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Transcript

00:00:01My grandmother, Kaku, used to tell me stories passed down from our ancestors about the Chindi,

00:00:07which was a Navajo word for ghost.

00:00:10But unlike Casper, the Chindi was an unstoppable, all-consuming evil force,

00:00:15exacting vengeance for wrongs against our people.

00:00:30It's a rough game.

00:00:48Serves them right.

00:00:50Trying to take all that land and keep it for themselves.

00:00:55Only good in June is dead in June, right?

00:01:00Yeah, how in the hell would you guys know you weren't out there with us?

00:01:04What?

00:01:06What we did wasn't very sporting.

00:01:09It's a shame those elders weren't with us from the beginning,

00:01:12especially that young one.

00:01:14He had some fire to him.

00:01:16What's done is done.

00:01:21Amen, Captain. Amen.

00:01:30Get your ass up to that.

00:01:32There's a little lady under here.

00:01:34He carried her over to the chin.

00:01:36Push her in.

00:01:37Ah.

00:01:38Ah.

00:01:39Ah.

00:01:40Ah.

00:01:41Ah.

00:01:42Sit.

00:01:43Guys.

00:01:48What's this?

00:02:06Let's go.

00:02:36Let's go.

00:03:06Let's go.

00:03:36Let's go.

00:04:05Let's go.

00:04:35Let's go.

00:05:05Let's go.

00:05:06Let's go.

00:05:07This isn't the last in me.

00:05:37Let's go.

00:06:07Let's go.

00:06:08Yeah.

00:06:09Let's go.

00:06:10Let's go.

00:06:11Let's go.

00:06:12Let's go.

00:06:13Let's go.

00:06:14Let's go.

00:06:15Let's go.

00:06:16Let's go.

00:06:18Let's go.

00:06:19Let's go.

00:06:20Let's go.

00:06:21Let's go.

00:06:23Let's go.

00:06:25Let's go.

00:06:26Let's go.

00:06:27Let's go.

00:06:28Let's go.

00:06:29Let's go.

00:06:30Let's go.

00:06:31Let's go.

00:06:32I've turned them all down.

00:06:36Why didn't you people make an offer back when I bought the place?

00:06:43We weren't considered white enough to make an offer, Mr. Wilson.

00:06:49Yeah.

00:06:50There is that.

00:06:53But I can tell you this, if I ever sell this motel,

00:06:56I'm going to make sure whoever buys it knows

00:06:58what kind of staff comes with it and how valuable you people are.

00:07:02After all that, are you saying you wouldn't let us make an offer on this place?

00:07:05No, I'm saying that I don't think your collection plate

00:07:09is deep enough to buy this property.

00:07:12You don't know anything about how deep our collection plate is, Mr. Wilson.

00:07:15Ana, calm down.

00:07:17You don't want to be attacking your boss and getting fired

00:07:19the same day your company arrives.

00:07:21Alma is here?

00:07:23You know, I never even knew you had kids, Ana.

00:07:26That's because you never asked, Mr. Wilson.

00:07:31I had been gone long enough.

00:07:53I had to return to where I grew up and do what I could to bring to light

00:07:57the atrocities committed against my Greasewood ancestors.

00:08:13Well, fuck me.

00:08:19Now I know what they meant by the clown motel challenge online.

00:08:22And from the outside of it?

00:08:27Looks like I'm not getting any sleep tonight.

00:08:29Oh, fuck.

00:08:49Damn!

00:08:53Oh...

00:08:53To be continued...

00:09:23I don't know.

00:09:53I don't know.

00:10:23Hey!

00:10:41Hey, Joe!

00:10:43Hey, Joe!

00:10:45Well, it's good to know the members of Kaku's Colt have really aged well.

00:11:07Joe Bamford still sulks.

00:11:12And that outfit is yet to be washed.

00:11:16Alma, Alma, Alma.

00:11:21Your childhood, nothing has changed.

00:11:25Well, maybe the main job.

00:11:29But the clowns?

00:11:31They're still here.

00:11:33Well, this is new.

00:11:45Well, this is new.

00:11:57What a collection, huh?

00:11:58Yeah.

00:11:59Yeah.

00:12:00It's gotten a lot bigger since I was a kid.

