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00:00Radiohead discovers their own lost power in Hail to the Thief, Archive.
00:05Racing through archival footage for a Shakespeare adaptation,
00:08Tom York discovered something that shocked him about his band.
00:12The Radiohead frontman was preparing for the theatrical production Hamlet Hail to the Thief
00:16when decades-old live recordings revealed an energy he barely recognized.
00:21That revelation sparked Hail to the Thief live recordings,
00:252003 to 2009, arriving digitally August 13th,
00:29and on vinyl October 31st.
00:32The collection compiles performances from Dublin, London, Amsterdam, and Buenos Aires.
00:37These recordings span 2003 to 2009,
00:41peak years when the band was road-testing their most politically charged material.
00:46This wasn't just any touring period.
00:48These were the Bush years,
00:50when fake news entered the lexicon and surveillance anxiety peaked.
00:54The band channeled that collective unease into nightly catharsis.
00:58York describes the archival process as very cathartic,
01:02explaining how these recordings helped me find a way forward.
01:05Mixed by Ben Bapti and mastered by Matt Colton,
01:08the album captures 12 tracks that showcase drastic live transformations.
01:12What sounds calculated in the studio becomes raw and desperate,
01:17featuring visceral versions of 2 plus 2 equals 5,
01:20and they're there.
01:22The original Hail to the Thief marked Radiohead's final EMI release,
01:26and their bridge between electronic experimentation and direct rock songwriting.
01:31Unlike previous reissues,
01:32this is their first comprehensive live document,
01:35showcasing the band at their most exposed.
01:37The vinyl release offers exclusive red and cyan colorways for fans.
01:42York and Greenwood keep exploring with the smile,
01:45yet this archive shows the value of retrospection.
01:48Your Spotify algorithm can't replicate this kind of accidental archaeology.
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