- 2 days ago
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that, you plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Your company and your husband both belong to me now.
00:01:03No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:17I never took out any loans that large.
00:01:19Oh, Tasha. You were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:39Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years.
00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then?
00:02:26Shit.
00:02:27Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:48Ugh. Said it was, like, collateral for a loan.
00:02:52Of course, I made the call and arranged everything. My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kinda suits you. So, enjoy.
00:03:14Go to hell.
00:03:22Wait.
00:03:35What the fuck?
00:03:36Good.
00:03:37I'll go.
00:03:47Miss?
00:03:48Just go away, all right? I don't need your cheap sympathy right now.
00:03:52Miss, your friend's gone. I just want to offer my cab services.
00:03:59Yeah, I'm sorry. A cab is just what I need right now.
00:04:05All right, great. Come on board.
00:04:18Sorry, I don't have any cash right now.
00:04:32Give me a minute. I'll go grab some from inside.
00:04:35Here. Just proof I'm not trying to skip out on the fare.
00:04:48You have some nerve coming back here.
00:04:51I never wanted my son to marry you in the first place.
00:04:54And now that he's finally come to his senses and kicked you to the curb,
00:04:58you think that you can just waltz right back into his house?
00:05:02His house?
00:05:04My father left me this house.
00:05:07And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:14I always knew you were a nasty little hussy.
00:05:23Who the hell are you?
00:05:25This is a personal matter, so you should really mind your own business and stay outside.
00:05:29Actually, this is my boyfriend.
00:05:33So if it's a personal matter for me, it's a personal matter for him.
00:05:38Okay.
00:05:39What? You think your son's the only one capable of having secrets?
00:05:44Hey, thanks again for today.
00:06:00I know that's a weird position to put you in.
00:06:04It's all right.
00:06:04It is really nice to know that there are still good people out there that would help a total stranger.
00:06:14Have a good night.
00:06:15All right, you too.
00:06:16You too.
00:06:16You too.
00:06:17You too.
00:06:58Where's my necklace?
00:07:01Here.
00:07:03Just proof I'm not trying to skip out on the fair.
00:07:27How does a fancy broad like you find yourself in a place like this?
00:07:36Who the hell are you?
00:07:37Get out now!
00:07:38All I'm trying to do is introduce myself and you'll treat me like some dog shit you found
00:07:43stuck to your shoes.
00:07:47I'm calling the police!
00:07:48How about I give you a better idea?
00:08:01You and I are going to have some good old-fashioned fun tonight.
00:08:04If I ever see you around here again, you're dead!
00:08:15Get out of here!
00:08:19Hey.
00:08:21Oh, I'm so glad you're here.
00:08:26Where did you get this necklace?
00:08:28My father gave that to me.
00:08:36You better not be lying to me.
00:08:38I'm not lying.
00:08:41He made that with his own hands.
00:08:43It has my name on the back.
00:08:48It's really you?
00:08:49Hey.
00:09:03How you feeling?
00:09:07How did...
00:09:08How did you...
00:09:09You left your bag in my car.
00:09:12How did you know where to find me?
00:09:16I have my ways.
00:09:17Hey, listen.
00:09:21I know it's none of my business.
00:09:23But it's not safe for you here.
00:09:24With everything that's happened in the last 24 hours, this is...
00:09:29All I can afford.
00:09:32Listen, I have an extra room at my place.
00:09:34Maybe...
00:09:35You can just come stay with me.
00:09:36Welcome home.
00:09:58I really feel like my luck's starting to change I mean you've literally rescued me over and over
00:10:10today I know what it's like I've been rescued before um I'm sorry I I don't think I can make
00:10:18rent right away but um you can sell this ring and then you should cover me for a few months
00:10:26at least until I'm back at my feet I thought he was a really rich guy why did he choose such a small
00:10:32diamond it's not a very good cut either okay never mind I can just no it's fine I'm just saying
00:10:43you deserve a better reign than this
00:10:56no babe stop it's late okay you're still thinking about her who Tasha are you kidding me
00:11:22then why are you wearing the wedding ring did you forget what she and her father did to you
00:11:26I will never forget what she and her father did to me but that has nothing to do with you
00:11:32so why don't you stop mouthing off about shit that you know nothing about and let me handle my own
00:11:37affairs
00:12:07Mary?
00:12:15What?
00:12:19Hey, what's going on?
00:12:21My daughter's missing.
00:12:22What?
00:12:23Tasha, you shouldn't have barged in like this.
00:12:38If Carl finds out...
00:12:39No, I don't care about Carl right now, okay?
00:12:41Where's my daughter?
00:12:43Where's Anna?
00:12:44I sent her away.
00:12:47No.
00:12:48You have no right.
00:12:49What? Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to
00:12:56do whatever I want with my stepdaughter.
00:13:01What?
00:13:04We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:10You think you're getting custody?
00:13:13Stai sognando.
00:13:15On one hand, we have a mother drowning in death with no place to live.
00:13:22On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned
00:13:31pro group.
00:13:32Who do you think the court will side with?
00:13:34Oh, what's going on?
00:13:43Oh, Carl!
00:13:45Carl, it's okay.
00:13:46Tasha was understandably upset about the situation.
00:13:49You know, I don't blame her for what happened.
00:13:51You trespass on my property?
00:13:53Assault my wife in her own home?
00:13:56Tasha, I have put up with your outrageous behavior for years, but don't you dare subject
00:14:00Raina to that kind of abuse.
00:14:02You don't understand.
00:14:03Raina sent Anna away.
00:14:05She did what any good mother would.
00:14:07I want to know where my daughter is right now.
00:14:10New Zealand.
00:14:11Getting medical care from one of the best cardiology departments in the world.
00:14:16And remind me, what have you done for your daughter lately?
00:14:19Hmm?
00:14:20Abandon her?
00:14:21To go shack up with some cab driver boyfriend?
00:14:23You idiot!
00:14:24I found those cardiologists in New Zealand.
00:14:28Scheduling those appointments was the last thing I had Raina do when she was still my
00:14:32assistant.
00:14:33Tasha, Tasha, you disgust me.
00:14:35Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:40I'm going to make sure Anna stays far, far away from you so there's no possibility of
00:14:44her ever becoming anything like you.
00:14:52You.
00:14:52Backstabbing, homewrecking, bitch.
00:14:58I advise you stay far away from my daughter and I.
00:15:03By the way, the deeds still list me as the rightful owner to this house.
00:15:11So the two of you have no right to keep me from coming back here.
00:15:14Do you understand?
00:15:15Calm down.
00:15:15You can forge my signature, you can take my money, take my house, but you will never
00:15:22have a shred of the intelligence that I have.
