In Other Words, I Love You Full Movie

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Transcript

00:00:01I've always described the world in words.

00:00:05People, moments, places.

00:00:08But in that moment, I forgot them all.

00:00:12Be careful.

00:00:13We're talking about the king of Ashton's.

00:00:15He's cool.

00:00:16I don't find bullies attractive.

00:00:18Good morning!

00:00:19He's lonely and kind of pathetic.

00:00:22Read the room before opening your mouth.

00:00:25American.

00:00:26She said you'd be moving in today.

00:00:28There's been some kind of misunderstanding.

00:00:31I'm not staying here.

00:00:32You must stay.

00:00:35I heard you stay to the whole thing for attention.

00:00:39Charles.

00:00:40We need to talk.

00:00:41If you don't do anything about it,

00:00:43it's only going to get worse.

00:00:46You're lying to everyone, including her.

00:00:50You didn't have to come.

00:00:52Don't tell me what I have to do.

00:00:58I've always described the world in words.

00:01:06People, moments, places.

00:01:09All through metaphors and margins.

00:01:12You okay?

00:01:13Like my mom.

00:01:15Self-made, stubborn, and never wrong.

00:01:18Almost there.

00:01:20You excited for your first day?

00:01:21She calls this a fresh start.

00:01:23I call it terrifying.

00:01:31You've got this.

00:01:32Just for yourself.

00:01:34That's kind of the problem.

00:01:36I'm stuck in space.

00:01:37Got a day dream running through my brain every day.

00:01:51Heaven in my dead now.

00:01:55World to war about all the day anyway.

00:01:59I want to say goodbye.

00:02:02I want to say goodbye.

00:02:03Okay.

00:02:06Morning, class.

00:02:09And you're not seated because?

00:02:11I don't have a seat.

00:02:14Ah, a new transfer.

00:02:16Alice Keaton, right?

00:02:18Let's see.

00:02:22Ah, there's a spot.

00:02:23Next to Charles.

00:02:24Charles keeps sharing.

00:02:26Seriously?

00:02:27A charity case sitting next to Charles?

00:02:29God.

00:02:30What is she?

00:02:32Quiet.

00:02:33Charles.

00:02:37I've always had words for everything.

00:02:39But in that moment,

00:02:43I forgot them all.

00:02:54Charles, move your things.

00:02:57I'd rather not.

00:02:58She'll be a distraction.

00:03:00From what?

00:03:01Sleeping.

00:03:03From everything.

00:03:04If anything, Charles,

00:03:05Miss Keaton will be a positive influence on you.

00:03:07She was top of her class at her previous school.

00:03:10With all due respect, sir,

00:03:12her previous school was American.

00:03:15I highly doubt that.

00:03:18That's enough.

00:03:20She can sit here.

00:03:21It's fine.

00:03:25Back to Goldie.

00:03:27You got it.

00:03:28I'm Sherry Vaughn.

00:03:29Alice Keaton.

00:03:30It's very important that we look at you.

00:03:33What do you think about their experience of the time?

00:03:40Wait.

00:03:41You sat next to Charles?

00:03:42She didn't.

00:03:43You totally shut her down.

00:03:44Ah, knew it.

00:03:45Don't take it personally.

00:03:46He's impossible.

00:03:48Can everyone stop acting like the goal is getting into his pants?

00:03:51What?

00:03:52He's hot.

00:03:53Everyone kind of is.

00:03:56I...

00:03:57I've seen...

00:03:58Honor.

00:03:59He's not my type.

00:04:00You're joking.

00:04:01I don't find bullies attractive.

00:04:02Hey!

00:04:03Be careful.

00:04:04You're talking about the king of Ashford.

00:04:07The what?

00:04:08His family basically own the school.

00:04:10And the town.

00:04:11Maybe even the country.

00:04:13Yeah.

00:04:14Everyone's tried to get close.

00:04:15No one can get past his ego.

00:04:17You're not the first to get iced.

00:04:18Okay, first of all, I wasn't iced.

00:04:20It's more like a mutual decision.

00:04:23And second, I think he's arrogant, cold, thinks he's untouchable.

00:04:28But if you really look at Charles, he just seems isolated, like he's faking at all.

00:04:33Honestly, I just think he's lonely and kind of pathetic.

00:04:40What?

00:04:41No, go on.

00:04:42You were saying I'm lonely and pathetic.

00:04:56Next time, read the room before opening your mouth, American.

00:05:04We're not in Kansas anymore, Alice.

00:05:12Hey, how was your first day?

00:05:24Uh, good.

00:05:26Anything exciting, Cap'n?

00:05:27Not really. Super uneventful.

00:05:30Really?

00:05:32How was your new job?

00:05:33Yeah, all right.

00:05:34Get this?

00:05:35They said we can stay in the servant's wing.

00:05:37Seriously?

00:05:38Apparently, the young master won't mind the company.

00:05:41The young master.

00:05:44This is your boss's house.

00:05:46Yeah?

00:05:47Isn't that incredible?

00:05:49I mean, I wouldn't call it a house.

00:05:51It's a museum with better landscaping.

00:05:59Wait here.

00:06:00I'll talk to the butler.

00:06:06Wow, rich people.

00:06:08You've topped yourselves again.

00:06:14Stephen King.

00:06:16First edition.

00:06:27Breaking and entering now.

00:06:29How American of you.

00:06:30I...

00:06:31You've been paying rent here in my head.

00:06:44Try to fight it off.

00:06:52You can get up now.

00:06:53I...

00:06:54I'm trying.

00:06:56Wait!

00:06:58Are you serious?

00:07:00Well, you said you were trying.

00:07:03What is wrong with you?

00:07:05Funny.

00:07:06I was about to ask you the same thing.

00:07:08What are you doing in my house?

00:07:10You...

00:07:12Wait.

00:07:14Your house?

00:07:15My house.

00:07:16My library.

