- 2 days ago
Classic 1947 – Scared to Death stars the legendary Bela Lugosi in a chilling mystery thriller told entirely from the perspective of a dead woman. Strange events unfold in a sinister mansion where secrets, hypnosis, and fear intertwine. A rare color film from Lugosi that blends horror and suspense in true classic style.
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Short filmTranscript
00:00:00The End
00:00:30THE END
00:01:00Is this the body?
00:01:23Yes, Doctor.
00:01:23And the police are particularly anxious that the cause of death be determined at the earliest possible moment.
00:01:29It's a pity. She was a very beautiful woman.
00:01:32One hates to perform an autopsy on a beautiful woman.
00:01:35But you've no other choice, Doctor.
00:01:37Most unusual.
00:01:40There are no marks of violence on the body.
00:01:42What do they suspect? Poison? Have they any idea?
00:01:44My understanding is, Doctor, that the authorities are entirely at sea as to how she was killed.
00:01:49They know why, but they also have the fellow who killed her.
00:01:52Yes, yes, that doesn't matter. That's none of our business.
00:01:54Our business is to find out what killed her.
00:01:57And yet, one often wonders, what could have caused the last thought that was cut off by death?
00:02:06If it was spoken now, what would it be?
00:02:14If you're here, you've found me at a loss.
00:02:19But you know what you're telling me. I warn you.
00:02:21Don't come and out, Skip.
00:02:23No, don't. Please.
00:02:25Don't.
00:02:26No. No, I told you I didn't want the bandage.
00:02:30But why, Laura? Why are you so opposed to the bandage?
00:02:36Does it remind you of something, perhaps?
00:02:39What do you mean?
00:02:40Oh, nothing, Laura. Nothing.
00:02:43Now, won't you lie down again and let me complete the examination?
00:02:46You're a sick girl, you know, in a highly nervous condition.
00:02:50I want to know what you meant by saying the bandage reminded me of something.
00:02:53If you don't know, how should I?
00:02:56You don't fool me for a minute, Doctor.
00:02:58I know how you feel about me.
00:03:00Do you, Laura? Then I wish you'd tell me, for I don't know.
00:03:03I don't know how I feel about you at all.
00:03:06You're clever, Doctor.
00:03:08But I'm wise to you and that fool of a son of yours.
00:03:11How long have you been married to Ward now?
00:03:14Too long.
00:03:15And why don't you give him his divorce?
00:03:18He's asked you often enough.
00:03:20I'll give him a divorce when I'm good and ready.
00:03:23I see.
00:03:25I'm not afraid of anything he can do, or you, or anyone else.
00:03:28I'll give him a kiss.
00:03:30What's that?
00:03:33Your heart's beating like a triptamer.
00:03:36I must warn you of this high state of nervous tension.
00:03:41What's that noise?
00:03:58It's only a branch tapping against the window.
00:04:07Now, my dear Laura, if you want me to help you, you must tell me what it is you fear.
00:04:14I told you I'm not afraid of anything.
00:04:18I know what's going on here.
00:04:20Someone's trying to scare me out, but it won't work, see?
00:04:23Here I am, and here I'll stay until I rot.
00:04:25I'm afraid there's more truth in that than you suspect.
00:04:29Laura, I must ask you not to cause father any more trouble.
00:04:36I don't want you threatening him, you hear?
00:04:38You too.
00:04:39You're so cute.
00:04:41I'm sure you want to be alone.
00:04:44You're not going to make him pay for my mistake.
00:04:46What are you going to do about it?
00:04:47I'd like to...
00:04:48You'd like to choke me, wouldn't you, Ward?
00:04:50You haven't got the nerve.
00:04:53Here.
00:04:53This is the only thing you ever gave me.
00:04:56You can have it back.
00:05:02She's right.
00:05:03I gave her this when we were married.
00:05:05It's the only gift that ever passed between us.
00:05:08Ward, what do you propose to do about Laura?
00:05:11What can I do?
00:05:12She won't leave me.
00:05:13She won't give me a divorce.
00:05:14Things can't go on this way, you know.
00:05:17Dad, what is the matter with her?
00:05:19What do you think is wrong?
00:05:21I don't know.
00:05:22Well, she wasn't this way until she began getting those letters from abroad, you remember?
00:05:27Yes.
00:05:27It had something to do with those letters.
00:05:29But you would have thought that when they stopped coming, that...
00:05:31What is it, Lillibet?
00:05:33There's a patient, doctor.
00:05:35A Mrs. Williams.
00:05:36Williams?
00:05:37That's the name she gave.
00:05:38And she's decked out like she's going to a horse show.
00:05:44I can't see anyone today.
00:05:45Ask her to make another appointment.
00:05:46Dad, please don't let what's happening to fear with your practice.
00:05:49Oh, very well.
00:05:49Send her in in a few minutes.
00:05:50Sure, doctor.
00:05:51Oh, yeah.
00:05:52That Bill Raymond's waiting.
00:05:53Do you want to see him?
00:05:53Who's he?
00:05:54That private cop who's always hanging around, just hoping somebody gets murdered.
00:05:57Oh, yes.
00:05:58He's probably come for his check.
00:05:59Take care of it.
00:06:00Will you, Ward?
00:06:01Yes.
00:06:02Now, Lillibet.
00:06:03Yes.
00:06:04This for you.
00:06:06Gee.
00:06:07Thanks, Mr. Warren.
00:06:09But this belongs to Mrs. Vanee, doesn't it?
00:06:11Not anymore.
00:06:12It's all yours.
00:06:13She won't get sore, though, she.
00:06:13I don't want to have any trouble with her.
00:06:15You know how she is.
00:06:16I know.
00:06:17We all know Lillibet.
00:06:18And I want to thank you for your patience.
00:06:20Run along now, Lillibet.
00:06:21Yes, doctor.
00:06:26You made a fatal mistake, my boy, in marrying Laura.
00:06:30Yes, I know.
00:06:31But you don't suppose I'm going to stand for it forever, do you?
00:06:33No, I don't.
00:06:35And I don't think it will be necessary.
00:06:38Do you have a plan?
00:06:39I think it will be better if you leave everything to me.
00:06:48From the day a mysterious caller came to see Dr. Vanee.
00:06:56Oh, yes.
00:06:56I remember now, Mrs. Williams.
00:06:58I spoke to you this morning on the telephone.
00:07:00I'm sorry, but I can't tell you any more now than I told you then.
00:07:04Oh, naturally, doctor.
00:07:05I did not mean to imply that there were any abnormal goings-on here.
00:07:10I assure you, that is not, Mrs. Williams, nor will there be.
00:07:13Nevertheless, doctor, the way you were described to me
00:07:16and the way your place was described to me,
00:07:18I am certain that I am in the right place.
00:07:21May I ask from whom you obtained these descriptions?
00:07:24From a friend, doctor.
00:07:26A mutual friend.
00:07:28Lillibet.
00:07:29The woman I love.
00:07:32Can't we be friends?
00:07:33Stop tracking your big, flat feet after me wherever I go.
00:07:37I've got things to do.
00:07:39Oh, gee, it's wonderful just to see you around,
00:07:42visiting yourself, the little housewife.
00:07:44I never knew the cop who didn't love to stand around
00:07:47and watch other people work.
00:07:50Mrs. Williams, it's obvious from your conversation
00:07:52that you've come into possession of certain facts
00:07:55concerning my past.
00:07:57I know of only one person who could have given you that information.
00:08:00And it was my belief, yes, even my hope.
00:08:05That person was dead.
00:08:09But let me say, that even if that person were alive,
00:08:12I should not submit to blackmail from you
00:08:14or from anyone else.
00:08:17You show great courage, doctor,
00:08:18for one in your unusual position.
00:08:21There has been no question of blackmail.
00:08:23Well, I came here seeking your cooperation,
00:08:26which you have refused to give.
00:08:28So let us call the matter closed.
00:08:34Au revoir, doctor.
00:08:44Then came this sinister pair.
00:08:53My little guardian of the doorbell,
00:09:02if you had waited another second,
00:09:05Indigo and I should have kicked the door in.
00:09:08Yes, sir.
00:09:12Sir,
00:09:12there is an air of inquiry about you
00:09:17that immediately offends my deepest nature.
00:09:20There is something suggesting Scotland Yard,
00:09:24the French Sourte,
00:09:26the Italian Carabinieri,
00:09:28the Turkish Polisai,
00:09:30and other minions of the law.
00:09:33Short, sir,
00:09:34I think you're a cop.
00:09:36Yeah.
00:09:37How do you know?
00:09:40I believe
00:09:41I'm in the home of Dr. Joseph Van E.
00:09:44Yes, sir.
00:09:46I mean, sirs.
00:09:48Oh.
00:09:48Do not be polite to Indigo.
00:09:52He's only offended by it.
00:09:54Run along, Indigo.
00:09:55Make yourself at home.
00:09:57We got a nice tree in the yard,
00:09:58but it ain't got no coconuts.
00:10:00My little friend, Indigo, is deaf and dumb.
00:10:15He cannot hear and he cannot speak.
00:10:17But he reads the lips,
00:10:19and I would advise you to say nothing to an origin.
00:10:22It's temporary short, indeed.
00:10:25Indeed.
00:10:26This, I presume,
00:10:30is Dr. Van E.'s private office.
00:10:32Yes, sir.
00:10:33But I really should announce you.
00:10:35My dear girl,
00:10:37fire out myself to be announced.
00:10:39I doubt I would be received anywhere.
00:10:42I'm sorry.
00:10:43Really, I am.
00:10:44But the doctor won't see anybody
00:10:45without an appointment.
00:10:47Appointment?
00:10:47I have had an appointment with him
00:10:50these 20 years.
00:10:54He will see me.
00:10:55Doctor, doctor,
00:10:56someone, doctor!
00:11:01My dear doctor,
00:11:03truthfully can it be said
00:11:05that your house is your castle,
00:11:08protected by your countless slaves.
00:11:09So it is you, Leonide.
