- 8 hours ago
Category
🎥
Short filmTranscript
00:00:00I've always described the world in words, people, moments, places, all through metaphors and margins.
00:00:13You okay?
00:00:14Like my mom, self-made, stubborn, and never wrong.
00:00:20Almost there. You excited for your first day?
00:00:22She calls this a fresh start. I call it terrifying.
00:00:30You've got this. It's for yourself.
00:00:35That's kind of the problem.
00:00:56I'm stuck in space. Got a daisy running through my brain every day.
00:01:00I want to take it down.
00:01:04Okay.
00:01:06Morning, class.
00:01:10And you're not seated because...
00:01:12I don't have a seat.
00:01:15Ah, a new transfer. Alice Keaton, right?
00:01:19Let's see.
00:01:20Oh, there's a spot. Next to Charles.
00:01:26Charles' case, Sherry.
00:01:27Seriously? A charity case sitting next to Charles?
00:01:30God, why is she?
00:01:33Quiet, Charles.
00:01:35I've always had words for everything.
00:01:40But in that moment...
00:01:43I forgot them all.
00:01:46I forgot them all.
00:01:54Charles, move your things.
00:01:58I'd rather not.
00:01:59She'll be a distraction.
00:02:00From what?
00:02:02Sleeping.
00:02:03From everything.
00:02:04If anything, Charles, Miss Keaton will be a positive influence on you.
00:02:08She was top of her class at her previous school.
00:02:11With all due respect, sir, her previous school was American.
00:02:14I highly doubt that.
00:02:19That's enough.
00:02:21She can sit here.
00:02:22It's fine.
00:02:26Back to Goldie.
00:02:28You got it.
00:02:29I'm Sherry Vaughan.
00:02:30Alice Keaton.
00:02:31It's very important that we look at the...
00:02:33What he's talking about their experience of the time.
00:02:40Wait.
00:02:42You sat next to Charles?
00:02:43She didn't.
00:02:43You totally shut her down.
00:02:45Oh, I knew it.
00:02:46Don't take it past me.
00:02:47He's impossible.
00:02:49Can everyone stop acting like the goal was getting into his pants?
00:02:52What?
00:02:53He's hot.
00:02:54Everyone kind of is.
00:02:57I...
00:02:57I've seen...
00:02:58Connor.
00:02:59He's not my type.
00:03:00You're joking.
00:03:02I don't find bullies attractive.
00:03:03Hey!
00:03:04Be careful.
00:03:05We're talking about the king of Ashford.
00:03:07The what?
00:03:09His family basically own the school.
00:03:11And the town.
00:03:12Maybe even the country.
00:03:13Yeah.
00:03:14Everyone's tried to get close.
00:03:16No one can get past his ego.
00:03:17You're not the first to get iced.
00:03:19Okay.
00:03:20First of all, I wasn't iced.
00:03:22It's more like a mutual decision.
00:03:25And second, I think he's arrogant.
00:03:27Cold.
00:03:28Thinks he's untouchable.
00:03:30But if you really look at Charles, he just seems isolated.
00:03:33Like he's faking out.
00:03:34Honestly, I just think he's lonely and kind of pathetic.
00:03:41What?
00:03:42No, go on.
00:03:49You were saying I'm lonely and pathetic.
00:03:52Next time, read the room before opening your mouth, American.
00:04:05We're not in Kansas anymore, Alice.
00:04:07Hey, how was your first day?
00:04:25Uh, good.
00:04:27Anything exciting happen?
00:04:28Not really.
00:04:28Super uneventful.
00:04:31Really?
00:04:32How's your new job?
00:04:33Yeah, all right.
00:04:35Get this?
00:04:35They said we can stay in the servant's wing.
00:04:37Seriously?
00:04:38Hmm.
00:04:39Apparently, the young master won't mind the company.
00:04:42The young master.
00:04:45This is your boss's house.
00:04:47Yeah?
00:04:48Isn't that incredible?
00:04:49I mean, I wouldn't call it a house.
00:04:52It's a museum with better landscaping.
00:05:00Wait here.
00:05:01I'll talk to the butler.
00:05:07Wow.
00:05:08Rich people.
00:05:10You've topped yourselves again.
00:05:14Stephen King.
00:05:17First edition.
00:05:19Breaking and entering now.
00:05:30How American of you.
00:05:31I...
00:05:32You've been paying rent here in my head.
00:05:46Tried to fight it hard.
00:05:47You can get up now.
00:05:55I...
00:05:55I'm trying.
00:05:57Wait!
00:05:59Are you serious?
00:06:01Well, you said you were trying.
00:06:04What is wrong with you?
00:06:06Funny.
00:06:07I was about to ask you the same thing.
00:06:09What are you doing in my house?
00:06:10You...
00:06:12Wait.
00:06:14Your house.
00:06:16My house.
00:06:17My library.
00:06:18And now, apparently,
00:06:20my unwanted guest.
00:06:21Ah, Master Charles.
00:06:25You must be Miss Alice, Anne's daughter.
00:06:27She said you'd be moving in today.
00:06:29She what?
00:06:30There...
00:06:30There's been some kind of misunderstanding.
00:06:33You see,
00:06:33I'm not actually moving in.
00:06:35Is that so?
00:06:36Yeah.
00:06:37I'm not staying here.
00:06:38Like, at all.
00:06:39That's a shame.
00:06:40Your mother seemed quite pleased with the arrangement.
00:06:42Well, I just don't think it's appropriate.
00:06:45Well, if you're sure, then absolutely not.
00:06:49Come on, Alice.
00:06:52You must stay.
00:06:55It'll be fun.
00:06:58My dear classmate.
00:07:01I'm dead.
00:07:03Like mentally, socially, and actually dead.
00:07:07Just trying to figure out
00:07:15how exactly my life went off the rails.
00:07:18Get it together, Alice Keaton.
00:07:20You've been through hell.
00:07:25Actually, no.
00:07:27This is hell.
00:07:31Uh, good morning.
00:07:37Wow.
00:07:47Sir, is that Miss Keaton?
00:07:50Well, f***ing doesn't know.
00:07:51That's often closed for months.
00:07:54She's going to be late.
00:08:00Hey, how long is this thing gonna take?
00:08:03Maybe I'll just walk?
00:08:04Five miles to school.
00:08:08Okay, if I sprint,
00:08:10maybe I'll make it before first period.