00:12:04Quite a collection, huh?

00:12:13Yeah.

00:12:14It's gotten a lot bigger since I was a kid.

00:12:17Well, that was probably well before I bought the motel.

00:12:18Well, the last time I was here, I was eight.

00:12:19It was like 15 years ago.

00:12:20I got a few minutes now if you want to have that talk that you asked me for.

00:12:22Yeah.

00:12:23Good.

00:12:24This place looks smaller.

00:12:25Well, you've probably grown a lot in 15 years.

00:12:26I don't remember that wall being there.

00:12:27Is that a new door?

00:12:28Yes, I don't remember that wall being there.

00:12:29Is that a new door?

00:12:30It's not that old house.

00:12:31It was eight years ago.

00:12:32I got a few minutes now if you want to have that talk that you asked me for.

00:12:35Yeah.

00:12:36Good.

00:12:37This place looks smaller.

00:12:38You've probably grown a lot in 15 years.

00:12:41I don't remember that wall being there.

00:12:54is that a new door you got a good eye miss perez we did a remodel a couple of years ago

00:13:01put some plumbing behind that wall and uh made some additions on that one

00:13:09so you're here doing research for a college paper huh are you up for it it's for a business class

00:13:17it's for a graduate thesis cultural anthropology

00:13:24um graduate thesis uh cultural anthropology specializing in the greasewood natives

00:13:31greasewood natives that's uh indian tribe of some sort like a tribe of native americans yes

00:13:39you've never heard of the greasewoods no but i'm not much of a history buff well i think that's evident

00:13:47do you know what you have here mr wilson

00:13:59a scary clown skull this stone carving is not a scary clown school

00:14:05it's a death totem it's to ward off evil spirits

00:14:09it's very hard to come by in my study and you happen to have several of them in your collection

00:14:16wow

00:14:19is it of any value

00:14:22mr wilson i know you think you know all about your motel

00:14:29but those stories that you put in those brochures and on your website

00:14:32those ghost stories have happened in one fashion or another yeah eyewitnesses tragic deaths have

00:14:42occurred in these rooms and all the while a evil clown lurks somewhere nearby

00:14:52what i wanted to talk to you about is what this place was before it was the clown motel

00:14:56you know sure fire away

00:15:07coffee oh okay i see that you market the graveyard and the mining sites as tourist destinations on your

00:15:13website and that the miners stay here in the 1900s yeah they did

00:15:18it did indeed but if you know more i'd sure love to hear it because i'm always looking to update the

00:15:27uh website ghost stories horror cells i'm talking about what tona paul was in the 1800s

00:15:35back when it was butler city there was this massacre

00:15:42where it eliminated all the greasewoods just to build a railroad in this area of nevada

00:15:49there's no railroad anywhere near here exactly that's where i'm piecing everything together

00:15:55okay i'm all ears

00:16:03the reason why there was no railroad built sit here

00:16:08is because the ones who wanted to do the massacre were massacred themselves

00:16:13right in this very spot and after doing some research it shows that this

00:16:17place used to be called the butler city founded by wyatt erp passing through town

00:16:24wyatt erp

00:16:27wow you have proof of that

00:16:31just legends and legends passed on from generation to generation

00:16:35but i'm looking for proof documents articles like artifacts records

00:16:41and this is where you can help me there's this cellar below this building i used to play at it when

00:16:48i was a kid and i remember there's this box down there with these documents

00:16:52do you know about this box mr wilson no because the cellar was already sealed up by the time i bought the motel

00:17:01the building department said it was structurally unsound and it didn't meet zoning codes and you know

00:17:07well if i can get access to this box with documents in it this would be a huge addition to my thesis

00:17:17and if those documents have any historic importance

00:17:22i can call the u.s historic registry and and have this place turned into a greecewood memorial

00:17:27but what would happen to my motel

00:17:32well i'm guessing that the government would make you an offer and reclaim the land

00:17:39reclaim the land

00:17:49it's a good thing that you're not a business major

00:17:53miss perez because that was the worst sales pitch that i have ever heard to gain access to my basement

00:18:00what incentive would i possibly have

00:18:04to let you go down into that cellar if i was going to lose my land as a result

