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Transcript
00:00:00So, any new faces catch your eye?
00:00:30They're just props for me.
00:00:37You just get your whole life into working.
00:00:39But you should consider dating.
00:00:41That's not important.
00:00:43My house is inappropriate.
00:00:45It's my childhood home.
00:00:46So, I need to make enough money to get it on for it.
00:01:00Oh, I'm sorry.
00:01:25I'm new to the agency.
00:01:27All the changing rooms were full.
00:01:29Oh, of course.
00:01:31I will just...
00:01:32I will leave it.
00:01:37I was wondering...
00:01:38Could I buy you coffee sometime?
00:01:40I...
00:01:41I don't usually.
00:01:44How about...
00:01:46You skip the coffee?
00:01:48You are quite bold for a newcomer.
00:01:54Listen, someone is so...
00:01:56Direct.
00:01:57I believe in making a strong first impression.
00:02:01Heck that.
00:02:03New to the agency.
00:02:04But not to modeling.
00:02:06Shane.
00:02:07I run the studio.
00:02:09I know.
00:02:10Your reputation precedes you.
00:02:11I was wondering...
00:02:14Are you available tonight?
00:02:16Maybe we could discuss some potential collaborations.
00:02:20Here's my group.
00:02:22Hector.
00:02:23I don't usually...
00:02:25I don't usually...
00:02:34Uh...
00:02:35I...
00:02:36You've brought your whole life into work.
00:02:38Maybe it's time to consider dating.
00:02:42Alright.
00:02:43Let's meet at 10.
00:02:44Well, your figure looks quite nice.
00:02:58But if you want anything from me...
00:03:00Just ask.
00:03:02And after two nights...
00:03:03We are the strangers.
00:03:05Do you...
00:03:07Then seek new connections?
00:03:14Well...
00:03:15Isn't that something you should ask?
00:03:44When would you remember me?
00:04:09No, no, no.
00:04:13No, no, no.
00:04:15My mother's necklace.
00:04:16I don't have a home anymore.
00:04:20Hey.
00:04:21Is this what you're looking for?
00:04:39Jane.
00:04:40We're shooting Ann Taylor today.
00:04:42Vee.
00:04:43And Taylor.
00:04:44Maybe try doling up your charm a bit.
00:04:46Okay.
00:04:55You must be Jane.
00:04:56I was just fucking Hector.
00:04:58The agency's new golden bike.
00:05:00Pleasure to meet you.
00:05:03I've heard great things.
00:05:04Welcome on board.
00:05:05I'm sure you'll be a great fit.
00:05:06You had a late night.
00:05:07You must be exhausted.
00:05:08Maybe we should delay the shooting a little bit so you could freshen up.
00:05:11Yeah.
00:05:12Of course.
00:05:13If that works for everyone, I think we want you at the best then.
00:05:14You are so thoughtful.
00:05:15I will be just in a moment.
00:05:16Quite a first impression, huh?
00:05:17I am too pleased.
00:05:18In every aspect of my work.
00:05:19All right, everyone.
00:05:20Let's set up everything properly and not waste Taylor's time.
00:05:24Oh my god, did you hear the new models trying to hook up with Ann Taylor?
00:05:25Can you believe it?
00:05:26The man.
00:05:27The man.
00:05:28Are you guys talking about Hector?
00:05:29I am too pleased.
00:05:30I am too pleased.
00:05:31In every aspect of my work.
00:05:36All right, everyone.
00:05:37Let's set up everything properly and not waste Taylor's time.
00:05:47Oh my god, did you hear the new models trying to hook up with Ann Taylor?
00:05:51Can you believe it?
00:05:52The man.
00:05:53Are you guys talking about Hector?
00:05:58Yeah, we saw him coming and going from the same rich district with her.
00:06:02Looks like he had a thing for all the women.
00:06:12Are you crazy?
00:06:13You're too resistable when you're working.
00:06:18I'm not interested now, Secretary.
00:06:20Are you jealous?
00:06:21Be careful, Hector.
00:06:24Every wrong step and you will never get off.
00:06:27And if Taylor is like, this is part to hold on to.
00:06:31I'm like, I'm a little lazy.
00:06:32You're not like I'm a good one.
00:06:33I'm like, I'm not.
00:06:34It's hard to hold on to.
00:06:35No.
00:06:36I'm not.
00:06:37I'm not.
00:06:38I'm not.
00:06:39I'm not.
00:06:40I'm not.
00:06:41I'm not.
00:06:43So, tonight?
00:06:44Same time?
00:06:45No.
00:06:46No.
00:06:47No.
00:06:48No.
00:06:49No.
00:06:50No.
00:06:51No.
00:06:52No.
00:06:53No.
00:06:54No.
00:06:55No.
00:06:56No.
00:06:57No.
00:06:58He came to return the card.
00:07:08He looks so much alive.
00:07:12Why does Cleveland draw on his son?
00:07:14He needs to become a model.
00:07:20There's so much stakes here when you're working.
00:07:28There's so much stakes here when you're working.
00:07:36When you see it,
00:07:40I'll send shivers down your spine.
00:07:48You are in my world,
00:07:51so welcome to heaven.
00:07:58I recommended you for the cover sheet.
00:08:00Don't say anything about us.
00:08:08Leaving already?
00:08:10Yeah, I have to go.
00:08:24Yeah?
00:08:25When will you be coming home, sir?
00:08:28Next time, I won't let you walk away so easily.
00:08:42Got it.
00:08:43Yes, exactly.
00:08:44And this way?
00:08:46Alright.
00:08:47A little bit.
00:08:48Yes, exactly.
00:08:49He's totally using Anna Taylor to climb the ladder.
00:08:52I can't blame him.
00:08:54The guy like that needs connection.
00:08:56Yeah.
00:08:57What the hell?
00:08:58The stylist said you should help me take an outfit.
00:09:10Isn't this exciting?
00:09:12Have you ever thought about dating someone in a long time?
00:09:24No.
00:09:25A medic tip to you.
00:09:26What's the matter?
00:09:27You didn't get that Anna Taylor.
00:09:28I know you've got meth to me.
00:09:29I'm not gonna give you what you need.
00:09:30Jane.
00:09:31Jane.
00:09:32Jane.
00:09:33Are you even mad?
00:09:34Are you out of your mind?
00:09:36Jane.
00:09:37Are you out of your mind?
00:09:38Jane.
00:09:39Are you in that?
00:09:40Are you scared?
00:09:41Please, let me go.
00:09:42Are you scared?
00:09:43Please, let me go.
00:09:44No.
00:09:45There is no question.
00:09:46I will not give you what you need.
00:09:47Lots of things.
00:09:48And I won't take an answer.
00:09:49I won't take an answer.
00:09:50Is it a place of the owner?
00:09:51No, we won't.
00:09:52We won't.
00:09:53All right.
00:09:54The nightmare.
00:09:55No.
00:09:56We won't take an answer, I won't take an answer.
00:09:58No.
00:09:59No.
00:10:00Bye.
00:10:01How are you in that?
00:10:03The Phantom of the world.
00:10:05Is it a place for a new character?
00:10:06Are you scared?
00:10:07Please, let me go.
00:10:12Jane!
