- il y a 21 heures
The Haunting of Sarah Hardy (1989) is a suspenseful and emotionally engaging drama that follows Sarah Hardy as she experiences a series of unusual and mysterious events that challenge her strength and determination. The Haunting of Sarah Hardy (1989) explores themes of resilience, personal growth, and the importance of support from those around us. Filled with atmospheric moments, thoughtful storytelling, and compelling character development, the film keeps viewers interested while highlighting courage, problem-solving, and inner confidence. The Haunting of Sarah Hardy (1989) is ideal for fans of dramatic mysteries and character-driven stories that combine emotion, intrigue, and memorable moments suitable for a wide audience.
The Haunting of Sarah Hardy, The Haunting of Sarah Hardy 1989, The Haunting of Sarah Hardy movie, The Haunting of Sarah Hardy drama, 1989 movie, suspenseful film, mystery story, emotional journey, family friendly drama, atmospheric movie, intriguing plot, resilience story, character driven film, memorable characters, dramatic adventure, unusual events story, courage story, problem solving movie, thought provoking story, engaging drama, captivating film, dramatic mystery, inspiring story, emotional drama, classic drama film, The Haunting of Sarah Hardy story, suspense drama, cinematic mystery, intriguing drama
The Haunting of Sarah Hardy, The Haunting of Sarah Hardy 1989, The Haunting of Sarah Hardy movie, The Haunting of Sarah Hardy drama, 1989 movie, suspenseful film, mystery story, emotional journey, family friendly drama, atmospheric movie, intriguing plot, resilience story, character driven film, memorable characters, dramatic adventure, unusual events story, courage story, problem solving movie, thought provoking story, engaging drama, captivating film, dramatic mystery, inspiring story, emotional drama, classic drama film, The Haunting of Sarah Hardy story, suspense drama, cinematic mystery, intriguing drama
Catégorie
🦄
Art et designTranscription
00:01:00Sarah
00:01:04Sarah
00:01:05Sarah
00:01:07Sarah
00:01:09Sarah
00:01:11Sarah
00:01:13Sarah
00:01:15Sarah
00:01:17Sarah
00:01:25Sarah
00:01:27Sarah
00:01:29Sarah
00:01:31Sarah
00:04:16Lucie, laissons !
00:04:18Allen, j'ai juste asking !
00:04:41Elle est retournée à la clinique ?
00:04:46Yes, dear.
00:04:52Lucie, do you think your parents would mind
00:04:54if Sarah spent the night with you ?
00:04:55She can stay at our house, or I can stay here.
00:04:59That's very kind of you, Lucie,
00:05:01but I think Sarah would be better off with you, don't you ?
00:05:09Sarah, you go and say goodbye to your mother now.
00:05:16It's all right.
00:05:20Hurry up.
00:05:21Dr. Bowman is on his way.
00:05:22Dr. Bowman is on his way.
00:05:39Mother ?
00:05:40Mother ?
00:05:58Mother !
00:06:10Mother ?
00:06:11Mother ?
00:06:12Mother ?
00:06:13No !
00:06:14Mother ?
00:06:15Mother ?
00:06:16Don't hier !
00:06:17They just married a car ?
00:06:18Mother ?
00:06:19Father ?
00:06:25Mother ?
00:06:26Can we come ?
00:06:27Don't!
00:06:28Mother ?
00:06:29I'm surprised ?
00:06:30Get out !
00:06:31Don't care, I'm happy, y'all !
00:06:32Sous-titrage Société Radio-Canada
00:07:02Sous-titrage Société Radio-Canada
00:07:32Sous-titrage Société Radio-Canada
00:08:04Sous-titrage Société Radio-Canada
00:08:36You may kiss your bride.
00:09:06This is Aunt Caroline, Uncle Nettie, who's also my attorney.
00:09:15And they said it would never last.
00:09:17Oh, hush, Nettie. Welcome to the family, Austin.
00:09:20I can see why Sarah's been keeping you to herself.
00:09:22Why, thanks. Heard a lot of great things about you both.
00:09:25Hey, I hear we're going to be riding the train together.
00:09:28I just hope you can straighten her out.
00:09:31Nettie!
00:09:31I was, uh, referring to her portfolio.
00:09:36What do you think I was referring to?
00:09:38These are the Claibornes. This is Nan and Bill.
00:09:41Congratulations.
00:09:42Ladies and gentlemen, presenting the bride and groom,
00:09:46Mr. and Mrs. Austin Hardy.
00:09:48I never thought I'd be this happy.
00:09:59Me too.
00:10:01I love you.
00:10:02Well, I just don't know what she sees in him.
00:10:17Apparently, what she didn't see in me.
00:10:20Just kidding, doctor.
00:10:21I knew you were kidding.
00:10:24He is a major dreamboat.
00:10:27Well, I'm happy for him.
00:10:30Of course you are.
00:10:31I want you to meet my two oldest friends in the world.
00:10:34This is Lucy Milgram and Alan Davidian.
00:10:37Congratulations, Austin.
00:10:38Thanks, Alan.
00:10:39And Lucy, of course, I recognize.
00:10:41Since when do stockbrokers get time to watch soap operas?
00:10:44Whenever we get a chance to watch you.
00:10:47You better watch quick.
00:10:49They're riding me out in two weeks.
00:10:51Oh, Lucy, what a shame.
00:10:52I'm really sorry to hear that.
00:10:54Oh, don't worry about me.
00:10:55Death scenes are what an actor lives for.
00:10:58Where are you all going on your honeymoon?
00:10:59Virgin Gorda.
00:11:00And then home to the Pines.
00:11:03The Pines?
00:11:06I'm sorry.
