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Short filmTranscript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Star
00:16Media Awards.
00:18You did it.
00:20Three years ago, I was the most sought after screenwriter.
00:25Three years later, I fell in love with Drake.
00:28Keeping my identity a secret for the sake of his pride.
00:33I thought we were happy until...
00:39Hi.
00:46Where the hell have you been?
00:48I told you that Stephanie was coming to help set up for my brother's birthday,
00:51and instead of helping us, he just disappeared.
00:54What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:01is because you're nothing more than a free maid.
01:04Otherwise, why would someone like you be allowed to marry my brother?
01:08What?
01:09A maid?
01:10I just hid my identity for the sake of this marriage.
01:14Well, I think Drake's idea is great, and it could be really good for us.
01:17But the risk is way too high.
01:22Dad.
01:24Please.
01:26Okay.
01:28And I'm sure you don't want him to know the real reason why I'm a person.
01:32Think about it, Dorothy.
01:37Since you got married, have he ever even touched you?
01:40How often does he actually come home?
01:42He doesn't even want to look at you.
01:45Let alone sleep with you.
01:47That's enough, Ellie.
01:48We're all here to celebrate Drake's birthday.
01:51I'm sure he wouldn't be happy to see us like this.
01:53Everybody knows that if it weren't for her, you would be married to Drake
01:56instead of being my late brother's widow.
01:58Ellie!
02:00Whatever happened between me and Drake is all in the past.
02:03Besides, I'm carrying Nick's baby.
02:09It's the perfect time.
02:13Oh, my God.
02:15Dorothy just pushed Stephanie into the pool.
02:17What?
02:23She's carrying Nick's baby.
02:30Quick, get in there.
02:44He chose Stephanie over me.
02:50My baby.
02:51My baby is gone.
02:53Why would you do this to me?
02:57How dare you?
02:58You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:02Are you happy now that Stephanie's baby's gone?
03:04I didn't do it.
03:05I know you don't want me here.
03:07I told you whatever happened between me and Drake is in the past.
03:10You can hate me however you want to,
03:12but how could you be so cruel as to kill my unborn child?
03:15I didn't do it.
03:16You know me, I would never do that to Stephanie.
03:19Apologize to Stephanie.
03:21I'm not going to apologize for something I didn't do.
03:24Apologize to Stephanie right now or I will divorce you.
03:34Divorce.
03:35If you apologize right now,
03:37then I'm willing to give you another chance.
03:40It's been three years, Drake.
03:47I gave up everything to be your wife.
03:50I've always kept to the shadows, Dorothy.
03:52I already have a life.
03:54And right now, I just want to focus on being my marriage with Drake.
03:58I thought you would always be by my side,
04:02but I was wrong.
04:04The only reason you're allowed to stay by Drake's side
04:07is because you're nothing more than a free maid.
04:09Since you got married, has he ever even touched you?
04:12He doesn't even want to look at you.
04:16Fine.
04:19Let's get a divorce.
04:20There's nothing left in my heart.
04:30Drake's nothing without me.
04:33My ring!
04:36My ring is gone!
04:38Well, you must have taken it.
04:39Why would I take her ring?
04:41Well, look how quickly you packed your suitcase.
04:43You're probably seeing someone else.
04:45Dorothy.
04:46We were married for three years.
04:50Were you seeing someone else?
04:51Of course she was.
04:53She'd probably been cheating on you for a really long time.
04:55Couldn't wait for the divorce.
04:57So what if I was, huh?
04:59And what about you?
05:01Still hung up on your so-called sister-in-law?
05:03What gives you the right to talk about me?
05:06I only look after Stephanie because she's my brother's widow.
05:10But you actually seeing someone else?
05:12Who is he?
05:13Big talk!
05:13Don't bring me down to your level.
05:17I'm not like you.
05:19Since your sister-in-law lost her ring,
05:22why don't you take...
05:27this one?
05:33You've been waiting for this for a long time, haven't you?
05:41Bye.
05:41Bye.
05:41Bye.
05:43And so I left.
05:52This is ridiculous!
05:55We, the Bennett family, are one of the four major production companies in the world.
05:59I let him marry my daughter and even invested in his business.