00:07:17And now, apparently...

00:07:19My unwanted guest.

00:07:22Ah, Master Charles.

00:07:24You must be Miss Alice.

00:07:25Anne's daughter.

00:07:26She said you'd be moving in today.

00:07:28She what?

00:07:29There...

00:07:30There's been some kind of misunderstanding.

00:07:32You see, I'm not actually moving in.

00:07:35Is that so?

00:07:36Yeah.

00:07:37I'm not staying here.

00:07:38Like, at all.

00:07:39That's a shame.

00:07:40Your mother seemed quite pleased with the arrangement.

00:07:41Well, I just don't think it's appropriate.

00:07:45Well, if you're sure, then absolutely not.

00:07:49Come on, Alice.

00:07:51You must stay.

00:07:54It'll be...

00:07:56Fun.

00:07:58My dear...

00:07:59Classmate.

00:08:01I'm dead.

00:08:02Like, mentally.

00:08:03Socially.

00:08:05And actually dead.

00:08:12Just trying to figure out how exactly my life went off the rails.

00:08:17Get it together, Alice Keaton.

00:08:20You've been through hell.

00:08:24Actually, no.

00:08:27This is hell.

00:08:30It's Asia.

00:08:31Hi.

00:08:32Good morning.

00:08:39Wow.

00:08:47Sir, is that Miss Keaton?

00:08:49Well, f***ing doesn't know.

00:08:51That's often closed for months.

00:08:53She's going to be late.

00:08:54I don't know.

00:08:55I don't know.

00:08:56I don't know.

00:08:57I don't know.

00:08:59Okay.

00:09:00How long is this thing going to take?

00:09:02Maybe I'll just walk?

00:09:04Five miles to school.

00:09:07Okay.

00:09:08If I sprint, maybe I'll make it before first period.

00:09:12Or die of exhaustion on the way.

00:09:14What?

00:09:15What are you doing here?

00:09:16Didn't you already leave?

00:09:18Wait.

00:09:19Did you come back for me?

00:09:20Relax.

00:09:22I forgot my textbook.

00:09:23Don't flatter yourself.

00:09:24Wait.

00:09:26Since you're already here, maybe you could be a decent person and give me a ride?

00:09:33No.

00:09:34Seriously?

00:09:35Your car is huge.

00:09:37Yeah.

00:09:38And I'm not a fan of sharing.

00:09:39Says the guy who forced me to live in his house!

00:09:48Unbelievable!

00:09:51Yeah, and I'm not a fan of sharing says the guy who forced me to live in his house

00:10:04Unbelievable

00:10:13Ashford Institute, please. Thank you

00:10:16Who needs an entitled brat anyway? Sir, you called the cab. Why not just give Miss Keaton a lift?

00:10:31Why not just give Miss Keaton a lift? And have the whole school go crazy

00:10:35She's new

00:10:37Everybody's already talking. So you're worried about her? You're overthinking. I just don't like drama

00:10:46Asshole

00:10:50Who?

00:10:53Morning, Klaus

00:10:54Back to Golding. Remind me what he's saying through Lord of the Flies

00:10:59Mr. Kenwood, care to share what you found so amusing?

00:11:08Not particularly

00:11:09Oh, I insist. You seem very entertained by Golding

00:11:13I'm not entertained by Golding, sir. On the contrary

00:11:18On the contrary, I think his ending is

00:11:21weak

00:11:23Wait, wait, you wish you read it?

00:11:25Quiet

00:11:27That's an interesting take. Explain

00:11:29He had the set up for something brutal

00:11:34Something honest

00:11:35In the end, he backed out

00:11:38He could have left the boys on the island

00:11:40Forced them to confront the collapse of vulnerability

00:11:42Let them choose survival

00:11:44Or death

00:11:45But instead, he gave them a rescue boat

00:11:48Slaps a happily ever after on a book about savagery

00:11:55It's a waste

00:11:56Don't you think?

00:11:57I'm delightfully surprised, Charles

00:11:59Didn't think you had such strong literary opinions

00:12:02I'm always a model student, sir

00:12:04Let's not get ahead of ourselves

00:12:06I think Golding knew exactly what he was doing by ending the book that way

00:12:32It's not mercy, it's irony

00:12:35How so?

00:12:38The rescue isn't a happy ending

00:12:40You don't just walk back into society and forget you're a monster

00:12:43Golding didn't save them

00:12:45He left us with the discomfort of pretending they could be saved

00:12:48That's an interesting take, Miss Keaton

00:12:50You still think it's a harsh critique?

00:12:53In some ways, but not harsh enough

00:12:55Yes, it's a critique of toxic masculinity

00:12:59But still, Golding sympathized with them

00:13:02And the civilized world?

00:13:04Toxic, violent, he didn't call that out nearly as much

00:13:07So yeah, I don't think Golding pushed far enough

00:13:09But I think it's unfair to call it a happy ending

00:13:16Thank you, Miss Keaton

00:13:18Well said

00:13:19Anyone else?

00:13:22Both opinions are valid

00:13:24Okay, that's kind of epic

00:13:26Golding faced major backlash when he first published the book

00:13:30Good literature will always divide opinion

00:13:35What's happening to me?

00:13:42Okay, what is going on?

00:13:44Why is everyone staring at me?

00:13:46Well, you're new

00:13:48And apparently had a thing with Charles

00:13:50A what now?

00:13:51You two are in the middle of this epic feud

00:13:54I should have seen in years

00:13:55We're not even fighting

00:13:56Well, according to everyone

00:13:58You confessed your love on day one

00:14:00Got rejected

00:14:00Begged to sit next to him

00:14:03Got rejected again

00:14:04And today in class

00:14:06You broke down crying about not believing in happy endings

00:14:09And stormed out in tears

00:14:12You were there, Sherry

00:14:13That is not what happened

00:14:16Doesn't matter

00:14:17People believe what they want to believe

00:14:19And they want Charles to be flawless

00:14:21Untouchable

00:14:23Wow

00:14:24Is massage any like a rich kid thing

00:14:26Or just a British specialty?