00:11:07I see if I'm over here.
00:11:08Excuse me a second.
00:11:12And, uh, whose idea was the Pines?
00:11:15Mine.
00:11:17And Austin's.
00:11:18He thought he sounded perfect.
00:11:19For what?
00:11:19A nervous breakdown?
00:11:21Cute.
00:11:22Lucy, I am not afraid to go back to that house.
00:11:24Oh, right.
00:11:25That's why you've been avoiding it for 15 years.
00:11:28Maybe that's true.
00:11:29But now that I have Austin, I can finally face what happened at the Pines.
00:11:34Does that sound hopelessly romantic?
00:11:36Now that you mention it.
00:11:38Sarah?
00:11:39Come here and see this.
00:11:40You're not going to believe it.
00:11:41Excuse us.
00:11:46What?
00:11:46Do you believe it?
00:11:52Who are they from?
00:11:58There's no card.
00:12:00Well, I can see I'm in trouble.
00:12:02You've got secret admirers already.
00:12:04Don't be silly.
00:12:06They're beautiful.
00:12:08Dance with me.
00:12:10I'd love to.
00:12:11Well, I think it's perfectly tacky.
00:12:24You don't send lilies to a wedding, do you?
00:12:27No, you don't.
00:12:31Hey.
00:12:32Hey.
00:12:32Hey.
00:12:33Hey.
00:12:34Hey.
00:12:35Hey.
00:12:35Hey.
00:12:36Hey.
00:12:36Hey.
00:12:37Hey.
00:12:38Hey.
00:12:38Hey.
00:12:39Hey.
00:12:40Hey.
00:12:40Hey.
00:12:41Hey.
00:12:41Hey.
00:12:41Hey.
00:12:52Hello.
00:12:53Sarah.
00:12:54Oh, Sarah.
00:12:55Welcome home.
00:12:57Oh.
00:12:57Oh.
00:12:59I want you to meet my husband, Austin
00:13:01Harding and Miss Thetford.
00:13:03Miss Thetford?
00:13:04Welcome to the pines, Mr. Hardy.
00:13:05It's good to be here.
00:13:06Let me get the bags.
00:13:07I'll take care of the luggage, Mr. Hardy.
00:13:09Come here.
00:13:41I had a phone installed with your office line
00:13:43Mmm, thank you
00:13:45You're welcome
00:13:46When was this taken?
00:13:50I don't know
00:13:50I guess my father took that when I was around 11
00:13:53You know, you might prefer the guest house for an office
00:13:56It's a little more private
00:13:57This is great
00:13:58Yeah?
00:13:59Yeah
00:14:00There's also a billiard room
00:14:03And a gazebo
00:14:04And a Swiss shower with about 20 different novels
00:14:07And, let's see
00:14:09A green house
00:14:10Most people think I was raised there
00:14:12And what else?
00:14:14Upstairs
00:14:14Upstairs
00:14:16We have three bedrooms to choose from
00:14:19Mr. Hardy
00:14:23Sarah
00:14:25The supper is ready
00:14:27What's wrong?
00:14:45Nothing
00:14:46Come on
00:14:47What are you thinking?
00:14:53How happy I am
00:14:54And that makes you sad?
00:14:59Yes
00:14:59What?
00:15:05I guess I'm afraid I'm gonna lose you
00:15:08Like you lost your folks
00:15:13You're not gonna lose me
00:15:23Ever
00:15:26I guess I have her
00:15:31Look, my brother
00:15:31I dare
00:15:32Love you
00:15:36I am
00:15:37You
00:15:48You
00:15:49Go
00:15:50Go
00:15:50Go
00:15:51Go
00:15:52Go
00:15:53Uh
00:15:54Here
00:15:54Here
00:15:54Merci.
00:16:24Merci.
00:16:54Merci.
00:17:24Merci.
00:17:54Merci.
00:18:24Merci.
00:18:54filming
00:19:14Hey.
00:19:15God you scare me.
00:19:17What are you doing out here?
00:19:18I've got to hurt somebody.
00:19:21Well why didn't you wake me up?
00:19:22Je ne sais pas.
00:19:24Je ne sais pas.
00:19:26Il n'y a pas ici.
00:19:28C'est bon, c'est bon.
00:19:43Sarah ?
00:19:45What's the matter ?
00:19:49Is there something wrong ?
00:19:51Nothing.
00:19:53I just must have been dreaming.
00:19:55It's over now.
00:19:58Are you upset ?
00:20:00Can I get you a glass of warm milk ?
00:20:02No, thank you.
00:20:03I don't want any milk.
00:20:04But, dear, it's a natural sedative.
00:20:06Sarah doesn't need a sedative, Miss Stetford.
00:20:09How about closing up down here ?
00:20:11Yes, Mr. Hardy.
00:20:14Good night.
00:20:15Good night, Mr. Hardy.
00:20:18Good night, Sarah.
00:20:40I miss you, Trim.
00:20:41I'm considering.
00:20:44Mm.
00:20:45Mm hm.
00:20:49Mm.
00:20:57Call you from work ?
00:20:58Mm hm.
00:21:03I love you.
00:21:04Ah, you better go.
00:21:06Je vais y aller, ou je ne vais pas vous faire.
00:21:16Bye.
00:21:36C'est parti.
00:22:06C'est parti.
00:22:13Sarah, dear, let me help you with those.
00:22:16No, don't be silly.
00:22:17I've got it.
00:22:18Look, why don't you take the afternoon off?
00:22:20I'll take care of dinner.
00:22:21Oh, I see.
00:22:22Mr. Hardy wants it this way.
00:22:24I want it this way.
00:22:36Miss Thetford?