00:18:10well maybe

00:18:15because it's the right thing to do

00:18:22but regulations strictly forbid me from letting anybody down in that cellar

00:18:32it's unsafe crumbling structurally

00:18:37they could shut me down if they found out

00:18:42sorry

00:18:42so was the cellar what you want to talk to me about because if it was uh

00:18:52i think we've about covered it

00:18:55i wish i could help you but i can't

00:19:02now i don't know if you're planning to go over to the cemetery and

00:19:05uh take some etchings or anything

00:19:10the gravestones are marvelous over there i'm not sure this meets up with uh

00:19:16university archaeological standards but the kids enjoy using them when they go over there

00:19:21so

00:19:28i gotta get back to work

00:19:31i've got uh a bunch of execs from the largest bank in the area coming in for a stag party in

00:19:3915 minutes or so sounds like a fat profiteers on the land stolen from my people

00:19:44i can't argue with you about that

00:19:50oh i want you to take this

00:19:55i want you to have it means a whole hell of a lot more to you than it does to me

00:20:00and you know the work you're in doing is important delma

00:20:05don't let the hurdles stop you gonna be plenty of those in life

00:20:09that's great advice mr wilson i'll take it

00:20:39yes yes

00:20:51what the fuck you're welcome

00:20:53holy

00:20:54what is this look i know it might not look like much but

00:20:59well that's kind of the point we're giving lewis a proper send-off and uh

00:21:04this is the perfect place to hide some secrets ain't that right mr artero yes oh my god you're

00:21:09right there well there's a lot of things to bury tonight and knowing sloan he's gonna dump his

00:21:16whole 401k at the craft not this time not this time yeah while me and brooke bury our face in every

00:21:22tom drink that's right baby what about lewis here this is lewis's wedding he'll be the one with his head

00:21:27under the strip his tits by the end of the night

00:21:28hi yeah like a banker is well we're good bankers and that's why we deserve to have a good time

00:21:36yeah are you sure this place is safe he booked this trip through a church group so as far as i'm

00:21:41concerned must be blessed nobody's getting into any trouble they can't handle tonight all right

00:21:48all right mike's gonna go check us in we're gonna divvy up the rooms we're gonna get some food and i take

00:21:53the town for all the money they got i'm banking with carrie oh mike issue with sloan meanwhile lewis

00:21:59here gets a room all to himself just in case he decides to hire some late night company baby

00:22:03okay not happening

00:22:33I don't know.

00:23:03What are you doing here?

00:23:33And so you've made your way back to the motel.

00:23:55Really, Kaku?

00:23:57Please, Toko. The book was open when I walked in.

00:24:01Of course.

00:24:06This is forgotten folklore.

00:24:08I didn't know the book was still in print.

00:24:11It isn't. It's Mom's.

00:24:14Right.

00:24:16Why do you trouble yourself with these myths?

00:24:19Jindy spirits?

00:24:20Your whole church is named after a Jindy.

00:24:23That was before my time.

00:24:25I don't like it any more than you do.

00:24:28But it's history.

00:24:30And history is dark and depressing.

00:24:33Unless you're white.

00:24:43Mr. Wilson told me why you're here.

00:24:46That was uncomfortable for him to hear.

00:24:50It was upsetting to me, too.

00:24:55I'm doing this for us, Kaku.

00:24:59For your church.

00:25:01For our family.

00:25:02For our people.

00:25:04For all of us.

00:25:06All of us that are left.

00:25:09When your mother took you, I never left.

00:25:12Our church is here.

00:25:13This is still our home.

00:25:14And you have no right to take that away from us.

00:25:19Do you think they'd raise this motel to erect a memorial

00:25:22and let us keep our place?

00:25:24This is the U.S. government.

00:25:27They don't place memorials for us.

00:25:30They place them for themselves.

00:25:33Cynical, Kaku.

00:25:36Cynical is a young person's word for older and wiser, Toko.

00:25:41You want to write a book about our people.

00:25:45Make a documentary.

00:25:47Put us on a TV show.

00:25:49You would make me so proud.

00:25:51But this memorial idea?

00:25:55It's a lost cause.

00:26:06Kaku is afraid of change.

00:26:25The product of an insular nature of being in a fringe religious group like hers.

00:26:33Kaku thinks she has ownership.

