- il y a 21 heures
Collaborator (2012) is an engaging and character-focused drama that follows a writer who reconnects with someone from his past, leading to meaningful conversations, unexpected reflections, and emotional growth. Collaborator (2012) explores themes of creativity, personal challenges, second chances, and the importance of understanding different perspectives. Through thoughtful dialogue, memorable moments, and strong performances, the film highlights resilience, self-discovery, and the value of communication. With a quiet yet powerful atmosphere, Collaborator (2012) offers a reflective and compelling experience for viewers who enjoy character-driven stories, emotional journeys, and insightful drama that encourages connection and deeper thought.
Collaborator, Collaborator 2012, Collaborator movie, Collaborator drama, 2012 film, character driven drama, emotional journey, reflective story, meaningful conversations, creative story, inspiring drama, personal growth film, thoughtful movie, memorable performances, cinematic drama, engaging story, resilience film, dialogue focused movie, quiet drama, introspective story, character growth story, uplifting drama, emotional storytelling, Collaborator story, dramatic journey, heartfelt drama, compelling film, creative journey, life reflection movie
Collaborator, Collaborator 2012, Collaborator movie, Collaborator drama, 2012 film, character driven drama, emotional journey, reflective story, meaningful conversations, creative story, inspiring drama, personal growth film, thoughtful movie, memorable performances, cinematic drama, engaging story, resilience film, dialogue focused movie, quiet drama, introspective story, character growth story, uplifting drama, emotional storytelling, Collaborator story, dramatic journey, heartfelt drama, compelling film, creative journey, life reflection movie
Catégorie
🦄
Art et designTranscription
00:23:53Je peux être là dans une heure.
00:23:57Je suis là.
00:24:23Oh, hey, man.
00:24:43Oh, hey, Robert.
00:24:44How you doing?
00:24:45Good, good.
00:24:46What's up?
00:24:47Oh, um...
00:24:48Well, I was just thinking about those beers we were gonna have
00:24:51and just thought that maybe we could toss back a few now
00:24:54if you weren't doing anything.
00:24:55Brought some.
00:24:56Uh, yeah.
00:24:57The problem is I got a thing to go to tonight.
00:24:58I can't blow it off if you know what I mean.
00:25:00Oh, yeah, that's cool.
00:25:01That's cool.
00:25:02I dig that, man.
00:25:03Yeah.
00:25:04Gotta do what you gotta do.
00:25:05Yeah.
00:25:06Yeah, but...
00:25:07What, just one?
00:25:08Yeah, can't take too long.
00:25:09I mean, we're not getting younger here.
00:25:10You know what I'm saying, dude?
00:25:12Huh?
00:25:13You can have a fucking Frosty before you split, am I right?
00:25:16Uh...
00:25:17Okay, quick one.
00:25:18Right on, man.
00:25:19Right on.
00:25:20You're the fucking man, man.
00:25:25Oh, hey, is your mom home?
00:25:27I got a foul mouth, dude, and I don't wanna upset your old lady.
00:25:30No, she's not here.
00:25:31She won't be back for a while.
00:25:32Excellent.
00:25:34Excellent.
00:25:41Hey, man.
00:25:45Who's to you?
00:25:46We have liftoff.
00:25:50No.
00:25:51So how's your mom?
00:25:52Oh, you know, she's good when she's not being a raging bitch.
00:26:03But she's okay.
00:26:04She's okay.
00:26:05You know, she's good people.
00:26:07You been working?
00:26:08No.
00:26:09No.
00:26:10No.
00:26:11Fuck them.
00:26:12I heard that.
00:26:13Yeah.
00:26:14I ain't working for slave wages.
00:26:15No, sir.
00:26:16Let them go to China to pay the chinks five cents a day.
00:26:19I don't give a shit.
00:26:20Mm-hmm.
00:26:21That's what they wanna do.
00:26:22Yeah.
00:26:23Oh.
00:26:24Thanks.
00:26:25Yeah.
00:26:26Hey.
00:26:27So, when's your mom coming home?
00:26:28Not sure, not for a while, I think.
00:26:29Dune, I got some blood.
00:26:30Then we'll take the back of your head off.
00:26:31Think she'd notice when we fired one up?
00:26:32Oh, no, man.
00:26:33That won't work.
00:26:34Well, let's go outside.
00:26:35Uh, you go ahead.
00:26:36I'll pass.
00:26:37No, dude.
00:26:38You gotta try this.
00:26:39Just one hit.
00:26:40My body got it from a guy in B.C.
00:26:41Man, if I had a hit, you'd have to wipe me up off the floor.
00:26:43It wouldn't be good.
00:26:44Yeah.
00:26:45Yeah.
00:26:46Yeah.
00:26:47Yeah.
00:26:48Yeah.
00:26:49Yeah.
00:26:50Yeah.
00:26:51Yeah.
00:26:52Yeah.
00:26:53Yeah.
00:26:54Yeah.
00:26:55Yeah.
00:26:56Yeah.
00:26:57Yeah.
00:26:58Yeah.
00:26:59Yeah.
00:27:00Yeah.
00:27:01Yeah.
00:27:02Yeah.
00:27:03Well, let's try the garage.
00:27:04Why don't we go to my room?
00:27:08Who's that lady?
00:27:13I would be Mary the Mother of God or Blessed Virgin.
00:27:19Right.
00:27:24So, what's New York like?
00:27:31Qu'est-ce que New York ?
00:27:33Energetique ?
00:27:35C'est sérieux.
00:27:37J'aime ça.
00:27:39Je n'ai pas été à New York ?
00:27:41Non ?
00:27:43Tu devrais aller.
00:27:45Il n'y a pas de problème là.
00:27:47C'est parce que je n'y vais.
00:28:01C'est parti.
00:28:03C'est parti.
00:28:05So, what are you ?
00:28:07Are you, uh...
00:28:09Are you doing, uh...
00:28:11Theater, Broadway, and shit ?
00:28:13My mom showed me that magazine you were in.
00:28:16Yeah ?
