- 18 hours ago
Category
πΊ
TVTranscript
00:00:00And you don't stop, and you don't quit.
00:00:25Now I'm the man with the plan, and the b-boy stance, and all the ladies in the jam know who I am, with the power to make it move, when I write a groove, I don't snooze, I kick it off nice and smooth, and when the beat goes down, feet hit the ground, the breakers start spinning all round and round, and everybody don't stop, cause we don't stop, we just rock, you feel it, we don't need those drops.
00:00:55This is the one time, of the man's, the one on the band.
00:01:05Hey! Again! My food!
00:01:09No! No, leave her alone. Sorry I didn't leave her alone!
00:01:14Look at me!
00:01:16Stop!
00:01:17Stop!
00:01:18Stop!
00:01:19Hey!
00:01:20Don't talk to her!
00:01:21Okay, have it.
00:01:22Your fault!
00:01:23I'm gonna kill you!
00:01:24Stop!
00:01:25No, Lisa!
00:01:26Stop!
00:01:27Stop!
00:01:28Stop!
00:01:29He's hurting your mommy!
00:01:30No!
00:01:31Call the cops!
00:01:32No!
00:01:33Lisa!
00:01:34I won't do that to your father!
00:01:39No!
00:01:41No!
00:01:46No!
00:01:59Man, I hate moving.
00:02:00Daddy's gonna be pissed that we gone.
00:02:02Hey, grab those boxes and put them in the living room.
00:02:04We gotta get the truck back in an hour, so hurry up!
00:02:08Take those damn headphones off!
00:02:09Didn't you learn your lesson about having those things on?
00:02:11You're not my father.
00:02:12You weren't even there.
00:02:13Why do you think we're moving now?
00:02:14And I was working!
00:02:15Yeah, you're always working, Eladio.
00:02:17Because I got to.
00:02:18Maybe I wouldn't have to if our pops was worth a damn, huh?
00:02:20Who's gonna take care of this family if not me?
00:02:22You?
00:02:25I do what I got to to help mommy.
00:02:27And the best way you can help is to stop daydreaming
00:02:29and think about how you can pitch in around here.
00:02:31I'm not gonna have mommy working three jobs while you're in La La Land.
00:02:45I'm not a Thomas!
00:02:46A baseball..
00:02:49Why you doin' McFrey?
00:02:50Why do you think of them like 30 years when he took estΓ‘n to get home?
00:02:52You've come on.
00:02:53No, nina?
00:02:54No, nina?
00:02:55No, nina, no, I don't understand why..
00:02:57Is that for you?
00:02:58Cool, man, I don't understand!
00:02:59I'm gonna read thefold now.
00:03:00I'm gonna read the rick!
00:03:01That you said that we were gonna come to a Styles.
00:03:02If I did...
00:03:04And you didn't plan!
00:03:05It's my name, i want to make money!
00:03:07I
00:03:37Oh, Mickey, don't be true.
00:03:49Sorry. I'm here now.
00:03:55Oh, they need some air conditioning back here.
00:03:58How many of these do we got to dress?
00:04:00Damn.
00:04:07I need a favor.
00:04:08No.
00:04:09Please, Lisa.
00:04:10Mm-mm.
00:04:11Last time I got into trouble because of you.
00:04:13Please, I know a place where we can make double what we were making before.
00:04:17I need the money.
00:04:19I know you do, too.
00:04:24One hour.
00:04:25But that's it, okay?
00:04:28Okay, okay.
00:04:29What kind of thing will we get into trouble?
00:04:32Feet on the ground, heads to the sky.
00:04:38Oh, do you wanna dance with me tonight?
00:04:42My DJ is playing that song.
00:04:45The mood is right.
00:04:47Oh, do you wanna dance with me tonight?
00:04:51Follow me until the floor under flashing lights.
00:04:56Thank you, thank you.
00:04:59We'll be here all night.
00:05:00Damn.
00:05:01I gotta go.
00:05:02My brother told me to pick up stuff for dinner, and he's gonna kill me.
00:05:05Okay.
00:05:06All right.
00:05:07Wait.
00:05:08Oh, my gosh.
00:05:09Oh, my gosh.
00:05:20Use you.
00:05:21Oh, my gosh.
00:05:22It's okay.
00:05:24Mmm.
00:05:25Oh, my gosh.
00:05:26Oh.
00:05:27Oh!
00:05:28Thank you, mommy.
00:05:58You don't worry about this, you hear me?
00:06:13We came here to stuff fresh, okay?
00:06:20One day I'll be so rich, mommy.
00:06:22I'm gonna take care of you.
00:06:23I'm gonna buy you a new car.
00:06:25Mamita, the only thing I want you to do is to take care of yourself.
00:06:32Don't ever count on anybody taking care of you, okay?
00:06:37Yeah.
00:06:39But if you just so happen to be rich...
00:06:41What?
00:06:42I want to come first.
00:06:43Beat that.
00:06:45I gotta go.
00:06:47You come straight home after work, okay?
00:06:50I love you, mommy.
00:06:52I love you.
00:06:52I love you.
00:07:01I hear your boys are Jelly Bean.
00:07:03Yeah, we go way back.
00:07:05What was Jelly Bean?
00:07:07It's the main DJ at the boombox basement.
00:07:09Where the ice?
00:07:09He just got Madonna.
00:07:11Whoa.
00:07:12Where this one?
00:07:13Can you introduce me?
00:07:14The Jelly?
00:07:15No, Deron Reagan.
00:07:16Yeah.
00:07:17Sure thing, but you know, in this city, nothing's free.
00:07:20Especially when it comes to Jellybean.
00:07:22What do you want?
00:07:30Hell no.
00:07:31Jellybean's always got a funny talent.
00:07:33Besides, Guy won't go unless he come with us.
00:07:35I don't even like him like that.
00:07:36Girl, who said you're gonna be into him?
00:07:38Just pretend it's an extra long trip in the stock room.
00:07:40Is your brother even gonna let you go?
00:07:42Of course he will. Why wouldn't he?
00:07:44Girl, I run the show at home.
00:07:46Hell no.
00:07:48Why?
00:07:49Heladio, please.
00:07:51No.
00:07:52You know how many pervs and weirdos go to places like that to pick up on young girls?
00:07:55You're gonna be with me.
00:07:57It's a bar. You're 15.
00:07:59It's tonight. There won't be an alcohol.
00:08:01Heladio, stop and listen to me.
00:08:05I ain't gonna live and die in this neighborhood and never be nothing.
00:08:10I wanna take care of Mommy one day.
00:08:12What's that got to do with this club?
00:08:13There are gonna be people there who can help me.
00:08:15Give me a shot of singing.
00:08:17There you go. Head in the sky again.
00:08:19I'll take out the trash for a month.
00:08:22We can make it, we can make it work.
00:08:34Come in from a far land where they never stayed.
00:08:37They don't have a contest but they're too afraid.
00:08:39But I'm rocking the road so we'll be plus the mic.
00:08:42While the DJ is crashing like an innocent fight.
00:08:44From the west, the east, the north to the south.
00:08:46When I step into the front, we're standing on count.
00:08:48Just wanna have a good time.
00:08:49I'll be going just fine.
00:08:50All I need is 30 seconds.
00:08:51I'ma rock around.
00:08:52Yeah, brush the down.
00:08:54Sahim, can you introduce me?
00:08:56I don't know him like that.
00:08:58I thought you said he wasn't home.
00:08:59I know he is.
00:09:00After the sets.
00:09:01I'll try to get us into the green room.
00:09:02He's gone.
00:09:03I'll figure out myself.
00:09:04I'm going home.
00:09:05I got homework to do.
00:09:06Damn, my bad.
00:09:09Jelly bees.
00:09:11Jelly bees!
00:09:12Jelly bees.
00:09:13Oh my God.
00:09:14Josh!
00:09:33rz
00:09:36What's up?
00:10:02You're gonna sneak backstage, take the tray.
00:10:04What?
00:10:05Take the tray.
00:10:12Don't mention it.
00:10:17How much?
00:10:18Duh.
00:10:20Duh, come on.
00:10:21Those are the prices.
00:10:23Inflation, my man.
00:10:24You got better options.
