Woody Harrelson, Dave Franco, Jesse Eisenberg, and Isla Fisher reunite for the latest installment of the 'Now You See Me' franchise, and the chemistry picks up right where it left off. Esquire sits down with the cast of ‘Now You See Me: Now You Don’t’ to talk about returning as the Horsemen and facing off against Rosamund Pike’s Machiavellian-esque villain. Together, they chat about the roles they'd each play in a real-life heist (and Woody's fixation on the angle grinders used at the Louvre), the magical powers they each wish they could have, and the notes directors have given them over the years that really stuck.
Watch ‘Now You See Me: Now You Don’t’ in theaters November 14th.
#WoodyHarrelson #DaveFranco #JesseEisenberg #IslaFisher #NowYouSeeMe #Esquire
Watch ‘Now You See Me: Now You Don’t’ in theaters November 14th.
#WoodyHarrelson #DaveFranco #JesseEisenberg #IslaFisher #NowYouSeeMe #Esquire
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LifestyleTranscript
00:00You can do a good Matthew McConaughey.
00:02Yeah, come on over to the A.I.R. stream.
00:06You're the best margarita.
00:09On this side of the R.I.O. Grande.
00:18The interesting thing is we have been doing press for like several days.
00:22Yeah.
00:23And the three of us have been doing press for about ten years,
00:26but we have not been together, just the four of us.
00:29Right.
00:30For thirteen years.
00:31Yeah.
00:32Is that true?
00:33Is that true?
00:34I think it's true.
00:35Because Woody just arrived today.
00:36We did L.A.
00:37I didn't know what your excuse was.
00:38I did that yesterday, lady.
00:39What are you talking about?
00:40It's been ten years since the horseman last appeared.
00:43It is very good to be back.
00:45Still got it.
00:46Okay, new film.
00:47Let's talk about Now You See Me.
00:48Third installment.
00:49How do we feel about the name first off?
00:51I know we were all pushing for Now You Three Me.
00:53How do we feel when we landed?
00:55I feel like it was a fan favorite.
00:57So people clearly wanted it.
00:58Out of curiosity, do you think Now You Three Me, in some way,
01:01kind of mocks the thing too much?
01:02Yeah.
01:03Good question.
01:04It does.
01:05And in another language, it won't translate with quite as much.
01:08Oh.
01:09Yeah.
01:10Now you twa me.
01:11Yeah.
01:12Speaking of, for the fifth installment, I was thinking of,
01:15Now You See, go me.
01:17And you said it in Latin America.
01:19That's true.
01:20Now You See, go me.
01:21Put it together.
01:22Right.
01:23You're too earnest of a response to that.
01:24I didn't get that at all.
01:26Yeah, yeah.
01:27Cinco five.
01:28Cinco five.
01:29Cinco five.
01:30Yeah.
01:31We got it.
01:32We're there.
01:33Two generations of magicians brought together for a reason.
01:38Upside down room.
01:39Cool.
01:40Cool?
01:41Nothing impressive to you?
01:42Why I think this movie works so well is because I think these movies work the best with a great
01:47villain.
01:48And I think Rosamond, the mischief and cheek and naughtiness and the lightness that she approached
01:54the character while still owning, obviously, the Machiavellian traits of Veronica, I think
02:00just makes the movie really gives us a worthy opponent.
02:04Yes.
02:05And it explains why we need the young horse ponies.
02:08Mm.
02:09Because without them, even though we're very, very clever, we're even cleverer-er.
02:14Cleverer-er-er.
02:15We needed that extra cleverness to take down this much of a villain.
02:18That's right.
02:19Got it.
02:20That's where I'm going.
02:21We also had Reuben Fleischer at the helm on this one.
02:23Of course.
02:24Yeah, yeah, yeah, yeah.
02:26Reuben comes from a comedy background.
02:29Yeah.
02:30And so he really tried to infuse a lot of that whenever possible.
02:33I'm really curious to ask you, you guys worked with him on Zombieland.
02:36Do you feel like he still ran the set a similar way?
02:39Because we had a lot of improv, but did you guys get more with him when you shot that movie?
02:44Yeah, there's probably a greater emphasis on, like, just trying crazy, silly comedy bits.
02:49Yeah.
02:50The thing that's amazing about this movie is, like, the action, the style of it.
02:54And there's good humor because we're kind of, like, funny actors and it allows for it.
02:57Reuben likes comedy.