00:28:17Yeah.
00:28:18That was...
00:28:19That was...
00:28:21I mean, that was...
00:28:23I'd never known anybody famous.
00:28:27No ?
00:28:29I bet you'd get a lot of pussy.
00:28:33You're dreaming.
00:28:35Oh, dude.
00:28:36Oh, no.
00:28:37Come on.
00:28:38Man.
00:28:39You're in the magazines.
00:28:41You're good looking.
00:28:42And married.
00:28:43Yeah.
00:28:44Yeah, yeah.
00:28:46Yeah, must be nice.
00:28:48I don't think so.
00:28:50Oh, dude.
00:28:51Lighten up.
00:28:52You're bringing me down.
00:28:59Let me just have a little taste.
00:29:20Shit.
00:29:21Tell them everything's cool.
00:29:40What the fuck, man ? What's going on ?
00:29:44Just tell them it's cool.
00:29:50Good evening, sir.
00:29:51I'm here to tell you that we have an armed suspect hold up in his house across the street.
00:29:54We'd like to position ourselves inside your home as it affords us a safe and unobstructed view of his house.
00:30:00Now, we don't want anyone to get hurt.
00:30:01So we'd like to escort you and your family to safety immediately.
00:30:03And we'd like to take you out of the back.
00:30:04You gotta use our house ?
00:30:05That is correct, sir.
00:30:06Did you hear what I said, sir ?
00:30:07Yeah, we gotta go.
00:30:08I need people to go.
00:30:09I need people to go.
00:30:10I need people to go.
00:30:11Okay, sir.
00:30:12Yes, sir.
00:30:13Yes, sir.
00:30:14I'm here to tell you that we have an armed suspect hold up in this house across the street.
00:30:16Now, we'd like to position ourselves inside your home as it affords us a safe and unobstructed view of his house.
00:30:19Now, we don't want anyone to get hurt.
00:30:20So we'd like to escort you and your family to safety immediately.
00:30:22And we'd like to take you out of the back.
00:30:23You gotta use our house ?
00:30:24That is correct, sir.
00:30:28Did you hear what I said, sir ?
00:30:33Yeah, we gotta go.
00:30:34I need to escort you to the rear of your house.
00:30:36There are officers who can assist you.
00:30:38I'm afraid you're gonna have to find temporary shelter until this is resolved.
00:30:41Okay.
00:30:46Where's the input ?
00:30:48Oh, come on, Gus.
00:31:04This is nuts, man.
00:31:06You can't do this.
00:31:07I mean, this could turn out really bad.
00:31:09You gotta chill, dude.
00:31:10Everything's gonna be cool.
00:31:11So just settle the fuck down.
00:31:16I'm trying, man.
00:31:17I'm trying.
00:31:18But I'm scared to death right now.
00:31:19I don't dig this shit.
00:31:20Well, let's get your beer, man.
00:31:22That'll help.
00:31:31Gus, you gotta promise me that you'll stay cool, man.
00:31:33Then you won't do something stupid.
00:31:35Just chill, man.
00:31:36Just chill.
00:31:37And do me a favor.
00:31:38Check the windows.
00:31:39See if they're locked.
00:31:40Come on, man.
00:31:41What did you do, Gus?
00:31:49Why are they here?
00:31:51What happened?
00:31:54Let's take a walk.
00:32:01What's on your mind, Gus?
00:32:02What's your plan here?
00:32:03Plan?
00:32:04Come on, man.
00:32:05The plan is, uh...
00:32:06Oh, the plan is that you and I hoist a few beers, man.
00:32:15I see.
00:32:31Let's keep going.
00:32:36Christ, Gus.
00:32:50A little back up.
00:33:02Mr. Alvia.
00:33:07Jiggly.
00:33:11Skull.
00:33:17Oh.
00:33:20Oh, yeah.
00:33:24Digging that pot.
00:33:27Yeah.
00:33:28Making me a little jumpy, I think.
00:33:31Serious shit.
00:33:34Ain't it?
00:33:36Yeah.
00:33:38Must be trippin'.
00:33:39I think I'm getting loaded with a guy holding me hostage.
00:33:41Yeah?
00:33:42Yeah.
00:33:44Psychofalcadelic, man.
00:33:57What the heck is going on here?
00:33:58I don't know, Irene.
00:33:59But they mean business.
00:34:00I don't know, Irene.
00:34:01But they mean business.
00:34:13So what's on your mind, Gus?
00:34:16What's your objective here?
00:34:17What did you do, Gus?
00:34:20What did you do, Gus?
00:34:24Jesus.
00:34:26Gus, maybe I...
00:34:28Maybe I should answer that.
00:34:29That could be my mom.
00:34:30You know?
00:34:31I don't want her to freak out, have a heart attack.
00:34:35You mind if I answer it?
00:34:36Hello?
00:34:37Oh, yes.
00:34:38Hello?
00:34:39Oh, yes.
00:34:40Yes, sir.
00:34:41Robert Longfellow.
00:34:42Robert Longfellow.
00:34:43Yes, sir.
00:34:44Robert Longfellow.
00:34:45I don't want her to freak out, have a heart attack.
00:34:47Yeah.
00:34:48He's right here.
00:34:49I don't know.
00:34:50No.
00:34:51No.
00:34:52You mind if I answer it?
00:34:53No.
00:34:54No.
00:34:55No.
00:34:56No.
00:34:57No.
00:34:58No.
00:34:59No.
00:35:00No.
00:35:01No.
00:35:02No.
00:35:03No.
00:35:04No.
00:35:05No.
00:35:06No.
00:35:07No.
00:35:08No.
00:35:09No.
00:35:10No.
00:35:11No.
00:35:12No.
00:35:13No.
00:35:14No.
00:35:15No.
00:35:16Okay.
00:35:20Thanks for you.
00:35:22He wants to have a chat.
00:35:25Hidey, hidey, ho.
00:35:28Uh-huh.
00:35:30No.
00:35:32No.
00:35:33No, sir.