00:08:13Or die of exhaustion on the way.
00:08:18Or die of exhaustion on the way.
00:08:21What are you doing here?
00:08:23Didn't you already leave?
00:08:27Wait.
00:08:28Did you come back for me?
00:08:32Relax.
00:08:32I forgot my textbook.
00:08:35Don't flatter yourself.
00:08:37Wait.
00:08:40Since you're already here,
00:08:42maybe you could be a decent person
00:08:44and give me a ride?
00:08:48No.
00:08:50Seriously?
00:08:51Your car is huge.
00:08:53Yeah.
00:08:54And I'm not a fan of sharing.
00:08:57Says the guy who forced me
00:08:59to live in his house.
00:09:00Because if it's all I'm mine,
00:09:02now I want,
00:09:03and these are neat.
00:09:04Unbelievable!
00:09:05Unbelievable!
00:09:14Ashford Institute, please.
00:09:21Clooney is that entitled brat anyway.
00:09:23Sir, you called the cab.
00:09:26Why not just give Miss Keaton a lift?
00:09:27Why not just give Miss Keaton a lift?
00:09:34And have the whole school go crazy.
00:09:37She's new.
00:09:38Everybody's already talking.
00:09:40So you're worried about her?
00:09:42You're overthinking.
00:09:43I just don't like drama.
00:09:51Asshole.
00:09:52Who?
00:09:53Morning, Clos.
00:09:56Back to Golding.
00:09:58Remind me what he's saying
00:10:00through Lord of the Flies.
00:10:05Mr. Kenwood,
00:10:07care to share what you found so amusing?
00:10:09Not particularly.
00:10:11Oh, I insist.
00:10:13You seem very entertained by Golding.
00:10:14I'm not entertained by Golding, sir.
00:10:18On the contrary.
00:10:20I think his ending is...
00:10:22weak.
00:10:24Wait, wait.
00:10:25You wish he read it?
00:10:26Quiet.
00:10:29That's an interesting take.
00:10:30Explain.
00:10:31He had to set up for something brutal.
00:10:36Something honest.
00:10:37In the end,
00:10:38he backed out.
00:10:40He could have left the boys on the island.
00:10:41Forced them to confront
00:10:42a collapse of vulnerability.
00:10:44Let them choose survival.
00:10:46Or death.
00:10:47But instead,
00:10:48he gave them a rescue boat.
00:10:50Slapped a happily ever after
00:10:51on a book about savagery.
00:10:56It's a waste.
00:10:58Don't you think?
00:10:59I'm delightfully surprised, Charles.
00:11:01Didn't think you had
00:11:01such strong literary opinions.
00:11:04I'm always a model student, sir.
00:11:06Let's not get ahead of ourselves.
00:11:10So,
00:11:11a critique of Golding's mercy.
00:11:13Anyone disagree?
00:11:14I'm always a model student, sir.
00:11:29I think Golding knew exactly
00:11:31what he was doing
00:11:32by ending the book that way.
00:11:33It's not mercy,
00:11:35it's irony.
00:11:36How so?
00:11:39The rescue isn't a happy ending.
00:11:42You don't just walk back into society
00:11:43and forget you're a monster.
00:11:45Golding didn't save them,
00:11:46he left us with the discomfort
00:11:48of pretending they could be saved.
00:11:49That's an interesting take,
00:11:50Miss Keaton.
00:11:52You still think it's a harsh critique?
00:11:54In some ways,
00:11:55but not harsh enough.
00:11:58Yes,
00:11:58it's a critique of toxic masculinity,
00:12:00but still,
00:12:01Golding sympathized with them.
00:12:04And the civilized world?
00:12:05Toxic, violent,
00:12:06he didn't call that out
00:12:07nearly as much.
00:12:08So yeah,
00:12:09I don't think Golding
00:12:10pushed far enough,
00:12:11but I think it's unfair
00:12:12to call it a happy ending.
00:12:17Thank you, Miss Keaton.
00:12:19Well said.
00:12:20Anyone else?
00:12:21Both opinions are valid.
00:12:25Okay,
00:12:26that was kind of epic.
00:12:27Golding faced major backlash
00:12:29when he first published the book.
00:12:31Good literature will always divide opinion.
00:12:36What's happening to me?
00:12:43Okay,
00:12:44what is going on?
00:12:45Why is everyone staring at me?
00:12:47Well,
00:12:48you're new
00:12:48and apparently had a thing with Charles.
00:12:51A what now?
00:12:52You two are in the middle
00:12:53of the most epic feud
00:12:55I should have seen
00:12:55in years.
00:12:56We're not even fighting.
00:12:58Well,
00:12:58according to everyone,
00:12:59you confessed your love
00:13:00on day one,
00:13:01got rejected,
00:13:02begged to sit next to him,
00:13:04got rejected again.
00:13:05And today in class,
00:13:07you broke down crying
00:13:08about not believing
00:13:09in happy endings
00:13:10and stormed out
00:13:11and stormed out
00:13:11in tears.
00:13:13You were there,
00:13:14Sherry,
00:13:14that is not what happened.
00:13:17Doesn't matter.
00:13:18People believe
00:13:19what they want to believe
00:13:20and they want Charles
00:13:21to be flawless,
00:13:23untouchable.
00:13:24Wow.
00:13:25Is misogyny
00:13:26like a rich kid thing
00:13:27or just a British specialty?
00:13:29Honestly,
00:13:30both.
00:13:30But seriously,
00:13:32Alice,
00:13:33some people already
00:13:34see you as a threat.
00:13:42Okay.
00:13:43Loaded.
00:13:45Looks like the new girl's
00:13:46in for a rough
00:13:47first semester.
00:14:02Hello?
00:14:05Hello?
00:14:07Is somebody out there?
00:14:10Oh, come on!
00:14:16Fine.
00:14:39Seriously?
00:14:42Oh, shit.
00:14:46What the hell?
00:14:50Anne,
00:14:51I thought you were
00:14:52having dinner with Alice.
00:14:53She hasn't come home.
00:14:54Her phone is off.
00:14:56Maybe you've seen her
00:14:57this evening?
00:15:00Yikes.
00:15:01Looks like the new girl's
00:15:02in for a rough
00:15:03first semester.
00:15:09Shit.
00:15:15Alice!
00:15:16Alice!
00:15:17Mr Pelton,
00:15:18Charles Kenwood here.