00:26:36She's still just that.

00:26:38You a digital identity.

00:26:39Have a great day.

00:26:40Not a long timeout exists estos folks but we also have no 1961 work on a live shop full world.

00:26:42Just a mistake.

00:26:43Have a great day.

00:26:44I'll ask for till the episodes now.

00:26:47I've been in for now.

00:26:48That's a小 boat right at all.

00:26:49Let's go.

00:26:50It won't be in the cold.

00:26:51Don't be mean to be nearby there.

00:26:52People never have no

00:26:54Come in no day.

00:26:55When should be in Então?

00:26:57God be in village樂иях.

00:26:58I mean to go around and say,

00:26:59What are you saying?

00:27:01I just want to learn now.

00:27:02How do you know?

00:27:03You know,

00:27:03I've been here.

00:27:04That's not good enough.

00:27:05The new thing,

00:27:06Harry,

00:27:07the new thing,

00:30:46Paco, I need to speak with you.

00:30:48Look at you making a scene.

00:30:49What's gotten into you?

00:30:51What's gotten into me?

00:30:53What's gotten into you and your little church group?

00:30:55What's gotten into you?

00:30:56What's gotten into you and your friends over?

00:31:09Kaku, how could you?

00:31:11How could I what, Toko?

00:31:14Your church booked employees of the bank that fucked you and your friends over.

00:31:18Hold your tongue.

00:31:21This is my livelihood.

00:31:23We wanted to get our money back and this was the only way it was going to happen.

00:31:27Our tour of books roams and Mr. Wilson gives us a commission.

00:31:30It's as simple as that.

00:31:31There are more opportunities in this world other than this motel.

00:31:35Well, I don't understand you, Kaku.

00:31:38And I don't understand you.

00:31:39You're so headstrong, just like your mother.

00:31:42I'm cursed with a daughter who doesn't listen and a granddaughter who follows in her footsteps.

00:31:46Yeah, because she wanted justice. Real, lasting justice for our ancestors.

00:31:57You can help me. All I need to do is get into that cellar.

00:32:00Absolutely not.

00:32:03Then let me into Clem Wilson's office. Maybe I can find something.

00:32:08What you need to find, Alma, is the church.

00:32:11Drop this thing and let me do what your mother would never do.

00:32:14I will teach you about our history and introduce you to the Chindy.

00:32:19Listen to yourself.

00:32:22You're employed by an unscrupulous man who would hand you off for any amount of money.

00:32:34Why protect this motel when you can make this place a hollowed ground?

00:32:40We are the last of the greasewood.

00:32:41This motel may be under someone else's name, but the land and its spirit has always belonged to us.

00:32:48It would be best if you checked out before I came back tomorrow.

00:32:57Leave tonight.

00:32:58Don't stay a moment longer.

00:32:58Leave tonight.

00:32:59Don't stay a moment longer.

00:33:04Don't stay a moment longer.

00:33:05Don't stay a moment longer.

00:33:06It would be best if you checked out before I came back tomorrow.

00:33:11It would be best if you checked out before I came back tomorrow.

00:33:15Leave tonight.

00:33:16Don't stay a moment longer.

00:33:19Don't stay a moment longer.

00:33:20Don't stay a moment longer.

00:33:21Don't stay a moment longer.

00:33:26Don't stay a moment longer.

00:33:42I don't know.

00:34:12I don't know.

00:34:42I don't know.

00:34:43I don't know.

00:34:44I don't know.

00:34:45I don't know.

00:34:46I don't know.

00:34:47I don't know.

00:34:48I don't know.

00:34:49I don't know.

00:34:50I don't know.

00:34:51I don't know.

00:34:52I don't know.

00:34:53I don't know.

00:34:55I don't know.

00:34:56I don't know.

00:34:57I don't know.

00:34:58I don't know.

00:34:59I don't know.

00:35:00I don't know.

00:35:01I don't know.

00:35:02I don't know.

00:35:03I don't know.

00:35:04I don't know.

00:35:05I don't know.

00:35:07I don't know.

00:35:08I don't know.

00:35:09I don't know.

00:35:10I don't know.

00:35:11I don't know.

00:35:12I don't know.

00:35:13I don't know.

