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00:00:00They're here for the past two weeks.
00:00:05I'm here for a long time.
00:00:09I'm here for you.
00:00:18I'm here for a long time.
00:00:22I'm here for a long time.
00:00:24I am here for a long time.
00:00:28Are you ready to be a star today?
00:00:38I think you are.
00:00:39We've got to make some art here, people.
00:00:41Okay, that's it.
00:00:42All right, let's go.
00:00:43Bring that light right into it.
00:00:44Down here.
00:00:45All right, that's not it.
00:00:46No, I need more light than that.
00:00:47I'm ready.
00:00:48You're in the spa.
00:00:49It's about here.
00:00:50Okay, I'm ready.
00:00:51Right there.
00:00:52Did it go?
00:00:53All right.
00:00:54Okay.
00:00:55Good boy.
00:00:56Yeah.
00:00:57Let's go.
00:00:58Come on.
00:00:59No, I told you.
00:01:00It's too hot.
00:01:01Turn it over.
00:01:02Give me the other flat side, idiot.
00:01:03Come on, let's go.
00:01:04Come on.
00:01:05Oh, Jesus Christ.
00:01:06Come on.
00:01:07Oh!
00:01:13Good.
00:01:14Back in it.
00:01:15Back in it.
00:01:16That's a good dog.
00:01:17That's such a good dog.
00:01:27Good.
00:01:28Good.
00:01:29All right.
00:01:30That's fine.
00:01:31That's fine.
00:01:32Hang on.
00:01:33Gotcha.
00:01:34Hang on.
00:01:35Hang on.
00:01:36Gotcha.
00:01:37Hang on.
00:01:38All right.
00:01:40That is great.
00:01:43I think he looks good, don't you?
00:02:08Hey, we're out of film.
00:02:09All right, take five.
00:02:10We're reloading now.
00:02:10This is the dumbest dog in the whole world.
00:02:13Where the hell did you get such a dumb dog?
00:02:15It's my dog.
00:02:16I trained that dog.
00:02:17I love this dog.
00:02:19And you are as dumb as the dog.
00:02:37All right.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:48This program is sponsored by the Women's Press Club of America, along with the friends of public television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sandra Davis.
00:03:09In a few minutes, we will switch our control to the Women's Press Club to honor Emanuelle Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Valarie, just to name a few.
00:03:34Emanuelle, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the women's press club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sandra, it's a demanding position, and she's already in great demand.
00:03:55She's been described as the highest-paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:18When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:39Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:46Things are changing.
00:04:53Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:10Jesus.
00:05:16Good morning, ladies, and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:43And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:53This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:11All I want is for us to have a piece of the pie.
00:06:18And when I'm talking peace, ladies, I don't mean a little one.
00:06:24I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:54Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:12Let's go, man.
00:07:14I will tell you you should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:25Yes, 50-50.
00:07:2650%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50-50.
00:07:37All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45When I'm talking peace, ladies, I'm not talking a small piece.
00:07:51I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Just get the pie.
00:08:01Just get them, honey.
00:08:02Come on.
00:08:03I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:41I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by four this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:50Okay.
00:08:50For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:54Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:07No, come on.
00:09:07You can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23I'm in town three months out of the year.
00:09:53All you love is
00:09:54But it won't be me
00:09:57Girl, it's not done about
00:10:02Girl, I can't see you with somebody else
00:10:13Gotta have you, darling, now
00:10:18Hold me at nobody else
00:10:22Gonna make you laugh
00:10:25Hold you through the night
00:10:29Look what you've just done to my heart
00:10:37Look what you've just done to my heart
00:10:41Oh, yeah
00:10:41Look what you've just done to my heart
00:10:45Yeah
00:10:46See what you've just done to my heart
00:10:49Look what she'll just sound in my heart
00:10:54Oh, baby
00:10:55Look what she'll just sound in my heart
00:10:59Oh, yeah
00:11:12Good morning, ladies, and welcome to a man's world
00:11:15Let me tell you a little about men, ladies
00:11:20They'll tell you anything they want you to hear
00:11:24They'll tell you that they'll pay you as much as they're earning for doing the same job
00:11:31God, I hope not
00:11:34Oh, Lord, woman
00:11:36We have a problem here, Emmanuel
00:11:39It's the word they
00:11:44Now, we all know that they pertains to men
00:11:48So, why don't you just come out and say
00:11:52Men, you're blessed with great beauty
00:11:55You should be satisfied with that advantage
00:11:58But you're not
00:11:59I think all you girls should remember the terminology
00:12:03Manpower
00:12:04Manipulate
00:12:06The rights of man
00:12:08Manhole
00:12:09I mean, all you girls can climb down
00:12:11And it's still going to be a manhole in the eyes of God
00:12:13In the eyes of everyone
00:12:14You can't change that
00:12:15Not even God can change that
00:12:16Understand that, lady
00:12:17You have a lot to learn, Emmanuel
00:12:24And one Richard Tate
00:12:27Is going to teach you, darling
00:12:30Okora Hotel
00:12:38Yes, Miss Emmanuel Griffith, please
00:12:53May I say who's calling?
00:12:55Yes, tell her that our studio driver has arrived
00:12:58One moment, please
00:12:59Yes?
00:13:01Yes, Miss Griffith
00:13:02Yes, your limo is here
00:13:03What time is it?
00:13:05No, I'm an hour from now
00:13:06Oh, no, but they moved the time up, ma'am
00:13:09Did they tell you that?
00:13:11No
00:13:11Alright, fine
00:13:13I'll be down in a minute
00:13:15Okay, thank you
00:13:45Okay, thank you
00:14:15Hey, buddy
00:14:30I smell some gas back here
00:14:33Hey, guy
00:14:37You got a leak or something?
00:14:45Can't you get the window down?
00:14:50Hey, mister
00:14:51Hey, mister
00:14:53What are you doing?
00:14:54What are you doing?
00:14:57Open my window
00:14:59What are you doing?
00:15:20Jesus Christ
00:15:22I'm going to be doing this
00:15:23I'm going to be doing this
00:15:24I'm going to be doing this
00:15:25I'm going to be doing this
00:15:26I'm going to be doing this
00:15:26I'm going to be doing this
00:15:27I'm going to be doing this
00:15:28I'm going to be doing this
00:15:29I'm going to be doing this
00:15:29I'm going to be doing this
00:15:30I'm going to be doing this
00:15:31I'm going to be doing this
00:15:31I'm going to be doing this
00:15:32I'm going to be doing this
00:15:33I'm going to be doing this
00:15:33I'm going to be doing this
00:15:34I'm going to be doing this
00:15:35I'm going to be doing this
00:15:36I'm going to be doing this
00:15:37I'm going to be doing this
00:15:38I'm going to be doing this
00:15:39I'm going to be doing this
00:15:40I'm going to be doing this
00:15:41I'm going to be doing this
00:15:42Let's go.
00:16:12Don't worry, baby. I'm here to help you. Everything's gonna be just fine.
00:16:42Let's go.
