In Other Words, I Love You - Full (2025) - video Dailymotion

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Transcript

00:00:01I've always described the world in words.

00:00:05People, moments, places.

00:00:08But in that moment, I forgot them all.

00:00:12Be careful. We're talking about the king of Ashford.

00:00:15He's cool.

00:00:16I don't find bullies attractive.

00:00:18Good morning!

00:00:19He's lonely and kind of pathetic.

00:00:21Breathe the room before opening your mouth.

00:00:24American.

00:00:26She said you'd be moving in today.

00:00:28There's been some kind of misunderstanding.

00:00:31I'm not staying here.

00:00:32You must stay.

00:00:35I heard you stay to the whole thing for attention.

00:00:39Charles, we need to talk.

00:00:41If you don't do anything about it,

00:00:43it's only going to get worse.

00:00:46You're lying to everyone, including her.

00:00:50You didn't have to come.

00:00:52Don't tell me what I have to do.

00:00:58I've always described the world in words.

00:01:06People, moments, places.

00:01:09All through metaphors and margins.

00:01:12You okay?

00:01:13Like my mom.

00:01:15Self-made, stubborn, and never wrong.

00:01:18Almost there.

00:01:20You excited for your first day?

00:01:21If somebody calls this a fresh start,

00:01:23I call it terrifying.

00:01:31You've got this.

00:01:32Just for yourself.

00:01:34That's kind of the problem.

00:01:36I'm stuck in space.

00:01:37Got a daydream running through my brain every day.

00:01:51Heaven in my dead, I'm...

00:01:55You're not staying.

00:01:56You're okay?

00:01:57You're okay?

00:01:58You're okay.

00:01:59I wanna shake it down.

00:02:03Okay.

00:02:06Morning, class.

00:02:09And you're not seated because...

00:02:11I...

00:02:13Don't have a seat.

00:02:14Ah!

00:02:15A new transfer.

00:02:16Alice Keaton, right?

00:02:18Let's see.

00:02:21No.

00:02:22There's a spot.

00:02:23Next to Charles.

00:02:24Charles hates charity.

00:02:26Seriously?

00:02:27A charity case sitting next to Charles?

00:02:29God.

00:02:30Why is she?

00:02:31Quiet.

00:02:32Charles.

00:02:37I've always had words for everything.

00:02:39But...

00:02:40In that moment...

00:02:43I forgot them all.

00:02:54Charles.

00:02:55Move your things.

00:02:57I'd rather not.

00:02:58She'll be a distraction.

00:02:59From...

00:03:00From what?

00:03:01Sleeping.

00:03:02From everything.

00:03:03If anything, Charles, Miss Keaton will be a positive influence on you.

00:03:07She was top of her class at her previous school.

00:03:10With all due respect, sir.

00:03:12Her previous school was American.

00:03:15I highly doubt that.

00:03:18That's enough.

00:03:19Enough.

00:03:20She can sit here.

00:03:21It's fine.

00:03:25Back to Goldie.

00:03:27You got it.

00:03:28I'm Sherry Vaughn.

00:03:29Alice Keaton.

00:03:30It's very important that we look at the audience and tell you what he's talking about their experience of the time.

00:03:40Wait.

00:03:41You sat next to Charles?

00:03:42She didn't.

00:03:43You totally shut her down.

00:03:44Oh, knew it.

00:03:45Don't take it past me.

00:03:46He's impossible.

00:03:48Can everyone stop acting like the goal was getting into his pants?

00:03:51What?

00:03:52He's hot.

00:03:53Everyone kind of is.

00:03:56I...

00:03:57I've seen Connor.

00:03:58He's not my type.

00:03:59You're joking.

00:04:00I don't find bullies attractive.

00:04:02Hey!

00:04:03Be careful.

00:04:04You're talking about the king of Ashford.

00:04:07The what?

00:04:08His family basically own the school.

00:04:10And the town.

00:04:11Maybe even the country.

00:04:12Yeah.

00:04:13Everyone's tried to get close.

00:04:14No one can get past his ego.

00:04:16You're not the first to get iced.

00:04:18Okay, first of all, I wasn't iced.

00:04:20It's more like a mutual decision.

00:04:23And second, I think he's arrogant, cold, thinks he's untouchable.

00:04:28But if you really look at Charles, he just seems isolated.

00:04:32Like he's faking it all.

00:04:33Honestly, I just think he's lonely and kind of pathetic.

00:04:40What?

00:04:41No, go on.

00:04:42You were saying I'm lonely and pathetic.

00:04:56Next time, read the room before opening your mouth, American.

00:05:02We're not in Kansas anymore, Alice.

00:05:22Hey, how was your first day?

00:05:24Uh, good.

00:05:25Anything exciting happen?

00:05:26Not really.

00:05:27Super uneventful.

00:05:29Really?

00:05:31How's your new job?

00:05:32Yeah, all right.

00:05:33Get this?

00:05:34They said we can stay in the servant's wing.

00:05:36Seriously?

00:05:37Hmm.

00:05:38Apparently the young master won't mind the company.

00:05:40The young master.

00:05:42This is your boss's house.

00:05:46Yeah?

00:05:47Isn't that incredible?

00:05:48I mean, I wouldn't call it a house.

00:05:50It's a museum with better landscaping.

00:05:59Wait here.

00:06:00I'll talk to the butler.

00:06:01Wow.

00:06:07Rich people.

00:06:08You've topped yourselves again.

00:06:14Stephen King.

00:06:16First edition.

00:06:26Breaking and entering now.

00:06:29How American of you.

00:06:30I...

00:06:31You've been paying rent here in my head.

00:06:32Trying to fight it hard.

00:06:53You can get up now.

00:06:54I...

00:06:55I'm trying.

00:06:56Wait!

00:06:58Are you serious?

00:07:00Well, you said you were trying.