00:35:37Oh.
00:35:40Good.
00:35:42Good.
00:35:44Yeah, good.
00:35:47Okay-dokey.
00:35:50Yeah.
00:35:52Roger that.
00:35:55Fucking A.
00:35:58Huh?
00:36:03Well, let me just put that in my pipe and smoke it.
00:36:11What do you say?
00:36:14The usual.
00:36:16Oh.
00:36:17Like what?
00:36:18Let's know what he can do for me.
00:36:20Oh.
00:36:21Let's know what he can do for me before he fucks me up the ass.
00:36:25Well, that's wrong.
00:36:26You, uh, you sure you want to stay out here, Mr. Longfellow?
00:36:47You might want to find a place to stay for a while.
00:36:49Well, we're in the police van, it'd be a lot warmer.
00:36:54No.
00:37:00Ain't there something else?
00:37:03I got to pee.
00:37:12I got to pee.
00:37:13Me too.
00:37:17Sort of fight.
00:37:17I got to pee.
00:37:18I got to pee.
00:37:19I got to pee.
00:37:20I got to pee.
00:37:21I got to pee.
00:37:22I got to pee.
00:37:22I got to pee.
00:37:23Oh.
00:37:24Okay.
00:37:30So, what are your plays about?
00:37:33Uh, I hear people say that you're a commie.
00:37:37Is that right?
00:37:37No.
00:37:40Commie?
00:37:41My mom said that you were calling for the overthrow of the government.
00:37:45Your mom said that?
00:37:46Yeah.
00:37:47And my dad, before he died, I don't want to tell you what he said about you.
00:37:53Wow.
00:37:55Yeah, my dad had his opinions.
00:37:58Old bastard.
00:38:04Are you going to pee or what?
00:38:05I am dying here.
00:38:07I can't.
00:38:13Oh, what's the matter?
00:38:14I can't make it squirt.
00:38:18Could you turn around?
00:38:19I can't piss if you're looking at me.
00:38:21Sorry.
00:38:23Oh, Jesus.
00:38:24I'm sorry.
00:38:25Oh, you shit me.
00:38:26I'm not going to try anything, Gus.
00:38:30Jesus fucking Christ.
00:38:33All right, dude.
00:38:35Hurry up.
00:38:36I'm going to piss my shorts here.
00:38:40Thanks.
00:38:40Don't ever go to prison, man.
00:38:43Honey.
00:38:50Oh, good Lord, honey.
00:38:53I'm so sorry.
00:38:55I tried so hard with him.
00:39:00I just, I didn't know what to do.
00:39:04His father didn't know what to do either.
00:39:06Well, there isn't much that we can do, Betty.
00:39:14They come out being who they're going to be.
00:39:19There's nothing we can do.
00:39:23Maybe his father smacked him too much.
00:39:26Oh, who knows.
00:39:31But he just, he just wouldn't sit still.
00:39:36What do we got here?
00:39:51A little pick-me-up.
00:39:58Oh, no thanks.
00:39:59Feel better, man.
00:40:00Clears the head, then he can drink more.
00:40:02I'm fine.
00:40:03Suit yourself.
00:40:11Gus, you sure you want all that stuff in your veins right now?
00:40:14You're going to want to know what to do when the time comes.
00:40:24You talk to him.
00:40:26Guy, he's an asshole.
00:40:31Hello?
00:40:35I'm sorry?
00:40:38This is Robert.
00:40:42Who?
00:40:44Oh, hi, Elaine.
00:40:48Yeah.
00:40:50Yeah, I'm here for a couple of days.
00:40:52Mom's not here.
00:40:55Yeah, everything's good.
00:40:57Yeah.
00:41:00You did?
00:41:03Oh.
00:41:04Well, that's, that's very nice.
00:41:05Thank you.
00:41:08He was in New York?
00:41:10He saw it?
00:41:11Yeah?
00:41:12What did he think?
00:41:16Well, tell him thank you very much.
00:41:19Yeah.
00:41:21Well, listen, the next time you're in New York, you give me a call, okay?
00:41:24All right.
00:41:28I'll tell Mom you call.
00:41:30Okay.
00:41:32All right, bye.
00:41:35Who's that?
00:41:36It was Elaine Gifford.
00:41:37She used to live next door, remember?
00:41:39Oh, yeah?
00:41:40Had the retarded kid, Dave.
00:41:41Yeah.
00:41:42I thought she died.
00:41:44No.
00:41:45Yeah, I thought she, um...
00:41:48I thought she fell over or something.
00:41:50It hit her head.
00:41:52No, I think you're thinking of, uh...
00:41:54What's her name?
00:41:54I used to live on the corner.
00:41:56Who?
00:41:57Um...
00:41:57Louise?
00:41:59What's her name?
00:41:59O'Connor?
00:42:00Yeah, O'Connor.
00:42:01Oh, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, dude.
00:42:03Yeah, Louise O'Connor.
00:42:04Yeah.
00:42:05That's right.
00:42:05Went out in the backyard.
00:42:07Water flowers.
00:42:08Mm-hmm.
00:42:09Tripped.
00:42:10Fell.
00:42:11Cracked her head open.
00:42:12Bled to death.
00:42:13Laid there for about five days.
00:42:14Hey, man.
00:42:17Hey.
00:42:21That's, uh...
00:42:22That sucks.
00:42:26Dude.
00:42:27It's wrong.
00:42:28It's really wrong.
00:42:32It's really wrong.
00:42:33It's not...
00:42:34PHONE RINGS
00:42:35PHONE RINGS
00:42:39PHONE RINGS
00:42:40PHONE RINGS
00:42:44PHONE RINGS
00:42:44Hello?
00:42:47Yep.
00:42:50It's Robert.
00:42:52Yeah, we're fine.
00:42:54Yeah.
00:42:55Um, let me ask him.
00:42:57Uh, he doesn't want to talk right now.
00:43:02We're...
00:43:02We're doing good.
00:43:21PHONE RINGS
00:43:22Hello?