00:14:27Honestly, both

00:14:30But seriously, Alice

00:14:32Some people already see you as a threat

00:14:41Okay

00:14:42Loaded

00:14:44Looks like the new girl's in for a rough first semester

00:14:49Hello?

00:15:04Hello?

00:15:06Is somebody out there?

00:15:09Oh, come on!

00:15:09Come on!

00:15:23Fine

00:15:23Seriously?

00:15:41Oh, shit

00:15:47What the hell?

00:15:49Anne

00:15:50I thought you were having dinner with Alice?

00:15:52She hasn't come home

00:15:53Her phone is off

00:15:54Maybe you've seen her this evening?

00:15:58Yikes

00:16:00Looks like the new girl's in for a rough first semester

00:16:08Shit

00:16:14Alice!

00:16:15Alice!

00:16:15Mr. Pelton, Charles Kenwood here

00:16:18I was wondering if I could get the timetable for Alice Keaton

00:16:21She hasn't come home

00:16:22I'll have it sent over

00:16:24Check the common room in the library

00:16:26I'll take the rest

00:16:30Alice!

00:16:30Come on, Alice

00:16:43Come on, Alice

00:16:46Close your eyes and jump

00:16:48It's fine

00:16:50You're fine

00:16:51Hey, Mr. Nonchalant

00:17:14Hey, Mr. Nonchalant

00:17:16Are you happy with how we ended?

00:17:24What are you doing here?

00:17:29Can you get off me first?

00:17:30Oh, so sad

00:17:33Did I ask for two months

00:17:37Isn't my fault I thought we were part

00:17:40You're welcome

00:17:42I didn't say thank you

00:17:44I figured saving your life might turn me basic manners

00:17:46Someone just dumped swamp water on me

00:17:49Excuse me if I'm not feeling very polite

00:17:51You smell like a biology experiment

00:17:54Wow

00:17:55You should try falling out of a window into someone's arms and getting insulted for it

00:17:59You wouldn't recommend it

00:18:00You're heavier than you look

00:18:04I hope you pull your shoulder

00:18:11Are you okay?

00:18:11No

00:18:13But I will be

00:18:16Someone did this on purpose

00:18:17What do you think, golden boy?

00:18:20Don't worry, I can handle it

00:18:21You shouldn't have to

00:18:25I'm

00:18:27Sorry

00:18:29Did you just apologize to me?

00:18:42Don't get used to it

00:18:43I wouldn't dream of it

00:18:46Alice?

00:18:48Over here

00:18:52You okay?

00:18:55Why are you drenched?

00:18:56Yeah, I just

00:18:58Took a weird shower

00:18:59Top exploded

00:19:02Come on, let's go

00:19:14Alice Keaton, right?

00:19:17I heard she staged the whole thing for attention

00:19:19I know how this place works

00:19:31If you don't do anything about it

00:19:33If you don't do anything about it

00:19:47It's only going to get worse

00:19:49I'll look into it

00:19:50Charles

00:19:54Good on you

00:19:56How many of you would speak up?

00:20:02I can't believe someone actually locked you in

00:20:04That's insane

00:20:05Where the hell was the school when this was happening?

00:20:07Busy protecting their golden boys and trust funds

00:20:10Well, for what it's worth

00:20:12I heard Charles looked pretty freaked out when he ran out last night

00:20:16Please, he just didn't want a lawsuit

00:20:36Being a scholarship student has its perks

00:20:39Like saving a fortune on tuition

00:20:41And getting into schools that normally wouldn't even let you pass the gates

00:20:46Hey, we miss you in Paris

00:20:49Though there are enough Americans to remind us of you

00:20:51But sometimes

00:20:53Being here means standing behind

00:20:55And watching Ashford elites go on a two-week enrichment program

00:20:59You can never afford

00:21:00Have fun

00:21:03Bring me something overpriced and unnecessary

00:21:11The trip cost 20 grand in pounds

00:21:13Which translates to mom's salary for half a year

00:21:16So yeah, I didn't go

00:21:30What are you doing here? Do you not believe in shirts?

00:21:43Do you not believe in dignity?

00:21:45It's comfortable

00:21:46You look like a rejected Ewok

00:21:48This this is not even your kitchen

00:21:50And this is not even your house

00:21:52And yet you're here dressed like this

00:21:55Just don't look go away

00:21:57Hard not to

00:21:58When you're walking around dressed like that

00:22:00What do you guys call it?

00:22:03Buzzkill?

00:22:04Cockblock

00:22:06You're insufferable

00:22:07You're the one cosplaying at breakfast

00:22:09You know what?

00:22:10I don't get it

00:22:11Why didn't you go on that tour?

00:22:12I thought rich people live for that kind of thing

00:22:14Why do you think?

00:22:15How would I go?

00:22:23I could practically recite the itinerary in my sleep

00:22:26Florence

00:22:28Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian

00:22:32Or Tiziana if you want to sound extra pretentious

00:22:36Then Venice because everybody loves a good canal

00:22:39And getting lost in the most confusing city on earth

00:22:42Next stop, Napoli

00:22:44Marvel at Pompeii

00:22:45Pretend you're shocked

00:22:47Ancient people had plumbing

00:22:48The final stop, Harry

00:22:51The ultimate city of romance

00:22:54And naturally, Woody Allen's favorite city outside of New York

00:23:01That's word for word

00:23:04I told you

00:23:05I've done this tour so many times I could run it

00:23:07Okay, but still it's Europe

00:23:09Most people would kill for that chance

00:23:11Most people haven't had their phones stolen in Paris

00:23:14Twice

00:23:16Also, I hate the accommodations

00:23:18Aren't they all five-star hotels?

00:23:20Standard rooms in five-star hotels?

