After the Divorce, the Heiress Takes It All #Dramabox

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After the Divorce, the Heiress Takes It All #Dramabox    #EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull

Transcript

00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Stars Movie Awards.

00:18You did it.

00:19Three years ago, I was the most sought after screenwriter.

00:23Three years later, I fell in love with Drake,

00:28keeping my identity a secret for the sake of his pride.

00:32I thought we were happy until...

00:38Hi.

00:45Where the hell have you been?

00:47I told you that Stephanie was coming to help set up for my brother's birthday

00:50and instead of helping us, he just disappeared.

00:53What, did you bail so you could go and laze around or something?

00:56You know, people say that the only reason you're allowed to stay by Drake's side

01:00is because you're nothing more than a free maid.

01:03Otherwise, why would someone like you be allowed to marry my brother?

01:07What?

01:08A maid?

01:09I just hid my identity for the sake of this marriage.

01:13Well, I think Drake's idea is great and it could be really good for us.

01:17But the risk is way too high.

01:22Dad.

01:23Please.

01:26Okay.

01:27And I'm sure you don't want him to know the real reason why I'm investing.

01:35Think about it, Dorothy.

01:37So, if you got married, has he ever even touched you?

01:40How often does he actually come home?

01:42He doesn't even want to look at you.

01:44Let alone sleep with you.

01:45That's enough, Ellie.

01:47We're all here to celebrate Drake's birthday.

01:49I'm sure he wouldn't be happy to see us like this.

01:52Everybody knows that if it weren't for her, you would be married to Drake

01:55instead of being my late brother's widow.

01:58Ellie!

01:59Whatever happened between me and Drake is all in the past.

02:02Besides, I'm carrying Nick's baby.

02:04It's the perfect time.

02:05Oh, my God.

02:06Oh, my God.

02:07Oh, my God.

02:08Oh, my God.

02:09It's the perfect time.

02:10Oh, my God.

02:11Oh, my God.

02:12Oh, my God.

02:13Oh, my God.

02:14Dory could just put Stephanie into the pool.

02:15What?

02:16Oh, my God.

02:17Quick, save Stephanie.

02:18She's carrying Nick's baby.

02:19Quick, get in there.

02:20Oh, my God.

02:24Quick, save Stephanie.

02:25She's carrying Nick's baby.

02:29Quick, get in there.

02:37Oh, my God.

02:39Oh, my God.

02:43Oh, my God.

02:44Oh, my God.

02:45Oh, my God.

02:46Oh, my God.

02:49Oh, my God.

02:50My baby is gone!

02:52Why would you do this to me?

02:55How dare you!

02:57You pushed Stephanie into the pool to try and kill her and her unborn baby!

03:01Are you happy now that Stephanie's baby's gone?

03:03I didn't do it!

03:04I know you don't want me here!

03:06I told you whatever happened between me and Drake is in the past!

03:09You can hate me however you want to,

03:11but how could you be so cruel as to kill my unborn child?

03:14I didn't do it!

03:15You know me, I would never do that to Stephanie!

03:17Just apologize to Stephanie!

03:20I'm not going to apologize for something I didn't do!

03:23Apologize to Stephanie right now or I will divorce you!

03:32Divorce?

03:34If you apologize right now,

03:36then I'm willing to give you another chance!

03:43It's been three years, Drake.

03:45I gave up everything to be your wife.

03:48I've always kept to the shadows, Dorothy.

03:50I already have a life.

03:52And right now I just want to focus on being on my marriage with Drake.

03:59I thought you would always be by my side, but I was wrong.

04:03The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.

04:08Since you got married, has he ever even touched you?

04:10He doesn't even want to look at you.

04:15Fine!

04:17Let's get a divorce.

04:26There's nothing left in my heart.

04:28Drake's nothing without me.

04:29Ah!

04:32My ring!

04:34My ring is gone!

04:36Well, you must have taken it.

04:38Why would I take her ring?

04:39Well, look how quickly you packed your suitcase.

04:41You're probably seeing someone else.

04:43Dorothy?

04:45Yes?

04:47We were married for three years.

04:48Were you seeing someone else?

04:49Of course she was.

04:50Probably been cheating on you for a really long time.

04:53Couldn't wait for the divorce.

04:55So what if I was, huh?

04:58And what about you?

04:59Still hung up on your so-called sister-in-law?

05:02What gives you the right to talk about me?

05:04I only look after Stephanie because she's my brother's widow.

05:08Yeah.

05:09But you actually seeing someone else?

05:10Who is he?

05:11Big talk!

05:13Don't bring me down to your level.

05:15I'm not like you.

05:17Since your sister-in-law lost her ring,

05:19lost her ring,

05:22why don't you take...

05:29this one?