00:11:13I was warned you might appear
00:11:15like one of your own illusions
00:11:16out of nowhere.
00:11:20My dear Joseph,
00:11:22you have not changed a bit.
00:11:25Have you met my friend, Mr. Raymond?
00:11:27Raymond?
00:11:29Oh, Raymond!
00:11:31No doubt a relative
00:11:32of the great magician
00:11:33of the same name.
00:11:35Mr. Raymond is our private patrol officer.
00:11:37He keeps an eye
00:11:39on the premises for us.
00:11:41And other comings and goings.
00:11:45A very good idea,
00:11:46my dear Joseph,
00:11:48to have a private bodyguard
00:11:49and get you back and call.
00:11:52Well, you fellas are old friends.
00:11:54I can see that.
00:11:55Oh, yes.
00:11:57Old friends.
00:12:00Well, then maybe you'd like
00:12:01to be alone to talk
00:12:02over old times.
00:12:03A very good suggestion.
00:12:05Thank you, Mr. Raymond.
00:12:07I won't be far away, Doc.
00:12:12Well, so long, Mr. Leonide.
00:12:14Don't pull any more
00:12:15little men out of your hat.
00:12:19Well, Leonide,
00:12:20what brings you to me
00:12:21after all this time?
00:12:22The long arm of coincidence,
00:12:24my dear Joseph.
00:12:25Same to the long arm of coincidence.
00:12:28Aren't you glad to see me again?
00:12:29No.
00:12:30I can't say that I am.
00:12:33You with your foreign background
00:12:34and I,
00:12:35what are we two in a calm?
00:12:40Always truthful,
00:12:42cousin Joseph.
00:12:44As when you were young men,
00:12:47you might have said no
00:12:48and saved your career.
00:12:50But you prefer to tell the truth
00:12:52than ruin yourself.
00:12:54What do you want here, Leonide?
00:12:58A few days' hospitality,
00:13:00my dear Joseph.
00:13:01Nothing more.
00:13:03Is that too much
00:13:04for one cousin
00:13:04to ask of an author?
00:13:07Remember, we agreed
00:13:08not to think of each other
00:13:09as cousins again, Leonide.
00:13:11Bye, go on,
00:13:13my dear Joseph.
00:13:15And I'm willing to forget.
00:13:17And I suggest
00:13:18that you do the same.
00:13:21You've grown older, Leonide,
00:13:24but there may be
00:13:25something in what you say.
00:13:27I don't want to hold a grudge.
00:13:29But don't do anything
00:13:31that will make me
00:13:31regret my action.
00:13:36You have my promise.
00:13:38Now,
00:13:39if you will show me
00:13:40to my room.
00:13:41Oh,
00:13:42I should say,
00:13:43I have a traveling companion
00:13:45from whom I am
00:13:47inseparable.
00:13:49Who?
00:13:49Inigo.
00:13:51A dwarf.
00:13:52One of the little men.
00:13:54He became very much
00:13:55attached to me
00:13:55when he lost his master.
00:13:57You do not object.
00:13:59What good would that do?
00:14:01How true.
00:14:04Very well.
00:14:05You may have the room
00:14:06next to my daughter-in-law.
00:14:08I know you'll like that.
00:14:10Oh, yes.
00:14:11The lady
00:14:12who I'm told
00:14:13has an utmost horror
00:14:14of having your eyes
00:14:15blindfolded.
00:14:17A phobia
00:14:17or most interest
00:14:18in origin,
00:14:19I dare say.
00:14:21Something
00:14:21to think about.
00:14:27That night,
00:14:28my husband questioned
00:14:29Leonhard about my past.
00:14:35Captain Leo.
00:14:38Oh.
00:14:40My dear Lord.
00:14:43How flattering
00:14:44that you remember me.
00:14:45Well, how could I ever forget you?
00:14:46What are you doing here?
00:14:47A chance to visit my boy.
00:14:49I wanted to see
00:14:49the old homestead again.
00:14:51You've seen father?
00:14:52Yes,
00:14:53and he received me
00:14:54with open arms.
00:14:56In a manner of speaking.
00:14:57I don't mind telling you,
00:14:58you came at a very bad time.
00:15:00We're, uh,
00:15:01you're having some trouble.
00:15:03My boy,
00:15:04trouble and I are
00:15:05like this.
00:15:07I presume
00:15:08you refer to the charming
00:15:09lady in the room
00:15:10next to mine,
00:15:11your wife,
00:15:11I believe.
00:15:12Uh, yes,
00:15:13uh, Laura,
00:15:14I have met her.
00:15:15But I'm looking forward
00:15:16to the pleasure.
00:15:18I'd like to talk
00:15:19to you for a moment.
00:15:20All right.
00:15:23Perhaps you can help us.
00:15:25By doing what,
00:15:25my boy?
00:15:26You've been everywhere.
00:15:27You were caught
00:15:28in Europe during the war.
00:15:30I'd like to show you
00:15:31something.
00:15:31You may be just
00:15:32the person I'm looking for.
00:15:33If I can be of any service.
00:15:36Did you ever hear
00:15:37of a dance team
00:15:38called
00:15:38Renée and Lorette?
00:15:40I don't think so,
00:15:42my boy.
00:15:43And then again,
00:15:44must have been
00:15:44such a team.
00:15:45Look.
00:15:50Renée and Lorette,
00:15:52the dance of the green mask
00:15:53in the green room
00:15:54in Paris.
00:15:56Green room.
00:16:00Yes?
00:16:02Oh,
00:16:03the face of the man
00:16:05does seem
00:16:06slightly familiar.
00:16:07May I ask,
00:16:08where you got
00:16:10this photograph?
00:16:11I, uh, uh,
00:16:12the maid,
00:16:13Lilibet,
00:16:13found it in Laura's room
00:16:14and turned it over to me.
00:16:15Oh.
00:16:16My boy,
00:16:17I'm afraid
00:16:18I can't help you.
00:16:20I played in the green room
00:16:21on several occasions,
00:16:22but never with these people.
00:16:24In fact,
00:16:24I don't seem
00:16:25to remember them at all.
00:16:26And I appeared
00:16:27in many clubs
00:16:27during the occupation.
00:16:29I'm sure the girl
00:16:30behind the green mask
00:16:31in this picture
00:16:32is Laura.
00:16:33How can you be sure?
00:16:34Who can ever be sure
00:16:36what's behind the mask?
00:16:39If the people
00:16:39in this photograph
00:16:40could suddenly
00:16:42come to life.
00:16:44I'd like to know
00:16:44who the man is.
00:16:46It can be anyone,
00:16:47my friend.
00:16:48Anyone.
00:16:50In this makeup,
00:16:51it might be even I.
00:16:53I wish you wouldn't
00:16:53joke about it.
00:16:54This is very serious,
00:16:56of course.
00:16:57But let us say
00:16:57you found out
00:16:58who the man
00:16:58in the photograph is.
00:17:00What then?
00:17:00I have an idea
00:17:02that if the man
00:17:03in this picture
00:17:04were to show up,
00:17:05I'd find out
00:17:06I wasn't married
00:17:07to Laura at all.
00:17:09Think over what
00:17:10I've asked you.
00:17:11It'll be to your advantage.
00:17:12Certainly, my boy.
00:17:13I will give it
00:17:14every consideration.
00:17:15And perhaps
00:17:16something will occur.
00:17:18Do not.
00:17:22Don't you want
00:17:23to leave the photograph
00:17:24with me
00:17:24for my further study?
00:17:28It might be
00:17:28the very incentive
00:17:29that my memory needs.
00:17:30No, thanks, sir.
00:17:32I'll keep it.
00:17:33As you wish.
00:17:48Lorette, Lorette.
00:17:51I'll make a bet
00:17:54the man in green
00:17:55will get you yet.
00:18:00A gruesome surprise
00:18:16was in store for me
00:18:29the following morning.
00:18:40Who is it?
00:18:41It's me, ma'am.
00:18:42What do you want?
00:18:44The afternoon mail.
00:18:44You want it to know
00:18:45when it arrives.
00:18:48Was there anything
00:18:49for me?
00:18:49Yes, ma'am.
00:18:51Put it under the door.
00:18:52I can't.
00:18:53It's a package.
00:18:54I can't.
00:18:56I can't.
00:19:00What's in it?
00:19:01I don't know.
00:19:02It's against postal regulations
00:19:03to open other people's mail.
00:19:05That's never stopped you before.
00:19:06I'd like to know
00:19:07what you mean
00:19:07by that remark, ma'am.
00:19:08Oh, shut up and get out.
00:19:10Don't you want me
00:19:10to help you all?
00:19:10No, I don't.
00:19:11Get out.
00:19:12It's addressed to you
00:19:12in green ink
00:19:13with a warning.
00:19:14Look out
00:19:14for the man
00:19:15with the green mask.
00:19:15Oh, my God.
00:19:45To the rescue, ma'am.
00:19:47Whodunner, which way did he go?
00:19:48Get out.
00:19:49Get out.
00:19:50I just heard you yell.
00:19:52I was hoping it was a murder, at least.
00:19:54Get out.
00:19:55I tell you, you have no business here.
00:19:56Well, but you don't understand.
00:19:57I'm supposed to be here.
00:19:58That's what I'm being paid for.
00:19:59Paid?
00:20:00Yeah.
00:20:01You see, I'm Bill Walsh.
00:20:03Bill Walsh.
00:20:04Bill Walsh.
00:20:05Bill Walsh.
00:20:06Bill Walsh.
00:20:07Bill Walsh.
00:20:08Bill Walsh.
00:20:09Bill Walsh.
00:20:10Bill Walsh.
00:20:11Bill Walsh.
00:20:12Bill Walsh.
00:20:13Bill Walsh.
00:20:14Bill Walsh.
00:20:15Bill Raymond, private cop in this neck of the woods.
00:20:18I was hoping we'd have a little murder or something
00:20:20happen around here so that I could solve it
00:20:22and get my whole job back at Central Homicide.