00:23:23No, thank you

00:23:25Wow

00:23:26Some were born in Rome, huh?

00:23:27Well, that's unfortunate

00:23:28It's a very chaotic city

00:23:30One word of advice?

00:23:31Shut up

00:23:32That's two words

00:23:35You're weird

00:23:36You're loud

00:23:37You're annoying

00:23:37You're in my kitchen

00:23:38You have three other kitchens

00:23:40And I prefer this one

00:23:42Just for today

00:23:43Come back when you've got a shirt on

00:23:45Come back with normal clothes on

00:23:46You didn't have to come

00:23:47Don't tell me what I have to do

00:23:58Master Charles, roads are flooded

00:24:00Staff won't make it tonight

00:24:01Will you be alright sorting dinner?

00:24:02I've got it sorted

00:24:18Jesus, what are you doing?

00:24:20Relax

00:24:21I'm here to make a deal

00:24:24What deal?

00:24:25You nearly gave me a heart attack

00:24:31You'll survive

00:24:33I'm not selling my body

00:24:39I'm not selling my body

00:24:41Wow, I am deeply offended

00:24:49That thought disgusts me

00:24:51Then what are you doing?

00:24:52The staff's off tonight

00:24:54I'm buying dinner

00:24:58Did you seriously think I'd spend 100 pounds on

00:25:00No, I'm

00:25:01Jesus

00:25:03Wait

00:25:05You think I'm not worth 100 pounds?

00:25:07I'm not spending 100 pounds to snort Chewbacca

00:25:11You know what?

00:25:12Dinner's cancelled

00:25:16Are you sure about that?

00:25:19I present to you

00:25:21Meatball spaghetti, stir fried veggies

00:25:23And french fries

00:25:24You're welcome

00:25:25Interesting combo

00:25:27Well, I know we're not in Italy or France

00:25:28But this'll do

00:25:30It's

00:25:32Good

00:25:37It's

00:25:39Was that a compliment?

00:25:41Although

00:25:42I am obliged to inform you

00:25:44Meatball spaghetti isn't Italian

00:25:46It's American

00:25:47And french fries

00:25:48Likely born in South America

00:25:50You should read more

00:25:53Put it down

00:25:55I paid for it

00:25:56You really just have to win every argument, don't you?

00:25:58To be fair

00:26:00You make it very easy

00:26:02It's only easy because it costs 200 pounds

00:26:04You know, if you'd ask for more, I probably would have given it to you

00:26:08I'll make sure I'm not fine

00:26:24Hey Alice, it's fine

00:26:26You're fine

00:26:279-1-1, what's for your emergency?

00:26:409-1-1, what's for your emergency?

00:26:42It's my dad

00:26:43He needs help

00:26:44He just had a stroke

00:26:45Okay, miss

00:26:46Hurricane constant traffic

00:26:47Shut down

00:26:48We'll get to you as soon as we can

00:26:49It's easy

00:26:50He's not well

00:26:50I understand

00:26:52Can you confirm your address?

00:26:55Daddy

00:26:56Yes, I'm right here

00:26:57Alright

00:26:59My daughter

00:27:00Please stay with me, Dad

00:27:02Please

00:27:07No

00:27:09Please wake up

00:27:14Dad, please

00:27:16Please don't leave me

00:27:26What are you doing here?

00:27:49You, what are you doing here?

00:27:51You were crying

00:27:58Loudly

00:28:00Kind of hard to ignore

00:28:02Right

00:28:03Sorry for the noise

00:28:05Wait

00:28:06No snarky comeback?

00:28:08Not tonight

00:28:09I'm too tired

00:28:10If you're here to argue, knock yourself out

00:28:12You were calling for your dad

00:28:14You were calling for your dad

00:28:16Right?

00:28:18Hurricane hit New York

00:28:20Power went down

00:28:21Traffic froze

00:28:24Dad had a stroke

00:28:24But he couldn't get help in time

00:28:30I sat there

00:28:31With a candle

00:28:33While he laid there

00:28:36Peaceful

00:28:38Like he was asleep

00:28:39But he wasn't

00:28:45So that's why you and your mum moved here

00:28:48This used to be our hometown

00:28:51After dad left

00:28:54We had nowhere else to go

00:29:00What are you doing?

00:29:01Come on

00:29:22Wait

00:29:23I thought the power was out

00:29:25It is

00:29:26We have our own generator

00:29:28Wow

00:29:29Rich people houses her

00:29:30Just for tonight

00:29:32I'll allow it

00:29:35Allow what?

00:29:36You can call this place your house

00:29:38So enjoy it

00:29:39Stephen King's first edition

00:29:41Alan Gisberg's handwritten letters

00:29:43Jane Austen's notes

00:29:45All yours

00:29:49This

00:29:51Is your home

00:29:53Alice Keaton

00:29:59Careful

00:30:01Almost sounded sweet

00:30:03Don't push it

00:30:03Okay then

00:30:07I have

00:30:09One request

00:30:13What is it?

00:30:13Are you ever going to make a move?

00:30:22Wait

00:30:23Give me a second

00:30:24I'm thinking

00:30:26You had one wish

00:30:28Anything in the world

00:30:29And in the middle of a thunderstorm

00:30:31Inside a literal mansion

00:30:34You chose chess

00:30:36Yeah

00:30:36Got a problem?

00:30:38It's just so cool

00:30:39Like spies or genius villains in movies

00:30:42It's literally a board game

00:30:44Says the guy who owns a custom set

00:30:47Wait does the knight go diagonally?

00:30:50For the 10th time

00:30:51It moves in an L shape

00:30:54One

00:30:55Two

00:30:56Then turn

00:30:58There

00:31:00Happy

00:31:00Ectatic

00:31:01Ectatic

00:31:04Suicide

00:31:05Or a brilliant long-term sacrifice

00:31:07You are playing checkers at a chessboard

00:31:09I'm still beating you in sarcasm

00:31:11You literally haven't won any past arguments

00:31:13Golding disagrees

00:31:15It's going to be a long night

00:31:16Oh my

00:31:17No

00:31:17Why?