02:58What we were doing in Zombieland, it felt sometimes like we were trying, like, the silliest thing.
03:02And sometimes that might be appropriate.
03:03Whereas the silliest thing in this probably would be distracting.
03:05Yeah.
03:06That's a good point.
03:07But he's great.
03:08What do you have to say on it?
03:09The way you guys analyze things, first of all, I just want to remark.
03:12It's like you have analytical minds, almost reptilian.
03:16Anyway, which one was Reuben?
03:18So he was the guy...
03:19Remember, he was that guy that every time he talked, you would kind of, like, turn...
03:22You'd just kind of, like, turn your body?
03:23So he was usually right over here.
03:24That's right.
03:25Yeah, yeah, yeah.
03:26He was over there.
03:27But you guys...
03:28No, I thought he was highly competent.
03:29Okay.
03:30You have to admit, though, he wrangled...
03:31I feel like Woody and I might be the worst offenders at the table.
03:34Would you say we chat the most and muck around the most?
03:36Yeah, I think so.
03:37You used to, like, hold the back of my costume to prevent me moving into the scene.
03:41And often, and it's in the actual movie, I'm, like, laughing in the back of the shot when, like, Morgan's explaining the truth.
03:48Can we give Woody credit, though, for...
03:50There was a week where we were in a water tank.
03:52Oh, yay!
03:53And Woody did not pee in the tank the entire week.
03:56Wait, wait.
03:57That we know of.
03:58Do you want to reveal something here?
03:59What am I going to pee in the tank?
04:01Because you never got out.
04:02When are you going to pee in the tank?
04:03Please.
04:04Why would I ever pee in the tank?
04:05Because you never got out of the tank.
04:06It was mysterious.
04:07Day one, you were in and out of the tank.
04:08Guys, I need to come out.
04:09Never needed to.
04:10Suddenly, day three, you were in the tank all day with a satisfied smile.
04:13Woody's also the most hydrated, healthiest person in the world.
04:16That is also true.
04:17A lot of being healthy is about kind of flushing the system out.
04:19Flushing.
04:20Flushing the system.
04:21And we were in a very warm water tank that was murky with sand.
04:24And when I went on the water...
04:25I didn't bring down the level of warmth.
04:29You're right.
04:30That's all I want to hear.
04:31You're right.
04:32Now, you went back into the tank after a very scary piranha.
04:35I did go back in.
04:36They were not real piranhas.
04:38I don't know if you guys were there that day.
04:40I know you weren't, Woody.
04:41What was the piranha event?
04:43Now, you won me.
04:44You won me.
04:45No.
04:49Double entendre.
04:50Yeah, yeah.
04:51Was it very traumatic the first time?
04:52You had to hold your breath for a long time.
04:53All that happened was my handcuffs got caught under, like, the base of, like, I guess, the gridding.
04:57Oh.
04:58And there was a safety switch that, like, you had six minutes and the water fully drained.
05:01But there was a little moment where I thought, maybe.
05:04But then I got free and I, like, the little mermaid swam, like an aging ginger, slightly middle-aged mermaid.
05:10I paddled my way to the surface and inhaled some oxygen.
05:14No, love being in the tank.
05:16Had so much fun with these guys.
05:18And, uh, is it a spoiler to talk about ?
05:21Oh, my God.
05:22Of course.
05:23Did you not read the talking points?
05:25Yeah, yeah, yeah.
05:26And the number one is do not talk about.
05:28Okay.
05:29I've never been great at poker, but is a diamond trumped by a heart?
05:35Obviously a lot of magic in these films.
05:37Um, we have our own unique powers in the movies.
05:40Mm-hmm.
05:41Hypnotist.
05:42Escape artist.
05:43Mm-hmm.
05:44Sleight of hands.
05:45And just the leader.
05:46General anxiety disorder?
05:47Yes.
05:48No, we're talking about on the camera.
05:50Oh, general anxiety disorder.
05:52If you could have any, uh, skills, magic skills in real life.
05:56Yeah, God.
05:57No, can I say right now I know what mine would be?
06:00Invisibility.
06:01What would you, I don't like, I don't trust you with that invisibility.
06:03Yeah, I already feel unsafe.
06:05I feel so unsafe.
06:06Just to be.
06:07Oh, I'd be, I'd be, you'd be the first person I'd visit.
06:10Interesting.
06:11Interesting.
06:12Interesting.
06:13He's touching me under the table.
06:15What about you, I?