00:16:44Hello.
00:16:54What's going on?
00:17:08Where am I?
00:17:22Why do you ask?
00:17:24Who the fuck are you and why am I here?
00:17:29I don't like women who use profanity.
00:17:33You don't?
00:17:35No.
00:17:37Well, then you just tell me a few things.
00:17:44What the fuck is going on?
00:17:45Where the fuck am I and who the fuck are you?
00:17:51You'll find out, Manny.
00:17:58What the fuck is going on?
00:18:04I don't like women or women who made this mistake.
00:18:07A lot of women are kind of a fact.
00:18:10I'm not a fact that you see any women.
00:18:13I'm not a fact that you see any women who play with a lot of girls.
00:18:16Even women who play a lot ofIts.
00:18:18Even women who play with rollerblad.
00:18:20Listen to me, you bastard.
00:18:32You let me out of here right now, or I'm going to see that you go to jail for the rest of your life.
00:18:38Well, if you haven't already figured it out, you're the one that's in jail.
00:18:44And for how long depends entirely on you, my pretty.
00:18:50But let's not talk about depressing issues.
00:18:52Let's move ahead into a bright new future.
00:18:55Now, it's lesson time, sweetheart, so pay attention.
00:18:59I think you're going to enjoy this.
00:19:01This is something very close to your heart.
00:19:04They'll tell you that there's no sexual harassment in the workplace.
00:19:09And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:19:17I must tell you, I love the barefoot and pregnant line.
00:19:22I'm going to play for you again and watch the smile that crosses your face just after you say the line.
00:19:28It was great.
00:19:29You were in charge then.
00:19:31And wasn't it wonderful?
00:19:33Good morning, ladies, and welcome to a man's world.
00:19:43You know what?
00:19:43I think we're going to have to rethink that dumb speech of yours, but don't worry.
00:19:48I mean, we're going to make it right.
00:19:50You know, I want you to memorize every stupid word you say.
00:19:54I want you to see the look on your face.
00:19:57But, you know, it's like anything else.
00:20:00I want you to see every arrogant, sarcastic expression that you presented to that audience.
00:20:06But don't worry.
00:20:07It's going to be okay.
00:20:08We're going to make it out just fine.
00:20:14Now, what would you like for lunch?
00:20:18Nothing.
00:20:20I want nothing from you.
00:20:22Oh, okay.
00:20:23Well, I tell you what.
00:20:24There's a buzzer right on that table in front of the TV.
00:20:29And if you just push it, I'll bring you anything you need.
00:20:35Leave it dirty, Emanuel.
00:20:49Let me just follow you around.
00:21:18Save your breath, sweetheart.
00:21:43You'll need it later.
00:21:45You can't get out.
00:21:46No one can hear you.
00:21:47I'm in charge now.
00:21:48The sooner you get that through your head, the better off you'll be.
00:21:52Just push the buzzer if you need an exam.
00:21:56Hey, mister!
00:22:04Hey, mister!
00:22:08Hey, asshole!
00:22:14You know your fucking TV set isn't working!
00:22:17Aren't there any other assholes that live in this area?
00:22:29Are you deaf?
00:22:33I didn't hear this fucking buzzer!
00:22:37Where the fuck are you?
00:22:39Where the fuck are you?
00:22:40Where the fuck are you?
00:22:40Where the fuck are you?
00:22:40Fucking jerk!
00:22:44Are you deaf?
00:22:47Hello?
00:22:47Hello?
00:23:16Hello?
00:23:17this is your friendly chef how may I be of service I'd like something to eat hmm
00:23:27well I tell you that sounds reasonable all you have to do is use the word
00:23:33please please well how do you like that sweetcakes you're finally making some
00:23:42progress and it hasn't even been 24 hours breakfast in bed
00:24:06we're the only lady in the house
00:24:11not bad huh I make my bernet sauce with a little brandy I'm impressed well thank you I studied
00:24:24with a great chef at the Waldorf Astoria in New York lovely well thank you once again my specialty
00:24:31is pastry wow now I want to know who you are why I'm here well my dear you already know why you're
00:24:42here that's to give you time and instruction until you get your pretty little head straightened out
00:24:47as for me I am your chef and host and in due time if you're really nice and kind I may even be your
00:24:57lover you should live so fucking long I told you that I don't like that kind of language from a
00:25:05woman I don't have to say it again what's your name my name is Richard hello Richard what did they call
00:25:21you in school did they call you Ricky did they call you Dickie or did they just call you Dick
00:25:51you
00:25:59I mean
00:26:01you
00:26:01you
00:26:02you
00:26:12you
00:26:19you
00:26:20Help!
00:26:32Richard!
00:26:36Help!
00:26:50You're about as dumb as a boxer rocks. I mean, what the hell made you think you could get your ass through that small open, huh?
00:26:57Please help me.
00:26:59Honey, you just said a magic word, please.
00:27:02My night gun is caught on something here at the waist, and I can't pull back out.
00:27:06Oh. Well, that's no problem.
00:27:10Okay, try it again.
00:27:14Go on.
00:27:16I can't do it.
00:27:20Why not? You got in there.
00:27:22Well, that's obvious, but now I can't get back out.
00:27:24Okay, well, I'll tell you what. Let me check out the situation. Let me check this out, okay? Okay?
00:27:30All right, I'm checking it out.
00:27:32You know, the only thing I can figure is that your tits got bigger.
00:27:37You are a disgusting pig.
00:27:40Well, I'll tell you what. I can take this thing off its hinges, and you'll be wearing a door for the rest of your life.
00:27:45Please.
00:27:49That's better.
00:27:51You know what? You're starting to get to me.
00:27:54The possibility exists is that you may even be getting better.
00:28:00But I don't.
00:28:01I don't believe this.
00:28:02Children.
00:28:03Healing with children.
00:28:04Oh, this is that fake butter. I hate this shit, don't you?
00:28:06Mm-hmm.
00:28:07Mm-hmm.
00:28:08All right.
00:28:09All right.
00:28:10All right.
00:28:11This is that fake butter. I hate this shit, don't you?
00:28:13Mm-hmm.
00:28:14All right.
00:28:15All right.
00:28:16All right.
00:28:17All right. This is the gold we have been searching for.
00:28:21Yes. Oh, yes! Oh, yes!
00:28:25Yes, baby.
00:28:27Yes, here it is.
00:28:29Oh, yeah.
00:28:30Oh, yeah.
00:28:32Come on, come on, come on, come on.
00:28:33Come on.
00:28:34All right, this is the gold we have been searching for.
00:28:41Yes.
00:28:43Oh, yes.
00:28:46Yes, baby.
00:28:49Oh, yeah.
00:28:50Come on, come on, come on.
00:28:51Come on, move over a little bit.
00:28:52I see a touch of you, babe.
00:28:54Come on.
00:28:54Come on, honey.
00:28:56Come to daddy.
00:28:57That's it.
00:28:57That's better.
00:28:58Oops, not enough.
00:29:00Just get your magi...
00:29:02Oh, come on.