00:10:25I suggest you get to it.
00:10:26I got business going on here.
00:10:28I hear you help singers.
00:10:41Singers?
00:10:43Nah.
00:10:44Nah.
00:10:45I help artists.
00:10:47If they're worth it.
00:10:49Well, I'm worth it.
00:10:50The best damn pipes, you're here all night.
00:10:55Okay, shawty.
00:10:56Heh.
00:11:00Let's hear you blow.
00:11:01I got sunshine light in my way.
00:11:06You're trying to be the clown, but just float away.
00:11:09Don't matter about the sticks and the stones you say.
00:11:13Cause your world's about to flood and you're in my way.
00:11:16Cause I'm rolling.
00:11:17Mm-hmm.
00:11:18Rolling.
00:11:19Sounds good.
00:11:20Try to stop as we just keep going.
00:11:23Ooh, ooh, ooh, ooh.
00:11:25All right.
00:11:32Fresh.
00:11:33I see ya.
00:11:34What's your name?
00:11:35Lisa.
00:11:36Lisa Velez.
00:11:37All right.
00:11:38Lisa.
00:11:39Lisa Velez.
00:11:40How old are you?
00:11:4218.
00:11:43Who's bugging?
00:11:4515.
00:11:47Hmm.
00:11:48All right, Lisa.
00:11:49Leave me a digit.
00:11:50Let's get back to the blue.
00:11:51Okay.
00:11:52Here.
00:11:53I'm out of here.
00:11:54Let me see.
00:11:55All right.
00:11:56All right, Lisa.
00:11:57Leave me a digit.
00:11:58Let's get back to the blue.
00:11:59Okay.
00:12:00Here.
00:12:01All right.
00:12:02Let me see.
00:12:03All right.
00:12:04Let me see.
00:12:05All right.
00:12:06Let me see.
00:12:07All right.
00:12:08I don't know.
00:12:09Come on, man.
00:12:10I just need a couple of intros.
00:12:11That's all.
00:12:12I told you, mamita.
00:12:13I told you.
00:12:14I told you.
00:12:15I told you, mamita.
00:12:17Ain't no one looking for a singer with your look.
00:12:23What you mean?
00:12:24What's wrong with my look?
00:12:25Look.
00:12:26I love you the way you are.
00:12:28But these record executives, they start bugging about silly things like looks and image.
00:12:34But you know I can sing my ass off.
00:12:36I know it.
00:12:38But they don't.
00:12:39And you don't get past the record label without them thinking about your image.
00:12:44Or theirs.
00:12:45And besides, these record labels, they're full of whack-ass scam artists just waiting
00:12:52to take advantage of a young buck like you.
00:12:54Well, I ain't exactly no young buck.
00:12:56You still working with your pops?
00:12:59Sampling the product?
00:13:01It's homey.
00:13:03Dealing only leads down one path.
00:13:05So help me get another path.
00:13:06Thank you guys.
00:13:11I think we got a kiss.
00:13:18Yo, Shorty.
00:13:19I heard you singing over there.
00:13:21It was fresh.
00:13:22You from around here?
00:13:24Around the way.
00:13:25Hell's Kitchen.
00:13:26Word.
00:13:27Well, look.
00:13:28I got this joint that I've been working on for a minute.
00:13:29Matt!
00:13:30Don't be pushing on me.
00:13:31Whoa.
00:13:32I'm trying to talk to her.
00:13:33You know what I'm saying?
00:13:34Yeah, she ain't even trying to holler.
00:13:35Look, bro.
00:13:36Homie.
00:13:37I got a band, and we need a lead singer.
00:13:40Jelly Bean told me that she was looking.
00:13:42Got a few producers that are interested if you want to audition.
00:13:45My name's Mike Hughes.
00:13:47Here's my number and address to the recording studio.
00:13:50Play drums.
00:13:51Maybe we can make some music together.
00:13:53Or just music, man.
00:13:55Time to go.
00:13:58You ain't going to no audition with that guy.
00:14:00No, of course not.
00:14:02I know that.
00:14:07Robert, come on.
00:14:10Tell me he's just really dope.
00:14:11I got this guitarist.
00:14:12He's really amazing.
00:14:13I got this girl.
00:14:14She's walking.
00:14:15She's going to be amazing, too.
00:14:16Hold up.
00:14:17This is her.
00:14:19Hey.
00:14:20Hey.
00:14:21There's someone I want you to meet.
00:14:22Come over here.
00:14:24This is Rocco.
00:14:25He's the manager.
00:14:26Hi.
00:14:27Rocco, we just need five minutes.
00:14:30You got three, Mike.
00:14:32Okay.
00:14:33Okay.
00:14:34Lisa, come on.
00:14:35That's the one I want you to meet.
00:14:36This is Spanador.
00:14:37Nice to meet you, Spanador.
00:14:38Hey.
00:14:39I heard you can sing.
00:14:40I heard you can play.
00:14:41Yeah, yeah.
00:14:42Let's go.
00:14:43Did you practice a song?
00:14:44Mike wrote it.
00:14:45Yeah.
00:14:46I worked in the last night.
00:14:47Ready?
00:14:48Let's go.
00:14:49When do you think you're going to record the song?
00:14:52Nah.
00:14:53No booth.
00:14:54One mic.
00:14:55See what you got.
00:14:57The booth.
00:14:58Come on, man.
00:15:01Guys.
00:15:02Hey.
00:15:03Just listen to him.
00:15:04Come on.
00:15:05Thanks.
00:15:06We'll let you know.
00:15:07All right.
00:15:08Come on.
00:15:09Come on.
00:15:10Come on.
00:15:11Come on.
00:15:12Come on.
00:15:13Come on.
00:15:14Come on.
00:15:15Come on.
00:15:16Come on.
00:15:17Come on.
00:15:18Come on.
00:15:19Come on.
00:15:20Come on.
00:15:21Come on.
00:15:22Come on.
00:15:23Come on.
00:15:24Come on.
00:15:25Come on.
00:15:26Thanks.
00:15:27We'll let you know.
00:15:28Come on.
00:15:29Come on.
00:15:30Come on.
00:15:31Come on.
00:15:32Come on.
00:15:33Come on.
00:15:34Come on.
00:15:35Come on.
00:15:36Come on.
00:15:37Hey.
00:15:38Why don't you play a song you know?
00:15:41Something you're comfortable with.
00:15:42Hey, guys.
00:15:43Back her up.
00:15:44Whatever she wants.
00:15:45Yeah.
00:15:46Of course.
00:15:47What you want to see?
00:15:48Hey, guys.
00:15:49Let's give her another shot.
00:15:50Something she knows.
00:15:51Uptown, downtown, the funk is on the move.
00:16:17Cartier and Louis V is sure to set the mood.
00:16:30When we're alone in your mind, only a fool would ever try to hide.
00:16:38Let your hold a struggle again.
00:16:41Leave me in the air feeling high.
00:16:48Ha, ha, ha.
00:16:50Yeah.
00:16:51What about Hell's Kitchen's trio?
00:16:53Wow.
00:16:54No, that sounds like my abuelo's band or something like that.
00:16:57I didn't think you could get any worse than your last suggestion, but what?
00:17:00It's gotta be slick.
00:17:01It's gotta be, you know, something that screams we're all about culture, hip hop, and music.
00:17:07And that we can jam.
00:17:08Yeah.
00:17:09Coat jam?
00:17:10That's fly.
00:17:11Mm-hmm.
00:17:12I got it.
00:17:14Lisa and coat jam.
00:17:17Okay.
00:17:18I'm feeling it.
00:17:19All right, but it needs that extra flavor, you know?
00:17:22Because Lisa ain't your everyday girl.
00:17:25That's what I'm saying.
00:17:26Mm-hmm.
00:17:27Oh.
00:17:28She's not.
00:17:29Oh.
00:17:30Nah, Lisa ain't your everyday girl.
00:17:33She's uniquely blessed.
00:17:35How about Lisa, Lisa, and coat jam?
00:17:42Yo, that's fresh.
00:17:44Right?
00:17:45Don't you think, Lisa?
00:17:47Yeah, well, it's a joint.
00:17:49I'm down.
00:17:50We got a name.
00:17:51Lisa, Lisa, and coat jam!