00:31:18What's going to do that?

00:31:18You can't do that

00:31:19You can't do that

00:31:20Can I do that as well?

00:31:21Can I do that as well?

00:31:21Can I not do that?

00:31:22There we go

00:31:42Maybe he's not so awful after all

00:31:48What are you doing here?

00:32:00Well your parents said you were still at home

00:32:03Thank god you skipped that boring grand tour

00:32:05Who needs Italy and France again?

00:32:07Right?

00:32:08When did you get back?

00:32:09Last night

00:32:10From Zurich

00:32:11You didn't answer my messages

00:32:14I missed you

00:32:16Anyway

00:32:16Thought I'd come surprise you

00:32:18Apparently

00:32:19I'm transferring to Ashford

00:32:21Your parents were so thrilled

00:32:23They didn't tell me about this

00:32:24I wanted to deliver the happy news myself

00:32:27They said it'd be lovely for us to reconnect

00:32:30You know

00:32:31Considering the engagement

00:32:32And all

00:32:36Oh

00:32:37Did no one tell you?

00:32:38He's promised

00:32:40Old money stuff

00:32:41Very retro

00:32:42I didn't agree to that

00:32:43You didn't have to

00:32:44It's never up to us

00:32:45Where did you find this little toy?

00:32:50Serena

00:32:50I didn't hear you you know

00:32:52Oh

00:32:53An American

00:32:55How

00:32:56Refreshing

00:33:00Goodbye

00:33:01Wait

00:33:03Where are you going?

00:33:19You still owe me breakfast

00:33:21You only paid for dinner

00:33:23I have homework

00:33:25Goodbye

00:33:28Your little toy has quite the temper

00:33:30Serena

00:33:30Can you please just stop?

00:33:32What?

00:33:33Teasing the help

00:33:40That's her

00:33:41That's the one from Kenwood's house

00:33:42Was she like the maid or something?

00:34:01Oh my god

00:34:02What's wrong with people?

00:34:04They're saying you live with Charles

00:34:05Oh and Serena

00:34:07What about her?

00:34:08Well apparently she told everyone you were caught sneaking into his room

00:34:12Of course she did

00:34:26Careful Alice

00:34:27You're starting to look desperate

00:34:29Mom

00:34:40Yeah

00:34:41Can you help me?

00:34:41What's that?

00:34:42I know it's

00:34:421066

00:34:43It's better

00:34:44Come to the music room

00:34:45Urgent

00:34:46Um

00:34:47I just remembered

00:34:48I need to check something

00:34:49You guys go ahead

00:34:50Yeah?

00:34:50Okay

00:34:51Hello! Is someone there? Seriously! This is getting old!

00:35:14Wait. Music room? What?

00:35:17James? Is anybody in here earlier? Just Miss Serena. Said she was waiting for you.

00:35:25Sir? Sir, it's raining!

00:35:39Come on, Alice. You're fine. You're not that girl again.

00:35:47Wait. Can you remind me one more time?

00:35:53Okay. Rooks move in straight lines. Bishops move diagonally. And knights...

00:36:00A knight? The knight's the weird one.

00:36:07Rooks. Straight lines. New ships. Diagonally. Hello?

00:36:15Hello?

00:36:21The text?

00:36:23Are you okay? Are you hurt?

00:36:24I... I'm okay. I... I saw the text and I thought...

00:36:29I... I... I didn't see the message. Serena took my phone. I... I didn't know. I'm sorry.

00:36:46I'm... okay. You're gonna catch a cold. You're freezing. You didn't have to come.

00:36:53Don't tell me what I have to do.

00:36:58Give me hope that feels like hope...

00:37:05That wasn't a mistake. If that's what you're about to say.

00:37:26I... I... wasn't going to.

00:37:41I'm really bad at this, you know.

00:37:43What? Kissing?

00:37:45Hiding feelings.

00:37:46My bad.

00:38:08Dump those Ewok pyjamas.

00:38:10Oh, you wish.

00:38:12Seriously. It's a cock block.

00:38:16You kissed me. That's basically consent to everything.

00:38:27Dangerous words, Keaton. I might hold you to that.

00:38:30You'll be working in pairs on your comparative essays. The list is on the board.

00:38:47One, two, three, four...

00:38:49Paper planes.

00:38:52Are you okay?

00:38:53Fly me to outer space.

00:38:57That's where I'll see your face.

00:39:02And have you with me.

00:39:08It may seem dark.

00:39:11But you always like my spark.

00:39:14You're welcome.

00:39:26They're either enemies or secretly married.

00:39:30Honestly?

00:39:31Brave.

00:39:32I was sure I'd never find someone to make my head spin around.

00:39:38No one's ever gonna be the thing I need.

00:39:40They all just let me down.

00:39:42But baby, you saved me.

00:39:45Until I'm brand new.

00:39:48Everything's so different now.

00:39:52So, the knight goes in an L shape, right?

00:39:56Why is that the only one you remember?

00:39:58Because it's weird.

00:40:00And I like weird.

00:40:09Check.

00:40:10You're cheating.

00:40:17I'm winning.

00:40:18There's a difference.

00:40:19You are very distracting.

00:40:22And you like it.

00:40:33Charles!

00:40:35We need to talk.

00:40:40I expected poor judgement.

00:40:46But this in my house?

00:40:48It isn't what it looks like.

00:40:50No.

00:40:52Kissing a servant's daughter in the family library.

00:40:55Enlighten me then, Charles.

00:40:57We came back tonight after speaking with Serena.

00:41:00Imagine our surprise walking in on this.

00:41:03She isn't just...

00:41:05You have no right to barge in.

00:41:07On my property.

00:41:11I care about her.