00:29:03Get in the view.
00:29:04Come on.
00:29:05Let me strike a close-up on your magic spot.
00:29:11Okay.
00:29:12What are you doing to me?
00:29:16Come on.
00:29:27Yeah, no, I want to go someplace where I can totally be lost.
00:29:32But at the same time, if I wish to escape into some excitement, it's nearby.
00:29:38Oh, I understand, I think.
00:29:41But I want it to be magnificent.
00:29:44First class all the way.
00:29:45Because I like the ocean, but it has to be more than that.
00:29:51I want it to be more than that.
00:29:52I want something that oozes love.
00:29:57Oozes?
00:29:57I beg your pardon?
00:29:59Oh, excuse me.
00:30:00Oh, excuse me.
00:30:01Oozes.
00:30:02I was just flashing on something.
00:30:04Oh, right.
00:30:05What do you have in mind?
00:30:06Well, the people in the travel business might call me Mr. T because T stands for travel, of course, so you've come to the right place.
00:30:17What I'm about to show you, young man, is splendor in the sand.
00:30:24Oh, hold your breath.
00:30:26You'll be screaming for oxygen.
00:30:27This, this is Antigua, the island of beaches.
00:30:33Five years ago, very dear, well, close, intimate, a friend of mine and I spent five glorious days there.
00:30:45It was magnificent, I'll never forget it.
00:30:47We'd lay on the beach and write love poems to each other and put them in a sealed empty orange juice bottle and hiding under this rock.
00:30:58Oh, look, this is the very rock and the nights, oh, don't ask, the nights were magical, the wind, the people, the island, the beaches, the love poems.
00:31:15Then when the mood struck us, which was quite often, we would adjourn to our magical suite.
00:31:24Yeah.
00:31:24This is the actual suite, just between us.
00:31:32We did it everywhere, upstairs, downstairs, in my lady's chamber, so to speak.
00:31:40It was magnificent.
00:31:43I bet.
00:31:45What a memory.
00:31:47Yes.
00:31:48Oh, excuse me.
00:31:50Now tell me, will you be traveling alone?
00:31:52Uh, no, I'll be traveling with my wife.
00:31:59Do I?
00:32:00Mm-hmm.
00:32:00Of course.
00:32:02Sorry.
00:32:02No harm done.
00:32:05Now, you want me to write that up?
00:32:08Yeah, sure thing, pal.
00:32:09Uh, like I said, I want a first class all the way.
00:32:14I'll take the beach, I'll take the sand, I'll take the nightlife, but I definitely do not want that wrong.
00:32:19Oh.
00:32:22Oh.
00:32:23Hello, this is Dick.
00:32:38What can I do for you?
00:32:40Look, Richard.
00:32:41Richard.
00:32:43I have nothing against you.
00:32:47Please let me go.
00:32:49Not until your act is together, my darling.
00:32:50Okay.
00:32:54You're right, I'm sorry.
00:32:56Let me explain something to you, darling.
00:32:58Okay?
00:32:59I kidnapped you.
00:33:01I kidnapped you.
00:33:02You know what that means?
00:33:03The FBI is involved with this as we speak even here.
00:33:07And I'm not going to let you out until you get your head straight.
00:33:10And that, my love, is quite up to you.
00:33:14Look, Richard.
00:33:17I have nothing against you.
00:33:20Please let me go.
00:33:22Not until you get your act together.
00:33:25I know.
00:33:27You're right, I'm sorry.
00:33:29Not only do I hate women who use foul words,
00:33:33but I hate women who lie.
00:33:35Good night, sweetheart.
00:33:36Oh, no.
00:33:39Richard.
00:33:40Richard, come back.
00:33:43Oh, please, don't go away.
00:33:47Oh, please, you've got to come back.
00:33:50You've got to talk to me, Richard, please.
00:33:54Oh, God.
00:33:58Oh, God, no, God.
00:34:04Please, Richard.
00:34:05Please.
00:34:11Yes, my darling.
00:34:13I can hear you.
00:34:14Isn't it nice to see a friendly face?
00:34:17Look, Richard.
00:34:20I have money.
00:34:22I have a lot of money.
00:34:26I don't need new money.
00:34:28What do you want, then?
00:34:31I want you to be a nice little girl.
00:34:32I want you to be nice to the men who support you.
00:34:37I want you to be barefoot and not pregnant.
00:34:39I hate kids.
00:34:42Look.
00:34:43I will do whatever you want.
00:34:49I have got to get out of here.
00:34:52I am going crazy in here.
00:34:54Okay.
00:34:56Take off the towel.
00:34:57I want to see you.
00:35:00I want to see you.
00:35:05You can see me?
00:35:08You've been watching me?
00:35:10Just relax, baby.
00:35:11How do I turn off this fucking thing?
00:35:16It's locked.
00:35:17I control it from here.
00:35:18Just relax, okay?
00:35:21What is it?
00:35:22Is it a peephole?
00:35:23Dick, you prick.
00:35:25Oh, no.
00:35:26Not a peephole.
00:35:27Not for Dickie Boy.
00:35:28Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it,
00:35:39and I will find it,
00:35:42I am going to smash the shit out of it.
00:35:45Don't even give it a thought, baby.
00:35:46You'll never find it.
00:35:48Never.
00:35:48You bastard.
00:35:50You sick son of a bitch.
00:35:52Who do you think you are, anyway?
00:35:54You listen to me, and you pay attention.
00:35:56I'm the guy with a key to your mind.
00:35:59God, I hate you.
00:36:01You are the lowest of the low.
00:36:05You listen to me, Dickie Boy.
00:36:07When I get out of here,
00:36:09you are dead meat.
00:36:14Don't do it.
00:36:15Don't do it.
00:36:21That was a bad idea, baby.
00:36:24You best plug that back in.
00:36:27Fuck you!
00:36:31Good night, sweetheart.
00:36:34Oh, this is just perfect.
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality gets to be too much for you, huh?
00:36:42Reality gets to be a little tough,
00:36:44and you can't take it.
00:36:45You've got to turn off the sound, huh, buddy?
00:36:48Well, let me tell you something.
00:36:50I'm still going to find it.
00:36:52And when I find it,
00:36:54you can watch yourself
00:36:55for the rest of your fucking life!
00:36:57Oh, my God!
00:37:03Oh, my God!
00:37:20Oh, my God.
00:37:50Oh, my God.
00:38:20Oh, my God.
00:38:50I'm the last person to see Emanuele Griffith alive.
00:38:54Good.
00:38:55Yep, Japanese girl.
00:38:57I worked at the hotel.
00:38:59Helped her out to the phony limo.
00:39:01Okay.
00:39:02Sam, I gotta tell you.
00:39:03I run one of the best detective agencies in this area.
00:39:06Why don't we get this thing wrapped up real quick and go out and do some more business together.
00:39:12I can have her here on Wednesday.
00:39:14How's 1 p.m. for you?
00:39:16Sounds good.
00:39:17She'll be here.
00:39:18Cut.