00:43:24Kathy, hi.
00:43:25Okay.
00:43:29Okay.
00:43:32Some information on this.
00:43:34Breaking story out of the valley.
00:43:35Racina, to be exact.
00:43:38Okay, let's bring in our entertainment reporter, David Perrow, on this.
00:43:41We have him on the phone, and he has some information on this.
00:43:45David, all I know of Robert Longfellow is that he was...
00:43:48Excuse me, I should say is.
00:43:49We want to reiterate.
00:43:50Nothing's happened yet, but as far as we know, the suspect, Gus Williams, and Mr. Longfellow are alive, and police have been communicating with them by phone.
00:43:58Kathy, I'll call you back.
00:43:59But to get back to what we were saying, Robert Longfellow's a writer, and he's written some rather controversial plays.
00:44:04Is there any idea if this hostage situation has something to do with Longfellow's writing or political views?
00:44:10Well, at this time, Don, we don't believe that is the case.
00:44:13That the suspect has any quarrel with Mr. Longfellow with respect to his writing.
00:44:17You have to remember that the suspect, Gus Williams, is a neighbor, and from what I can gather, has known Longfellow from childhood.
00:44:23Well, that's what I think.
00:44:30So you'd like to see more of those kind of stories?
00:44:32Yeah, I'm sick of all the movies they show nowadays.
00:44:37Nothing there.
00:44:38There's no real people in them.
00:44:40I hear you.
00:44:41Do you write, Gus?
00:44:43Fuck no.
00:44:43I ain't a writer.
00:44:45You should try.
00:44:47What the fuck am I going to write about?
00:44:50Yourself.
00:44:53What do you mean, write about me?
00:45:21Hmm?
00:45:21You said I should write about me.
00:45:23It's a good place to start.
00:45:26I got some stories to tell.
00:45:29I bet you do.
00:45:31Lots of shit.
00:45:35I'll give you a right place.
00:45:38I'll give you a right place.
00:45:39I'm going to like books.
00:45:41I guess I don't have the talent for books.
00:45:44Hmm.
00:45:47Hey, do you think your mom would care any more about me lighting up inside?
00:45:49It's the least of our worries now.
00:45:53What?
00:45:53Me worried?
00:46:03I'm still writing the first hint.
00:46:04How do you write?
00:46:10Well, what the fuck do you do?
00:46:14Does it all just sit in your brain ready to go?
00:46:17Do you make it up?
00:46:17I steal it.
00:46:21Steal it from who?
00:46:22Whoever.
00:46:27Yeah.
00:46:28But I don't get it.
00:46:29Where does all that shit come from?
00:46:31I don't have shit like that stuffing up my brain pipes.
00:46:34That's for damn sure.
00:46:35I'd go nuts.
00:46:36That's why I write.
00:46:37If I didn't, I'd flip out.
00:46:39Gotta get it out.
00:46:41Gotta get it out.
00:46:45Right.
00:46:47Yeah, but...
00:46:48How do you know what they'll say?
00:46:50That's what I really don't get.
00:46:53Usually, I...
00:46:54Just start with any old thing that pops into my head.
00:46:57And after a while, if it's working, the characters sort of...
00:47:00Take over.
00:47:01Start doing the talking.
00:47:03Weird.
00:47:03Weird.
00:47:06Say something.
00:47:08Say what?
00:47:09Just say something, anything.
00:47:11Let's see what happens.
00:47:11I'll show you.
00:47:14Okay.
00:47:19Um...
00:47:19God bless America.
00:47:23Why would he do that?
00:47:25Why would he?
00:47:26Bless America.
00:47:28Oh.
00:47:29Wait, was that...
00:47:30Yeah.
00:47:30Wow.
00:47:32That's how he...
00:47:33More or less.
00:47:36Let's do another one.
00:47:38Okay.
00:47:42Um...
00:47:42I wish I had a million dollars.
00:47:48That's not much these days.
00:47:50Well...
00:47:51Oh.
00:47:55Maybe not to you, pal.
00:47:56Don't act.
00:47:58Wait, are you...
00:47:59No, don't act.
00:48:00Just be yourself.
00:48:01Say what you think.
00:48:02Okay.
00:48:02Okay, let's try another one.
00:48:05Yeah, but...
00:48:06How do I know when we're in...
00:48:07When we're in the play or not?
00:48:09Is that a line?
00:48:09No.
00:48:10I gotta know when I'm acting.
00:48:12No acting.
00:48:12Oh, come on.
00:48:13You know what I mean, man.
00:48:14Okay.
00:48:15How about when we want to drop out of the scene,
00:48:18We raise our right hand.
00:48:19Good.
00:48:24Okay, you ready?
00:48:25Yeah.
00:48:26You go first this time.
00:48:27You didn't raise your hand.
00:48:28Oh, come on, man.
00:48:29I want to get out of here.
00:48:41Is that right?
00:48:43Yeah.
00:48:44Where would you go?
00:48:46Home.
00:48:47To my family.
00:48:48I miss them.
00:48:51How long have you been married?
00:48:53About 12 years.
00:48:56Shit.
00:48:57Yeah.
00:48:59I didn't get your name.
00:49:05That was good.
00:49:07Yeah?
00:49:08Yeah, that was really good.
00:49:10That just pivoted the scene in a whole unexpected way.
00:49:15Nice.
00:49:16And you seem relaxed.
00:49:18Well, I feel good.
00:49:19Yeah, so, um, when you write, you kind of do the same thing, only by yourself.
00:49:27It's cool.
00:49:30I got a headache.
00:49:33You want something for that?
00:49:34Yeah.
00:49:35There you go.
00:49:48Yeah.
00:49:52So, Gus, what happened?
00:49:59Why are the cops after you?
00:50:01I fucked up.
00:50:02Somebody get hurt?
00:50:05Oh, it feels like I'm in a compactor.
00:50:11Hey, man.
00:50:14What was the name of that broad you were doing?
00:50:17Who?
00:50:18The one you were doing a ways back.