00:10:15I haven't seen her.
00:10:16Oh, sorry.
00:10:25What's wrong with you? Are you out of your mind?
00:10:27What's your relationship with Bruce Lawless, the CEO of HX Company?
00:10:36What's that have to do with you?
00:10:55Bruce is a big shot of your company.
00:10:57Why don't you tell him a few good things about me?
00:10:59Bruce and I are just classmates, so I cannot help.
00:11:02Is that a good or just a convenient life?
00:11:05What would it take to get you to go now?
00:11:09I would be your part.
00:11:12And to make you wish your head.
00:11:21I'll make you really found my trap.
00:11:32Look who finally graced us with her presence.
00:11:39Some of us need to work. Did you know that?
00:11:42Do you remember what we used to say back in college?
00:11:44We're both single at 35. We'll get married.
00:11:47Bruce, enough with your ancient history stories.
00:11:50Aren't you engaged yet?
00:11:51Ah, Eve is more concept than reality at this point.
00:11:55I've barely even met her.
00:11:56You know, as the heir of HX Entertainment, I can have anything.
00:12:00Take the one person who sees right through me.
00:12:03I told you to drop it.
00:12:04And if I immediately forgot.
00:12:08Ah, Hector. Perfect timing.
00:12:10You know, we're shooting this cover today.
00:12:12So play nice with a resident superstar, will you?
00:12:14So, you and the boss, ma'am?
00:12:23There's definitely a vibe there.
00:12:25I think I'd like to take a shot at you too.
00:12:30Don't you dare.
00:12:31You're out of your line, Hector.
00:12:35I just missed you so much.
00:12:37Don't you ever do this again.
00:12:39Remember, you're a professional model.
00:12:44Great.
00:12:45Okay.
00:12:46And then the third model a little bit.
00:12:47Yeah, exactly.
00:12:48And yes, pose there.
00:12:49Model pose.
00:12:50A little smile.
00:12:51Awesome.
00:12:52And you turn a little bit.
00:12:53This way.
00:12:54This way.
00:12:55Yes.
00:12:56Awesome.
00:12:57Yep.
00:12:58Let's show a little more skin, darling.
00:13:01This one.
00:13:02This one.
00:13:04Yeah.
00:13:05Awesome.
00:13:07Yeah.
00:13:08Cool.
00:13:10Yeah.
00:13:11Let's show a little more skin darling. This is what the people want.
00:13:17Jerry, I think it's enough.
00:13:32I saw you and Hector the other day. You should know, Jerry has a reputation.
00:13:36He gets new models drunk, takes compromising photos. He knows them as leverage.
00:13:45You're worried about him.
00:13:47Not worried.
00:13:48Right. That's why you're not looking through the door Hector walked through.
00:13:53Well, Jerry hangs out at Tipsy Baby or the Red Room.
00:13:58Sometimes the palace.
00:14:00The desk.
00:14:01You didn't have to.
00:14:06Hector?
00:14:07Jane, I... I miss you.
00:14:09Where are you?
00:14:10Why do you care? You made it clear. We're nothing.
00:14:13Where are you... now?
00:14:15Where are you... now?
00:14:16Why do you care? You made it clear. We're nothing.
00:14:18Where are you... now?
00:14:20Why do you care? You made it clear. We're nothing.
00:14:27Where are you... now?
00:14:29Why do you care?
00:14:30Why do you care?
00:14:31Why do you care?
00:14:36Why do you care about this item?
00:14:38Hector is with me, we are leaving.
00:15:00So where is your home?
00:15:05I don't have one, no home.
00:15:09I've got a new family.
00:15:11Little brother doesn't want me anymore.
00:15:14So that's why he pushes himself so hard, trying to replace work.
00:15:21Jane.
00:15:35Hey, Bruce.
00:15:36What do I have this pleasure?
00:15:37I would need a favor.
00:15:38It's about Hector.
00:15:40All right.
00:15:41Tell me more.
00:15:42Well, you mentioned about the project and I think Hector will be a perfect space for that.
00:15:48So you're starting to take an interest in Hector.
00:16:01Model.
00:16:02Can't accept you becoming someone else's girl.
00:16:05Get out.
00:16:08Get out!
00:16:09What have you just kept me?
00:16:21What if you just kept me?
00:16:37Are you really going to keep me as a toy like that?
00:16:51You're the only photographer invited this time, everyone else is a supermodel, but that's
00:17:11huge Jay.
00:17:13Oh yeah, that's really something.
00:17:15Jay, what's going on?
00:17:17Who's sound?
00:17:18Aren't they better than all those models?
00:17:20Is Amanda with you?
00:17:22Hey, Jim.
00:17:24There's no longer water in the bathroom.
00:17:27I have to go.
00:17:28Talk to you later.
00:17:40You're close to Ta.
00:17:42Maybe I just wanted your attention.
00:17:44So you're playing some game, huh?
00:17:47You're the one out there looking for other models.
00:17:50Am I not enough for you?
00:17:54I think you misunderstood your place.
00:17:59And what I can give is only unlimited.
00:18:03So think wisely if there's something you want.
00:18:06What I want is you.
00:18:07Are you crazy?
00:18:08I'm crazy about you.
00:18:09Let's train the younger photographer to shoot for a walk.
00:18:10I have a surprise for you.
00:18:11I have some fresh faces.
00:18:12I think you'll love.
00:18:13So, any catch your eye?
00:18:18Oh, you need to meet Parker.
00:18:19Jane, this is Parker.
00:18:20He's been dying to work with you.
00:18:21It's nice to meet you, Jane.
00:18:22Your work is incredible.
00:18:23Thank you so much.
00:18:24I really appreciate it.
00:18:25This isn't the end of it.
00:18:26They say Jane's photographs become an overnight sensation.
00:18:27Parker is so lucky.
00:18:28His career is a busker.
00:18:29I have some fresh faces.
00:18:30I have some fresh faces.
00:18:31I think you'll love.
00:18:32I have some fresh faces.
00:18:33I think you'll love.
00:18:34So, any catch your eye?
00:18:35Oh, you need to meet Parker.
00:18:36Jane, this is Parker.
00:18:37He's been dying to work with you.
00:18:38It's nice to meet you, Jane.
00:18:39Your work is incredible.
00:18:40Thank you so much.
00:18:41I really appreciate it.
00:18:42This isn't the end of it.
00:18:43They say Jane's photographs become an overnight sensation.
00:18:44Parker is so lucky.
00:18:45His career is a busker.
00:18:46Okay.
00:18:47Oh, I see.
00:18:48Please.
00:18:49Jane's success is not just a talent.
00:18:50Bruce, the CEO of HX Entertainment, he's been protecting here, if you know what I mean.
00:19:12I thought you might eat this.
00:19:14Thank you, Parker.
00:19:15You know, I've always admired your work since I started in this industry.
00:19:20If you don't mind me asking, what kind of man can see Jane Woodley's eye?
00:19:24Your type.
00:19:25That's for sure.
00:19:26She prefers someone with staying power.
00:19:34Hey.
00:19:35Stop.
00:19:36It's okay.
00:19:37We know each other.
00:19:38He's a little person.
00:19:44Stop it, Hector.