05:32You've been waiting for this for a long time, haven't you?

05:39Bye.

05:40And so I left.

05:50This is ridiculous!

05:53We, the Bennett family,

05:54are one of the four major production companies in the world.

05:57I let him marry my daughter,

05:58and even invested in his business.

06:01How dare that Drake do this to my daughter!

06:05Look, it's actually good from Dad.

06:07Now we know who he really is,

06:10and he has no idea who I am.

06:12Still, you're my daughter.

06:14I can't let him do this to you.

06:16If it weren't for you,

06:17I would not have considered investing in his company.

06:20We're gonna pull our investment immediately.

06:22Yes. It's time to cut him off.

06:24He doesn't deserve you.

06:26I'm over Drake.

06:28If we withdraw the plans now,

06:31it's going to hurt the family business.

06:33He's not worth it.

06:35Honey...

06:38Why don't you just take a vacation?

06:40Or just put all this aside,

06:42and take some time out for yourself.

06:44Yeah.

06:47No.

06:51I've wasted too much time with Drake

06:53over the three years.

06:55You know, now I want to focus on something

06:58that actually matters.

07:00You know, Christopher has been saying

07:02that many people want to buy the movie rights

07:04to live gay.

07:06Universal, Paramount,

07:08every major studio wants this.

07:13Liar's Game.

07:15Your story on the big screen.

07:17If you're in, I'd be happy to be the one headlining it.

07:19Oh. So that's why they're making it.

07:21Because of you.

07:22I'm sorry, Christopher Santoro.

07:25See? They're not funding the film.

07:27They're funding you.

07:29Wrong.

07:31They're funding the story.

07:32It's more than good.

07:34It's phenomenal.

07:36Christopher is right.

07:37I'm taking my life back.

07:40I'm going to adapt to myself.

07:42You are?

07:43Yes.

07:44I will.

07:45Good for you.

07:46I won't tell anyone I'm asking you.

07:47You are?

07:48Yes.

07:50I will.

07:52Good for you.

07:54I won't tell anyone I'm asking you.

07:55Congratulations to Aria Wong for winning the best director.

08:08This is my close friend from college.

08:13Aria, I need your help.

08:14I want to adapt the Liar's Game myself.

08:15And I want you to direct it.

08:17Of course.

08:19There's just one thing.

08:20I want to keep my identity as the writer a secret.

08:22I don't want anyone to know.

08:23Especially not the team.

08:24SQ.

08:25Are you sure?

08:26But why keep it a secret?

08:27I just want people to focus on the story itself.

08:29I've got it.

08:31I don't want anyone to know.

08:32Especially not the team.

08:34SQ.

08:36Are you sure?

08:37But why keep it a secret?

08:38I just want people to focus on the story itself.

08:41Got it.

08:42Your secret's safe with me.

08:44Hey.

08:46Oh my god.

08:48Dave.

08:50It's a bit weird.

08:53Ever since news got out about our movie, my phone has not stopped ringing.

08:58Really?

09:04It's Stephanie.

09:06Yeah, just take it.

09:15Hello?

09:16Hello, Miss Wong.

09:17I've heard Liar's Game is being made into a movie.

09:19I'm interested in playing the lead.

09:21Can we arrange an audition?

09:25I'll speak to the writer and I'll let you know.

09:28Thank you, Miss Wong.

09:29What do you think?

09:32Anyone can audition, right?

09:34As long as they're right for the role.

09:38What happened between me and Stephanie is not important here, so...

09:43Okay.

09:44I'll call her back and let her know.

09:46Mm-hmm.

09:56What about me?

10:00Can I be your hero?

10:01Oh, you mean, uh, a film, right?

10:09I've never considered anyone else.

10:15I have to take this.

10:18Hi?

10:23You know, I'm not just talking about the film, Dorothy.

10:25It's okay.

10:28It's okay.

10:30I can wait.

10:32I've waited this long.

10:38Well, well, well.

10:39Look who it is.

10:43Why are you here?

10:45Oh, I see.

10:46You're the production assistant.

10:49Well, do your job.

10:51Get me a water.

10:52Stephanie.

10:56Get your own water.

10:57I'm not your PA.

10:59Look.

11:01It's my first day on set, and I want to buy coffee for the crew.

11:04Why don't you be a doll and mark down everyone's order?

11:08Why are you deaf?

11:10I'm not a PA.

11:12Here's a tip.

11:14Go on.

11:16Show some respect, Stephanie.

11:18Do you know who she is?

11:19What are you doing?

11:23Oh, no.

11:24She can't know, I'm asking you.

11:28I want to keep my identity as the writer a secret.

11:32I don't want anyone to know, especially not the team.

11:38What do you mean?

11:40Who is she?

