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  • 2 days ago

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00:00:00To be continued...
00:00:30To be continued...
00:01:00To be continued...
00:01:29To be continued...
00:01:59George...
00:02:00George...
00:02:02Where are you?
00:02:04Come out!
00:02:09Come out!
00:02:10You can't ride in there any longer.
00:02:15I know you are the murderer.
00:02:19I know you are the murderer.
00:02:25I know you are the murderer.
00:02:29I know you are the murderer.
00:02:33George!
00:02:35George!
00:02:39George!
00:02:40I'll kill you!
00:02:47Oof.
00:02:49Oof.
00:02:51I'll kill you.
00:02:55Cut.
00:02:59Okay, Bruce, just want a number for you.
00:03:08Check set up.
00:03:12You okay, honey?
00:03:13Just fine.
00:03:14I'm through for the day, right?
00:03:16Yeah, you can go.
00:03:17I saw Mark in the corner over there.
00:03:19So don't keep him waiting the way you do to me all the time.
00:03:22Thanks, Carl. I will.
00:03:24Bye.
00:03:25So long, you guys. See you tomorrow.
00:03:27Is Nora around? Nora?
00:03:28Here I am.
00:03:30Let's walk this next shot through once or twice. Just technically, right?
00:03:33Yeah, Carl. I could use it.
00:03:35This is the staircase shot, huh?
00:03:36No, that's coming up.
00:03:38This is just your entrance. A slow walk past the camera, okay?
00:03:41Got it.
00:03:41Okay, camera.
00:03:43Speed.
00:03:45Black hat, one, eight, take one.
00:03:47Action.
00:03:51The very first shot this morning, I was really getting into it,
00:03:53and he jumps out and screams for makeup.
00:03:55There wasn't enough ketchup on my face.
00:03:57Can you believe that, jerk?
00:03:59Having a spot of trouble with your director, huh?
00:04:01That man is no director. He's a butcher.
00:04:03All he wants is blood, blood, and more blood.
00:04:06And now and then a gut.
00:04:08He happens to be one of the top grossing directors in the business.
00:04:11Gross is right.
00:04:13You actors always complain about your directors.
00:04:15It's like breathing.
00:04:16Not true. I love working with you, for example.
00:04:18I think the fact that we're married is something to do with what you're saying.
00:04:21Not only married, but to each other.
00:04:23Identify.
00:04:24George Burns, 1943.
00:04:26Oh, you're infuriating.
00:04:28You know damn well it was Gracie Allen.
00:04:30Feminist.
00:04:31Big.
00:04:34Did you see who got in that car down there?
00:04:36That's Mark Ravenna.
00:04:37I did a film with him last year.
00:04:39He's a fantastic director.
00:04:40You say that.
00:04:41How about every director dumb enough to cast you?
00:04:43Hmm.
00:04:47How's the work coming, darling?
00:04:49Fine.
00:04:50Dan and I have almost finished a storyline.
00:04:52Great.
00:04:53I'm dying to read it.
00:04:54Uh-uh.
00:04:55Nobody reads it till I have a producer.
00:04:57Oh, you're so superstitious.
00:04:59It's still no.
00:05:00Who are you going to show it to?
00:05:02My agent is working on it.
00:05:03He's got some nibbles already.
00:05:04The big problem with producers is getting them excited with each new picture.
00:05:09Well, that's not your end of the business anyway.
00:05:12Just concentrate on saying things in a way no one's ever thought of before.
00:05:15Jesus, honey.
00:05:16It's a jungle out there.
00:05:18If you don't blow your own horn every time, you end up directing, I don't know, game shows.
00:05:23Look, darling, you know as well as I do.
00:05:26If I make one single flop, I'm out on my camp.
00:05:30I don't think there's much likelihood of that.
00:05:32More than one critic has called you a genius.
00:05:34Yeah.
00:05:35And more than one producer has called me king of the spaghetti thrillers.
00:05:39Wonderful.
00:05:42Well, maybe that's enough business to chat for one day.
00:05:45I'm bushed.
00:05:46I think we could both use some shut-eye.
00:05:47I know I could.
00:05:48Today was really rough.
00:05:50Well, say goodnight, Gracie.
00:05:54Sarah.
00:05:56Sarah, we're home.
00:06:00Strange.
00:06:01Maybe she's out.
00:06:02Come on.
00:06:03With the baby to take care of?
00:06:04She must be in the kitchen.
00:06:05The light's on.
00:06:06I'll go see.
00:06:07Next morning I'm with him, Sarah.
00:06:08Next morning I'm with Charlie.
00:06:10Where are we going?
00:06:11I'm gonna go see all the kids.
00:06:12The babies are the children.
00:06:13The women with are in the toilet while the car is in the toilet.
00:06:14I'm sorry, I didn't mean to scare you.
00:06:15How's my baby?
00:06:16He's fine.
00:06:17He's through eating.
00:06:18I'll take him, Sarah.
00:06:19Sorry, ma'am. I didn't hear you.
00:06:23I'm sorry. I didn't mean to scare you.
00:06:26How's my baby?
00:06:28He's fine. He's through eating.
00:06:31I'll take him, Sarah.
00:06:46There.
00:06:48Did he sleep well?
00:06:50Like an angel.
00:06:51How was work today, ma'am?
00:06:53More of the same. Mr. Ector's a fool.
00:06:56There aren't many as good as your husband.
00:07:03Oh, by the way...
00:07:05Yes?
00:07:06Well, I have a cousin who's a big fan,
00:07:09a super fan, actually, of your husband,
00:07:11and, well, he'd really like to meet him.
00:07:14Sure, Sarah, no problem.
00:07:15You can tell him to come over.
00:07:17What's his name?
00:07:18William.
00:07:19He's seen every picture of Mr. Ravennis at least ten times.
00:07:23All right.
00:07:24I think my husband would be delighted to meet him.
00:07:26She's looking better than the dirty city.
00:07:36She's looking at everybody in the eye.
00:07:43Everybody looks away from you in New York City.
00:07:48Hi.
00:07:49Hi.
00:07:50Hi.
00:07:51How'd it go?
00:07:52It went okay.
00:07:54There were no problems.
00:07:56Baby, why don't you come to bed now?
00:07:58It's getting late.
00:07:59I'm just putting the finishing touches on the storyline I worked out.
00:08:03It goes to Mark's agent after Mark.
00:08:06There'd better be a nice, juicy part in it for me.
00:08:08There's only one female role.