00:18:01I like the bass and that progression.
00:18:04You're welcome.
00:18:05Just still be careful, baby.
00:18:07Because I need you tonight.
00:18:09Oh-oh.
00:18:15Brothers are some of the best producers in town.
00:18:17This is Granberry.
00:18:18Thank you so much.
00:18:20Yes.
00:18:21Lisa!
00:18:22Sweetheart!
00:18:24You're incredible.
00:18:26That sound is amazing.
00:18:28The men.
00:18:29The men are going to go gaga for you.
00:18:33I told you.
00:18:34Yeah, you did.
00:18:35So what's next?
00:18:37Tour?
00:18:38Let's not get ahead of ourselves.
00:18:41Typically, we test the song.
00:18:43See how it lands in different markets before we actually sign an artist.
00:18:49How do you do that?
00:18:50We send the record to a few friendly DJs in the UK.
00:18:54And we'll be right back with Radio FM UK.
00:19:03The label better not have sent me rubbish like the last time.
00:19:06That was pure yank nonsense.
00:19:10I mean, if it hits, you start talking contracts.
00:19:13If not, you know the music world is littered with one hit wonders.
00:19:18Who is this again, mate?
00:19:20A lot of them crash and burn.
00:19:24Don't worry.
00:19:25Rocco here is going to make sure everything runs smoothly.
00:19:29Isn't that right, Rocco?
00:19:30Yep.
00:19:31So it's my job to book you gigs, find the producers, and work on promotions.
00:19:36Hey, Mommy.
00:19:37Did you find it all right?
00:19:38Yeah.
00:19:40Hello, man.
00:19:43Hello, Mom.
00:19:44Pleasure to meet you.
00:19:45Me too.
00:19:46Barry Connor.
00:19:47I just have a few papers that need your signature.
00:19:50Let's step out for a second.
00:19:52Okay.
00:19:53I'll catch right up to you.
00:19:55Okay.
00:19:56Turn it back on, bro?
00:19:57Maybe, uh...
00:19:58You know that we can't proceed unless she signs, right?
00:20:01I mean, it's just too much risk with an underage artist.
00:20:05So walk her through it, okay?
00:20:07Oh, yeah.
00:20:08Do we need a lawyer or anything?
00:20:09No.
00:20:10The contracts are standard.
00:20:11New artists usually sign as is.
00:20:13Oh, cool.
00:20:14Let's run this.
00:20:15I love a beat.
00:20:19Please, Mommy.
00:20:20No.
00:20:21I don't know him.
00:20:22I don't know what I'm signing.
00:20:23What if something happens?
00:20:24Nothing is gonna happen.
00:20:25Ay, you know, Nana.
00:20:26I see how they look at you.
00:20:27I see how they look at you.
00:20:28Do we need a lawyer or anything?
00:20:29Do we need a lawyer or anything?
00:20:30No.
00:20:31Do we need a lawyer or anything?
00:20:32No.
00:20:33Do we need a lawyer or anything?
00:20:34No.
00:20:35The contracts are standard.
00:20:36New artists usually sign as is.
00:20:37Oh, cool.
00:20:38Let's run this.
00:20:39Let's run this.
00:20:40I love a beat.
00:20:41Tell me how they look at you.
00:20:43I know what these men want.
00:20:44And it's not just your boys.
00:20:45No, you don't know what they want, Mommy.
00:20:47Mira.
00:20:48Lisa.
00:20:50Everything okay?
00:20:51Yeah.
00:20:52We're almost done.
00:20:55Mommy.
00:20:56I'm a singer.
00:20:57I need to be singing.
00:20:59I can move us to a better neighborhood.
00:21:02And you won't even have to work anymore.
00:21:04Lisa, that's not your job.
00:21:07You once told me
00:21:10to never count on someone to take care of me.
00:21:13Mm-hmm.
00:21:14You said to do it yourself.
00:21:17So this is me
00:21:19doing it myself.
00:21:21All right, we need to get you guys back in the studio right away. Contracts are signed.
00:21:48To go home, celebrate, tomorrow we get to work.
00:21:55Come on.
00:21:56Go, Mom.
00:21:57Listen, pop this kid.
00:21:58That's what I'm talking about.
00:21:59Come on.
00:22:00Hey, sweetheart.
00:22:01Sweetheart.
00:22:02Lisa.
00:22:03Can I talk to you a second?
00:22:04Yeah.
00:22:05There's a lot of work, time and money that goes into making you a star.
00:22:09I need to make sure I'm not wasting any of that.
00:22:12So you're not pregnant or nothing, right?
00:22:15Pregnant?
00:22:17I'm 15.
00:22:18Like I said, there's a lot that goes into young stars.
00:22:22I need to make sure I'm not wasting it.
00:22:24I don't need a pregnant teenager on the road.
00:22:26You got me?
00:22:27Well, you don't have to worry about me, Mr. Khanna.
00:22:29I'm locked in.
00:22:30Good answer.
00:22:31And call me Barry.
00:22:36Yes, sir.
00:22:38Uh, Barry.
00:22:41I gotta go.
00:22:43My mom's waiting for me.
00:22:44Okay.
00:22:45Yo, Lisa.
00:22:46You ready?
00:22:47We gotta go.
00:22:48Yo, Lisa.
00:22:49We gotta go.
00:22:50Yeah, yeah.
00:22:51I'll be right there.
00:22:52Hi.
00:22:53Hurry up.
00:22:54We gotta get going.
00:22:55Let's get now.
00:22:56I know.
00:22:57Huh?
00:22:58Oh.
00:22:59Oh.
00:23:00Oh.
00:23:01Oh.
00:23:02Oh.
00:23:03Oh.
00:23:04Oh.
00:23:05Oh.
00:23:06Oh.
00:23:07Oh.
00:23:08Oh.
00:23:09Oh.
00:23:10Oh.
00:23:11Oh.
00:23:12Oh.
00:23:13That's what was taking you so long.
00:23:17Huh?
00:23:18Oh.
00:23:19Yo.
00:23:20Lisa.
00:23:21In a month, every girl is gonna be covering her eyes trying to look just like you.
00:23:28Baby, I know you're wondering why I won't go over to your place.
00:23:35In California Governor Jerry Brown won the Democratic nomination.
00:23:39It's the 160th day of 1982, in case you're joking.