00:07:03What is wrong with you?

00:07:05Funny.

00:07:06I was about to ask you the same thing.

00:07:08What are you doing in my house?

00:07:11You...

00:07:12Wait.

00:07:13Your house.

00:07:15My house.

00:07:16My library.

00:07:17And now, apparently, my unwanted guest.

00:07:20Ah, Master Charles.

00:07:21You must be Miss Alice, Anne's daughter.

00:07:22She said you'd be moving in today.

00:07:23She what?

00:07:24There...

00:07:25There's been some kind of misunderstanding.

00:07:26You see, I'm not actually moving in.

00:07:27Is that so?

00:07:28Yeah.

00:07:29I'm not staying here, like, at all.

00:07:30That's a shame.

00:07:31Your mother seemed quite pleased with the arrangement.

00:07:32Well, I just don't think it's appropriate.

00:07:33Well, if you're sure, then absolutely not.

00:07:34Come on, Alice.

00:07:35You must stay.

00:07:36It'll be fun.

00:07:37My dear classmate.

00:07:38I'm dead.

00:07:39Like mentally, socially.

00:07:40Our day all day.

00:07:41Oh my God.

00:07:42All day all day.

00:07:43My parents are dead.

00:07:44My parents are dead.

00:07:45I'm dead.

00:07:46I'm dead.

00:07:47I'm mad and all day all day.

00:07:48I'm very really cold, like, at all.

00:07:49That's a shame.

00:07:50Your mother seemed quite pleased with the arrangement.

00:07:51Well, I just don't think it's appropriate.

00:07:53Well, if you're sure, then absolutely not.

00:07:54Come on, Alice.

00:07:55You must stay.

00:07:56It'll be fun.

00:07:59My dear classmate.

00:08:01I'm dead.

00:08:02Like mentally, socially, and actually dead.

00:08:05Some night and night and night.

00:08:06Just trying to figure out

00:08:13How exactly my life went off the rails

00:08:16Get it together, Alice Keaton

00:08:18You've been through hell

00:08:20Actually, no

00:08:25This is hell

00:08:27Good morning

00:08:36Wow

00:08:39Sir, is that Miss Keaton?

00:08:49Well, f***ing doesn't know

00:08:50That's often closed for months

00:08:51She's going to be late

00:08:53Hey, how long is this thing going to take?

00:09:02Maybe I'll just walk?

00:09:03Five miles to school

00:09:06Okay, if I sprint, maybe I'll make it before first period

00:09:10Or die of exhaustion on the way

00:09:13Or die of exhaustion on the way

00:09:19What are you doing here? Didn't you already leave?

00:09:26Wait, did you come back for me?

00:09:29Relax

00:09:31I forgot my textbook

00:09:33Don't flatter yourself

00:09:35Wait

00:09:36Since you're already here

00:09:41Maybe you could be a decent person and give me a ride?

00:09:47No

00:09:47Seriously?

00:09:49Your car is huge

00:09:51Yeah

00:09:52And I'm not a fan of sharing

00:09:55Says the guy who forced me to live in his house

00:09:59Unbelievable

00:10:04Ashford Institute, please

00:10:15Thank you

00:10:16Clooney is that entitled brat anyway

00:10:22Sir, you called the cab

00:10:24Why not just give Miss Keaton a lift?

00:10:31Why not just give Miss Keaton a lift?

00:10:33And have the whole school go crazy

00:10:34She's new

00:10:36Everybody's already talking

00:10:38So you're worried about her?

00:10:40You're overthinking

00:10:41I just don't like drama

00:10:43Asshole

00:10:50Hey

00:10:51Morning, Klaus

00:10:54Back to Golding

00:10:56Remind me what he's saying through Lord of the Flies

00:10:59Mr. Kenwood

00:11:05Care to share what you found so amusing?

00:11:08Not particularly

00:11:09Oh, I insist

00:11:11You seem very entertained by Golding

00:11:13I'm not entertained by Golding, sir

00:11:16On the contrary

00:11:18I think his ending is

00:11:20Weak

00:11:22Wait, wait

00:11:24You wish you read it?

00:11:25Quiet

00:11:25That's an interesting take

00:11:29Explain

00:11:30He had the set up for something brutal

00:11:34Something honest

00:11:36In the end

00:11:37He backed out

00:11:38He could have left the boys on the island

00:11:40Forced them to confront

00:11:41Collapsible morality

00:11:42Let them choose survival

00:11:44Or death

00:11:45But instead

00:11:47He gave them a rescue boat

00:11:48Slapped a happily ever after

00:11:50On a book about savagery

00:11:52It's a waste

00:11:56Don't you think?

00:11:57I'm delightfully surprised, Charles

00:11:59Didn't think you had such strong literary opinions

00:12:02I'm always a model student, sir

00:12:04Let's not get ahead of ourselves

00:12:06So

00:12:09A critique of Golding's mercy

00:12:12Anyone disagree?

00:12:13I think Golding knew exactly what he was doing by ending the book that way

00:12:32It's not mercy

00:12:33It's irony

00:12:34How so?

00:12:38The rescue isn't a happy ending

00:12:40You don't just walk back into society and forget you're a monster

00:12:43Golding didn't save them

00:12:45He left us with the discomfort of pretending they could be saved

00:12:48That's an interesting take, Miss Keaton

00:12:50You still think it's a harsh critique?

00:12:52In some ways

00:12:54But not harsh enough

00:12:55Yes, it's a critique of toxic masculinity

00:12:59But still, Golding sympathized with them

00:13:02And the civilized world?

00:13:04Toxic, violent

00:13:05He didn't call that out nearly as much

00:13:07So yeah

00:13:08I don't think Golding pushed far enough

00:13:09But I think it's unfair to call it a happy ending

00:13:12Thank you, Miss Keaton

00:13:17Well said

00:13:18Anyone else?