06:16My magic trick would be, everybody has their shoes, their school bag, and everybody's happy
06:22with their breakfast choice, and we're in the car without anybody, uh, shouting at anybody.
06:27It's a much sweeter answer than Woody's.
06:28Um, I'm gonna go with, um, teleportation.
06:32Yeah.
06:33But like, wouldn't that be just.
06:34Where do you wanna go to like.
06:35Just like with my cats for lunch, you know, just hanging with the cats.
06:38They haven't seen me since I won cat dad of the year.
06:41Yeah, you know he's sexiest cat dad of the year.
06:44Is that right?
06:45People magazine sexiest.
06:46My cats don't even know yet.
06:47No.
06:48I gotta go tell them.
06:49Yeah.
06:50Show the article, read it to them.
06:52They're rubbing themselves against your legs tonight.
06:54Like you haven't told them you won.
06:55Do they think it's Pattinson?
06:56They think it's, they think it's Ruffalo.
06:57They think it's Ruffalo.
06:58They think it's Ruffalo.
06:59They think it's Ruff.
07:00They think it's Ruff.
07:01They do know it's in our world.
07:03Okay, that's good.
07:04Yeah.
07:05That's great.
07:06All right, Jesse, what, what magic in your life?
07:07Yeah.
07:08I like, I like a teleportation, cause I really don't like traffic.
07:10I really, it's more for me, it's efficiency.
07:12Uh, Jess, that's kind of taking his.
07:15You have anything original?
07:16Yeah, could you do something more original?
07:17But like his is like to see his cats.
07:18He mentioned teleportation.
07:19Remember when we said he was the leader who's a little jack of all trades?
07:21Yeah.
07:22That's what I was doing.
07:23He's taking all of ours.
07:24And then people will be like, he just left.
07:25He's invisible.
07:26Like Woody Harrelson's power.
07:27Exactly.
07:29Magicians are entertainers.
07:32Not superheroes.
07:35Why can't we be both?
07:36You know what I really love about this movie?
07:38I feel like we all have like an individual skill set that helps us like pull off our heist.
07:42And we're motivated by something good.
07:44What role would you most enjoy in the heist?
07:47In a wheelhouse.
07:48But also that you would basically be able to execute.
07:50Like don't pick something out of your wheelhouse.
07:52I know you'd be in the car.
07:54I would, sweetie.
07:55With our packed lunches.
07:56I would.
07:57I would.
07:58And you'd be, uh.
07:59That's a crucial role.
08:00Yeah.
08:01What was those little angle grinders that those people used in the Louvre?
08:05Describe it.
08:06Describe it.
08:07Describe it.
08:08Well, it's just kind of a saw thing that they saw through the.
08:10Yeah.
08:11That's how they got it out.
08:12The glass.
08:13You're just throwing out angle grinders like it's no, no, no thing?
08:15Yeah.
08:16That's just like coming off the tip of the top.
08:17Yeah.
08:18Yeah.
08:19You definitely were not involved in the heist.
08:21Technical.
08:22You were not the angle grinder at the Louvre.
08:24Angle grinders.
08:26Oh.
08:27You got your 40 degree.
08:28When do you get your 45 degree angle grinder?
08:30I mean.
08:31Yeah.
08:32I think we all got our different degree of angle grinding.
08:34Yeah.
08:35We'll all be angle grinders.
08:36Yeah.
08:37But I'm taking 75.
08:38No, I think I wait in the car for the angle grinders to come back out.
08:41Woody's an acute angle grinder, but Dave, you're an adorable angle grinder.
08:46Hey guys.
08:47Dead end.
08:48Open.
08:49Sesame.
08:50Way to represent merit.
08:52Worth a try.
08:53Was it?
08:54Never know.
08:55I think you do know.
08:56Can we talk about Woody's career?
08:57Yes.
08:58Woody's career.
08:59Yeah.
09:00All right.
09:01Everyone's favorite movie in Woody's career.
09:02Oh gosh.
09:03Oh gosh.
09:04Big deal.
09:05Just sitting here with the Woody Harrelson talking about their career.
09:08I'm going to start with, oh, I mean no country for old men is.
09:15Oh.
09:16Elephant in the room.
09:18Oh.
09:19Wait, I love you so much.
09:21Did you like a real pain?
09:22I thought I did a nice job with that.
09:24Oh.
09:25Oh.
09:26No.
09:27Was he in a real pain?
09:28No.
