After that, Miraf will not see her face.
16:30And Fakhra, she will not be able to get out of her.
16:33Okay.
16:34I'll give up on her.
16:35I'll give up on her.
16:36I'll give up on her.
16:38I'll give up on her while...
16:41The children are absolutely necessary, but they are not self-evident.
16:53If you have to take care of them, then you will have to take care of them.
16:57Otherwise, you will be very happy.
17:04Oh, this steering competition after that, I will show you nice.
17:11I'm going to play. I'm going to play.
17:25Yay!
17:32Good to see you.
17:34This is a very scary situation.
17:36Abba Ji, in the shock of your media,
17:38you'll die in the shock.
17:41Dear Rezwan,
17:42you'll leave from Pateligali.
17:44You'll take a bus to get his number.
17:49Hello.
17:50Sorry.
17:51God bless me.
17:52You're waiting.
17:53You're waiting for us.
17:54You're waiting for us.
17:58You're waiting for us.
18:00You're waiting for a second.
18:02You're waiting for us to get to the house.
18:08Mr. Rezwan,
18:09come with me.
18:10Come, come, come.
18:11Run, Rezwan.
18:12Run.
18:29Go!
18:30Go!
18:31Go!
18:32Go!
18:33Go!
18:34Hide.
18:36Go!
18:37Go!
18:38I love you too.
19:08Mr. Vashir, I have spoken to you with the truth.
19:13The truth means?
19:15I mean, after marriage, I will also come to the kitchen.
19:19What is the matter of hiding in it?
19:24In fact, you said that in front of your Salih,
19:29I mean, if I have been insulted, I will not cut.
19:34But it is still in your head.
19:38What?
19:39No?
19:42I mean, it doesn't work from this.
19:46What is it still in it?
19:52My brother.
20:04My brother.
20:24That's why you're not ashamed of anything.
20:28You're a dude, and you're a man.
20:31He'd be killed and killed all the other guys.
20:34If I could have a knife, I'd be able to kill him.
20:37We'd be left alone.
20:39How do you live alone without Rizwan and Abba?
20:42Yes, that's what you've been doing.
20:45What was the need for this guy to show his home?
20:48My head's so hard and weak.
20:50What happened?
20:52Sweetie doesn't have to be a sweetie.
20:53Who is the sweetie? What are you trying to do?
20:56When I left my house, I had to open the house in my house.
20:59We were going to be a drama here.
21:01We will be going to be a drama here.
21:02What will happen?
21:03We will be going to be a police.
21:05We should have money for any college.
21:08We will have money for it.
21:11What about it?
21:13Who else?
21:14No.
21:15No.
21:16No.
21:17I say that I will save money for my mother.
21:24Yes.
21:25There is such a big house.
21:27There are so many houses.
21:28There are so many houses.
21:29There are so many people.
21:31There are so many people.
21:32What is it?
21:34Listen to me.
21:35Listen to me.
21:36I will also take my own love.
21:38I will not dance on stage.
21:40Mother does not dance.
21:42This is a decent story.
21:44There are five children with no white.
21:47This is a snow white.
21:48It is so funny.
21:49I will not do that.
21:50I will not do that.
21:51I will not do that.
21:52Seven children with a girl in the jungle.
21:55What is it?
21:56It is a wrong way.
21:57It is so wrong.
21:58The girl tells her how to save her.
22:00I will leave her to the world.
22:01I will not do that.
22:03Mother, do not do that.
22:05You will not do that.
22:07You will not do that.
22:09But, you will leave here.
22:11That will not come from the protein shake.
22:13Yes.
22:14Yes.
22:15You will leave me here.
22:17You will leave me here.
22:18You will leave me here.
22:19You will leave me here.
22:20All right.
22:21All right.
22:27Sir.
22:28What is your name of the game?
22:30Mother came to me.
22:31What?
22:35Why are you running here?
22:37He is a dog.
22:38He was angry in the garage.
22:39Why?
22:40You will leave me here.
22:41Do you have to catch him?
22:42Sir Rizwan?
22:43O M Z.
22:44Sir.
22:45Stop.
22:46Stop.
22:47Sir Rizwan.
22:48Stop.
22:49This is Sir Rizwan.
22:54Who is your tutor?
22:56Do you understand?
22:58Do you understand?
22:59This?
23:00Tutor?
23:01Yes.
23:02Yes.
23:03This is Farid's brother.
23:04What?
23:05I listen to myself.
23:07I called my machine in the bag.
23:09To put a new cell.
23:10Myself, Rizwan Salim.
23:12M A M Z.
23:14M A M Z.