00:15:25Tasha, you have made your point.
00:15:26I think it would be...
00:15:27You deserve that too.
00:15:31You should have told me about Anna a long time ago.
00:15:33Oh, don't stop at my account.
00:15:39Please, continue.
00:15:41Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:46And 20 millions of that is owned to me, personally.
00:15:50In fact, I'm going to call my lawyer and see to it that if you don't pay right away, you're
00:15:54never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:59Go ahead and check it out.
00:16:06But after your accountant, make sure this is all legit.
00:16:08I don't want you two jackasses counting my girl for money ever again.
00:16:11Got it?
00:16:17Oh, by the way, we're going to go ahead and take Anna in the future too.
00:16:22Don't worry, Carl.
00:16:24I'll be a better father to her than you ever can be.
00:16:27Tasha, you'll regret it.
00:16:29Thanks again, Kerr, today, for pretending to be my boyfriend.
00:16:43Mm-hmm.
00:16:45Was all that money real?
00:16:47As real as it comes.
00:16:49Where'd you get all that money?
00:16:52I robbed a couple jewelry stores for him to find you.
00:16:55Are you serious?
00:16:57No, I'm just joking.
00:16:59It was my dad's.
00:17:01Don't worry, it wasn't stolen or robbed or anything.
00:17:04But hey, listen.
00:17:05From now on, I want you to think of me as your creditor.
00:17:07Okay?
00:17:09I don't want you to worry about owing money to those scumbags.
00:17:11From now on, you'll just throw money to me.
00:17:13As long as you're okay with that.
00:17:17I could be okay with it.
00:17:18As long as you can satisfy one small request.
00:17:23What kind of request?
00:17:25My only request is that you just relax.
00:17:37Okay?
00:17:38Why don't you just take a load off.
00:17:40Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:45You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:04I have nothing.
00:18:11Well, I mean, you always have me and, you know, other things.
00:18:18I can't hear you.
00:18:22You're whispering.
00:18:23I can't hear you.
00:18:23I can't hear you.
00:18:24You're whispering.
00:18:48Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:08That bitch.
00:19:11Honey, you know, you promised to put me in touch with the curator at the Fitzgallery.
00:19:15I'm telling you, forget about the Fitzgallery, okay?
00:19:18The people who are running it are crooks.
00:19:21But I want my paintings to be showcased in the most prestigious venue possible.
00:19:26I know, I know.
00:19:27And I said I would help you find other galleries.
00:19:30Remember?
00:19:31Just stop nagging me about it.
00:19:33Okay?
00:19:34Okay.
00:19:37You're a little angel.
00:19:48It's okay.
00:19:59It's sleeping.
00:20:00Well, it's certainly going to make things more complicated.
00:20:10So, you want to pretend last night never happened?
00:20:19I thought we had a good thing going on between us.
00:20:22I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:25Yeah, but that was just something I said to make my husband jealous.
00:20:32You mean your ex-husband?
00:20:34Yeah.
00:20:35Ex.
00:20:36Yeah.
00:20:39But, I mean, you and I, I...
00:20:41You know I can't start a new relationship right now.
00:20:47So, everything you said last night?
00:20:50We were just caught up in the heat of the moment.
00:20:54Heat of the moment.
00:20:55So, it was all just bullshit.
00:20:58Why?
00:20:58To get me into bed with you?
00:21:01Just to have a one-night stand?
00:21:02Because you miss being with your damn husband?
00:21:21So, everything you said last night?
00:21:25Get a hold of yourself.
00:21:29You just got divorced.
00:21:32You're not going to play mind games with men anymore.
00:21:36Hey.
00:21:39I wasn't sure what you like, so...
00:21:41I just made a little bit of everything.
00:21:45You made all this?
00:21:47Yeah.
00:21:55So, what do you think?
00:21:58It's delicious.
00:22:02I mean, you deserve to have some of your awesome breakfast, too.
00:22:09Hey.
00:22:10You're not going to maybe sit here and eat this alone, are you?
00:22:17You've got some sauce right here.
00:22:19All that for some sauce, huh?
00:22:28Are you kidding me?
00:22:35Hello?
00:22:36Mommy, I miss you so much.
00:22:38Anna.
00:22:39Mommy, I miss you so much.
00:22:40Anna, honey?
00:22:41What?
00:22:42What's going on?
00:22:43Anna...
00:22:43Okay.
00:22:48Both of your resumes look excellent.
00:22:51I have a question.
00:22:54If you spilled a glass of milk in the ocean, how would you get it back?
00:22:59What does that question have to do with our work?
00:23:02Well, uh, I suppose you could contain the section of the ocean with the spilled milk and then collect that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:17So, at our company, we are always trying to make the impossible possible, and for that, we need people who can think on their feet, derive solutions, no matter how outlandish the task at hand may seem.
00:23:33...
00:23:39Hello?
00:23:44Uh-huh...
00:23:46Ok.
00:23:54Congratulations, Miss Michaels. Welcome to the Eastwood Corporation.
00:24:03If you don't mind me asking, why didn't I get the job?
00:24:15Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you
00:24:22start to look for work again.
00:24:26We don't want to make enemies with the Crow Group.
00:24:33So I guess you didn't get it.
00:24:44I just don't understand why Carl hates me so much.
00:24:48I mean, he doesn't want me to work for his company, but he doesn't want me to work for
00:24:51any other company either.
00:24:53Look, you don't need that corporate job anyways.
00:24:56Yeah?
00:24:57What else can I do?
00:25:00I mean, I thought you were an artist, now a painter.
00:25:02What did you know about that?
00:25:04You brought an easel.
00:25:09It's just a hobby.
00:25:12I gave it up.
00:25:14I don't paint anymore.
00:25:18Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:26I haven't painted in years.
00:25:27I'm sure it'll be just like riding and bike.
00:25:31Once you start, it'll all come back to you.
00:25:39That's my account.
00:25:40Why are they assigning it to someone else?
00:25:42Fine, fine.
00:25:43Just get me some damn answers and give me a call back soon, okay?
00:25:50Carl, this took me three months.
00:25:51I'm sorry, I just, I got some bad news at work.
00:25:56It's ruined now.
00:25:57Why?
00:25:58Start over.
00:26:00You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:06You're a remarkable woman, Tasha.
00:26:11Okay, and if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:17If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:22And then you could put whatever paintings you want in them, right?
00:26:26Painting's my passion.
00:26:27What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:38Because together, we, we'd be unstoppable.
00:26:43And right now, I am drowning.
00:26:45Your dad and his partners have no faith in me.
00:26:50I need you.
00:26:52Look, you love me.
00:26:57Don't you?