11:41No one but a lower PA, I'm sure.

11:50Isn't that right?

11:51Well, actually, she's...

11:55She's...

11:56Just a PA.

11:57You're right.

12:00So why don't you show me a lower PA, your acting skills?

12:04Maybe I'll be impressed even by who the coffee's myself.

12:07Watch this.

12:14I loved you once.

12:16Or so I thought.

12:19But now I see that it was all just a lie.

12:22A beautiful...

12:26Painful lie.

12:27You took everything from me!

12:31You took everything from me!

12:34My dreams!

12:36My future!

12:41See?

12:42There's no soul.

12:44That's not acting, it's just...

12:46Reciting lines.

12:48Why don't you show how it's done?

12:50What?

12:52Go on.

12:55Go on.

12:57Go on.

12:58Go on!

13:02Go on.

13:04Go on.

13:05Go on.

13:06Go on.

13:07Go on.

13:08Go on.

13:10Go on.

13:12Go on.

13:18Go on.

13:19Go on.

13:21I love you once.

13:23So I thought.

13:25It was all a lie.

13:28A beautiful, painful lie.

13:32You took everything from me.

13:36My heart.

13:39My dreams.

13:41My future.

13:44And for what?

13:46For your own personal gains.

13:55How is that possible?

14:02Dorothy, that was perfect.

14:05The role is yours if you want it.

14:08No!

14:09This role is mine!

14:12I'm the one with the investment.

14:13Without me, there's no funding for this movie.

14:16Your investment?

14:17Do you even know who she is?

14:20Who is she?

14:25Who is she?

14:26As you know, no one but a PA.

14:30Dorothy, this movie is important to Stephanie.

14:34I mean, why are you here?

14:34You're not a real actress.

14:36What are you doing?

14:36You're trying to ruin her career.

14:37You're trying to get back at me by ruining her career.

14:39I'm not ruining anything.

14:41If she can't handle the role, that's on her, not me.

14:45You can't blame this on anyone else.

14:47You embarrassed her in front of everyone.

14:50I mean, I know what you're doing.

14:51You're the one pulling all the strings here.

14:53You're trying to make her fail so you can take her place.

14:55She's using this whole thing to get to you, Drake.

14:58She's been jealous from the start,

14:59trying to ruin my chances to get back to you.

15:02Okay, no.

15:03I don't want to fight anymore.

15:04Well, let's just take a look at the script

15:06and maybe we can work something out.

15:08And you were just so damn selfish!

15:12You only care about yourself!

15:14Just give Stephanie her role back!

15:16You know what?

15:17I didn't want to do this, but I will.

15:22I'll take the role.

15:24I'll play the lead.

15:28I'll play the lead.

15:29No way!

15:30You can't be serious!

15:31She's not even a real actress!

15:36Dorothy's performance was far stronger than yours.

15:38Everyone in the room can see it.

15:40I'm so glad you've agreed to do the role.

15:46Right, it's settled then.

15:48The lead roles go to Christopher and Dorothy.

15:52I will double my investment

15:54if you give Stephanie a role.

15:58I never thought I'd see the day

16:03my ex-husband would go this far

16:05for his sister-in-law.

16:07I can always count on you, right?

16:13I will double my investment

16:15if you give a role to Stephanie.

16:17You two are just such...

16:19Okay, look.

16:24If the money's on the table,

16:25there's no reason to turn it down.

16:26Let's just leave her apart.

16:29We have nothing to lose.

16:30I guess that'll be fine.

16:33I'll talk to SQ.

16:40Your father's production company

16:41is already the biggest investor in your movie,

16:43so why take Drake's money?

16:44You don't...

16:45you don't still have feelings for Drake, do you?

16:49No!

16:50He's an asshole!

16:52Come on.

16:54I've got an idea.

16:56Why don't we just give her a character

16:59that'll make her miserable?

17:03Wow, Mrs. Sontaro.

17:05I feel bad now.

17:11I only wish you didn't have feelings for Drake anymore.

17:14How did she land herself the role?

17:18She's practically a nobody.

17:20No fan base, no real experience.

17:23Just one good scene.

17:25It doesn't make sense.

17:28Find out everything you can about Dorothy.

17:31I want all the dirt.

17:33Director, there must be a mistake.

17:41I'm only a side character

17:42and not even in the main scene.

17:44You wanted a role.

17:46We gave you a role.

17:47I came in with an investment.

17:51Well, you're more than welcome

17:52to take it back and leave the set.

17:54Even a small role in SQ's film

17:58is going to do great things for your career.

17:59Now is not the time for you to be messing around.

18:04Fine.

18:11Two, take one.

18:12Action.

18:14Lily, you are my best friend.

18:15How could you do this to me?