00:19:45Still waiting on Bruce, honey.
00:19:47And what do you think?
00:19:48You think I don't?
00:19:49Bruce is engaged to Spindle's daughter.
00:19:51If he wanted to, he wouldn't be with her.
00:19:54That Spindle girl, they are just together to get what they need from each other.
00:19:59Just like you and me.
00:20:03What do you need?
00:20:04I may not know your feelings, but I know your body.
00:20:08You're entangled with Bruce.
00:20:09Don't you think Spindle's daughter's gonna come up to you?
00:20:14Okay.
00:20:15If you won't believe the remorse, I don't see any point of continuing this.
00:20:20Let's end it.
00:20:21It's over.
00:20:22Dirt.
00:20:23Dirt.
00:20:24What do you need?
00:20:25Dirt.
00:20:26Dirt.
00:20:27Dirt.
00:20:28Dirt.
00:20:29Dirt.
00:20:30Dirt.
00:20:31Dirt.
00:20:32Dirt.
00:20:33What do you think of Parker?
00:20:34I had his family all well-connected.
00:20:36Oh, well.
00:20:37Hmm.
00:20:38Maybe then I should have him and he could give me some company.
00:20:44What do you might aim this?
00:20:47Dirt.
00:20:48Dirt.
00:20:50My pleasure.
00:20:52Did you hear about Jane's upcoming exhibition?
00:20:54She's gonna be huge.
00:20:56I bet Bruce from her, Jane's determined, have something to do with that.
00:20:59You didn't hear this from me.
00:21:01I saw Bruce and Jane were kissing earlier in the parking lot.
00:21:04She doesn't want me anymore.
00:21:06so you and bruce where did you get that rumor from heard it from one of the new models
00:21:26said they saw it to kiss him at the parking lot so now they are getting treated with the lies
00:21:36what the hell are you doing here what are you doing and why are you bringing her home
00:21:51jane and i are friends i have something important to talk about with jane so
00:21:55get out of the way get out of the way jane won't let me go now
00:22:00partner you go first jane you should think again you're sending me away because of him
00:22:07parker check your attitude it's jane's decision didn't you hear it now get out of here
00:22:13before i get in for like why are you being so rude aren't you afraid of bruce when you go after jane
00:22:21i don't need to be polite to anyone not even bruce to be patient enough with you so get out of here
00:22:28stop it i need to talk with hector who go first you better watch out
00:22:41everybody's afraid of bruce but i'm not why aren't you scuff bruce hooked up you want to know why
00:22:53come closer i'll tell you
00:22:57oh
00:23:12jane how does it feel like to win the golden lens award is there any true about the rumors that
00:23:16you and you and bruce can be lawless miss woodley has no comment during this time please step up
00:23:30if it isn't the talk of the town jane woodley is it and you you must be eva spender
00:23:41my my even the help knows who i am these days
00:23:44tell me jane what exactly is your relationship with my fiance bruce
00:23:53i think you got it all wrong me and bruce we're just classmates nothing more
00:23:58oh sweetie let me spell it out for you me and bruce we're just a business arrangement our family's idea of
00:24:07a perfect match i couldn't care less about his dalliances god knows i have my own
00:24:16if she doesn't care why this hostility but here's some free advice jane keep your head down
00:24:23my father he isn't as lenient as i am push too far and not even your precious bruce can save you
00:24:35enjoy your little award dear it might be the highlight of your quaint career
00:24:42why would eva feel threatened if she truly didn't care
00:24:53surprise superstar time to pop some bubbly
00:25:11bruce i met eva today you met eva what did she say to you nothing really
00:25:17whatever she said to you don't let it bother you okay you know how i feel about
00:25:27who's the mystery man is this parker's you sly mate parker
00:25:35it's not what you think it's just from my legs who could it be parker or oh um talking about gossip
00:25:50have you guys seen the viral video someone leaked this blurry footage of this couple making out in a
00:25:56parking lot people are saying it's you two that's ridiculous it's clearly a baseless rumor so don't
00:26:03worry i'll look into it i need information who has jane been bringing home and find out everything
00:26:14you can about this parking lot video about that video the woman isn't jane it's actually a famous
00:26:22actress and taylor what are you sure positive we've enhanced the footage
00:26:32hector
00:26:40hey jane darling over here
00:26:42let me introduce you to some fresh faces here this is lucy you met hector
00:26:53about that dreadful video rumor well it was our lucy who filmed it she mistook the couple for you and
00:27:02bruce an honest mistake inspired i hope you can find in your heart to forgive her
00:27:09oh bruce will be shortly joining us well mistakes happens but you need to pay the payback
00:27:18and this is really bad reputation for me
00:27:23lucy don't you have something to say today
00:27:27why should i apologize it's not my fault people love to gossip besides just because it wasn't you
00:27:33in a video doesn't mean there isn't something going on between you and bruce you know nothing you're
00:27:39talking about oh don't i great chain always in the shadow of bruce i mean how could a simple
00:27:48photographer rise so quickly enough lucy doesn't have to apologize
00:27:54enough lucy doesn't have to apologize there's nothing for lucy to apologize about instead
00:28:08we should be calling the police what spreading false rumors damaging reputations those are legal matters
00:28:18aren't they wait i'm sorry i didn't mean to perhaps i should explain and that day it was in the car
00:28:27it was hector and me my hair got caught in my necklace hector was trying to help me
00:28:34it might have looked a compromising a distance jane i swear it was a misunderstanding i was afraid you
00:28:40wouldn't believe me don't be so high profile who knows what secrets you hide and what are you replying
00:28:49lucy i mean be careful digging out dirt who knows what my crowd of your own own descriptions
00:29:01come on jane we all know there is something going on between you and bruce i know it might be difficult
00:29:07for you to understand that some people can achieve success by just talent only and me and bruce our
00:29:16relationship is only professional believe it or not take your hands out of her i am not afraid of
00:29:27upsetting bruce why should i be afraid if you lay your hands on jane again i will not forgive you
00:29:36let me go enough i will teach her a lesson
00:29:42enough
00:29:48and you you don't follow me
00:29:56i can't stand to see someone hurts you aren't you afraid that this will be exposed
00:30:01i'm not afraid jane lucy didn't do anything to you did she yes she did don't worry i'll help you
00:30:09sort things out look i will terminate the contract with her right now bruce you don't need to do
00:30:14anything let's just keep some difference between us you know i don't care what people think but i do care
00:30:22good night bruce yes she does let's go thank you
00:30:27thank you beautiful
00:30:40jane
00:30:41open the door it's raining heavily outside can i get a ride you go home by yourself
00:30:48oh
00:31:01Jane, you care about me?
00:31:18You lied to me?
00:31:22No.
00:31:23Shh.
00:31:31I'm not going to die.
00:31:41I don't know.
00:31:43I'm not going to die.
00:31:45I'm not going to die.
00:31:48I'm not going to die.
00:31:53I'm not going to die.
00:32:06I'm not going to die.
00:32:08I'm not going to die.
00:32:14Are you okay?
00:32:36Jane, between Anne and me there's nothing, there's nothing there.
00:32:44We would just photograph while we were doing this.