23:18I'm doing my own thoughts.
23:19If you want to join in the two of us,
23:21you should join us.
23:22I'm going.
23:24You might want to join us.
23:26My method is like this.
23:28I understand.
23:29A healthy body carries a healthy mind.
23:33You are also joining us.
23:44What the hell is this?
23:45Why did you take me here?
23:47Now, Samia's track is a bad track.
23:50She was showing her mother's hat.
23:52She wanted to be there with her.
23:54You took me here.
23:55Why did you take me here?
23:56Why did you stop my career?
24:00It was an emergency.
24:02She came to the house.
24:04She told me.
24:05She told me.
24:06She told me.
24:07A poor man.
24:08A poor man.
24:09I'm too scared.
24:11She told me.
24:13Why did you kill me?
24:15He said,
24:15this one is a bad thing.
24:16You are too much.
24:18Yes.
24:19I'm going to take her mother.
24:21I'll take her.
24:22You take her.
24:23You take her.
24:25Mother took her.
24:26She took her.
24:27She took her.
24:28She took her.
24:29She took her.
24:30She took her.
24:31She took her.
24:32She took her.
24:33She did not.
24:34She did not.
24:35And all the jokes.
24:36The characters are on her character.
24:38All of her.
24:40I'll take her.
24:41He took her.
24:42Take her.
24:43Look, at this time, there is a lot of joy in this scene.
24:47You have to have your time, and you can't take me to my wife.
24:51You can handle it here, and I'll take it here.
24:54This is a drama.
24:56I can't leave my mother alone.
24:59Abba Ji, you don't have any role.
25:03My child is alive.
25:05Look, this is a child.
25:07This is a drama.
25:09Wow!
25:11Vishmi Lakhan.
25:15Now, she's still here.
25:17If she gets the money from her office, then she'll come.
25:20No, she won't come from the side.
25:23Let me tell you.
25:25Yes.
25:26You go to the kitchen.
25:29She used to be used to dice the cheese.
25:36And she used to roast roast.
25:41And...
25:43This is for the shopping.
25:47How did she make a fish?
25:49She made a fish.
25:52In her life, there was never a feeling that...
25:55That...
25:56That...
25:57That...
25:58That...
25:59That...
26:00That...
26:01That...
26:02That...
26:03That...
26:04That...
26:05That...
26:06That...
26:07That...
26:08That...
26:09So...
26:10That...
26:11You'll us...
26:12That's how it is.
26:18Samia,
26:22we've never talked about their memories about their memories.
26:27My brother,
26:28something that was in the restaurant,
26:31was a deal.
26:33If you don't understand that, what do you think?
26:38We need to investigate.
26:41The investigation was also happened.
26:44What happened?
26:50Why are you crying?
26:55My father is dead.
26:57I'm not going to be you, father.
27:02You have a lot of work with me.
27:03Go with me, please.
27:05What's your work?
27:05No, you have a lot of work with me.
27:06We have to go with an emergency.
27:07You have to go with me.
27:08I'll talk to Samia.
27:09I'll talk to you later.
27:10I'll talk to you later, please.
27:11Bhaijaan, now go.
27:12I'll talk to you later.
27:13It's important to you.
27:14See, I'll talk to you later.
27:15I'll talk to you later,
27:17Yes, until that time.
27:37She's a good girl.
27:39She's playing a game.
27:44She's a big girl.
27:46She's a small girl.
27:48She's an uncle.
27:50She's a girl.
27:52And she's a girl.
27:58She's a girl.
28:07She's a girl.
28:10How are you?
28:12What are you?
28:14I'm a girl.
28:15I'm a girl.
28:17I'm gonna have a girl here.
28:19From her girl.
28:21I'm a girl.
28:37My wife,
28:39I'm a girl.
28:41She's a girl.
28:42I'm a girl.
28:43I'm a girl.
28:44I'm a girl.
28:46I'm a girl.
28:48She's a girl.
28:50She's a girl.
28:52You're playing her.
28:54Yes, she's a girl.
28:56She's a girl.
28:57No.
28:59She's a girl.
29:01She's a girl.
29:03So you think her is a girl?
29:06and they didn't kill me because they didn't kill me because they didn't kill me.
29:10Hey, I'm a alpha male.
29:13I've been working here in the gym and I've been working so hard.
29:17I've been able to kill myself.
29:20But if I can kill myself, it's a bad thing.
29:23It's a bad thing.
29:26So you can understand the other people of Elon Musk and the other people of the world of the world
29:31that Eman Khalifa is also a bad thing?
29:33I don't know.
29:35What about this story?