00:20:25Nothing personal, of course.
00:20:27Who told you to say these things to me?
00:20:30Well, nobody.
00:20:31Nobody said nothing to me.
00:20:32I was just waiting around outside to see Dr. Wandi
00:20:35and I heard you yell.
00:20:37So you're a friend of that crazy doctor and his son?
00:20:40Crazy?
00:20:41You wouldn't want anyone to say you was crazy, even if you...
00:20:44You can go back and tell them I'm not afraid of being murdered by you or them or anyone else.
00:20:49No, I don't guess you are, ma'am.
00:20:51Still and all, if you was to get murdered and I was to find out who'd done it, it'd be kind of a break for me.
00:20:57I wouldn't say that to you, lady, even if I knew what it meant.
00:21:02I wouldn't say that to you, lady, even if I knew what it meant.
00:21:06Now, will you get out?
00:21:08All right, all right. I can take a hint.
00:21:10A nice little bit of a man you've got there.
00:21:12Get out.
00:21:13I'll go, I'll go, but don't think I'll come running next time you yell.
00:21:16I'll know it's a fake.
00:21:21I became afraid and my mind started to crack.
00:21:24I'm sorry.
00:21:26I'm sorry.
00:21:27I'm sorry.
00:21:28I'm sorry.
00:21:29I'm sorry.
00:21:30I'm sorry.
00:21:31I'm sorry.
00:21:32I'm sorry.
00:21:33I'm sorry.
00:21:34I got a little snook.
00:21:35I can't find him.
00:21:36I just want to know what I've got to try to get out of the crack.
00:21:44Lilybeth, my melancholy baby, where are you?
00:21:47Where'd you get that box?
00:21:48I don't know what you're talking about.
00:21:50You lying little snook going through my things.
00:21:52What'd you do with the picture?
00:21:53Where is it?
00:21:54I didn't see it.
00:21:55That's the last time you put your hands on me.
00:21:56I'll give you one more chance and then I'll...
00:21:58I told you I don't know where the picture is and I don't know what you're talking about.
00:22:01I've been you all the time going through my things,
00:22:03opening my mail, wrapping on my door at night.
00:22:06Now you're blaming me.
00:22:07I've never touched anything of yours.
00:22:08You've got my robe on now.
00:22:09Where'd you get that?
00:22:10I was just trying it on.
00:22:11Mr. Ward gave it to me.
00:22:12He said you didn't want it anymore.
00:22:14I'll tell you when there's something I don't want.
00:22:18Shut up.
00:22:18It's only a dummy.
00:22:20A dummy?
00:22:21Where'd you get that thing?
00:22:22I suppose you're going to tell me you don't
00:22:24want anything about that either.
00:22:26Oh, I bet it was in the box.
00:22:27In the box I brought up for you, that's what.
00:22:29There were no stamps on it.
00:22:30How did it get in the mail?
00:22:31I don't know.
00:22:32The doorbell rang, and I thought it was the mailman.
00:22:35I opened the door, and it was sitting there on the stoop.
00:22:37You're lying.
00:22:38No, I'm not.
00:22:39I don't mind telling a lie now and then,
00:22:41but I'm not lying now.
00:22:42Honest.
00:22:45Don't try to scare me out.
00:22:48I'm not leaving.
00:22:49No, but I am.
00:22:51You come here.
00:22:53You and Mr. Ward are pretty sick, aren't you?
00:22:55Thick?
00:22:55Yes, sick like your head.
00:22:57He's fallen in love with someone else.
00:22:58Who is she?
00:22:59I don't know.
00:23:00It's not me.
00:23:00I know it isn't you.
00:23:01I know all the signs.
00:23:03He's fallen in love with some simple-faced men.
00:23:08There's always a way to get even with them.
00:23:14I've got to find that picture.
00:23:16Otherwise, they won't know what he looks like.
00:23:18They've got to send it to the police.
00:23:20He won't dare to touch me.
00:23:22He won't dare to touch me.
00:23:23Who do you mean, the man in the picture?
00:23:26Have you seen him?
00:23:27Maybe I have, and maybe I haven't.
00:23:29Maybe I saw him go behind the ticket, or through the wall,
00:23:33or under the house.
00:23:34He's here, in the house?
00:23:35Yes.
00:23:36I let him in.
00:23:37I let him in.
00:23:38He was waiting outside to get you, Miss LaValle.
00:23:41Miss LaValle.
00:23:43There's nothing safe from your prying eyes, is there?
00:23:45You think you know everything, don't you?
00:23:47I know why you're afraid, and I know what you've done.
00:23:50No, I'm not so thick.
00:23:51I'm not as thick as you think I am, Miss LaValle.
00:23:54That head's supposed to be you, kind of a calling card.
00:23:56I don't remind you that.
00:23:57Why, you!
00:24:02Excuse me, lady.
00:24:19Oh, I'm afraid.
00:24:21Oh, I'm afraid.
00:24:23Where are you hiding?
00:24:33Doctor Banné!
00:24:34Doctor Banné!
00:24:43Doctor Banné!
00:24:44Doctor Banné!
00:24:45Doc.
00:24:46Doc.
00:24:47Fun is fun.
00:24:48But after all, there ain't nothing in my contract
00:24:49that says I gotta...
00:24:50Well, now I ask.
00:24:51Is that anything to be playing football with?
00:24:52Miss Fanny chucked it at me like I was a pass receiver for a football team.
00:24:55And I'm all out of practice.
00:24:56Let me see it.
00:25:01This comes from a group of anatomical specimens that was locked in a room in the cellar.
00:25:05How did you happen to get it?
00:25:07That's what I'm trying to tell you.
00:25:09There I was, outsider door, strictly minding my own business, understand?
00:25:13Listening at the keyhole.
00:25:14I don't think that belongs in the realm of your duties, Raymond.
00:25:17I don't think that belongs in the realm of your duties, Raymond.
00:25:20But, Doc, there were screams inside.
00:25:21You've got to admit it's within the longitude of my profession to make with an investigatory reaction there too.
00:25:26What am I saying?
00:25:27I don't understand how this head got from its loved room in the cellar.
00:25:31Well, the way I heard it, it was sent to Mrs. Vannay.
00:25:34That was rather a gruesome, practical joke.
00:25:36Why, your anatomical locker hasn't been opened for ages.
00:25:39I think you once told me you'd lost the only key to it.
00:25:41I know.
00:25:42There is no key to my knowledge.
00:25:44I don't think that belongs in the realm of your duties, Raymond.
00:25:46You've got to admit it's within the longitude of my profession to make with an investigatory reaction there too.
00:25:48What am I saying?
00:25:49To my knowledge.
00:25:50Why, that thing didn't walk out of the room by itself.
00:25:54Hardly.
00:25:58Doc, I'm worried.
00:26:00What about Raymond?
00:26:01Well, now, take this head business.
00:26:03The whole thing don't seem hardly serious to me.
00:26:06I think that if it's all the same to you, I better be checking along to other duties.
00:26:11You're not afraid, are you, Raymond?
00:26:13Who, me?
00:26:14Scared?
00:26:15I don't think that there's going to be any murder here done after all.
00:26:20That's too bad.
00:26:22Well, it's not your fault, I guess.
00:26:25It's just not my lucky day, that's all.
00:26:28I can't wait.
00:26:29Thank you, Lilybeth.
00:26:31Thank you, Lilybeth.
00:26:38Oh, Miss Lilybeth.
00:26:39Have you a little more coffee in the kitchen?
00:26:41What happened to the three gallons I already gave you today?
00:26:45Lilybeth, what you need is a good, strong, steady man!
00:26:49Who is always hanging around, tracking up my floors and things.
00:26:53Put that on your shoes.
00:26:54Looks like cobwebs are out of the cellar.
00:26:57What were you doing in the basement?
00:27:00It could have been the attic.
00:27:01Bill Raymond, you're holding out on me.
00:27:04What are you up to?
00:27:06Up to?
00:27:07Yes.
00:27:08Who asked you to go poking around in the cellar?
00:27:11It was in performance of my duty.
00:27:13What duty?
00:27:15What did you find?
00:27:17Absolutely nothing.
00:27:18That's what makes me so disgusted.
00:27:20Too bad about you.
00:27:23You know, Lilybeth, I think somebody around here is just kidding.
00:27:28They don't mean business at all.
00:27:30Why don't you just wait around and see?
00:27:32Say, if you've got any inside dope, I wish you'd tip me off.
00:27:36I'm never going to get back to Central and prove I'm a good detective.
00:27:39I've got to have some clues.
00:27:46Yes, I was scared.
00:27:47Scared of my life.
00:27:52I expected big things of that ghoulish looking guy, but he ain't delivered neither.
00:27:58I should say, in a way, you were entitled to expect big things from him.
00:28:03Leo was once confined in this house when it was an institution for the insane.
00:28:09Nerves.
00:28:09You know.
00:28:10Do tell.
00:28:12Well, then, he must know his way around the place, huh?
00:28:15I understand why he was here.
00:28:17He engineered an immense number of secret passages through which the guards could keep an eye on the inmates at night.
00:28:24Finally, he took one of these passages into the outside world, and we heard later he'd been seen in Europe.
00:28:33Ah, Europe.
00:28:34That's where history is being made today.
00:28:37Gee, I'd love to travel and see.
00:28:38Well, perhaps you'll have an opportunity someday.
00:28:40Not if something don't happen around here pretty soon to make me famous.
00:28:45Ah, that Lily Beth.
00:28:47I've been trying to get a cup of coffee off of her all day.
00:28:50She don't care what happens to my metabolism.
00:28:54Metabolism.
00:28:56That's a good word.
00:28:57I wonder what it means.
00:28:58I wonder what it means.
00:29:28Hon, don't you want me around to protect you?
00:29:31That indigo guy, my...
00:29:32Yes, but who's going to protect me from you?
00:29:36Lily Beth.
00:29:39My wild Irish rose.