00:27:01Of course I do.
00:27:03Okay, then just do this one thing for me.
00:27:07This one little thing.
00:27:08Please.
00:27:09Please.
00:27:27This one is my only dream.
00:27:33Steering out into the sea.
00:27:37Finished.
00:27:38Yep.
00:27:39That is amazing.
00:27:47I honestly never thought I'd paint again.
00:27:50Well, that would have been a shame.
00:27:51You're easily one of the most talented artists I've ever met.
00:27:54We're honored that you chose our gallery to showcase your work.
00:28:15I am curious about one thing, if you don't mind me asking.
00:28:20The subject in your paintings, your muse, is he your lover?
00:28:23Oh.
00:28:24Oh.
00:28:26No.
00:28:27Uh.
00:28:28He's just a friend of mine.
00:28:31But his gaze.
00:28:33The way he looks out to you in these paintings.
00:28:36There's so much tenderness and affection in his eyes.
00:28:39Is Ken really in love with me?
00:28:46He's so young, though.
00:28:48At his age, he probably doesn't even know what love is.
00:28:52Oh.
00:28:53Uh.
00:28:53Sorry.
00:28:53You're in the way.
00:28:56Actually, you're in my way.
00:29:00Actually, you're in my way.
00:29:02I'm trying to get into my home.
00:29:05Is this your new girlfriend?
00:29:07I've never seen you with anyone like this before.
00:29:11Ken's my roommate.
00:29:12Now, if you'll please step aside so I can get in.
00:29:19Call me again if you need anything, okay?
00:29:21Bye.
00:29:25Hey, what are you doing home so early?
00:29:27Are they going to showcase your work?
00:29:29Sorry if I interrupted something, but as your roommate,
00:29:33I don't really think I need to tell you if I'm coming or going.
00:29:35So, if you have something private to do, just do it in your room.
00:29:38I never said you need to tell me when you're coming or going.
00:29:40I'm just saying.
00:29:41Fine.
00:29:41You don't need to explain.
00:29:42Just, I just want to be alone.
00:29:49What?
00:29:50I'm so sorry, sir.
00:29:56She just barged in without permission.
00:29:58It's okay.
00:30:00Miss Roberts, please.
00:30:01Grab a seat.
00:30:03We signed a contract.
00:30:05Why can't you show my paintings now?
00:30:07I'm afraid I don't have the answers you're looking for.
00:30:09You want to know what happened?
00:30:10Ask Carl Crow.
00:30:11I want my paintings back.
00:30:16Right now.
00:30:19Well, they're probably somewhere in the warehouse.
00:30:22They haven't been thrown away yet.
00:30:23You've already searched the entire warehouse ten times.
00:30:51If you haven't found what you're looking for, it's not here.
00:30:52You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me.
00:30:58And then I'm going to sue you, and you'll be the first to lose your job.
00:31:02Yeah, that's great, lady.
00:31:03Go ahead and sue.
00:31:04I'm sure things will go exactly the way you described it.
00:31:06I'm sure things will go ahead and sue me.
00:31:22I'm sure things will go ahead and sue me.
00:31:26You really care about her?
00:31:55Shh, keep your voice down. She's had a long day. Also, you can't just come over here so casually in the future.
00:32:02Casually? Are you kicking me out? You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:10You men are cold as hell. I think my lucky star is on the lesbian.
00:32:14Look, I just can't have her finding out about the work that we do, okay?
00:32:18Are you serious about her?
00:32:20Yeah.
00:32:22Have you thought about the consequences if your dad finds out?
00:32:27Look, now, you and I have been best friends for over 20 years, okay?
00:32:32And my dad has taught me everything that I know.
00:32:35I think maybe it's time I just figure things out on my own.
00:32:38And you know exactly what I went through last time.
00:32:42I'm not gonna lose her again.
00:32:47Don't worry, Anna. Mommy's gonna find a way to bring you home soon.
00:32:51All the evidence is here. It's exactly what you thought.
00:33:03Let me know if you want me to find out more.
00:33:06Carl. Let's meet.
00:33:21Oh, wow. It's not every day a famous painter comes to visit. To what do I owe the pleasure?
00:33:37The company I supposedly borrowed money from.
00:33:41It's a shell company owned by you.
00:33:46So what?
00:33:48All our operations are legal. You signed the documents. You borrowed the money.
00:33:53All you can do now is pay it back.
00:33:57You know, I don't think you actually want me to pay back the loans.
00:34:04You were just looking for an excuse to have me back in your life.
00:34:11You're obsessed with me.
00:34:13This is just your sick way to dominate me and make me surrender to you.
00:34:17I'm just getting even.
00:34:19For the years I spent in your father's shadow.
00:34:22The years of belittlement and him treating me like a clown.
00:34:26My father hired you when no one else would.
00:34:30Not my fault that your insecure petty took his support as belittling.
00:34:39I wouldn't upset me if I were you.
00:34:42Remember, I'm your creditor now.
00:34:45Two months.
00:34:47That's all I can give you to pay me back the remainder of $180 million.
00:35:00What are you doing here?
00:35:03I was just in the neighborhood. Thought I'd give you a ride home.
00:35:09Hi.
00:35:10Um, hey.
00:35:12Who is this?
00:35:15Um, this is Ken's roommate.
00:35:18We're gonna be dropping them off before we head home.
00:35:21Yeah, hey listen, I didn't introduce you last time, but this is my best friend Nell and her girlfriend Maria.
00:35:28Nell and I have been nothing more than friends since we were kids.
00:35:35She's not into men, and she never has been, and her and I are nothing more than just platonic friends.
00:35:41Alright?
00:35:42I'm sorry, I jumped to conclusions the other day.
00:35:47It's okay.
00:35:48I just didn't want you to get the wrong idea.
00:35:50Look, I appreciate it. I really do. I just, I still think you and I are better off just as friends.
00:36:05Just friends.
00:36:07Why?
00:36:09Maybe because I'm just getting over a failed marriage.
00:36:20Because I owe an unthinkable amount of money and I have no idea how I'm gonna pay it back.
00:36:26I also have no idea how I'm gonna get my daughter back.
00:36:31And getting into a relationship with you, that's just something I can't do right now.
00:36:37Love has brought me nothing but pain, okay? So just, please, just leave it.
00:36:43Do you have any other paintings?
00:37:05Yeah, I have several. What are you looking for?
00:37:18I would like to buy them all. I love your painting style. It is so unique.
00:37:23I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:28Thank you for your kind words about my paintings, but...
00:37:33I've been in some trouble lately and it's probably best if I don't involve your gallery.
00:37:42None of this matters to me.
00:37:44If someone wishes to cause me trouble, well, just let me try.