00:50:19What's her name?
00:50:21I don't know.
00:50:21Oh, she's a big star now, man.
00:50:24You know who I'm talking about.
00:50:26Emma Stiles?
00:50:27You're fucking Emma Stiles, man.
00:50:29She rocks.
00:50:31Not as some fine lady.
00:50:34I wasn't doing her, man.
00:50:35Shut the fuck up.
00:50:36I'm serious.
00:50:37Well, why not?
00:50:39Well, I was married when I met her for one thing.
00:50:41Yeah, like that matters.
00:50:43Wasn't meant to be.
00:50:43Man, what does she look like in real life?
00:50:47Is she, like?
00:50:50She's beautiful.
00:50:51Oh.
00:50:53When did you talk to her last?
00:50:55A little while ago.
00:50:56No shit.
00:50:57Yep.
00:50:58Oh, man, that is so fucking cool.
00:51:01I was at her house yesterday.
00:51:02No.
00:51:03Mm-hmm.
00:51:03Nice house.
00:51:04Of course.
00:51:05Of course.
00:51:06We had tea and chocolates.
00:51:08Fucking tea.
00:51:09You want to talk to her?
00:51:13Fuck you.
00:51:14I'm serious.
00:51:15Fuck you.
00:51:17If I can reach her, you can talk to her.
00:51:21Well, what the fuck am I going to talk about?
00:51:24Tell her you're a fan.
00:51:25She'd like that.
00:51:27Uh, I don't know.
00:51:31I'm dialing.
00:51:33Oh, shit.
00:51:35And after this, we'll call it a night.
00:51:39You and I will walk out of here?
00:51:43Oh, you talk to her.
00:51:45Fine.
00:51:46Then you can say hello.
00:51:47Hello.
00:51:48Emma?
00:51:55Robert.
00:51:56Hey.
00:51:56Oh, my God, where are you?
00:52:05Well, I'm at Mom's house.
00:52:17You're on TV.
00:52:20I was afraid to call.
00:52:22It's okay, Emma.
00:52:23Everything's fine.
00:52:25Oh, Jesus.
00:52:25What the hell's going on in there?
00:52:27Well, I'm sitting here with Gus, and we're having some beers, shooting the shit, doing
00:52:32some theater games.
00:52:33Robert, does he know you're on the phone?
00:52:35It's okay, Emma, really.
00:52:37Everything's fine.
00:52:37Nobody's hurt.
00:52:38Listen, um, Gus wanted to say hi.
00:52:43He's a huge fan.
00:52:44Would you mind saying hello to him?
00:52:48Are you there?
00:52:52What do I say?
00:52:52I don't know what to say.
00:52:54Just say hi.
00:52:58Emma?
00:52:59Okay.
00:53:00Okay.
00:53:01Okay.
00:53:01She kind of knows you.
00:53:12You're on TV.
00:53:14We're both famous now.
00:53:23Oh.
00:53:25Hello.
00:53:27Hello, Gus.
00:53:28Is this really Emma Stiles?
00:53:32It sure is.
00:53:34How are you doing?
00:53:35Man, I recognize your boys.
00:53:38I recognize your boys.
00:53:41Well, that's nice.
00:53:43Um, so what's going on?
00:53:45You guys having some beers?
00:53:46Yeah, having a few, doing some writing.
00:53:49Hey, uh, Emma.
00:53:51Can I call you Emma?
00:53:53Absolutely, Gus.
00:53:55Hey, uh, uh, Emma.
00:53:58I just, um, I, um, uh, shit.
00:54:04I don't know what I was going to say, Emma.
00:54:06Um, I just, um, hey, I just like your movies.
00:54:12Well, that's nice.
00:54:13Thank you.
00:54:14That's very nice.
00:54:16I mean, I like you in the movies.
00:54:19Thank you very much.
00:54:20That really means a lot to me.
00:54:22I like that one where you're in the desert.
00:54:24Um, you mean Horizon?
00:54:28Yeah, I thought it was going to be a chick flick.
00:54:30And then I saw it on cable and, oh, it was good, man.
00:54:34I dug it.
00:54:35Hey, you know how you accidentally killed a guy?
00:54:38Uh-huh.
00:54:38And they're like, fry the bitch.
00:54:41Yep.
00:54:42Yeah, what was that about, man?
00:54:44Yeah, I know.
00:54:45Huh.
00:54:45I mean, who do these people think they are?
00:54:47I know.
00:54:48They fucking think they're judge and jury.
00:54:50You're right, Gus.
00:54:54Hold on.
00:54:58Yeah, hello.
00:55:00Yeah.
00:55:01Yeah.
00:55:03Look, man, I am busy right now.
00:55:06I can't, man.
00:55:07I'm busy.
00:55:09Oh, call me back later.
00:55:09I'm talking to Emma Stiles.
00:55:13Emma Stiles.
00:55:18Emma?
00:55:19I'm here.
00:55:20I am sorry about that.
00:55:22No problem.
00:55:25So, what was I saying?
00:55:29Fry the bitch?
00:55:31Yeah, that, that, that I would call due process, is it?
00:55:37No fucking way.
00:55:38That ain't, uh, what's it called?
00:55:43Uh, what, sorry?
00:55:44Oh, you know, uh, non-prima facia.
00:55:48What's that called?
00:55:50Habe, Habe.
00:55:51Habeas corpus?
00:55:52Habeas corpus.
00:55:53Produce the body.
00:55:54Yeah, what body?
00:55:55It's Latin.
00:55:56Whatever, it's fucked up.
00:55:57Emma?
00:55:58Yes, I'm here, yes.
00:56:00Shit, I can't believe I'm talking to Emma Stiles.
00:56:05Wait a second.
00:56:06I think there's another call coming in.
00:56:11Who's J. Hugh?
00:56:16I don't know.
00:56:17Yeah.
00:56:19Hang on, Emma.
00:56:22Mr. Longfellow's office.
00:56:24Hello, it's Gus.
00:56:30Oh.
00:56:31Oh, hey, Irene.