18:16I'm sorry, but this is...

18:18What the hell are you doing?

18:22It's part of the scene!

18:28Okay, take it again from the slap.

18:30Action.

18:35Cut.

18:37Stephanie, why aren't you saying your lines?

18:39You have to keep going in the scene.

18:42I think you've had enough for today.

18:44We'll just try again tomorrow.

18:48Did you see her face?

18:56Absolute gold.

18:57I mean, she got what she wanted.

18:59She asks for a role,

19:00and that's what we gave her, so...

19:02Seriously, her performance is all over the place.

19:05Maybe we should just

19:06cut down on her screen time.

19:09We all know the film's better

19:10without her slowing us down.

19:13You're right.

19:15I'm not going to let anyone ruin your story.

19:18So, if you can just give me something

19:23that's a bit more...

19:25Tell me about her talk.

19:34What's going on with my scenes?

19:35Why have so many of them been cut?

19:37It's a collective decision.

19:39No, fuck that.

19:42Let me talk to the writer.

19:44The writer is SQ,

19:45and as you know,

19:45they never show their face,

19:47so their decision is final.

19:51I'll see you on set in five.

19:52Now it all makes sense.

20:12Now it all makes sense.

20:14That's the head of the production company.

20:17No wonder she got the role.

20:18Let's see how John's wife

20:21feels about that.

20:30Everyone, I have an announcement to make.

20:33Today will be Stephanie's

20:35last day on set.

20:36You really think I don't see

20:42through your little gaze?

20:44Somebody will be walking out

20:45that door today,

20:46but it won't be me.

20:49You really think you can get away with this?

20:52Sleeping your way up?

20:56John's wife is on her way.

20:58Let's see how you

20:58talk your way out of this one.

21:00Slut.

21:01That's enough!

21:10So were you the one

21:11who was stalking

21:12and secretly taking photos?

21:13What?

21:14Scared the truth is going to come out?

21:17Someone had to expose her

21:18for who she really is.

21:19So you admitted.

21:21You did it.

21:22Damn right I did.

21:24And I'd do it again

21:25if I had to.

21:27You don't know

21:28who you just crossed!

21:29Oh, I know!

21:31Just some rich old bastard

21:33throwing a tantrum.

21:34I sent those photos

21:35to your wife too

21:36and now your mistress

21:37is about to be exposed.

21:40Yeah.

21:41Security.

21:43Stephanie is banned

21:44from the studio.

21:45Make sure she never

21:46sets foot here again.

21:47You can't just do that!

21:49Oh, this is insane!

21:50What are you of rights?

21:51I will only tell you the truth!

21:53She is a mistress!

21:54A loose woman!

21:55A lady of the night!

21:59Is it true

22:04that Dorothea

22:05is John's sugar baby?

22:06Otherwise,

22:07why would he come onto the set

22:08and get me banned

22:09from the movie?

22:10That's unbelievable.

22:12And he humiliated me.

22:13He had me dragged off the set

22:15like a criminal.

22:15You should have seen it!

22:17I'm not going to let her

22:19just ruin her reputation

22:20like this.

22:21I mean,

22:22this whole mess

22:22is making us look like fools.

22:24Dorothy's always been trouble.

22:28I mean,

22:28first she goes off

22:29with a married man

22:29and now this.

22:31Don't know how you put up

22:33with her for three years.

22:35You should have got

22:35a divorce earlier.

22:38Stephanie,

22:39are you 100% sure

22:40that Dorothy

22:41is John's sugar baby?

22:42It's the only explanation!

22:44She's clearly nothing

22:45but a slut!

22:47Oh!

22:48Drake,

22:49Stephanie

22:50is your sister-in-law.

22:52Now,

22:53you need to take care of her

22:54and forget about Dorothy.

22:56Can't you see

22:57she's the one

22:57behind all of this?

22:59She was sleeping

23:00her way to the top,

23:02killing Stephanie's

23:03unborn child

23:04and John dragging her

23:06off the set.

23:07You should be

23:08sticking up for Stephanie.

23:13I'm not going to let her

23:14do this to you.

23:15Do you think

23:29you can just walk away

23:30from what you did

23:30like nothing happened?

23:32I didn't walk away

23:33from anything.

23:34You did.

23:35You chose Stephanie

23:36over me.

23:36Remember this one?

23:37Oh, she's my sister-in-law.

23:39I'm so sick

23:40of hearing this.

23:42You have feelings

23:43for her

23:44and I'm just tired of it.

23:45You're out of your mind

23:46if you think

23:46I'm going to let you

23:47get away with this.

23:48You do

23:49what you want to do.

23:51For now,

23:51get out!

23:53Why?

23:54We were married

24:00for three years

24:01and we never

24:02Oh, God,

24:02you fucking might

24:03let go of it!