00:37:49I mean, it has to be a mistake. Or a prank, or a cruel practical joke.
00:38:03I mean, it seems pretty authentic to me. It has their seal and your name and address are, like, clearly written on it, so...
00:38:10It looks authentic.
00:38:15But how would they have seen my paintings?
00:38:20I don't know, maybe one of those auction sites that you've been posting your work on?
00:38:24I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:35I own a large gallery and I would love to establish a long-term collaboration.
00:38:39It's him. It's him. The guy who's been on my paintings. He must be the owner of the Fitz Gallery.
00:38:47Well, in that case, we better get going.
00:38:49Where?
00:38:50Gotta go get you a dress. I can't have you showing up to the Fitz Gala in rags.
00:38:59Babe, which one do you like more? This one or this one?
00:39:04I need to be the hottest girl at the Fitz Gala.
00:39:09Everything just, uh, looks so good on you, honey.
00:39:12So, um, just pick whichever one you want. I gotta take a call, okay?
00:39:18Wrap this up, you twitch. I'll take them both.
00:39:20Wow. I used to buy dresses like this all the time without even thinking about the money, but...
00:39:34I can't afford something like this now.
00:39:38You know what? Consider it a congratulatory gift for me.
00:39:42Alright? And when you make it big in the art world, you can just pay me back.
00:39:46Oh, hi. Excuse me. Yeah, my, uh, friend would like to try on this dress.
00:39:52Oh, your friend has amazing tastes. This dress is actually a limited edition.
00:39:56Each one handcrafted by hand and therefore entirely unique. Truly a work of art.
00:40:01Well, how fitting that's gonna be worn by a very talented artist.
00:40:04I'll have someone on the team bring it out to you.
00:40:07Veronica, please bring the limited edition. Thank you.
00:40:14Why limited edition?
00:40:16Tasha?
00:40:18Do you really think you can afford this dress?
00:40:24You can afford this dress?
00:40:27Please.
00:40:29Reyna, I don't think you need to worry about Tasha's finances, okay?
00:40:33We established that last time.
00:40:35Hey, you. Get over here.
00:40:39I'm gonna pay twice what it's worth.
00:40:42But I want this dress.
00:40:43Ma'am, this dress is $4,000.
00:40:45Did I ask you how much it cost, you pluritarian scum?
00:40:48Just shut your mouth and add it to my bill.
00:40:51She's willing to pay double.
00:40:53I'll double her offer and I'll pay $16,000.
00:40:56Okay, sir. Sold.
00:40:57$32,000.
00:40:59You know what?
00:41:01If she wants to dress so bad, let her have it.
00:41:04You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:08I'll show you who's a pigeon, you little bitch.
00:41:11How dare you assault me?
00:41:13Tasha, are you okay?
00:41:17What is going on here?
00:41:19What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:22I swear to God, they're all lying. I never touched her.
00:41:25I saw everything. This gentleman and his girlfriend were very nice and politely inquired about a dress and suddenly your wife appears and attacks her for no reason.
00:41:33Shut your mouth, you little lying asshole.
00:41:36You know what? Why don't you just call security before this crazy maniac hits somebody else?
00:41:40Wait a second, Reyna. What actually happened here? What's going on?
00:41:43Why don't you believe me? I told you.
00:41:45Don't we just call 911.
00:41:48Are you blind? Oh Tasha, can you stop this bullshit?
00:41:51You know what Reyna, can you just stay away?
00:41:52Can I get someone down here? Room A122?
00:41:55No, no, that's not necessary. We are leaving right now. Let's go.
00:41:59No, but-
00:42:00Okay, you've embarrassed us both enough for one day, okay? Let's go!
00:42:03Wherever Reyna goes, trouble's sure to follow.
00:42:14It is nice to see her get a taste of her own medicine though.
00:42:19Yeah. It's a shame though, you would have looked really great in that dress.
00:42:22Don't worry about that. I have a solution.
00:42:35What are you going to do with all this stuff?
00:42:38I'm going to design my own dress and wear it to the gala.
00:42:41Are you sure there's enough time?
00:42:42Have some faith in me. I graduated with honors in design and fine art. I got this.
00:42:50Alright.
00:42:51Alright.
00:43:10How do I look?
00:43:14How do I look?
00:43:15What? Is-
00:43:23Is something wrong? Is it-
00:43:24Is it too much? Should I change something?
00:43:27No, no.
00:43:29You look-
00:43:31That dress, like-
00:43:33That is one of the most beautiful dresses I've ever seen.
00:43:39But there's something missing.
00:43:40Should I resell the beads?
00:43:42No.
00:43:44I have a gift for you.
00:43:47Something to complete the whole look.
00:43:50Destroy harder, you idiot!
00:43:52Mrs. Crowe.
00:43:53I am doing everything I can. I-I-I don't know what more I can do.
00:43:55You're calling me fat?
00:43:57Of course not.
00:43:59You're not fat.
00:44:01I am doing everything I can.
00:44:03I-I-I don't know what more I can do.
00:44:05You're calling me fat?
00:44:06Of course not.
00:44:07You're not fat at all.
00:44:11It's the dress. It's not made for a woman's body.
00:44:14Just shut up and do it!
00:44:17Babe.
00:44:19Just put on another dress.
00:44:20You're gonna be late.
00:44:22I spent so much money on this dress.
00:44:25I am wearing this dress!
00:44:26I-I can't. It's-It's too much.
00:44:33No. It was made for you.
00:44:47I-I can't wait to see what you've brought to the auction. Can we have a little hint?
00:44:48Well, actually, I brought some of my very own paintings to auction tonight.
00:44:57What's wrong?
00:44:58It's just Tasha Roberts.
00:44:59My husband's dreadful ex-wife.
00:45:00I'm tired of seeing her sorry face everywhere.
00:45:01You know, she's like, I don't know.
00:45:02I can't wait to see what you've brought to the auction.
00:45:03I can't wait to see what you've brought to the auction.
00:45:04Can we have a little hint?
00:45:05Well, actually, I brought some of my very own paintings to auction tonight.
00:45:11What's wrong?
00:45:12It's just Tasha Roberts.
00:45:13My husband's dreadful ex-wife.
00:45:20I'm tired of seeing her sorry face everywhere.
00:45:26You know, she's also a horrible person.
00:45:30If it isn't everyone's favorite white-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:37So, the other day, when you were trying to buy this dress with that working-class thug boyfriend of yours,
00:45:45you were trying to come here?
00:45:47Are you sure you were even invited?
00:45:52I'm sorry, are you working for security details?
00:45:56Do I need to show you my invitation?