00:32:48Stop it. Get some rest.
00:33:05And Hector, what do you want from me?
00:33:15Don't be reckless.
00:33:19Wait.
00:33:21You are so hot.
00:33:25I'm gonna take you home.
00:33:29Don't leave me alone.
00:33:35But this is the last time.
00:33:38Jane.
00:33:39Do you trust me?
00:33:41Jane.
00:33:42Do you trust me?
00:33:43Jane.
00:33:44Do you trust me?
00:33:45Jane.
00:33:46Do you trust me?
00:33:47Jane.
00:33:48Do you trust me?
00:33:49Jane.
00:33:50Jane.
00:33:51Do you trust me?
00:33:52Jane.
00:33:53Jane.
00:33:54Do you trust me?
00:33:55Jane.
00:33:56Jane.
00:33:57Jane.
00:33:58Jane.
00:33:59Jane.
00:34:00Do you trust me?
00:34:01Jane.
00:34:02Jane.
00:34:03Jane.
00:34:04Jane.
00:34:05Jane.
00:34:06Do you trust me?
00:34:07Jane.
00:34:08Jane.
00:34:09Jane.
00:34:10Jane.
00:34:11Jane.
00:34:12Jane.
00:34:13Yes, I trust you. Just take the medicine now.
00:34:43I trust you. Just take the medicine.
00:36:03Hurry up.
00:36:07You're still sick.
00:36:09Just get the towel.
00:36:13Wait a minute.
00:36:17I just wanted to do something to repay you for taking good care of the mask.
00:36:45Do you want some salad?
00:36:49I suppose I cannot resist.
00:36:51I'll take some medicine first.
00:36:53I'll take some medicine first.
00:36:55I'll take some medicine first.
00:36:57I'll take some medicine first.
00:37:01I'll take some medicine first.
00:37:03I'll take some medicine first.
00:37:05I'll take some medicine first.
00:37:07I'll take some medicine first.
00:37:09I'll take some medicine first.
00:37:11I'll take some medicine first.
00:37:13Please don't cut them first.
00:37:15Don't be mad.
00:37:17Don't be mad. I know I missed out.
00:37:28I just couldn't stop thinking about you.
00:37:47I don't believe you're a bad boy.
00:37:52But I don't know.
00:37:55I'm not mad at all.
00:37:57I'm not mad.
00:37:59I'm not mad at all.
00:38:02I just left.
00:38:04I'm not mad at all.
00:38:07I'm not mad at all.
00:38:10Why is he the only one who makes me feel this way?
00:38:29Good morning already?
00:38:31Not yet.
00:38:33Go back to sleep.
00:38:37By the way,
00:38:38verse 15.
00:38:40Would you mind buying me a new razor?
00:38:43Razor?
00:38:45I could leave it here for when I sleep over.
00:38:50How can you be so sure that you will be coming here again?
00:38:53You make so much money.
00:38:54Why don't you just take care of me?
00:38:56You are young.
00:38:57You should be working hard.
00:38:59If I didn't work hard,
00:39:01would you look down on me?
00:39:03Yeah, I would.
00:39:05Let's see how much you look down on me.
00:39:06I would.
00:39:08Let's pray.
00:39:20I don't know.
00:39:20Did you see Iguaz interview?
00:39:47Poor Bruce, caught between his fiance.
00:39:50This is a disaster! Eva's interview is everywhere! She's trying to ruin Jane's reputation!
00:39:57We need to talk about Eva.
00:40:00I'm so sorry. I had no idea she would do something like this.
00:40:04I've barely even met her before in person.
00:40:07Could you contact her and just make an issue about it?
00:40:10I will handle it. Just trust me, okay? This isn't what I was...
00:40:14Mr. Lawless, Eva Spittle just arrived. She's in the lobby.
00:40:18Perfect timing.
00:40:21Just let me deal with her, okay?
00:40:25Leaving without saying hello? Couldn't you see me, you filthy whore?
00:40:38I don't want to waste my time fighting with dogs.
00:40:43You really think you can walk around here like you matter?
00:40:50You're just a piece of trash. A nobody. Everyone knows what you are.
00:40:55A little plaything clinging to other people's success.
00:40:59You'll always be a nobody. Hiding in the shadows like the little side piece you are.
00:41:04Women like you don't get respect. They get used and thrown away.
00:41:09That's enough!
00:41:14Eva, you need to apologize to Jane. Now!
00:41:18Are you out of your mind, Bruce? I'm your fiancé. Why should I apologize to her?
00:41:23Because I asked you to. Apologize to Jane. Now!
00:41:33Stop it, Eva.
00:41:35You can't control me. I'll do whatever I want!
00:41:38Calm down. This marriage contract isn't just about you and me.
00:41:45It's about the collaboration of two families.
00:41:48If you keep acting like this, you won't have me at all.
00:41:51Do you want to keep this engagement?
00:41:53And don't cause any more trouble before Jane's event.
00:41:57Do you understand?
00:41:59Let's go.
00:42:07You'll regret this, Bruce.
00:42:09You want to play it this way?
00:42:11Fine.
00:42:16I don't care how much it costs.
00:42:18Kill any negative stories about Jane Woodley.
00:42:21Yes, all of them.
00:42:24And find out who's behind this smear campaign.
00:42:29Rough day?
00:42:34Got your favorite dark chocolate mousse?
00:42:38What's that for?
00:42:40I just thought that you might need a roommate to make you coffee in the morning.
00:42:51Where should I...
00:42:52Hector, stop. Let's end it before it gets too messy.
00:42:56It's already messy. I'm not afraid of mess.
00:42:59You should be.
00:43:00Your carrier is just starting.
00:43:02Loin took years to build.
00:43:05And we both have two mustelos.
00:43:07We are from different worlds, Hector.
00:43:10You're young, talented.
00:43:12You should be focusing on your carrier.
00:43:15What do you mean?
00:43:17Are you saying I'm too young to know what I want?
00:43:20Stop, Hector.
00:43:21Hector.
00:43:22I think we need to be smart.
00:43:23Let's end it.
00:43:25So we can still be friends.
00:43:28Friends don't make each other's heartbeat like this, Jane.
00:43:30Sir, something strange.
00:43:41We haven't even thought the damage control, but all the negative headlines about Jane.
00:43:45They're gone.
00:43:46Gone?
00:43:47What do you mean gone?
00:43:49Like someone's already handled it?
00:43:51Who else is protecting Jane?
00:44:02Starting from tomorrow, you can't come here anymore.
00:44:08Just until that exhibition, you must be careful.
00:44:12By the way, would you like to walk for a wog's winter show?
00:44:23That exhibition, it means a lot to you, right?
00:44:26Of course.
00:44:27I worked so hard for it.
00:44:31Then, I'll help you protect it.
00:44:33Don't forget.
00:44:38Don't forget.
00:44:39You have dinner with Bruce tonight.
00:44:40He wants to wish you luck for tomorrow's opening.
00:44:43Mm-hmm.
00:44:45He's so nice.
00:44:47It's a shame that he's engaged.
00:44:49Is it Bruce?
00:44:51No.
00:44:52Ted McFloren.
00:44:53He's back in the whole thing.
00:44:55But I never met him.