00:22:46Miss Thetford?
00:23:10Who's there?
00:23:40Miss Thetford?
00:23:50Miss Thetford?
00:23:55Miss Thetford?
00:24:07Mother?
00:24:09Miss Thetford?
00:24:10Miss Thetford?
00:24:11Miss Thetford?
00:24:12Miss Thetford?
00:24:13Miss Thetford?
00:24:14Miss Thetford?
00:24:15Miss Thetford?
00:24:16Miss Thetford?
00:24:17Miss Thetford?
00:24:18Miss Thetford?
00:24:19Miss Thetford?
00:24:20Miss Thetford?
00:24:21Miss Thetford?
00:24:22Miss Thetford?
00:24:23Miss Thetford?
00:24:24Miss Thetford?
00:24:25Miss Thetford?
00:24:26Miss Thetford?
00:24:27Miss Thetford?
00:24:28Miss Thetford?
00:24:29Miss Thetford?
00:25:00We have always grown lilies.
00:25:03Darling, don't you remember?
00:25:05They were your mother's favorite flower.
00:25:13Hello. Hi.
00:25:15Who is this?
00:25:17My, how quickly they forget.
00:25:19Austin.
00:25:21I'm sorry. I'm so glad it's you.
00:25:24Why, is something wrong?
00:25:27No. No, everything's fine.
00:25:30Well, I just wanted to call and tell you how much I loved you.
00:25:34Tell me again.
00:25:37I love you.
00:25:40I love you, too.
00:25:44Bye.
00:25:46Goodbye.
00:25:54Give sorrow words.
00:25:56The grief that does not speak whispers the o'erfront part and bids it break.
00:26:01And you actually felt it. I mean, you held that glass in your hot little hand.
00:26:04I think I felt it, you think.
00:26:06I definitely felt it, yes. I picked it up.
00:26:09Well, what does Austin say?
00:26:12I haven't told him.
00:26:14Why? Why not?
00:26:16Lucy, I don't know if you know this, but when Mother drowned, they never actually found her body.
00:26:21Sarah, she is buried in that churchyard right next to your father.
00:26:25They only put up a headstone.
00:26:27What exactly are you saying? I mean, are we implying here that maybe she's still alive?
00:26:32I don't know what I'm saying.
00:26:34I'm just afraid, Lucy. I'm afraid it'll ruin things with Austin.
00:26:40Well, if you're really afraid to talk about it to Austin, maybe you should go see Alan.
00:26:48Alan?
00:26:49Yeah.
00:26:50Why?
00:26:51Well, he knows you. He knew your mother. They have all her records over there. He could help.
00:26:57Sarah, look at me. You are not your mother, okay? You're not.
00:27:04But you can't deny the impact that her illness had on you.
00:27:08Come on. Promise me you'll go see Alan.
00:27:12I walk into the greenhouse. I see the lilies. You saw them at the wedding. They were mother's favorite flower.
00:27:24Well, I'm no expert on the afterlife, but I doubt if they have a florist.
00:27:32Couldn't someone else have sent the flowers?
00:27:34Like who?
00:27:35I don't know. Who do you think might have sent them?
00:27:38I don't know.
00:27:39Look, Sarah, I'm very fond of you as a friend. Maybe I should find you another psychiatrist.
00:27:48One that would be easier for you to talk to.
00:27:50I don't want another psychiatrist. I can't tell these things to a stranger.
00:27:55You don't seem to be able to tell them to your husband either.
00:28:00Look, why don't we, um, why don't we get some air, hmm?
00:28:05Why haven't you told Austin?
00:28:09Oh, sure. I forgot to mention Austin that my mother went crazy and committed suicide.
00:28:14And your wife probably will too.
00:28:25Do you remember the last thing you said to your mother?
00:28:28I wish you were dead.
00:28:34She made you say that. Right?
00:28:39Right.
00:28:41Look, I would be amazed if you didn't feel some guilt.
00:28:45But to see the kinds of things you say you've seen, you'd have to be hallucinating.
00:28:49I'm sorry, you just don't strike me that way at all.
00:28:53I did see them.
00:28:56Well, that must be some reasonable explanation.
00:28:59We'll have to talk about it some more.
00:29:02I'd like to go.
00:29:04I can see you tomorrow at this time.
00:29:06Oh, I'd really like that.
00:29:08Bye, Alan.
00:29:12Bye.
00:29:13Bye.
00:29:43Sarah, where have you been? It's almost five o'clock. I've been worried.
00:29:52I mean, you told me not to fix dinner.
00:29:54I'm sorry.
00:29:56I was in the city with Lucy. She asked me to run some lines.
00:29:59Well, I told Mr. Hardy you'd gone shopping.
00:30:01Why?
00:30:03Well, he seemed concerned, and I assumed you'd gone shopping.
00:30:07What are you suggesting, Miss Thetford?
00:30:08I'm not suggesting anything.
00:30:15Sarah, where are you going?
00:30:17I'm going upstairs.
00:30:19I'm going to take a shower. I'm going to change my clothes.
00:30:22I'm coming down to fix dinner, okay?
00:30:24Now you have my itinerary?
00:30:38Sarah.
00:30:39Sarah.
00:30:42Sarah.
00:30:45You've been a very bad girl.
00:31:08I'm going to be like a boning sheep,
00:31:11I'm going to take a shower.
00:31:14It's a good one.
00:31:18Hey, friends.
00:31:20Bye.
00:31:22Why does it go?
00:31:23I would've had to fall.
00:31:25I'll have to grab the shower,
00:31:27I'll have to go.
00:31:29If you're having a shower,
00:31:31I could just wait.
00:31:33How would you do?