24:04No wonder you want me to go!

24:15Just look at yourself.

24:19You're not half

24:20the man Christopher is.

24:23Get out

24:23or I won't call the cops.

24:27Just go!

24:28Are you okay?

24:37Are you okay?

24:42Dorothy?

24:44Yeah?

24:44Remember,

24:45safety first.

24:46The lifeguard's right there

24:48if you need him.

24:49Okay.

24:52Anything you need

24:53to let the AD know.

24:54Okay.

24:54Got it.

24:55Got it.

24:56Yeah?

25:04Here's a coffee for you.

25:06It's still early

25:06before the shoot.

25:07Take your time.

25:24Bye.

25:35Bye.

25:36Bye.

25:49Bye.

25:50Bye.

25:51Something's wrong.

26:05That's not acting.

26:07She's in trouble.

26:14Where's the lifeguard?

26:19Where's the lifeguard?

26:21Where the fuck is the lifeguard?

26:42Come on, Dorothy.

26:52Why did you do that?

27:16I don't do anything for you, Dorothy.

27:23Christopher risked everything without hesitation.

27:27How could I have been so blind?

27:46I wasn't expecting that.

28:00Where were you?

28:01Dorothy could have drowned.

28:02I'm sorry.

28:03I had a stomachache.

28:04I had to go get a bite.

28:05Make sure it doesn't happen again.

28:06Do you think that I should call Dorothy just to make sure she's okay?

28:16Are you still hung up on her?

28:18No.

28:20It's not like that.

28:21I'm just trying to be helpful.

28:22Don't you remember, Drake?

28:24She's the one who had me kicked out of the movie.

28:28She's the one who killed my baby.

28:30Not just my baby, but Nick's baby.

28:33I know I'm just her sister-in-law.

28:35Whatever happened between us is in the past.

28:37But I have no one now.

28:40No husband.

28:42No baby.

28:43I have left as you.

28:46Have you seen through Dorothy yet?

28:50She's nothing but a slut sleeping her way to the top.

28:52You don't know that.

28:55You know I'm right.

28:57Why else would John come onto the set and stand up for her?

29:00Not just John, but Christopher too.

29:02She's sleeping around with anyone she can find.

29:04She's a whore.

29:05Paul, shut up!

29:05You want war?

29:17I'll give you war.

29:22Do it.

29:24Make sure Dorothy feels every bit of it.

29:31Breaking news.

29:32Unknown actress seduces Hollywood heartthrob.

29:35Rising star or opportunist.

29:38Actress Dorothy's shocking affair with Christopher.

29:41Christopher's new flame for a heartless gold digger.

29:43Dorothy!

29:45Liar!

29:46Happy!

29:49This is getting out of hand.

29:51Maybe we should just reveal her real identity.

29:54Let everyone know she's not just some random actress.

30:01No.

30:02Dorothy, once we tell them who you are,

30:03there's no reason for them to attack you.

30:05There's someone behind us.

30:08And whoever they are,

30:09I'll make them hang.

30:16Fuck off.

30:17This can't be right.

30:29I die in the second scene.

30:32This must be Dorothy and John forcing S.Q. to cut me out.

30:36They won't get away with this.

30:37Trey, can you believe this?

30:44They've completely written me out of the script.

30:47Do you remember when Nick was lying in that hospital bed?

30:50You promised him you'd look after me.

30:53I've already lost my husband and my baby.

30:55I can't lose my career too.

30:56Don't worry.

30:58I'll get you your character back.

31:00There's a tape of a documentary that apparently S.Q. has always wanted.

31:20So, we win this bid and we gift it to them.

31:24We should be able to get you your role back.

31:28Up next, a rare gem.

31:31The original film documentary chronicling the creative journey of none other than herself.

31:37Legendary screenwriter, Margaret Lane.

31:4050,000.

31:40What's she doing here?

31:45I don't know.

31:47I'm not going to let her win this.

31:4960,000.

31:5470,000.

31:58100,000.

32:01This is my grandmother's documentary.

32:04It's her legacy.

32:06She's the one who inspired me to become a screenwriter.

32:09I can't let it fall into the wrong hands.

32:10500,000.

32:23500,000.

32:27Trying to get you your role back.

32:29Don't worry.

32:30I've got it covered.

32:31Ladies and gentlemen, we are down to the final bid.

32:35Standing at a whopping 500,000.

32:38500,000 going once.

32:42500,000 going twice.

32:45Sold.

32:46To the lady in the blue dress.

32:48I can't believe this.

32:57You have no right to take that film reel with you.

33:04You have no right to take that film reel with you.

33:10What's going on?