00:44:56Why he would do that?
00:44:58Maybe he likes your work.
00:45:03Well, well.
00:45:05Hector McFarlane.
00:45:07I haven't seen you in months.
00:45:09What brought you to my office today?
00:45:11I need your help.
00:45:12Help?
00:45:14You know that's not your style.
00:45:16It's for Jane.
00:45:18She's having a photography exhibition.
00:45:19I'm not sure.
00:45:20I'm not sure.
00:45:21I'm not sure.
00:45:22I'm not sure.
00:45:23I'm not sure.
00:45:24I'm not sure.
00:45:25I'm not sure.
00:45:26I'm not sure.
00:45:27I'm not sure.
00:45:28I'm not sure.
00:45:29I'm not sure.
00:45:30I'm not sure.
00:45:31I'm sure.
00:45:32Having a photography exhibition.
00:45:33It's important to her.
00:45:36And I want to help you make it happen.
00:45:40A photography exhibition.
00:45:41I thought you were coming here today to share a new business venture.
00:45:45Jane?
00:45:46What's so special about her?
00:45:48She's the woman I love.
00:45:50Love?
00:45:51You want me to give you money for a woman in her 30s?
00:45:54What did you realize?
00:45:55You've always been practical.
00:45:57What's come on to you?
00:45:58I've never asked you for anything.
00:46:01You know that.
00:46:03But I need to do something important.
00:46:07For her.
00:46:08I need her to get the support she deserves.
00:46:11You expect me to give you money?
00:46:13For an art project?
00:46:15I'm not asking you for a handout.
00:46:17I'm asking you for your help.
00:46:19Because I care about her.
00:46:21If only you knew how much it means to her.
00:46:24To me.
00:46:26You would understand what I'm asking you.
00:46:29Fine.
00:46:31I will give you the money.
00:46:33But you need to realize.
00:46:35This is the only time.
00:46:37You don't come back to me again.
00:46:39For that opportunity.
00:46:41I won't forget this.
00:46:43Thank you then.
00:46:45Have to right now.
00:46:47I want you to get out of my office.
00:46:51You don't make this a habit.
00:46:55The things I do for you, Jane.
00:47:00Cheers!
00:47:04Congratulations.
00:47:05Congratulations.
00:47:07Congratulations.
00:47:08Do you know how Pector get all his jobs?
00:47:12He sleeps with Ann Taylor.
00:47:15Not just her.
00:47:17I saw him with some member of group executives.
00:47:19I guess he's playable size.
00:47:21So desperate.
00:47:22He will definitely catch something nasty one day.
00:47:30It's so hard to get some jobs.
00:47:33If I would be you, I would be focusing on your careers.
00:47:35Must bring in some rumors here.
00:47:40Let's go.
00:47:55Surprise.
00:47:57I came back for a big day.
00:47:58Hector.
00:47:59We can't.
00:48:01I know.
00:48:03I know.
00:48:05In public.
00:48:07Don't be strangers.
00:48:14Congratulations on this edition.
00:48:16This is working.
00:48:18Thank you so much.
00:48:19Your work is absolutely stunning, Jane.
00:48:31So much emotion.
00:48:33Such incredible talents.
00:48:37Well, how could you not be?
00:48:39Congratulations, Jane.
00:48:40Your talents.
00:48:41It's undeniable.
00:48:43You two make quite the pair, don't you?
00:48:45Such a powerful duo.
00:48:49The pixel one, yeah?
00:48:51Is that your favorite?
00:48:53She should be mine.
00:48:54Yes.
00:48:55I'm sorry.
00:48:57I'm sorry.
00:48:58I'm sorry.
00:48:59I'm sorry.
00:49:01The proof seems to like you a lot.
00:49:05You seduced me today.
00:49:07Only today?
00:49:09Not just today.
00:49:11But every day.
00:49:13If you were alone,
00:49:16I'd show you how crazy you make me.
00:49:20Isn't this exciting?
00:49:46Isn't this exciting?
00:49:58Is this celebration enough for the opening of the new exhibition?
00:50:01Can McFarlane's favors are not easy to ask for?
00:50:04How did you know that?
00:50:06My exhibition is funded by McFarlane.
00:50:08Could it be?
00:50:10I know.
00:50:12Well, I think that deserves a beautiful celebration.
00:50:16Oh, I just love what they've done though.
00:50:24Oh, Jane!
00:50:25I just love for you to meet Ted McFarlane.
00:50:28He is the CEO of the MF Group.
00:50:31Nice to meet you.
00:50:33Thank you so much, McFarlane,
00:50:35to come here and support my exhibition.
00:50:38Pleasure is going.
00:50:39The place is extraordinary.
00:50:40I want to hear something interesting about your precious Jane.
00:50:51I'm not interested in gossip.
00:50:53Your father was Javatam Woodley.
00:50:57Are you a state-mogul?
00:50:59Do you remember that scandal fifteen years ago?
00:51:02Massive death.
00:51:03A child of his own building.
00:51:07Left Jane nothing.
00:51:09But bills and frozen assets.
00:51:13What?
00:51:15Of course she paid most of the debt,
00:51:18but still there is their own family house.
00:51:22Frozen by banks.
00:51:24Can't access it, can't sell it.
00:51:26All these years, you've been carrying this burden alone.
00:51:30Not so perfect after all.
00:51:33She's stronger than you'll ever be.
00:51:37No wonder you worked so hard.
00:51:39You've been fighting your way back all this time.
00:51:49So, when are you gonna keep me?
00:51:51I know you're gonna keep me.
00:51:53Well, it depends how well you behave.
00:52:00Jane, are you still here?
00:52:01Oh, oh, oh, oh, oh.
00:52:02Wait.
00:52:03Behind me.
00:52:07Congratulations, Superstorm.
00:52:11Don't I deserve a kiss?
00:52:13For being such a supportive friend.
00:52:16What was that?
00:52:18Maybe just the air gun?
00:52:20No, I definitely hurt someone.
00:52:22No.
00:52:24I'm feeling tired.
00:52:25Let's just go home.
00:52:38I'm busy.
00:52:40Too busy for drinks tonight?
00:52:42I'm not interested.
00:52:45The heck?
00:52:46How did you...
00:52:48Do you even know who Hector really is?
00:52:52He's just our new model.
00:53:02So naive, Jane.
00:53:04He and I, we have quite a history.
00:53:07I'll meet you at the Ruby Bar.
00:53:09Unless you want the photos going public,
00:53:12I'll let you know the time.
00:53:17Hey, do you know that Bruce and Jane are totally together room?
00:53:22Of course.
00:53:23Yeah.
00:53:24Where else would he sponsor our exhibition?
00:53:25Yeah.
00:53:26That's crazy.
00:53:27How many other women have you played?
00:53:28Hector.
00:53:29Tonight, Jane.
00:53:30Don't be late.
00:53:31How many other women have you played?
00:53:32Hector.
00:53:33Tonight, Jane.
00:53:34Don't be late.
00:53:36Why did you block me?
00:53:41How many other women have you played?
00:53:44How many other women have you played, Hector?
00:53:51Tonight, Jane, don't be late.
00:54:03Why did you block me?