00:29:41I just live for the day when I can take you out of all this.
00:29:45When I can slave and get you the luxuries in life.
00:29:49Gee, I'd gladly work my fingers to the bone to buy you expensive motor cars and furs and jewels and things.
00:29:57And serve you breakfast in bed.
00:30:00What's the matter with me?
00:30:02Am I crazy?
00:30:03Yes.
00:30:04And I'd hate to hang by my neck until you got me all those things.
00:30:07Yeah.
00:30:08You might get a little blue in the face.
00:30:11Still and all, all I got to do is to find myself one slightly murdered body.
00:30:16And I'm in.
00:30:17Stop looking at me.
00:30:18Oh, Lily Beth, sometimes I think I'm not getting anywheres with you.
00:30:23What do you think?
00:30:24I think you've got a good idea there.
00:30:28All right.
00:30:28All right.
00:30:29You'll be sorry someday when you see my picture in the paper.
00:30:34Wait and see.
00:30:38Hey, Lily Beth, why don't you answer the doorbell?
00:30:40Maybe that indigo guy wants in.
00:30:42You're not in.
00:30:50The doctor ain't home.
00:30:52You'll have to call some other time.
00:30:55Don't be silly.
00:30:56Uh, don't say I didn't tell you.
00:30:59Close the door on your way out.
00:31:02Hey, wait a minute.
00:31:03Well, if it isn't Bull Raymond.
00:31:08Shh, Terry.
00:31:09You trying to ruin me?
00:31:10Ruined him.
00:31:11Come here, Bull.
00:31:14Meet Miss Cornell.
00:31:16How do you do?
00:31:17I'm sure.
00:31:17Likewise.
00:31:18How do you happen to be out with him?
00:31:20Cute, darling, don't you think?
00:31:22Flat at both ends, head and feet.
00:31:23You've heard me speak of him?
00:31:25Bull Raymond.
00:31:26Bill Raymond, if you please.
00:31:28Mr. Terry Lee, who's so-called reporter.
00:31:30How do you happen to be out with a dish like this?
00:31:33Jane Cornell.
00:31:34Good for a dull days in a man's life.
00:31:36Mr. Raymond.
00:31:38Oh, yeah, I remember.
00:31:39Terry told me about the time you shot at the dressmaker's dummy.
00:31:42Huh?
00:31:43Yeah.
00:31:43He said you closed in on what you thought was the murderer.
00:31:46But it turned out to be the dressmaker's dummy,
00:31:47and you shot in for the whole total real murder got away.
00:31:53My pal.
00:31:54So this is where you've been hiding after they kicked you off
00:31:57with that fiasco, huh, Bull Bill, I mean?
00:31:59What are you doing here?
00:32:01Can't a man redibilitate himself in peace?
00:32:03Here I come, looking for an honest crime around here
00:32:06so I can solve it and get myself back to Central.
00:32:08And you come along and...
00:32:09Yeah?
00:32:10Where's the body, Bull, Bill?
00:32:11There ain't no body.
00:32:13That's the trouble.
00:32:13No, no, let's keep it friendly.
00:32:16Friendly?
00:32:16What do you mean?
00:32:17Let's have it.
00:32:18Who killed who and why?
00:32:20Are you kidding?
00:32:22Did somebody get knocked off around here?
00:32:25Look, I don't like to be kidded either.
00:32:27Where is it hidden, Sherlock?
00:32:28Oh, Terry, you've been on the police beat so long that, uh...
00:32:32Now listen, Bill, you know me well enough
00:32:34to know I wouldn't come out here just for the ride.
00:32:36Not when I could be, um...
00:32:38It just so happens there was a call to the police.
00:32:40Came from out here.
00:32:42And I happened to be there when it came through.
00:32:45Miss Cornell happens to be the operator.
00:32:47So she took me off.
00:32:48Told me the line had gone dead.
00:32:51So I smell the story, and here I am for an exclusive.
00:32:53You see what I mean?
00:32:54What's in that?
00:32:55Well, that's the doctor's consulting room,
00:32:56but there ain't nobody in there.
00:32:58I've been standing here for quite a spell.
00:33:00Open that up.
00:33:00Let's take a look.
00:33:03That's funny.
00:33:04The lights in here ain't almost never around.
00:33:07In you go.
00:33:08Never do that.
00:33:09I could get killed that way.
00:33:11Is that bad?
00:33:13Oh, so nothing's happened around here, huh?
00:33:16It's busted.
00:33:22There, see?
00:33:23Like I said, there ain't nobody here.
00:33:26There ain't nobody here, huh?
00:33:29Hey, cut it out, will you?
00:33:31You're making me dizzy.
00:33:33Well, sure, somebody stumbled over it and pulled it out of the wall.
00:33:37Could happen anywhere.
00:33:47Must have shaken hands with you, Bill.
00:33:49Step right up.
00:33:50Not me.
00:33:52You seen it first.
00:33:53You seen it first.
00:34:02Doc!
00:34:04Raven!
00:34:05Did you try and kill me?
00:34:08Why, Doc, why should I do that?
00:34:11You ain't paid me for the last month yet.
00:34:14How long you been here?
00:34:16Now, let me see.
00:34:17I was going to make a telephone call when...
00:34:21Somebody conked your head, Doctor?
00:34:22Then ripped the telephone wire out?
00:34:24Yes, I imagine that is about what happened.
00:34:28Who are these people?
00:34:30Well, they're all right, Doc.
00:34:32This is Terry Lee and Miss Cornell from the Times.
00:34:35We don't want any reporters here.
00:34:37Nothing's happened.
00:34:38Look, Doctor, nobody ever wants reporters.
00:34:40But then something happens, and there they are.
00:34:41But nothing has happened.
00:34:43I fell and hurt my head.
00:34:45Oh, I see.
00:34:46Then you got up again, put yourself on the table,
00:34:48and got all nice and pretty in that shroud there.
00:34:50You won't get any story here.
00:34:51And now, if you'll excuse me, I have some work to do.
00:34:54Doctor, do you mind if we stick around for a while,
00:34:56seeing that nothing's happened?
00:34:57Well, why not?
00:34:59Very well.
00:34:59You may stay for a while, but I warn you,
00:35:01if you make yourselves objectionable in any way,
00:35:04I'll have Raymond throw you out.
00:35:06Well, come on.
00:35:07You heard what the doctor said.
00:35:08He's busy.
00:35:09Get out of the office.
00:35:10He's probably a pretty nice guy, caught in a tough spot.
00:35:12That's the way I see it.
00:35:17You wouldn't want me to tell him you got kicked out of homicide,
00:35:19would you, Bill, old boy?
00:35:21Shh.
00:35:22Oh, Terry, you're my pal.
00:35:23You know that, don't you?
00:35:24Would I kick you out?
00:35:25You would, if you could, Bill.
00:35:26Now, why can't we have a little talk, quietly?
00:35:28Well, if you just follow me in the parlor over here.
00:35:31Oh, me too, darling.
00:35:32You know that, don't you?
00:35:33Would I kick you out?
00:35:34You would, if you could, Bill.
00:35:35Now, why can't we have a little talk, quietly?
00:35:37Well, if you just follow me in the parlor over here.
00:35:39Oh, me too, darling, me too.
00:35:41Darling knows everything about everyone,
00:35:42and that's how I learned.
00:35:43Good, sir.
00:35:44Oh, I just did a defeating lesson.
00:35:46Yeah?
00:35:47Oh.
00:35:48Baby, I'm going to miss you an awful lot
00:35:49when I grow tired of you.
00:35:50Now, remember, you're just going to listen.
00:35:52Well, of course, darling.
00:35:53What else do I do when I'm with you?
00:35:55Sit down.
00:35:58Now, as I remember it, there was a singer at the Click Club
00:36:01who called herself Laura Laval.
00:36:03Didn't she marry young Ward Vanny a couple of years ago?
00:36:06Uh, I don't know nothing about it.
00:36:09Oh, yes, you do.
00:36:10It was just about the same time that you
00:36:11had an affair with the dressmaker's dummy.
00:36:14Oh, uh, oh, yeah.
00:36:16Yeah, now I remember, Terry.
00:36:17You're right.
00:36:18You're right.
00:36:19Uh, she was, uh, down to the Click Club,
00:36:21and it was her that married Ward.
00:36:23Wasn't that on a bed of some kind?
00:36:25Well, uh, there was a party going on, and, uh,
00:36:29somebody dared Ward to ask the singer to marry him,
00:36:32and he thought at the time it was a good gag,
00:36:35and he went along with it.
00:36:37That's right.
00:36:38He got pretty high, and then popped the question at her.
00:36:40Oh, how romantic.
00:36:41I just love that.
00:36:42Hush, dear.
00:36:43L-I-S-T-E-N.
00:36:47Oh.
00:36:49Well, that's how it happened anyway.
00:36:51Ward woke up the night.
00:36:53And found himself married solid.
00:36:55He'd asked her, and she'd snapped him up.
00:36:57Oh, and they lived snappily ever after.
00:36:58I don't care.
00:36:59I think it was sweet.
00:37:00Darling, couldn't I get you high sometime?
00:37:03Sweetheart, have you ever heard the old saying
00:37:05about little girls?
00:37:06What's that?
00:37:07Little girls should be seen and not heard.
00:37:09Now, go on.
00:37:10Pound your nose.
00:37:11All right.
00:37:12I think I'll be shoving along, too.
00:37:13Now, wait a minute.
00:37:14We're just getting started.
00:37:15We were talking about a singer who called herself Laurel LaValle.
00:37:19Pushed away into this house for good reasons of her own.
00:37:22Gentlemen, I beg your pardon.
00:37:25I must tell you frankly, I have been eavesdropping.
00:37:29Professor Leonide, this is a reunion.
00:37:33My boy, you must forgive me.
00:37:35You'll see me.
00:37:36I'm sorry.
00:37:37I'm sorry.
00:37:38I'm sorry.
00:37:39But I do not recollect you.
00:37:40When was it?