29:38Why don't you believe that the women of the people of the world
29:42can be a better and less?
29:45Why don't you think that?
29:46I feel like you have a lot of people.
29:49I have a lot of people on the world.
29:52I'm just saying that they will be a mother.
29:55The women of the people of the world can be a better and more.
29:58These women of the people of the world
30:02have won a gold medal in the Olympics.
30:04And the same thing that Eman Khalifa,
30:06that's a bad man.
30:08Now I have to believe that you are a bad man.
30:12Alpha male?
30:14Yes, Alpha male.
30:16Alpha male?
30:19Alpha male?
30:20Alpha male?
30:22Alpha male?
30:23Alpha male?
30:26Alpha male?
30:27Alpha male?
30:29Alpha male and Tamar?
30:30Alpha male?
30:31I apologize.
30:32I didn't know he had a bag with him.
30:34He came back with her.
30:35Where is it, Alpha?
30:37I don't know.
30:39Where is he from?
30:40At this time it's lunch time. How can we go home from home?
30:44In the garage, Mirob was his tutor.
30:47They were running away. I told him to chase him.
30:49I don't know if he's gone.
30:51Mirob was sitting in his room with a book.
30:54Where are they? He was running away.
30:56Mirob was watching him alone.
30:57Everyone was cheering him.
31:01Pindya, either you're crazy,
31:04or there's a game in this house
31:06that's a lot of my mind.
31:08Tell her, this is Mirob's tutor.
31:10Where did he come from?
31:16Maai-chan?
31:21Maai-chan didn't come back at that time.
31:23But this bushra,
31:24the bushra was watching my mother's vintage knives, right?
31:27Why?
31:28Samiya, you're learning to make a samosa with Bashir.
31:31What happened to you?
31:32Everything is so messed up.
31:34This bushra is so messed up.
31:36It's so messed up.
31:38It's so messed up.
31:39It's so messed up.
31:40It's so messed up.
31:41What are you doing?
31:48Tell me, I know that Safiya came from this time.
31:50What do you know?
31:52I was standing there.
31:53Mirob was running with his teacher.
31:55Khabib was opening the gate for him.
31:57Safiya was cheering him.
31:58I was standing there.
31:59I was standing there.
32:00I was standing there and I was standing there.
32:01I saw that Mirob is safe.
32:02Now Safiya was on the ground.
32:04She was on the ground.
32:05She was telling me.
32:06How can I tell her?
32:22Safiya will never come back.
32:24What is the emergency?
32:31What is the emergency?
32:31What is the emergency?
32:35I saw that.
32:36Mate, I am going to tell you something.
32:38I had a phone call for a minute to tell Bashir.
32:40You see, kid, you see the same way.
32:55It has a lot of truth to you and get an object that doesn't look like a character.
32:59Besides, without suffering, the are not good.
33:02But the things like that.
33:03The showbiz and media are like small.
33:07In films and dramas, they kill 100-100 people, but in actual life, they can't do it.
33:15Okay, let's do something else.
33:18Remember to keep it.
33:20It's a bad thing here.
33:28So, the actual thing is that...
33:31What is the actual thing?
33:33My mother left the house from home.
33:37And they sent the house from the house,
33:40and sent them to the house,
33:42and sent them to the house.
33:43Oh.
33:46Now, we can't send them to the house, right?
33:51Because they are now controlling the supporting cast on the set.
33:56So, that's not possible.
33:59We have also sent them to the house,
34:01and sent them to the house.
34:03That's right.
34:05My mother was crying a lot.
34:08I understand.
34:11I can understand.
34:15I know that you and Samia are doing something.
34:19You can't understand your mother's pain.
34:23I can understand.
34:25Look, they are only your mother's pain.
34:28I mean, you have to take money from your house.
34:32I know that my work is here.
34:35And,
34:36I've lived here for 10-12 days,
34:38and I've never heard this story.
34:39But,
34:40I'm going to leave my mother's pain.
34:42Oh.
34:44See,
34:45you are not the pain.
34:51Mushra,
34:52they are необходимо,
34:53but,
34:54mother is the mother.
34:55When she talks about mother,
34:56there is no danger.
34:57When she talks about mother,
34:58nothing will help.
34:59When she talks about mother,
35:00there is no danger.
35:01As for instance,
35:02it has been so long.
35:04And,
35:05it has been so long,
35:06there will not be any time to learn.
35:08Yeah.
35:13Is it on your head?
35:15Yeah.
35:16No.
35:17No.
35:23The producer comes with the co-artist.
35:38But why did you work for me?
35:46I thought I'd be wrong.
35:48That's the end of my life.
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