00:13:22Both opinions are valid

00:13:24Okay

00:13:24That was kind of epic

00:13:26And let's not forget

00:13:26Golding faced major backlash when he first published the book

00:13:29Good literature will always divide opinion

00:13:33What's happening to me?

00:13:42Okay, what is going on?

00:13:44Why is everyone staring at me?

00:13:46Well, you're new

00:13:47And apparently had a thing with Charles

00:13:50A what now?

00:13:51You two are in the middle of the most epic feud

00:13:54Asher's scene in years

00:13:55We're not even fighting

00:13:56Well, according to everyone

00:13:57You confessed your love on day one

00:13:59Got rejected

00:14:00Begged to sit next to him

00:14:02Got rejected again

00:14:04And today in class

00:14:05You broke down crying about

00:14:07Not believing in happy endings

00:14:08And stormed out in tears

00:14:10You were there, Sherry

00:14:13That is not what happened

00:14:15Doesn't matter

00:14:17People believe what they want to believe

00:14:19And they want Charles to be flawless

00:14:21Untouchable

00:14:22Wow

00:14:23Is massage only like a rich kid thing

00:14:26Or just a British specialty?

00:14:27Honestly, both

00:14:29But seriously, Alice

00:14:31Some people already see you as a threat

00:14:33Okay

00:14:41Loaded

00:14:43Looks like the new girl's in for a rough first semester

00:14:47Hello?

00:15:02Hello?

00:15:04Is somebody out there?

00:15:08Oh, come on!

00:15:10Fine

00:15:23Fine

00:15:23Seriously?

00:15:38Seriously?

00:15:41Oh, shit

00:15:42What the hell?

00:15:49Anne

00:15:50I thought you were having dinner with Alice

00:15:52She hasn't come home

00:15:53She hasn't come home

00:15:53Her phone is off

00:15:54Maybe you've seen her this evening?

00:15:59Yikes

00:15:59Looks like the new girl's in for a rough first semester

00:16:02Shit

00:16:08Alice

00:16:14Alice

00:16:15Mr. Pelton

00:16:16Charles Kenwood here

00:16:18I was wondering if I could get the timetable for Alice Keaton

00:16:20She hasn't come home

00:16:22I'll have her send her over

00:16:23Check the common room in the library

00:16:26I'll take the rest

00:16:27Alice

00:16:28Alice

00:16:30Come on, Alice

00:16:44Close your eyes and jump

00:16:47It's fine

00:16:49You're fine

00:16:51Hey, Mr. Nonchalant

00:17:05Hey, Mr. Nonchalant

00:17:17Are you happy with how we end?

00:17:22What are you doing here?

00:17:28Can you get off me first?

00:17:30Oh, so certain

00:17:32Did I ask for two months?

00:17:37Isn't my fault

00:17:39I thought we were polite

00:17:40You're welcome

00:17:41I didn't say thank you

00:17:43I figured saving your life might earn me basic manners

00:17:46Someone just dumped swamp water on me

00:17:49Excuse me if I'm not feeling very polite

00:17:51You smell like a biology experiment

00:17:53Wow

00:17:54You should try falling out of a window into someone's arms

00:17:58And getting insulted for it

00:17:59Wouldn't recommend it

00:18:00You're heavier than you look

00:18:01I hope you pull your shoulder

00:18:05Are you okay?

00:18:12No

00:18:12But I will be

00:18:14Someone did this on purpose

00:18:17What do you think, Golden Boy?

00:18:20Don't worry, I can handle it

00:18:21You shouldn't have to

00:18:22I'm

00:18:25Sorry

00:18:27Sorry

00:18:34Did you just apologize to me?

00:18:42Don't get used to it

00:18:43I wouldn't dream of it

00:18:44Alice?

00:18:48Over here

00:18:49Oh my god

00:18:50You okay?

00:18:53Why are you drenched?

00:18:56Yeah

00:18:57I just

00:18:57Took a weird shower

00:18:59Tap exploded

00:19:00Come on

00:19:03Let's go you home

00:19:04Alice Keaton, right?

00:19:17I heard you staged the whole thing for attention

00:19:19I know how this place works

00:19:45If you don't do anything about it

00:19:47If you don't do anything about it

00:19:47It's only going to get worse

00:19:48I'll look into it

00:19:51Charles

00:19:53Good on you

00:19:55How many here would speak up?

00:20:02I can't believe someone actually locked you in

00:20:04That's insane

00:20:05Where the hell was the school when this was happening?

00:20:07Busy protecting their Golden Boys and Trust Funds

00:20:10Well, for what it's worth

00:20:12I heard Charles looked pretty freaked out when he ran out last night

00:20:16Please, he just didn't want a lawsuit

00:20:18Being a scholarship student has its perks

00:20:38Like saving a fortune on tuition

00:20:41And getting into schools that normally wouldn't even let you pass the gates

00:20:44Hey, we miss you in Paris

00:20:48Though there are enough Americans to remind us of you

00:20:51But sometimes

00:20:52Being here means standing behind

00:20:55And watching Ashford Elites go on a two-week enrichment program

00:20:58You can never afford

00:21:00Have fun

00:21:03Bring me something overpriced

00:21:06And unnecessary

00:21:08The trip cost 20 grand in pounds

00:21:13Which translates to

00:21:14Mom's salary for half a year

00:21:16So, yeah

00:21:17I didn't go

00:21:38Uh, what are you doing here?

00:21:41Do you not believe in shirts?

00:21:43Do you not believe in dignity?

00:21:45It's comfortable

00:21:46You look like a rejected Ewok

00:21:48This, this is not even your kitchen

00:21:50And this is not even your house

00:21:52And yet you're here, dressed like this

00:21:54Just don't, look, go away

00:21:57Hard not to

00:21:58When you're walking around dressed like that

00:22:00What do you guys call it?