00:35:14I don't know.

00:35:15I don't know.

00:35:16I don't know.

00:35:18I don't know.

00:35:26I don't know.

00:35:56I don't know.

00:36:26I don't know.

00:36:56I don't know.

00:37:26I don't know.

00:37:56I don't know.

00:38:26I don't know.

00:38:56I have successfully made it into the cellar.

00:39:08Nothing has changed since I was a child.

00:39:15I'm surprised that Clem Wilson hasn't scorned his way down here to get some artifacts for his website.

00:39:27But everything still sits.

00:39:35Everything still sits all these years later.

00:39:39I don't know.

00:39:41I don't know.

00:39:47I don't know.

00:39:48I don't know.

00:39:53I don't know.

00:39:54I don't know.

00:40:01I don't know.

00:40:02I don't know.

00:40:11I don't know.

00:40:12I don't know.

00:40:13I don't know.

00:40:17I don't know.

00:40:47Just as I remember it.

00:41:17The doctors have diagnosed me with typhoid fever.

00:41:42They have their theories, but I know it's the Greasewood.

00:41:46So it is with sound mind that I confess the evil that I helped commit,

00:41:51in hopes that the Elder will forgive me,

00:41:54though he has every right to spurn and condemn me to the fires of hell.

00:41:58Our deception was plain.

00:42:02We lured the two Elders of the Greasewood tribe to the saloon for negotiation of their land to build a railway.

00:42:09Captain Cranston, who formed an outfit resembling the Pinkertons,

00:42:14was hired to ensure the acquisition of the land.

00:42:17A monetary settlement was to be discussed, and the Elders arrived in good faith.

00:42:27I served as a distraction, while Cranston's men murdered the entire tribe,

00:42:31including the Elders, when they returned.

00:42:37And I was told that the Elders were killed,

00:42:40but the young Elder that arrived for his revenge that night

00:42:44was not the same that had come in earlier.

00:42:46He moved like a shadow,

00:42:47eviscerating the men in the most horrific fashion.

00:42:51hand in with the captain.

00:43:18Foolishly, I thought to preserve the captain's dignity

00:43:24by pulling the sword away.

00:43:36His horrible mouth leered over as though his jaws might open slowly.

00:43:42I pointed Cranston's weapons at him,

00:43:49and he uttered an awful laugh with a single phrase

00:43:52before disappearing supernaturally.

00:43:56Bye-bye.

00:43:57Bye-bye.

00:43:58Bye-bye.

00:44:00Bye-bye.

00:44:01Bye-bye.

00:44:12Hey, she's in the cellar.

00:44:42I'll be there as soon as I can.

00:44:47The blade is in place.

00:44:50It happens tonight.

00:44:50Bye-bye.

00:45:12Bye-bye.

00:45:22Bye-bye.

00:45:23Bye-bye.

00:45:31Bye-bye.

00:45:33Bye-bye.

00:45:40I don't know what is going on.

00:46:10I don't know what is going on.

00:46:40That's what nightmares are made of right there.

00:46:52Let's go.

00:47:00Lays are waiting.

00:47:04Perfection.

00:47:08Let's go.

00:47:20Feet.

00:47:38Hey, boss.

00:47:40Don't think I'm not aware of your little conspiracy here.

00:47:48Conspiracy?

00:47:49Yeah.

00:47:50You guys always book these bachelor party deals when I have the night duty.

00:47:56You going to church?

00:47:57Yes, sir.

00:47:58For the collection, Clayton.

00:47:59Thank you, boss.

00:48:00Okay.

00:48:01My pleasure.

00:48:02Don't worry.

00:48:03I won't.

00:48:04Good night, Joe.

00:48:05Good night.

00:48:06Good night.

00:48:07Good night.

00:48:08Good night.

00:48:09Good night.

00:48:13Hello.

00:48:14Johnson.

00:48:15Don't you ever sleep?

00:48:16I told you I am not selling.

00:48:20I don't care if he has Chinese backers.

00:48:27If I'm not selling, I'm not selling.

00:48:30All right, turn them up.

00:48:58All right, turn him up.

00:49:01Full house.

00:49:03No.

00:49:04Sucks to be you.

00:49:07Mike Hardy, ladies and gentlemen, remember the name?