00:23:41time that some people were reminded that actors are people so what does this mean for aids patients
00:23:47in this country pittsburgh beat the new york mets hello pittsburgh six to two and the los
00:23:54angeles lakers won their second national basketball championship three in six years
00:23:59la comes to boston and wins the world title
00:24:02yo ain't that the bad old tv
00:24:12oh uh what's up oh oh thank you so much
00:24:19what's up baby what's your name what's up you're looking mad good my name's javi take my number
00:24:36we got a problem with it what
00:24:54put lines wrapped around the block lisa lisa in the cold jam of catapult and freestyle
00:25:02from new york's underground clubs into mainstream fame and they are about to go natural baby
00:25:07on top american countdown a show that has taken some of the hottest stars of today
00:25:12and catapulted them into the stratosphere and today is lisa lisa's turn this is that lover
00:25:17you already know what it is back to you come on make some noise right there
00:25:21every home in america watches the bands on this show and chuck ryder is a titan of the industry here
00:25:31if you don't screw up tonight america will love you by tomorrow
00:25:34hey where's crafty at
00:25:40all right starlings it's show time
00:25:44it feels like someone died in here
00:25:50just nerves that's all are you ready yeah yeah we're ready here we got it yeah oh okay i meant just
00:26:03you chuck likes a little personal touch a little pre-show interview i'm sorry fellas but don't worry
00:26:12you can watch her right here on the live feed
00:26:14no but we're a band and you'll play as one just a quick chat before with you
00:26:21let's go
00:26:23ladies and gentlemen from lisa lisa and cult jam please welcome lisa lisa
00:26:34welcome to the show so how are you doing today lisa well i'm great very excited to be here
00:26:51and how does it feel to be in this position well it's a dream come true
00:26:56tony i thought you weren't dealing look i'm not man right i'm networking you never know where the
00:27:13next gig's gonna come from besides i think this dude right here you know some record execs right sure
00:27:18got a line on a gig
00:27:23word an audition new band looking for backup singers
00:27:28but i'm not backup tony no but look where you are
00:27:33it's got to be this game hey you're gonna spend your whole life looking over your shoulder
00:27:40just because it didn't work out last time doesn't mean you quit
00:27:42doesn't mean you stop trusting people
00:27:45it's show business it's the music game and the music game takes time
00:27:56think about it think about it all right peace peace
00:28:07you ain't back i ain't back not for long
00:28:10mike listen i got this thank you figure it out all right spot it all we're just gonna go with number
00:28:18two no number two is not gonna work bro we need another audition she looks the best it doesn't
00:28:23matter if she looks the best but we need another audition we don't have time for another audition
00:28:27well i don't know what you want me to say but not one of them blend with our sound word what do we
00:28:31do alex we're going tour in a month well we keep searching we already behind on schedule
00:28:36we either pick a team today or we push the label not waiting on us
00:28:43we got bands lined up right now that's ready to go all right rocko just give me another hour i can
00:28:47find some ladies i'll go around to fit that baptist i'll find you a whole lot of those who can
00:28:51make an executive decision we're going with number two no we're not going on
00:28:55are we going out the window hoping to catch you walking by staring out the window
00:29:12just can't believe it's done and gone staring out the window
00:29:17thank you
00:29:30hey pack your bags folks because we're going on tour
00:29:37cigarettes don't affect your voice no i mean they actually give it a little raspy bass i don't
00:29:42mind having those things will kill you you know well whenever the government comes out with a study
00:29:46saying these are bad for you i'll stop
00:29:50i'm lisa tony how long are you visiting it for i grew up singing on street corners
00:29:58me too listen you know it's not going to be what you think it is right what's that in this music
00:30:07industry you know it's just like the streets use it or to use you so you got to watch yourself
00:30:13everybody's going to try to take a piece of you and you can't let them yeah where are you going
00:30:18look i mean most of these dudes want a backup singer that's something to look at and i'm not that
00:30:25then why'd you come because i promised a friend but i know the game
00:30:33don't smoke these menthols on the road they'll mess up with your voice and i can't have that
00:30:38whatever i was trying to quote anything hey go home pack a bag because it's gonna be a ride
00:30:49come on baby we're done yeah yeah baby a little longer okay you gotta go come on
00:31:06i mean what's this about come on you know baby no no no they're gonna have to you know
00:31:12check my makeup again stop i thought we had dinner plans tonight yo this city's so crazy sometimes
00:31:20almost had to scrap with a bunch of teenagers excuse me okay signatures more promotional tours means
00:31:27more papers to sign again hey that's the life of a big star jesus christ wow a commercial yeah
00:31:36yeah we rearranged a few things so uh you know you could sneak it in well i was supposed to go home
00:31:46after this set i haven't seen my family in a year this is a national commercial it's a lot of money
00:31:54i just it's been concert after concert you said you wanted to be a star right this is the pace you have
00:32:01to work at so give her creative control yeah that's not the way we do things around here but thanks
00:32:08do it anyway yeah i want creative control lisa when i start putting my stamp on this
00:32:16i want to get involved in the creative i want to help with the with the set design and the
00:32:21choreography and and to pick up the dancers right yeah she does it anyway of course you'll be involved
00:32:37let's go let's get to work yo sweetheart are you ready or what in a minute baby
00:32:41the record label needs you all right this is not the other way around i want you all right perfect you
00:32:45know she's not part of this group right what do you mean yo i'm right here you can say it to my face
00:33:13i'm talking to lisa what's your problem the problem is we don't need any more voices offering
00:33:17our opinions on music fashion and photo shoots fellas let's take a little break what do you mean
00:33:24break yeah i had some flash spandex one to flash man nobody want to see you with no spandex
00:33:30you know we're just gonna focus on a few shots of lisa alone why don't you guys go to craft service
00:33:36scrubber coffee hey yo this was your band mike you got two little girls telling you what to do and one is
00:33:45just the background same thing
00:33:50i'm going to talk to you for a second
00:34:12of course i just want to make sure you know that we're a band
00:34:16i know lisa gonna get all the attention since she's the lead singer
00:34:21but anything that we should be doing we should be doing together interviews photo shoots everything
00:34:32all right is that all
00:34:35yeah good to hear catch up with you on tour keep up the great work fellas fantastic shoot today
00:34:51fantastic
00:34:57that's dope why does she have to redo it yeah i mean it still needs a final mix but we close 20 we close
00:35:02oh come on we got it we got it sounding good sounding good what's going on hey lisa you're crushing
00:35:16that track thank you come join us okay guys the label's happy so i'm happy that's good i know i don't
00:35:28have to tell you things are different now we're playing in bigger venues guys gonna be on the
00:35:33role longer that means more money money hey so you have to stay focused you're not stars yet speak for
00:35:42yourself i'm a star i don't sleep a star all right guys hey great job today get out of here see you
00:35:49tomorrow hey hey uh lisa do you have a moment yeah sure it's business
00:36:02baby i'll see you in a car in a second yeah
00:36:03i'll get the call thank you okay don't be long okay
00:36:14so rocco i think i picked up some papers i just need you to go over some of it if you need help
00:36:22i can go over with you yeah i can um take a look at it later i should probably get over hey
00:36:28i don't want someone to ask you wait stop that's looking good come here hey what the hell are you
00:36:39doing rocco stop no stop rocco you you're playing too much hey rocco wait stop what are you doing
00:36:48what's that all about stop playing you stop doing rocco stop stop rocco you played too much see you later
00:37:15you're good yeah you sure i said i'm good just leave me alone okay all right all right whatever jeez
00:37:25jeez
00:37:36oh
00:37:40follow me you ready to go spend some money hell yeah
00:37:46okay wow
00:37:50this is it one right oh i love this call what
00:37:57i know do you take cash or check yeah which one is it
00:38:04it doesn't matter
00:38:06i love this
00:38:08oh
00:38:13but you had something in mind for us
00:38:16when i look into your eyes
00:38:21i can't stop the rhythm
00:38:23should have known it only was a daydream
00:38:27what did i expect
00:38:31giving you my heart
00:38:33and just play it out
00:38:35baby
00:38:37hey
00:38:37hey lisa let's get out of here let's go come on
00:38:39i don't got all things
00:38:41yo this is fly right
00:38:43what nikki can you find me this in a medium please thank you thank you
00:38:47you look amazing oh my god
00:38:53we gotta go
00:38:53oh i'm sorry i love you
00:38:55love you too i'm sorry
00:38:56yo hey get back get back get back get back get back get back
00:38:59yo chill chill chill chill chill
00:39:00watch out come on come on come on
00:39:02oh
00:39:12please it's the first time mommy will come see me
00:39:14no just just get on the train and come on
00:39:20mommy
00:39:25mom oh i'm so glad you're here
00:39:27you're beautiful oh my god you lost weight
00:39:29i'm gonna surprise for you yeah i'll show you after the show
00:39:33come on
00:39:39this is for you what do you mean
00:39:44it's yours no i can't believe this
00:39:50did you see what lisa bought me oh my god why did you do this
00:39:53you know we were all saving up to pitch in and buy her car
00:39:56no i just wanted to do this book no no that's not the point
00:39:59why can't you just be proud of me for once in your life didn't you just say i'm proud of you lisa
00:40:05why can't you do that it kills you to think that i can leave and do something more and you're
00:40:09just stuck here you don't know what you're talking about oh my
00:40:12wait
00:40:15look at her just let her have this
00:40:20mommy look at this
00:40:22the power's here oh and can you have the glove come back
00:40:26what is that this this this isn't what is it
00:40:41well thank you god thank you god
00:40:45glory to god thank you i bought the house
00:40:52it's yours mommy oh my god forever
00:40:56no one can take it away from you you don't gotta worry about anything ever again
00:41:01oh my god my mommy well everything's just perfect now isn't it
00:41:15i love you but i can't be sitting around waiting for you you heard okay you know how my job is
00:41:21and i told you you can come on the road with me yeah i'm not gonna follow you around like a little
00:41:26pet okay i'm a man i know i know you are and i need to work okay and i've been trying to be supportive
00:41:34let me tell you something when you're gone i feel like my only job is to wait on the phone
00:41:40honey and i mean what that's the only thing i've been doing these past few months
00:41:45i'm surprised you remember it was my damn birthday
00:41:49yeah i told you i'm working i don't know how many times we have to have the same argument over and
00:41:55over again does working include letting a bunch of guys up in your grill what the hell are you
00:42:00talking about let them touch you feel a little over you hmm is that what you like okay i don't
00:42:06know where this is coming from but you're bugging oh yeah i'm bugging
00:42:11stop having wait wait what do you want what do you want what do you want for me
00:42:18you want to be with me of course
00:42:22marry me
00:42:26i love you okay i do i want to sit here wondering if you're mine
00:42:37maybe i'm yours yeah then marry me marry me or i'll go home pack my things and leave
00:42:44because as is this isn't going to work
00:42:51it's a choice
00:42:54okay
00:42:55okay really let's get married it's okay
00:43:06we're getting married you out of your mind
00:43:08what is your problem lisa you guys are 20 years old how do you either of you know what a commitment
00:43:15is you guys are just two kids playing house don't do this wait until you're older and out of this
00:43:22game you don't understand eladio all the time no no no i understand plenty you trust people when you
00:43:27shouldn't mommy say something por favor mamita please why why do you want to get married so young
00:43:35i love him mommy oh you know it's love nena you will find someone who will love you
00:43:46you you will i saw it in my dreams a man who will love you who you will have children with
00:43:56but it's not a hobby
00:44:10so
00:44:23Lisa, Lisa of Lisa, Lisa and the Colt Jam began simply as Lisa, a young Puerto Rican
00:44:50girl who dreamed of being a singing sensation.