06:03How dare that Drake do this to my daughter?
06:07Look, it's actually a good thing to add.
06:09Now we know who he really is and he has no idea who I am.
06:15Still, you're my daughter.
06:16I can't let him do this to you.
06:18If it weren't for you, I would not have considered investing in his company.
06:22We're going to pull our investment immediately.
06:24Yes.
06:25It's time to cut him off.
06:26He doesn't deserve you.
06:28I'm over Drake.
06:29If we withdraw the pants now, it's going to hurt the family business.
06:35He's not worth it.
06:37Honey.
06:38Why don't you just take a vacation?
06:42Or just put all this aside and take some time out for yourself.
06:47Yeah.
06:49No.
06:50I've wasted too much time with Drake over the three years.
06:58You know, now I want to focus on something that actually matters.
07:02You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:08Universal, Paramount, every major studio wants this.
07:15Liar's Game.
07:16Your story on the big screen.
07:18If you're in, I'd be happy to be the one headlining it.
07:21Oh.
07:22So that's why they're making it.
07:23Because of you.
07:24I'm sorry, Christopher Santoro.
07:27See?
07:28They're not funding the film.
07:30They're funding you.
07:31Wrong.
07:33They're funding the story.
07:34It's more than good.
07:36It's phenomenal.
07:38Christopher is right.
07:40I'm taking my life back.
07:46I'm going to adapt it myself.
07:48You are?
07:50Yes.
07:51I will.
07:53Good for you.
07:55I won't tell anyone I'm asking you.
08:07Congratulations to Aria Wong for winning the best director.
08:10This is my close friend from college.
08:18Aria, I need your help.
08:20I want to adapt the Liar's Game myself.
08:22And I want you to direct it.
08:25Of course.
08:27All right.
08:27Okay.
08:28There's just one thing.
08:30I want to keep my identity as the writer a secret.
08:33I don't want anyone to know.
08:36Especially not the team.
08:38SQ.
08:38Are you sure?
08:40But why keep it a secret?
08:41I just want people to focus on the story itself.
08:45Got it.
08:46Your secret's safe with me.
08:47Hey.
08:48Oh my god.
08:53Dave.
08:54It's a bit weird.
08:56Ever since news got out about our movie, my phone has not stopped ringing.
09:01Really?
09:08It's Stephanie.
09:08Yeah, just take it.
09:18Hello?
09:18Hello, Miss Wong.
09:20I've heard Liar's Game is being made into a movie.
09:22I'm interested in playing the lead.
09:24Can we arrange an audition?
09:28I'll speak to the writer and I'll let you know.
09:31Thank you, Miss Wong.
09:34What do you think?
09:37Anyone can audition, right?
09:38As long as they're right for the role.
09:42What happened between me and Stephanie is not important here, so...
09:45Okay.
09:48I'll call her back and let her know.
09:50Mm-hmm.
10:00What about me?
10:03Can I be your hero?
10:04Oh, you mean, uh, a film, right?
10:13I've never considered anyone else.
10:18I have to take this.
10:21Hi.
10:21You know, I'm not just talking about the film, Dorothy.
10:30It's okay.
10:32I can wait.
10:35Waited this long.
10:36Well, well, well, well, look who it is.
10:46Why are you here?
10:48Oh, I see.
10:48Oh, I see.
10:50You're the production assistant.
10:52Well, do your job.
10:54Get me a water.
10:58Stephanie.
11:00Get your own water.
11:01I'm not your PA.
11:03Look.
11:04It's my first day on set and I want to buy coffee for the crew.
11:08Why don't you be a doll and mark down everyone's order?
11:11Are you deaf?
11:13I'm not a PA.
11:15Here's your tip.
11:17Go on.
11:19Show some respect, Stephanie.
11:21Do you know who she is?
11:24What are you doing?
11:26Oh, no.
11:27She can't know.
11:28I'm asking you.
11:29I want to keep my identity as the writer in a secret.
11:35I don't want anyone to know, especially not the team.
11:41What do you mean?
11:44Who is she?
11:46No one but a lower PA, I'm sure.
11:52Isn't that right?
11:54Well, actually, she's...
11:56She's just a PA.
12:01You're right.