00:56:34Oh, I'm fine, fine.
00:56:36How are you?
00:56:37I'm fine, Gus.
00:56:39Just fine.
00:56:40What's going on in there?
00:56:42Oh, you know, we're hanging out, having a beer.
00:56:47Uh-huh.
00:56:48Yeah.
00:56:48Hey, listen, Irene, uh, can we just call you back in a second?
00:56:52I'm on the other line.
00:56:54Uh, I want to talk to Robert.
00:56:56Yeah, okay.
00:56:57We'll call you back in a minute.
00:56:59And your mom wants to talk to you.
00:57:02Okay.
00:57:02We'll get back to you guys in a minute.
00:57:04All right.
00:57:06Janie, what's your number?
00:57:08No, that's okay, Irene.
00:57:09No, we got caller ID here.
00:57:11We got it.
00:57:12Oh, all right.
00:57:14Then you'll call back?
00:57:15In just a minute, okay?
00:57:17Bye.
00:57:19Okay, bye.
00:57:26Emma.
00:57:27I'm here.
00:57:29That was Robert's mom.
00:57:31Oh.
00:57:32Oh, fuck, it's ringing again.
00:57:36It's Alice.
00:57:36Who's Alice?
00:57:37My wife.
00:57:39All right.
00:57:40Uh.
00:57:41Let me talk to her.
00:57:42What about Emma?
00:57:43Let me just tell her I'm okay.
00:57:46Oh, all right.
00:57:49Hang on, Emma.
00:57:55Hey.
00:57:56Robert, oh God, it's on the news.
00:57:59Listen to me, Alice.
00:58:00I'm fine.
00:58:00Everything's okay.
00:58:02You hear me?
00:58:03Everything's okay.
00:58:04I'm just, uh, sitting here with Gus,
00:58:06and we're having a chat and a beer.
00:58:08Gus is cool.
00:58:09I'm cool.
00:58:10Everybody's cool,
00:58:11and everything's gonna be fine, okay?
00:58:13Jesus, Robert.
00:58:14I was terrified if I called you.
00:58:15I'd get you in trouble.
00:58:17Alice, it's...
00:58:19Alice, it's okay.
00:58:21We're gonna be okay.
00:58:23Right, Gus?
00:58:24Gus says we're gonna be okay.
00:58:26What is wrong with him?
00:58:27What does he want?
00:58:28He just wants to have a beer.
00:58:29God, Robert.
00:58:32Listen to me, Alice.
00:58:32You gotta hang in there, okay?
00:58:37I'll call you back in a little bit, okay?
00:58:41Alice?
00:58:46I gotta go, honey.
00:58:48I love you.
00:58:49I love you, too.
00:58:52And tell the kids I love them.
00:58:55Okay, bye.
00:58:56Robert?
00:58:59Yeah?
00:59:00Come home.
00:59:03I will.
00:59:14Emma?
00:59:16Yes, I'm here.
00:59:17So, uh...
00:59:20Where were we?
00:59:23I don't remember.
00:59:26Oh, yeah.
00:59:27I know what I was gonna say.
00:59:28What?
00:59:29You know,
00:59:31you should have got the Oscar that time
00:59:32for that movie.
00:59:34Istanbul?
00:59:34Yeah.
00:59:37Yeah, you rocked it, Matt.
00:59:38I saw it at the Chinese theater
00:59:41and you were...
00:59:41Fuck!
00:59:42Fuck!
00:59:43Fuck!
00:59:46Yeah.
00:59:48Look, fucker,
00:59:49if you don't leave me alone,
00:59:51I'm gonna set the place on fire
00:59:52and I'm gonna shoot us both,
00:59:54so leave me that fuck alone!
00:59:56You still there, Emma?
01:00:20Yes, I'm here.
01:00:20I'm sorry, Emma.
01:00:23I just...
01:00:24I just lose it sometimes
01:00:27and I don't know why.
01:00:29It's okay.
01:00:35I was always angry.
01:00:39I lose it, too, sometimes.
01:00:42Yeah?
01:00:43Yeah.
01:00:44Yeah, it's a big problem.
01:00:45It got me fired once.
01:00:46No shit.
01:00:49No shit?
01:00:50What'd you do?
01:00:52I ripped this producer
01:00:53a new arsehole.
01:00:55Excellent.
01:00:56Told him he was a spineless cretin
01:00:58in front of the whole crew.
01:00:59I was screaming at him
01:01:00inches from his face.
01:01:02Whoa.
01:01:03Yeah.
01:01:04Did he shit himself?
01:01:06Yeah, then he fired me.
01:01:08No way.
01:01:09Yeah.
01:01:09They can do that?
01:01:12They can fire Emma Stiles?
01:01:14Sure.
01:01:16Jesus.
01:01:21Gus?
01:01:22Yeah?
01:01:25You're not gonna hurt anybody,
01:01:27are you?
01:01:30I don't want to see you
01:01:31or Robert get hurt.
01:01:36You'll be cool, won't you?
01:01:40Promise me you'll stay cool.
01:01:45Gus.
01:01:45Yeah.
01:01:50You know Robert has two kids
01:01:52and...
01:01:54they're gonna need their dad.
01:01:58Do you know what I mean?
01:02:01I gotta go, Emma.
01:02:04Okay, listen.
01:02:05Um...
01:02:06when this is all over
01:02:08and you are both safe,
01:02:09I'd really like to meet you.
01:02:11do you think you could
01:02:13do that?
01:02:17I gotta go, Emma.
01:02:22I like talking with you.
01:02:24You're real nice.
01:02:27You're good people.
01:02:28Thanks, Gus.
01:02:29You too.
01:02:30Okay, so long.
01:02:32Do you think I could
01:02:34speak to Robert for a second?
01:02:35Hey.
01:02:38Oh, my God, Robert.
01:02:56Oh my God, Robert, what is happening?
01:03:00Well, you did good. I think you made Gus's day.
01:03:05Robert.
01:03:07Yeah.