00:15:19I was wondering
00:15:20if I could get the timetable
00:15:21for Alice Keaton.
00:15:22She hasn't come home.
00:15:23I'll have it sent her over.
00:15:26Check the common room
00:15:26in the library.
00:15:27I'll take the rest.
00:15:31Alice!
00:15:44Come on, Alice.
00:15:45Close your eyes
00:15:48and jump.
00:15:49It's fine.
00:15:51You're fine.
00:15:52You're fine.
00:15:52You're fine.
00:15:52You're fine.
00:15:54Hey, Mr. Nonchalant.
00:16:03Hey, Mr. Nonchalant.
00:16:18Are you happy with how we end?
00:16:25What are you doing here?
00:16:30Can you get off me first?
00:16:31Oh, so certain.
00:16:34Did I ask for two months?
00:16:36Isn't it my fault?
00:16:40I thought we would pray.
00:16:41I didn't say thank you.
00:16:45I figured saving your life
00:16:46might turn me basic manners.
00:16:47Someone just dumped swamp water
00:16:49on me.
00:16:50Excuse me if I'm not feeling
00:16:52very polite.
00:16:52You smell like a biology experiment.
00:16:55Wow.
00:16:56You should try falling out of a window
00:16:58into someone's arms
00:16:59and getting insulted for it.
00:17:00Wouldn't recommend it.
00:17:01You're heavier than you look.
00:17:04I hope you pull your shoulder.
00:17:10Are you okay?
00:17:13No.
00:17:14But I will be.
00:17:17Someone did this on purpose.
00:17:18What do you think, golden boy?
00:17:21Don't worry.
00:17:22I can handle it.
00:17:22You shouldn't have to.
00:17:23I'm sorry.
00:17:35Sorry.
00:17:40Did you just apologize to me?
00:17:43Don't get used to it.
00:17:44I wouldn't dream of it.
00:17:48Alice?
00:17:49Over here.
00:17:50Oh, my God.
00:17:53You okay?
00:17:56Why are you drenched?
00:17:57Yeah, I just
00:17:58took a weird shower.
00:18:01Tap exploded.
00:18:03Come on.
00:18:04Let's get you home.
00:18:15Alice Keaton, right?
00:18:18I heard you say
00:18:19to the whole thing
00:18:20for attention.
00:18:23I know how this place works.
00:18:46If you don't do anything about it,
00:18:48it's only going to get worse.
00:18:51I'll look into it.
00:18:51Charles.
00:18:56Good on you.
00:18:57How many here would speak up?
00:19:03I can't believe someone
00:19:04actually locked you in.
00:19:05That's insane.
00:19:06Where the hell was the school
00:19:07when this was happening?
00:19:09Busy protecting their golden boys
00:19:10and trust funds.
00:19:11Well, for what it's worth,
00:19:13I heard Charles looked pretty freaked out
00:19:16when he ran out last night.
00:19:18Please, he just didn't want a lawsuit.
00:19:19Being a scholarship student
00:19:38has its perks,
00:19:40like saving a fortune on tuition
00:19:42and getting into schools
00:19:43that normally wouldn't even
00:19:45let you pass the gates.
00:19:46Hey, we miss you in Paris.
00:19:50Though there are enough Americans
00:19:51to remind us of you.
00:19:53But sometimes,
00:19:54being here means
00:19:55standing behind
00:19:56and watching
00:19:57Ashford Elites
00:19:58go on a two-week enrichment program
00:20:00you can never afford.
00:20:03Have fun.
00:20:04Bring me
00:20:05something
00:20:06overpriced
00:20:07and
00:20:08unnecessary.
00:20:11The trip
00:20:12cost 20 grand
00:20:13in pounds
00:20:14which translates to
00:20:15mom's salary
00:20:16for half a year.
00:20:18So yeah,
00:20:19I didn't go.
00:20:20What are you doing here?
00:20:43Do you not believe in shirts?
00:20:44Do you not believe in dignity?
00:20:46It's comfortable.
00:20:47You look like a rejected Ewok.
00:20:49This is not even your kitchen.
00:20:52And this is not even your house.
00:20:53And yet,
00:20:54you're here
00:20:54dressed like this.
00:20:56Just don't look.
00:20:57Go away.
00:20:58Part not to
00:20:59when you're walking around
00:21:00dressed like that.
00:21:01What do you guys call it?
00:21:04Buzzkill?
00:21:06Cockblock.
00:21:07You're insufferable.
00:21:08You're the one
00:21:08cosplaying at breakfast.
00:21:10You know what?
00:21:11I don't get it.
00:21:12Why didn't you go on that tour?
00:21:13I thought rich people
00:21:14live for that kind of thing.
00:21:16Why do you think?
00:21:19Why would I go?
00:21:24I could practically
00:21:25recite the itinerary
00:21:26in my sleep.
00:21:28Florence.
00:21:29Walk in the great footsteps
00:21:30of Dante,
00:21:31Michelangelo,
00:21:32Da Vinci,
00:21:33and Titian.
00:21:34Or,
00:21:34Tiziano,
00:21:35if you want to sound
00:21:36extra pretentious.
00:21:38Then Venice,
00:21:39because everybody loves
00:21:39a good canal
00:21:40and getting lost
00:21:41in the most confusing city
00:21:42on earth.
00:21:43Next stop,
00:21:44Napoli.
00:21:45Marvel at Pompeii.
00:21:46Pretend you're shocked
00:21:48ancient people
00:21:49had plumbing.
00:21:49The final stop,
00:21:51Paris.
00:21:53The ultimate
00:21:53city of romance.
00:21:55And,
00:21:56naturally,
00:21:57Woody Allen's
00:21:58favourite city
00:21:59outside of New York.
00:22:02That's
00:22:03word for word.
00:22:05I told you,
00:22:06I've done this tour
00:22:07so many times
00:22:08I could run it.
00:22:09Okay,
00:22:09but still,
00:22:10it's Europe.
00:22:11Most people would kill
00:22:12for that chance.
00:22:12Most people haven't had
00:22:13their phones stolen
00:22:14in Paris.
00:22:15Twice.
00:22:17Also,
00:22:18I hate the accommodations.
00:22:19Aren't they all
00:22:20five-star hotels?
00:22:21Standard rooms
00:22:22in five-star hotels.
00:22:24No thank you.
00:22:26Wow.