09:29He was not.
09:30No.
09:31Why did he say that?
09:32He's deflecting in a sweet way.
09:33But wait, I want to know what his favorite, what's your favorite role that you're in?
09:37Favorite process and then favorite final product.
09:40Oh, good call.
09:41Ooh.
09:42Favorite process would be The Messenger.
09:44Okay.
09:45Sure.
09:46No one's seen or heard of it.
09:47Or in Mover Mill.
09:48Or in Mover Mill.
09:49Come on.
09:50Come on.
09:51Yeah.
09:52And then I would say, you know, maybe like Larry Flint.
09:57Oh, brilliant.
09:58Yeah, classic.
09:59What's fascinating is you were one of the first guys to go have a successful television career
10:04and parlay it into an extraordinary film.
10:07You clearly haven't seen season nine of Scrubs.
10:11Seventh Heaven?
10:13Yeah.
10:14Guys, Benjamin Bainsworth in Seventh Heaven.
10:17Oh.
10:18No, but how did that feel?
10:21I got lucky because I was six years trying to get something else and I felt like, boy,
10:25this may be it.
10:26I just may be the one, the one role.
10:29Woody Boyd.
10:30I'd love to try something else, you know?
10:32Okay.
10:33But can we all just give a, to Woody's career?
10:36Cheers.
10:37I've been waiting for this for 16 freaking years.
10:42Guys, I'm going to shift this to Isla.
10:44Isla.
10:45Isla, not Isla.
10:46Thank God.
10:47Isla, you know what I love you in?
10:48Oh.
10:49Bachelorette.
10:50You are so funny in that movie.
10:51Thank you so much.
10:52I thought that was Amy Adams.
10:53Remember?
10:54It might have been Amy.
10:55I just watched her, re-watched it recently and you're just like a spark plug.
10:59Every word that comes out of your mouth.
11:00I'm laughing out loud.
11:02That was fun.
11:03That was a really fun character.
11:04What about you, Dave?
11:05Let's talk about your career.
11:06Let's talk about the recent role in the studio.
11:09Sure.
11:10Do you like that role?
11:11You know what I love you in?
11:12I love you in.
11:13Oh.
11:14Bachelorette.
11:15You are so funny in that movie.
11:16I love you in the studio.
11:17Sure.
11:18Do you like that role?
11:19You play...
11:20What's the character?
11:21I was going out on a limb and playing Dave Franco in the studio.
11:23Oh, Dave Franco.
11:24That's right.
11:25Yes.
11:26How was it to play yourself?
11:28Good.
11:29Good.
11:30You know, I was playing myself inebriated on alcohol, weed, cocaine, and mushrooms.
11:35So just a Tuesday.
11:37But it was very fun.
11:42As you guys know the real me, that's not it.
11:46People come up to me on the street now and they're like, man, I wish I could party like
11:49you in the studio.
11:50Yeah, yeah, yeah.
11:51I was like, me too?
11:52And they're like, wait, wait, wait, that's not you?
11:53I was like, no, it's just acting.
11:54And they're like, oh, I see you.
11:56I was like, you figured me out, man.
11:59Do you find it cathartic?
12:00Because you are an hysterical asshole, but you're the nicest person I know.
12:04The nicest person.
12:05Is it cathartic?
12:06It is, I think.
12:07I've played mostly morally ambiguous characters.
12:12Yeah, I do have.
12:13But do you like doing that?
12:15It's fun to play something outside of yourself.
12:18Yeah.
12:19And I think most recently in Regretting You out in theaters now is the closest probably
12:25I've played to myself.
12:27So you're saying if audiences go now to see Regretting You, they're going to see the real day Franco.
12:31Franco, no one else wants you to see it.
12:33Is this genre horror?
12:35It is.
12:36Oh, it is horror?
12:37No, no, no.
12:38Regretting You is a earnest romantic drama.
12:40Yeah, I'm looking forward to seeing it.
12:42Together is what you're thinking.
12:43Oh, yeah.
12:44Out on VOD now.
12:45Alison Brie also in it.
12:46And so if we run out and see that right now, we're going to see you and your wife team up.
12:50Yeah, yeah, yeah.
12:51What was it like for you guys to like be stuck together?
12:53I'm glad because no one's ever asked me that before.
12:55And it was great.
12:58It was great.
12:59I love my wife.
13:00I love working with my wife.
13:01That's so cool.
13:02But on that subject, what's your favorite movie that you've been a part of?