00:08:09Very tough, very strong, but I guess Mark's set on having Anne to it.
00:08:14As usual.
00:08:15You just don't push hard enough for me.
00:08:19Mark is the director.
00:08:21He does the casting.
00:08:22I'm just the writer.
00:08:23I have no say in it.
00:08:24Oh.
00:08:25So I have your permission to, uh, put it to him?
00:08:30Oh.
00:08:31Mm.
00:08:32Mm.
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00:09:22Mm.
00:09:23Sleep, little darling, sleep and dream while you can.
00:09:34There's little time left now until the end of all things.
00:09:38Death is drawing near, very near.
00:09:53To our next movie.
00:10:20To you in the movie.
00:10:22To us in the movie.
00:10:24Now tell us, no more secrets.
00:10:26Of course, we can talk about it now.
00:10:29Dan, would you do the honors?
00:10:31Well, just for openers, today the agent found us a producer.
00:10:35Really? Who is it?
00:10:38None other than the great Leonard Levin.
00:10:42I thought Leonard Levin was dead.
00:10:45Dead? He made so much money in his days of glory.
00:10:48In the 60s, Nora, before you were born.
00:10:50Thank you, darling.
00:10:51Well, Max, the agent, heard he was shopping for a project that would put him back on top.
00:10:58And so, hmm, it's not 100% sure yet.
00:11:02We still have to meet him.
00:11:03But he loved our story.
00:11:06True.
00:11:07They used to call him the producer with the golden touch.
00:11:10Well, if he produces it, that puts you right up there with the big boys.
00:11:14Isn't that right?
00:11:15Isn't that right?
00:11:16You bet.
00:11:17And all thanks to...
00:11:19Levana.
00:11:21Who's Levana?
00:11:23She's the main character in our story and the key to our future.
00:11:27Oh, I get it.
00:11:28The big secret.
00:11:29Now tell us.
00:11:30We won't breathe a word.
00:11:32All right.
00:11:33Damn.
00:11:34You mind?
00:11:35Hmm.
00:11:36Okay.
00:11:37We got the idea for the movie from a book by Baudelaire.
00:11:39The Poet of the Dam.
00:11:40The Book's called Suspiria de Profundis, and it's about Levana.
00:11:42The third mother.
00:11:43The mater lacrimal.
00:11:44Sounds like a flower.
00:11:45It's Latin.
00:11:46Mother of tears.
00:11:47The title rings a bell.
00:11:48Didn't someone already make this movie?
00:11:49As a matter of fact, yes.
00:11:50It was a big hit when it came out.
00:11:52Reviews, box office, everything.
00:11:53Dario Argento, do you?
00:11:54I'm sorry.
00:11:55I'm sorry.
00:11:56You're sorry.
00:11:57I'm sorry.
00:11:58I'm sorry.
00:11:59I'm sorry.
00:12:00I'm sorry.
00:12:01I'm sorry.
00:12:02I'm sorry.
00:12:03I'm sorry.
00:12:04I'm sorry.
00:12:05I'm sorry.
00:12:06I'm sorry.
00:12:07Good.
00:12:08Everything.
00:12:09Dario Argento directed it.
00:12:10Suspiria.
00:12:11And I must admit, it was very, very good.
00:12:13So why make it again?
00:12:14We're not.
00:12:15We're not.
00:12:16There's enough material in Suspiria de Profundis for 10 movies.
00:12:2020.
00:12:21And our story is called...
00:12:22De Profundis.
00:12:23Don't tell me.
00:12:24It's Latin again.
00:12:25Right.
00:12:26Out of the depths, the goddesses of pain are three.
00:12:31The first two we don't care about.
00:12:33They've been done.
00:12:34But the third goddess is Levana, the terrible mother.
00:12:41She is the evil character in our film.
00:12:44The drama is repeated inexorably every 24 hours.
00:12:49As she takes her rest, the elemental forces of evil gather within her
00:12:53to bring her to the point of wakefulness.
00:12:56She moves. She stirs.
00:12:59She seems to feel the rush of life along her keel.
00:13:03She senses. She gropes. First with her mind and her instinct.
00:13:07Then with her eyes. Then she reaches out her hand.
00:13:11Then at last she arises from the eyes of her bed
00:13:15to walk the world of men as a living shadow.
00:13:18She rules a vast kingdom from under the triple veil of prey
00:13:23that covers her face.
00:13:26She is the mother of madness. The counselor of suicide.
00:13:31The slash of the dagger. The breath of the dragon.
00:13:37The tomb is sacred to her. She deems holy all that rots and stinks.
00:13:41She is the life of darkness with fire in her eye.
00:13:45Fire that makes visible things that shouldn't be seen.
00:13:48And she's not content to rend your bodies under.
00:13:51No. She won't rest.
00:13:54Until she's tortured your heart beyond the brink of madness.
00:13:58And made us all filthy rich.
00:14:01Yeah, you got it. That's LaVonna.
00:14:04Soon to be the hairiest, scariest horror film in the whole history of cinema.
00:14:09And I'm supposed to play LaVonna.
00:14:12Yeah, of course. Why do you ask?
00:14:15I don't know. My fans might not like me playing such a bitch.
00:14:19You've played lunatics, murderers before, and they loved you.
00:14:23How could they help but love you?
00:14:25I just have a strange feeling.
00:14:27Alright, here's the thing.
00:14:28You didn't say a word about casting me for the part until we talked about it with Dan and Nora.
00:14:33Are you kidding me?
00:14:34I wrote it for you.
00:14:36I tailor made it for you.
00:14:39You're not just saying that because we're married.
00:14:43Gracie, you're my LaVonna.
00:14:47You're my queen of the witches and evil.
00:14:50Might I add that you're also the queen of my heart.
00:14:57Are you happy now?
00:14:58Mm-hmm.
00:15:00When can I read it?
00:15:01First thing tomorrow morning.
00:15:03Oh, no. Now.
00:15:04Oh, come on. It's downstairs in my study. I'm tired.
00:15:07I'll go. Where is it?
00:15:09Uh, it's in, uh, it's in my desk in the red folder.
00:15:13Uh, third drawer, left-hand side.
00:15:16God, why did I marry an actress?
00:15:27Uh, that hurts.
00:15:28Uh, that's nothing compared to what you're doing.
00:15:30Uh, that hurts.
00:15:32Uh, that hurts.
00:15:37Uh, that's nothing compared to what you'll get if I don't do that lead for Mark.