00:22:27Some were born in Rome,
00:22:28huh?
00:22:29That's unfortunate.
00:22:29It's a very chaotic city.
00:22:31One word of advice?
00:22:33Shut up.
00:22:33That's two words.
00:22:36You're weird.
00:22:37You're loud.
00:22:38You're annoying.
00:22:38You're in my kitchen.
00:22:39You have three other kitchens.
00:22:41And I prefer this one.
00:22:43Just for the day.
00:22:44Come back
00:22:45when you've got a shirt on.
00:22:46Come back
00:22:46with normal clothes on.
00:22:47You don't have to come.
00:22:48Don't tell me
00:22:49what I have to do.
00:22:59Arthur Charles,
00:23:00roads are flooded.
00:23:01Staff won't make it tonight.
00:23:02Will you be alright
00:23:02sorting dinner?
00:23:07I've got it sorted.
00:23:08Jesus, what are you doing?
00:23:22Relax.
00:23:24I'm here to make a deal.
00:23:26What deal?
00:23:27You nearly gave me
00:23:28a heart attack.
00:23:32You'll survive.
00:23:33I'm not selling my body.
00:23:40I'm not selling my body.
00:23:46Wow.
00:23:47I am deeply offended.
00:23:50That thought disgusts me.
00:23:52Then what are you doing?
00:23:53The staff's off tonight.
00:23:55I'm buying dinner.
00:23:56Did you seriously think
00:24:00I'd spend a hundred pounds on...
00:24:01No, I'm...
00:24:02Jesus.
00:24:05Wait.
00:24:06You think I'm not worth
00:24:07one hundred pounds?
00:24:09I'm not spending
00:24:10one hundred pounds
00:24:11to snort you back up.
00:24:12You know what?
00:24:13Dinner's cancelled.
00:24:17Are you sure about that?
00:24:18I present to you
00:24:21meatball spaghetti,
00:24:23stir-fried veggies,
00:24:24and french fries.
00:24:25You're welcome.
00:24:27Interesting combo.
00:24:28Well, I know we're not
00:24:29in Italy or France,
00:24:30but this will do.
00:24:32It's...
00:24:33good.
00:24:40Was that a compliment?
00:24:42Although...
00:24:43I am obliged to inform you.
00:24:45Meatball spaghetti
00:24:46isn't Italian.
00:24:47It's American.
00:24:48And french fries,
00:24:49likely born in South America.
00:24:52You should read more.
00:24:54Put it down.
00:24:56I paid for it.
00:24:57You really just have to
00:24:58win every argument,
00:24:59don't you?
00:24:59To be fair,
00:25:01you make it very easy.
00:25:03It's only easy
00:25:04because it costs
00:25:05two hundred pounds.
00:25:07You know,
00:25:07if you'd ask for more,
00:25:08I probably would have
00:25:08given it to you.
00:25:09I'm not sure why.
00:25:10okay, Alice.
00:25:26It's fine.
00:25:27You're fine.
00:25:28You're fine.
00:25:289-1-1, what's with your emergency?
00:25:429-1-1, what's with your emergency?
00:25:44It's my dad. He needs help. He just had a stroke.
00:25:46Okay, miss. Hurricane's causing traffic. Shut down. We'll get to you as soon as we can.
00:25:50He's not well.
00:25:52I understand. Can you confirm your address?
00:25:56Dad, yes, I'm right here.
00:25:58All right. My daughter.
00:26:02Please stay with me, Dad. Please.
00:26:08No. Please wake up.
00:26:15Dad, please. Please don't leave me.
00:26:18I don't know.
00:26:29I don't know.
00:26:30I don't know.
00:26:32You're so hungry.
00:26:34You, what are you doing here?
00:26:56You were crying, loudly, kind of hard to ignore.
00:27:03Right.
00:27:04Sorry for the noise.
00:27:06Wait, you know snarky come back?
00:27:09Not tonight, I'm too tired.
00:27:11If you're here to argue, knock yourself out.
00:27:15You were calling for your dad, right?
00:27:19Hurricane hit New York.
00:27:22Power went down, traffic froze.
00:27:25Dad had a stroke.
00:27:27But he couldn't get help in time.
00:27:30I sat there with a candle.
00:27:33While he laid there, peaceful.
00:27:39Like he was asleep.
00:27:42But he wasn't.
00:27:46So that's why you and your mom moved here?
00:27:48This used to be our hometown.
00:27:52After dad left, we had nowhere else to go.
00:28:01What are you doing?
00:28:02Come on.
00:28:07Wait, I thought the peril was out.
00:28:26It is.
00:28:27It is.
00:28:27We have our own generator.
00:28:29Wow.
00:28:30Rich people houses her.
00:28:31Just for tonight, I'll allow it.
00:28:36Allow what?
00:28:37You can call this place your house.
00:28:39So enjoy it.
00:28:40Stephen King's first edition.
00:28:42Alan Gisberg's handwritten letters.
00:28:44Jane Austen's notes.
00:28:46All yours.
00:28:47This is your home, Alice Keaton.
00:29:00Careful.
00:29:02Almost sounded sweet.
00:29:03Don't push it.
00:29:05Okay, then.
00:29:05I have one request.
00:29:14What is it?
00:29:22Are you ever going to make a move?
00:29:24Wait.
00:29:25Give me a second.
00:29:26I'm thinking.
00:29:27You had one wish.
00:29:29Anything in the world.
00:29:31And in the middle of a thunderstorm,
00:29:33inside a literal mansion,
00:29:35you chose chess.
00:29:37Yeah.
00:29:38Got a problem?
00:29:39It's just so cool.
00:29:40Like spies or genius villains in movies.
00:29:43It's literally a board game.
00:29:45Says the guy who owns a custom set.
00:29:48Wait.
00:29:49Does the night go diagonally?
00:29:51For the tenth time,
00:29:52it moves in an L shape.
00:29:55One.
00:29:56Two.
00:29:57Then turn.
00:29:59There.
00:30:01Happy?
00:30:01Ecstatic.
00:30:04You know, that's suicide.
00:30:06Or a brilliant long-term sacrifice.
00:30:08You are playing checkers at a chessboard.
00:30:10Still beating you in sarcasm.
00:30:12You literally haven't won any past arguments.
00:30:14Golding disagrees.
00:30:15It's going to be a long night.
00:30:18Oh, my.
00:30:18No.
00:30:19Why?