00:37:41What was it?
00:37:42Oh, Professor.
00:37:43It was a long time ago, and I was a kid
00:37:44up in the balcony in Albany.
00:37:45Yes?
00:37:46When you brought down the house
00:37:47with great feats of litter domain.
00:37:48You remember, Professor.
00:37:49That was the night that the box office receipts
00:37:51disappeared, just like magic.
00:37:52Part of the act, my brother.
00:37:53You can't remember that.
00:37:54Professor Leonide.
00:37:55Professor Leonide, this is a reunion.
00:37:57My boy, you must forgive me.
00:37:58You seem to remember me.
00:37:59But I do not recollect you.
00:38:00When was it?
00:38:01What was it?
00:38:02Oh, Professor?
00:38:03It was a long time ago,
00:38:04and I was a kid up in the balcony in Albany.
00:38:05Yes?
00:38:06When you brought down the house
00:38:07the house, my boy.
00:38:09Just a part of the act.
00:38:11It's a pleasure to meet
00:38:12one of my useful admirers.
00:38:13Terry Lee of the Central City Times.
00:38:15Who?
00:38:16The Press.
00:38:17Well, it's nice to have known you.
00:38:20Wait a minute, Professor.
00:38:21What's your hurry?
00:38:22Are you afraid I might bring up the subject
00:38:24of those certain unfortunate
00:38:25recent connections of yours?
00:38:27It's shot in the dark, my boy, I'm sure.
00:38:30And I will ignore it.
00:38:31Of course.
00:38:32And this young lady, no doubt
00:38:33that you're going to do it.
00:38:34And this young lady, no doubt
00:38:36a companion of yours.
00:38:38Jane Cornell.
00:38:39My fiancee.
00:38:40Delighted.
00:38:41Likewise, I'm sure.
00:38:42Delightful.
00:38:43And I would suggest
00:38:44to take very good care of her.
00:38:48Mr. Lee.
00:38:50Oh, I haven't had a chance
00:38:51to talk to him yet, Mrs. Van Eyde.
00:38:52Never mind.
00:38:53I'll tell her myself.
00:38:54Darling, I met her upstairs
00:38:55and I told her all about you.
00:38:56I mean, she'd know
00:38:57everything about everybody.
00:38:58I mean, she'd know
00:38:59everything about everybody.
00:39:00Oh, I haven't had a chance
00:39:01to talk to him yet, Mrs. Van Eyde.
00:39:02Never mind, I'll tell her myself.
00:39:03Darling, I met her upstairs
00:39:04and she'd know everything
00:39:05about everyone.
00:39:06Thank you very much, dear.
00:39:08Welcome to your living room,
00:39:09Mrs. Van Eyde.
00:39:10Thank you, but it isn't
00:39:11my living room.
00:39:12I understand you're
00:39:13not unaware of my position
00:39:14in this house.
00:39:15Well, uh, maybe you
00:39:16can tell us about it.
00:39:18I'm being kept a prisoner
00:39:19here against my will.
00:39:20I'm alone and friendless.
00:39:23I'm sorry.
00:39:24Why haven't you called
00:39:25the police?
00:39:26They've done nothing
00:39:27but to call for the police.
00:39:28They have kept me penniless
00:39:29so that I can't leave.
00:39:30I understand.
00:39:32They're trying to destroy
00:39:34my mind, Mr. Lee.
00:39:35By innuendo and indirection,
00:39:36they're trying to make me
00:39:37believe I've done something
00:39:38dreadful in the past.
00:39:39I'm going to be the victim
00:39:40of some horrible vengeance.
00:39:41You know best about that.
00:39:42I'm innocent, Mr. Lee.
00:39:43I've done nothing.
00:39:44Now, this doctor's brought
00:39:45some stranger here with
00:39:46these tricks and illusions
00:39:47to further make me believe...
00:39:48You mean the professor
00:39:49and his little, uh...
00:39:50Yes.
00:39:51You must help me, Mr. Lee.
00:39:52Laura!
00:39:54It's so good to see you
00:39:55downstairs again
00:39:56after all these days
00:39:57being locked in your room.
00:39:58You know perfectly
00:39:59well why I've remained
00:40:00locked in my room.
00:40:01Lord, this is Mr. Lee
00:40:02of the Times,
00:40:03the gentleman I told
00:40:04you about upstairs.
00:40:05Oh, yes.
00:40:06Look here, Mr. Lee.
00:40:07We don't want any more
00:40:08of that Trump-Page
00:40:09splash stuff
00:40:10such as I got
00:40:11when I married Laura.
00:40:12Your wife's been telling
00:40:13us that she's being
00:40:14kept here under
00:40:15constant threat.
00:40:16She is out of her mind.
00:40:17See what I mean, Mr. Lee?
00:40:19They don't overlook
00:40:20a single chance
00:40:21to put it in my head
00:40:22that I'm crazy.
00:40:23Perhaps I can explain,
00:40:24Mr. Lee.
00:40:25We don't believe
00:40:26there's anything wrong
00:40:27with Laura now.
00:40:28But we are sure
00:40:29something will happen
00:40:30to her mind
00:40:31if she continues
00:40:32to live under this strain.
00:40:33Just as I told you,
00:40:34they're behind it.
00:40:35Can't I make that clear
00:40:36to you?
00:40:37They spend all their time
00:40:38trying to terrify me.
00:40:39They write me letters
00:40:40in greening.
00:40:41They send me dummy heads
00:40:42wrapped in green paper.
00:40:43Anything to frighten me
00:40:44so I can't sleep.
00:40:45I can't think.
00:40:46The only thought in my head
00:40:47is I can't think.
00:40:48The only thought in my head
00:40:49is that you are going
00:40:50to be killed.
00:40:51These are very serious
00:40:52charges, gentlemen.
00:40:53And I might say
00:40:54it would make a perfect
00:40:55front page splash.
00:40:56I believe you could
00:40:57dare print a word
00:40:58about those ravings
00:40:59in my wife.
00:41:00Don't do anything
00:41:01to make me think
00:41:02they aren't ravings,
00:41:03Mr. Vanee.
00:41:10He said to put
00:41:11the blindfold on
00:41:13and you will know
00:41:14the truth.
00:41:15No!
00:41:19I know how young
00:41:20will it be.
00:41:21What's wrong with her,
00:41:22Doc?
00:41:23Quiet, Raymond.
00:41:24You don't mean
00:41:25that she's dead, Raymond.
00:41:28Then I knew
00:41:31that he was here.
00:41:35Then I knew that he was here.
00:41:50She's coming out of it.
00:41:52She's in an advanced state of shock.
00:41:54Maybe necessary to administer sedative.
00:41:57That's intended to shut her up.
00:41:59I'd like to hear her do some more talking, Doctor.
00:42:02If her mind is allowed to dwell upon what's happened,
00:42:05that may be the breaking point.
00:42:07Well, you've got all the answers.
00:42:09Look here, Lee, I don't like your tone.
00:42:11If you have any insinuations to make, make them to me.
00:42:14Okay, I will.
00:42:16Suppose you and I talk this over downstairs.
00:42:18I don't recognize your right to question me.
00:42:20However, it'll make you leave father alone.
00:42:27Well, fix yourself a chair right outside the door
00:42:29and don't leave until I get back.
00:42:31Sure, sure.
00:42:32But what about Lily Beth?
00:42:33Don't she read nothing around here?
00:42:39Now, Lee, first I'd like to see your credentials.
00:42:41You're busting here saying you're a reporter.
00:42:46That's the old turn the tables gag, Vanny.
00:42:48But if it'll make you any happier, take a look.
00:42:52All right, you're a reporter.
00:42:54But I still don't understand how you and the young lady
00:42:56got the news about our troubles.
00:42:57Do you really believe that story, Lee?
00:43:00Do you in your right senses really believe
00:43:01that we are keeping Laura prisoner here?
00:43:03That's what the lady says.
00:43:04She said that...
00:43:05Nonsense.
00:43:06Nothing would please me more than if she got out.
00:43:08Look, I don't get any of this stuff, Vanny.
00:43:09But there's a tricky deal going on around here
00:43:10and I intend to sit in on it.
00:43:11Too bad I can't flash the city desk
00:43:12to make ready for a front page replay.
00:43:13Yes, isn't it?
00:43:14Either your wife is the victim
00:43:16of a well-plotted throat from a persecution
00:43:18calculated to drive her insane
00:43:20or she's the, uh, witch you say she is.
00:43:22You're the fellow with the nose for news.
00:43:23What does it tell you?
00:43:24It tells me that right now
00:43:25I'd like to know where your disappearing relative is.
00:43:27Get back, you fool.
00:43:40What's out there, I have a right to know?
00:43:41Don't you envy?
00:43:42What's out there?
00:43:43I have a right to know.
00:43:44Don't you envy?
00:43:45Don't you envy?
00:43:46I don't know what you're saying.
00:43:47I don't know what you're saying.
00:43:49You're the fellow with the nose for news.
00:43:50What does it tell you?
00:43:51Tell me that right now
00:43:52I'd like to know where your disappearing relative is.
00:43:55I don't see anything.
00:43:57What was it?
00:43:58It isn't possible.
00:43:59It isn't possible, of course.
00:44:00What do you see out there, Lee?
00:44:01I've had enough of this.
00:44:02Come on.
00:44:03Are you nervous, Miss Cornell?
00:44:05Oh, no.
00:44:06I think it's very exciting.
00:44:12Oh, Professor, I thought I just saw you outside banging at the moon.
00:44:16You disturbed her sleep, little child.
00:44:19Where have you been?
00:44:20Why don't you start acting normally for a change?
00:44:22You're bringing suspicion upon all of us.
00:44:24I, my boy?
00:44:25What have I done?
00:44:26I suppose you'd tell us.
00:44:27Has no one arranged to silence you yet, Mr. Lee?
00:44:30What a pity.
00:44:31I don't silence very easy, Professor.
00:44:33And it'll take a lot more than what you've done to her.