00:49:10Yeah.

00:49:11Ah, thank you, love.

00:49:12You're welcome.

00:49:13A little something for you.

00:49:14Ah, thank you.

00:49:15I'll take that dealer button from you.

00:49:16Appreciate it.

00:49:17There you are.

00:49:19I think you're gonna fucking get out of this shit.

00:49:21You need to go.

00:49:23You can idiots have no idea.

00:49:27Oh.

00:49:28Oh, my God.

00:49:57Oh, my God.

00:49:57Oh

00:50:11Nice

00:50:13Slip oh fancy

00:50:27To lie to you using your dirty money just to attempt to buy yourselves a good time

00:50:33Excuse me

00:50:35You're not excused

00:50:37Do you smash trading as bankers?

00:50:39Never are hold on dude. We're just here to have a good time

00:50:42Watch your mouth before something slips into it like my fist

00:50:47Hey, watch your mouth for something. I have slips into yours

00:50:51Hold on dude. What's your problem?

00:50:53We got this bitch. Just come back sir. Let's relax. Yeah, I lost my business partner

00:50:57Because you banksters

00:50:59Structuring loans that you knew he couldn't pay back

00:51:02And then when he couldn't and defaulted he swooped in and pulled out from under him his business his properties

00:51:12Putting him on the street to die of heartache

00:51:16That's my problem all right get the fuck out of here right now come on come on get out sir whatever buddy whatever

00:51:27When you party off for someone else's death

00:51:30All you do is gain the attention of the grim rape up

00:51:34All right, there you go. Have a nice day. And i'm taking your chips

00:51:38I'm so sorry that's out of character me

00:51:52I don't know if it's the nerves or if i'm just having cold feet but it's weird because

00:51:57As you can see i love my girl you know she know i love her and how you know i love my girl make a long story short

00:52:04We met a year ago online

00:52:06Okay, I feel like things are rushed like i like ice cream. I don't even know her favorite ice cream

00:52:12And i'm sorry for awkwardly vending to you. I just have to let that out did i mentioned i had five drinks

00:52:21I think it's sweet. There's something very sexy about a man who's willing to commit to one woman

00:52:32Enjoy the drink

00:52:42Enjoy the drink she says so

00:53:12Enjoy the drink she says so

00:53:16Come on friend

00:53:18Oh

00:53:48You are a king.

00:53:49You are a king.

00:53:51You are a king.

00:53:52Silence.

00:53:53You are a king.

00:54:18I'm so tired.

00:54:20Why do you continue, boys and girls?

00:54:22That is, of course, I'm blowing off the bartender.

00:54:24Oh, no, man.

00:54:25I haven't done any of that shit until I've studied for my exams.

00:54:28It's about time you do again.

00:54:30Your room arose.

00:54:30Let's make it yours.

00:54:31Mike like to hurt himself.

00:54:32Angry and coke don't mix, in my experience.

00:54:35Ah.

00:54:42Pull the fucking town.

00:54:48Come on, big boy.

00:54:49I'm going to show you what your future wife is.

00:54:59It should be me.

00:55:00You're killing me.

00:55:16You're killing me.

00:55:17You're killing me.

00:55:18I'm killing me.

00:55:19Oh, fuck.

00:55:49Come on.

00:56:10I kept seeing shadows in the corner of one's eyes.

00:56:13They are slightly terrifying me.

00:56:15I can't even do anything better.

00:56:18As though they might protect me,

00:56:20I pointed Cranston's weapons at him.

00:56:24And it held him at bay.

00:56:26I have kept the captain's sword and pistol

00:56:29with his totem of protection.

00:56:45Joe's great.

00:56:52No fucking way.

00:57:15It has begun.

00:57:30It has begun.

00:57:37I'm a little kid,

00:57:40I'm a little kid,

00:57:42I'm a little kid,

00:57:44and I'm a little kid.

00:57:46I'm alive.

00:57:47I better not talk.

00:57:48So I'm afraid I really can't change my life...

00:57:50I can't change my life.

00:57:52I can't change my life.

00:57:54I'm feeling I'm getting lost.

00:58:13Carrie, why have you been teasing me all this time?

00:58:18You know Carrie.

00:58:25Boys.