00:45:58Honey, I'm just trying to look out for you, okay?
00:46:00I want to spare you the embarrassment of being kicked out when everybody finds out that you were not invited.
00:46:07You mean like how you were kicked out of the mall?
00:46:10I see. You still quite don't understand your place in the world.
00:46:15You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:20But don't worry. I'll help you figure it all out.
00:46:25What's wrong with you?
00:46:27You can't just see people are walking through.
00:46:30Rina, this time you've gone too far!
00:46:32Stop shouting, you dreadful O.
00:46:34These were supposed to be auctioned tonight!
00:46:35Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:42Now you can go and cry to your fairy godmother.
00:46:46Oh, I think the auction's starting.
00:46:51Well, I'll see you there. Toodles!
00:46:53Toodles!
00:47:01For our first auction item, I'd like to welcome Ms. Rina Crowe to the stage with her collection of original paintings.
00:47:08As you can see, Ms. Rina Crowe's style is very unconventional.
00:47:26Certainly these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them, as depicted here through the bold use of a duck as a central figure.
00:47:43It's a dog.
00:47:45What?
00:47:46It's a dog, not a duck, you buffoon!
00:47:48Oh yes, of course!
00:47:50A dog!
00:47:52Seen through a very unique prism.
00:47:55Portrayed as only an artist of Rina's caliber could possibly portray it.
00:48:00Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:48:06The starting price will be $50,000.
00:48:09Do I hear $50,000?
00:48:11Anyone?
00:48:13$50,000, do I hear $60,000?
00:48:18Anyone?
00:48:20$50,000 going once, $50,000 going twice.
00:48:24Sold!
00:48:25Sold for $50,000.
00:48:29And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also be presenting a series of paintings.
00:48:48Ms. Tasha Roberts, where are your paintings?
00:48:51I don't have my paintings tonight, but I will be auctioning off this dress.
00:48:57Wow!
00:48:59It's beautiful.
00:49:00Oh, it's beautiful.
00:49:02What are you doing?
00:49:03Stupendous!
00:49:04I've never seen a dress so beautiful!
00:49:08Oh, oh, stupendous! I've never seen a dress so beautiful!
00:49:11Beautiful. Stupendous. I've never seen a dress so beautiful.
00:49:20Oh, stupendous. I've never seen a dress so beautiful. A stunning work of art indeed.
00:49:27There's no need for me to say another word about this masterpiece. Everyone in the audience can
00:49:31clearly see the extraordinary talent and extraordinary artistry. Let's start the bidding
00:49:36at $50,000. $55,000. $75,000. $90,000. $100,000. $150,000. $250,000 going once. $250,000 going twice.
00:49:54Gold! This beautiful dress is gold for $250,000.
00:50:06Is that the heart of Slamathus that sold for $200,000,000 a few months ago in a bid now?
00:50:11Hmm. Impossible. How can that lowly peasant possibly afford it? It must be a fake.
00:50:21Thank you so much for your bid, Miss Winslow. I'm gonna design a few custom pieces in your size and
00:50:27design them to your elegance and style. Have you ever considered creating your own clothing brand?
00:50:35Your creations are so extraordinary. You should really share your talent with the rest of the world.
00:50:41Thank you. I never considered it, but I certainly will now.
00:50:46Hi. I'd be careful if I were you. I personally wouldn't put any faith into someone that wears
00:50:52cheap replicas of famous pieces of jewelry. What are you talking about right now?
00:50:58This woman is a phony and a con artist. For as long as I worked with her,
00:51:03she's done nothing but defraud and cheat the people she's done business with. And let me make it clear.
00:51:08For everybody that wants to do business with this woman, they won't be allowed to do business with
00:51:14the Crowe Group. Is that so? Well, let it be known that if anybody refuses to work with Miss Tasha
00:51:23Roberts because of the baseless rumors and lies being spread by Miss Raina Crowe, you will no longer
00:51:29be welcomed back to the Fitz Gallery. That's the curator of the Fitz Gallery.
00:51:36Not just the curator. He's also the director of the Fitz Foundation.
00:51:42The curator? Is he the man who bought my paintings? Why does he seem so familiar?
00:51:48Miss Tasha Roberts is my guest of honor tonight, all right? I invited her personally. So if anybody
00:51:56treats her with the slightest bit of disrespect, they'll be asked to leave and never again invited
00:52:01back to the Fitz Gallery. As the director of this esteemed organization, am I interested to know that
00:52:07your guest of honor is wearing a cheap replica of a priceless work art. She is not to be trusted.
00:52:15I'm assuming you mean her diamonds. What evidence do you have to prove that it's not real?
00:52:21Well, the real heart of the sun has the initials of the craft man engraved in the joint between the
00:52:27gemstone and the pendant. So Tasha, would you indulge us all and show us if what you're wearing is a
00:52:33genuine article or a cheap knockoff? This was just given to me by a friend. I never claimed it was the
00:52:42real heart of the sun. I don't want to embarrass him by having people pour over it for imperfections.
00:52:49So it's a forgery. You were so happy to have everyone believe it was the real thing until I
00:52:55challenged you and called your bluff. Miss Roberts.
00:52:59You have nothing to fear from this woman. Just show her the necklace. And I'll personally see to it
00:53:14that there are no despairing comments about its craftsmanship or quality. And the question has to
00:53:19be asked whether it is the true heart of the sun.
00:53:29See, just like... What? How is this possible?
00:53:39I do say this engraving looks entirely authentic to me.
00:53:43This is indeed the one and only heart of the sun.
00:53:47Well, that settles it then. This necklace is authentic. From now on, no one will be permitted
00:53:53to question or harass my guest of honor. Now, if everyone is satisfied,
00:53:58can we please get back to tonight's festivities?
00:54:00Can you have a lot of explaining to do?
00:54:14Okay, what's wrong?
00:54:16I can't accept this necklace. And I can't give you what you want.
00:54:22Do you even know what I want?
00:54:23I don't want to know. We can just be friends, nothing more.
00:54:28Tasha, you're just afraid. You're just afraid of going after what your heart truly desires.
00:54:35And I just think you're afraid of just being true to yourself.
00:54:38You're the last person that should be lecturing anybody on the truth.
00:54:44Who are you? What do you do? Is this even your house? I mean, how do you own a necklace that's 200
00:54:53million dollars?
00:54:57See, you don't even respect me enough to tell me the truth.
00:55:03But you expect me to jump into a relationship with you?
00:55:08You could be a total stranger. I have no idea who you are.
00:55:13Tasha, I want to tell you. I do. But I just can't right now.
00:55:20All right? Like, maybe in the future when we can sit down and...