00:44:35Do you suggest that I had a hand in that poor girl's unfortunate demise?
00:44:40Why don't you behave yourself, Professor?
00:44:42Mr. Vanee here has the right idea.
00:44:44You're just gumming up the works.
00:44:45I did my humble best.
00:44:46Who are you working for?
00:44:47I don't know.
00:44:48I don't know.
00:44:49I don't know.
00:44:50I don't know.
00:44:51I don't know.
00:44:52I don't know.
00:44:53What are you working for?
00:44:54What do you expect to get out of it?
00:44:56I'm charging a debt, Mr. Lee.
00:44:58A debt contracted many years ago.
00:45:02Now, are you any wiser than you were a moment ago?
00:45:06No, but I'm beginning to get a gentle idea.
00:45:08By the way, how's that little girl of yours?
00:45:12I hope fervently that nothing happened to her.
00:45:15She would look so beautiful lying here.
00:45:19Look, Professor.
00:45:20I may not have been very smart in bringing Miss Cornell here,
00:45:22but if I thought you had any plan to do that...
00:45:24Why do you persist in making me the villain, Mr. Lee?
00:45:32Now, we will let you be the witness, Mr. Lee.
00:45:35I am here.
00:45:36The sounds came from upstairs.
00:45:37Right.
00:45:38Always reliable.
00:45:39Now, what are you rehearsing?
00:45:40In there, Terry.
00:45:41In there.
00:45:42It's murder.
00:45:43Loran.
00:46:02Jenny, wake up.
00:46:03Tell me, what happened?
00:46:04Oh, Terry!
00:46:05Tell me, what happened?
00:46:06Oh, Terry!
00:46:07Let me think.
00:46:08Everything went black and...
00:46:09Yes?
00:46:10Then it started to talk.
00:46:11What started to talk?
00:46:12I don't know.
00:46:13That thing.
00:46:14Now, look.
00:46:15Let's get back to the beginning.
00:46:16I left you here with Dr. Van E.
00:46:18Yeah.
00:46:19And then he gave Mrs. Van E a shot with a long needle.
00:46:22Never mind that.
00:46:23All right.
00:46:24Then he said, would I sit with Mrs. Van E?
00:46:26Okay, okay.
00:46:27Where is she now?
00:46:28Who?
00:46:29Mrs. Van E.
00:46:30Where did she go?
00:46:31That's just what I asked you, Janie.
00:46:32Well, she was right here.
00:46:33Then Dr. Van E went out.
00:46:34Then what happened?
00:46:35Well...
00:46:36Oh, then Bill Raymond came in.
00:46:37Oh, that's great.
00:46:38The two of you in the same room at the same time.
00:46:39How did you communicate with each other?
00:46:40Sign language?
00:46:41Oh, I don't care.
00:46:42All you do is make fun of me.
00:46:43I didn't ask you to come to visit.
00:46:44Whatever it is.
00:46:45Oh, yes, you did, dear.
00:46:46Don't you remember?
00:46:47You said you went on a sign language?
00:46:48Oh, I don't care.
00:46:49All you do is make fun of me.
00:46:50I didn't ask you to come to visit.
00:46:51Whatever it is.
00:46:52Oh, yes, you did, dear.
00:46:53Don't you remember?
00:46:54You said you wanted to see what the life of a reporter was like.
00:46:57Don't forget, Mr. Lee.
00:46:58One must not expect too much of certain types of mentality.
00:47:01Shut up, Bill Raymond.
00:47:02I remember you when you couldn't even make your ex.
00:47:04Oh, I want to go home.
00:47:05We can't go home, darling.
00:47:06We've got to get a story.
00:47:07What?
00:47:08You don't understand.
00:47:09Yes, I do.
00:47:10Why do we have to get the story?
00:47:11Who cares?
00:47:12She's got you.
00:47:13I'm sorry.
00:47:14I'm sorry.
00:47:15I'm sorry.
00:47:16I'm sorry.
00:47:17I'm sorry.
00:47:18I'm sorry.
00:47:19I'm sorry.
00:47:20I'm sorry.
00:47:21I'm sorry.
00:47:22I'm sorry.
00:47:23She's got you there.
00:47:24All right.
00:47:25Now, you tell me.
00:47:26What happened to you?
00:47:27Me?
00:47:28Oh, well, you said to stay outside the door, and I pulled up a chair.
00:47:32That's right.
00:47:33She was inside the door, and you were outside.
00:47:35inside the door.
00:47:36Then, then, come that, that odor of heavenly perfume.
00:47:44That was an elevator.
00:47:45It was sweet and penetrating, like, like an ancient drug.
00:47:50And I felt kind of sleepy-like.
00:47:51Oh, so sleepy.
00:47:56Like an ancient drug.
00:47:58And I felt kind of sleepy-like.
00:48:00Oh, so sleepy.
00:48:07At last, he had me under his power.
00:48:16There must be a button or a gadget of some kind around here.
00:48:212 o'clock, almost deadline for the 9 o'clock final.
00:48:24Oh, Terry, what makes you think there's anything behind them walls?
00:48:27I've got a sneaking suspicion that the professor uses them for a disappearing act.
00:48:32I wish Lilibet was here. Take me a cup of coffee.
00:48:35Well, she's right over in the doctor's office. Why don't you ask her?
00:48:39Poor Lilibet.
00:48:40I kind of hinted that all I needed was a murdered body,
00:48:43but I didn't think she'd take it personal.
00:48:47Will you stay with those walls?
00:48:50I've been around them three times, Terry.
00:48:52The thing I can't understand,
00:48:54if the professor was down here when the trouble was going on upstairs,
00:48:59he'd just have to be two different guys in order to have a hand in it.
00:49:03All right, Terry, let's figure it out in the morning, huh?
00:49:06What's that?
00:49:22Hey, Captain.
00:49:23Either something or somebody opened the front door.
00:49:25Oh, that's the shortest night's sleep I've had in a long time.
00:49:29All right. Now that you're good and rested, let's see if we can understand what happened upstairs.
00:49:33Well, do you think it had something to do with that picture, maybe, that Lilibet found in Mrs. Van Nee's room?
00:49:38What picture?
00:49:39Oh, the one with the two masks. Like we found, like that mask.
00:49:42Who has the picture now?
00:49:44Well, young Benny, I guess.
00:49:46That's the point.
00:49:47Oh, that's the point.
00:49:48Oh, the one with the two masks, you know?
00:49:50Like we found. Like that mask.
00:49:52Who has the picture now?
00:49:53Well, young Benny, I guess.
00:49:56That's the point.
00:49:57Where's Mr. Van Nee been since his wife's disappearance?
00:50:00Well, him and his old man are sleeping, but I guess they've got some sense.
00:50:02No, I've already checked that, and they haven't slept in their beds tonight.
00:50:06The other one, Mr. Van Nee's room.
00:50:08What picture?
00:50:10The one with the two masks, you know, like we found.
00:50:12What picture?
00:50:13Oh, the one with the two masks, you know, like we found.
00:50:14Like that mask.
00:50:16Who has the picture now?
00:50:18Well, young Benny, I guess.
00:50:19That's the point.
00:50:20Where has Mr. Van Nee been since his wife's disappearance?
00:50:22I refuse to answer on the grounds that might tend to incriminate or degrade me.
00:50:28My unconscious mind.
00:50:32Now, look, Bill, please, stay awake for a while.
00:50:35Now, look, tell me, what happened when you smelled that sweet odor in the hall upstairs?
00:50:40Oh, it smelled lovely. Lovely, that's all I can remember.
00:50:46And Dr. Vanee had already left Laura's room, is that right?
00:50:49Yeah, he'd gone out, and he said good night, and then he had given her some sedative or something that he said would take care of her in the morning, and then he went down the hall to his own room.
00:51:01And then you fell asleep?
00:51:03Yeah, no, I just kind of dozed off a little, like this.
00:51:10Here's your coffee, sir.
00:51:12Terry, that's a dirty trick.
00:51:16Stay on the other side of that window.
00:51:17What for?
00:51:18Take a look.
00:51:20I'm looking.
00:51:21What do you see?
00:51:25Louie, Ben.
00:51:28Gee, this ain't natural.
00:51:30Who are you talking to?
00:51:32The woman I love.
00:51:34Poor little angel.
00:51:35Try and speak to me.
00:51:37She can't hear you.
00:51:38She can't hear you.
00:51:39She can't hear you.
00:51:40She can't hear you.
00:51:41She can't hear you.
00:51:46What are you doing outside?
00:51:47You're supposed to be dead.
00:51:50You stay right here, honey.
00:51:51I've got to catch that guy in the shrubbery.
00:51:56Oh, gee.
00:51:57What if you don't tell me, Lillibet?
00:52:00I've got work to do.
00:52:04Lillibet.
00:52:06Be reasonable, will you?
00:52:07If you don't cooperate, I'll never get back to Central.
00:52:10Never mind, Raymond.
00:52:11Take care of Lillibet.
00:52:13Lillibet!
00:52:14You're right.
00:52:15I've got to catch that.
00:52:17Yeah.
00:52:18That's who it was.
00:52:19I opened the door, and she fell right on my arms.
00:52:21Like she had something special to tell me.
00:52:25You notice that fragrance about her?
00:52:28To think this wilded flower was once even as you and I.
00:52:31Take her back into Dr. Van E's office.
00:52:33What's she doing wandering around?
00:52:34She's supposed to be a corpse.
00:52:36What happened to that guy outside?
00:52:38Never mind.
00:52:40You found her.
00:52:41I never knew she was lost.
00:52:42I missed her.
00:52:43I missed her from my office.
00:52:45Will you please take her back?
00:52:47What are you going to do?
00:52:49Yes, Doctor.
00:52:50And what have you been doing?
00:52:51We've turned this house upside down trying to find you.
00:52:53Hardly that, young man.
00:52:54If you'd done that, you would have found me.
00:52:56Now, Raymond, we can't allow this girl to remain in this condition any longer.