00:44:53That dream started to come true in 1985 when the music producer group went looking for
00:44:58a female lead and stumbled across the 16-year-old singer.
00:45:02In that same year, they renamed the band Lisa, Lisa and Colt Jam, producing three top-selling
00:45:08hits which brought the band to platinum status.
00:45:13Both Lisa and the band attribute their success to their streetwise sound.
00:45:18Lisa, Lisa has been compared with other top-selling artists such as Debbie Gibson, Paula Abdul,
00:45:25and even Madonna.
00:45:28Their most recently released album is purposefully called Straight to the Top, a place where
00:45:32Lisa, Lisa and Colt Jam hope to be for a very long time.
00:45:36Man, I'm glad I ain't got no sisters.
00:45:41Look up.
00:45:42There they are.
00:45:43Okay, listen.
00:45:44Shaving is like farming.
00:45:45You got to start with little strokes and go up each side like that.
00:46:01Can't believe you never did this before.
00:46:03Don't you have sisters?
00:46:04No.
00:46:05You got me now.
00:46:06Hello?
00:46:07Oh, hey, babe.
00:46:08Of course.
00:46:09I'm in my hotel room.
00:46:10Where else would I be?
00:46:11Oh.
00:46:12All right.
00:46:13Well, I'll, I'll be home in two weeks.
00:46:20Okay.
00:46:22I love you.
00:46:42He's going out with his boys again, huh?
00:46:50Yeah.
00:46:53It's a third time this week.
00:46:55I think it's funny how he always wants to know where you're at,
00:46:57but you never ask him where he's going.
00:47:00No need. I trust him.
00:47:03Javi!
00:47:05I'm home!
00:47:12Baby!
00:47:16Baby!
00:47:42You know, if Barry finds out...
00:47:52I know.
00:47:56Are you sure it was positive?
00:47:58Like, does your mom know?
00:48:01What'd she say?
00:48:08She said not to have his child.
00:48:10She said that he reminded her of my dad,
00:48:16and reminded me what a mistake it was to marry him.
00:48:22I don't know.
00:48:27Maybe I loved him because I wanted a man to love me.
00:48:31My father didn't do it.
00:48:33Why don't you ever talk about your family?
00:48:47Ain't nothing to talk about.
00:48:52What do you do when you go back home?
00:48:53Where do you go?
00:48:54I got places.
00:48:55Look, I mean, most kids...
00:49:01Most kids have memories of being a kid.
00:49:05Like, happy memories of love and their parents and family,
00:49:09and...
00:49:10I just don't got that.
00:49:13And I'm okay with it.
00:49:16That's why I enjoy moments like this.
00:49:19Making new memories.
00:49:21Time with you.
00:49:22One of my best friends.
00:49:23One of your best friends.
00:49:27I better be at the top of that very short list.
00:49:30Look, see, that's...
00:49:31Miss Tony.
00:49:32That's why I should have never said nothing.
00:49:35Aw, you call me your best friend.
00:49:37You're so cheesy.
00:49:38That's why I don't open up to people, okay?
00:49:42Seriously, though.
00:49:44What are you gonna do?
00:49:45I can't have a baby.
00:49:51They'll lose everything, Tony.
00:49:53I'm gonna help you.
00:49:55I'm not going right, left, up, this, and that a way, that a way.
00:50:03Can you just...
00:50:05Can you just leave me alone for a minute?
00:50:07Hey, but you see Shorty over there?
00:50:35You think I'll get her a little drink?
00:50:38I mean, she look good, but I mean, it's up to you, really.
00:50:41Come on.
00:50:41Yo, what up, Tony?
00:50:42What's up?
00:50:43Damn.
00:50:44Girl, you look busted.
00:50:45Let's go get some sleep.
00:50:47Trying to, man.
00:50:49Needed a little something.
00:50:51How's Lisa?
00:50:52I know she wasn't feeling well.
00:50:53She's good.
00:50:54You sure?
00:50:55Yeah, she's tired.
00:50:56That's all.
00:50:57So I think Javi's on the outs.
00:50:58Thank God.
00:51:00Hated that dude.
00:51:01Yo, what can I get for you?
00:51:02Bartender, let me get, um, uh...
00:51:04Let me get a whiskey.
00:51:06Double.
00:51:07Oh, damn.
00:51:09You drink like a dude.
00:51:10Ha, ha, ha.
00:51:13Mm.
00:51:24You flirt like one, too.
00:51:26Ha, ha, ha.
00:51:26Excuse me, fellas.
00:51:30That's some business to take care of.
00:51:38Oh, no.
00:51:39Come on.
00:51:40Come on.
00:51:41Damn.
00:51:42Damn.
00:51:43Oh, Mike.
00:51:44Mike, man.
00:51:45She's stealing your girl.
00:51:47Again.
00:51:48Ha, ha, ha.
00:51:49I gotta use a bathroom.
00:51:51Oh, Mary, snap out of it.
00:51:53Why am I paying the tab on time?
00:51:55You must have just got your hair.
00:51:56I got it, I guess.
00:52:02Yeah.
00:52:02Yeah.
00:52:06Under the pale moon rising
00:52:08A minute to midnight
00:52:11Yeah, we know
00:52:13Time is running out
00:52:15Never mind
00:52:19Keep on smiling
00:52:21Now, Lisa, it's important
00:52:23That you listen
00:52:24To what I have to say
00:52:25Okay?
00:52:26Okay.
00:52:27We just got your results back
00:52:29And, uh
00:52:31It says that you have
00:52:33Ductal carcinoma breast cancer
00:52:35You'll need to start
00:52:38Treatment right away
00:52:39I have work
00:52:41I, I, I have to travel
00:52:44For a few concert dates
00:52:45I'm afraid that's not possible
00:52:47If you don't treat it now
00:52:48Uh, the chances of it spreading
00:52:50Rapidly increase
00:52:51Limiting the chances of survival
00:52:53Survival?
00:52:56Mm-hmm
00:52:57I can't stop touring
00:53:02I, I, I'll lose everything
00:53:05Is there someone we can call?
00:53:07No
00:53:08No one
00:53:09No, no
00:53:10I, I don't want anyone
00:53:11To know about this
00:53:12Doctor?
00:53:15Can we prepare a
00:53:16Travel kit
00:53:18For her to do treatments?
00:53:19Yeah
00:53:19I can coordinate
00:53:22With the hospitals
00:53:23In the cities
00:53:23That she's traveling to
00:53:25And we can monitor her that way
00:53:26That works
00:53:27We can start your treatment tomorrow
00:53:31A word with you, please
00:53:34That is my face
00:53:43Do you understand?