00:31:35I'm going to take a shower,
00:31:36I'll have to go.
00:31:37Sous-titrage Société Radio-Canada
00:32:07You're all right. I just overreacted.
00:32:11Maybe these will help.
00:32:17They're beautiful. Thank you.
00:32:32And what exactly did the voice say?
00:32:35You've been a bad girl. And I was. I lied about coming here. I snapped at Miss Thetford.
00:32:42Why did you snap at her?
00:32:44She was questioning me like I was a criminal. She treats me like a child. She's about to drive me up a wall.
00:32:50Then fire her if she's making you so uncomfortable.
00:32:53Oh, I don't know. She's been with us for all those years. Look for terrible.
00:32:57Sarah. The point of all this is for you to feel good about yourself. To feel in control of things.
00:33:07Sorry.
00:33:08Why don't we stop dwelling on your weaknesses and talk about your strengths?
00:33:15My strengths?
00:33:16Mm-hmm.
00:33:17What are they? You tell me.
00:33:18No, you tell me.
00:33:20You tell me.
00:33:21Yeah, you do sound like a shrink.
00:33:22Hmm.
00:33:23Okay. I'm a great dancer. I'm a really good cook. I'm rich. Fairly attractive.
00:33:31Fairly? I would say extremely.
00:33:35Is that a professional observation?
00:33:42Is my time up yet?
00:33:44No. We still have a few more nights.
00:33:48Look, I'll have a talk with Miss Thetford. You're right. I should not let her intimidate me.
00:33:53I have to go because I have to get home before Austin. I'll see you next week.
00:33:58Take care of yourself. I'll be thinking about you.
00:34:05Goodbye, Alan.
00:34:09Be well.
00:34:21Is my husband home yet?
00:34:22No, Mrs. Heidi. He hasn't come in yet.
00:34:25Great. Thank you.
00:34:35Is my husband.
00:34:55You sure?
00:34:56Is it being done today?
00:35:00You know where?
00:35:01Sous-titrage Société Radio-Canada
00:35:31...
00:36:01...
00:36:31...
00:36:33Sarah, it's me, dear.
00:36:35You wanted to speak to me.
00:36:38Sarah!
00:36:38Sarah!
00:36:39Sarah!
00:36:41Sarah!
00:36:42Sarah!
00:36:43Sarah!
00:36:44Sarah!
00:36:45Sarah!
00:36:46Sarah!
00:36:47Sarah!
00:36:48Sarah!
00:36:49Sarah!
00:36:50Sarah!
00:36:51Sarah!
00:36:53Sarah!
00:36:54Sarah!
00:36:55Sous-titrage Société Radio-Canada
00:37:25Sous-titrage Société Radio-Canada
00:37:55Sous-titrage Société Radio-Canada
00:38:25Sous-titrage Société Radio-Canada
00:38:55Sous-titrage Société Radio-Canada
00:39:25Sous-titrage Société Radio-Canada
00:39:27I'm your friend
00:39:29This is a month's wages
00:39:31I want you out of here this afternoon
00:39:32What are you talking about?
00:39:34I was only making a call
00:39:36Get out
00:39:38Did you really think this house
00:39:41belonged to you?
00:39:43Do you know
00:39:45how many years
00:39:47I've been with your family?
00:39:49Too many
00:39:50Sarah
00:39:55I'm your friend
00:39:57I want you to be around the store?
00:40:05I want you to be around the store
00:40:05Even and I think they're here
00:40:06You know
00:40:07So
00:40:08I'll get by
00:40:09L'you know
00:40:09How can I season?
00:40:09Well
00:40:10Here comes a walking
00:40:40Alan, hi.
00:40:42I hope this is good news.
00:40:45It wasn't your imagination, the dizzy spell.
00:40:48You're pregnant.
00:40:50Pregnant?
00:40:53Well, I'll let you go. I've got a patient.
00:40:56I'm happy for you, Sarah.
00:40:58We'll see each other next week, okay?
00:41:00Okay. Thanks, Alan.
00:41:02Bye-bye.
00:41:04Goodbye.
00:41:10Austin Hardy, please.
00:41:32Oh, boy.
00:41:33I think we have to celebrate, throw a party, huh?
00:41:36Oh, I'd love that.
00:41:37We can invite at Caroline, Uncle Nutty, and the Claiborne's.
00:41:39It'll make your favorite roast.
00:41:41Great.
00:41:44Let Miss Thetford help you.
00:41:46I fired her today.
00:41:48Why?
00:41:48I let her go.
00:41:49She was always questioning me,
00:41:51wondering where I was and where I was going.
00:41:53I don't know. I just...
00:41:55Look, whatever.
00:41:56I'm sure you have good reason, huh?
00:41:58What's important is we're going to be a family.
00:42:01Mwah!
00:42:03Yeah!
00:42:04Woo!
00:42:06You all heard of that.
00:42:07Canst thou not minister to a mind diseased?
00:42:10Fluck from the memory of rooted sorrow?
00:42:12Lays out the written trouble to the brain...
00:42:13This is so exciting.
00:42:14Austin must be so thrilled.
00:42:16Oh, he is.
00:42:17Oh, and I have the most divine obstetrician for you.
00:42:20Who?
00:42:21Well, he's 35 years old.
00:42:23He's handsome. His name is Burton McMahon.
00:42:25Ooh, is he married or divorced?
00:42:27What do you care, honey?
00:42:28I found him. I get to keep him.
00:42:29No, really, he delivered my cousin's baby last month.
00:42:31He is great.
00:42:33In fact, I'll call him for you.
00:42:34Uh, if you promise to invite him to that party you're having...
00:42:38Which is when?
00:42:39The 16th.