00:39:19Cut.
00:39:19Hello?
00:39:45Hello?
00:39:46Hello?
00:39:48I have no water in here!
00:39:53What's going on?
00:39:55Richard!
00:39:56I have no water!
00:40:04How many ways do I love you?
00:40:09I'm gonna show you now.
00:40:13I'll buy you nice little things
00:40:15And a big diamond ring
00:40:20Oh wow!
00:40:23You said that you didn't love me
00:40:27Honey, I got class and style
00:40:32I'll make sure we're together
00:40:35This stormy weather
00:40:38Mile after mile after mile
00:40:42Yeah!
00:40:43How many ways do I love you?
00:40:47Let me tell the world
00:40:49Let me tell them all
00:40:52I'll buy you a rainbow
00:40:55I'll buy you the moon
00:40:57I'll buy you boats and planes
00:41:00Horses and trains
00:41:02I'll buy the size of the hall
00:41:04Throw in the slaves and all
00:41:07You'll be the queen of the fall
00:41:10You'll be the queen of the fall
00:41:14The gown is $600 and $25
00:41:24However, if you wish to purchase the undergarments we discussed
00:41:28I'm sure we can come to some kind of agreement for a discount
00:41:31Let's say 5%
00:41:34Well, that sounds okay
00:41:36I'll tell you what
00:41:37Why don't you have her try the brow
00:41:40I'm sorry sir
00:41:42But we don't model underwear
00:41:44Why not?
00:41:46Company policy
00:41:47Who said what company?
00:41:48This company
00:41:49You in charge of this company?
00:41:50I am
00:41:51You set forth the rule?
00:41:52I did
00:41:53Why you gonna do that?
00:41:55I mean, why is everybody gonna spoil my fun?
00:41:58Sir, this is a respectable establishment
00:42:03Are you suggesting that I'm not respectable?
00:42:08Honey
00:42:09Could you go over and give me the gold dress?
00:42:11I mean, I don't like this at all
00:42:12I gotta tell you
00:42:13I don't want that at all
00:42:14I deal with gold
00:42:15And I love gold
00:42:16I mean, look at the shimmering of this
00:42:17I mean, this is beautiful
00:42:19Well
00:42:21I'll tell you what
00:42:22Why don't you throw all this shit in the box
00:42:23And uh
00:42:25Oh
00:42:27Let's see
00:42:28A 10% discount
00:42:29Seems uh
00:42:30Pretty respectable to me
00:42:32Don't you think?
00:42:34Oh
00:42:36Hell
00:42:50Oh
00:42:51Hell
00:42:52Oh
00:42:53Oh
00:42:54Hell
00:42:55Man
00:42:57Oh
00:42:58It's asperating
00:42:59Well
00:43:00Look at that
00:43:01Front page
00:43:03Above the fold
00:43:04In living color
00:43:06Whew
00:43:07I really am fantastic
00:43:11Good morning, Emmanuel
00:43:12I have something very special for you
00:43:14Something pink for Pink Lady
00:43:15How are you?
00:43:16How are you?
00:43:17Hey you, what's going on?
00:43:18How are you?
00:43:19Hey you, what's going on?
00:43:20How are you?
00:43:21How are you?
00:43:22Plug it back in?
00:43:23There's a little bra for you in black
00:43:24I've been calling you all day
00:43:25I don't have any water
00:43:26And where the hell are you?
00:43:27Plug it back in and things will be quite beautiful for you
00:43:30Here's something royal for a royal lady
00:43:31Oh yes
00:43:32You prick
00:43:33Here's something very special for you
00:43:34I don't have any water
00:43:35And where the hell is my food?
00:43:36Plug it back in and things will be quite beautiful for you
00:43:37Here's something royal for a royal lady
00:43:38Oh yes
00:43:39You prick
00:43:40Here are some golden threads for you
00:43:41Just plug it back in
00:43:42Here's some pieces
00:43:43Another thing for pink lady
00:43:44Here's some white
00:43:45And there's something bright
00:43:46Oh yes
00:43:46I don't have any water
00:43:47But I don't have any water
00:43:48And where the hell is my food?
00:43:49Plug it back in and things will be quite beautiful for you
00:43:53Here's something royal for a royal lady
00:43:55Oh yes
00:43:56You prick
00:43:58Here's some golden threads for you
00:43:59Just plug it back in
00:44:00Another thing for Pink Lady
00:44:01Here's a little thing for purple
00:44:03I want some goddamn water
00:44:04I don't know what the hell you're talking about
00:44:06Well try real
00:44:08Well, try running for the goddamn water with these tennis shoes. You bet your life. There they are. Run for it, baby
00:44:16I'm gonna stick these shoes right up your ass. Give me some water.
00:44:19Come on, here's the little undies for the baby.
00:44:21You prick, you turned the water off, didn't you?
00:44:23You got it, sweetheart, and if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:30Well, Jesus Christ, I got faith in you. I mean, I think you'll figure it out.
00:45:00I'm not taking any calls, sweetheart. And I'm going to get some water, alright?
00:45:11Jeez.
00:45:30It's time there.
00:45:31You and a kid,
00:45:35You're!
00:45:37I need to save up, love you.
00:45:41You're part, love you, you're part母 that was praying for women,
00:45:43actually yeah.
00:45:45It's the only way to mom.
00:45:48I need to save enough money.
00:45:49I don't wanna know what optional.
00:45:51Used for the motorcycle.
00:45:52Cool, it's time for you.
00:45:55I want to go away and go away.
00:45:57Shall we grab it, please?
00:45:58God, you are persistent.
00:46:08Jesus.
00:46:15Honey, these are difficult times for both of us, okay?
00:46:19But I tell you what, I'm going to make it as easy on you as possible.
00:46:23Now, all you got to do to get started again is plug it back in.
00:46:29Fuck you!
00:46:31You better not mess your room up, honey.
00:46:33You're going to be living there for a long time.
00:46:36Also, I've turned the buzzer off so you can save your finger.
00:46:40All you got to do is come over here and plug it back in.
00:46:44You want something to drink? Plug it back in.
00:46:45You want something to eat? Plug it back in.
00:46:47It's that simple. Plug it back in.
00:46:49I wouldn't do that if I were you.
00:46:51That's your only contact with the outside world.
00:46:58What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:04You're doing it all to yourself, baby.
00:47:07You make it all happen.
00:47:12All right, Richard.
00:47:15We'll do it your way.
00:47:21Now, you see there, sweetheart?
00:47:33You've already started to learn something.
00:47:37Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:43Soon, you'll have running water.
00:47:46And tonight,
00:47:47tonight I'm going to fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Matty.
00:47:53I love you with my heart and soul,
00:47:55and I would do anything for you.
00:47:56But please cooperate with me.
00:47:59Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:14Here's looking at you, baby.
00:48:20It's wonderful.
00:48:21It's wonderful.
00:48:21Once you try the steak, it's great.
00:48:26I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:38Later, I'll share the method and the recipe with you
00:48:41as soon as we get to know each other better.