00:58:34Really? Men are mice, afraid of a woman's body.

00:58:41Carrie?

00:58:44Guys, this isn't funny. Unlock the goddamn door, okay?

00:58:54Carrie?

00:59:10Carrie?

00:59:12Sloan?

00:59:13Mom?

00:59:16Say something, guys.

00:59:21Ow!

00:59:30Ow!

00:59:31Oh!

00:59:41What the fuck?

00:59:44And who are you?

00:59:46Oh, I get it. You're part of the whole clown motel blah blah thing?

00:59:52Well, you're having a very bad hair day.

01:00:01You know what? You can go fucking...

01:00:03You know what? You can go fucking...

01:00:05You know what? You can go fucking...

01:00:06CNN.

01:00:08But they all have to tell me about the world.

01:00:13That's it.

01:00:14You know what?

01:00:16You know what?

01:00:18You know what?

01:00:20That's it.

01:00:22That's it.

01:00:24You know what...

01:00:26It's good.

01:00:28I know.

01:00:30I don't know.

01:01:00You can do this.

01:01:04You can fucking do this.

01:01:06You can fucking do this.

01:01:15Nicky, I didn't wake you up, did I?

01:01:18It's past midnight, man.

01:01:19Why the fuck are you calling me so late?

01:01:21Come on, it's...

01:01:22It's not that late.

01:01:24When the hell did you get so old?

01:01:26When I had kids, Michael.

01:01:27What do you want?

01:01:28I'm, uh, I'm actually having a boys' night out in Tonopah.

01:01:31Yeah, Louis is having a fucking bachelor party.

01:01:34Lucky Louis is getting fucking married.

01:01:36You remember him, right?

01:01:37Mike, I'm going to stop you right there.

01:01:40I know what this is, and I don't have it to give.

01:01:44That's not what this is.

01:01:47But if it was, I wouldn't be asking for much.

01:01:50I mean, if I was asking for anything, maybe two grand times.

01:01:53I don't have it.

01:01:55Please don't ask.

01:01:59I'm not asking for it.

01:02:01But if I was, you know your boy's good for two grand.

01:02:05Look, you give me two, I hand you back two and a half, right?

01:02:09You're about to wake Jen up, so...

01:02:11No, look, you can just cash at me from the bed.

01:02:12You don't even have to get up.

01:02:14Just, Nicky, just a little transfusion just to keep me liquid.

01:02:17I don't have it, Mike.

01:02:18And if I did, Jen would kill me for giving it to you.

01:02:21And I wouldn't blame her.

01:02:23That bank of yours fucked me.

01:02:24Or do you forget about that?

01:02:26I'm hanging up now.

01:02:27Nicky, no, no, Nicky, no, no, no, Nicky, no, wait!

01:02:30Fuck!

01:02:31Fuck!

01:02:33Ooh.

01:02:43Ah.

01:02:44Relax.

01:02:54Carrie can lend you the money.

01:02:56Or Brooke.

01:02:57Yeah.

01:02:59She's a good dude.

01:03:00Ha.

01:03:01Stupid.

01:03:04Yeah, let's make up some bullshit fee and...

01:03:08that mom give me a hundred bucks.

01:03:10Except for Louie.

01:03:11Yeah.

01:03:13Yeah.

01:03:14Three hundred.

01:03:15Three hundred's a good fucking start.

01:03:18Whew.

01:03:19Yeah.

01:03:27Are they there, handsome?

01:03:28Ha ha.

01:03:37What the hell is that?

01:03:39No, no, no, no, no.

01:03:53oh

01:04:08no no no no

01:04:10What's up?

01:04:16No, no, no!

01:04:18I'm here!

01:04:28No, no, no!

01:04:33No, no, no!

01:04:40No! No!

01:04:42No! No!

01:04:44No!

01:05:10No!

01:05:30No!

01:05:40Oh

01:06:10You know what happens next baby? Honestly, I'm not sure what happens next because I'm only used to one woman and I'm not in these predicaments

01:06:31But oh my goodness, I'm probably gonna go to hell next

01:06:35How are you so sexy?