00:55:23No, Ken, there is no future for us. Not if you can't tell me one thing about yourself that isn't a lie.
00:55:28When you find someone that you really love and trust, you let them in.
00:55:41But that person won't be me.
00:55:47Are you okay?
00:56:02Director Fitz, I had a wonderful time at the gala. Thank you for supporting me and standing up for me.
00:56:10I wasn't bothered by the way the other guests treated me.
00:56:12I've endured far worse.
00:56:19Lovely. I'm glad to hear it. I would like to exclusively showcase your work at the Fitz Gallery
00:56:25for the foreseeable future. Think of it as a sort of artist residency.
00:56:30Would you be interested in such an opportunity?
00:56:32This dress is every bit as exquisite as I expected it to be. Thank you, my dear.
00:56:47You're very welcome.
00:56:49Have you given any more thought to my proposal?
00:56:52If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:56:59It's a very gracious offer, but I just, I have to ask. I mean, there are so many other talented designers.
00:57:07Why do you have such faith in my abilities?
00:57:09It's not just me, you know. The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:17And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:57:29That was his first appearance ever?
00:57:31Indeed. His very first and only time to appear in the flesh. Before this, he was a figure of myth and mystery. Many people doubted he existed at all. But all because of you, he chose to grace us with his presence last night. Seems like a marvelous young man, don't you think?
00:57:52He certainly had a charm about him.
00:57:55Oh, undoubtedly. You know, many people flock to the Fitz Gallery for more than just the art. They want to learn all about the enigmatic young curator.
00:58:07Really? I mean, what's so interesting about him?
00:58:09Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?
00:58:22I mean, I heard rumors. Something about foul play, but I always just assumed they were baseless.
00:58:29Those rumors have quite a bit of truth to them.
00:58:31It seems like the Miller crime family is actually behind the Fitz Foundation. The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:47He seems like such a gentleman. I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:53You must never judge a Brookwaite's cover, my dear girl.
00:58:58Even people close to us may be harboring many secrets. We never really know what's going on inside.
00:59:05You got that right. I learned that lesson the hard way.
00:59:09Let me be frank. I have tremendous faith in you.
00:59:14Thank you, Mr. Quindle, but I think it's dear.
00:59:18All my friends call me Laura.
00:59:19This is in a check for $5 million.
00:59:26It should help you get your clothing brand started.
00:59:31Shall we become business partners in addition to being friends?
00:59:34Director Fitz, I'd like to work with you.
00:59:52It would be my honor, Ms. Tasha Roberts.
00:59:54Fly away with me, take you high, I'm soaring, see you smile, it's my only dream.
01:00:12Steering out into the sea, waves come crashing up to me.
01:00:19My toes slip into the sand, dream that I'm with you.
01:00:28Staring out into the sea, waves come crashing up to me.
01:00:37My toes slip into the sand, dream that I'm with you.
01:00:44Congratulations, Ms. Roberts.
01:00:57We expect a huge success from your art exhibition.
01:01:02You're looking at her.
01:01:17You're obsessed with her.
01:01:19Didn't she humiliate me enough the other night at the gala?
01:01:22But no, now I have to watch my husband stare at her picture.
01:01:27Well, maybe if you didn't give her the opportunity to humiliate you.
01:01:31So it's my fault now?
01:01:32Oh, wait, let me guess.
01:01:33Maybe it's my fault too why the two of you broke up.
01:01:35Okay.
01:01:38Raina, I've been thinking.
01:01:40I don't think this is working.
01:01:43I want a divorce.
01:01:44You used me to push Tash out of your company, take her property, and now you cast me aside
01:01:54like what, a huge piece of garbage?
01:01:56I won't allow this.
01:01:59Mark my words, Karl Kroh.
01:02:01You will regret this.
01:02:03I'm spending too much time around Ken.
01:02:18He's dominating all my thoughts.
01:02:21I have to distance myself from him.
01:02:23For my own sanity.
01:02:28I know you're lonely but the song.
01:02:33Is there nothing I can do to get you to stay?
01:02:42I'm sorry.
01:02:44But no.
01:02:47You and I, our relationship, we'll just keep going in circles.
01:02:54But thank you for everything you've done for me.
01:02:58I have a little bit of money now, so you should be able to pay off your loan soon.
01:03:03And long talks, an awkward silence, wait nights, walking through the garden, running, with your hand in mine.
01:03:19This is what happens when you steal from the Millers.
01:03:37Please, let me go.
01:03:39I promise you'll never see me again.
01:03:50What do you got here?
01:03:51I'm writing this over here.
01:03:54Boss!
01:03:54I found this one peeking around the corner.
01:03:58Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:04:06Don't worry, boss.
01:04:08I got a knife with her name on it.
01:04:09We can dump her body with the other guy.
01:04:11No, let her go.
01:04:18What?
01:04:19Didn't you hear what I said?
01:04:19She's seen everything.
01:04:21Let her go before I rip off your fucking arms and throw them in the river.
01:04:33Walk away.
01:04:34This doesn't mean anything to you.
01:04:35Is this what you couldn't tell me about?
01:04:39Boss, you know this woman?
01:04:43You're gonna kill him.
01:04:44Call the police then.
01:04:46See if they can save his life.
01:04:47No!
01:04:48Don't call the police, you stupid bitch!
01:04:52My world is more cruel than you can possibly imagine.
01:04:55So since you didn't want to get involved, just walk away.
01:04:58Hey, babe.
01:05:21What do you want for breakfast?
01:05:22My world is more cruel than you can possibly imagine.
01:05:48So since you didn't want to get involved, just walk away.
01:05:51I never imagined that Ken could be such a dangerous and violent man.
01:05:56There must be something or someone forcing him to do all of this.
01:06:02Even people close to us may be harboring many secrets.
01:06:06We never really know what's going on inside.
01:06:10Forget it.
01:06:11This has nothing to do with me.
01:06:12I decided to leave Ken, so I have to do my best not to look back.
01:06:21You're a pro-magnet boyfriend.
01:06:41And is he not joining us?
01:06:43It's all over.
01:06:44I'm not with him anymore.
01:06:47Where's Reyna?
01:06:48Reyna was a mistake.
01:06:51That's all over too.
01:06:52Tasha, I want you back.
01:07:00I can't stop thinking about us.
01:07:03You were right.
01:07:04You belong in my life.
01:07:06So if you just sign those documents, then you can come back to me.
01:07:13Come back to the house.
01:07:14We can carry on like none of this ever happened.
01:07:17I can give you your old job back.
01:07:19That would be fun, working together again.
01:07:21And then all that debt you owe me will be wiped clean.
01:07:25You, uh, need a head?
01:07:26You think I'd get back with you after everything you put me through?