00:42:40The 16th.
00:42:41Oh, great, of course.
00:42:42I-I think I have to rehearse that night.
00:42:44But maybe I can come by afterwards, okay?
00:42:45Okay, baby, great.
00:42:46You want to favor us with your presents?
00:42:48Yes, darling.
00:42:49I love you.
00:42:50I am so happy for you.
00:42:51I told you everything was going to work out fine.
00:42:53Thanks.
00:42:54I'll see you soon, okay?
00:42:55Okay, bye.
00:42:55Bye.
00:42:56Do you and Lucy have a good time today?
00:43:00Yeah.
00:43:01I watched her rehearse.
00:43:04Guess I'll do those later.
00:43:05Mm-hmm.
00:43:11By the way, who do we know in Grand Rapids?
00:43:14Where?
00:43:15Grand Rapids.
00:43:16Here on the phone bill.
00:43:18I don't know.
00:43:18Why?
00:43:20Must have been Miss Thetford, huh?
00:43:22Well, that's right.
00:43:24This was the day you fired her, remember?
00:43:29What's wrong?
00:43:31Nothing.
00:43:33I'm fine.
00:43:47Karen for a girl.
00:43:48Jamie, if it's a boy.
00:43:49But Sarah has the last word.
00:43:51Oh, I'm partial to the kings of England.
00:43:53George, James, Henry, Arthur.
00:43:56I don't know.
00:43:57Artie, Artie?
00:43:58Oh.
00:44:00Or Andrew.
00:44:01Oh, there you go.
00:44:02Andy, Artie.
00:44:03Or how about Halen?
00:44:04What do you think, Dr. McMahon?
00:44:06Halen?
00:44:07Halen Hottie.
00:44:08Oh, I think this man needs another drink.
00:44:10So, are you enjoying your pregnancy?
00:44:13Absolutely.
00:44:15No anxieties?
00:44:16No, but you prefer me completely neurotic?
00:44:20Of course not.
00:44:21Are you jealous?
00:44:24Of what?
00:44:25Of Austin.
00:44:28Austin?
00:44:29It's been very supportive and wonderful lately.
00:44:32Oh, and I haven't?
00:44:33I'm sorry.
00:44:36You're right.
00:44:37You've been right about everything.
00:44:39Have I?
00:44:40Yes, you have.
00:44:41You're right about Miss Thetford, about the dizzy spills.
00:44:46You've helped me realize how much I have to give to Austin and to the baby.
00:44:51We have to stop.
00:44:52Stop what?
00:44:53Looking at each other.
00:44:55Sarah, I'm your doctor.
00:44:57I have to look at you.
00:44:58Hey, there you are.
00:45:02I better check the roast.
00:45:04I've got my tape.
00:45:06Like mother, like daughter.
00:45:08Dorothy always forgot at least one dish.
00:45:10Excuse me a minute.
00:45:15I'm so glad they're not going to wait to have children.
00:45:17I hate all those 40-year-olds with toddlers.
00:45:20Did she look all right to you?
00:45:23Why is she worried about the food?
00:45:26What happened to Miss Thetford?
00:45:27Oh, I told you.
00:45:29She fired her.
00:45:30Why on earth would she do that?
00:45:40Party's doing great.
00:45:42Leave me out?
00:45:44I can't find the carving knife.
00:45:46I think the roast is done.
00:45:49Hey, are you okay?
00:45:52Yes, I'm fine.
00:45:55Whew!
00:45:55You know you're going to be the best mother in the world.
00:45:59You know that, don't you?
00:46:03What's the matter?
00:46:05Somebody's out there.
00:46:11I don't see anyone.
00:46:14I'll get that.
00:46:15You're listening to Miss Thetford.
00:46:34You're listening to Miss Thetford.
00:46:36Please know that you're waiting for her.
00:46:36You're listening to Miss Thetford.
00:46:39Isn't that a woman?
00:50:40Sarah, talk to me.
00:51:04You don't think I feel what you're feeling?
00:51:11It was my baby, too.
00:51:15You're right to be angry.
00:51:17Honey, I'm not angry.
00:51:19I just...
00:51:19I want to help you.
00:51:22When I was 12, my mother drowned herself.
00:51:29I watched her do it.
00:51:35Maybe I wanted her to die.
00:51:37Maybe I'm paying for it now.
00:51:42But whatever's happening to me, I can't stand having you witness it.
00:51:46What are you talking about?
00:51:51I'm your husband.
00:51:53I want a divorce.
00:51:57That's crazy talk.
00:51:59You're depressed.
00:52:01If it's the baby, we can have another one.
00:52:03We can work this thing out.
00:52:04I'm sure we can work out a fair settlement
00:52:06considering everything you've had to put up.
00:52:08Sarah, you're my wife.
00:52:09I love you.
00:52:10I'm not going to abandon you.
00:52:12Then it's up to me.
00:52:34I'll go to bed.
00:52:39I need to go to bed.
00:52:40I'll go to bed.
00:52:41Thank you.
00:52:41Thank you.
00:52:42Take it.
00:52:45Thank you.
00:52:46Merci.
00:53:16She's not doing very well and neither am I.
00:53:28She wants a divorce.
00:53:29Give me a couple hours.
00:53:31Until she's asleep, then I'll meet you.
00:53:46Honey, I really think you ought to get some sleep.
00:54:16Austin?
00:54:32May I come in?
00:54:34Sure.
00:54:35Come on in.
00:54:36Thanks.
00:54:37Sarah's upstairs in the bedroom.
00:54:39OK, if I go up?
00:54:41Yeah, sure.
00:54:46Sarah, how are you doing?
00:55:02Sarah, talk to me.