00:54:06We agree we will not interface with each other's lives.
00:54:09I don't want that.
00:54:11I want more.
00:54:13I want a relationship.
00:54:19You shouldn't have let me know all your secrets.
00:54:22No.
00:54:23I can't let you go.
00:54:25These resources that you want, I don't have them.
00:54:28So just let me go.
00:54:32I don't want resources.
00:54:34I want you.
00:54:43Why did you block me?
00:54:44You really don't know?
00:54:46I can't stand being like you.
00:54:48I talked to Eva.
00:54:50Eva, you never let me explain.
00:54:52You never gave me a chance.
00:54:54I don't need an explanation.
00:54:56If rumors about you and me started now, it wouldn't be good for your career, would it?
00:55:05Jane?
00:55:06Jane?
00:55:15Let go of me.
00:55:17Not until we get this straight.
00:55:19Don't ever block me again.
00:55:20Jane, are you okay?
00:55:34I'm fine.
00:55:35I'm just joking.
00:55:36You sound a bit weird.
00:55:37Where are you?
00:55:38I'll come find you.
00:55:39Eva.
00:55:40Eva, don't mess with Jane.
00:55:44I won't tolerate it.
00:55:45This is my final warning.
00:55:46Jane?
00:55:47Is that your limit, Bruce?
00:55:48She's your bottom line?
00:55:49Yes.
00:55:50I'm fine.
00:55:51I'm fine.
00:55:52I'm just joking.
00:55:53You sound a bit weird.
00:55:54Where are you?
00:55:55I'll come find you.
00:55:56Eva.
00:55:57Don't mess with Jane.
00:55:58I won't tolerate it.
00:55:59This is my final warning.
00:56:01Jane?
00:56:02Is that your limit, Bruce?
00:56:04She's your bottom line?
00:56:06Yes.
00:56:07She is.
00:56:14You told Jane I was your ex.
00:56:17Is that a problem?
00:56:19Listen carefully.
00:56:21Your delusions need to stop now.
00:56:24Leave Jane alone.
00:56:26Are you threatening me?
00:56:31Consider it a warning.
00:56:33Jane, Jane, Jane.
00:56:36Why does everyone fall for you?
00:56:40What do you want?
00:56:41You change the key.
00:56:42We both need space tonight.
00:56:43I can't explain everything about Eva.
00:56:44Not tonight, Hector.
00:56:45Do you really want people to know about you and me?
00:56:46What would that do to your reputation, huh?
00:56:50What would that do to your reputation, huh?
00:56:51I'm sorry.
00:56:52I'm sorry.
00:56:53You can't explain everything about Eva.
00:56:54What do you want?
00:56:55What do you want?
00:56:56What do you want?
00:56:57What do you want?
00:56:58You change the key.
00:56:59We both need space tonight.
00:57:00I can't explain everything about Eva.
00:57:01Not tonight, Hector.
00:57:03Do you really want people to know about you and me?
00:57:05What would that do to your reputation, huh?
00:57:08so what do you really want i want to date you three months then we part ways what's in it for
00:57:28you you don't have to know that
00:57:38what is this were you trying to use this against me to keep me far away from you
00:58:02you treated me first how much do you want name your price
00:58:07is that how easy it is for you to get rid of me we agree not to make our lives worse
00:58:12you're the one who's breaking the promise fine i'm a jerk i'm selfish i just want to be with you
00:58:21i'm sorry jane i'm sorry and that thing with eva there's nothing between us i helped her when she
00:58:29was struggling when she was abroad and she just became obsessed what's that difference from you
00:58:35you're right take some time think about what you want
00:58:42but know that what i feel for you is real
00:58:45why does letting you go feel like i'm making a mistake
00:58:57you have no right to compete with me over any man
00:59:00compete me and hector we're just friends with benefits and at my age i wouldn't be playing in
00:59:08games like you younger women
00:59:09and if i would be you i will be focusing on your own problems that's who is he sleeping with
00:59:21he's just using you to get back at me isn't it i used to admire your work jane i was a fan
00:59:30that's why he chose you he's just manipulating you to pressure me into breaking off my usual roots
00:59:38what kind of man cancels that profitable arrangement
00:59:43so he hasn't told you he really is perfect that's not a pure concern
00:59:54stay away from hector consider it friendly advice
01:00:07hi auntie jane i have found the perfect match for you
01:00:20i'm very busy with work
01:00:22no excuses he's a doctor very successful tonight at eight same period but no but not getting any younger
01:00:38problems
01:00:41cruis i need a favor
01:00:48could you pretend to be my boyfriend just for one dinner
01:00:54who says it has to be pretends
01:00:58sorry auntie i forgot to tell i have a boyfriend
01:01:02at your age you should be married already
01:01:05you know your career won't keep you warm at night
01:01:13oh i was sure you'd be younger
01:01:22this is my boyfriend oh really what do you do young man what's your monthly salary
01:01:29i'm the ceo of hx entertainments
01:01:32so how is he
01:01:38all right i think we are already here so i'm gonna make a move
01:01:50it was nice meeting you but i think we don't really match
01:01:54jane
01:02:01what's going on
01:02:05he's my boyfriend
01:02:07jane
01:02:08i have something important to talk to you about what's going on why there is another person here
01:02:13another scooter so what's the point of his mind it
01:02:19i need to talk to jane about work
01:02:21hector jane doesn't have time to talk to you right now
01:02:24that's right
01:02:25cruis let's go
01:02:28wait
01:02:29hector you know i have a question
01:02:31why is it you want to talk to jane now is because you like her
01:02:39if you like her say you do if you don't say you don't is it really that hard to answer
01:02:47i just want to do business with jane
01:02:48so i'm not working right now you have nothing to talk about
01:02:55jane what games are you playing right now nothing but come with me
01:03:04are you joking you have nothing to talk about except work
01:03:07let's go
01:03:27back already
01:03:30that was a short date
01:03:31you told me that you aren't going to ask me private things
01:03:41what are we meant to think jane huh what is this
01:03:45are you with him now is that it are you with him or are you with me
01:03:51you have no right to get those answers
01:03:56it's him or me
01:03:58it's him or me
01:04:01it's him or me
01:04:05what the hell
01:04:11never touch me like that again
01:04:18don't ever do that again
01:04:19you really don't remember do you
01:04:33in my first hell high school my dad
01:04:38he had an affair that woman he was with indirectly she caused my mom's death
01:04:45they threw away everything that belonged to her
01:04:50it was almost like she never existed
01:04:53i spent hours looking for the trash
01:04:56for something anything that would remind me of her
01:04:59it was her
01:05:00it was you
01:05:01yes jane it's always been me
01:05:09yes jane it's always been me from the very beginning
01:05:13i've always
01:05:16i've always only loved one person in my life
01:05:19and that person
01:05:21that person was you
01:05:24no one has
01:05:26ever made me feel like the way you do
01:05:28you're the only one that has ever made me feel like i'm not just
01:05:34broken
01:05:35you shine
01:05:36you're like a star in my mind
01:05:39you're brighter than anything that i've ever seen
01:05:42when i see you
01:05:44i see something that is
01:05:46far beyond what i could ever deserve
01:05:49you're not just someone i want to be with
01:05:52you're the person i've been waiting for
01:05:56i know i know i've
01:05:59not always been perfect
01:06:01but i've worked
01:06:02i tried everything
01:06:04to get better and to be worthy of
01:06:07what you deserve
01:06:08you deserve nothing else than the best
01:06:15i'm not asking for something casual
01:06:19i'm asking for a real chance
01:06:23something serious
01:06:26i want to be with you jane
01:06:29i want to be something with you
01:06:32not just for now but for always
01:06:38get sick
01:06:40i want to be with you
01:06:43like
01:06:45i want to eat
01:06:46so
01:06:47i'll be happy
01:06:48i want to be honest
01:06:49i want to be with you
01:06:51if you have any other words
01:06:52okay
01:06:54so
01:06:57you
01:06:58can't be
01:07:00in this
01:07:02you
01:07:03you
01:07:05if you
01:08:06I've been in love with you for a long time, Jane.