00:48:44The secret is, though,
00:48:45that I use two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:56Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:01I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:07That's quite up to you.
00:49:08You know that by now.
00:49:10Why don't you pour yourself some more wine, okay?
00:49:15You know, tonight,
00:49:16I'm going to be the designated driver.
00:49:18Are we going out?
00:49:22No, no.
00:49:23I can't trust you to go anyplace.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:28I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that,
00:49:32it'd be better for both of us.
00:49:34I have learned that.
00:49:35Really, I have.
00:49:37Oh.
00:49:38Well, here's this toast.
00:49:40Okay?
00:49:41Oh, it's just a little lower.
00:49:42Tell me this.
00:49:52What did they call you
00:49:54when you were a kid in school?
00:49:57By my name.
00:49:59They called me Dick.
00:50:01What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:23Kids can be so cruel.
00:50:25You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:34You have a very nice voice.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:50:47Oh, I got you back on now.
00:51:10So, after that,
00:51:12I invented this crazy thing
00:51:13that helps idiots program their VCRs,
00:51:15and I, uh, I made a fortune.
00:51:18You're very smart.
00:51:20Oh.
00:51:22No, just, just lucky.
00:51:25What about you?
00:51:26I mean,
00:51:27how'd you get into your crazy business?
00:51:32That was funny.
00:51:35I went to New York to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:45So, what happened?
00:51:49I found out I was no actress.
00:51:54Then what?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:09I did nude dancing at a Times Square bar.
00:52:17Well, I mean, uh,
00:52:19how'd you handle that?
00:52:22It was easy.
00:52:26I actually enjoyed it.
00:52:28I got off on guys watching me.
00:52:34It was a turn-on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:44Doesn't matter if you're naked or not.
00:52:47It's a turn-on.
00:52:48It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:56Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:02Oh.
00:53:05So, so when you're, uh, stuck naked in front of those good old boys,
00:53:10I mean, uh, who has the advantage then?
00:53:13Why don't you play me some music?
00:53:27I want to dance for you.
00:53:33Ah.
00:53:33Ah.
00:53:33Ah.
00:53:35Ah.
00:53:35Ah.
00:53:36Ah.
00:53:37Ah.
00:53:37Ah.
00:53:38Ah.
00:53:39Ah.
00:53:40Ah.
00:53:41Ah.
00:53:41Ah.
00:53:42Ah.
00:53:42Ah.
00:53:43Ah.
00:54:13Hold them inside your heart
00:54:19Oh, baby
00:54:24Oh, girl
00:54:29I need you, darling
00:54:33Inside my world
00:54:38I'm yours forever
00:54:46Please hear the song I sing
00:54:52Hold it inside your heart
00:54:56I'll be down in the living room.
00:55:03Just come down the stairs and bear to your left.
00:55:08I'll be down in the living room.
00:55:52Hello.
00:56:07Hello.
00:56:09Come down and join me.
00:56:22Sit down.
00:56:36I got a present for you.
00:56:40It's by your side, under that pillow.
00:56:41Open it.
00:56:55Try it.
00:57:04It's very nice.
00:57:05Yeah, it blends with your body.
00:57:18It's you all the way.
00:57:19It's very nice.
00:57:35Yeah.
00:57:38Oh, my God.
00:58:08Show yourself, baby.
00:58:17Come to daddy.
00:58:19If you think you can escape Richard Tate, you must be crazy.
00:58:24Not in a million years.
00:58:27There you are. Let's go.
00:58:38Come on, baby. Where are you?
00:58:54You can't hide. Come on.
00:58:57Come on.
00:58:58Come on, baby.
00:59:08It's over, baby. I'll find you.
00:59:27You know what? You lied to me, baby.
00:59:30You lied to me after I gave everything to you,
00:59:34and you're trying to run from me and hide from me.
00:59:37When you deal with Richard, you're dealing with style, class, and elegance.
00:59:45You're used to punks. You're used to no-class guys.
00:59:48I give you the best of wine, the best of food, the best of clothes,
00:59:56and the best of perfume.
00:59:58Perfume that I can smell a million miles away.
01:00:03I got you.
01:00:03Please!
01:00:15Please!
01:00:16Shh.
01:00:46Watch us.
01:01:05Needless to say, you've upset me.
01:01:07You're a liar, a thief, and a cheat.
01:01:10And that somewhere down the road, baby, somewhere down the road,
01:01:13you're going to come along and say,
01:01:15you dicky boy, I'm sorry.
01:01:17You got that?
01:01:45You haven't had enough of me yet, baby.
01:02:03I really appreciate your help for this.
01:02:05No problem.
01:02:06There she is.
01:02:07Go for it.
01:02:09So, I understand you helped carry her bags downstairs?
01:02:16Yes.
01:02:17And what time of day was this?
01:02:19Yes.
01:02:20It was about 8 a.m.
01:02:238 a.m.?
01:02:25Can you describe the limo?
01:02:26Yes.
01:02:29Go ahead.
01:02:30It was wrong.
01:02:33Wrong?
01:02:34Yes.
01:02:35Long.
01:02:36Yes.
01:02:37Most of them are.
01:02:38Kim, do you remember the color of the car?
01:02:43It was a brake.
01:02:45And the driver, do you remember what he looked like?
01:02:49Yes.
01:02:50Well, describe him.
01:02:52He was tall.
01:02:54He had on a brake jacket and a brake hat.
01:02:56Was it a brake man?
01:02:57No, a white man.
01:02:58Let's go back to that long limo.
01:03:02Do you remember what kind it was?
01:03:03Oh, you mean a caderaic or a ring-con?
01:03:06Yeah.
01:03:07Oh, I don't know.
01:03:10Miss, I've come a real long way to talk to you.
01:03:14Thank you very much.
01:03:16Thank you very much.
01:03:18Thank you very much.
01:03:21Thank you very much.
01:03:23Thank you very much.
01:03:25Thank you very much.
01:03:27Thank you very much.
01:03:29Thank you very much.
01:03:33Is there anything you can do to...
01:03:36Jerry, she's your witness, ma'am.
01:03:39Jump right on in here.
01:03:41I want to concentrate on what this man looked like.
01:03:47Yes.
01:03:48Can you handle that?
01:03:51Handle what?
01:03:54What the guy looked like.
01:03:55Oh, yes. Yes, I can.
01:03:56Well, great. What did he look like?
01:03:59He had a black hat.
01:04:02Oh, wait, wait, wait. Please, please.
01:04:03Let's forget about the hat, okay?
01:04:04Let's just try this for a minute.
01:04:07Picture yourself standing in front of the hotel, okay?
01:04:10That morning, all right?
01:04:12You see the guy.
01:04:13He's standing right in front of you.
01:04:15You got it?
01:04:15Yes.
01:04:16Okay? Picture it there now.
01:04:18Yes.
01:04:19Now, tell us.
01:04:21What do you see?
01:04:24I see a big, round hat of a face.
01:04:27Yes. Yes. Thank you very much.
01:04:30Jesus Christ.