00:22:02Um, buzzkill?

00:22:04Cockblock

00:22:05You're insufferable

00:22:07You're the one cosplaying at breakfast

00:22:08You know what?

00:22:10I don't get it

00:22:11Why didn't you go on that tour?

00:22:12I thought rich people live for that kind of thing

00:22:14Why do you think?

00:22:21Where would I go?

00:22:23I could practically recite the itinerary in my sleep

00:22:26Florence

00:22:27Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian

00:22:32Or Tiziano

00:22:33If you want to sound extra pretentious

00:22:36Then Venice

00:22:37Because everybody loves a good canal

00:22:39And getting lost in the most confusing city on earth

00:22:42Next stop

00:22:43Napoli

00:22:44Marvel at Pompeii

00:22:45Pretend you're shocked

00:22:47Ancient people have plumbing

00:22:48The final stop

00:22:49Paris

00:22:51The ultimate city of romance

00:22:54And naturally

00:22:55Woody Allen's favourite city

00:22:58Outside of New York

00:22:59That's word for word

00:23:03I told you

00:23:04I've done this tour so many times

00:23:06I could run it

00:23:07Okay, but still

00:23:08It's Europe

00:23:09Most people would kill for that chance

00:23:11Most people haven't had their phones stolen in Paris

00:23:13Twice

00:23:15Also, I hate the accommodations

00:23:17Aren't they all five-star hotels?

00:23:20Standard rooms in five-star hotels

00:23:22And no thank you

00:23:24Wow

00:23:25Some were born in Rome, huh?

00:23:27Well, that's unfortunate

00:23:28It's a very chaotic city

00:23:30One word of advice?

00:23:31Shut up

00:23:32It's two words

00:23:33You're weird

00:23:36You're loud

00:23:37You're annoying

00:23:37You're in my kitchen

00:23:38You have three other kitchens

00:23:40And I prefer this one

00:23:41Just for today

00:23:43Come back when you've got a shirt on

00:23:44Come back with normal clothes on

00:23:46You didn't have to come

00:23:47Don't tell me what I have to do

00:23:48Master Charles

00:23:58Roads are flooded

00:23:59Staff won't make it tonight

00:24:01Will you be alright sorting dinner?

00:24:05I've got it sorted

00:24:06Jesus, what are you doing?

00:24:20Relax

00:24:21I'm here to make a deal

00:24:24What deal?

00:24:26You nearly gave me a heart attack

00:24:27You'll survive

00:24:32I'm not selling my body

00:24:35I'm not selling my body

00:24:41Wow

00:24:45I am deeply offended

00:24:48That thought disgusts me

00:24:51Then what are you doing?

00:24:52The staff's off tonight

00:24:53I'm buying dinner

00:24:55Did you seriously think I'd spend £100 on

00:25:00No, I'm

00:25:01Jesus

00:25:02Wait

00:25:04You think I'm not worth £100?

00:25:08I'm not spending £100 to snort Chewbacca

00:25:11You know what?

00:25:12Dinner's cancelled

00:25:13Are you sure about that?

00:25:19I present to you

00:25:20Meatball spaghetti

00:25:21Stir fried veggies

00:25:22And french fries

00:25:24You're welcome

00:25:24Interesting combo

00:25:26Well I know we're not in Italy or France

00:25:28But this will do

00:25:29It's

00:25:31Good

00:25:33Was that a compliment?

00:25:41Although

00:25:41I am obliged to inform you

00:25:44Meatball spaghetti isn't Italian

00:25:46It's American

00:25:47And french fries

00:25:48Likely born in South America

00:25:49You should read more

00:25:51Put it down

00:25:54I paid for it

00:25:56You really just have to win every argument

00:25:58Don't you?

00:25:58To be fair

00:25:59You make it very easy

00:26:01It's only easy

00:26:03Because it costs £200

00:26:04You know

00:26:06If you'd ask for more

00:26:07I probably would have given it to you

00:26:08I'll make sure you want it

00:26:09Hey Alice

00:26:24It's fine

00:26:25You're fine

00:26:279-1-1

00:26:34What's for your emergency?

00:26:35It's my dad

00:26:43He needs help

00:26:44He just had a stroke

00:26:45Okay miss

00:26:46Hurricane constant traffic

00:26:47Shut down

00:26:48We'll get to you as soon as we can

00:26:49Please

00:26:49He's not well

00:26:50I understand

00:26:51Can you confirm your address?

00:26:55Dad

00:26:56Yes I'm right here

00:26:57Hi

00:26:58My daughter

00:27:00Please stay with me dad

00:27:02Please

00:27:03No

00:27:07Please wake up

00:27:10Dad please

00:27:15Please don't leave me

00:27:17I don't know

00:27:22I don't know

00:27:23I don't know

00:27:24I don't know

00:27:25I don't know

00:27:26I don't know

00:27:27I don't know

00:27:28I don't know

00:27:29I don't know

00:27:30I don't know

00:27:31I don't know

00:27:32I don't know

00:27:33I don't know

00:27:34I don't know

00:27:35I don't know

00:27:36I don't know

00:27:37I don't know

00:27:38I don't know

00:27:39I don't know

00:27:40I don't know

00:27:41I don't know

00:27:42I don't know

00:27:43I don't know

00:27:44I don't know

00:27:45You, what are you doing here?

00:27:55You were crying.

00:27:58Loudly.

00:28:00Kind of hard to ignore.

00:28:02Right.

00:28:03Sorry for the noise.

00:28:05Wait, you know Snarky come back?

00:28:08Not tonight, I'm too tired.

00:28:10If you're here to argue, knock yourself out.

00:28:12You were calling for your dad, right?

00:28:18A hurricane hit New York.

00:28:20Power went down, traffic froze.

00:28:23Dad had a stroke.