00:53:46Okay, I understand
00:53:47Alright
00:53:48Hi, mamita
00:54:00I know
00:54:03If I stop touring
00:54:06It all stops
00:54:07The music
00:54:10The sponsorships
00:54:11And I just paid off
00:54:15My mom's car
00:54:16Her house
00:54:18You know
00:54:19I took advancements
00:54:20To
00:54:20I took advancements
00:54:25To make that happen
00:54:26And I can't
00:54:27I can't stop
00:54:28My mommy
00:54:31My mommy's just
00:54:32She was so happy
00:54:34She was so happy
00:54:37I can't stop
00:54:40Do you understand?
00:54:41I can't stop
00:54:42We're gonna fix it
00:54:44We're gonna fix it
00:54:45So that you don't have to stop
00:54:46Okay?
00:54:48You're gonna be okay
00:54:49You're gonna be okay
00:54:52We're gonna pray for you
00:54:54Here, mama
00:54:55Here, here, take this
00:54:57Oh, yes
00:54:58You're gonna be okay
00:55:04By the way
00:55:09My daughter
00:55:10She loves your music
00:55:12She does
00:55:16She looks up to you so much
00:55:19A lot of little Latinas
00:55:21Look up to you
00:55:22Listen, mama
00:55:26You got this, okay?
00:55:29You're gonna be okay
00:55:30You hear me?
00:55:34Hey, come here
00:55:56We need to have a meeting
00:55:58I've been looking over the contracts
00:56:00And something seems off
00:56:01You notice your pay?
00:56:03Uh, yeah, yeah
00:56:05It's been a little life
00:56:05I haven't thought about it
00:56:07I'm exhausting
00:56:07We talk about it later
00:56:08Tony said that we should
00:56:10Tony's not a part of this band
00:56:12We need to have a conversation between us
00:56:16And just us, Lisa
00:56:18I gotta go, Mike
00:56:19We need to do it soon
00:56:21Look, I'm sick and tired of this, Alex
00:56:26Tony
00:56:27What is this?
00:56:30It's your paycheck
00:56:31Thought I'd hand delivery
00:56:33Why?
00:56:34What do you want?
00:56:35You're not one to beat around the bush
00:56:37Maybe you are
00:56:39I wanted to ask about your friendship with Lisa
00:56:42What am I friendship?
00:56:44The reporter was prying the other day
00:56:46Assuming she's a lesbian
00:56:47You know, I corrected her, of course
00:56:49But having those kinds of questions
00:56:52It doesn't benefit anyone
00:56:54It doesn't
00:56:55Back off, Lisa
00:56:58You down?
00:57:02Yeah
00:57:02Yeah, I think so
00:57:04Thanks
00:57:19Hey, you got a lighter on you?
00:57:24Yeah
00:57:24Let's make time for a chat
00:57:28Over the break
00:57:29I don't want to see everything slip away
00:57:31Over one person
00:57:32We'll have lunch
00:57:35Okay
00:57:36Here for your check
00:57:48I'm gonna need an advance when those jobs rubbed were arranged
00:58:02Sure
00:58:03Got a few bills that popped up
00:58:05Um
00:58:06What upcoming jobs?
00:58:09I don't see anything
00:58:10Oh
00:58:10The commercial
00:58:11I signed the paperwork a while back
00:58:13Ah, here it is
00:58:20It seems like that deal fell through
00:58:23What?
00:58:25Yeah
00:58:25Did they say why?
00:58:28Client pulled out?
00:58:30No
00:58:30No, that can be
00:58:32I-I
00:58:32I just spoke to them
00:58:33I had a whole creative
00:58:35Uh, conversation about
00:58:37About the commercial
00:58:38And what I wanted to do with it
00:58:39I-they were excited about us
00:58:41Look
00:58:44I heard Barry said
00:58:46He didn't agree with the creative
00:58:47And that was a deal breaker for them
00:58:49So
00:58:49He turned down the commercial
00:58:51Hmm
00:58:52I'm so sick of this
00:58:55I've had enough
00:58:56Whoa, whoa, whoa
00:58:56Get your hands off of me
00:58:58Mr. Barry
00:58:59How dare you
00:59:01Uh, excuse me?
00:59:04We are the band
00:59:06You don't turn down a job
00:59:08Without letting all of us decide
00:59:10Okay
00:59:11This is how the industry works
00:59:15You signed the contract
00:59:17You belong to us
00:59:19We decide what's best
00:59:22Or
00:59:22We find another band
00:59:24Who'll accommodate us
00:59:25As we need them to do
00:59:26Go home
00:59:33Get some rest
00:59:35You look like hell
00:59:36Yeah
00:59:39Hold on
00:59:40Lisa
00:59:40Remember
00:59:43There's plenty of girls waiting in line
00:59:46To take your place
00:59:47Hey
00:59:50Hey, yeah, no
00:59:52No, I just had to give someone
00:59:53A little attitude adjustment
00:59:54Uh-huh
00:59:56Do you have a phone I can use?
00:59:59Sure, baby
00:59:59It's right here
01:00:05Thank you
01:00:07Lucas
01:00:07We gotta talk
01:00:10I stopped by accounting
01:00:11I pulled up all contracts
01:00:14And?
01:00:15Barry and Rocco
01:00:16Turned down that commercial
01:00:17Man, what the hell are we gonna do?
01:00:20I think we should bring in Tony
01:00:21She's done this before
01:00:23She's a backup singer, period
01:00:24Okay, do you have a problem
01:00:25Without female schooling you?
01:00:26That's your problem
01:00:27Knock it off!
01:00:28Both of you
01:00:29We need to figure out
01:00:30How to get out of these contracts
01:00:31Before we tear each other apart
01:00:33They the bad guys
01:00:35Not us, man
01:00:36Yeah
01:00:36Right
01:00:37I know a guy
01:00:39Who's done this before
01:00:40I'm gonna give him a call
01:00:42Oh, so we can't call Tony
01:00:43But we can't call a stranger
01:00:45We barely know
01:00:46Great
01:00:46Lisa
01:00:47Lovely
01:00:47Please
01:00:48We need to figure out
01:00:49What we're gonna do first
01:00:50Before we'll let him know
01:00:51Yeah?
01:00:52What?
01:00:54There's a few execs at the label
01:00:55That are concerned with your friendship with Tony
01:00:57Who cares if I'm friends with Tony?
01:01:00You just listen to her way too much
01:01:01You don't like the fact
01:01:03That I'm close to her?
01:01:04Or that she's gay?
01:01:05What?
01:01:05That's ridiculous
01:01:06You know how many gay musicians are out there?
01:01:09A lot
01:01:09You have a lot on your plate
01:01:11You just don't need another voice in your head
01:01:14Giving you advice
01:01:15Yeah, come on, Lisa
01:01:17This is our band
01:01:19We started this together
01:01:20Lisa, hey
01:01:22I like Tony
01:01:23Okay?
01:01:25And I don't care what she does
01:01:26For her free time, you know
01:01:27But
01:01:27This
01:01:30This could hurt us
01:01:33No, it won't
01:01:35Lisa
01:01:36She's like a sister
01:01:37She's my best friend
01:01:39Time is money
01:01:41Let me do it
01:01:43Do it
01:01:43Keep me this way
01:01:44Listen
01:01:44Stop worrying about Tony
01:01:47And start looking into the contracts
01:01:49And how we keep losing money
01:01:51Because of these guys
01:01:52I don't need you, all right?
01:02:01This is not the other way
01:02:02I told you
01:02:03We don't need her
01:02:03She's wet
01:02:04Don't stab at me like that
01:02:05How to get out of these contracts
01:02:06Before we tear each other apart
01:02:08We decide our band's best
01:02:10Or
01:02:10We find another band
01:02:11Who will accommodate us
01:02:13And we need them to do
01:02:14I'm a little pet, okay?
01:02:15I'm a man
01:02:16There are plenty of girls waiting in line
01:02:17We started this together
01:02:19There's a few execs
01:02:19There's something a little better
01:02:20It's not much of a question
01:02:21I'm seeing how people
01:02:23The band's here to take you to the mall
01:02:27Lisa, come on
01:02:29Yeah, I'll be right there
01:02:30Lisa, what are you doing?