01:08:11I thought I could just watch you from afar, be there, protect you without ever saying
01:08:23a word.
01:08:23But yesterday, I realized that standing by just isn't enough.
01:08:31You need someone who will stand with you, not someone to just watch, but protect you.
01:08:38Be there.
01:08:42Really be there.
01:08:43I don't want to be in the background anymore, Jane.
01:09:06I want to be the person by your side, the one who protects you, who loves you.
01:09:13Why are you...
01:09:23What are you...
01:09:25I mean, you want some coffee?
01:09:29I just wanted to express how I feel, that's all.
01:09:36It's okay, you don't have to say anything.
01:09:42Well, I'm sure you have work to do.
01:09:49Bruce, I...
01:09:53It's okay.
01:09:54It's okay.
01:09:55Don't worry about it.
01:09:56Take care, Jane.
01:10:00Take care, Jane.
01:10:01What?
01:10:02Well, well.
01:10:03Look who decided to finally show up.
01:10:07Here to watch your precious little house get taken away?
01:10:13I suppose when you can't pay your debts, all you can do is come and watch it all crumble.
01:10:33You really are pathetic, Jane.
01:10:35Can't even keep your own home.
01:10:38Like fodder, like daughter, both of you are nothing but disgraceful leeches, leaving beyond your means.
01:10:46No wonder he couldn't take it anymore.
01:10:48I'm surprised you haven't followed him yet.
01:10:51How dare you talk about my fodder?
01:10:53Why not?
01:10:54He was a coward.
01:10:56So are you.
01:10:57At least he had a decency to die and stop being an embarrassment.
01:11:01Maybe you should do the same.
01:11:03What?
01:11:06No clever comeback?
01:11:08Or have you finally realized just how worthless you really are?
01:11:12No, you're going too far.
01:11:15Bruce, what are you doing here?
01:11:21I'm gonna do everything I can to help you keep your house.
01:11:24Welcome, everyone.
01:11:29Today, we will start the bidding at $500,000.
01:11:33Do I have $500,000, anyone?
01:11:40$750,000.
01:11:42Can I do $750,000?
01:11:45$800,000.
01:11:49Is that Eva?
01:11:52Bruce's fiancee?
01:11:53What's going on?
01:11:54Why are they bidding against each other?
01:11:56$900,000.
01:11:58$950,000.
01:12:00$1 million.
01:12:02$1 million.
01:12:03$1 million.
01:12:04$1.1 million.
01:12:05What's going on?
01:12:07This doesn't make sense.
01:12:08She's trying to push another game.
01:12:10$3.3 million.
01:12:12$3.4 million.
01:12:13$5 million.
01:12:20$5 million.
01:12:24Sold to the man at the back for $5 million.
01:12:29Hector, stop.
01:12:31Where did you get that money from?
01:12:32You can't be serious, seriously.
01:12:35Don't make a seat here.
01:12:37Ladies and gentlemen, it's a pleasure to invite you guys,
01:12:41the new owner of the property, the heir of MF Group.
01:12:46Please come on stage to have a memorable photo.
01:12:52MF Group?
01:12:53That's the biggest company in the city.
01:12:56He's the heir.
01:12:57Why hasn't anyone mentioned him?
01:13:02I'm not here today as a representative of MF Group.
01:13:05This is not about the company.
01:13:07I'm here today because I wanted to give this house
01:13:10to the person I love the most in the world.
01:13:12Jane Woodley.
01:13:13He's giving the house to her?
01:13:20Who does that?
01:13:21Must be crazy in love.
01:13:24Unbelievable.
01:13:25How dare he?
01:13:28Why did you hide all this from me?
01:13:30That you're heir of the MF Group.
01:13:33And why did you work as a model if you have a lot of money?
01:13:39It's not so simple, Jane.
01:13:41When I was in high school, I couldn't bear living in my dad's shadow.
01:13:45So I ran away.
01:13:47I was on my own all that time.
01:13:49I didn't ask a single penny for him.
01:13:51I started working as a model because it gave me freedom and confidence.
01:13:56I wanted to build my own life, my own identity,
01:13:59without being in the shadow of my father.
01:14:01But today, buying the house, how could you afford that?
01:14:06That was my mom's inheritance.
01:14:08Everything she left me when she passed away.
01:14:10So now I'm broke.
01:14:11I have nothing left.
01:14:12You're gonna have to take care of me now, Jane.
01:14:15You are impossible.
01:14:16I'm sorry.
01:14:17You've got no choice.
01:14:19Now I'm officially yours in the building.
01:14:25I really want to pay everything back to you.
01:14:27All the money.
01:14:28Because I don't want to feel like that you owe me everything.
01:14:32Don't worry.
01:14:33Take your time.
01:14:34There's no rush.
01:14:36But aren't you afraid that I might not be able to pay back?
01:14:41Even better.
01:14:42If you can't pay me back, then you'll have to marry me.
01:14:44Then you won't owe me anything.
01:14:46Hector, don't talk like that.
01:14:49I'm not really joking.
01:14:53I've had enough of losing to Jane.
01:14:55Every time.
01:14:56Every damn time.
01:14:58She ends up humiliating me.
01:15:01This time, I'm going to destroy her.
01:15:05No more playing games.
01:15:07We'll hit her where it hurt.
01:15:10Where the hell you think you're going so hard?
01:15:13You're going to make some fun?
01:15:14Help me.
01:15:15You can scream all you want.
01:15:16But no one is going to save you.
01:15:17You're just going to make this more fun for us.
01:15:19Help me.
01:15:20Just wait for my space of business.
01:15:21Hey!
01:15:22Get away from her!
01:15:23Don't you ever come near her again!
01:15:24Thank you for saving me.
01:15:25It's okay, Jane.
01:15:26I got you.
01:15:27Let's bring you home.
01:15:28Let's bring you home.
01:15:53Hold still.
01:16:03I'm fine, really.
01:16:04But I think you're enjoying playing this a little bit too much.
01:16:07Don't get used to it.
01:16:09Jane.
01:16:14Stop messing around, Hector.
01:16:17Let's just relax for a while.
01:16:21Fine.
01:16:22Fine.
01:16:23But you know how bad I am at staying still.
01:16:28What do you mean?
01:16:34What happened?
01:16:36Hector, Tobin.