00:41:13I'm not ashamed of that.

00:41:14That's enough!

00:41:17Why do you care?

00:41:19We're protecting our son's future.

00:41:21And our name.

00:41:23You think this protects me?

00:41:25We think she does not belong in your world.

00:41:31Then maybe I don't either.

00:41:35You're ready to give up everything.

00:41:37For a girl you barely know.

00:41:38You barely know.

00:41:41Yes.

00:41:43Then...

00:41:44Are you sure...

00:41:46She's ready?

00:41:52I'm asking you.

00:41:54Do you think she's ready?

00:41:56To lose everything regardless of how little that is.

00:41:59Just to be with you.

00:42:00What are you talking about?

00:42:02You left us no choice, son.

00:42:04You shouldn't disobey your father.

00:42:08Pelton.

00:42:10It's Frederick Kenwood.

00:42:12Ah, Mr. Kenwood. How can I help?

00:42:14If a scholarship student were to violate our behavioural code in a public setting with photographic evidence, would that warrant a review?

00:42:22Yes, sir.

00:42:24So, answer me again.

00:42:26Do you think she's ready to lose everything just to be with you?

00:42:32Charles, what happened? Did your parents say something? Are they mad? Is everything okay?

00:42:36Pack your things.

00:42:37You can't stay here anymore.

00:42:38What?

00:42:39My parents fired your mother. She's leaving. So are you.

00:42:40Wait...

00:42:52Why?

00:42:54Is it because of us? We can fix this. I'll get a job, anything...

00:42:58Stop it, stop it, you don't get it.

00:43:01If I don't walk away from this, you're not gonna understand.

00:43:03If I get to be your parents, then I can't bust up a Harper's head.

00:43:06Stop, stop it. You don't get it.

00:43:08If I don't walk away from this, they'll cut me off.

00:43:12Okay?

00:43:13No card, no trust, no support.

00:43:17Nothing.

00:43:17Then, then we'll figure it out.

00:43:20We don't need all that.

00:43:21Do you really think I'm going to live like that?

00:43:28So that's what this was.

00:43:30Just fun until it got inconvenient.

00:43:34What did they promise you?

00:43:36Nothing.

00:43:41They just reminded me of what's real.

00:43:47Charles, I'm not stupid.

00:43:49You don't just turn into a cold stranger because of one conversation.

00:43:53What did they threaten you with?

00:44:00What did they threaten you with?

00:44:02This is the difference between me and you.

00:44:04What?

00:44:05You think you know me, or what I have.

00:44:09You don't, Alice.

00:44:11You're still lying.

00:44:12I'm not, Alice.

00:44:14Look around you.

00:44:15This mansion you thought was a museum.

00:44:17It's my house.

00:44:18It's my house.

00:44:20My world.

00:44:21I was bored into this.

00:44:24I am not choosing between this and something I picked up for a moment of fun.

00:44:31Don't do this, Charles.

00:44:35You don't mean it.

00:44:37It was fun.

00:44:39But with you, you don't compare to what I own.

00:44:42I'll survive the loss.

00:44:46I'll survive the loss.

00:44:48Right.

00:44:51I should have known.

00:44:54Guys like you don't end up with girls like me.

00:44:59You play with them, then you throw them away.

00:45:01Go to sleep, Alice.

00:45:04Go to sleep, Alice.

00:45:04This fall is a little more than I expected.

00:45:19In so deep, I can barely see myself.

00:45:28Yeah, around me feels so heavy but depleted.

00:45:34But I find just a place to test myself.

00:45:37I'm sorry, didn't see you there.

00:46:07Then again, nobody does.

00:46:09Move, please.

00:46:12Try begging.

00:46:18You know what?

00:46:19Keep it.

00:46:25Poor thing.

00:46:26So dramatic.

00:46:29Don't.

00:46:30Excuse me?

00:46:31I warned you.

00:46:33Walk away, Serena.

00:46:37Last week's group assignments were mostly forgettable.

00:46:59But one pair surprised me in a good way.

00:47:02Charles Kenwood, and Alice Keaton.

00:47:05Would you mind giving us a short summary?

00:47:08She loves the sound of her own voice.

00:47:10Better have it.

00:47:11I couldn't stay.

00:47:12I couldn't wait.

00:47:14I thought that you should know that I would have.

00:47:18Can hang around.

00:47:18Our essay explored what happens when two fundamentally different voices meet.

00:47:23Like logic and chaos, or silence and noise.

00:47:28Different worlds, different rules.

00:47:32At first glance, they clash.

00:47:35But what makes the story interesting is what happens next.

00:47:38Confusion.

00:47:40Curiosity.

00:47:40But in the end, some stories aren't about staying.

00:47:44And yes, there is no such thing as a happy ending.

00:47:57And yes, there is no such thing as a happy ending.

00:47:59Is she still talking about the essay?

00:48:06Miss Keaton?

00:48:08Dramatic as always.

00:48:10All right.

00:48:11Thank you, Alice.

00:48:12That was...

00:48:13later.

00:48:16Are you okay?

00:48:16A reminder.

00:48:18That good literature

00:48:19always stirs something.

00:48:24Hello?

00:48:24Hi, there's Alice Keaton.

00:48:26This is Whitmore Press.

00:48:27We've been following your work.

00:48:28We'd like to offer you a long-term publishing contract.

00:48:31Name your price.

00:48:32We'll make it work.

00:48:33Sorry, what?

00:48:44That's kind of insane.

00:48:47Who's behind this?

00:48:48Your sponsor wishes to remain anonymous.

00:48:51Can...

00:48:52Can I meet them?

00:48:54I want to.

00:48:56Please.

00:48:58Or at least tell me a name.

00:49:03Sorry, they wish to stay in office.

00:49:05So their only interest in words, not the person.

00:49:07I'd really like to meet them.

00:49:08I'm sorry, Miss Keaton.