00:28:25But he couldn't get help in time.

00:28:29I sat there with a candle while he laid there.

00:28:36Peaceful.

00:28:38Like he was asleep.

00:28:40But he wasn't.

00:28:42So that's why you and your mum moved here?

00:28:48This used to be our hometown.

00:28:51After dad left, we had nowhere else to go.

00:29:00What are you doing?

00:29:05Come on.

00:29:06Come on.

00:29:07Come on.

00:29:08Come on.

00:29:09Come on.

00:29:10Come on.

00:29:11Come on.

00:29:12Come on.

00:29:12wait i thought the power was out it is we have our own generator wow rich people houses her

00:29:30just for tonight i'll allow it allow what you can call this place your house so enjoy it

00:29:39stephen king's first edition alan gisberg's handwritten letters jane austen's notes all yours

00:29:46this is your home alice keaton

00:29:54careful almost sounded sweet don't push it okay then

00:30:04i have one request

00:30:10what is it

00:30:14are you ever going to make a move wait give me a second i'm thinking

00:30:25you had one wish anything in the world and in the middle of a thunderstorm inside a literal

00:30:32mansion you chose chess yeah got a problem it's just so cool like spies or genius villains in

00:30:42movies it's literally a board game says the guy who owns a custom set wait does the knight go

00:30:49diagonally for the tenth time it moves in an l shape one two then turn there happy ecstatic

00:31:01that's suicide or a brilliant long-term sacrifice you are playing checkers at a chessboard still

00:31:09beating you in sarcasm you literally haven't won any past arguments golding disagrees it's going to be a

00:31:15long night oh my no you you can't do you can't do that no no oh my god

00:31:21you had to shop but you went about it all wrong tried to pull you in close as we're locked on your phone

00:31:29now you're sour because i'm moving on oh you're showing up at my door holding your heart there inside your hands

00:31:41maybe he's not so awful after all

00:31:44um who are you

00:31:53what are you doing here well your parents said you were still at home thank god you skipped that boring

00:32:04grand tour who needs italy and france again right when did you get back last night from zurich you

00:32:11didn't answer my messages i missed you anyway thought i'd come surprise you apparently i'm

00:32:19transferring to ashford your parents are so thrilled they didn't tell me about this i wanted to deliver the

00:32:25happy news myself they said it'd be lovely for us to reconnect you know considering the engagement and

00:32:33oh did no one tell you he's promised old money stuff very retro i didn't agree to that you didn't have

00:32:44to it's never up to us where did you find this little toy serena oh an american how refreshing

00:32:56goodbye wait

00:33:01where are you going you still owe me breakfast

00:33:20you only paid for dinner i have homework goodbye

00:33:25your little toy has quite the temper serena can you please just stop what teasing the help

00:33:40that's her that's the one from kenwood's house

00:33:42was she like the maid or something

00:34:01oh my god what's wrong with people they're saying you live with charles oh and serena

00:34:07what about her well apparently she told everyone you were caught sneaking into his room of course she did

00:34:26careful alice you're starting to look desperate

00:34:37i just remembered i need to check something you guys go ahead

00:34:57hello is someone there seriously this is getting old

00:35:07what's

00:35:13wait music room what

00:35:19james was anybody in here earlier just miss serena said she was waiting for you

00:35:25sir sir it's raining

00:35:37come on alice you're fine you're not that girl again

00:35:51wait can you remind me one more time okay rooks moving straight lines yeah bishops move diagonally

00:35:59hello

00:36:13hello

00:36:23hello

00:36:27I feel my soul

00:36:32The text

00:36:35Are you okay?

00:36:38Are you hurt?

00:36:39I'm okay

00:36:40I saw the text and I thought

00:36:43I didn't see the message

00:36:44Serena took my phone, I didn't know

00:36:47I'm sorry

00:36:48I'm okay

00:36:49You're gonna catch a cold

00:36:52You're freezing

00:36:53You didn't have to come

00:36:54Don't tell me what I have to do

00:36:59That wasn't a mistake

00:37:23If that's what you're about to say

00:37:25I

00:37:26Wasn't going to

00:37:29I'm really bad at this, you know

00:37:42What? Kissing?

00:37:45Hiding feelings

00:37:46Right back

00:37:47Dump those Ewok pyjamas

00:38:10Oh, you wish

00:38:12Seriously

00:38:14It's a cock block

00:38:15You kissed me

00:38:18That's basically consent to everything

00:38:23Dangerous words, Keaton

00:38:28I might hold you to that

00:38:30You'll be working in pairs on your comparative essays

00:38:42The list is on the board

00:38:44One, two, three, four

00:38:48Paper planes

00:38:51Are you okay?

00:38:52Fly me to outer space

00:38:56That's where I'll see your face

00:39:01And have you with me

00:39:04It may seem dark

00:39:10You're distracting

00:39:14You're welcome

00:39:22They're either enemies we secretly married

00:39:29Honestly

00:39:30Right?

00:39:32I was sure I'd never find someone

00:39:36To make my head spin around

00:39:38No one's ever gonna be the thing I need

00:39:40They all just let me down

00:39:42But baby

00:39:43You saved me

00:39:45Until I'm brand new

00:39:48Everything's so different now

00:39:51So

00:39:52The night goes in an L shape, right?

00:39:56Why is that the only one you remember?

00:39:58Because it's weird

00:39:59And I like weird

00:40:02Check

00:40:10You're cheating

00:40:16I'm winning

00:40:17There's a difference

00:40:19You are very distracting

00:40:20And you like it

00:40:23I will be there for you, babe

00:40:25I'll be there for your darkest days

00:40:30I'll hold you in my arms

00:40:33Charles

00:40:33We need to talk

00:40:36I expected poor judgment

00:40:46But this in my house?

00:40:48It isn't what it looks like

00:40:49No?