00:55:08How's she doing?
00:55:25She just went to bed.
00:55:27Did she take her medication?
00:55:29Mm-hmm.
00:55:30Just now.
00:55:31Did she talk to you at all?
00:55:38Just a little.
00:55:39What did she say?
00:55:42She told me she wants a divorce.
00:55:47I think she might give me the house.
00:55:51And would you settle for that?
00:55:54I don't know.
00:55:55I don't know.
00:55:56I don't know.
00:55:57I don't know.
00:55:58I don't know.
00:55:59I don't know.
00:56:00And would you settle for that?
00:56:02Maybe.
00:56:03Well, I won't.
00:56:04I won't at all.
00:56:12We're gonna have it on.
00:56:18Mm, she is right on the edge, you know.
00:56:22It's her mother in spades.
00:56:24The voices, the visions, the collapse.
00:56:31Now the baby.
00:56:32I mean, they're not gonna be at all surprised when she kills herself.
00:56:38And all we have to do is run a bath.
00:56:41She might wake up.
00:56:44No, she won't.
00:56:45I made her take three sleeping pills.
00:56:47Your turn.
00:57:11It's me.
00:57:12That's my turn.
00:57:41Sous-titrage Société Radio-Canada
00:58:11Sous-titrage Société Radio-Canada
00:58:41Sous-titrage Société Radio-Canada
00:59:11Who is it?
00:59:36Mr. Hardy, it's the police.
00:59:40Just a minute.
00:59:49Evening, sir.
00:59:50I'm Lieutenant Shingler.
00:59:52Is your wife at home, Mr. Hardy?
00:59:55Yes, but she's in bed asleep.
00:59:57Sir, are you sure?
00:59:58Of course I'm sure.
01:00:01Why?
01:00:03What happened?
01:00:08There was an empty vial of pills in her coat pocket with her name on it.
01:00:12She must have slipped out while you were sleeping.
01:00:15It's just like her mother.
01:00:17Yes, sir.
01:00:17I remember that night she drowned.
01:00:20Oh, God.
01:00:21I'm back to the base for more fuel.
01:00:24We're going to continue the search, but it looks hopeless.
01:00:28I know what some people said about Sarah.
01:00:44They said she was too good for this world.
01:00:49I don't believe that.
01:00:50Not for a second.
01:00:53That makes her sound weak.
01:00:55And Sarah was anything but weak.
01:00:59Kind, gentle, sensitive.
01:01:03Those are blessings, not weaknesses.
01:01:09We all knew what kind of a mother she was going to be.
01:01:13The best any woman could be.
01:01:18But Sarah didn't know.
01:01:21And that, more than anything, was Sarah's tragedy.
01:01:26Now, if there's anything you need, don't hesitate to call us.
01:01:30Thank you.
01:01:32Thank you both.
01:01:33Mr. Hardy, it's, uh, it's such a terrible loss.
01:01:56Yes, Miss Thetford, it is.
01:02:00I just can't believe, after all of this,
01:02:02all those years, that Sarah wouldn't mention me in her will.
01:02:09Sarah didn't mention you, Miss Thetford,
01:02:11because she didn't leave her will.
01:02:13Well, if I knew I was going to die, I would certainly make provisions.
01:02:22Sarah didn't know she was going to die.
01:02:24But perhaps it was an oversight on Sarah's part not to have left the will.
01:02:36But perhaps it was an oversight on Sarah's part not to have left the will.
01:02:44Would $10,000 seem fair compensation?
01:02:52It would certainly help.
01:02:53I'll be in touch.
01:02:56Come on, Miss Thetford.
01:02:57Come on, Miss Thetford.
01:02:58Come on, Miss Thetford.
01:02:59Come on, Miss Thetford.
01:03:00Come on, Miss Thetford.
01:03:00Come on, Miss Thetford.
01:03:01Come on, Miss Thetford.
01:03:02Come on, Miss Thetford.
01:03:03Come on, Miss Thetford.
01:03:04Come on, Miss Thetford.
01:03:05Come on, Miss Thetford.
01:03:06Come on, Miss Thetford.
01:03:07Come on, Miss Thetford.
01:03:08Come on, Miss Thetford.
01:03:09Come on, Miss Thetford.
01:03:10C'est parti.
01:03:40C'est parti.
01:03:48Austin.
01:03:52Austin.
01:03:55Austin.
01:03:58Austin, you've been a very bad boy.
01:04:03Well, what are we going to tell people?
01:04:10Lucy, not now.
01:04:12We've got a problem.
01:04:15What problem? We don't have any problems.
01:04:17It's Setford. She can't believe Sarah wouldn't leave her any money.
01:04:20Oh, Austin, don't be silly. She's just upset.
01:04:22I mean, after all, she is the one who slaved away for the Yorks all those years.
01:04:26She's just in shock that Sarah fired her.
01:04:28Well, I told her it was an oversight on Sarah's part.
01:04:31I'm giving her $10,000.
01:04:33Oh, you're not going to pay her.
01:04:34If it gets her off our backs, why not? There's plenty.
01:04:37Well, she doesn't have a clue. Come on.
01:04:39She's just taking her best shot. You know you're encouraging her.
01:04:42Lucy, I don't want trouble.
01:04:44What could she do? What could she possibly know?
01:04:49Hmm?
01:04:50Come on. Relax.
01:04:55Maybe you're right.
01:04:58You know what I'd do for $10,000?
01:05:01No. What would you do?
01:05:04Anything you want.
01:05:14Bring your check, Buck.
01:05:44I'm sure she's lying there.
01:05:47I'll do it.
01:05:48Big work, Bobby.
01:05:51I'll do it again.