12:03So why don't you show me a lower PA, your acting skills?
12:07Maybe I'll be impressed even by who the coffee's myself.
12:11Watch this.
12:17I loved you once.
12:19Or so I thought.
12:22But now I see that it was all just a lie.
12:26A beautiful...
12:30Painful lie.
12:35You took everything from me!
12:38My dreams!
12:40I need you.
12:45See?
12:46There's no soul.
12:47That's not acting.
12:48It's just reciting lines.
12:52Why don't you show her how it's done?
12:54What?
12:54Go on.
12:59Go on.
13:00Go on.
13:00I loved you once, so I thought, but now I can see.
13:29It was all a lie. A beautiful, painful lie. You took everything from me. My heart, my dreams, my future. And for what? For your own personal gains.
13:59How is that possible? Dorothy, that was perfect. The role is yours if you want it.
14:12No! This role is mine! I'm the one with the investment. Without me, there's no funding for this movie.
14:19Your investment? Do you even know who she is? Who is she?
14:26As you know, no one but a PA. Dorothy, this movie is important to Stephanie. I mean, why are you here? You're not a real actress. What are you doing? You're trying to ruin her career. You're trying to get back at me by ruining her career.
14:44I'm not ruining anything. If she can't handle the role, that's on her, not me. You can't blame this on anyone else.
14:51You embarrassed her in front of everyone. I mean, I know what you're doing. You're the one pulling all the strings here. You're trying to make her fail so you can take her place.
14:59She's using this whole thing to get to you, Drake. She's been jealous from the start, trying to ruin my chance just to get back to you.
15:05Okay, no. I don't want to fight anymore. Well, let's just take a look at the script and maybe we can work something out.
15:13And you were just so damn selfish! You only care about yourself! Just give Stephanie her role back!
15:21You know what? I didn't want to do this, but I will. I'll take the role. I'll play the lead.
15:29I'll play the lead. No way! You can't be serious! She's not even a real actress!
15:38Dorothy's performance was far stronger than yours. Everyone in the room can see it.
15:45I'm so glad you've agreed to do the role.
15:50Right, it's settled then. The lead roles go to Christopher and Dorothy.
15:55I will double my investment if you give Stephanie a role.
16:06I never thought I'd see the day my ex-husband would go this far for his sister-in-law.
16:12I can always count on you, right?
16:14I will double my investment if you give a role to Stephanie.
16:23You two are just such...
16:27Okay, look. If the money's on the table, there's no reason to turn it down.
16:32Let's just leave her apart. We have nothing to lose.
16:35I guess that'll be fine. I'll talk to SQ.
16:45Your father's production company is already the biggest investor in your movie.
16:48So why take Drake's money? Don't...
16:51Don't still have feelings for Drake, do you?
16:54No! He's an asshole!
16:57Come on...
16:58I've got an idea.
17:02Why don't we just give her a character that'll make her miserable?
17:08Wow, Mr. Sontaro. I feel bad now.
17:16I only wish you didn't have feelings for Drake anymore.
17:19How did she land herself the role?
17:24She's practically a nobody.
17:25No fan base, no real experience.
17:28Just one good scene.
17:30Doesn't make sense.
17:33Find out everything you can about Dorothy.
17:36I want all the dirt.
17:44Director, there must be a mistake.
17:46I'm only a side character and not even in the main scene.
17:50You wanted a role, we gave you a role.
17:53I came in with an investment.
17:56Well, you're more than welcome to take it back and leave the set.
18:02Even a small role in SQ's film is going to do great things for your career.
18:05Now is not the time for you to be messing around.
18:09Fine.
18:16Two take one.
18:18Action.
18:20Lily, you are my best friend. How could you do this to me?
18:22I'm sorry, but this is...
18:23Oh!
18:26What the hell are you doing?
18:28It's poor at the scene!
18:33Okay, take it again from this lap.
18:36Action.
18:41Cut!
18:42Stephanie, why aren't you saying your lines?
18:45You have to keep going in the scene.
18:48I think you've had enough for today.
18:50We'll just try again tomorrow.
18:59Did you see her face?
19:01Absolute gold!
19:02I mean, she got what she wanted. She asked for a role and that's what we gave her, so...