00:40:50Kissing a servant's daughter

00:40:53In the family library

00:40:54Enlighten me then, Charles

00:40:56We came back tonight

00:40:57After speaking with Serena

00:40:59Imagine our surprise

00:41:00Walking in on this

00:41:03She isn't just

00:41:03You have no right

00:41:06To barge in

00:41:06On my property

00:41:07I care about her

00:41:12I'm not ashamed of that

00:41:14That's enough

00:41:14Why do you care?

00:41:15Why do you care?

00:41:18We're protecting our son's future

00:41:20And our name

00:41:23You think this protects me?

00:41:24We think

00:41:25She does not belong in your world

00:41:28Then maybe I don't either

00:41:33You're ready to give up everything

00:41:36For a girl you barely know

00:41:38Yes

00:41:42Then

00:41:43Are you sure

00:41:45She's ready?

00:41:52I'm asking you

00:41:53Do you think she's ready

00:41:55To lose everything

00:41:56Regardless of how little

00:41:57That is

00:41:58Just to be with you

00:42:00What are you talking about?

00:42:02You left us no choice, son

00:42:03You shouldn't disobey your father

00:42:05Helton

00:42:08It's Frederick Kenwood

00:42:10Ah, Mr. Kenwood

00:42:12How can I help?

00:42:13If a scholarship student

00:42:15Were to violate our behavioural code

00:42:18In a public setting

00:42:19With photographic evidence

00:42:21Would that warrant a review?

00:42:22Yes, sir

00:42:24So

00:42:27Answer me again

00:42:29Do you think she's ready

00:42:32To lose everything

00:42:33Just to be with you?

00:42:45Charles

00:42:45What happened?

00:42:47Did your parents say something?

00:42:48Are they mad?

00:42:48Is everything okay?

00:42:50Pack your things

00:42:51You can't stay here anymore

00:42:54What?

00:42:57My parents fired your mother

00:42:58She's leaving

00:43:00So are you

00:43:01Wait, what?

00:43:02Why?

00:43:03Is it because of us?

00:43:04We can fix this

00:43:05I'll get a job

00:43:06Anything

00:43:06Stop, stop it

00:43:06You don't get it

00:43:07If I don't walk away from this

00:43:10They'll cut me off

00:43:11Okay?

00:43:13No card

00:43:14No trust

00:43:15No support

00:43:15Nothing

00:43:17Then

00:43:18Then we'll figure it out

00:43:20We don't need all that

00:43:21We can

00:43:22Do you really think

00:43:24I'm going to live like that?

00:43:28So that's what this was

00:43:29Just fun

00:43:31Until it got inconvenient

00:43:32What did they promise you?

00:43:38Nothing

00:43:39They just reminded me

00:43:43Of what's real

00:43:44Charles, I'm not stupid

00:43:49You don't just turn into a cold stranger

00:43:52Because of one conversation

00:43:53What did they threaten you with?

00:44:00What did they threaten you with?

00:44:02This is the difference between me and you

00:44:04What?

00:44:05You think you know me

00:44:06Or what I have

00:44:08You don't

00:44:10Alice

00:44:10You're still lying

00:44:12I'm not

00:44:12Alice

00:44:13Look around you

00:44:15This mansion

00:44:16You thought was a museum

00:44:17It's my house

00:44:20My world

00:44:21I was bored into this

00:44:23I am not choosing

00:44:24Between this

00:44:26And something I picked up

00:44:30For a moment

00:44:31Of fun

00:44:31Don't do this, Charles

00:44:35You don't mean it

00:44:37It was fun

00:44:38But with you

00:44:39You don't compare to what I own

00:44:42I'll survive the loss

00:44:46Right

00:44:49I should have known

00:44:52Guys like you

00:44:55Don't end up with girls like me

00:44:56You play with them

00:45:00Then you throw them away

00:45:01Go to sleep, Alice

00:45:04Go to sleep, Alice

00:45:04Go to sleep

00:45:06Alice

00:45:07Go to sleep

00:45:15This fall is a little more

00:45:18Than I expected

00:45:19In so deep I can barely see myself

00:45:25Yeah around me feels so heavy

00:45:30But depleted

00:45:32But I find this the place

00:45:36To test myself

00:45:38Oops

00:46:00Oh, sorry

00:46:05Didn't see that

00:46:07Then again, nobody does

00:46:08Move, please

00:46:10Try begging

00:46:13You know what, keep it

00:46:20Poor thing

00:46:26So dramatic

00:46:27Don't

00:46:29Excuse me

00:46:31I warned you

00:46:32Walk away, Serena

00:46:34Last week's group assignments were

00:46:57Mostly forgettable

00:46:58But one pair surprised me

00:47:00In a good way

00:47:02Charles Kenwood

00:47:03And Alice Keaton

00:47:04Would you mind giving us a short summary?

00:47:08She loves the sound of her own voice

00:47:10Better have it

00:47:11Our essay explored what happens when two fundamentally different voices meet

00:47:23Like logic and chaos or silence and noise

00:47:27Different worlds, different worlds, different rules

00:47:30At first glance, they clash

00:47:34But what makes the story interesting is what happens next

00:47:38Confusion, curiosity

00:47:40But in the end, some stories aren't about staying

00:47:43And yes, there is no such thing as a happy ending

00:47:47And yes, there is no such thing as a happy ending

00:47:59Is she still talking about the essay?

00:48:03Is she still talking about the essay?

00:48:03Miss Keaton

00:48:06Dramatic as always

00:48:09All right

00:48:10Thank you, Alice

00:48:11That was

00:48:13Later

00:48:14Are you okay?

00:48:16A reminder

00:48:17That good literature

00:48:19Always stirs something

00:48:21Hello?

00:48:25Hi, this is Alice Keaton

00:48:26This is Whitmore Press

00:48:27We've been following your work

00:48:28We'd like to offer you a long-term publishing contract

00:48:30Name your price

00:48:31We'll make it work

00:48:33Sorry, what?