33:11Ladies and gentlemen, I've just been informed, Miss Dorothy is in fact not an invited guest.

33:24Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.

33:30This is ridiculous.

33:31I was invited.

33:32Well, in that case, may I see your invitation?

33:42I did have it, I swear.

33:43I'm sorry, Miss Dorothy.

33:45If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.

33:49This is the protocol.

33:51Oh, you don't understand.

33:52I'm sorry.

33:53I'm sorry.

33:53These are the rules.

34:14The documentary reel will go to the honourable couple.

34:16Oh.

34:35Stephanie, wait.

34:38Just sell it to me.

34:40Name your price.

34:41I'll pay you anything you want.

34:42It's really important to me, please.

34:44Why are you doing this?

34:45Are you just trying to get my attention by going after something that Stephanie wants?

34:51No, you don't understand.

34:53Just let me buy this.

34:55Whatever it takes.

34:57I'm sorry, Miss Dorothy.

34:59You think this is about money?

35:01Please.

35:02This isn't something you can just buy.

35:05I'm sorry, Miss Dorothy.

35:06What the hell do you do?

35:07Why do you always have to go against her like that?

35:09This reel is important to Stephanie.

35:11She can use this to help her career.

35:13Her career?

35:14Is this about your role being cut from her head?

35:19Is that why you're doing this?

35:23I'm the writer.

35:24I'm going to fix this.

35:26Then you write the story and bring your character back.

35:29Just...

35:29Just let me have the real place.

35:32You're the writer.

35:34Are you telling me that you're SQ?

35:36You, the writer SQ.

35:42Can you give us a break?

35:43Look, this reel is important to Stephanie.

35:47End it.

35:48Don't make this harder than it has to be.

35:51You've been with Dorothy for so long,

35:53and you don't even know her.

35:54Oh, and you do.

35:55A hell of a lot more than you.

35:57What the fuck do you think you are?

35:58Both of you, calm down.

35:59Scratched all over.

36:14It's ruined.

36:15Not even fit to be a gift anymore.

36:18I can fix this.

36:19Stephanie, I know someone who can restore it.

36:21Just sell it to me, please.

36:22Just name your price.

36:23Even if I had no use for it,

36:28I'd never give it to you.

36:53I want to be a writer like you, Grandma.

36:59I want to make movies like you do.

37:02This reel

37:03has more than pictures and sound on it.

37:07Really?

37:08An entire world I've captured,

37:11but it's just one way of seeing things.

37:14The magic is creating it yourself.

37:17And someday you will.

37:18Dorothy.

37:32I need you to go apologize to Stephanie

37:33and give her her role back.

37:36Apologize?

37:37To her?

37:38She destroyed the reel.

37:39She wouldn't have done that

37:40if you hadn't pushed her.

37:46So go apologize or I'm pulling my funding.

37:49Look, Dorothy.

37:51Let's be real here.

37:53Without Stephanie,

37:55Barry's gonna rest.

37:57Even the production company will call out

37:59if they hear that she's not involved anymore.

38:00Her name carries weight.

38:02Let's not pretend that your reputation

38:03is exactly stellar right now.

38:06Christopher's fans hate you.

38:08Stephanie's fans hate you.

38:09Even if you actually make this film,

38:12no one's gonna support him.

38:13You will be Barry.

38:14If you apologize to Stephanie now,

38:19I can help you.

38:23I can control the press.

38:25I can control the narrative.

38:26I can actually give you a chance.

38:27What's so funny?

38:33What's so funny?

38:36Pull your funding.

38:37Do it.

38:39You'll see it does nothing for the movie.

38:41Okay.

38:42So what if I tell the production head

38:43to pull his funding too?

38:46Didn't I tell you that I know Mr. Bennett?

38:48Oh.

38:49Go ahead.

38:50Quiet.

38:51You want me to call?

38:53Mm-hmm.

38:53Fine.

38:59Hi, Mr. Bennett.

39:00It's Drake.

39:01Drake Mossbacher.

39:03Yeah, I'm pulling my funding from Lies Game

39:04and I suggest that you do the same thing.

39:06I've seen it,

39:07and it's a sinking ship.

39:10You're pulling out?

39:11Great.

39:12I'll take full control of the investment.

39:14Not a problem.

39:21So you sat with him?

39:23That's why he's supporting you, isn't it?

39:29Is this how you see me?

39:31The type of woman who would use her body

39:32to get what she wants?

39:33What other explanation do you have?

39:36You know nothing about Dorothy.

39:41Apologize to Stephanie,

39:43cut ties with Mr. Bennett,

39:44and end this.

39:45Dorothy, come back to me.

39:46Whatever he's offering you,

39:47I'll match it.

39:47I'll double it.

39:49You must be out of your fucking mind.