13:05I think it was my shot at night.
13:06Life number two.
13:07And can I bring up?
13:09Oh, God.
13:10Oh, you know what I want to bring up?
13:11What's that?
13:12The one you did with Jason Segel.
13:14End of the tour.
13:15I haven't seen End of the tour.
13:16Yeah, yeah, yeah.
13:17It was a good movie.
13:18It was very, very, very small, like a million dollars.
13:21And we were in freezing northern Michigan.
13:24And it was like just a very visceral experience.
13:27So they only paid you a million.
13:28I mean, there's a lot of people out there.
13:30No, that was the budget.
13:31My salary was like way above that.
13:33Which is why we only had a little bit of money left to shoot.
13:36Because at the time, I was going through a breakup.
13:39And sometimes you spend a little more, you know, because you're kind of, yeah.
13:42Yeah.
13:43What's your favorite Jesse movie?
13:45Squid and the Whale.
13:46Oh, my God.
13:47Sorry, I love that movie.
13:48I think, I agree.
13:49I agree.
13:50I love that.
13:51As a child of divorce, that movie was very...
13:52That's a perfect movie.
13:53I think it might be in my top ten movies of all time.
13:55Yeah.
13:56After that movie came out, I got approached by a lot of like children of divorce.
13:58Yeah.
13:59He really did a great job on that.
14:01I'm not just saying this, and I'm curious if you guys have the same thing, but more people
14:05come up to me about the nice movies than anything else.
14:07Yes.
14:08Everybody loves these movies.
14:09100%.
14:10Now, a wise man once told me, in the mirror, in fact, never assume you're the smartest
14:15person in the room.
14:16Prove it.
14:17Be my guest.
14:18Oh, I'd like to mention a note that was given to me by Oliver Stone when we were shooting
14:26Natural Born Kills.
14:27And I'm in this scene where there's plate glass windows all the way across, and I'm supposed
14:32to be running, shooting, and the cops are shooting in at me and everything.
14:38And to do it again, there's all these glass that has to be replaced.
14:43And Oliver comes up and he goes, it's an hour and a half reset, Woody.
14:49Don't fuck it up.
14:50Rolling.
14:51I'm like, what the?
14:52That was my note before starting.
14:55Did you fuck it up?
14:56No.
14:57There we go.
14:58That's my boy.
14:59If you didn't say that, would you be more likely to fuck it up?
15:02If you didn't say that?
15:03No.
15:04I don't think it helped me at all.
15:06Doesn't that put a weird pressure?
15:08Yeah.
15:09Have you had any directors say something to you that immediately you were good and then
15:13like what?
15:14Yeah, yeah.
15:15So there's a sex scene in the movie Neighbors, and we did the first take, and Nick Stoller,
15:21the director, comes in and he says, hey Dave, more Jackrabbit.
15:26And I said, gotcha.
15:27Oh my God.
15:28Next take, my little white butt's moving out of blur.
15:33Oh my God.
15:38Oh my God.
15:39Oh my God.
15:40Yeah.
15:41Yeah.
15:42What about like Fincher?
15:43He must've given you, does he give copious notes?
15:48More like abstract.
15:50He's just an unusual person.
15:52Tell you some story that had, you feel is unrelated to what you're doing and then, but
15:57it makes sense in some way.
15:58And then you're also doing so many takes after a while.
16:01So it's just unusual.
16:02But when we were doing the first Zombieland, I had a scene, we were filming a scene in a
16:06mansion, a humongous set, right?
16:08And Ruben is on for whatever reason, the far, Ruben Fleischer, the director of this, but also
16:12that, on the far side of the other, the other side of the house, very, very far away.
16:16That's where the screens were, the monitors that he was watching.
16:18And I'm with Emma and we're like supposed to be dancing.
16:21And it's like kind of a, like a more emotional kind of thing.
16:24And I just hear the faintest smile.
16:27And I'm like, I couldn't make it out.
16:29And I look at Emma and she's like, and I was like, and then I just heard smile.
16:33And then I realized it was Ruben from the other side of the mansion, just yelling at me to
16:37smile.
16:38And I remember thinking like, this is not how you act.
16:40Like you don't go like, you know what I mean?
16:42Like anyway, and.
16:44You sneak that smile into the scene though?
16:46No.
16:47No.
16:48Give it to him.
16:49But now like, I kind of understand it.