00:48:34That's kind of insane

00:48:46Who's behind this?

00:48:48Your sponsor wishes to remain anonymous

00:48:50Can

00:48:51Can I meet them?

00:48:54I want to

00:48:55Please

00:48:57Or at least tell me a name

00:48:59Sorry

00:49:03They wish to stay in office

00:49:05So they're only interested in words

00:49:06Not the person

00:49:07I'd really like to meet them

00:49:08I'm sorry to keep them

00:49:09They were very good

00:49:10I think the most generous work we've ever given an interview right now

00:49:13I see

00:49:15Congratulations again

00:49:16You got the interview

00:49:22It's just an interview

00:49:23I haven't gotten in yet

00:49:24Still, Alice Keaton at Oxford

00:49:26That's iconic

00:49:28You okay?

00:49:38Yeah

00:49:39I'm so excited

00:49:41It's done, Mr. Kenwood

00:49:55Miss Keaton signed the contract

00:49:56Good

00:49:58It's a generous deal

00:50:00You sure you don't want her to know?

00:50:03No

00:50:03No, it's better if I stay out of her life

00:50:07I would be before you be

00:50:11I'd be there in your darkest days

00:50:16Congratulations, Alice Keaton

00:50:19Go live the life you were always meant to

00:50:26Your engagement and announcement should align perfectly with the Foundation Gala

00:50:32And the Browns already offered to host the London reception

00:50:37It's all coming together beautifully

00:50:41I've lost my appetite

00:50:45I'll go check on him

00:50:49What's your problem, Charles?

00:51:00Disengagement

00:51:00Is not happening

00:51:02It's not up to you

00:51:03You know that

00:51:04Serena, we're not doing this

00:51:06You've changed

00:51:08Or maybe I finally just stopped pretending

00:51:14Pretending

00:51:16Pretending

00:51:18Pretending

00:51:20You're the sponsor

00:51:44You've been funding Alice Keaton this whole time

00:51:47So?

00:51:51You lied to everyone

00:51:52Including her

00:51:53I protected her

00:51:56You loved her

00:51:59Still do

00:52:00Let it go, Serena

00:52:04There's no point

00:52:06I need a favour

00:52:16Find out when the Oxford interview is

00:52:18And make sure Alice Keaton won't show up

00:52:23Anything?

00:52:28No?

00:52:30She's not answering

00:52:31The interview's almost over

00:52:32Well, she won't just not show up

00:52:34Something's wrong

00:52:35Where's Alice?

00:52:38When was the last time you heard from her?

00:52:41Last night

00:52:41She said she was prepping all evening

00:52:43James

00:52:48Track someone for me

00:52:49Wait

00:52:51Where are you going?

00:53:00Chill, okay

00:53:01We won't hurt you

00:53:02Yeah

00:53:03We're just supposed to keep you away from the interview

00:53:06That's it

00:53:06Shit

00:53:15Come back

00:53:16I remember how a man

00:53:22I remember

00:53:30I remember how a man

00:53:34I remember how I meant

00:53:46Didn't need a second guess

00:53:50Hey, hey, hey, Alice, Alice

00:53:56Alice, hey, hey, hey, stay with me, stay with me, stay with me, Alice

00:54:00Alice

00:54:04I must have pickedje

00:54:07Take it back

00:54:09You're awake?

00:54:10Where, where am I?

00:54:11Local clinic

00:54:12Passerby brought you in

00:54:14Passerby?

00:54:15He found you on the side of the road

00:54:18He had to leave, he didn't leave a name

00:54:22Oh

00:54:24The interview, what time is it?

00:54:25Easy

00:54:26It's okay

00:54:28Someone already contacted the University

00:54:30And sent in your writing samples

00:54:32They've rescheduled your interview for tomorrow. Wait, what? Who? No idea, but it's all taken care of

00:54:41What did you say nothing I just had a dream

00:55:02Oh, I knew it

00:55:05Too bad Charles isn't here to watch you crush it. He's not here. Oh

00:55:10You didn't know know what?

00:55:14He left a few days ago. Yeah, everyone doesn't really know where he went

00:55:19Honestly, Ashford's been quieter without him. It's probably for the best. Come on

00:55:27That's the day

00:55:32The summer I met Charles Kenwood was loud

00:55:37Chaotic

00:55:38Unexpected

00:55:41And with his absence, come on

00:55:45It ended quietly

00:55:49Like summers always do

00:56:02And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton

00:56:09Thank you for having me

00:56:10Now, your words moved millions. They say your stories feel real

00:56:15Especially the ones about love. Thank you. Which brings us to the most obvious question

00:56:22How's your dating life like these days? No comment

00:56:25A little bird told me that the past four years has been just writing and working not even a single date

00:56:31Let me guess a bird named Sherry. She caught me. There's still no comment. All right. All right

00:56:37No matter what you say you write love like someone who's lived it

00:56:43It feels so real because once I did with someone who felt like chaos and clarity

00:56:48Behind Alice Keaton

00:56:50And no one ever quite matched the light after that

00:56:52And let's give it up for Alice Keaton one more time

00:56:56Congratulations, Alice. The numbers just came in

00:57:09You broke your own record

00:57:11That's incredible

00:57:14We're thinking celebration, press, photos, maybe tonight

00:57:18Actually, there's something I'd rather do

00:57:21I'd like to meet with the person who believed in me first

00:57:26My sponsor

00:57:27You're sure?

00:57:29Yeah, just once

00:57:31Tonight, 7pm

00:57:33Good evening

00:57:45Good evening

00:57:50May I sit?