01:03:09I want to say something. It might sound a bit...
01:03:12Go ahead.
01:03:14Oh Christ, I don't know. I'm...
01:03:17It was nice to see you.
01:03:22It was great to see you.
01:03:24Robert?
01:03:25Yeah?
01:03:26We're going to make a great film together.
01:03:34I think you should have those kids, Emma.
01:03:46I got to go, Emma.
01:03:52Goodbye, Robert.
01:03:55Goodbye.
01:03:55So, Gus, what do you think?
01:04:18You think you're ready to call it a night?
01:04:20I'll vouch for you, Gus.
01:04:26I think you're a good man.
01:04:27We have just received some video of Mr. Longfellow and Emma Stiles that has been posted on the internet.
01:04:51Jean, can we see that piece of video?
01:04:53Uh, there it is right there.
01:04:55Uh, there it is right there.
01:04:57I'm not sure when or where this was shot.
01:04:59But we do know that that is Robert Longfellow, he is the man being held hostage in his childhood home by Gus Williams, a man who's done time in jail.
01:05:08And, Leslie, if I'm not mistaken, if I'm not mistaken, I'm not mistaken, but I'm not mistaken.
01:05:09And, Leslie, if I'm not mistaken, Longfellow is married, correct?
01:05:12That's right.
01:05:13According to David Pirro, he has two children with his wife.
01:05:16And to be frank, Philip, according to several of my sources, rumors have swirled around Longfellow and Stiles for years.
01:05:23That's very interesting, Leslie.
01:05:25And as many of you might know, Emma Stiles' career was launched in New York some years ago when she starred in three of Longfellow's plays.
01:05:33And unfortunately for Mr. Longfellow, his last couple of plays have not been well received with his latest American Excursion opening to disastrous reviews and closing last night after a run of only two weeks.
01:05:44So, needless to say, all of this only adds to the, well, it just makes an intense situation that much worse for Mr. Longfellow's family, of course, to know that the Stiles' career was going to fall over here.
01:06:00I believed you, man.
01:06:01We are getting this just in as well.
01:06:05Los Angeles County Sheriff's Department as well as LAPD are now confirming the liquor store clerk shot allegedly by Gus Williams has now died from his death.
01:06:14His wounds, which means, the man now holding Robert Longfellow hostage.
01:06:23I've got to call Ellis, babe.
01:06:29I need to call my wife.
01:06:44We're not in right now.
01:07:00Leave us a message.
01:07:05Um.
01:07:08Hi, it's me.
01:07:10I don't know where you could be.
01:07:14I just...
01:07:17wanted to talk to you, Ellis.
01:07:23And the kids.
01:07:24I haven't talked to the kids in a couple of weeks.
01:07:28Hey, Mitch, I heard you scored two goals in last week's game.
01:07:33That is awesome.
01:07:35I, um...
01:07:37I wish I could have been there.
01:07:40Did anybody have their video camera?
01:07:44Listen, I'm going to make it to the next game, buddy.
01:07:46I promise.
01:07:48And, um...
01:07:51Rosie, you're...
01:07:52You're my little angel girl.
01:07:54You're my darling girl.
01:07:56You're the prettiest princess ever.
01:07:57I wish I was there right now.
01:08:00I'd like to watch you sleep.
01:08:03So, um...
01:08:05Um...
01:08:07I was, uh, thinking about you guys, and, uh...
01:08:11Um...
01:08:13Anyway, I...
01:08:15I gotta go now.
01:08:17Um...
01:08:19You take care.
01:08:22I love you so much.
01:08:23And, uh...
01:08:27You take care of mom for me, will ya?
01:08:29She needs your help.
01:08:30And, Alice, um...
01:08:58There's nothing I can say to you that won't sell in Harlem.
01:09:21Let's throw another one of those.
01:09:25What do you call them as a word?
01:09:28It's over, Gus.
01:09:33It's time to go.
01:09:34What are they called?
01:09:36Improv.
01:09:37Improvisation.
01:09:38Well, let's do another fucking improvisation.
01:09:41Gus, I can't even think.
01:09:43Let's just do one more...
01:09:46Before you split.
01:09:48Okay?
01:09:54I ain't acting.
01:09:55Okay.
01:10:00Excellent.
01:10:02You go first.
01:10:04You're good.
01:10:08Okay.
01:10:08Um...
01:10:10Excuse me, sir.
01:10:12Could you tell me how to get to Carnegie Hall?
01:10:13No, no, no, man.
01:10:15That sucks.
01:10:15Let me try it.
01:10:16Hi.
01:10:23I...
01:10:23I'm here to apply for the job.
01:10:28Yes, of course.
01:10:30Come on in.
01:10:31Have a seat.
01:10:32Thank you.
01:10:32So, uh, we'll have you fill out some forms, of course.
01:10:49But, uh, first we'll start with a few questions.
01:10:52Of course.
01:10:53Ask away.
01:10:55So, uh, could you tell me specifically which job you had in mind?
01:10:58Oh, yes.
01:10:59Stockbroker.
01:11:00Hmm, I see.
01:11:00And you've worked in the field before?
01:11:02Oh, yes.
01:11:03Burles and James.
01:11:04Ten years.
01:11:05Very good.
01:11:06Well, we'll have a look at your resume a little later.
01:11:08But first I'd like to, uh, get a sense of who you are personally, if you don't mind.
01:11:13Fine.
01:11:13What do you do in your spare time?
01:11:15Do you have any hobbies?
01:11:16Any outside interests?
01:11:18Oh, yes.
01:11:21I play chess.
01:11:23Do some gardening.
01:11:25Chase chicks.
01:11:26Excuse me?
01:11:28I like to fornicate with strange women.
01:11:31I see.
01:11:31And this is a hobby?
01:11:32What would you call it?
01:11:34We'll mark it down under recreation.
01:11:36Ho, ho, ho, ho, ho, ho, ho, ho.
01:11:39Now, when you were young, what did you want to be when you grew up?
01:11:44A Marine.
01:11:45Like my dad.