00:30:19What's that?
00:30:19You can't do that.
00:30:21We're not back.
00:30:21Can I do that?
00:30:22I don't know all of you.
00:30:22I don't know all of you.
00:30:22I don't know.
00:30:23I don't know.
00:30:23I don't know.
00:30:24You had to shop,
00:30:25but you went about it all wrong.
00:30:27Had to pull you in close
00:30:29as we're locked on your phone.
00:30:31Why you're so open
00:30:32cause I'm moving on.
00:30:34Oh, you're
00:30:35showing up at the door.
00:30:39Holding your heart
00:30:41there inside your hands.
00:30:43Maybe
00:30:43he's not so awful after all.
00:30:46Um, who are you?
00:30:54What are you doing here?
00:31:01Well, your parents said you were still at home.
00:31:03Thank God you skipped that boring grand tour.
00:31:06Who needs Italy and France again, right?
00:31:08When did you get back?
00:31:10Last night, from Zurich,
00:31:12you didn't answer my messages.
00:31:16I missed you.
00:31:16Anyway, thought I'd come to surprise you.
00:31:19Apparently, I'm transferring to Ashford.
00:31:22Your parents were so thrilled.
00:31:24They didn't tell me about this.
00:31:25I wanted to deliver the happy news myself.
00:31:27They said it'd be lovely for us to reconnect.
00:31:30You know, considering the engagement and all.
00:31:34Engagement?
00:31:35Oh, did no one tell you?
00:31:39He's promised.
00:31:40Old money stuff.
00:31:42Very retro.
00:31:43I didn't agree to that.
00:31:44You didn't have to.
00:31:45It's never up to us.
00:31:48Where did you find this little toy?
00:31:50Serena.
00:31:51I can hear you, you know.
00:31:52Oh, an American.
00:31:55How refreshing.
00:32:01Goodbye.
00:32:02Wait.
00:32:05Where are you going?
00:32:20You still owe me breakfast.
00:32:22You only paid for dinner.
00:32:24I have homework.
00:32:25Goodbye.
00:32:29Your little toy has quite the temper.
00:32:31Serena, can you please just stop?
00:32:33What?
00:32:34Are you teasing the help?
00:32:41That's her.
00:32:42That's the one from Kenwood's house.
00:32:44Was she, like, the maid or something?
00:32:46Oh, my God.
00:32:47What's wrong with people?
00:32:59They're saying you live with Charles.
00:33:00Oh, and Serena.
00:33:01What about her?
00:33:02Well, apparently she told everyone you were caught sneaking into his room.
00:33:03Of course she did.
00:33:04Careful, Alice.
00:33:05You're starting to look desperate.
00:33:06Careful, Alice.
00:33:07You're starting to look desperate.
00:33:08Oh, my God.
00:33:10Oh, my God.
00:33:11I know you're not.
00:33:12I know you're not.
00:33:13I know you're not.
00:33:14What about her?
00:33:15Apparently she told everyone you were caught sneaking into his room.
00:33:16Of course she did.
00:33:18Careful, Alice.
00:33:28You're starting to look desperate.
00:33:45Come to the music room.
00:33:47Urgent.
00:33:48I just remembered I need to check something.
00:33:50You guys go ahead.
00:33:51Yeah, okay.
00:33:58Hello!
00:33:59Is someone there?
00:34:00Seriously!
00:34:01This is getting old!
00:34:14Wait.
00:34:16Music room?
00:34:17What?
00:34:19James?
00:34:20Is anybody in here earlier?
00:34:22Just Miss Serena.
00:34:23Said she was waiting for you.
00:34:26Sir?
00:34:27Sir, it's raining.
00:34:28Come on, Alice.
00:34:29You're fine.
00:34:30You're not that girl again.
00:34:40Come on, Alice.
00:34:41You're fine.
00:34:42You're not that girl again.
00:34:52Wait, can you remind me one more time?
00:34:55Okay.
00:34:56Rooks move in straight lines.
00:34:57Yeah.
00:34:59Bishops move diagonally.
00:35:01And knights...
00:35:02The knights the weird one.
00:35:08Rooks.
00:35:09Straight lines.
00:35:10Do ships.
00:35:11Diagonally.
00:35:12Hello?
00:35:13The text.
00:35:14Are you okay?
00:35:15It hurts.
00:35:16I'm okay.
00:35:17I saw the text and I thought...
00:35:18I didn't see the message.
00:35:19Serena took my phone.
00:35:20I didn't know.
00:35:21I'm sorry.
00:35:24The text.
00:35:38Are you okay?
00:35:39Are you hurt?
00:35:40I'm okay.
00:35:42I saw the text and I thought...
00:35:44I didn't see the message.
00:35:46Serena took my phone.
00:35:47I didn't know.
00:35:48I'm sorry.
00:35:49I'm okay.
00:35:52You're going to catch a cold.
00:35:53You're freezing.
00:35:54You didn't have to come.
00:35:58Don't tell me what I have to do.
00:36:23That wasn't a mistake, if that's what you're about to say.
00:36:27I wasn't going to.
00:36:42I'm really bad at this, you know.
00:36:44What?
00:36:45Kissing?
00:36:46Hiding feelings.
00:36:47All right.
00:36:48Do you want to dance to the rhythm of your heart?
00:36:52This is not the giving.
00:36:54I'm flying in the unknown.
00:36:56Tell me what you're saying.
00:36:57Tell me where you want to be.
00:36:59You can be happy.
00:37:09Dump those Ewok pyjamas.
00:37:11Oh, you wish.
00:37:13Seriously, it's a cock block.
00:37:17You kissed me.
00:37:20That's basically consent to everything.
00:37:28Dangerous words, Keaton.
00:37:30I might hold you to that.
00:37:31You'll be working in pairs on your comparative essays.
00:37:44The list is on the board.
00:37:45One, two, three, four.
00:37:52Are you okay?
00:37:58That's where I'll see your face
00:38:02And have you with me
00:38:06It may seem dark
00:38:11You're distracting
00:38:15You're welcome
00:38:24They're either enemies or secretly married
00:38:30Honestly?
00:38:32Very
00:38:33I was sure I'd never find someone
00:38:37To make my head spin around
00:38:39No one's ever gonna be the thing I need
00:38:42They all just let me down
00:38:43Baby, you saved me
00:38:46Till I'm brand new
00:38:49Everything's so different now
00:38:52So, the night goes in an L shape, right?