01:02:33Rocco says the place is packed
01:02:35Can you meet him?
01:02:37I'm here
01:02:38No, my, please
01:02:39You know he's ready
01:02:40Yeah, I said I'll be right there
01:02:41I feel so much more
01:02:43Hey
01:02:45Hey
01:02:47Hey
01:02:49This is a great turnout
01:02:51I can't do this anymore
01:02:59What?
01:03:00I need a break
01:03:01Alright, you'll get a break soon
01:03:02I promise
01:03:03No, now!
01:03:04Girl, you better calm down
01:03:05I said you'll get a break
01:03:08Alright?
01:03:09The sooner you start
01:03:10The sooner you will finish
01:03:12Get back to work
01:03:13Hey, I'm sorry about that
01:03:19That should never happen
01:03:27But, you know
01:03:28That's right
01:03:29Hi
01:03:31Thank you so much
01:03:32Thank you
01:03:33For the patience
01:03:33Thank you
01:03:34Oh, this is such a good
01:03:37Come on, Lisa
01:03:38I've been waiting all day
01:03:39Hey, can I please get a kiss?
01:03:40I'm sorry, no
01:03:41It's not a
01:03:41Come on, you look fine
01:03:42Come on, Lisa, please
01:03:43Fine
01:03:43Sorry, just an autograph
01:03:44I said no, man
01:03:45Tony
01:03:46Oh, we good?
01:03:47We good?
01:03:48What the hell are you doing, Tony?
01:03:51What?
01:03:51You can't be letting dudes
01:03:52Get all grabby like that
01:03:53These are fans
01:03:53They're the reason why we're here
01:03:55We can't be handling
01:03:56Things like this
01:03:57What the hell is that supposed to mean?
01:03:58It means how we gotta be more thoughtful
01:04:00How you handle situations, Tony
01:04:02Not everything is a confrontation
01:04:04Tony, what the hell is the matter with you?
01:04:05You've never had an issue before, alright?
01:04:08You look tired and I mean
01:04:09Okay, you're one to talk
01:04:11You know what?
01:04:13I don't need this, alright?
01:04:15Because all I was doing was making sure
01:04:16You were alright like I always do
01:04:18Oh, you don't!
01:04:19Don't check on me for once
01:04:21I already have a brother
01:04:22I don't need another one hovering over me
01:04:25You good?
01:04:48Yeah
01:04:49I'm good
01:04:50Just tired
01:04:52I know
01:04:55What's going on?
01:05:06Oh, man
01:05:07Riding in style
01:05:08That's nice
01:05:09Look at this, man
01:05:10That was...
01:05:10What is lame-ass Tony riding with us to the show for?
01:05:15I don't know, man
01:05:16Ask Lisa
01:05:16I will
01:05:17What you asking me for?
01:05:20Not a mind reader?
01:05:20I don't know
01:05:20I don't know
01:05:21I don't know
01:05:21I don't know
01:05:21I don't know
01:05:22I don't know
01:05:22I don't know
01:05:23I don't know
01:05:23I don't know
01:05:24I don't know
01:05:24I don't know
01:05:25Why aren't you listening to Rocco?
01:05:31The label doesn't want her around
01:05:32And she's messing with our money
01:05:33I invited her, Mike
01:05:35Yeah, and that's the problem
01:05:36We keep making all these decisions without consulting the group
01:05:38And we're sick and tired of it
01:05:40Right, Alex?
01:05:41Guys, listen
01:05:42Look, I'm a lover, not a fighter, all right?
01:05:43Can we just talk about it later?
01:05:45Right now, we just need to focus
01:05:46No, we can't talk about it later
01:05:48I was gonna keep this between just us
01:05:50But I had a lawyer look over everything
01:05:53And those contracts that we signed
01:05:55Put Rocco in charge of everything
01:05:58He screwed us
01:05:59Nah, you screwed yourself
01:06:01I already told you
01:06:03The music game
01:06:04You either hustle
01:06:05Or you get hustled
01:06:06And you got hustled
01:06:07Yeah
01:06:09Just like your daddy be hustling you, right?
01:06:12Who the hell are you talking to?
01:06:13I'm talking to you
01:06:13I'm talking to you
01:06:14No, no, no, no
01:06:14Chill, chill, chill
01:06:15Chill, chill, chill
01:06:17Back your ass up
01:06:18Dude, you need to be out of here
01:06:20Now, chill out
01:06:20Stop, stop
01:06:21Mike, stop dissing her
01:06:22This is the biggest night of our careers
01:06:27And you guys are wilding in a damn car
01:06:28Man, what are we gonna do about these contracts?
01:06:42Nothing
01:06:42What do you mean, nothing?
01:06:43Those contracts are signed
01:06:45We signed them
01:06:47I just bought my mama a house
01:06:49My brother a car
01:06:50I'm paying for my sister's college
01:06:51That can all go away tomorrow like that
01:06:54Let's just ride this wave until we can renegotiate
01:06:58Because I ain't going back to folding sweaters in the stockroom
01:07:01You hear me?
01:07:24I think I love you from hand to toe
01:07:28I know
01:07:31You can't fight everybody, Tony
01:07:35You're lucky Barry wasn't there
01:07:37Me?
01:07:37I don't care about Barry
01:07:39All right, he's the one that started
01:07:40Stop, stop
01:07:41I can't handle this
01:07:43Handle what?
01:07:44The truth?
01:07:45I've been saying the same thing over and over and over
01:07:47Now what's happening?
01:07:49Now what's the problem?
01:07:50What is up with you?
01:07:51You've been acting different from once now
01:07:53You never acted like this
01:07:54I always kept it real with you
01:07:56He, in fact, has been talking to me crazy
01:07:59And I'm not going to keep around with it
01:08:00Maybe you don't know what the hell you're talking about, Tony
01:08:03Okay
01:08:03Maybe I can stick up for myself
01:08:06Do it
01:08:07The rise of hip-hop and electronic dance music
01:08:13Is forcing the freestyle genre to fade
01:08:16I'll be back in a minute to check on you
01:08:36It's Lisa, Lisa
01:08:41Hi
01:08:43She's killing it, right?
01:09:05Yeah, let's see what you got
01:09:06Yeah, that's it
01:09:11Nah, keep going
01:09:12What's up?
01:09:17I stopped out to get my chick
01:09:19I didn't know when it was rehearsing
01:09:20Who was that?
01:09:22She's cute
01:09:23Tony
01:09:25Do you have a minute?
01:09:28Hey, come on, me in a bit
01:09:29Oh, oh, oh
01:09:52Look what the cat drug is.
01:10:22I need a job, man.
01:10:31Is that all you need?
01:10:37Hey!
01:10:40I told you.
01:10:43You'll be back.
01:10:44Let me show you how I feel, oh, boy, we can make it, we can make it work.
01:11:05Hey, that was good.
01:11:06I want to do it one more time, okay?
01:11:07Great job.
01:11:08Hey, look who's back.
01:11:10It's so good to see you, Lisa.
01:11:12Lisa, you look terrible.
01:11:16You're not pregnant, right?
01:11:17Shut up, Spanador.
01:11:19Who's that?
01:11:22That is...
01:11:24Spanador?
01:11:27Mike.
01:11:28Mike!
01:11:31Lisa, hear me out.
01:11:32Where's Stoney?
01:11:34Where's Stoney?
01:11:38Lisa!
01:11:42I told you.
01:11:48Barry!
01:11:50I'm gonna have to call you back.
01:11:52What happened to Stoney?
01:11:54I was gonna explain it to you.
01:11:56Who the hell set to let her go?
01:11:57It was a group decision.
01:11:58I'm a part of this group.
01:12:01Stoney's toxic, okay?
01:12:03She's violent.
01:12:04We do not need an individual like that on the road.
01:12:07She's a liability.
01:12:07I need her.
01:12:08I need her on the road.
01:12:10I want her back.
01:12:11No.
01:12:12What?
01:12:13It was a management decision.
01:12:15I'll just go bring her back here.
01:12:16You know, if you go after her,
01:12:18I have to believe that you are not serious about your career.