01:11:47Your father was in the military service?
01:11:49Damn straight.
01:11:49Fought in Iwo Jima.
01:11:51Killed a lot of Japs.
01:11:53Hmm.
01:11:53What a coincidence.
01:11:54My father flew B-29s over Japan.
01:11:57Incinerated thousands of civilians.
01:11:59That was the good war, of course.
01:12:00What about you?
01:12:02Military service?
01:12:05I was rejected.
01:12:06Let me guess, this would have been during the Vietnam War?
01:12:09Yeah.
01:12:10And on what grounds were you rejected?
01:12:13Mental.
01:12:16I guess they thought I was nuts.
01:12:19And were you, or are you now mentally unstable?
01:12:22What do you think?
01:12:24It's not for me to say.
01:12:30Haven't we met before?
01:12:33I don't think so.
01:12:34You don't think so?
01:12:36I think we have.
01:12:37Have we?
01:12:38Do you have an older brother?
01:12:41No.
01:12:42No?
01:12:42No.
01:12:43I seem to recall meeting you when you had a brother.
01:12:46I think you're mistaken.
01:12:47You think I'm mistaken?
01:12:48Look.
01:12:48I don't think so.
01:12:49I'm not into this, okay?
01:12:58You brought it up, dude.
01:13:06You want to get out of here?
01:13:08Yes.
01:13:17I'm sorry.
01:13:18What was the question?
01:13:19You were rejected on the grounds of mental instability.
01:13:22Why would they think that?
01:13:23Oh, should I know?
01:13:24You haven't a clue as to why the United States Marine Corps thought you unfit for service?
01:13:28I don't know.
01:13:30Were you having trouble in school?
01:13:32Did you graduate from high school?
01:13:33I got the diploma.
01:13:36But you cheated to get it.
01:13:37They talked too fucking fast in school.
01:13:40It made my fucking head hum.
01:13:41I couldn't hear what they were fucking saying, all right?
01:13:44Were you ingesting toxins?
01:13:45What?
01:13:46Drugs.
01:13:46Were you fucked up?
01:13:47I wasn't doing fucking drugs, man.
01:13:49They just talked about your shit that didn't make sense.
01:13:53So you were rejected.
01:13:54Your father must have been disappointed, no?
01:13:56Well, you got drunk.
01:13:57Yelled at me for a few hours.
01:13:59I was thoughtful of him.
01:14:00I knew your brother, man.
01:14:04Really?
01:14:04Yeah, man.
01:14:05He and I were pals.
01:14:07I don't remember you at all.
01:14:09We went to sign up together.
01:14:11We talked about it for months before our 18th birthdays.
01:14:15His was first, but he waited a month till mine.
01:14:17He got in.
01:14:18I didn't.
01:14:19He died with honor.
01:14:20He died with honor?
01:14:22That's right.
01:14:23Killed in action.
01:14:25Killed in action defending his country.
01:14:28Defending his country from what?
01:14:30Defending those people's freedom.
01:14:34Are you out of your mind?
01:14:36You're actually trying to cling to that crock of shit.
01:14:39It is true.
01:14:40They found him on a mountain of spent shells.
01:14:43It took 20 gooks to kill him.
01:14:48Hmm.
01:14:49Well, sir, I don't think there's any need to look at your resume.
01:14:53We have all the information we need.
01:14:55We're going to have to reject your job application, I'm afraid.
01:15:00But unlike the Marines, not on the basis of mental instability, but rather low IQ.
01:15:05In a word, you are just plain stupid.
01:15:09You, sir, are a moron.
01:15:11And there's no place for you in our firm.
01:15:16Thanks for coming in.
01:15:19Fuck you.
01:15:20Thanks for coming in, sir.
01:15:21What is so stupid about what I said?
01:15:24Sir, if you'll excuse me.
01:15:26Cut the shit.
01:15:26Why is that stupid?
01:15:28Because the man in question did not die defending his country.
01:15:31Your brother.
01:15:32Did not die defending or protecting us or anyone else from anything.
01:15:37The whole thing was a senseless orgy of violence initiated by the U.S.
01:15:41to exert political control over another country.
01:15:55Hmm.
01:15:58Wow.
01:15:59I didn't see you raise your hand.
01:16:02Hmm.
01:16:04Very patriotic, at least.
01:16:06Come on.
01:16:08Are we acting or not?
01:16:09Come on, God damn it.
01:16:15You think you know your shit, huh?
01:16:17You got all figured out.
01:16:18Huh?
01:16:20Senses fucking slaughter.
01:16:21You tell him that.
01:16:22Tell him.
01:16:24Hey, Gus, guess what?
01:16:25I'm walking out the front door.
01:16:27You go ahead and shoot.
01:16:28Shoot.
01:16:28You're stupid.
01:16:40He, fuck.
01:16:42He joined to please the old man.
01:16:45You got it?
01:16:46Bullshit.
01:16:47Bullshit.
01:16:48We talked about this.
01:16:50He was going to stand for something.
01:16:52Do you know what it's like to stand for something?
01:16:54Asshole.
01:16:55What do you stand for, Gus?
01:16:57What do you stand for, Gus?
01:17:13Excuse me, Leslie.
01:17:20We are getting reports.
01:17:22Shots have been fired.
01:17:25The sound of gunfire has been heard coming from within the Longfellow house.
01:17:29Is that correct, Gene?
01:17:32So shots have come from the house.
01:17:34Are police returning fire?
01:17:36Okay.
01:17:37We're checking on that.
01:17:38It's not clear who's doing the shooting.
01:17:40But we do have confirmation.
01:17:42Shots being fired.
01:17:44Apparently, the shots came from inside the house.
01:17:46Hey, Gus.
01:17:53They're going to come at us now.
01:18:02You got to put the gun down, Gus.
01:18:08Come on, Gus.
01:18:09I didn't mean what I said, Gus.
01:18:23You were acting.
01:18:47You were acting.
01:18:53I didn't mean what I told you.
Écris le tout premier commentaire