19:08Seriously, her performance is all over the place.
19:11Maybe we should just cut down on her screen time.
19:15We all know the film's better without her slowing us down.
19:19You're right.
19:21I'm not gonna let anyone ruin your story.
19:23So, if you can just give me something that's a bit more...
19:31Tell me about her job.
19:40What's going on with my scenes?
19:42Why have so many of them been cut?
19:44It's a collective decision.
19:46Fuck that!
19:48Let me talk to the writer.
19:50The writer is SQ and as you know, they never show their face, so their position is final.
19:57I'll see you on set in five.
20:11Now it'll make sense.
20:12That's the head of the production company.
20:22No wonder she got the role.
20:25Let's see how John's wife feels about that.
20:27Everyone, I have an announcement to make.
20:40Today will be Stephanie's last day on set.
20:42You really think I don't see through your little gaze?
20:50Somebody will be walking out that door today.
20:53But it won't be me.
20:55You really think you can get away with this?
20:58Sleeping your way up?
21:02John's wife is on her way.
21:04Let's see how you talk your way out of this one.
21:06Slut.
21:07That's enough!
21:17So were you the one who was stalking and secretly taking photos?
21:20What?
21:21Scared the truth is going to come out?
21:23Someone had to expose her for who she really is.
21:26So you admit it.
21:28You did it.
21:30Damn right I did.
21:31And I'd do it again if I had to.
21:33You don't know who you just cross.
21:36Oh I know.
21:38Just some rich old bastard throwing a tantrum.
21:41I sent those photos to your wife too.
21:43And now your mistress is about to be exposed.
21:47Yeah, security.
21:49Stephanie is banned from the studio.
21:52Make sure she never sets foot here again.
21:54You can't just do that.
21:55Oh this is insane.
21:56What I have rights.
21:58I was only telling you the truth.
21:59She is a mistress.
22:00A loose woman.
22:01A lady of the night.
22:11Is it true that Dorothy is John's sugar baby?
22:14Otherwise why would he come onto the set and get me banned from the movie?
22:17That's unbelievable.
22:19And he humiliated me.
22:20He had me dragged off the set like a criminal.
22:22You should have seen it.
22:23I'm not gonna let her just ruin her reputation like this.
22:28I mean this whole mess is making us look like fools.
22:32Dorothy's always been trouble.
22:35I mean first she goes off with a married man and now this.
22:38I don't know how you put up with her for three years.
22:41You should have got a divorce earlier.
22:45Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:48It's the only explanation.
22:51She's clearly nothing but a slut.
22:53Oh!
22:55Drake, Stephanie is your sister-in-law.
22:59Now you need to take care of her and forget about Dorothy.
23:03Can't you see she's the one behind all of this?
23:06She was sleeping her way to the top.
23:08Killing Stephanie's unborn child.
23:10And John dragging her off the set.
23:14You should be sticking up for Stephanie.
23:16I'm not gonna let her do this to you.
23:19I'm not gonna let her do this to you.
23:22Do you think you can just walk away from what you did like nothing happened?
23:26I didn't walk away from anything.
23:28You did.
23:29You chose Stephanie over me.
23:30Remember this one?
23:31Well, she's my sister-in-law.
23:32I'm so sick of hearing this.
23:33You have feelings for her and I'm just tired of it.
23:35You are out of your mind if you think I'm gonna let you get away with this.
23:38You do what you want to do.
23:40But for now, get out!
23:42Why?
23:44Why?
23:45We were married for three years.
23:46We never...
23:47Oh, God.
23:48You fucking might let go of me!
23:49Hey!
23:50Oh!
23:51Oh!
23:52Oh!
23:53Oh!
23:54Oh!
23:55Oh!
23:56Oh!
23:57Oh!
23:58Oh!
23:59Oh!
24:00Oh!
24:01Oh!
24:02Oh!
24:03Oh!
24:04Oh!
24:05Oh!
24:06Oh!
24:07Oh!
24:08Oh!
24:09Oh!
24:10Oh!
24:11Oh!
24:12Oh!
24:13Oh!
24:14Oh!
24:15Oh!
24:16Oh!
24:17Oh!