01:05:52Get back inside the floor.
01:05:59Brings hisめて.
01:06:08Niceow.
01:06:09Don't do it.
01:06:12Okay, please.
01:06:13Merci.
01:06:43Merci.
01:07:13Merci.
01:07:43Austin?
01:07:44What are you doing out here?
01:07:58Somebody was in the house.
01:08:01You see?
01:08:02I told you.
01:08:03What?
01:08:04Her picture.
01:08:05It's gone.
01:08:06Someone was in here.
01:08:07Austin.
01:08:13Hello?
01:08:14Hello.
01:08:15Mr. Hardy?
01:08:16Who is this?
01:08:17This is Emily Thutford.
01:08:18You assured me you were going to get in touch.
01:08:20I haven't heard from you.
01:08:21Miss Thutford I told you you'd be taken care of.
01:08:22Do I get my money or do I get a lawyer?
01:08:24Of course she'll get your money.
01:08:25What's the problem with it?
01:08:26What's the problem?
01:08:27I get my money.
01:08:28Miss Thutford, I told you you'd be taken care of.
01:08:32Do I get my money or do I get a lawyer?
01:08:37Of course she'll get your money.
01:08:39What's the problem?
01:08:40Go ahead, I get thepurna.
01:08:42I was a traitor.
01:08:43What's the problem?
01:08:44Don't let them know if you want.
01:08:45I've been keeping the bill.
01:08:46I want to let them know your money.
01:08:48You've got it.
01:08:49I don't know if you want to get my money.
01:08:50Qu'est-ce que c'est le problème ?
01:08:53All I want is my money, Mr. Hardy.
01:08:56I'm sure...
01:08:59...you don't want any more questions raised about Sarah.
01:09:04I don't know what you're implying, Miss Thetford.
01:09:07Maybe you had better get a lawyer.
01:09:11Something scared that girl to death.
01:09:14And I know it wasn't me.
01:09:17So why don't we just stop kidding each other and get down to business ?
01:09:22I told you you'd get your ten thousand dollars.
01:09:28Ten ?
01:09:30I must have left out a zero.
01:09:33A hundred thousand dollars, Mr. Hardy.
01:09:36Tonight.
01:09:41Did you hear me ?
01:09:44I heard you.
01:09:55Lucy ?
01:09:58Lucy ?
01:10:04What's the matter ?
01:10:05Thetford's on to us.
01:10:06I'll have to pay her off.
01:10:07Wait a minute. Now calm down.
01:10:09Don't tell me to calm down. She knows something.
01:10:11What ? What exactly did she say ?
01:10:12She practically accused me of killing Sarah.
01:10:17It had to be her.
01:10:18What ? What are you talking about ?
01:10:20In the house last night.
01:10:21Austin, you're being ridiculous.
01:10:22You think I'm imagining things ?
01:10:24I think you're acting like Sarah.
01:10:28You hear that ?
01:10:29What ?
01:10:32That.
01:10:33Austin, I don't hear a thing.
01:10:35Austin, don't. Now, Austin ?
01:10:44Austin ?
01:11:01Austin ? What is it ?
01:11:03What the hell are you doing here ?
01:11:30Alan ?
01:11:32I'm sorry. I didn't mean to frighten you.
01:11:33I tried the front door and there was nobody there.
01:11:37I thought I heard someone out here.
01:11:39So what are you doing snooping around here ?
01:11:41Just curiosity.
01:11:44We used to play hide and seek here.
01:11:47Remember, Luce ?
01:11:48That was a long time ago, Alan.
01:11:50My mistake.
01:11:52My mistake.
01:11:55This is where Sarah came, isn't it ?
01:11:57The night she collapsed.
01:11:59So ?
01:12:01Well, I'm just wondering what happened.
01:12:04You used to play dress up, too, didn't you, Luce ?
01:12:07Always a good little actress.
01:12:09You see, I never thought Sarah was, uh, hallucinating.
01:12:13But then, I never thought she was suicidal, either.
01:12:18Maybe she just had the wrong doctor.
01:12:21Or the wrong husband.
01:12:25You'd better leave.
01:12:26Now.
01:12:35Bye, Lucy.
01:12:36Bye.
01:12:37Bye.
01:13:06Bye.
01:13:33Austin.
01:13:36He can't prove anything, OK ?
01:13:38There is nothing to prove.
01:13:41Sarah killed herself.
01:13:46Austin, let's just go to bed.
01:13:47Go ahead.
01:13:48I'll be right there.
01:13:49I'm fine.
01:13:50Go ahead.
01:13:51I'm fine.
01:13:52I'm fine.
01:13:53Go ahead.
01:14:21Oh, God.
01:14:22Oh.
01:14:23Oh.
01:14:24Oh.
01:14:25Oh.
01:14:26Oh.
01:14:27Oh.
01:14:28Oh.
01:14:29What happened ?
01:14:30The night I came home from the hospital, I heard Austin on the phone.
01:14:46And then Lucy shows up at the house.
01:14:48It's all been about my money, Austin, the marriage, Lucy, everything.
01:14:53Why didn't you call me right away?
01:14:54Why did you wait so long to come here?
01:14:55I really thought I was going crazy.
01:14:57Even after I ran away, I didn't care what happened to me.
01:15:01Then I went back to the house.
01:15:02Don't you understand the danger?
01:15:04I was looking for something.
01:15:05Anything I could use against them.
01:15:07You've got to go to the police with this.
01:15:09What can I tell the police?
01:15:11They have no evidence.
01:15:12If anybody looks guilty, it's me.
01:15:14I'm the one who's supposed to be dead, and suddenly I'm alive.
01:15:17You know the wildest thing?