00:38:57Why is that the only one you remember?
00:38:59Because it's weird
00:39:00And I like weird
00:39:03Check
00:39:11You're cheating
00:39:17I'm winning
00:39:19There's a difference
00:39:20You are very distracting
00:39:22And you like it
00:39:24I will be there for you
00:39:25I'll be there for you
00:39:26I'll be there for you
00:39:29Darkest days
00:39:31Hold you in my arms
00:39:34Charles
00:39:35We need to talk
00:39:37I expected poor judgement
00:39:47But this in my house
00:39:49It isn't what it looks like
00:39:51No
00:39:51Kissing a servant's daughter
00:39:54In the family library
00:39:55Enlighten me then, Charles
00:39:57We came back tonight
00:39:58After speaking with Serena
00:40:00Imagine our surprise
00:40:02Walking in on this
00:40:04She isn't just
00:40:05You have no right
00:40:07To barge in
00:40:08On my property
00:40:09I care about her
00:40:13I'm not ashamed
00:40:14That's enough
00:40:15Why do you care?
00:40:19We're protecting our son's future
00:40:22And our name
00:40:24You think this protects me?
00:40:26We think
00:40:27She does not belong
00:40:28In your world
00:40:29Then maybe I don't either
00:40:34You're ready to give up everything
00:40:38For a girl you barely know?
00:40:40Yes
00:40:43Then
00:40:44Are you sure
00:40:46She's ready?
00:40:53I'm asking you
00:40:55Do you think she's ready
00:40:56To lose everything
00:40:57Regardless of how little
00:40:59That is
00:40:59Just to be with you?
00:41:01What are you talking about?
00:41:03You left us no choice, son
00:41:04You shouldn't disobey your father
00:41:06Helton
00:41:09It's Frederick Kenwood
00:41:12Ah, Mr. Kenwood
00:41:13How can I help?
00:41:14If a scholarship student
00:41:16Were to violate our behavioural code
00:41:19In a public setting
00:41:20With photographic evidence
00:41:22Would that warrant a review?
00:41:23Yes, sir
00:41:25So
00:41:29Answer me again
00:41:31Do you think she's ready
00:41:33To lose everything
00:41:34Just to be with you?
00:41:35Charles
00:41:46What happened?
00:41:48Did your parents say something?
00:41:49Are they mad?
00:41:49Is everything okay?
00:41:52Pack your things
00:41:52You can't stay here anymore
00:41:55What?
00:41:58My parents fired your mother
00:41:59She's leaving
00:42:01So are you
00:42:02Wait, why?
00:42:04Is it because of us?
00:42:05We can fix this
00:42:06I'll get a job
00:42:07Stop, stop it
00:42:07You don't get it
00:42:09If I don't walk away from this
00:42:11They'll cut me off
00:42:12Okay?
00:42:14No card
00:42:15No trust
00:42:16No support
00:42:17Nothing
00:42:18Then
00:42:19Then we'll figure it out
00:42:21We don't need all that
00:42:22Do you really think
00:42:25I'm going to live like that?
00:42:29So that's what this was
00:42:30Just fun
00:42:32Until it got inconvenient
00:42:33What did they promise you?
00:42:39Nothing
00:42:40They just reminded me
00:42:44Of what's real
00:42:45Charles
00:42:49I'm not stupid
00:42:50You don't just turn into
00:42:52A cold stranger
00:42:53Because of one conversation
00:42:54What did they threaten you with?
00:42:56What did they threaten you with?
00:43:03This is the difference between me and you
00:43:05What?
00:43:06You think you know me
00:43:08Or what I have
00:43:09You don't
00:43:11Alice
00:43:11You're still lying
00:43:13I'm not
00:43:14Alice
00:43:15Look around you
00:43:16This mansion you thought was a museum
00:43:19It's my house
00:43:21My world
00:43:23I was bored into this
00:43:25I am not choosing
00:43:26Between this
00:43:27And something I picked up
00:43:31For a moment of fun
00:43:33Don't do this Charles
00:43:37You don't mean it
00:43:38It was fun
00:43:39But you
00:43:41You don't compare to what I own
00:43:44I'll survive the loss
00:43:47Right
00:43:50I should have known
00:43:53Guys like you
00:43:56Don't end up with girls like me
00:43:57You play with them
00:44:01Then you throw them away
00:44:02Go to sleep Alice
00:44:05Go to sleep Alice
00:44:05Go to sleep Alice
00:44:07Go to sleep Alice
00:44:17This fall is a little more than I expected
00:44:20In so deep I can barely see myself
00:44:26Yeah around me feels so heavy
00:44:31But the pleats head
00:44:33But I find this the place
00:44:37To test myself
00:44:39Oops
00:45:01Oh sorry
00:45:06Didn't see you there
00:45:08Then again
00:45:09Nobody does
00:45:10Move please
00:45:11Try begging
00:45:14You know what
00:45:20Keep it
00:45:21Poor thing
00:45:27So dramatic
00:45:28Don't
00:45:30Excuse me
00:45:32I warned you
00:45:33Walk away Serena
00:45:35Last week's group assignments were mostly forgettable
00:45:59But one pair surprised me
00:46:02In a good way
00:46:03Charles Kenwood
00:46:04And Alice Keaton
00:46:06Would you mind giving us a short summary
00:46:08She loves the sound of her own voice
00:46:11Better have it
00:46:12I couldn't stay
00:46:13I couldn't wait
00:46:14I couldn't wait
00:46:15But I thought that you should know that I would have
00:46:18Can hang around
00:46:20Our essay explored what happens when two fundamentally different voices meet
00:46:24Like logic and chaos or silence and noise
00:46:28Different worlds, different rules
00:46:31At first glance they clash
00:46:35But what makes the story interesting is what happens next
00:46:39Confusion
00:46:40Curiosity
00:46:41But in the end some stories aren't about staying
00:46:45And yes there is no such thing as a happy ending
00:46:48And yes there is no such thing as a happy ending
00:47:01Is she still talking about the essay?
00:47:07Miss Keaton
00:47:08Dramatic as always
00:47:10Alright
00:47:11Thank you Alice
00:47:13That was
00:47:14Later
00:47:15Are you okay?
00:47:18I don't know
00:47:18That good literature
00:47:20Always stirs something
00:47:22Hello?