00:57:56Hey, Mr. Nonchalant

00:58:00Hi

00:58:03Hi

00:58:04Hi

00:58:05You look well

00:58:08And you look like you just stepped out of a GQ cover

00:58:13You always did

00:58:15You were expecting someone else

00:58:18I was

00:58:20I was hoping

00:58:22But I guess I always knew

00:58:25I didn't come here to confuse you

00:58:27Or to reopen anything

00:58:29I just wanted to say congratulations

00:58:33Oh, thank you

00:58:37Didn't know you're still reading

00:58:40You're rich enough not to do so

00:58:43Always

00:58:45Either way

00:58:47Your sponsorship started my career

00:58:49So

00:58:50No

00:58:50No, you earned everything

00:58:53Every word

00:58:57Every page

00:58:58Every reader

00:59:01That's what I came to say

00:59:03It was good to see you again

00:59:09I hope

00:59:09Charles

00:59:10Can you just

00:59:13Wait a little longer

00:59:16I think I knew it was you

00:59:24There was one email

00:59:27You said something

00:59:30It felt familiar

00:59:31Really?

00:59:32Kind of had that

00:59:33Rich asshole with a conscience energy

00:59:35Very on brand

00:59:37I should have anonymized my grammar

00:59:40Too late

00:59:40Your semicolon usage gave you away

00:59:42Still the only girl I know

00:59:45Who flirts through punctuation

00:59:46Still the only guy I know

00:59:48Who uses wiles unironically

00:59:49You've changed

00:59:53But

00:59:55Not really

00:59:57You haven't changed

01:00:00But maybe you've grown into who you really were

01:00:04Anyway

01:00:06I wanted to say

01:00:08Thank you

01:00:10And

01:00:12Thanks for being here tonight

01:00:14You didn't have to come

01:00:16Don't tell me what I have to do

01:00:19You didn't have to come

01:00:23Don't tell me

01:00:25What I have to do

01:00:36If you could go back

01:00:48If you had the chance to do it all again

01:00:50Would you do anything differently?

01:00:57No

01:00:57I see

01:01:08I know my answer now

01:01:13I didn't have the power

01:01:14Back then

01:01:14Not enough to protect you

01:01:17I couldn't watch you get crushed

01:01:19Because of me

01:01:19Because of my name

01:01:22My family

01:01:23I didn't want to be the reason you lost everything

01:01:27So you just disappeared

01:01:29Without a word

01:01:31If you had the chance to see the world

01:01:36Without me weighing you down

01:01:37If you still chose me after that

01:01:40You keep saying you wanted to give me a choice

01:01:46But you made a choice for me

01:01:49Did it ever cross your mind that maybe

01:01:54I would have chosen you anyway

01:01:58I didn't think I was the smart choice

01:02:05You weren't

01:02:07But I never claimed to be that smart

01:02:12This is me

01:02:21Right

01:02:22I'm still mad at you

01:02:31You know

01:02:31I'm still in love with you

01:02:35You know

01:02:35Do you want to come in for a bit

01:02:45You're asking your ex

01:02:49Who you haven't seen in four years

01:02:51To come into your hotel

01:02:53At approximately 11pm

01:02:55You were right

01:02:58You never were that smart

01:03:00You don't have to come

01:03:02Don't tell me what I have to do

01:03:04It's almost like you say

01:03:08It's almost like you say

01:03:08The last thing is going to go

01:03:12Stop quoting yourself

01:03:20I recycle

01:03:21It saves energy

01:03:22This feels wildly irresponsible

01:03:26You sound like a disclaimer

01:03:27You're the one who once called romance a distraction

01:03:30I said that

01:03:31Yeah

01:03:31Before calling Wuthering Heights overrated

01:03:33Still is

01:03:35You're lucky you're a good kisser

01:03:37That is cute to me

01:03:42Don't you dare quote poetry

01:03:44I wasn't going to

01:03:45I forgot all of it the day you left

01:03:48Then shut up

01:03:49And prove it

01:03:52I still can't believe this is happening

01:03:59I told you

01:04:01They're either worst enemies

01:04:02Or secretly married

01:04:03And I told you

01:04:04They're both

01:04:05I vowed to always tell you the truth

01:04:35Except for when you ask how your cooking was

01:04:37Then I lie

01:04:39Respectfully

01:04:42I vowed to keep choosing you

01:04:44Loudly

01:04:46Quietly

01:04:48Always

01:04:49Even when you forget to do the laundry

01:04:53Is he actually good at this?

01:04:55I mean

01:04:56He did beat her at soccer though

01:05:01I vowed to argue with you at least twice a week

01:05:04Especially our Shakespeare

01:05:05I vowed to write you in your every story

01:05:08Even when I say I didn't

01:05:10You will always be a part of my life

01:05:13If she quotes Austen in this toast

01:05:16I'm out

01:05:16No you're not

01:05:17You're going to cry harder

01:05:18For the rest of my life

01:05:23For the rest of my life

01:05:27I can't believe you picked Paris

01:05:44Such a cliche honeymoon destination

01:05:46Guard your phone

01:05:49Relax

01:05:50Just don't dress like a walking inheritance

01:05:52And you'll be fine

01:05:53You are not wearing that on our honeymoon

01:05:58Please Alice

01:06:00Go change

01:06:01Don't tell me what I have to do

01:06:03No

01:06:07No

01:06:08No, no, no, no

01:06:10That is not an invitation

01:06:11Do not take off these clothes

01:06:13Overrode

01:06:13You look much better without them

01:06:16To the ones who loved in silence

01:06:23In chaos

01:06:25In chapters

01:06:25You will find your way home

01:06:28Sometimes I want to be on my own

01:06:34But I don't want to die alone

01:06:37Cut

01:06:38What do you think?

01:06:42It's up to us to make sure that we can gain what's been passed through these books.

01:07:08Help us develop, learn, and grow.

01:07:12Help us develop, learn, and grow.

In Other Words, I Love You - Full (2025)

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