39:51What makes you think

39:53I would ever go back

39:54to that living hell?

39:56Living hell?

39:56You heard me!

39:58Being married to you

39:59was a fucking nightmare.

40:01You made me believe

40:03you loved me.

40:05And then you had me waiting in vain

40:06for three years, Drake.

40:09You said you'd always protect me,

40:10but then when I need you the most,

40:13you just turned your back on me.

40:15You chose your sister-in-law

40:17over your wife.

40:19I've had enough, Drake.

40:22You were my prison.

40:24So just go back

40:25to your precious Stephanie.

40:31Let's just go.

40:41Why are you hurt?

40:43Are you okay?

40:49Steph, what are you doing?

40:52Well, you want me, don't you?

40:53Just kiss me.

40:54I'm all yours.

40:55Steph!

40:56You're Nick's wife.

40:57I've always thought of you

40:58like a sister.

41:00Sister?

41:01Funny.

41:03Don't you remember

41:03when you came to me

41:04the night Nick and I got married?

41:05Don't you remember

41:06what you said?

41:09Remember this?

41:10Yeah.

41:10Why not marry Stephanie?

41:13God.

41:14You were practically

41:14begging me not to marry Nick.

41:15No, I shouldn't have said that.

41:17I shouldn't have said that.

41:17Okay, I don't see it.

41:21What's that?

41:22Oh, it's nothing.

41:23What is that?

41:24No, Drake, no.

41:25Please.

41:28You lied about this.

41:32You lied about this.

41:36You said that Dorothy

41:37pushed you into the water

41:38but this shows you

41:39shoving her in.

41:41It's a glitch.

41:43A glitch.

41:44So, do you actually

41:45expect me to believe that?

41:47What's this?

41:50Find pills

41:50off the black market.

41:53Terminate your pregnancy.

41:55It's you.

41:56First time

41:57when you blamed Dorothy

41:58like some sort of scapegoat

41:59and she was innocent

42:00the whole time.

42:01Please, no.

42:02You have to believe me.

42:03I didn't...

42:03Do you know what?

42:04I've always thought of you

42:05like a sister.

42:06I've always taken care of you.

42:08I even thought that I loved you once

42:09but that was before

42:09you were Nick's wife.

42:10You've changed.

42:16You've changed.

42:19You're not the person

42:20I thought you were.

42:23I only looked after you

42:24because I thought it was my duty

42:25as Nick's brother

42:26to look after his widow.

42:28I guess there's no...

42:30I don't need to look after you anymore, huh?

42:32What does that mean?

42:34You're just going to

42:34throw me away?

42:36I'm not going to throw you away

42:37but this is my house.

42:41I'm not back.

42:42I hope you'll be gone.

42:44But you can't just walk away

42:45from me like that.

42:46I've said everything

42:46that I need to say.

42:48Now I'm going to go find

42:48the person that I actually

42:49care about.

42:55Dorothy.

42:56This is all your fault.

43:01Let's take this bitch down.

43:06Don't I say please?

43:21No.

43:22I was wrong.

43:25I misunderstood everything

43:27about you and about us.

43:32Can you please just hear me out?

43:33You think you can just come here

43:36and apologise?

43:38After everything?

43:39I didn't mean to hurt you.

43:42Look, I understand what I did

43:43but it was just because

43:44it was definitely an anyone.

43:46Can you please just forgive me?

43:48I don't need your apology, Drake.

43:51You let me down.

43:53You abandoned me

43:54when I needed you the most.

43:57You used me,

43:59manipulated me

44:00and now you beg

44:01for my forgiveness.

44:03Oh my God, please

44:04just don't show me out.

44:05I can fix this.

44:07I can fix it.

44:07I can do anything, Dorothy.

44:09Please, just...

44:10No.

44:12You were never the person

44:14I thought you were.

44:16And I'm not either.

44:18I've moved on.

44:21I don't need you.

44:22Not my face.

44:28Just stay back.

44:29After everything.

44:30Yeah, that's it.

44:43I deserve better than this.

44:52Before you all celebrate this movie,

45:13there's something you should know.

45:16Dorothy is nothing but a homewrecker.

45:18What's going on?

45:20A glorified mistress

45:21who's been playing the part

45:23of a wonderful actress

45:24when all she's really done

45:25is ruin lives.

45:29This is true, Dorothy.

45:30You're involved with a married man.

45:32What's your response

45:32to Stephanie's claim?

45:37This is ridiculous.

45:38Let's talk about

45:39how she got here.

45:41Shall we?

45:42She didn't get here

45:43off her talent.

45:44Oh no.

45:45She got here

45:46by clinging

45:46to powerful men.

45:48No real experience.

45:50No skill.

45:51Just a man's name

45:53and a man's money.