00:15:42Uh, I don't doubt it.
00:15:43Uh.
00:15:44I bet you'd kill for a part like that, wouldn't you?
00:15:45Mm-hmm.
00:15:46Maybe.
00:15:47Uh.
00:15:48Uh.
00:15:49Uh.
00:15:50Uh.
00:15:51Uh.
00:15:52Uh.
00:15:53Uh.
00:15:54Uh.
00:15:55Uh.
00:15:56Uh.
00:15:57Uh.
00:15:58Uh.
00:15:59Uh.
00:16:00Uh.
00:16:01Uh.
00:16:02Uh.
00:16:03Uh.
00:16:04Uh.
00:16:05Uh.
00:16:06Uh.
00:16:07Uh.
00:16:08Uh.
00:16:09Uh.
00:16:10Uh.
00:16:28In my dreams, I often see Levani, the eldest of the three mistresses of darkness.
00:16:33Levani is the one who confounds day with night, and her face is always hidden by a veil
00:16:38of crepe, wound three times around her head.
00:16:47A veil of crepe.
00:17:03Let's see, how this works.
00:17:06Let's see, how this works.
00:17:09Now, I will become Levana.
00:17:12Uh.
00:17:14Uhh.
00:17:15Ivy's ill ornally in Capww S
00:17:27Rivani.
00:17:28You'll never be Levana the wisch!
00:17:30Never!
00:17:31You'll never be Levana the wisch!
00:17:32Never, never!
00:17:33Oh, my God.
00:18:03Oh, my God.
00:18:33Come on, take a little sip.
00:18:45It's good for you.
00:18:48That's my girl.
00:18:49Now a little more.
00:18:51Come on.
00:18:54Feeling a little better now?
00:18:56Hmm?
00:18:58What happened?
00:18:59Why did you start screaming?
00:19:01I don't know.
00:19:04Where was I when you found me?
00:19:07Right there, on the floor, by the mirror.
00:19:10What about LaVonna?
00:19:12LaVonna?
00:19:14You mean my story?
00:19:16No, it's on my desk.
00:19:17What happened, anyway?
00:19:21The green slime.
00:19:22The blood.
00:19:23It's gone.
00:19:24The what?
00:19:26Help me.
00:19:27Oh, no.
00:19:27You need to rest.
00:19:28No, I need to find out what happened.
00:19:30Listen.
00:19:31Please.
00:19:33Where are you going?
00:19:34To the mirror.
00:19:34What are you looking for?
00:19:38What's wrong with the mirror?
00:19:39I don't know.
00:19:40I must have dreamed it.
00:19:42Dreamed what?
00:19:43This mirror.
00:19:43This mirror broke into a million pieces.
00:19:46Oh, the mirror broke.
00:19:47It broke in my dream.
00:19:49God, what a nightmare.
00:19:50I must really be overtired.
00:19:52Because in my dream, LaVonna broke it.
00:19:55Oh, darling.
00:19:55It was so real, Mark.
00:19:56She broke the mirror and dragged me to the ground.
00:19:58I screamed.
00:19:59I guess I fainted.
00:20:00It seemed so real.
00:20:01It was real, darling.
00:20:03It was a real nightmare.
00:20:06But now everything is fine.
00:20:08You can see for yourself.
00:20:11Look, you're just stressed out.
00:20:16Hmm?
00:20:17Yeah.
00:20:21Let's get some sleep now.
00:20:23We've both got early calls tomorrow.
00:20:25We've both got early calls tomorrow.
00:20:55We've both got early calls tomorrow.
00:21:00We've both got early calls tomorrow.
00:21:01We've both got early calls tomorrow.
00:21:02Ann, Ann, wake up.
00:21:22This is Levana calling you.
00:21:29Mark, wake up.
00:21:30Someone's in the house.
00:21:32Mark.
00:21:34You can't wake up.
00:21:38Come downstairs, Ann.
00:21:41We have things to talk about, you and I.
00:21:45Ha ha.
00:21:46Ha ha ha!
00:21:46Ha, ha, ha.
00:22:16I'm not there, Ed.
00:22:35I'm not in the mirror anymore, very close by.
00:22:46I'm not in the mirror anymore.
00:23:16I'm not in the mirror anymore.
00:23:18I'm not in the mirror anymore.
00:23:22Anne.
00:23:26Ann?
00:23:56Where are you? Where did you go?
00:24:13I'm here, in the mirror.
00:24:21Come.
00:24:26Touch me.
00:24:32Please?
00:24:36That's it.
00:24:40Yeah!
00:24:46Ah!
00:24:54Ah!
00:24:56Ah!
00:24:58Ah!
00:25:02Ah!
00:25:04Ah!
00:25:14Ah!
00:25:16Ah!
00:25:22Ah!
00:25:26Ah!
00:25:34Ah!
00:25:36Ah!
00:25:42Ah!
00:25:44Ah!
00:25:46Ah!
00:25:48Ah!
00:25:50Ah!
00:25:52Ah!
00:25:54Ah!
00:25:56Ah!
00:25:58Ah!
00:26:00Ah!
00:26:02Ah!
00:26:04Ah!
00:26:06Ah!
00:26:08Ah!
00:26:22Ah!
00:26:23Ah!
00:26:25It's only me.
00:26:44What's wrong with the fridge, huh?
00:26:47I don't know.
00:26:47I pulled the plug out.
00:26:48Must be a short in the wiring somewhere.
00:26:51It's a good thing you woke up.
00:26:52This could have burned down the whole house.
00:26:53All we can do is have Sarah call a repairman first thing in the morning.
00:26:57Yeah, we sure can't live without a fridge.
00:27:00Well, I think we should have another stab at sleeping.
00:27:03Hmm?
00:27:04Mm-hmm.
00:27:23Look, Ann had two nightmares in a row, and they were both brought on by her Levana story.
00:27:53That's great.
00:27:54It proves our story's a winner.
00:27:56It knocked our leading lady right out of her mind, man.
00:27:58What more do you want?
00:28:00It's not funny, Dan.
00:28:01She had a terrible night.
00:28:02I understand, and I'm sorry.
00:28:04But I still say it's a case of her identifying herself so strongly with the characters.
00:28:08Stanislavski and all that crap.
00:28:09Our story idea is only four pages long.
00:28:13It's not like she read a script or anything.
00:28:15Oh, come on.
00:28:16Our story and the picture she's shooting now just got mixed up in her subconscious.
00:28:21What does the black cat have to do with Levana the witch?