16:51Now that I've been in more movies and been on the other side, you're like, yeah, sometimes
16:54the audience just wants to see the person, right?
16:56This is why there was that friction between you guys on Now You Three Me the whole time.
16:59Yeah.
17:00And that's when you smiled.
17:01I've been trying to get you to smile for fucking, for a decade.
17:02Yeah, smile through the whole movie.
17:03The second movie we did together, 30 minutes or less.
17:06He, I asked him how it was going during post-production.
17:08He was like, I'm doing a smile pass now.
17:10I said, what's a smile pass?
17:11He's like, we're looking for any time you smiled in the movie.
17:13I'm serious.
17:14He's just obsessed.
17:15He's obsessed with smiling.
17:16Oh my God.
17:17Oh, that's really sweet.
17:18How many times do you think you smiled in this movie?
17:20I smiled much more.
17:21Okay.
17:22I haven't seen you smile yet in this interview.
17:24Yeah.
17:25But I smiled during the movie.
17:26I'm out of it.
17:27You know what I mean?
17:28Plump it all out on the table.
17:29Yeah, yeah, yeah.
17:30There we go.
17:31Smile.
17:32That was really cute.
17:33Smile.
17:34That's a nice smile.
17:35Smile.
17:36Just smile bigger.
17:37Smile bigger.
17:38Tell Lily the egg.
17:39You can't do it without shaking her head.
17:41Do a still smile.
17:42It's so close.
17:43There it is.
17:44There it is.
17:45Oh.
17:46Adorable.
17:47Any direction, Isla?
17:48When I was working with Baz Luhrmann on The Great Gatsby, I was playing character.
17:52Everyone knows Myrtle.
17:53And so there's a lot of pressure.
17:54And there's so many different interpretations.
17:55And yada, yada, yada.
17:56And you know, all the imposter stuff.
17:57And then basically he's obsessed with hair.
18:00He fucks with it until sort of it lands in a place.
18:02And then he just looked at me and he goes, you're Myrtle.
18:04I was then in character for the rest of the shoot.
18:06So I don't know if that is.
18:07Sometimes it does work.
18:08Like having some clothing, I've noticed, helps me.
18:10Yeah.
18:11Which is like the opposite of what they teach you in acting school.
18:13Which is like.
18:14To work from the inside out.
18:15Yeah.
18:16But actually work from the outside in.
18:17For me too.
18:18Costume, hair, dialect, anything external.
18:20Actually mannerism, like the posture.
18:22Anything like that.
18:23It's so helpful.
18:24It takes your brain into thinking you're actually immersed in someone new.
18:27That reminds me of Jack Nicholson saying, let the uniform do the acting.
18:33Yeah.
18:34That's a good impression to you.
18:35That's good.
18:36That's good.
18:37That's good.
18:38That's true.
18:39Would anyone ever told you you're a good actor?
18:41Yeah.
18:42You should do that.
18:43That's a good thing for you.
18:44You should try it.
18:45Woody is good with impressions though.
18:46He is.
18:47He can do a good Bob Dylan.
18:48Come on.
18:49Which is not.
18:50Yeah.
18:51Not everybody's doing Oliver Stone anymore.
18:52You could do a good Matthew McConaughey.
18:54Yeah.
18:55Come on over to the A.I.R. stream.
18:57That's good.
18:58You're the best margarita.
19:00Yeah, that's good.
19:01Inside of the R.I.O. Grande.
19:04That's good.
19:05You got those commercials that you guys do?
19:07Yeah.
19:08Can you do them in one of those?
19:09That's not.
19:10Can you do them in one of those?
19:11I'd be like such a prostitute.
19:12Why?
19:13Anyway, I won't do more commercials.
19:15No, I love the work you're doing now.
19:17It's cool.
19:18I'm inspired to.
19:19Is it a software company or something?
19:21You could be doing that if you smiled more.
19:24You just have to smile to get those adverts.
19:27No, it's just amazing.
19:28Like I've always like envied you.
19:29I'm like, I want to like be where Woody is in five years, ten years, ten years.
19:32And now it's like I think about doing like that 15 second spot and how I can like condense
19:37everything I've worked for into like 15 seconds or like actually 13 because the last few seconds
19:42are that logo and you just want to like, it's about efficiency.
19:46It's about kind of telling that story in four seconds.
19:52No, cause like I grew up with you.
19:54It's like not just one killer.
19:55It's like two and a half hours.