24:18Oh!
24:20Oh!
24:21No wonder you want me to go!
24:24Just look at yourself!
24:26You're not half the man Christopher is!
24:30Get out!
24:32Or I will call the cops!
24:34Just go!
24:43Are you okay?
24:45Dorothy, remember, safety first.
24:54The lifeguard's right there if you need him.
24:56Okay.
25:00Anything you need, let the AD know.
25:02Okay.
25:02Got it.
25:03Got it.
25:03Yep.
25:11Here's a coffee for you.
25:14It's still early before the shoot.
25:15Take your time.
25:16Take your time.
25:17Take your time.
25:17Take your time.
25:48Something's wrong.
26:13That's not acting.
26:15She's in trouble.
26:18Where's the left guard?
26:27Where's the left guard?
26:28Where the fuck is the left guard?
26:50Come on, Dorothy.
27:00Why did you do that?
27:24What do I do think you do, Dorothy?
27:31Christopher risked everything without hesitation.
27:35How could I have been so blind?
27:54I wasn't expecting that.
28:09Where were you?
28:09Dorothy could have drowned.
28:11I'm sorry.
28:11I had a stomachache.
28:13I had to look at her back.
28:14Make sure it doesn't happen again.
28:14Do you think that I should call Dorothy just to make sure she's okay?
28:24Are you still hung up on her?
28:27No.
28:28It's not like that.
28:29I'm just trying to be helpful.
28:31Don't you remember, Jane?
28:32She's the one who had me kicked out of the movie.
28:36She's the one who killed my baby.
28:39Not just my baby, but Nick's baby.
28:41I know I'm just her sister-in-law.
28:44Whatever happened between us is in the past.
28:46But I have no one now.
28:49No husband.
28:50No baby.
28:51I have left us you.
28:56Haven't you seen through Dorothy yet?
28:59She's nothing but a slut sleeping away to the top.
29:01You don't know that.
29:03You know I'm right.
29:05Why else would John come onto the set and stand up for her?
29:08Not just John, but Christopher too.
29:10She's sleeping around with anyone she can find.
29:13She's a whore.
29:13Shut up!
29:21You want war?
29:26I'll give you war.
29:30Do it.
29:32Make sure Dorothy feels every bit of it.
29:40Breaking news.
29:41Unknown actress seduces Hollywood heartthrob.
29:44Rising star or opportunist?
29:47Actress Dorothy's shocking affair with Christopher.
29:49Christopher's new flame for a heartless gold digger.
29:52Dorothy!
29:53Liar!
29:54Hey, babe!
29:57This is getting out of hand.
30:00Maybe we should just reveal her real identity.
30:03Let everyone know she's not just some random actress.
30:09Christopher, no.
30:10Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:14There's someone behind this.
30:16And whoever they are, I'll make them hang.
30:19Fuck off.
30:33This can't be right.
30:38I die in the second scene.
30:41This must be Dorothy and John forcing S.Q. to cut me out.
30:45They won't get away from this.
30:46Trey, can you believe this?
30:53They've completely written me out of the script.
30:56Do you remember when Nick was lying in that hospital bed?
30:59You promised him you'd look after me.
31:02I've already lost my husband and my baby.
31:04I can't lose my career too.
31:05Don't worry.
31:07I'll get you your character back.
31:09There's a tape of a documentary that apparently S.Q. has always wanted.
31:29So, if we win this bid and we gift it to them, we should be able to get you your robot.
31:34Up next, a rare gem.
31:40The original film documentary chronicling the creative journey of none other than herself, legendary screenwriter Margaret Lane.
31:49$50,000.
31:52What's she doing here?
31:54I don't know.
31:57I'm not going to let her win this.
31:59$60,000!
32:03$70,000.
32:07$100,000!
32:08This is my grandmother's documentary.
32:13It's her legacy.
32:15She's the one who inspired me to become a screenwriter.
32:18I can't let it fall into the wrong hands.
32:22$500,000!
32:23$500,000!
32:38I'm trying to get you your role.
33:02Don't worry.
33:04I've got it covered.
33:04Ladies and gentlemen, we are down to the final bid.
33:09Standing at a whopping $500,000.
33:13$500,000 going once.