00:28:24Ah.
00:28:25So?
00:28:26As a matter of fact, in the story, The Black Cat by Edgar Allan Poe, he wrote the following.
00:28:32My wife, who at heart was not a little tinctured with superstition, made frequent allusions to the ancient popular belief, which regarded all black cats as witches in disguise.
00:28:44See what I mean?
00:28:45Black cats as witches in disguise?
00:28:48Yeah.
00:28:48I can see the connection.
00:28:49And with those two stories coming right on top of each other like that in her mind...
00:28:52You got it.
00:28:54Look.
00:28:55That's Levin's house.
00:28:56The future producer of Levana.
00:29:00Cross your fingers.
00:29:01Toes, eyes, everything.
00:29:04Okay.
00:29:05Here we go.
00:29:06Hey.
00:29:07Straighten your tie.
00:29:08I'm not wearing one.
00:29:22Good morning, Nick.
00:29:23Good morning.
00:29:24Good morning, gentlemen.
00:29:25Come in.
00:29:28Mr. Levin is expecting me.
00:29:33If you'll just follow me this way, please.
00:29:35Good morning, sir.
00:29:43No need to be so formal.
00:29:49My friends call me Leonard.
00:30:00Uh, this is Dan Brzezinski.
00:30:02We wrote the story together.
00:30:03You did a damn fine job.
00:30:07You know what I like?
00:30:08I like it that you told your whole story in four pages.
00:30:13You see this pile of crap here?
00:30:18Hundreds of pages of nothing but bull and hot air.
00:30:21Now you boys cut right through to the meat.
00:30:24You didn't waste my time.
00:30:28And in this business, time is money.
00:30:30Hang on.
00:30:32I talk to you.
00:30:37I hear you.
00:30:38Come on.
00:30:38That means you're coming.
00:30:39Come on, Radin.
00:30:41Sit down.
00:30:42I can handle myself.
00:30:44Nadine, while you're standing there, come push this thing.
00:30:47Push!
00:30:53Gentlemen, follow me.
00:30:55Push! Dammit!
00:30:57Let's go talk this over.
00:30:59I need two or three days of meetings with you and various other people
00:31:03before I decide whether or not I'll produce Levano.
00:31:17Let's go.
00:31:38Same time tomorrow, ma'am?
00:31:40That's right, Oscar. Thank you.
00:31:41Pleasure.
00:31:42Good night.
00:31:43Night, ma'am.
00:31:47Good night.
00:31:52Sarah?
00:31:59Bills, bills, bills.
00:32:02How come no one ever sends money?
00:32:17Afternoon, ma'am.
00:32:18I'm glad you're here.
00:32:23What's the problem?
00:32:24The freezing element shorted and some acid leaked out.
00:32:26That's what made all the smoke.
00:32:27Oh, I see.
00:32:28Where's the girl who let you in?
00:32:29She took the baby upstairs.
00:32:30Would you mind signing here, please?
00:32:32Mm-hmm.
00:32:33Mm-hmm.
00:32:34Here's your copy.
00:32:35Okay.
00:32:36Are you sure it's working now?
00:32:37Oh, yes, of course.
00:32:38The work is guaranteed.
00:32:39Oh, that's great.
00:32:40Do you need me down here anymore, then?
00:32:41No, I'm through.
00:32:42I can find my way out.
00:32:43Thanks a lot.
00:32:44Anytime.
00:32:45Thanks a lot.
00:32:46Anytime.
00:33:15Who are you?
00:33:29I'm William.
00:33:30You're just like in the movies.
00:33:32I'm Tara's cousin.
00:33:33Ah, yes.
00:33:35Sarah told me you were coming.
00:33:37I see that you've already made friends with my little boy.
00:33:40Yeah, he's very cute.
00:33:42Can I hold him?
00:33:43Well, he should be going to sleep.
00:33:45We don't want to excite him.
00:33:47Why don't you rock him a little instead?
00:33:49See?
00:33:50He likes that.
00:33:52Where's Sarah?
00:33:53In the other room, I think.
00:33:55Is your husband home?
00:33:56No, he's still out.
00:33:58You want my autograph, don't you?
00:34:00Yeah, and a picture, too.
00:34:03I don't know if Mark will be home for dinner tonight.
00:34:06You might have to come back.
00:34:08That's okay.
00:34:09I live close by.
00:34:10Oh, then there's no problem.
00:34:12Be a good boy, Mark Jr., and William will rock you to sleep.
00:34:16I'm going to talk to Sarah.
00:34:24Sarah?
00:34:26Sarah?
00:34:29Sarah!
00:34:30Mrs. Ravenna!
00:34:33Getting ready for tonight?
00:34:35Yes.
00:34:36Jimmy and Rita and I are going dancing.
00:34:38You don't mind, do you?
00:34:39Of course not.
00:34:40Tomorrow night, too.
00:34:41I told you it was all right.
00:34:42I can handle the baby.
00:34:44Just get his things arranged before you go.
00:34:46Is your cousin going with you?
00:34:48My cousin?
00:34:49He is a little young.
00:34:51You mean William.
00:34:52He couldn't come today.
00:34:53What?
00:34:54What?
00:34:55What?
00:34:56Babe.
00:34:57You mean the boy in the baby's room isn't your cousin?
00:35:00What?
00:35:01Sarah?
00:35:02What's wrong, Mrs. Ravenna?
00:35:03I can't open this thing.
00:35:04Stop.
00:35:05It's that old candle.
00:35:06Don't you remember?
00:35:07It just sticks a little.
00:35:08I think you are okay.
00:35:09I think you can do it, son.
00:35:10Come on.
00:35:15What's wrong?
00:35:17I can't open this thing.
00:35:18You can stop.
00:35:20It's that old candle.
00:35:21Don't you remember?
00:35:22It just sticks a little.
00:35:27I think you are all right.
00:35:29Thank God.
00:35:31What's wrong, ma'am?
00:35:34There was...