01:04:31Thank you very much.
01:04:35Very nice lady.
01:04:36Thank you very much.
01:04:38You're an asshole, Jerry.
01:04:42Thank you very much.
01:04:44It was a black hat.
01:04:51Good morning, Mr. Richard.
01:04:53Estella, I called you.
01:04:54I left you a message.
01:04:55I'm not going to need you for a while.
01:04:56I told you that.
01:04:56I got no message.
01:04:57Yes, but you don't understand.
01:04:58I'm not going to need you for a while.
01:05:00I already been paid for this,
01:05:01so I clean up when I can today.
01:05:03Yeah, but nothing is dirty, can't you?
01:05:04See you around, everything is clean.
01:05:05I do dishes, and I change sheets.
01:05:08Yeah, you did.
01:05:08Well, listen, I'm going away for a month or so,
01:05:10so come on.
01:05:10I'll tell you what.
01:05:11I'll give you a buzz as soon as I get back.
01:05:12No, no, no.
01:05:12Okay?
01:05:13I'll give you a buzz.
01:05:14No, no, Mr. Richard.
01:05:15You, Mr. Richard, you do not take money
01:05:16for something you do not do.
01:05:18Estella, you've been good to me.
01:05:19I mean, you do good work,
01:05:20and I'll be in touch with you
01:05:21as soon as I get back from the vacation.
01:05:22No, no, Mr. Richard.
01:05:24Here, I got a pen,
01:05:25and I got some ones.
01:05:28God, I don't want money.
01:05:29I don't want money from you, okay?
01:05:31I don't want money from you.
01:05:32Here, here.
01:05:32You're going to die in there, Mr. Richard.
01:05:34If it weren't for me,
01:05:35you would die like a rat.
01:05:36Oh, God.
01:05:37Listen, Estella,
01:05:37I'll be in touch with you, okay?
01:05:38I promise I'll be in touch with you.
01:05:39As soon as I get back from the vacation,
01:05:41all right, darling?
01:05:41All my best.
01:05:42God bless.
01:05:43God bless.
01:05:54You better not take much longer, baby,
01:05:56or we're going to die like rats in here.
01:05:57You're fucking up my life here.
01:06:00Do you understand that?
01:06:01Huh?
01:06:02I had a fire to goddamn aid.
01:06:04You know what that means?
01:06:06No clean laundry,
01:06:08no clean dishes,
01:06:09garbage up the yin-yang,
01:06:11dust everywhere.
01:06:12Come on, honey.
01:06:13Get your eyes together.
01:06:15We're living like pigs here.
01:06:17Come on, lady.
01:06:18You're going to have to make
01:06:18some son-of-a-bitch contribution here.
01:06:20Do you know that?
01:06:21I mean, come on.
01:06:22Get in your head.
01:06:23I supply the food,
01:06:24the clothes,
01:06:25the shelter,
01:06:26the clean sheets,
01:06:27the clean towels,
01:06:28the toilet paper,
01:06:29and the best of kind.
01:06:31And complete attention
01:06:32to your selfish ass.
01:06:34Come on,
01:06:34get your act together,
01:06:35goddammit.
01:06:37Or else I'll never lay on this goddammer.
01:06:38You got that?
01:06:40Now you get it together, lady,
01:06:41or you're on your way out.
01:06:42And I mean way out.
01:06:44Here's my gun permit from New York,
01:06:55North Carolina,
01:06:56Texas.
01:06:58I got a whole bunch of them things
01:06:59if you want to look at them.
01:07:00That won't be necessary.
01:07:02May I call you Sam?
01:07:04I've been called a lot worse.
01:07:07Sam, we're doing everything we can
01:07:08to find this girl.
01:07:10I'm sure you are.
01:07:10But I don't feel that there's anything
01:07:13that you could possibly do
01:07:14that would add anything
01:07:16to the situation.
01:07:18That might well be,
01:07:19but I've been hired by her mother
01:07:20who's paying me a lot of money
01:07:22to come on out here
01:07:23and help your boys
01:07:23locate her baby girl.
01:07:26Now I know you don't want me
01:07:27to lose out on good money.
01:07:29And I know you don't want me
01:07:31back in the unemployment line,
01:07:32do you?
01:07:33What I want
01:07:34is for you to keep us informed
01:07:36of everything you're doing
01:07:37and anything that you might
01:07:39come up with.
01:07:40No problem.
01:07:42Used to be a cop.
01:07:43I know what it's like.
01:07:44We don't want no double work, do we?
01:07:47No.
01:07:48All right.
01:07:49My goodness.
01:07:50All you've got to do is tell me
01:07:51what you boys have found out so far.
01:07:55Nothing.
01:07:56Well, there you go.
01:07:59Then there's absolutely nothing
01:08:00for me to interfere with
01:08:01since you boys got nothing
01:08:03to start with.
01:08:04But you'll let us know
01:08:05if you come up with something.
01:08:07May I call you Jim?
01:08:08Why not?
01:08:10Jim, you're the first name
01:08:11on my list.
01:08:16It's a hot day today, isn't it?
01:08:21Richard, I feel weak.
01:08:24Oh, come on.
01:08:25Women give birth.
01:08:25It's got to be worse than this.
01:08:27Well, that makes me feel
01:08:28a lot fucking better.
01:08:30I'm sorry.
01:08:31I didn't mean to swear.
01:08:33Come on.
01:08:34I want to believe.
01:08:35But you make it hard.
01:08:36You make it hard on both of us.
01:08:37I know I'm sorry.
01:08:39Yeah, I know.
01:08:41Good.
01:08:42It's just that sometimes
01:08:43you can't seem to control it.
01:08:46You have to help me.
01:08:49All right.
01:08:51I will.
01:08:52Have to pan up, you know.
01:08:57You know, perhaps
01:08:58it's something in your childhood.
01:09:01Maybe it's your parents.
01:09:03I mean, did you have any
01:09:04brothers and sisters?
01:09:07Yes, my brother is a lawyer
01:09:09and my sister, she's a teacher.
01:09:11Mm-hmm.
01:09:12And what about your mother?
01:09:13My mother?
01:09:17She's fine.
01:09:18Did she swear a lot?
01:09:20No, never.
01:09:22Oh.
01:09:23All right.
01:09:24Well, what about your father?
01:09:27My father died in Vietnam.
01:09:29The service?
01:09:31Yes.
01:09:31What branch?
01:09:32The Navy serving with the Marines.
01:09:36The Marines?
01:09:37I knew it.
01:09:38I knew it.
01:09:39I know all about them.
01:09:40All they're trained to do
01:09:41is drink, swear, and kill
01:09:42and not necessarily in that order.
01:09:45Whew.
01:09:45My father was a chaplain.
01:09:48A chaplain?
01:09:52Well, I tell you what.
01:09:55I'll get you some water.
01:09:56I'll get you some clothes
01:09:56and even through too much.
01:09:59Ah, my name is Sam Weston.
01:10:08Now, you people rent limousines, right?
01:10:11Say that again?