33:16$500,000 going twice.
33:19Sold.
33:20To the lady in the blue dress.
33:29I can't believe this.
33:31You have no right.
33:33Take that film reel with you.
33:39You have no right to take that film reel with you.
33:44What's going on?
33:45Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited
33:57guest.
33:58Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
34:04This is ridiculous.
34:06I was invited.
34:07Well, in that case, may I see your invitation?
34:11I did have it.
34:17I swear.
34:18I'm sorry, Miss Dorothy.
34:19If you do not have the invitation at hand, the documentary reel has to go to the second
34:23highest bidder.
34:24This is the protocol.
34:25I don't understand.
34:26I'm sorry.
34:27I'm sorry.
34:46These are the rules.
34:48The documentary reel will go to the honourable couple.
35:10Stephanie, wait.
35:12Just sell it to me.
35:14Name your price.
35:15I'll pay you anything you want.
35:16It's really important to me, please.
35:19Why are you doing this?
35:21You're just trying to get my attention by going after something that Stephanie wants.
35:25No, you don't understand.
35:27Just let me buy this.
35:30Whatever it takes.
35:32Dorothy.
35:33You think this is about money?
35:35Please.
35:36This isn't something you can just buy.
35:39Dorothy.
35:40What the hell are you doing here?
35:42Why do you always have to go against her like that?
35:44This reel is important to Stephanie.
35:45She can use this to help her career.
35:48Her career?
35:50Is this about your role being cut from the dead?
35:54Is that why you're doing this?
35:58I'm the writer.
35:59I can fix this.
36:01Can you write the story and bring your character back?
36:03Just...
36:04Just let me have the real place.
36:07You're the writer.
36:09Are you telling me that you're SQ?
36:11You, the writer-esque you.
36:16Can you give us a break?
36:18Look, this reel is important to Stephanie.
36:22End it.
36:23Don't make this harder than it has to be.
36:26You've been with Dorothy for so long,
36:28and you don't even know her.
36:29Oh, and you do.
36:30A hell of a lot more than you.
36:32Who the fuck do you think you are?
36:33Both of you, calm down.
36:34Scratched all over.
36:49It's ruined.
36:51Not even fit to be a gift anymore.
36:53I can fix this.
36:54Stephanie, I know someone who can restore it.
36:56Just sell it to me, please.
36:57Just name your price.
36:58Even if I had no use for it,
37:03I'd never give it to you.
37:04Oh!
37:28I want to be a writer like you, Grandma.
37:34I want to make movies like you do.
37:37This reel has more than pictures and sound on it.
37:42Really?
37:43An entire world I've captured,
37:46but it's just one way of seeing things.
37:49The magic is creating it yourself.
37:52Someday you will.
37:54Dorothy.
38:07I need you to go apologize to Stephanie
38:09and give her her role back.
38:11Apologize?
38:12To her?
38:14She destroyed the reel.
38:15And she wouldn't have done that
38:15if you hadn't pushed her.
38:21So go apologize or I'm pulling my funding.
38:24Look, Dorothy.
38:26Let's be real here.
38:29Without Stephanie,
38:30Barry's gonna rest.
38:33Even the production company will pull out
38:34if they hear that she's not involved anymore.
38:36Her name carries weight.
38:38Let's not pretend that your reputation
38:39is exactly stellar right now.
38:42Christopher's fans hate you.
38:43Stephanie's fans hate you.
38:45Even if you actually make this film,
38:47no one's gonna support it.
38:49You will be Barry.
38:50If you apologize to Stephanie now,
38:55I can help you.
38:58I can control the press.
39:00I can control the narrative.
39:02I can actually give you a chance.
39:05What's so funny?
39:09What's so funny?
39:11Pull your fun day.
39:13Do it.
39:14You'll see it does nothing for the movie.
39:17Okay.
39:18So what if I tell the production head
39:19to pull his funding too?
39:22Didn't I tell you that I know Mr. Bennett?
39:23No.
39:25Go ahead.
39:26Quiet.
39:28You want me to call?
39:29Mm-hmm.
39:29Fine.
39:35Hi, Mr. Bennett.
39:36It's Drake.
39:37Drake Mossbacher.