00:35:37was there was a little boy here he seemed to know about everything he said
00:35:43his name was William and he touched the baby there's no one here now and the
00:35:49windows locked but he was here I don't care how crazy it sounds he was here and
00:35:56I spoke to him the repairman what he must have brought the little boy with
00:36:04him what repairman I called but they said they couldn't send anyone till the day
00:36:10after tomorrow
00:36:16that's impossible
00:36:20it was working just a few minutes ago he fixed
00:36:35the receipts gone
00:36:43could I have dreamt it
00:36:48I
00:36:55I
00:36:57I
00:36:59I
00:37:01I
00:37:03I
00:37:05I
00:37:06I
00:37:07I
00:37:08I
00:37:09I
00:37:10I
00:37:11I
00:37:12I
00:37:13I
00:37:14I
00:37:15I
00:37:16I
00:37:17I
00:37:18I
00:37:19I
00:37:20I
00:37:21I
00:37:22I
00:37:23I
00:37:24I
00:37:25I
00:37:26I
00:37:27I
00:37:28I
00:37:29I
00:37:30I
00:37:31I
00:37:32Well, I hope you don't think it's easy because it's not
00:37:37It's tough
00:37:40It takes guts it takes guts brains luck and dedication
00:37:50Anyone who's ever worked in a Leonard Levin production knows that I demand a total commitment
00:37:57Do you understand what a total commitment is?
00:38:02It's your heart
00:38:09Your soul
00:38:11And your brains
00:38:15Are you ready for that mark?
00:38:18I'm used to hard work. Nobody gave me a free ride to where I am now, sir
00:38:25Good
00:38:28Because I've decided to produce Levana
00:38:32I'll give you everything you need to make a production worthy of my name
00:38:38I'll create such excitement over this project that the major distributors will be cutting each other's throats just to get a piece of it
00:38:46I'll do my best, sir
00:38:48Me too
00:38:50How can we thank you?
00:38:51How can we thank you?
00:38:52Don't thank me
00:38:56Thank Levana
00:39:02You can never be me
00:39:05You'll never be Levana the Witch
00:39:08Never
00:39:10Never
00:39:11You will never show my face on the screen
00:39:15You'll die in agony first
00:39:16You'll die in agony first
00:39:17Get out of me
00:39:19Oh
00:39:20Oh
00:39:21Oh
00:39:53You want to take a fresh look at the supernatural, Professor.
00:39:56Examine it in the light of day. You know what I mean?
00:39:59The light of day can be very harsh. Not always illuminating, though.
00:40:03We're serious. And we're ready to do our homework.
00:40:08The point is, we'd like to hire you as consultant on this movie.
00:40:11We discussed it with our producer, Leonard Levin, who, by the way, is a great admirer of yours.
00:40:15He thinks it's a terrific idea.
00:40:17Oh, Leonard Levin. Yes.
00:40:19I do know him.
00:40:21What's the film going to be about?
00:40:23We don't want to offend anyone's religion or be blasphemous or sacrilegious. Nothing like that.
00:40:28We know where that can lead.
00:40:30I couldn't agree more. But what exactly do you have in mind?
00:40:33Well, we've already got the storyline blacked out.
00:40:36But before we get down to writing the screenplay, we'd like some pointers about reincarnation.
00:40:40Reincarnation.
00:40:46Reincarnation.
00:40:47For instance?
00:40:48Well, the story is about a witch who lived in Prague in the 13th century.
00:40:52She gets reincarnated as a 20th century woman.
00:40:55Her name is Levana, and she's a kind of...
00:40:57What?
00:40:58Levana. That's the witch's name.
00:41:00Where did you get that name?
00:41:04I found it in a Baudelaire anthology.
00:41:06What do you mean, a Baudelaire anthology?
00:41:08You want to make a film about... about Levana, and you don't know what the source is?
00:41:11It was an Englishman, Thomas de Quincey, who wrote about Levana in 1845.
00:41:18I didn't know that.
00:41:20Obviously.
00:41:21It was merely his translation of an earlier text.
00:41:24And as it happens, I think I have the original text in my bookshelf.
00:41:38This is not a work of the imagination.
00:41:40It's a chronicle, a history, the story of the most terrible witch that ever lived.
00:41:48Levana.
00:41:49Her soul is eternal and cannot be destroyed.
00:41:54And she can take over the body of anyone who concentrates on her heart enough.
00:41:59That's great.
00:42:01Do you mind if you borrow the book for a few days?
00:42:04Oh, I most certainly do.
00:42:05I'm sure it would help you write your script, but that's not what it was intended for.
00:42:08But, Professor, we are...
00:42:10I'm sorry, I can't help you.
00:42:12And let me warn you.
00:42:14Don't use that name.
00:42:16Change it at once.
00:42:17What name?
00:42:17Levana?
00:42:18Yes.
00:42:19Don't use it.
00:42:20Don't take the risk of summoning her.
00:42:22Yes, I get it.
00:42:25Thank you very much for your time, Professor.
00:42:28Let's go, Dad.
00:42:31I'd love to see the book, but I understand.
00:42:34No, you don't understand.
00:42:35I'm serious.
00:42:36Yeah, so am I.
00:42:37And I've got a movie to make.
00:42:39Bye.
00:42:39Easy, Mark.
00:42:40Mark.
00:42:41I'll see you next time.
00:43:11but one day the third mother will return to the world of men to wreak her vengeance on the sons
00:43:23of the sons of those who had burned her at the stake if she takes the body of a young woman
00:43:29born under the sign of the sixth moon there will be no way on earth to stop her
00:43:33but if she is first reincarnated in male form she will have to sacrifice a newborn child
00:43:42in order to regain the powers that will make it possible for her to carry out her complete revenge
00:43:48oh my god
00:43:50i want
00:44:03hi nora how are you i'm fine
00:44:32mark was just here he asked me to call you to say he was going to be a little late
00:44:36he and dan just left together excited as hell
00:44:38what happened
00:44:39well it looks like the deal with levin's all set all they've got to do now is sign the contract
00:44:44they went out to dinner with agents and lawyers and all that you happy
00:44:48yeah am i well i'm not at least not entirely dan goes into total isolation when he's writing
00:44:56he's like a monk
00:44:57there's no reasoning with him until he's finished
00:44:59poor nora he's already told me he's not going to be home tonight he wants to get started right away
00:45:04you mean start writing right away
00:45:06yeah he's going down to our house in the country
00:45:08he says it's the only place he can write without any interruptions
00:45:12artistes when mark's getting ready to shoot
00:45:15he disappears for days on end
00:45:17then when he finally shows up he's too exhausted to say hello to me
00:45:21yes i know and i just climbed the walls
00:45:25i gotta get going happy climbing darling thanks a lot
00:45:29hello hello is this dan brusynski hello yes speaking who's dan brusynski
00:45:59what's this is ester samirani you came to my office to discuss
00:46:02i remember what's the problem i must speak to mark ravenna at once
00:46:05i called your house and your wife gave me this number is he there with you
00:46:08no i don't know where he is what's the matter
00:46:10i'm not sure i have to check something first but it could be a matter of life and death
00:46:14i mean that mr brusynski and be careful you could be in danger too
00:46:18i'll get back to you when i'm sure
00:46:19hello hello hello hello
00:46:26I am the light of darkness, and I'm not content.