00:49:09They were very good.

00:49:11I think the most generous offer we've ever given is a zero-tip.

00:49:14I see.

00:49:15Congratulations again.

00:49:20You got the interview.

00:49:22It's just an interview.

00:49:23I haven't gotten it yet.

00:49:24Still, Alice Keaton at Oxford.

00:49:27That's iconic.

00:49:36You okay?

00:49:38Yeah.

00:49:40I'm so excited.

00:49:41It's done, Mr. Kenwood.

00:49:55Miss Keaton signed the contract.

00:49:58Good.

00:49:59It's a generous deal.

00:50:01You sure you don't want it to know?

00:50:03No.

00:50:03You know, it's better if I stay out of her life.

00:50:07I will be for you, babe.

00:50:12I'll be there in your darkest days.

00:50:17Congratulations, Alice Keaton.

00:50:19Go live the life you were always meant to.

00:50:22Your engagement and announcement should align perfectly with the Foundation Gala.

00:50:33And the Browns already offered to host the London reception.

00:50:37It's all coming together beautifully.

00:50:40I've lost my appetite.

00:50:48I'll go check on him.

00:50:49What's your problem, Charles?

00:51:00Disengagement.

00:51:01It's not happening.

00:51:02It's not up to you.

00:51:03You know that.

00:51:04Serena, we're not doing this.

00:51:07You've changed.

00:51:08Or maybe I finally just stopped pretending.

00:51:38Charles, you're the sponsor.

00:51:45You've been funding Alice Keaton this whole time.

00:51:50So?

00:51:51You lied to everyone, including her.

00:51:54I protected her.

00:51:57You loved her.

00:52:00Still do.

00:52:02Let it go, Serena.

00:52:05There's no point.

00:52:08I need a favour.

00:52:17Find out when the Oxford interview is.

00:52:20And make sure Alice Keaton won't show up.

00:52:27Anything?

00:52:28No?

00:52:29She's not answering.

00:52:31The interview's almost over.

00:52:33Well, she won't just not show up.

00:52:35Something's wrong.

00:52:37Where's Alice?

00:52:38When was the last time you heard from her?

00:52:41Last night.

00:52:42She said she was prepping all evening.

00:52:47James, track someone for me.

00:52:51Wait.

00:52:52Where are you going?

00:52:52Chill, okay?

00:53:04We won't hurt you.

00:53:05Yeah, we're just supposed to keep you away from the interview.

00:53:06That's it.

00:53:14Shit.

00:53:15Come back.

00:53:16I remember how I met.

00:53:32I remember how I met.

00:53:34I didn't need a second guess.

00:53:54Hey, hey, hey, Alice.

00:53:56Alice?

00:53:56Alice, hey, hey, hey, stay with me.

00:53:59Stay with me.

00:53:59Alice.

00:54:00Alice.

00:54:07You're awake.

00:54:09Where, where am I?

00:54:11A local clinic.

00:54:12Passerby brought you in.

00:54:15Passerby?

00:54:15I found you on the side of the road.

00:54:18He had to leave.

00:54:19He didn't leave a name.

00:54:22Oh.

00:54:24The interview.

00:54:25What time is it?

00:54:26Easy.

00:54:27It's okay.

00:54:28Someone already contacted the university.

00:54:30Anne sent in your writing samples.

00:54:32They've rescheduled your interview for tomorrow.

00:54:34Wait, what?

00:54:34Who?

00:54:35No idea, but it's all taken care of.

00:54:41What did you say?

00:54:43Nothing.

00:54:44I just had a dream.

00:54:54Yeah.

00:54:56Yeah.

00:54:56Did you?

00:54:58I got him!

00:55:02Oh, I knew it.

00:55:05Too bad Charles isn't here to watch you crush it.

00:55:08He's not here.

00:55:10Oh, you didn't know?

00:55:12Know what?

00:55:14He left.

00:55:15A few days ago, yeah.

00:55:16Everyone doesn't really know where he went.

00:55:19Honestly, Asher's been quieter without him.

00:55:21It's probably for the best.

00:55:22Come on.

00:55:28Alice?

00:55:29The summer I met Charles Kenwood was loud.

00:55:37Chaotic.

00:55:38Unexpected.

00:55:41And with his absence...

00:55:43Come on!

00:55:45It ended quietly.

00:55:49Like summers always do.

00:55:51And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.

00:56:10Thank you for having me.

00:56:11Now, your words moved millions.

00:56:14They say your stories feel real, especially the ones about love.

00:56:20Which brings us to the most obvious question.

00:56:22How's your dating life like these days?

00:56:24No comment.

00:56:25A little bird told me that the past four years has been just writing and working, not even

00:56:31a single date.

00:56:32Let me guess, a bird named Sherry.

00:56:34She caught me.

00:56:35Still no comment.

00:56:36All right, all right.

00:56:38No matter what you say, you write love like someone who's lived it.

00:56:43If you're so real...

00:56:44Because once, I did.

00:56:46That's why today we're here sharing the story behind Alice Keaton's love.

00:56:50And no one ever quite matched the light after that.

00:56:53And let's give it up for Alice Keaton one more time.

00:57:07Congratulations, Alice.

00:57:08The numbers just came in.

00:57:10You broke your own record.

00:57:13That's incredible.

00:57:14We're thinking celebration, press, photos, maybe tonight.

00:57:18Actually, there's something I'd rather do.

00:57:23I'd like to meet with the person who believed in me first.

00:57:27My sponsor.

00:57:28You're sure?

00:57:29Yeah.

00:57:30Just once.

00:57:32Tonight, 7pm.

00:57:44Good evening.

00:57:49Good evening.

00:57:53May I sit?

00:57:58Hey, Mr. Nonchalant.

00:58:03Hi.

00:58:05Hi.

00:58:07You look well.

00:58:11And you look like you just stepped out of a GQ cover.

00:58:14You always did.