01:12:22You could lose everything you have worked for.
01:12:26And for what?
01:12:27Some lesbian?
01:12:29How dare you?
01:12:31What does it matter who she sleeps with or who she is?
01:12:38You don't like Stoney because she sees through your lives.
01:12:43Mm-hmm.
01:12:44You don't like her because she teaches me about snakes like you.
01:12:49I'm not gonna go on without her.
01:12:53Period.
01:12:54Whoa, whoa, whoa, whoa, whoa.
01:12:55You're from the ghetto.
01:12:57You never graduated from high school.
01:12:59You cannot make it in this business without someone like me.
01:13:11Watch me.
01:13:18Ha.
01:13:19Ha.
01:13:19Ha.
01:13:19Ha.
01:13:20Ha.
01:13:20Ha.
01:13:21Ha.
01:13:21Ha.
01:13:22Ha.
01:13:22Ha.
01:13:23Ha.
01:13:23Ha.
01:13:26Have you seen Tony?
01:13:27Can I get a picture?
01:13:28I'm sorry girls.
01:13:28I can't find you.
01:13:31Lisa?
01:13:33Why you looking for Tony?
01:13:35She using again?
01:13:36I didn't know she used.
01:13:37You don't wanna know she used?
01:13:41Maybe not.
01:13:42Well, Pops, she's using again.
01:13:44She'll be with him.
01:13:44He's a drug addict.
01:13:45Pimp.
01:13:46Living somewhere in the projects.
01:13:48If you find him, you find her.
01:13:51Thanks.
01:13:52Hey, Lisa.
01:13:53You gotta save her if she stays in the project she'll end up just like her father
01:13:59Music's all she has
01:14:03Can we just get an autograph get out the way hey Lisa be careful
01:14:08Projects no place for a girl after sunset
01:14:12Yo, I don't think she's breathing she'll be alright. I
01:14:18Don't know B we need to do something. It's your daughter man
01:14:23It's a grown-ass woman. She ain't did nothing. She ain't want to do
01:14:31Get the peace
01:14:35Hell you doing it
01:14:38You hear me talking to you Tony Tony
01:14:47She's barely breathing she's going nowhere
01:14:53She's gonna die
01:14:55We all got to go sometime, but you you ain't going nowhere
01:15:09There are off-duty police officers waiting for me outside
01:15:12If they come over here and they spot the pile of cocaine you got there
01:15:20I'm gonna pick you up for the multiple warrants you probably have and you will die in prison you hear me
01:15:27Don't get outside
01:15:35Don't get outside
01:15:39Having babies don't make you a father
01:15:42Caring for them does
01:15:45You ain't no father
01:15:47Hey Boricua
01:15:50Don't ever let her come back here
01:15:52I mean
01:15:54I
01:15:56I
01:15:58I
01:16:00I
01:16:02I
01:16:04I
01:16:06I
01:16:08I
01:16:10I
01:16:12I
01:16:14I
01:16:16I
01:16:18you've been out all night oh this
01:16:29it's the latest and accessories the chemo pack I've had her for a while
01:16:39doc told me after Javi and I split up
01:16:49but why why didn't you say anything I didn't tell anyone because I was
01:16:58I was scared scared of what scared of losing everything you know when I was a kid
01:17:08I would stand on a chair in the kitchen and just dream I was on a stage singing
01:17:17now that I was the one coming out of Radio City Music Hall in a limo
01:17:24that I would take care of mommy and that I would make
01:17:27El Alio proud they'd seen me all successful
01:17:36for a while it felt like everything we were living was that dream
01:17:43and the moment anyone said cancer I would
01:17:52I would just lose it all
01:17:57that everything would be gone you know the tour the bands that the money
01:18:01you I was terrified of losing you
01:18:12and I was so angry at you
01:18:17why did you do that
01:18:18I once
01:18:24I asked the junkie
01:18:28how did he start getting high
01:18:31this guy was a track star he
01:18:34I don't know he ended up
01:18:37strung out in the projects most nights
01:18:39but he said when you spend your life
01:18:45being numb
01:18:48drugs help you to feel something
01:18:52I guess I just just wanted to feel something
01:18:55to be selling rock for my pops it was never about the money
01:19:00I just wanted him to love me
01:19:05Tony
01:19:05I guess I just
01:19:09I gotta accept the fact that he'll never be able to do that
01:19:15you can't force anyone to love you the way you want
01:19:21I know that
01:19:23now
01:19:26do you?
01:19:35you're my best friend
01:19:39my sister my family
01:19:43I don't ever want to lose you
01:19:46do you ever lose me you got that
01:19:53then no more secrets
01:19:57no secrets
01:20:00because sisters don't keep secrets
01:20:01okay
01:20:08no more secrets
01:20:11I think there's one more person you need to tell
01:20:13you
01:20:14I'm sorry mommy
01:20:19I've been busy
01:20:33I have so much to tell you
01:20:36but what are you doing Saturday night
01:20:38you
01:20:40you
01:20:40you
01:21:01We did it, Mom.
01:21:06Yes, we did.
01:21:31Hi, Mommy.
01:21:34I got you seats in the front row.
01:21:37We'll eat after, yeah?
01:21:41Mm-hmm.
01:21:42Yeah.
01:21:44Yeah, baby.
01:21:47I'm so beautiful.
01:21:53Yeah?
01:21:55It's time.
01:21:58I'll see you later.
01:22:02Yeah.
01:22:03Hey, I got you something.
01:22:07What?
01:22:08I thought I lost them.
01:22:10It was in some of the boxes from when you moved.
01:22:14I figured you might need it,
01:22:16since you never went anywhere without them.
01:22:21I'm sorry.
01:22:23I'm sorry.
01:22:24I'm sorry.
01:22:25I'm sorry.
01:22:26I'm sorry.
01:22:27I'm sorry.
01:22:28I'm sorry.
01:22:34Lisa?
01:22:37It's not that I didn't think you could take the D train
01:22:40alone or pay for Mama's bills or do all of this.
01:22:49I just, I wanted to be the one to do that for you.
01:22:55So you didn't have it as tough as I did.
01:22:58I just, I wanted to be the one to take care of my little sister.
01:23:04And if I never told you this, I've never been more proud of anyone in my entire life.
01:23:18I love you, sis.
01:23:20Blue J Support era.
01:23:21I provided that for Jesus.
01:23:27Hello, New York.
01:23:30Are you ready for me?
01:23:32Hello, New York. Are you ready for this?
01:23:51Can you feel the big bit in my heart? Can you see my love shine through the dark?
01:23:56Can you feel the big bit in my heart? Can you see my love shine through the dark?
01:24:03Can you see that you must be a part? Oh, that beat in my heart.
01:24:09That beat in my heart.
01:24:20I'm Lisa.
01:24:22Tony.
01:24:26Let me hear you scream.
01:24:46After all that we've been through, I can't seem to face the fact that, boy, I'm losing you.
01:24:53We're going to do this my way, but we're not at all.
01:25:09Don't you have sisters?
01:25:11You got me now.
01:25:12My heart's double B's for you.
01:25:14Woo!
01:25:15Woo!
01:25:16Now you know I'm broke off.
01:25:22All this life you turn to go.
01:25:28If we stay in love, oh my life, my life.
01:25:34Aww, you're calling your best friend. You're so cheesy.
01:25:38Can we stay in love, New York?
01:25:40Are you ready for this?
01:25:41Can you feel the big bit in my heart? Can you see my love shine through the dark?
01:25:45Can you feel the big bit in my heart? Can you see my love shine through the dark?
01:25:49Can you see that you must be a part of that beat in my heart?
01:25:52Tony. Tony. Get up. Get up.
01:25:54That beat in my heart. That beat in my heart. Let's go!
01:26:09You're my best friend. I don't ever want to lose you.
01:26:12You want to know about my life? Well, here you go.
01:26:24It's still time when you can be back another day.
01:26:31Oh, yeah. You've been back.
01:26:37Oh, yeah. You've been back.
01:26:50You can fly away. It will be alright. It will be alright.
01:27:04When you feel the world is taking over,
01:27:33And it seems life is too much
01:27:37When it seems so hard to make tomorrow count
01:27:45Because tomorrow is my way
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