00:53:00But what can you do?
00:53:02She was like a perfect step to me.
00:53:05Think of it's my office.
00:53:06Oh, Doctor.
00:53:08This may not be any news to you, but your daughter-in-law has disappeared.
00:53:11Oh, how dreadful.
00:53:13But let us say somewhat overdue.
00:53:16Eh, Mr. Lee?
00:53:18You don't seem very surprised to hear about it.
00:53:20Young man, when you've been devoutly praying for something to happen,
00:53:22you accept your good fortune without question.
00:53:33We thought that probably you might be able to throw some light on the subject.
00:53:36That's right, Raymond.
00:53:38Leave her there.
00:53:39There's absolutely nothing wrong with her.
00:53:41Huh?
00:53:43And you mean I've been pining away for nothing?
00:53:46She was put in a deep hypnotic sleep, that's all.
00:53:48But why?
00:53:49Why, Doc?
00:53:51Who done it?
00:53:52It was done so that you would obey certain orders that were transmitted to her.
00:53:56If that's true, then why did you declare her dead?
00:53:59I had my own good reasons.
00:54:01Would you give me one reason why you like to go around getting hit on the head?
00:54:03I must become a little monotonous.
00:54:06Mr. Lee, are you sure that you saw what you thought you saw?
00:54:10Well, I'm not blind.
00:54:11I might be getting a little dizzy in this madhouse.
00:54:33You know, Doctor, morning isn't very far off.
00:54:34And when the police get here, you've got an awful lot of explaining to do.
00:54:35You're in this up to your neck.
00:54:36By morning, let us hope no explanations will be necessary.
00:54:40Everything will have explained itself.
00:54:42Poor little sleeping beauty.
00:54:46Do you suppose someone thought she looked weak-minded?
00:54:49And picked her out to carry out his commands?
00:54:52That's not always the case, Raymond.
00:54:53If Lee and I were here, we could settle this case very quickly.
00:54:55Gentlemen.
00:54:57It is my peculiar misfortune.
00:54:59To always be in a position where I may eavesdrop.
00:55:01How can I be of service, cousin Joseph?
00:55:02Oh, Professor.
00:55:03Ask me no question, my friend, and I will tell you no lies.
00:55:06Leonide, you could undo certain mischiefs.
00:55:07That's not always the case, Raymond.
00:55:08I suppose someone thought she looked weak-minded?
00:55:10And picked her out to carry out his commands?
00:55:11That's not always the case, Raymond.
00:55:12If Lee and I were here, we could settle this case very quickly.
00:55:14Gentlemen.
00:55:16It is my peculiar misfortune to always be in a position where I may eavesdrop.
00:55:20How can I be of service, cousin Joseph?
00:55:22Oh, Professor.
00:55:23Ask me no question, my friend, and I will tell you no lies.
00:55:26Leonide, you could undo certain mischief that has been done, this girl.
00:55:30I know you can help if you will.
00:55:33I could, my dear Joseph.
00:55:35But I will not bring down the wrath of the unknown madman who is loose about these premises.
00:55:41It is a matter of self-preservation.
00:55:43And I had nothing to do with hypnotizing this girl.
00:55:47I have an idea that she may have already carried out the unknown's orders and that he no longer needs her.
00:55:52Nevertheless, my dear Joseph, you must excuse me.
00:55:55Just a minute, Professor.
00:55:56I wonder what would happen, Professor, if in connection with your sudden reappearance here,
00:56:00somebody dug up the old story of why you swindled Dr. Barney and then ran off and let him take the rap.
00:56:05I will not be blackmailed, Mr. Lee.
00:56:07And I observe again that you're a young man who knows too much for his own good.
00:56:10And I would also like to know where you obtained all this information.
00:56:13You're extremely young to have your fingertips on events of 20 years ago.
00:56:16I have a memory like an elephant.
00:56:17I never forget something once I hear it.
00:56:18I'm a sharpie, Professor.
00:56:19As every one of you will admit before morning.
00:56:20Now, Doctor, I'd like to bore you with a few questions.
00:56:23I wouldn't mind, young man, if you had the slightest idea of what you were looking for.
00:56:30Maybe if we start back to the time around midnight, when you administered what you call a sedative to your daughter-in-law.
00:56:33Are you infighting that I had anything to do with the Lord of Disappearance?
00:56:38Why do you keep evading the issue, Doctor?
00:56:39You know you'll have to confess when the police get here anyway.
00:56:40I would remind you, young man, that you're making a direct accusation.
00:56:42I don't know what you will admit before morning.
00:56:44Now, Doctor, I'd like to bore you with a few questions.
00:56:47I wouldn't mind, young man, if you had the slightest idea of what you were looking for.
00:56:50Maybe if we start back to the time around midnight,
00:56:53when you administered what you called a sedative to your daughter-in-law.
00:56:56Are you infighting that I had anything to do with the Lord of Disappearance?
00:56:59While you keep evading the issue, Doctor, you know you'll have to confess when the police get here anyway.
00:57:02You know you don't know exactly him.
00:57:04I told you, please, do no matter what you叫 out at the forties you get here,
00:57:07what will you tell him?
00:57:08No matter what, they say.
00:57:09Tell him a little bit of a little bit of an accusation.
00:57:11I don't think it's not the more than a little bit of a accusation.
00:57:13And I refuse to answer.
00:57:14Look.
00:57:15I want the facts and I want them now.
00:57:16Let's cut out the Mulberry Bush routine.
00:57:17Listen, Bill, you're supposed to be a cop and you want to get back to homicide.
00:57:20Help me make the doctor loosen up.
00:57:21He knows a lot more than he's telling.
00:57:23Sure.
00:57:24I'll help, Terri.
00:57:25But, first let's get Lily Beth out of this.
00:57:26Maybe she can tell us something.
00:57:27Yes, Mr. Lee.
00:57:28What do you hear, Doc?
00:57:30Her heart's in a very depressed condition.
00:57:33Someone's been giving her orders by mental telepathy.
00:57:36Hey, could I learn to do that?
00:57:38Supposing Lilybeth was in the kitchen.
00:57:40Could I telegraph her a wish for a cup of coffee?
00:57:43Huh?
00:57:44Perhaps, Raymond.
00:57:45Someday, when we have a little time,
00:57:47I'll indicate the principles of hypnosis to her.
00:57:49Mr. Joseph.
00:57:51The principle of hypnosis.
00:57:53Isn't as simple as you would make them believe.
00:57:56It requires a long and patient study.
00:57:59But I will risk the rest of the unknown.
00:58:02For I see you truly love this child.
00:58:05And for your sake,
00:58:07for your sake,
00:58:09I shall use my knowledge.
00:58:11Oh, gee, thanks, Professor.
00:58:13You're solid.
00:58:15You're good.
00:58:16You're good.
00:58:17You're good.
00:58:18You're good.
00:58:19You're good.
00:58:20You're good.
00:58:21You're good.
00:58:22You're good.
00:58:23You're good.
00:58:24You're good.
00:58:25You're good.
00:58:35Now.
00:58:36Wake up.
00:58:45Wake up.
00:58:46Louiebeth, darling.
00:58:48Professor, put her back to sleep, it's better that way.
00:58:50What have you been doing to me?
00:58:51Me?
00:58:52What have I been doing?
00:58:53Yes, what have you been doing?
00:58:54You've got to learn me that hypnotism trick.
00:58:55It's my only chance.
00:58:56Tell me, Lillibeth, what happened?
00:58:57Well, I can't seem to remember it.
00:58:59It all seems like a dream.
00:59:00Did you see anyone?
00:59:01No.
00:59:02But I do remember a perfume, a sweet odor.
00:59:04Yes, yes, go on.
00:59:05Terry.
00:59:06Terry, darling.
00:59:07Terry, darling.
00:59:08Oh, Terry, darling.
00:59:09Yes, Jane, what is it?
00:59:10Is it Halloween?
00:59:11No, it isn't.
00:59:12Then why was that green face bobbing up at the window?
00:59:15What?
00:59:16Yeah, a green face just like the one I saw from Miss Van Ey's room.
00:59:19You saw a green face in Mrs. Van Ey's room?
00:59:21Yes, darling, that's what it is.
00:59:22It's Halloween.
00:59:23Oh, no, no, no, no, no, no, no.
00:59:25No, no, no, no, no.
00:59:26No, no, no, no.
00:59:28No, no.
00:59:29No, no.
00:59:30No, no, no, no.
00:59:31No, no, no.
00:59:32No, no, no.
00:59:33No, no.
00:59:34No, no, no.
00:59:35No, no, no, no, no, no, no, no, no, no.
00:59:37I mentioned it to you, but you're so scatterbrained.
00:59:39Yes, dear, I'm scatterbrained.
00:59:42Does your mind feel rested now and everything after your nap?
00:59:45Mm-hmm.
00:59:46That's a good girl.
00:59:47Now, come on.
00:59:48Tell me, what happened?
00:59:49Oh, don't yell at me.
00:59:50I can tell you, just half happened.
00:59:52We were alone in the room, and Lara was going to sleep.
00:59:54And then she said, oh, take away the bandage.
00:59:57And I said, what bandage?
00:59:58And then she said, oh, don't shoot me.
01:00:00I didn't mean to do it.
01:00:02And then, oh, the woman got out of the room.
01:00:05And then the room got awfully black.
01:00:08I think somebody must have turned off the lights.
01:00:11Just like that.
01:00:13Go ahead.
01:00:14You're doing fine.
01:00:15Well.
01:00:16Yeah, the lights had already gone out.
01:00:18Uh-huh.
01:00:19And the room got awfully dark.
01:00:21You've already said that.
01:00:22Think hard now.
01:00:24You saw a green mask.
01:00:26It came out of the wardrobe.
01:00:28Like a moth?
01:00:29Yes, darling, just like a moth.
01:00:31Oh, how clever of you.
01:00:32It was just like a great big moth.
01:00:34Did you see it?