00:58:16You were expecting someone else.

00:58:18I was hoping, but I guess I always knew.

00:58:26I didn't come here to confuse you, or to reopen anything.

00:58:31I just wanted to say congratulations.

00:58:35Oh.

00:58:39Didn't know you're still reading.

00:58:41You were rich enough not to do so.

00:58:43Always.

00:58:46Either way, your sponsorship started my career, so...

00:58:50No.

00:58:51No, you've...

00:58:52You earned everything.

00:58:56Every word.

00:58:58Every page.

00:59:00Every reader.

00:59:02That's what I came to say.

00:59:03It was good to see you again.

00:59:09I hope.

00:59:10Charles.

00:59:12Can you just...

00:59:14Wait a little longer?

00:59:16I think I knew it was you.

00:59:26There was one email.

00:59:29You said something.

00:59:30It felt familiar.

00:59:31Really?

00:59:32Kind of had that...

00:59:34rich asshole with a conscience energy.

00:59:36Very on brand.

00:59:38I should have anonymized my grammar.

00:59:40Too late.

00:59:41Your semicolon usage gave you away.

00:59:42Still the only girl I know who flirts through punctuation.

00:59:46Still the only guy I know who uses wiles unironically.

00:59:52You've changed.

00:59:54But...

00:59:55Not really.

00:59:58You haven't changed.

01:00:01But maybe you've grown into who you really were.

01:00:04Anyway...

01:00:07I wanted to say...

01:00:12And...

01:00:13Thanks for being here tonight.

01:00:15You didn't have to come.

01:00:17Don't tell me what I have to do.

01:00:22You didn't have to come.

01:00:24Don't tell me what I have to do.

01:00:27If you could go back...

01:00:48If you had the chance to do it all again...

01:00:50Would you do anything differently?

01:00:51Don't tell me.

01:00:57No.

01:01:03No.

01:01:07I see.

01:01:12I know my answer now.

01:01:13I didn't have the power back then.

01:01:15Not enough to protect you.

01:01:17I couldn't watch you get crushed because of me.

01:01:19Because of my name.

01:01:22My family.

01:01:25I didn't want to be the reason you lost everything.

01:01:28So you just disappeared.

01:01:30Without a word.

01:01:34If you had the chance to see the world.

01:01:36Without me weighing you down.

01:01:38If you still chose me after that.

01:01:44You keep saying you wanted to give me a choice.

01:01:46But you made a choice for me.

01:01:52Did it ever cross your mind that maybe...

01:01:55I would have chosen you anyway?

01:02:04I didn't think I was the smart choice.

01:02:06You weren't.

01:02:07But I never claimed to be that smart.

01:02:20This is me.

01:02:22Right.

01:02:30I'm still mad at you, you know.

01:02:31I'm still in love with you, you know.

01:02:44Do you want to come in for a bit?

01:02:48You're asking your ex,

01:02:50who you haven't seen in four years,

01:02:52to come into your hotel

01:02:53at approximately 11 p.m.

01:02:56You were right.

01:02:59You never were that smart.

01:03:01You don't have to come.

01:03:02Don't tell me what I have to do.

01:03:04It's almost like you say

01:03:08the last thing is better to go.

01:03:19Stop quoting yourself.

01:03:20I recycle.

01:03:21It saves energy.

01:03:24This feels wildly irresponsible.

01:03:26You sound like a disclaimer.

01:03:28You're the one who once called romance a distraction.

01:03:30I said that.

01:03:31Yeah, before calling Wuthering Heights overrated.

01:03:34Still is.

01:03:36You're lucky you're a good kisser.

01:03:41That is cute to me.

01:03:43Don't you dare quote poetry.

01:03:45I wasn't going to.

01:03:46I forgot all of it the day you left.

01:03:49Then shut up.

01:03:51And prove it.

01:03:58I still can't believe this is happening.

01:03:59I told you that you're the worst enemies

01:04:02or secretly married.

01:04:03And I told you they're both.

01:04:05I vow to always tell you the truth.

01:04:34Except for when you ask how your cooking was.

01:04:37Then I lie.

01:04:39Respectfully.

01:04:41I vow to keep choosing you.

01:04:44Loudly.

01:04:46Quietly.

01:04:48Always.

01:04:49Even when you forget to do the laundry.

01:04:53Is he actually good at this?

01:04:55I mean, he did beat over at Sarkis.

01:04:57I vow to argue with you at least twice a week.

01:05:04Especially over Shakespeare.

01:05:06I vow to write you into every story.

01:05:09Even when I say I didn't.

01:05:11You will always be a part of my life.

01:05:14If she quotes Austen in this toast, I'm out.

01:05:17No, you're not.

01:05:17You're going to cry harder.

01:05:18For the rest of life.

01:05:24For the rest of life.

01:05:27I can't believe you picked Paris.

01:05:44It's such a cliche honeymoon destination.

01:05:48Guard your phone.

01:05:49Relax.

01:05:50Just don't dress like a walking inheritance and you'll be fine.

01:05:56You are not wearing that on our honeymoon.

01:05:59Please, Alice, go change.

01:06:02Don't tell me what I have to do.

01:06:03No.

01:06:09No.

01:06:09No, no, no, no.

01:06:10That is not an invitation to...

01:06:11Do not take off these clothes.

01:06:13I'm overruled.

01:06:14You look much better without them.

01:06:21To the ones who loved in silence, in chaos, in chapters,

01:06:26you will find your way home.

01:06:33You're going to be on my own.

01:06:35But I don't want to die alone.

01:06:37Cuts.

01:06:38I'm still on the floor forever.

01:06:41I'll be like gone by the morning.

01:06:49Oopsie.

01:06:50My king.

01:06:55Okay.

01:06:56Okay.

01:06:57One day's come now.

01:06:58it's up to us to make sure that we can gain what's been passed through these books

01:07:08help us develop learn and grow

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