01:15:22Austin is still my husband.
01:15:39I love you.
01:15:43How now, you secret blackened midnight hag?
01:15:48What is it you do?
01:15:49A deed without a name.
01:15:54I come to you by that which you profess, howe'er you come to know it.
01:15:59Answer me.
01:16:00What if Sarah says something to him?
01:16:02Like what?
01:16:03I mean, what is she gonna say?
01:16:04I think I'm hearing things?
01:16:05I'm telling you she said something.
01:16:06Why else would he show up there?
01:16:07What if he comes back?
01:16:08Austin, Sarah is dead.
01:16:09There is nothing to find.
01:16:10He can't prove anything.
01:16:12You can go to the police.
01:16:13With what?
01:16:14Don't be stupid.
01:16:15There's checks.
01:16:16There's phone records.
01:16:17You name it.
01:16:18Hey!
01:16:19We're rehearsing here.
01:16:20Austin, I want you to go back to the house.
01:16:23Go through all your files.
01:16:25You'll find anything incriminating.
01:16:26Burn it.
01:16:27You understand?
01:16:28That poor woman, she's in on this too.
01:16:30I'll go there first.
01:16:32Austin, wait a minute.
01:16:34I know exactly what I have to do.
01:16:36The power of blood that hath eaten her nine sparrows.
01:16:39What?
01:16:40Oh!
01:16:41Oh!
01:16:42No.
01:16:43No!
01:16:44No!
01:16:45No!
01:16:46No.
01:16:47No.
01:16:48No!
01:16:49No!
01:16:50No.
01:16:52No!
01:16:53No.
01:16:54No.
01:16:55No.
01:16:56No.
01:16:57No.
01:16:58No.
01:16:59No.
01:17:00No.
01:17:01No.
01:17:02No!
01:17:03No.
01:17:04No.
01:17:05C'est parti.
01:17:35C'est parti.
01:18:05C'est parti.
01:18:35C'est parti.
01:18:36C'est parti.
01:18:37C'est parti.
01:18:38C'est parti.
01:18:39C'est parti.
01:18:40C'est parti.
01:18:41C'est parti.
01:18:42C'est parti.
01:18:43C'est parti.
01:18:44C'est parti.
01:18:45C'est parti.
01:18:46C'est parti.
01:18:47C'est parti.
01:18:48C'est parti.
01:18:49C'est parti.
01:18:50C'est parti.
01:18:51C'est parti.
01:18:52C'est parti.
01:18:53C'est parti.
01:18:54C'est parti.
01:18:55C'est parti.
01:18:56C'est parti.
01:18:57C'est parti.
01:18:58C'est parti.
01:18:59C'est parti.
01:19:00C'est parti.
01:19:01C'est parti.
01:19:02C'est parti.
01:19:03C'est parti.
01:19:04C'est parti.
01:19:05C'est parti.
01:19:06C'est parti.
01:19:07C'est parti.
01:19:08C'est parti.
01:19:09C'est parti.
01:19:10C'est parti.
01:19:11C'est parti.
01:19:12C'est parti.
01:19:13C'est parti.
01:19:14C'est parti.
01:19:15C'est parti.
01:19:16C'est parti.
01:19:17C'est parti.
01:22:07Blue Mercedes
01:22:31License plate number one
01:22:33A-B-H-1
01:22:35Driver's name is Austin Hardy
01:22:37Brown hair, six feet, 170 pounds
01:22:41Wearing blue jeans and a navy blue cashmere sweater
01:22:44He's carrying a .38 caliber revolver
01:22:47Approached with extreme caution
01:22:49Where will you be today, Mrs. Hardy?
01:22:52At the Homie Clinic
01:22:53Does your husband know about this place?
01:22:56Yes
01:22:56Pull all the rainstraps and men posted there
01:22:58Lieutenant, can I see you in a second?
01:23:00Excuse me
01:23:01No other car involved, no other tire tracks
01:23:11Just these, uh, skid marks here
01:23:13Looks like he stopped over there
01:23:14Thawed it over
01:23:15And, uh, just went for the rail
01:23:17Turn on the cops!
01:23:23Turn on the cops!
01:23:26Give me another 20 feet!
01:23:28We're going to need her
01:23:29To identify the body
01:23:31I can identify the body
01:23:33And she's been through enough
01:23:34Sure
01:23:35Danny?
01:23:36You want to take Mrs. Hardy to her house?
01:23:39Oh, oh, oh, oh
01:23:41This won't take long, okay?
01:23:42I'll be there as soon as I can
01:23:53I wasn't ready!
01:23:55See the house gone right over here!
01:24:01Here we are!
01:24:42...
01:25:12...
01:25:42...
01:25:44...
01:25:46...
01:25:48...
01:25:50...
01:25:52...
01:25:56...
01:26:00...
01:26:02...
01:26:04...
01:26:06...
01:26:08...
01:26:26...
01:26:28...
01:26:34...
01:26:36...
01:26:38...
01:26:40...
01:26:42...
01:26:44...
01:26:48...
01:26:52...
01:26:54...
01:26:56...
01:26:58...
01:27:02...
01:27:04...
01:27:06...
01:27:08...
01:27:14...
01:27:16...
01:27:18...
01:27:20...
01:27:22...
01:27:24...
01:27:26...
01:27:30...
01:27:32...
01:27:34...
01:27:36...
01:27:38...
01:27:40...
01:27:42...
01:27:46...
01:27:48...
01:27:50...
01:27:52...
01:27:54...
01:28:00...
01:28:02...
01:28:04...
01:28:06...
01:28:08...
01:28:10...
01:28:20...
01:28:22...
Écris le tout premier commentaire