00:46:56I am content to rend your body asunder.
00:46:59I won't rest until I've tortured your hearts beyond the brink of madness.
00:47:26I am the light of darkness, and I am the light of darkness.
00:47:42I am the light of darkness, and I am the light of darkness.
00:48:00I am the light of darkness, and I am the light of darkness.
00:48:18I am the light of darkness, and I am the light of darkness.
00:48:38I am the light of darkness.
00:48:58Anne!
00:49:00Anne!
00:49:02I've come back for you.
00:49:10I'm downstairs.
00:49:12I'm waiting for you.
00:49:24Anne!
00:49:38Anne!
00:50:12That's right.
00:50:30Come.
00:50:33Come to me.
00:50:42Come.
00:51:12Come.
00:51:14Come.
00:51:16Come.
00:51:18Come.
00:51:20Come.
00:51:22Come.
00:51:24Come.
00:51:26Come.
00:51:28Come.
00:51:30Come.
00:51:32Come.
00:51:46Hi, Anne.
00:51:48I'm Sybil.
00:51:50I've been waiting for you.
00:51:52Sybil.
00:51:54But that's impossible.
00:51:56You are...
00:51:58You're only a hallucination.
00:52:00No, Anne.
00:52:01I exist.
00:52:02And I've been inside you since you were born.
00:52:05Just as...
00:52:06She has always been inside you.
00:52:08Levana.
00:52:10Levana?
00:52:12Yes.
00:52:13There's very little difference between a fairy and a witch.
00:52:17Come closer.
00:52:18I want to help you step into another world.
00:52:22Come.
00:52:23Touch me.
00:52:31That's right, Anne.
00:52:32Touch me.
00:52:34Please.
00:52:38Please touch me.
00:52:41Ah!
00:52:42Ah!
00:52:44Ah!
00:52:47Ah!
00:52:48Ah!
00:52:49Ah!
00:52:51Ah!
00:52:52Ah!
00:52:54Ah!
00:52:55That's it.
00:53:10Do you see it, Anne?
00:53:12It's her knife.
00:53:15Levana's knife.
00:53:17The time has come when you must choose.
00:53:21Pick up the knife and become Levana.
00:53:24Or leave it and stay who you are.
00:53:28Good, Anne.
00:53:31You made the right choice.
00:53:35And you know what you must do with it.
00:53:40The baby's in the other room.
00:53:48Go. Do it.
00:53:54Go.
00:53:55Go.
00:54:05Go.
00:54:06Go.
00:54:36Hey, what are you doing?
00:54:51Have you gotten crazy?
00:54:53What are you talking about, Mark?
00:54:56See?
00:54:58Just movie tricks.
00:55:00I'm acting, Mark.
00:55:02I'm rehearsing for LaVonna.
00:55:04I don't want to kill the baby.
00:55:08I wouldn't dream of it.
00:55:09Okay, I know that.
00:55:11Just give me the knife.
00:55:13The rehearsal is over.
00:55:15Yeah, give it to me.
00:55:17Hey, I don't want to change your act here or anything.
00:55:21Come on.
00:55:22Ease up.
00:55:23I'm your director.
00:55:25Hmm?
00:55:25Yes.
00:55:27You're absolutely right.
00:55:35I don't need your direction anymore.
00:55:40I can direct myself.
00:55:41Wait for that.
00:55:58Oh.
00:55:59Oh.
00:56:00Oh.
00:56:00Oh.
00:56:03Oh.
00:56:06And what happened after I killed you?
00:56:23Well, it turns out I wasn't really dead.
00:56:25I woke up and realized it had just been another nightmare.
00:56:28I think it was the sound of your car that woke me up.
00:56:30Okay.
00:56:31Then what happened?
00:56:32I got up.
00:56:33I was still shaking like a leaf.
00:56:34I, in the dream, I tried to kill, to kill the baby, to kill you.
00:56:40You killed me.
00:56:41You killed me.
00:56:42I was so confused.
00:56:43All right.
00:56:44I got up as you were coming in, and I don't know what came over me.
00:56:47I just ran into the baby's room.
00:56:49I had to make sure it was just a dream, but...
00:56:52What?
00:56:53Oh, my God.
00:56:54This is the way I found it.
00:57:05I screamed, and you came running.
00:57:08Mark, where's my baby?
00:57:11Jesus, Anna.
00:57:12All right.
00:57:14Now, you were asleep, dreaming, and you didn't hear anything?
00:57:19Mm-mm.
00:57:20Whoever did this must have made a hell of a racket.
00:57:22Where's Sarah?
00:57:25She's out.
00:57:26This is her night off.
00:57:27She went dancing.
00:57:28Shouldn't we call the police?
00:57:32No, no.
00:57:33I'd rather go myself.
00:57:34You stay here.
00:57:35I don't move.
00:57:36Whatever happens.
00:57:37Do you understand me?
00:57:39Yes, Mark.
00:57:40Please hurry back.
00:57:42I'll be home soon, I promise.
00:57:43Mark, why did they do it?
00:57:44We're not rich.
00:57:47Maybe it's not money they're after.
00:57:49No, no.
00:57:49It's not money they're after.
00:57:54No, no.
00:57:56Let's go.
00:57:56I'm a Jew.
00:57:59No, no.
00:58:00No, no.
00:58:03No.
00:58:10No, no.
00:58:12No, no.
00:58:13No, no.
00:58:14No, no.
00:58:15No, no.
00:58:16What's wrong?
00:58:35Did you forget something?
00:58:36Let me give.
00:58:46Mark.
00:59:02Mark.
00:59:14Mark.
00:59:36Dan, what happened?
00:59:42Too late.
00:59:43The witch, her baby, sacrificed because they know.
00:59:55Don't try to talk.
00:59:56I know it's Levana.
00:59:58It's not Lev.
01:00:02Not Levana.
01:00:05It's not Levana.
01:00:17Not Levana.
01:00:18That's what he said.
01:00:22What is Sarah?
01:00:23Levana.
01:00:24Levana.
01:00:25Levana.
01:00:26Levana.
01:00:27Levana.