00:47:26Hi this is Alice Keaton
00:47:27This is We're More Press
00:47:28We've been following your work
00:47:29We'd like to offer you a long term publishing contract
00:47:31Name your price
00:47:33We'll make it work
00:47:34Sorry what?
00:47:45That's kind of insane
00:47:47Who's behind this?
00:47:49Your sponsor wishes to remain anonymous
00:47:51Can
00:47:52Can I meet them?
00:47:56I want to
00:47:57Please
00:47:58Or at least tell me a name
00:48:00Sorry they wish to stay anonymous
00:48:06So their only interest in words
00:48:07Not the person
00:48:08I'd really like to meet them
00:48:09I'm sorry
00:48:10I think the most generous one we've ever given in this year
00:48:14I see
00:48:16Congratulations again
00:48:17You got the interview
00:48:23It's just an interview
00:48:24I haven't gotten it yet
00:48:25Still
00:48:26Alice Keaton at Oxford
00:48:28That's iconic
00:48:29For your love
00:48:31I've been gone around one day
00:48:34Are you okay?
00:48:39Yeah
00:48:40I'm so excited
00:48:42It's done Mr. Kenwood
00:48:56Miss Keaton signed the contract
00:48:57Good
00:49:00It's a generous deal
00:49:01You sure you don't want it to know?
00:49:04No
00:49:05No
00:49:06It's better if I stay out of her life
00:49:08I would be for you babe
00:49:12I'd be there in your darkest days
00:49:17Congratulations
00:49:18Alice Keaton
00:49:20Go live the life you were always meant to
00:49:23Your engagement announcement
00:49:31Should align perfectly with the Foundation Gala
00:49:33And the Browns already offered to host the London reception
00:49:38It's all coming together beautifully
00:49:42I've lost my appetite
00:49:46I'll go check on him
00:49:51What's your problem Charles?
00:50:01Disengagement
00:50:02Is not happening
00:50:03It's not up to you
00:50:04You know that
00:50:05Serena we're not doing this
00:50:07You've changed
00:50:10Or maybe I finally just stopped pretending
00:50:15What's your problem?
00:50:45Answer
00:50:46You've been funding Alice Keaton this whole time
00:50:48So?
00:50:52You lied to everyone
00:50:53Including her
00:50:55I protected her
00:50:57You loved her
00:51:00Still do
00:51:01Let it go
00:51:04Serena
00:51:05There's no point
00:51:07I need a favour
00:51:17Find out when the Oxford interview is
00:51:20And make sure Alice Keaton won't show up
00:51:24Anything?
00:51:29No?
00:51:31She's not answering
00:51:32The interview's almost over
00:51:34Well shouldn't just not show up
00:51:35Something's wrong
00:51:37Where's Alice?
00:51:40When was the last time you heard from her?
00:51:42Last night
00:51:43She said she was prepping all evening
00:51:44James
00:51:49Track someone for me
00:51:50Wait
00:51:53Where are you going?
00:52:01Chill
00:52:01Okay
00:52:02It won't hurt you
00:52:03Yeah
00:52:04We're just supposed to
00:52:06Keep you away from the interview
00:52:07That's it
00:52:07Shit
00:52:16Come back
00:52:17I remember how a man
00:52:47Didn't need a second guess
00:52:51Hey
00:52:56Hey hey Alice
00:52:57Alice
00:52:57Alice
00:52:59Hey hey hey
00:52:59Stay with me
00:53:00Stay with me
00:53:00Stay with me Alice
00:53:01Alice
00:53:02You're awake
00:53:09Where
00:53:10Where am I?
00:53:12Local clinic
00:53:13Passerby brought you in
00:53:15Passerby
00:53:16He found you on the side of the road
00:53:19He had to leave
00:53:20He didn't leave a name
00:53:21Oh
00:53:23The interview
00:53:26What time is it?
00:53:27Easy
00:53:27It's okay
00:53:29Someone already contacted the university
00:53:31And sent in your writing samples
00:53:33They've rescheduled your interview for tomorrow
00:53:35Wait what?
00:53:36Who?
00:53:37No idea
00:53:37But it's all taken care of
00:53:39What did you say?
00:53:44Nothing
00:53:44I just
00:53:46Had a dream
00:53:48I got him!
00:54:00I got him!
00:54:00I knew it
00:54:05Too bad Charles isn't here to watch you crush it
00:54:08He's not here
00:54:10Oh
00:54:11You didn't know
00:54:13Know what?
00:54:15He left
00:54:16A few days ago
00:54:17Everyone doesn't really know where he went
00:54:19Honestly
00:54:20Ashra's been quieter without him
00:54:22It's probably for the best
00:54:23Come on
00:54:24Alice?
00:54:30The summer I met Charles Kenwood was loud
00:54:37Chaotic
00:54:38Unexpected
00:54:40And with his absence
00:54:44Come on
00:54:44It ended quietly
00:54:48Like summers always do
00:54:52Did you feel it from across the room?
00:54:58Did you feel a little enchanted?
00:55:05And joining us today
00:55:06The Dake's most unexpected literary phenomenon
00:55:10Alice Keaton
00:55:11Thank you for having me
00:55:12No
00:55:13Your words moved millions
00:55:15They say your stories feel real
00:55:18Especially the ones about love
00:55:20Thank you
00:55:21Which brings us to the most obvious question
00:55:23How's your dating life like these days?
00:55:26No comment
00:55:27A little bird told me that the past four years
00:55:30Has been just writing and working
00:55:32Not even a single date
00:55:33Let me guess
00:55:34A bird named Sherry
00:55:35She caught me
00:55:36Still no comment
00:55:37Alright
00:55:38Alright
00:55:38No matter what you say
00:55:40You write love
00:55:41Like someone who's lived it
00:55:44If you feel so real
00:55:45Because once
00:55:46I did
00:55:47With someone who felt like chaos and clarity
00:55:49Behind Alice Keaton
00:55:51And no one ever quite matched the light after that
00:55:54And let's give it up for Alice Keaton
00:55:57One more time
00:55:58Congratulations Alice
00:56:09The numbers just came in
00:56:10You broke your own record
00:56:12That's
00:56:14Incredible
00:56:15We're thinking celebration
00:56:16Press
00:56:17Photos
00:56:18Maybe tonight
00:56:19Actually
00:56:20There's something I'd rather do
00:56:22I'd like to meet with the person who
00:56:25Believed in me first
00:56:27My sponsor
00:56:29You're sure?