01:10:13I'm sorry.
01:10:14I don't understand you.
01:10:16Um, my question is,
01:10:19you people rent limousines, right?
01:10:23Um, well, let's try this one.
01:10:27Uh, do you have anybody
01:10:31who works for your company
01:10:33that speaks English?
01:10:36Comprende English?
01:10:41Well, can I talk to your boss?
01:10:44I want to talk to the guy
01:10:45that you work for.
01:10:46Comprende?
01:10:47Yes, sir.
01:10:53And how are you?
01:10:55Well, thank you very much.
01:10:57Sam Weston here.
01:10:59Now, I understand you people
01:11:00rent limousines.
01:11:03Uh, big, long cars?
01:11:07Yes.
01:11:07I'm a private detective,
01:11:08and I'm trying to track down
01:11:09a black limo rented
01:11:10on April 5th of this year.
01:11:16I don't understand you, sir.
01:11:19Where are you from?
01:11:22Korea.
01:11:23Yes.
01:11:25That's a nice town, sir.
01:11:26I just love that place.
01:11:29Um,
01:11:30you got anybody else
01:11:31who speaks English
01:11:32at your place?
01:11:33What's wrong?
01:11:54What's wrong?
01:11:56I'm alone here.
01:11:58I don't like being alone.
01:12:00I hate being alone.
01:12:02Look, calm down, okay?
01:12:06Richard, I'm trying.
01:12:09I can't take anymore of this.
01:12:13I'm trying,
01:12:14but I just can't take anymore.
01:12:17Everything's gonna be fine, okay?
01:12:19Richard, this is not fine.
01:12:22This is weird.
01:12:24When it's fine, it's fine.
01:12:25When it's weird, it's weird.
01:12:26This is weird.
01:12:27Just don't cry anymore, okay?
01:12:29I can't stand it
01:12:29when you cry, all right?
01:12:30Just stop it.
01:12:32I need some space.
01:12:35I need something for me.
01:12:38I tried to make a statement.
01:12:40I was wrong.
01:12:42I tried to say some things.
01:12:43I was wrong.
01:12:45You know what?
01:12:46I think we're making some headway here.
01:12:48I'm going to die in this stinking rotten hole.
01:13:04I'm going to die in this stinking rotten hole.
01:13:06I'm going to die in this stinking rotten hole.
01:13:07Richard, the night we spent together was the most beautiful night of my life.
01:13:17I want that again.
01:13:19I swear to you, I will do whatever you want.
01:13:25I swear to you, I will do whatever you want.
01:13:27All I want is more of you.
01:13:29It's all I have.
01:13:32Is that too much?
01:13:38I have to get out of here.
01:13:43I have to see you.
01:13:46To touch you.
01:13:48I don't believe you.
01:14:02God, this is exasperating.
01:14:19Emmanuel, I'm sorry.
01:14:35I really am sorry.
01:14:37I feel your pain and yet...
01:14:40I desperately need your love.
01:14:45I feel your strength.
01:14:49And the strength of your beauty, even through this metal door.
01:14:52Nothing could separate us.
01:14:55And I mean nothing.
01:15:03The look of you.
01:15:06The thought of you.
01:15:08It permeates my mind.
01:15:11You know, anger.
01:15:12Anger has made me say and do many, many ugly things.
01:15:19That I'm not proud of.
01:15:23When actually, my heart, mind, and soul adores you.
01:15:30Jesus Christ.
01:15:31I am so thankful that you're here with me.
01:15:40So that I can tell you how much I love you.
01:15:44If you can find a way to forgive me.
01:15:47And I mean forgive me.
01:15:49And if you can find a way to reciprocate my love.
01:15:52I will be with you always.
01:15:59Jesus Christ.
01:16:00Jesus Christ.
01:16:00And if you can find a way to us.
01:16:01uprising and tone and tone.
01:16:01Jesus Christ.
01:16:02Amen.
01:16:02I think you can find a way to go back.
01:16:04Because I can find a way to forgive you.
01:16:06Amen.
01:16:06Amen.
01:16:07Amen.
01:16:08Amen.
01:16:09Amen.
01:16:12Amen.
01:16:25Amen.
01:16:26Amen.
01:16:27Amen.
01:16:28Amen.
01:16:29Amen.
01:16:29Amen.
01:16:29Amen.
01:16:29Amen.
01:16:30Amen.
01:17:00You don't even believe this girl has been kidnapped, do you?
01:17:06Do you know whether she's up in Aspen, Colorado, shacked up with some guy, or in New York, or France, or, huh?
01:17:16No, I don't know where she is.
01:17:19And neither do I.
01:17:21This is a shitty way to make a living.
01:17:29Let's go to lunch.
01:17:34You need to get out of here, man.
01:17:37Blow the snake off of you.
01:17:39Let the lady come in and clean the place up.
01:17:42Start fresh.
01:17:44A cop with a heart?
01:17:46I love him.
01:17:49Just brush my teeth.
01:17:52All right, my back.
01:17:54I'll make a couple of calls off your list.
01:17:56Hello, this is Sergeant Lytel of LAPD.
01:18:11Yes, do you rent limos out of your place?
01:18:15I want to know if you rented out a black limo 18 days ago.
01:18:22That would be the fifth.
01:18:24Yeah.
01:18:25Okay.
01:18:26I'll wait.
01:18:28Yeah?
01:18:29545, you say?
01:18:34A black one?
01:18:36Uh-huh.
01:18:37And do you happen to have the guy's name?
01:18:41Yeah, sure, I got it.
01:18:44You don't have his address, do you?
01:18:47Uh-huh.
01:18:48Yeah, got it.
01:18:51Yes, if I need anything else, I'll give you a call, okay?
01:18:57Let's do lunch.
01:18:58Hey, I got a lead.
01:19:02You got a what?
01:19:03A lead.
01:19:04You know what a lead is, don't you?
01:19:07Talk to me, Jim.
01:19:09I called this guy up in Pacoima.
01:19:11He says that he rented a black limo to this guy at this address
01:19:15at 545 a.m. on the morning of the fifth.
01:19:20Rick.
01:19:22Hey, I just dialed the next number on your list.
01:19:26What's the problem?
01:19:28No problem.
01:19:30Yeah, but you're acting like there's a problem.
01:19:33No.
01:19:34Me?
01:19:35Acting like there's a problem?
01:19:36Oh.
01:19:37No.
01:19:38I just spent 27 hours on that telephone calling everybody in the world.
01:19:43You got nothing.
01:19:44Now, you make one phone call, and you got our man.
01:19:49I know exactly what you're doing.
01:19:51What am I doing?
01:19:53You people.
01:19:54How you work.
01:19:56Because I know damn well that since you know you can't go in and arrest him, you want me to do the dirty work for you, don't you?
01:20:03Isn't that how you people work?
01:20:04And what the hell do you mean by you people?
01:20:06I don't tell me that racial innuendos are starting.
01:20:09There was no racial innuendo.
01:20:13I just call him as I see him.