01:00:35Were you there hiding in the wardrobe, maybe?
01:00:36No.
01:00:37I wasn't in the wardrobe.
01:00:38Now, look, Jane.
01:00:39Please.
01:00:40Be yourself.
01:00:41No.
01:00:42I mean, don't be yourself.
01:00:43Just relax.
01:00:44Relax.
01:00:45Mr. Lee.
01:00:46Just a moment.
01:00:47Where were you?
01:00:48Were you upstairs?
01:00:49No.
01:00:50I was upstairs.
01:00:51No.
01:00:52I was upstairs.
01:00:53No.
01:00:54I was upstairs.
01:00:55No.
01:00:56I was upstairs.
01:00:57No.
01:00:58I was upstairs.
01:00:59No.
01:01:00I was upstairs.
01:01:01No.
01:01:02And by the way, where is he?
01:01:03Here I am, Mr. Lee.
01:01:04What can I do for you?
01:01:05Will you stop it?
01:01:06Yes.
01:01:07I was listening outside the door.
01:01:08You haven't answered my father's question yet.
01:01:09Oh, come on.
01:01:10Take it easy.
01:01:11Take it easy.
01:01:12Maybe you can tell us where you've been, Mr. Vanny.
01:01:13Of course you don't know anything about your wife's whereabouts.
01:01:14Oh, go on.
01:01:15Tell him where she is.
01:01:16I want to go home.
01:01:17I'm hungry.
01:01:18Oh, Ryan!
01:01:19Quiet, everybody!
01:01:20Quiet!
01:01:21Laura!
01:01:22Don't.
01:01:23No, don't.
01:01:24Don't.
01:01:25Don't!
01:01:26Don't!
01:01:27Oh, come on.
01:01:28Oh, come on.
01:01:29Oh, come on.
01:01:30Oh, come on.
01:01:31Take it easy.
01:01:32Take it easy.
01:01:33Maybe you can tell us where you've been, Mr. Vanny.
01:01:35Of course you don't know anything about your wife's whereabouts.
01:01:37Oh, go on.
01:01:38Tell him where she is.
01:01:39I want to go home.
01:01:40I'm hungry.
01:01:41Oh, Ryan!
01:01:42Quiet, everybody!
01:01:43Quiet!
01:01:44I want to go home.
01:01:47Laura!
01:01:48She's under a hypnotic spell.
01:01:51Ladies and gentlemen, it has been an exciting night.
01:01:55And you all are deserving of some explanation and relaxation
01:01:58for the strange goings on.
01:02:00The guy who's doing the talking is behind the wall somewhere.
01:02:03Now you're getting smart, Sherlock.
01:02:05We introduce at this time the team of Lorette and Renée
01:02:08as they appeared at the height of their success
01:02:11in the green room of the Paris Poirot.
01:02:13Sure.
01:02:14The mask.
01:02:15The picture.
01:02:16Mademoiselle Lorette.
01:02:17Now I know who he is.
01:02:20Mademoiselle Lorette will now put a bandage over her eyes
01:02:23so better to see the inner truth.
01:02:26Very good, Renée.
01:02:27Very good.
01:02:28Just like the old tie.
01:02:30Would any member of the audience like to ask Mademoiselle a question?
01:02:34Where?
01:02:35Come, Mr. Lee.
01:02:36You have been so full of questions up to now.
01:02:37I'm thinking, brother.
01:02:38We cannot keep Mademoiselle too long in this delicate mental balance.
01:02:41She has been under a great strain lately.
01:02:43Then I will ask the questions myself.
01:02:44Yes, Renée.
01:02:45I'm at your command.
01:02:46Are you afraid now?
01:02:47No.
01:02:48I'm quite safe.
01:02:49Will you tell the truth?
01:02:50Yes.
01:02:51They came to me and said your partner, he of the magic feats and rare impersonations
01:02:55is a spy.
01:02:56He is a spy.
01:02:57He is a spy.
01:02:58He is a spy.
01:02:59He is a spy.
01:03:00But we can't prove it.
01:03:01We will give you a million francs if you, Lorette, bring us that proof.
01:03:03Ah.
01:03:04Now we shall know.
01:03:05You gave them the proof they wanted?
01:03:06Yes.
01:03:07Yes.
01:03:08You gave them the proof they wanted?
01:03:10Yes.
01:03:11Yes.
01:03:12Yes.
01:03:13Yes.
01:03:14Yes.
01:03:15Yes.
01:03:16Yes.
01:03:17Yes.
01:03:18Yes.
01:03:19Yes.
01:03:20Yes.
01:03:21Yes.
01:03:22Yes.
01:03:23Yes.
01:03:24Yes.
01:03:25Yes.
01:03:26Yes.
01:03:27Yes.
01:03:28Yes.
01:03:29Yes.
01:03:30They took him away to be killed?
01:03:32Yes.
01:03:33What was he to you, this man you betrayed?
01:03:36This man you sold to the enemy for money?
01:03:39He was my husband.
01:03:41When they told you he was to be executed, you sent this man a gift for his last moment
01:03:47before the firing squad.
01:03:49What was it?
01:03:51It was a green scarf for his eyes.
01:03:54Like the one you are wearing now?
01:03:56Yes.
01:03:57Why did you send it?
01:03:59It was my scarf.
01:04:01I wanted him to know I had betrayed him because I hated him.
01:04:05He was good and kind.
01:04:08But I hated him for the power he had over me.
01:04:11I see.
01:04:12That is your only defense you hated.
01:04:15You thought they shot him.
01:04:17You escaped to America.
01:04:19You thought you were safe.
01:04:20Then you found out he was alive and wanted revenge.
01:04:24Thank you, mademoiselle Lorette.
01:04:26You may remove the bandage now.
01:04:29What do you see on the cloth, mademoiselle?
01:04:32There's a hole in it.
01:04:35Yes.
01:04:36What else, Lorette?
01:04:37What else?
01:04:38There's blood on it.
01:04:39There's blood.
01:04:40I have come back.
01:04:41I am here.
01:04:42And I will have my revenge.
01:04:43No.
01:04:44No, don't touch me.
01:04:45Outside under the window.
01:04:46You know where.
01:04:47Yes, he had his revenge.
01:04:50She's been living in mortal terror that he'd find her.
01:04:59Just a minute, lady.
01:05:00You ain't going no ways.
01:05:01Well, if it ain't, Mrs. Lorette, you can't find her.
01:05:03No!
01:05:04No, don't touch me.
01:05:05No!
01:05:06No, don't touch me!
01:05:07No!
01:05:08No, don't touch me!
01:05:09No!
01:05:10No, don't touch me!
01:05:11No!
01:05:12No, don't touch me!
01:05:14No!
01:05:15No, don't touch me!
01:05:16No!
01:05:17No!
01:05:18No!
01:05:19No!
01:05:20Come on, come on, you want me to slug you?
01:05:22Get inside.
01:05:23Hey, Terry, Terry, come here.
01:05:25Get a load of this.
01:05:26There's your man.
01:05:28At last, that caught me a murderer.
01:05:30You're wrong.
01:05:31I never laid a hand on her.
01:05:33Eh, my boy?
01:05:34You kept your promise to me.
01:05:36You said you wouldn't touch her.
01:05:38But she's dead, ain't she?
01:05:40And you ain't going nowhere till we find out what killed her.
01:05:42And you, Professor, you know too much for your own good.
01:05:45I'm holding you, too.
01:05:47Now you're getting smart, Bill.
01:05:49Well, Professor, I see you two know each other.
01:05:51Yes.
01:05:52Rene was my assistant.
01:05:54I taught him everything he knows.
01:05:56He went out for himself and became a success.
01:05:59Later, we met in a concentration camp.
01:06:02And here we are.
01:06:04A small word, Mr. Lee.
01:06:06A small word, indeed.
01:06:11Terry, is this the place where you get the marriage licenses?
01:06:14Yes, sir.
01:06:15Is this the place where you get the marriage licenses?
01:06:17No, dear.
01:06:18This is the morgue.
01:06:19The morgue.
01:06:20Oh, darling.
01:06:21You say the cutest things.
01:06:23The morgue!
01:06:24Oh!
01:06:25Never mind, dear.
01:06:26You just stay right here and nobody will get you.
01:06:28Oh, but, uh...
01:06:29Well, Doctor, got anything to add to my story of the year?
01:06:32Who is this Rene?
01:06:33Rene was her husband.
01:06:34She turned him over for her son.
01:06:35Figured the Nazis would take care of him.
01:06:37But he had ideas of his own.
01:06:38Look, Doc.
01:06:39Was it murder?
01:06:40Do I finally get a break?
01:06:41Was she murdered?
01:06:42We're sending the report to the police.
01:06:44Who was it saying?
01:06:45Oh, come on, Doctor.
01:06:46Don't hold out on us.
01:06:47I didn't understand it at first, but I do now.
01:06:50There were no marks of violence on the body,
01:06:52and we found no internal disturbances.
01:06:54What does this all add up to, Doctor?
01:06:55Yes, let's have it.
01:06:56She was literally scared to death.
01:07:00Deathly, Captain.
01:07:01What does that mean?
01:07:02That's the story of the city.
01:07:03No matter what a world did.
01:07:04It's in the city.
01:07:05Ain't no doubt.
01:07:06No matter what.
01:07:07What does that mean?
01:07:08I'm sure they're so desperate.
01:07:09I'm certain that, George,
01:07:10you're glad you are.
01:07:11Who would you like?
01:07:12You're lying about nothing?
01:07:13I'm sorry.
01:07:14To be honest, George.
01:07:15Do I know you are lying about nothing?
01:07:17I'll be lying about nothing.
01:07:18Do I want to be lying?
01:07:19And I'll be lying about something.
01:07:20I'll be lying about nothing.
01:07:21To be lying about you.
01:07:22I'll be lying about nothing.
01:07:23I have no problem.
01:07:24I do lying about nothing.
01:07:25I'm lying about nothing about you.
01:07:26You're lying about nothing.
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