01:07:39Here is a hundred million dollars.
01:07:43I'll pay the rest on time and for your agreement.
01:07:47Take these documents and shove them right up your ass.
01:07:59You disgust me, Carl.
01:08:01You should think about Anna.
01:08:03Do you really want her growing up without a mother?
01:08:06With all her health problems, she could really use your support.
01:08:09Don't dare talk about Anna.
01:08:11She'll be with me soon.
01:08:13Then I'll never let her out of my sight again.
01:08:15She needs her mother and her father.
01:08:16Not a father like you, she doesn't.
01:08:19She'd be better off with no father at all.
01:08:32I'm sorry, am I interrupting?
01:08:34Are you texting a new boyfriend already?
01:08:37Can it wait?
01:08:39I'm not done talking here.
01:08:41You're pathetic, Carl.
01:08:44Hey, Tasha.
01:08:45T-
01:08:45Tasha.
01:08:50Hey, Tasha.
01:08:52Tasha, come back.
01:08:54Where are you going?
01:08:54This place is disgusting.
01:08:56T-Come on, Tasha.
01:08:58Don't you remember the happy times?
01:09:00Come on, we can have that again.
01:09:02Think of Anna.
01:09:02Think of me.
01:09:03Please.
01:09:04I love-
01:09:04Hey.
01:09:05Hey.
01:09:06Hey.
01:09:06Hey.
01:09:06Hey.
01:09:06Hey.
01:09:06Hey.
01:09:06Hey.
01:09:06Hey.
01:09:06Hey.
01:09:07Hey.
01:09:07Hey.
01:09:07Hey.
01:09:07Hey.
01:09:07Hey.
01:09:08Hey.
01:09:08Hey.
01:09:09Hey.
01:09:09Hey.
01:09:10Hey.
01:09:10Hey.
01:09:11Hey.
01:09:11Hey.
01:09:12Hey.
01:09:12Hey.
01:09:13Hey.
01:09:13Hey.
01:09:14Hey.
01:09:14Hey.
01:09:15Hey.
01:09:24Hey.
01:09:24Sorry, folks.
01:09:27It's the end of the line for you.
01:09:31No hard feelings.
01:09:32but we got to do what the people who pay us tell us to do who's paying you
01:09:38i'll give you a hint a very beautiful woman paid us a small fortune to make sure you two
01:09:46would make sure you two don't make it reina that fucking bitch do you know who i am
01:09:54i'm carl crow the ceo of the crow group what if she's paying you i'll pay double okay
01:10:01i guess you haven't heard the news buddy see i don't think you have the means to outbid
01:10:09your pretty little friend oh that backstabbing slut please pick up the phone you're trying
01:10:19to phone a friend that's a big no-no sweetheart that's breaking the rules sweetie don't waste
01:10:29too little time you have left trying to call for help it won't do you any good no one
01:10:35they're gonna help you now
01:10:39three hours where's tasha
01:10:44hey nel hey listen i need you to do me a favor
01:10:49yeah i need you to pull the city surveillance system in the area
01:10:52and find all the footage yeah no something's wrong
01:10:57what are you doing we have to get out of here
01:11:11you should just go save yourself leave me that's what i deserve
01:11:28i'm not gonna leave you i'm not that type of person
01:11:35come on let's go
01:11:42come down here wait until they come in
01:11:47hey tasha
01:11:53i'm so sorry
01:11:58now's not the time for that
01:12:01all in
01:12:20looks like we got ourselves a suicidal prick here fellas
01:12:31i can't think of any other reason why somebody would kick in a door that's got
01:12:35vincent santarelli on the other side of it
01:12:37oh shit boss i didn't realize it was you
01:12:46these your guys
01:12:49where the fuck are they
01:12:52you better find them
01:12:54quick
01:12:54now it's your turn
01:13:11pretty little thing like you i was gonna make it painless
01:13:34but i guess you didn't want that
01:13:36all the same
01:13:37hey who's this fucking monkey
01:13:41lower your fucking gun
01:13:42benny what the fuck is going on
01:13:44you're fucking down
01:13:45lower your fucking gun
01:13:46are you
01:13:47are you ken miller
01:13:50how can that be what the fuck is going on
01:13:52ken miller
01:13:55the one and the same
01:13:57miller crime family that monopolizes all the underground trade in all of north america
01:14:03it's you
01:14:11you know what you have to do
01:14:14boss
01:14:17please
01:14:18he's my brother
01:14:21rules are rules
01:14:24i was pushing you away as can and growing closer to you as fits
01:14:43i'm sorry tasha but
01:14:47there's just nothing i can do that will make you happy
01:14:51and i just
01:14:53i just can't win over your heart
01:14:55is ken miller always this loving with the hostages he rescues or is
01:15:05it's just special treatment reserved for his lovers
01:15:08tasha i love you
01:15:11my heart has belonged to you
01:15:13and only you
01:15:14for the past 15 years
01:15:1615 years
01:15:22no we just met a few months ago
01:15:25we met 15 years ago
01:15:29you went to marr middle school
01:15:34yeah
01:15:35and you saved my life there
01:15:37you
01:15:38you
01:15:39you
01:15:40you
01:15:41you
01:15:43you
01:15:45stand up chicken and hit us back
01:15:48isn't that what your dad does for a living
01:15:50beat people up
01:15:52i'm not my dad
01:15:54you and your father are both scum
01:15:56let's teach this little and thug a lesson
01:15:58yeah idiot
01:15:59get up and show us what you got
01:16:01hey
01:16:03hey
01:16:05hey hey hey hey stop
01:16:07that's enough that's enough
01:16:08it's none of your business robert
01:16:10get out of here robert
01:16:11hey stop
01:16:12go home i'll call your parents go
01:16:13oh crap
01:16:14crap
01:16:27ever since i saw you that night in the cab
01:16:29with that necklace on
01:16:30i just i knew i found you
01:16:33i knew i found you
01:16:36look this isn't just some feeling
01:16:38for me
01:16:39okay
01:16:40this is
01:16:41this is everything to me
01:16:42like you
01:16:43are everything to me
01:16:45no matter what happens between us
01:16:48i will always care about you
01:16:51and maybe
01:16:52one day we can
01:16:55make it work in a different way
01:16:56make it work in a different way
01:17:09i just
01:17:10need some time to
01:17:12process this
01:17:16okay
01:17:17and after that
01:17:20maybe we can pick up where we left off
01:17:22that first night you spent here
01:17:23maybe
01:17:25play your cards right
01:17:29all right
01:17:44does everything look good to you my artist
01:17:47yeah
01:17:49thanks for everything
01:17:51that doesn't sound very convincing
01:17:52is
01:17:53is
01:17:54is there anything you want to change
01:17:55no
01:17:56i just i never got around to asking why you
01:17:58wanted to start an art gallery in the first place
01:18:01honestly
01:18:02just to get to you
01:18:04see i thought if i own the world's greatest art museum
01:18:06that
01:18:07one day you might find your way in here
01:18:09and
01:18:10i don't know that i might find you
01:18:11i don't know that i might find you
01:18:41i
01:18:42i
01:18:43i
01:18:44i
01:18:45i
01:18:46i want to see what kind of woman this is that has ensnared my son
01:18:50i
01:18:51i
01:18:52i
01:18:53i
01:18:54i
01:18:55i
01:18:56i
01:18:57i
01:18:58i
01:18:59i
01:19:00i
01:19:01i
01:19:02i
01:19:03i
01:19:04i
01:19:05i
01:19:06i
01:19:07i
01:19:08i
01:19:09i
01:19:10i
01:19:11i
01:19:21i
01:19:35i
01:19:36i
01:19:37i
01:19:38i
01:19:39Mr. Roberts, Mortimer Miller would like to speak with you privately at his home.