01:00:28Levana!
01:00:29Levana!
01:00:30Levana!
01:00:31it's hard to find the right words i honestly don't know what to do anymore
01:00:41the whole thing's gone out of control you don't really think that ann could have
01:00:46who else norah there was no break-in she was alone in the house and that writing on the wall
01:00:55it's so obvious you mean to tell me she's doing things she's not aware of
01:01:01i didn't think there was any real danger now this i think you should go to the police no i can't do
01:01:08that to her it would destroy her career well it's not going to do her career much good when you
01:01:14announce to the press that you've chosen me to play the part of lavana and not your wife that's
01:01:19different it happens all the time people split up they get divorced they remarried i just don't want
01:01:27it to get around that she's losing her mind because her marriage is falling apart huh that makes me the
01:01:33bad guy and you know what that makes you the press would kill me i have to straighten her out
01:01:42what about the baby well the baby i'm sure is fine she probably hit him sometimes
01:01:50she may be losing her grip to a certain extent she wouldn't do anything to hurt the
01:01:54baby well that's something anyway you're something
01:02:11whether it's going to be a secret or a certain extent she wants to knock her down
01:02:16she can't do anything to do anything to go I don't want to tell her question
01:02:19Oh, my God.
01:02:49Oh, my God.
01:03:19Oh, my God.
01:03:49Oh, my God.
01:04:19Anne.
01:04:20I'm here, Mr. Lovie.
01:04:22And I want my baby back.
01:04:24Either you give him to me right now or I'll shoot.
01:04:27Don't bother.
01:04:29You'll only be wasting your time.
01:04:33Give me my baby or I'll kill you.
01:04:34Take a good look at me.
01:04:46Take a good look at me.
01:04:46What do you see?
01:04:48Oh, my God.
01:04:50Oh, my God.
01:04:52Oh, my God.
01:04:57You're dead.
01:04:58Yes.
01:05:00I still have a voice.
01:05:05Thanks to Ivana.
01:05:08She does all the talking.
01:05:09Where's my baby?
01:05:11I want my baby back.
01:05:13Why did you take him?
01:05:15We took your baby because we had to protect him from you.
01:05:23You're dangerous, Annie.
01:05:28So Mark will get your baby.
01:05:32And you'll marry Nora.
01:05:34Sure, you know about Nora and Mark.
01:05:46What are you talking about?
01:05:50Nora is going to play in the valley in Mark's movie.
01:05:53And she'll take good care of her little boy.
01:05:59You can depend on that.
01:06:01Depend on it?
01:06:02No, I wouldn't.
01:06:04She couldn't.
01:06:05Mark, no.
01:06:07This is all wrong.
01:06:10What am I doing here?
01:06:13What is this place?
01:06:16Just another dream?
01:06:18Another nightmare?
01:06:19That's right.
01:06:20Am I really crazy?
01:06:25Yes.
01:06:28Kill yourself.
01:06:30It's the only way.
01:06:31Do it.
01:06:34Do it, Annie.
01:06:36Yes.
01:06:38It's the only way you can wake up.
01:06:42Pull the trigger, Annie.
01:06:45Do it.
01:06:47Just think, Annie.
01:06:48All you have to do is pull the trigger
01:06:51and you'll solve all your problems.
01:06:56Do it.
01:06:57Do it.
01:06:59Pull the trigger.
01:07:01Yes, do it.
01:07:03No.
01:07:08No.
01:07:08Why didn't you listen to me?
01:07:26No.
01:07:49Oh.
01:07:49You.
01:07:50You killed my girl.
01:07:52You, you killed Levin.
01:07:55First Dan and Levin, now it's your turn.
01:07:59Why? What did I ever do to you?
01:08:01Nothing. We hardly even knew each other.
01:08:04This is nothing personal. I'm just following orders.
01:08:08What orders?
01:08:22Where's my baby?
01:08:27Where is he?
01:08:30Nora.
01:08:34Nora?
01:08:36Nora!
01:08:52She's looking better than the dirty city.
01:09:20She's looking at everybody in the eye.
01:09:30Everybody looks away from you in New York City.
01:09:38Ain't nobody looks to break the other passerby.
01:09:44Oh, good looking.
01:09:48Do you need the admiration?
01:09:53Good looking.
01:09:56You have won my acclamation.
01:10:00How long do you think you'll stay?
01:10:04Oh, good looking.
01:10:08I know you're in the right position.
01:10:16Oh, good looking.
01:10:18I know you're in the right position.
01:10:20Only one bit.
01:10:21No, no, no.
01:10:22You're all right.
01:10:23You're all right.
01:10:24What're you doing?
01:10:26I'm all right.
01:10:27I'm sleeping.
01:10:28That's pretty good, right?
01:10:29I'm sleeping.
01:10:30I'm sleeping.
01:10:31You're sleeping.
01:10:32I'm sleeping.
01:10:32I'm sleeping.
01:10:33I'm sleeping.
01:10:35Nora?
01:10:41Nora!
01:10:59Hello, Anne. You come for your baby, hmm?
01:11:05You can have him. Go ahead, take him. No one's stopping you.
01:11:17Why did you do it, Nora? Why in God's name did you do it?
01:11:22The same reason I took Mark away from you, Anne. For Levana. She made me do it.
01:11:29We're all just pawns in your game.
01:11:30My game?
01:11:33Come on. Don't be so naive.
01:11:36You must know what's going on or you'd never have left Levans' house alive.
01:11:40Nora, what are you talking about?
01:11:43We thought we'd calculated your every move.
01:11:47But you beat us. You were far stronger than we imagined.
01:11:52Where's Mark?
01:11:53Oh, he's on his way home. He's going to be a little delayed. He's not supposed to interrupt you. And Levana.
01:12:01Me and...
01:12:02Go home, Anne. Levana's about to visit you in person.
01:12:06It had to come to this. It was inevitable. A meeting. Face to face.
01:12:13What are you talking about? Are you crazy?
01:12:17Why don't you just go see for yourself?
01:12:23Nora.
01:12:25Get out of here, Anne. Go home. Go home.
01:12:28Go home.
01:12:58Go home.
01:12:59Go home.
01:13:04Go home.
01:13:06Go home.
01:13:08Go home.
01:13:09Gorilla come home.
01:13:11Go home.
01:13:13Go home.
01:13:15Exactly what are you talking about?
01:13:17Right.