45:54Security!

45:55Get her out of here.

45:56Wait.

45:57If she has something to say,

45:59let's hear it.

46:00Dorothy,

46:01it's a trap.

46:02I'm not afraid of the truth.

46:05Let's see what she's got.

46:09What's going on?

46:11So tell us, Dorothy.

46:13How did you get here?

46:15Did you use your relationship

46:16with John Bennett

46:17to land the part?

46:34A homework, are you saying?

46:36Is there something wrong

46:37with me appearing

46:38with my own dad?

46:39You're the one

46:40who sent me this photo, right?

46:42How about you take another one?

46:43This time,

46:44of my lovely family of three.

46:46Dorothy, Dorothy, Dorothy.

46:48Are you really

46:49John Bennett's daughter?

46:50Yes.

46:51I bet you never

46:51ask my last name.

46:53It's Bennett's,

46:54by the way.

46:56So, Dorothy

46:57is the producer's daughter?

47:00Dorothy,

47:00so,

47:01did you use your father

47:02to get the part?

47:03Ah,

47:03so it's just nepotism,

47:06then.

47:06Even if she didn't

47:11fuck her way to the top,

47:12she still only got here

47:13through her connections.

47:14Whether you like it or not,

47:15my performance

47:16speaks for itself.

47:17And everyone here

47:18saw it.

47:19She was actually really good.

47:20Yeah,

47:21she handled the movies.

47:23Oh,

47:23are you saying

47:23that everyone here is wrong?

47:25You think you're so clever,

47:27don't you?

47:28Fine.

47:29You can act,

47:30a little bit.

47:31But let's be real,

47:32you didn't land this role

47:33on your own.

47:34You just snapped

47:35your bony little fingers

47:36and let daddy

47:36give you a role.

47:38How else

47:38would a nobody like you

47:39have landed yourself

47:40the lead otherwise?

47:42Dorothy isn't just a nobody.

47:46She wrote Liar's Game.

47:49She is SQ.

47:54Dorothy is SQ.

47:56How can that be possible?

47:58Liar's Game is a masterpiece.

47:59There's no way

48:00you could have written it.

48:01You don't have to believe me.

48:03Just let the credit

48:04speak for itself.

48:06How can this be true?

48:11Oh,

48:12oh,

48:12it's so funny.

48:16Dorothy Bennett,

48:16you're the daughter

48:17of the producer

48:17and the famous writer SQ.

48:19Why did you keep

48:20your identity a secret

48:21so long?

48:24Why did you keep

48:25your identity a secret

48:26so long?

48:26Stephanie Marsbecker,

48:28Linda Marsbecker,

48:29and Ellie Marsbecker.

48:30I'm arresting you

48:30on suspicion of defamation.

48:31No, no, no, no.

48:33I didn't do anything wrong.

48:34This was all Stephanie's idea.

48:35I didn't do anything.

48:43This whole time

48:44she was actually

48:45telling the truth.

48:47I was this SQ.

48:49She genius.

48:50That's why she always

48:53had a book in her hand.

48:56Always writing something

48:57on her laptop,

48:58always lost in her thoughts.

49:02Didn't even see her.

49:05Guess I was blind all along.

49:08I don't deserve that.

49:10I've missed this place.

49:31Don't you remember?

49:33Of course I do.

49:34We saw so many films here.

49:37We were just

49:38staying in our seats

49:39and talk

49:40about life

49:42and everything.

49:44But you just made me feel

49:45like I could face

49:46more anything, really.

49:51God, I used to be

49:52so nervous back then

49:53about everything

49:55of the future.

49:59But you just made me feel

50:00like I could face

50:00more anything, really.

50:03No.

50:05Someone had to be there

50:06to make sure you didn't

50:07ever think everything.

50:07I remember you used to

50:10unpick every little detail

50:11like it was a life

50:12or death situation.

50:17You know, Dorothy,

50:19life's not been the same

50:22without you.

50:22even when we parted ways,

50:27I always knew

50:30that we would find

50:30each other again.

50:34I don't care

50:34what we've been through.

50:36I don't care what's happened.

50:38All I know

50:39is that I need you now

50:42more than ever.

50:45And the award

51:00for Best Adapted Screenplay

51:02goes to

51:03Dorothy Bennett

51:04with Liar's Game.

51:06Wow.

51:10Best Screenplay.

51:13What, shall I start

51:13calling you

51:14Your Majesty?

51:15I think that's

51:16a great idea.

51:17Why don't I start now?

51:19You deserve this.

51:21Your Majesty.

51:23Every bit of it.

51:25Now,

51:27since you won,

51:29I think this calls

51:29for a reward.

51:30Oh, yeah?

51:34And what would that be?

51:38Me.

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