19:56It's like, and now you've just managed to take all that stuff, that nuance, that depth,
20:01and just like, boom, it's four seconds.
20:03It's a look, you're with him, you're across the street.
20:07And also now you're like looking into camera and stuff.
20:09You used to like not do that because you're a character.
20:11It's like, we're believing that this guy's in this world.
20:13And now it's like, you look right at us and like sell us this thing.
20:17S-A-P-HANA and it's like, uh, we're inspired.
20:21Oh Jesus.
20:23You got roasted.
20:25He went from a toast to a roast.
20:27I got nicely roasted.
20:28Fair.
20:29Fair.
20:30You know, he's an Academy Award nominee.
20:32He can do it.
20:33I don't think, did you ever, no, but anyway.
20:36I knew, break it up guys.
20:40You've been so close to the podium.
20:42I don't know if you guys heard, um, sexiest cat dad of the year.
20:48Uh, no credit over here.
20:49Wait, is that in a word that's like been around?
20:52It might be the first of its copies.
20:54Okay.
20:55Got it.
20:56And what do you pose then with your cats?
20:58Yeah, do you pose on the cover of the magazine with your cat?
21:00Not yet, but it's a good idea.
21:02Uh, regretting you out now.
21:04Lionsgate are going to make you do it.
21:05Bring down two generations of criminals with a single slide of hand.
21:12I mean, I have kind of missed running for my life and jumping off rooms with you guys.
21:17It's good to have you back.
21:18Wait, rapping was unbelievable.
21:20Okay.
21:21I mean, I don't know.
21:22My last moment of the movie, we were in.
21:24You made a really cute speech.
21:25We were in the ocean.
21:26Where were we?
21:27Where were we?
21:28No, no, no.
21:29Yeah.
21:30We were in the ocean together watching this song.
21:31Oh yeah.
21:32It was an amazing rap.
21:33Woody sang this song.
21:34This beautiful song.
21:35So we, we basically, we had a night shoot and we finished at let's say 5am.
21:40We all came back to the hotel, which was on the beach and we decided to just all go in the ocean and watch the sunrise.
21:46And all of a sudden, Woody starts singing this U2 song.
21:49We don't know why, but he's like two minutes into the song and he goes, oh, that was the wrong song.
21:55It was the sweetest thing.
21:56It was sweet.
21:57It was so good.
21:58Because he thought the chorus was like kind of like leading to what we were experiencing and it never came.
22:05And then you couldn't remember and you spent a long time thinking aloud.
22:09Trying to remember.
22:10Just writing the dialogue.
22:11It was a beautiful moment.
22:12You were telling us Marlon Brando stories out in that water.
22:14Yeah.
22:15It was a beautiful moment.
22:16I just remember the camaraderie.
22:18Yeah.
22:19You know, the sun coming up.
22:21We're all together.
22:22We're laughing.
22:23I will say.
22:24I remember you holding my head underwater for an enormous amount of time.
22:28No.
22:29I would never do that.
22:30That doesn't sound like Woody.
22:31I don't buy that either.
22:34I will say in earnest that I laugh on these sets more than any sets I've ever been on.
22:41This is the most fun group I've ever been a part of in my life.
22:43This is the most fun group.
22:44This is the most fun.
22:45This is the most fun.
22:46Me too.
22:47Other than Hunger Games, you guys are great.
22:48I was going to say.
22:49Other than Bachelorette where there were women.
22:51This is the most.
22:52For sure.
22:53Other than 21 Jump Street neighbors in the studio.
22:56This is like a distant six after a few more that I can't think of right now.
23:00Yeah, yeah, yeah.
23:01Congrats.
23:03Yay!
23:04Do you mind if I just have you keep that on the table just for continuity?
23:07Let's see if he doesn't.
23:08Let's see if he can follow that direction.
23:10Let's get this continuity going.
23:12No napkin.
23:13There's no napkin.
23:14Let's see if they notice that.
23:15See?
23:16That's the game.
23:17That's the game.
23:18Now you see me now you don't.
23:19There you go.
23:20Okay.
23:21I know.
23:22I do it.
23:23I am.
23:24I am.
23:25I am a.
23:26I am.
23:27And I am.
23:28What would you do?
23:29There I am.
23:30I am.
23:31I am.
23:32I am.
23:33And I am.
23:35Yeah.
23:36I am.
23:37Well, that's hard.
23:38I am.
23:39And I am.
23:40I am.
23:41I'll see you next time.
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