01:19:46Come here.
01:19:48Take a look.
01:19:53She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:59She's young, beautiful, well-educated.
01:20:04I think she'll make a fine wife for my son, Ken.
01:20:07With all due respect, sir,
01:20:11I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:19Choose you? Not a chance.
01:20:22You're no match for my son.
01:20:29Now you owe money to the Crow Group.
01:20:36I'm going to pay your debt.
01:20:42And in return you will agree to never see my son again.
01:20:50It's our decision whether we want to be together or not.
01:20:53Your son and I love each other.
01:20:56There's nothing in this world that can keep us apart.
01:20:58Natasha, you want us to be together?
01:21:02It's impossible.
01:21:05Father.
01:21:06I forbid it.
01:21:07Father, this is the love of my life.
01:21:09I can't lose her again.
01:21:11I'd rather leave the family business.
01:21:14Then leave if you wish.
01:21:16But she will never have my approval, ever.
01:21:18And she'll never be a part of the Miller family as long as I live.
01:21:23You'll come running back.
01:21:25Without the Miller family power
01:21:28and money.
01:21:30You'll accomplish nothing.
01:21:33You're making a big mistake.
01:21:36Choosing this
01:21:38old hag
01:21:40instead of family.
01:21:42Family.
01:21:51Ken, where are you?
01:21:52Why aren't you back yet?
01:21:58Oh, you're still awake?
01:22:13Who did this to you?
01:22:17Don't worry about me.
01:22:18I'm fine.
01:22:20There's nothing out of the ordinary.
01:22:34Hey, babe.
01:22:35Yeah, no, I'm just right outside.
01:22:40You son of a bitch.
01:22:42You make me cut my own brother's hand.
01:22:45Now you think you can betray the Miller family?
01:22:48Walk away scot-free?
01:22:50Not a fucking chance.
01:22:52This guy means nothing to the Miller family now.
01:22:55He's worthless.
01:22:57Helpless.
01:22:59You're absolutely nothing now.
01:23:01Let's make him feel the pain
01:23:04that my brother felt.
01:23:06Come on, boys.
01:23:12Stop.
01:23:13Stop hitting him.
01:23:22Stupid bitch.
01:23:25Stop! Stop hitting him!
01:23:34Stupid bitch.
01:23:37Stop!
01:23:55Stop at once, you insolent fools!
01:24:11Son.
01:24:15You know how hard it is for me to admit that I made a mistake?
01:24:21But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:26Tasha, you are the perfect woman for my son.
01:24:33Go.
01:24:36Be together.
01:24:38You approve?
01:24:40You have my blessing.
01:24:44From this day onward, you have nothing more to do with the legal activities of the family.
01:24:51But...
01:24:54You'll always be a miller.
01:24:58As will she.
01:24:59You...
01:25:00You...
01:25:01You...
01:25:02You...
01:25:03You...
01:25:04You...
01:25:05You...
01:25:06You...
01:25:07You...
01:25:08You...
01:25:09You...
01:25:10You...
01:25:11You...
01:25:12You...
01:25:13You...
01:25:14You...
01:25:15You...
01:25:16You...
01:25:17You...
01:25:18You...
01:25:19You...
01:25:20You...
01:25:21You...
01:25:22You...
01:25:23You...
01:25:24You...
01:25:25You...
01:25:26You...
01:25:27You...
01:25:28You...
01:25:29You...
01:25:30You...
01:25:31You...
01:25:32You...
01:25:33You...
01:25:34You...
01:25:35You...
01:25:36You...
01:25:37You...
01:25:38You...
01:25:39You...
01:25:40You...
01:25:41You...
01:25:42You...
01:25:43You...
01:25:44You...
01:25:45You...
01:25:46You...
01:25:47You...
01:25:48You...
01:25:49The late Mrs. Miller was a beautiful woman, sir.
01:26:02Yes.
01:26:06Back then my wife protected me from every danger that befell our family.
01:26:13And today, my son found the perfect woman in us and I did the same for him.
01:26:20He's a lucky man.
01:26:34Wow, you look so beautiful.
01:26:37No, you can't be here right now.
01:26:40Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:45Ken, can you promise me one thing?
01:26:47I can promise you two if you like.
01:26:50I'm serious.
01:26:53I want you to walk away from the family business.
01:26:59There's a city called Ostia.
01:27:01It's on the southwest side of Rome by the ocean.
01:27:04What?
01:27:06You know what I found over there?
01:27:09I found you an art teaching job at a public school.
01:27:12I already took tickets.
01:27:14I leave in the morning.
01:27:15You're sending me away?
01:27:17No.
01:27:18I opened my own restaurant.
01:27:20It's just down the street.
01:27:23Oh, one more thing.
01:27:26I enrolled Anna at the school they're going to be teaching at.
01:27:29I think she's going to really live it over there.
01:27:34So you really are walking away?
01:27:36Yeah.
01:27:41You got some socks.
01:27:43Yep.
01:27:44I don't know how to get out.
01:27:45I don't know how to get out of your new business.
01:27:46I don't know how to get out of your business.
01:27:48I love you.
01:27:49I love you.
Recommended
1:22:12
|
Up next
1:28:12
1:10:55
1:40:55
1:42:59
2:16:30
1:40:46
1:25:43
1:11:06
1:14:20
1:13:21
1:07:10
1:22:44
1:23:36
1:25:24
1:16:09
1:59:16
51:17
1:37:59
1:06
1:59:30
1:38:13
1:54:52
1:26:26
Be the first to comment