01:16:50My father.
01:16:51He's dead.
01:16:53I've hated him for so long.
01:16:55For what he did to me.
01:16:57For where he treated me.
01:16:58But now that he's gone.
01:16:59I understand you're sad.
01:17:01He was still your father.
01:17:04Even though you might be different.
01:17:07I never thought this day would come.
01:17:09But now I don't even know where to begin.
01:17:11How am I meant to take over the company?
01:17:13I'm not ready for this.
01:17:14You may not have all the answers yet.
01:17:18But trust me.
01:17:19Every time you have got through all the hard situations.
01:17:23So I'm sure you will get through this too.
01:17:25Thank you, Jane.
01:17:26Mr. McFarlane, with all due respect, you never showed interest in the company.
01:17:38Precisely.
01:17:39Which means I've been watching from the outside, seeing what you all missed.
01:17:48Our shares have dropped 12% in the last quarter in the Asian market.
01:17:52How about the market condition?
01:17:53They're perfect on aggressive extensions.
01:17:56While our competitors retreat, we'll advance.
01:17:59I've already secured contracts with three leading companies in the tech industry in Asia.
01:18:03So how did you manage that?
01:18:05Let's say, I haven't been completely idle in the last past years.
01:18:09My father has built his company on bold moves.
01:18:12It's time to stop taking it safe.
01:18:20Find everything you can about the two men who harassed Jane yesterday.
01:18:23Yes, sir.
01:18:24Also, the people we need cover shoot is scheduled for this afternoon.
01:18:28Who's the photographer?
01:18:29Jane Woodley, sir.
01:18:30Perfect.
01:18:52Lisa?
01:18:53Get McFarlane ready for makeup and hair.
01:18:58Oh, um...
01:19:03No need.
01:19:05I want you to help me pick my outfit.
01:19:14Do you remember?
01:19:16We were here before.
01:19:17Right here.
01:19:21Stop messing around, Nathan.
01:19:23What CEO act like it?
01:19:33Try this one.
01:19:34Try this one.
01:19:48All right.
01:19:49Let's get started.
01:19:50We need to talk privately.
01:19:51I have nothing to talk about.
01:19:52Actually, I'm here on behalf of Sindel Group.
01:20:05We need to finalize the collaboration.
01:20:06Your father has been negotiating for over six months now.
01:20:07You should understand how important this is.
01:20:09Fine.
01:20:10Let's talk.
01:20:11There's an office just next door.
01:20:12I have to take this.
01:20:13It's important.
01:20:14I'll meet you in the office.
01:20:15Looks like you're still not important for these real conversations, huh?
01:20:16Stick to your little camera, Jane.
01:20:17You'll never be on my level.
01:20:19The two-man will after you, Jane.
01:20:20You'll never be on my level.
01:20:21The two-man will do this after you.
01:20:23This is the last one.
01:20:24I'm gonna be prepared for you.
01:20:25You're probably not done.
01:20:26Cool.
01:20:27There's not enough options for you, Jane.
01:20:28Okay.
01:20:29Great job, here.
01:20:31Sorry.
01:20:32I'm good.
01:20:34I'm good.
01:20:35All right.
01:20:37Hey, I'm good.
01:20:38Oh, you're here.
01:20:39Why are you doing this?
01:20:40I'm like, oh, my God.
01:20:41Oh.
01:20:42You're all right.
01:20:43Oh, my goodness!
01:20:44I'm good!
01:20:45Oh, my goodness.
01:20:46The two men who were taking Jane, they were hired by Abel.
01:20:55You really think you belong here, Jane?
01:20:58Me and Hector, we're equals.
01:21:01You don't belong in this world.
01:21:03You're just a little nobody, using your looks to climb the ladder.
01:21:07First it was Bruce, now Hector.
01:21:10But let's be honest.
01:21:12No matter who you sleep with, you'll never truly be accepted.
01:21:15You just don't belong in this world.
01:21:18You'll always be a desperate, grasping girl from nowhere who's pretending to be something you're not.
01:21:26Let's face it, Jane.
01:21:28You'll never be one of us.
01:21:30You're just not worthy enough.
01:21:32That's enough, Eva.
01:21:39You're siding with her?
01:21:41You're willing to ruin everything between our two families.
01:21:45What about the collaboration between the MF group and Spindle group?
01:21:49You're just going to throw it all away?
01:21:51Yes.
01:21:52MF group is no longer going to work with Spindle group.
01:21:54Eva!
01:21:57Dad?
01:21:59What are you doing here?
01:22:00What were you thinking?
01:22:03Creating all of this drama.
01:22:04Do you really believe that this is your company to come in and manage?
01:22:11Now, apologize to Jane.
01:22:13And I mean now.
01:22:15Apologize?
01:22:15For what?
01:22:17I didn't do anything wrong.
01:22:20Why should I apologize to this shameless slut?
01:22:23She stole Hector from me.
01:22:25Enough with all of this drama.
01:22:27Now, Miss Woodley, this is all of my daughter's fault.
01:22:33Can you please forgive us?
01:22:36No, I won't forgive.
01:22:38She's been humiliating me more than once.
01:22:40I'm done with it.
01:22:42And the partnership between your companies, you can decide about it.
01:22:47Don't let this get into between business.
01:22:50Be rational, buddy.
01:22:51Hector, our businesses need each other.
01:22:57Please reconsider.
01:22:58There's nothing to reconsider.
01:23:03Not only did your daughter humiliate Jane,
01:23:07a few days ago, she hired two men to assault her.
01:23:10I can't trust a family that falls to so low tactics.
01:23:13I don't want any kind of partnership with your business.
01:23:21But no, I didn't.
01:23:24This is a misunderstanding.
01:23:27Stop the line.
01:23:29Look at all of the mess that you've created.
01:23:32There's nothing left to talk about.
01:23:34You two can leave now.
01:23:36Security, escort them out.
01:23:48Come with me.
01:23:51What are you up to?
01:24:04Please, don't tell me this is a prank.
01:24:06No prank, I promise.
01:24:07Just trust me.
01:24:16Okay, are you ready?
01:24:18Come on.
01:24:19I can't wait no more.
01:24:21He's so funny.
01:24:31It's my old house.
01:24:33Yes, I know how much it meant to you.
01:24:35I got it renovated.
01:24:37Every detail.
01:24:38You can move in whenever you're ready.
01:24:39I can't believe you did all this.
01:24:41Thank you so much.
01:24:45Jane, will you marry me?
01:24:55Yes, of course.
01:24:58I can't believe you.
01:24:59I can't believe you.
01:24:59I can't believe you.
01:25:00I can't believe you.
01:25:00I can't believe you.
01:25:00I can't believe you.
01:25:01I can't believe you.
01:25:01I can't believe you.
01:25:02I can't believe you.
01:25:02I can't believe you.
01:25:03I can't believe you.
01:25:03I can't believe you.
01:25:04I can't believe you.
01:25:04I can't believe you.
01:25:04I can't believe you.
01:25:05I can't believe you.
01:25:05I can't believe you.
01:25:06I can't believe you.
01:25:06I can't believe you.
01:25:06I can't believe you.
01:25:07Transcription by CastingWords
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