01:13:18Wrapped up in this world of anger
01:13:34There's no same chance out here
01:13:36They'll tie to your eyes now, honey
01:13:40Cause I know just what you fear
01:13:43I've seen it all before
01:13:47It all comes back to me
01:13:49Well, I've seen your face now, honey
01:13:53And I know just what you fear
01:13:56There's someone, someone
01:13:59With a someone just like you
01:14:03I need someone to take away the blue
01:14:09Someone, with a someone just like you
01:14:16Oh, I need someone to take away the blue
01:14:23Cause you feel so tired to kick down anything in your face
01:14:37Switch your words right out now
01:14:41Cause you ain't got a name to say
01:14:44I see you walk away
01:14:47But I don't know where it goes
01:14:50But I see your light
01:14:53You summoned us
01:15:13What is your command?
01:15:15I ordered you to stop M
01:15:17And you failed
01:15:18Your efforts were pitiful
01:15:21My powers are weak
01:15:25You always knew that
01:15:27If I'd had your help
01:15:30You shouldn't have needed it
01:15:32And now time is running out
01:15:33It's too late for more failures
01:15:35I'll have to act myself
01:15:37You're worthless to me now
01:15:39Now it's your turn
01:16:01Do it
01:16:04Do it
01:16:12Do it
01:16:14Do it
01:16:24And now dear little Anne
01:16:34Our worlds will collide
01:16:37Oh, there, darling
01:16:57Sleepy
01:17:07Sleepy
01:17:37Oh, there, darling
01:18:07Oh, there, darling
01:18:09Oh, there, darling
01:18:37Oh, there, darling
01:18:39I don't know.
01:19:09I don't know.
01:19:39Yeah, I know.
01:19:41The game is over.
01:19:42The game is over.
01:19:49The game is over.
01:19:56The game is over.
01:20:03The game is over.
01:20:04The game is over.
01:20:05The game is over.
01:20:06The game is over.
01:20:07The game is over.
01:20:08The game is over.
01:20:09The game is over.
01:20:10The game is over.
01:20:11The game is over.
01:20:12The game is over.
01:20:13The game is over.
01:20:14The game is over.
01:20:15The game is over.
01:20:16The game is over.
01:20:17The game is over.
01:20:18The game is over.
01:20:19The game is over.
01:20:20The game is over.
01:20:21The game is over.
01:20:22The game is over.
01:20:23The game is over.
01:20:24The game is over.
01:20:25The game is over.
01:20:26The game is over.
01:20:27I'm superhuman.
01:20:29You're a mutant.
01:20:31With the power of my mind, I have taken the place of your god.
01:20:35Whatever I think happens.
01:20:39All creatures obey my commands without even knowing it.
01:20:42I don't.
01:20:43I'm the only one you can't command.
01:20:46So I'm the only one you fear.
01:20:48I'm the only one who stands in your way.
01:20:50Rin, let's see you stop me.
01:20:54Stop!
01:20:56No!
01:20:57No!
01:21:24I told you so.
01:21:26Nothing can stop me now.
01:21:30Sorry, Sarah.
01:21:31But I can control Todd now.
01:21:33I can send it reeling backwards.
01:21:37Oh!
01:21:38Oh!
01:21:39Oh!
01:21:40Oh!
01:21:41Oh!
01:21:42Oh!
01:21:43Oh!
01:21:44Oh!
01:21:45Oh!
01:21:46Oh!
01:21:47Oh!
01:21:48Oh!
01:21:49Oh!
01:21:50I can send it reeling backwards.
01:21:54You see, Sarah, you're not really that strong after all.
01:21:58All right.
01:21:59I can't destroy you.
01:22:00But you can't destroy me either.
01:22:03We'll just to share this world.
01:22:05Half good.
01:22:06Half bad.
01:22:07You're wrong again, Sarah.
01:22:10You're wrong again, Sarah. I might not be able to destroy you, but there are others who can.
01:22:40Oh, my God!
01:22:42Oh!
01:22:43Oh!
01:22:44Oh!
01:22:46Oh!
01:22:48Oh!
01:23:10Oh!
01:23:40Oh!
01:23:41Oh!
01:23:42Oh!
01:23:43Oh!
01:23:44Oh!
01:23:45Oh!
01:23:46Oh!
01:23:47Oh!
01:23:48Oh!
01:23:49Oh!
01:23:50Oh!
01:23:51Oh!
01:23:52Oh!
01:23:53Oh!
01:23:54Oh!
01:23:55Oh!
01:23:56Oh!
01:23:57Oh!
01:23:58Oh!
01:23:59Oh!
01:24:00Oh!
01:24:01Oh!
01:24:02Oh!
01:24:03Oh!
01:24:04Oh!
01:24:05Oh!
01:24:06Oh!
01:24:07Oh!
01:24:08Oh!
01:24:09Oh!
01:24:10Hello, Sybil.
01:24:38Hi, Anne.
01:24:40I knew you'd come to say goodbye.
01:24:43My world is back in order now.
01:24:46Oh, yes, it is. I know that.
01:24:49No more dreams.
01:24:51No more nightmares.
01:24:53That was good.
01:24:55All evil has ended.
01:24:57This is really the best of all possible worlds now.
01:25:00Mark loves only you.
01:25:02Nora's your very best friend,
01:25:04and Sarah isn't a monster.
01:25:06She's just a good kid with a lively imagination.
01:25:10And Leonard Levin is confined to a wheelchair,
01:25:12but he's very much alive.
01:25:14He's going to produce Mark's movie,
01:25:16and it will be one of the biggest, greatest smash heads ever.
01:25:21And will everyone live happily ever after?
01:25:24For sure.
01:25:25Because even with your special powers,
01:25:27you're content with things as they are.
01:25:30I have Mark.
01:25:32I have my baby.
01:25:34I know what love is.
01:25:36Who needs more?
01:25:39Goodbye, Anne.
01:25:41Goodbye, Levana.
01:25:43Goodbye.
01:25:45Goodbye.
01:25:47Bye.
01:25:48Bye.
01:26:47I'm not dead.
01:26:58I'll be back.
01:27:01In the body of my child.
01:27:17In the body of my child.
01:27:47In the body of my child.
01:28:17Oh, boy, that's always a fool
01:28:21There's your fist, oh, so tired to kick down anything in your way
01:28:36Spend your words right out now
01:28:39But you ain't got a thing to say
01:28:42I see you walk away
01:28:46But I don't know where you go
01:28:49I see your lying eyes
01:28:53But you ain't got a thing to show
01:28:55For someone
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