01:20:15I call a spade a spade.
01:20:16I was talking about LAPD.
01:20:17The way you people do business.
01:20:18I should have spoken more clearly.
01:20:19I should have been referring to you people as assholes.
01:20:20Real nice.
01:20:21Real good.
01:20:22I'm out of here.
01:20:23Sam.
01:20:24What?
01:20:25Good luck.
01:20:26You owe me 50 cents for that phone call.
01:20:28I'm not sure.
01:20:29I was talking about LAPD.
01:20:30The way you people do business.
01:20:31I should have spoken more clearly.
01:20:32I should have been referring to you people as assholes.
01:20:34Real nice.
01:20:35Real good.
01:20:36I'm out of here.
01:20:37Sam.
01:20:38What?
01:20:39Good luck.
01:20:40You owe me 50 cents for that phone call.
01:20:43You owe me 50 cents for that phone call.
01:20:52See ya.
01:20:53You okay?
01:20:54Okay.
01:20:55Great.
01:20:56Gets a little rough up in here.
01:20:57Come on, mate.
01:20:58Great.
01:20:59Oh, come here.
01:21:00I want you to see something.
01:21:01Here.
01:21:02Look at that view.
01:21:03I don't see much of anything.
01:21:05Well, you will when I cut that tree down.
01:21:06Hey, look at this rope.
01:21:07Here, grab this, okay?
01:21:08Because we're going to have to pull ourselves up the rest of the hill.
01:21:09I'm going to lead the way, okay?
01:21:10Okay, you were behind me?
01:21:11Yeah.
01:21:12Okay, here we go.
01:21:13Hold up.
01:21:14Where are you taking me?
01:21:15You said you wanted to go out.
01:21:16Well, when I said out, I meant out.
01:21:17This is the back of your house.
01:21:18No, out, out, out.
01:21:19Look up there.
01:21:20You see the sky?
01:21:21That's out.
01:21:22No, out, out.
01:21:23Look up there.
01:21:24You see the sky?
01:21:25I mean, you're about as far out as I can trust you.
01:21:38Here, come on.
01:21:42I said out, I meant out.
01:21:43This is the back of your house.
01:21:45No, out, out.
01:21:46Look up there.
01:21:46You see the sky?
01:21:47That's out.
01:21:49I mean, you're about as far out as I can trust you.
01:21:53Here, come on.
01:21:54Grab my hand.
01:21:55Come on.
01:21:56Swing up in here.
01:21:56That's it.
01:21:57Way to go.
01:22:04Well, here it is.
01:22:06What do you think?
01:22:10It's fantastic.
01:22:13Come on.
01:22:17Really is nice up here, isn't it?
01:22:20Yeah.
01:22:24Oh.
01:22:25All it takes is a little cooperation.
01:22:28I know that now.
01:22:30Do you?
01:22:31Mm-hmm.
01:22:33You know, I'm not going to go to jail for this.
01:22:35I hope you know that.
01:22:37I don't want that.
01:22:41That's a relief.
01:22:42It's a relief for me.
01:22:44So it's, uh, it's you and me against the world from here on in, huh?
01:22:48You have to understand something.
01:22:52What's that?
01:22:53I'm different now from when you met me.
01:22:56You've got to forget that woman.
01:22:58She doesn't exist.
01:22:59I'll tell you.
01:22:59I'll tell you something.
01:23:04Let's do it together.
01:23:07You and me.
01:23:09Let's make it happen.
01:23:11I mean, I've got the money.
01:23:13I've got the power.
01:23:14You've got the talent.
01:23:23Let's make it a team play.
01:23:25You really mean that?
01:23:33Yes, I do.
01:23:42Can we do it again?
01:23:43Right now?
01:23:44Let's go, baby.
01:23:45You're moving in with me.
01:23:46Everything's going to be just fine.
01:23:48I know it will.
01:23:49Listen, I'm going to get your clothes, okay?
01:23:51So why don't you go down there and just get in bed?
01:23:53I'll be waiting for you, baby.
01:23:55All right, honey.
01:23:56Come on, honey.
01:24:19We made a deal.
01:24:21Don't break a deal.
01:24:22Come on, open the door.
01:24:23Open the goddamn door!
01:24:53Hi, Dick.
01:25:16How's it going?
01:25:17Hi.
01:25:21Is that you?
01:25:22How you doing?
01:25:23It's me, Richard.
01:25:25Listen, it was all over, baby.
01:25:27I mean, it was all over.
01:25:28I was letting you go.
01:25:29You're free to go anywhere you want, anytime you want, any place you want.
01:25:33I love you, baby.
01:25:35Thanks, Dick.
01:25:37You're welcome.
01:25:37Listen to me.
01:25:39I got us first-class tickets to the Bahamas.
01:25:43Just you and me, baby.
01:25:45Just you and me.
01:25:46I mean, all the way.
01:25:47Do you understand that?
01:25:48I mean, are you staying with me?
01:25:50Royal Danish cruise lines, you don't believe me?
01:25:51Well, check it out, okay?
01:25:53Check it out, guys.
01:25:53I got the tickets in my tan coat.
01:25:55I mean, go ahead, you see?
01:25:57Inside breast pocket.
01:25:58Go up there and look.
01:25:58Please for me, okay?
01:25:59Please for me right now.
01:26:01Would you check one for me?
01:26:03God, I miss you.
01:26:04I miss you, baby.
01:26:05Are you listening to me, honey?
01:26:10You're not thinking of leaving me here, are you?
01:26:16Of course I hear you, sweet cakes.
01:26:19Oh, thank God.
01:26:21Jesus, you made me feel alone.
01:26:25What would you like for dinner?
01:26:28For dinner?
01:26:29For dinner?
01:26:29For dinner?
01:26:53Yes?
01:26:55Emanuel Griffith?
01:26:56Yes?
01:26:59I'm Sam Weston.
01:27:02I was hired by your mother to find you.
01:27:06Oh.
01:27:08Well, you found me.
01:27:10Hold it.
01:27:13Lady, a lot of people worried about you.
01:27:19The thing is, Sam, I just needed a break.
01:27:24I needed some time for myself, okay?
01:27:27So you tell my mom I love her, everything's fine, and I'll send her the money for the rent.
01:27:34You tell the rest of the world I love them, too.
01:27:37You tell them I'll be back.
01:27:41Thanks a lot, Sam.
01:27:42Yeah.
01:27:43Good morning, ladies, and welcome to a man's world.
01:27:57Morning.
01:27:57Weirdam.
01:27:58Girl.
01:28:01All right.
01:28:04Morning.
01:28:10Wait.
01:28:10Bye.
01:28:11Bye.
01:28:12Bye.
01:28:13Bye.
01:28:14Bye.
01:28:15Bye.
01:28:15Bye.
01:28:16Bye.
01:28:17Bye.
01:28:18Bye.
01:28:18Bye.
01:28:19Bye.
01:28:20Bye.
01:28:20Bye.
01:28:22Bye.
01:28:24You.
01:28:24Bye.
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