00:56:30Yeah
00:56:31Just once
00:56:32Tonight
00:56:347pm
00:56:34Good evening
00:56:46Good evening
00:56:51May I sit?
00:56:55Hey Mr. Nonchalant
00:57:02Hi
00:57:05Hi
00:57:06You look well
00:57:10And you look like you just stepped out of a GQ cover
00:57:14You always did
00:57:16You were expecting someone else
00:57:19I was
00:57:21Hoping
00:57:23But I guess I always knew
00:57:26I didn't come here to confuse you
00:57:28Or to reopen anything
00:57:30I just wanted to say congratulations
00:57:35Oh
00:57:36Thank you
00:57:38Thanks for keeping us
00:57:40I didn't know you're still reading
00:57:42You were rich enough not to do so
00:57:44Always
00:57:46Either way
00:57:48Your sponsorship started my career
00:57:50So
00:57:51No
00:57:51No
00:57:52You earned everything
00:57:54Every word
00:57:58Every page
00:58:00Every reader
00:58:02That's what I came to say
00:58:04It was good to see you again
00:58:10I hope
00:58:11Charles
00:58:11Can you just
00:58:14Wait a little longer
00:58:17I think I knew it was you
00:58:25There was one email
00:58:28You said something
00:58:31It felt familiar
00:58:32Really?
00:58:33Kind of had that
00:58:34Rich asshole with a conscience energy
00:58:36Very on brand
00:58:38I should have anonymized my grammar
00:58:41Too late
00:58:41Your semicolon usage gave you away
00:58:44Still the only girl I know
00:58:46Who flirts through punctuation
00:58:47Still the only guy I know
00:58:49Who uses wiles unironically
00:58:50You've changed
00:58:54But
00:58:56Not really
00:58:58You haven't changed
00:59:01But
00:59:02Maybe you've grown into who you really were
00:59:05Anyway
00:59:07I wanted to say
00:59:10I wanted to say
00:59:10Thank you
00:59:11And
00:59:13Thanks for being here tonight
00:59:15You didn't have to come
00:59:18Don't tell me what I have to do
00:59:20You didn't have to come
00:59:24Don't tell me
00:59:27Don't tell me what I have to do
00:59:28If you could go back
00:59:49If you had the chance to do it all again
00:59:51Would you do anything differently
00:59:53Would you do anything differently
00:59:53No
00:59:59No
01:00:04I see
01:00:09I know my answer now
01:00:14I didn't have the power back then
01:00:16Not enough to protect you
01:00:18I couldn't watch you get crushed because of me
01:00:20Because of my name
01:00:23My family
01:00:24I didn't want to be the reason you lost everything
01:00:28So you just disappeared
01:00:30Without a word
01:00:32If you had the chance to see the world
01:00:37Without me weighing you down
01:00:38If you still chose me after that
01:00:41You keep saying you wanted to give me a choice
01:00:47But you made a choice for me
01:00:50Did it ever cross your mind that maybe
01:00:55I would have chosen you anyway
01:00:59I didn't think I was the smart choice
01:01:07You weren't
01:01:08But I never claimed to be that smart
01:01:13This is me
01:01:22Right
01:01:23I'm still mad at you
01:01:32You know
01:01:32I'm still in love with you
01:01:36You know
01:01:37Do you want to come in for a bit
01:01:46You're asking your ex
01:01:50Who you haven't seen in four years
01:01:53To come into your hotel
01:01:55At approximately 11pm
01:01:57You were right
01:01:59You never were that smart
01:02:01You don't have to come
01:02:03Don't tell me what I have to do
01:02:06It's almost like you say
01:02:09Where's things where they're going
01:02:16Stop quoting yourself
01:02:21I recycle
01:02:22It saves energy
01:02:23This feels wildly irresponsible
01:02:27You sound like a disclaimer
01:02:28You're the one who once called romance a distraction
01:02:31I said that
01:02:32Yeah
01:02:32Before calling Wuthering Heights overrated
01:02:35Stillish
01:02:36You're lucky you're a good kisser
01:02:39That is cute to me
01:02:44Don't you dare quote poetry
01:02:46I wasn't going to
01:02:47I forgot all of it
01:02:48The day you left
01:02:49Then shut up
01:02:51And prove it
01:02:53I still can't believe this is happening
01:03:01I told you
01:03:02They're either worst enemies
01:03:03Or secretly married
01:03:04And I told you
01:03:05They're both
01:03:06It's more than a nightly
01:03:12I vow to always tell you the truth
01:03:35Except for when you ask how your cooking was
01:03:38Then I lie
01:03:39Then I lie
01:03:40Respectfully
01:03:41I vow to keep choosing you
01:03:44Loudly
01:03:46Quietly
01:03:47Always
01:03:49Even when you forget to do the laundry
01:03:52Is he actually good at this?
01:03:56I mean
01:03:57You did beat her at song
01:03:58I vow to argue with you at least twice a week
01:04:04Especially over Shakespeare
01:04:06I vow to write you in your every story
01:04:09Even when I say I didn't
01:04:11You will always be a part of my life
01:04:14If she quotes Austen in this toast
01:04:17I'm out
01:04:18No you're not
01:04:19You're going to cry harder
01:04:20For the rest of life
01:04:24For the rest of life
01:04:28I can't believe you picked Paris
01:04:45Such a cliche honeymoon destination
01:04:48Guard your phone
01:04:50Relax
01:04:51Just don't dress like a walking inheritance
01:04:53And you'll be fine
01:04:54You are not wearing that on our honeymoon
01:04:59Please Alice go change
01:05:02Don't tell me what I have to do
01:05:04No
01:05:08No
01:05:10No no no no
01:05:11That is not an invitation
01:05:12Do not take off these clothes
01:05:14Clothes
01:05:15Overruled
01:05:16You look much better without them
01:05:23To the ones who loved in silence
01:05:25In chaos
01:05:26In chapters
01:05:27You will find your way home
01:05:34Sometimes I want to be on my own
01:05:36But I don't want to die alone
01:05:38Go
01:05:39Oh
01:05:40I can't remember
01:05:41I can't remember
01:05:42I can't remember
01:05:44It's up to us to make sure that we can gain what's been passed through these books.
01:06:09Help us develop, learn, and grow.
01:06:14Help us develop, learn, and grow.
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