01:06:40I've never had vanilla before

01:06:45No, but always

01:06:48Gracious

01:06:51You know

01:07:09You can pay me a little extra

01:07:11And I'll make you believe in all the superpowers that I have

01:07:16Though I already believe

01:07:21Hey

01:07:28Are you having a fucking heart attack?

01:07:44I'll make you believe in all the superpowers that I have to go to hell

01:07:51Oh

01:08:01Oh

01:08:03Oh

01:08:04Oh

01:08:05Ah!

01:08:07Ah!

01:08:08Ah!

01:08:10Ah!

01:08:20Ah!

01:08:23Ah!

01:08:25Oh, my God.

01:08:55Oh, my God.

01:09:25Oh, my God.

01:09:55All that remains is the one who betrayed us for her own vanity.

01:10:02He was trying to claim our inheritance.

01:10:10But the shindy deals with that.

01:10:20Treachery of her own bloodline.

01:10:24Fevery of her own kin.

01:10:25By night's end, by night's end, this motel will have a new owner.

01:10:41Fever.

01:10:42Fevery of her own kin.

01:10:43Fevery of her own kin.

01:10:46Oh, my God.

01:11:16Oh, my God.

01:11:46Oh, my God.

01:12:16Oh, my God.

01:12:46What are you doing?

01:12:53Oh, my God.

01:13:23Oh, my God.

01:13:53Oh, my God.

01:14:23Oh, my God.

01:14:53Oh, my God.

01:15:23Oh, my God.

01:15:53Oh, my God.

01:16:23And the most unusual crimes, they always happen here.

01:16:27There's got to be a logical explanation to this.

01:16:29Oh, my God.

01:16:59Oh, my God.

01:17:29It's unbelievable.

01:17:30Yeah, I know.

01:17:31All this thing is just, like, unheard of.

01:17:33It's really bizarre.

01:17:34I can't even describe any of these cases here.

01:17:37I don't understand what's going on.

01:17:38It just doesn't make sense.

01:17:39It just doesn't make sense.

01:17:45Mr. Wilson, Mr. Wilson, Mr. Wilson, is there anything that you saw that would lead you to believe that any of these men were violent?

01:17:52Mr. Wilson, Mr. Wilson, Mr. Wilson, Mr. Wilson, Mr. Wilson, Mr. Wilson, is there anything that you saw that would lead you to believe that any of these men were violent?

01:18:02Mr. Wilson, Mr. Wilson, Mr. Wilson, Mr. Wilson, Mr. Wilson, Mr. Wilson, is there anything that you saw that would lead you to believe that any of these men were violent?

01:18:10Mr. Wilson, Mr. Wilson, I don't know.

01:18:11Mr. Wilson, Mr. Wilson, is there anything that they wanted?

01:18:17Then you never know when an angel's gonna turn into a devil.

01:18:26I don't know what they got into.

01:18:33We noticed a car parked out front.

01:18:45It's a 2014 dark colored sedan.

01:18:49We ran the plates.

01:18:52It belongs to an Alma Perez.

01:18:55Is that any relation to your employee, Anna Perez?

01:19:02Anna is Miss Perez's grandmother.

01:19:10Anna was at a church function last night and, uh, Alma, well, she just disappeared.

01:19:27I can't rightly say where she went. If I could, I would.

01:19:36I'm sure there's a lot that you need to get back to and take care of.

01:19:44We'll let you get back to it. Take care.

01:19:51Let's see what happened.

01:20:12Johnson.

01:20:40Jocelyn?

01:20:43Clem Wilson?

01:20:47You know that guy you have who wants to buy the motel?

01:20:50Tell him it's his.

01:20:56One dollar.

01:20:59I shit you not.

01:21:02One dollar.

01:21:04Draw up the papers.

01:21:10Our people and our ancestral land deserve so much more than that run-down motel.

01:21:22Our people deserve justice for those who took advantage of us then and now.

01:21:28That's why the Chindis should never be stopped.

01:21:31Someone has to fight for our ancestors.

01:21:34Maybe something has stopped it.

01:21:36Is that possible?

01:21:37How would you know how to stop it, Chindianna? How?

01:21:41Chindianna... How...?

01:21:59Mal!

01:22:11Don't go.

01:22:41Don't go.

01:23:11Don't go.

01:23:41Don't go.

01:24:11Don't go.

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