39:39Yeah, I'm pulling my funding from Lies Game
39:40and I suggest that you do the same thing.
39:42I've seen it and it's a sinking ship.
39:46You're pulling out?
39:47Great.
39:47I'll take full control of the investment.
39:50Not a problem.
39:57So you sat with him?
39:57That's why he's supporting you, isn't it?
40:06Is this how you see me?
40:07The type of woman who would use her body
40:08to get what she wants?
40:09What other explanation do you have?
40:12You know nothing about Dorothy.
40:17Apologize to Stephanie.
40:19Cut ties with Mr. Bennett and end this.
40:21Dorothy, come back to me.
40:22Whatever he's offering you, I'll match it.
40:23I'll double it.
40:25You must be out of your fucking mind.
40:28What makes you think
40:29I would ever go back to that living hell?
40:32Living hell?
40:32You heard me!
40:34Being married to you
40:35was a fucking nightmare.
40:38You made me believe
40:39you loved me.
40:41And then you had me waiting in vain
40:43for three years, Drake.
40:45You said you'd always protect me,
40:46but then when I needed you the most,
40:49you just turned your back on me.
40:51You chose your sister-in-law
40:53over your wife.
40:57I've had enough, Drake.
40:59You were my prison.
41:01So just go back
41:02to your precious Stephanie.
41:08Let's just go.
41:08Why are you hurt?
41:19Are you okay?
41:27What are you, Steph?
41:28What are you doing?
41:28Well, you want me, don't you?
41:30Just kiss me.
41:31I'm all yours.
41:31Steph, you're Nick's wife.
41:34I've always told you
41:34you're like a sister.
41:36Sister?
41:38Funny.
41:39Don't you remember
41:40when you came to me
41:40the night Nick and I got married?
41:42Don't you remember
41:42what you said?
41:45Remember this?
41:46Yeah.
41:47Why not marry Stephanie?
41:49God.
41:50You were practically
41:51begging me not to marry Nick.
41:52No, I shouldn't have said that.
41:53I shouldn't have said that.
41:54What's that?
41:59Oh, it's nothing.
42:00Yeah, what is that?
42:00No, Drake, no.
42:01Please.
42:04You lied about this.
42:09You lied about this.
42:13You said that Dorothy
42:14pushed you into the water
42:15but this shows you
42:16shoving her in.
42:18It's a glitch.
42:20A glitch.
42:21So, do you actually
42:22expect me to believe that?
42:24What's this?
42:27Trying pills
42:27off the black market?
42:30Tell me I hit your pregnancy.
42:32It's you.
42:33This time when you
42:34blamed Dorothy
42:34like some sort of scapegoat
42:36and she was innocent
42:36the whole time.
42:38Please, no,
42:38you have to believe me.
42:40I didn't...
42:40Do you know what?
42:41I've always thought of you
42:41like a sister.
42:43I've always taken care of you.
42:44I even thought that
42:45I loved you once
42:45but that was before
42:46you were Nick's wife.
42:49You changed.
42:54You changed.
42:56You're not the person
42:57I thought you were.
43:00I only looked after you
43:01because I thought it was my duty
43:02as Nick's brother
43:03to look after his widow.
43:06I guess there's no need
43:07to look after you anymore.
43:08But what does that mean?
43:11You're just going to
43:11throw me away?
43:13I'm not going to throw you away
43:14but this is my house.
43:18I'm going to back.
43:19I hope you'll be gone.
43:21But you can't just walk
43:22away from me like that.
43:23I've said everything
43:24that I need to say.
43:25Now I'm going to go find
43:25the person that I
43:26actually care about.
43:32Dorothy.
43:33This is all your fault.
43:38Let's take this bitch down.
43:53Dorothy, please.
43:56I was wrong.
44:03I misunderstood
44:04everything about you
44:05and about us.
44:09Can you please
44:10just hear me out?
44:12You think you can
44:13just come here
44:13and apologise?
44:15After everything?
44:16I didn't mean to hurt you.
44:19Look, I understand
44:20what I did
44:21but it was just because
44:21it was definitely
44:22anyone.
44:23Can you please
44:24just forgive me?
44:26I don't use your
44:27apology, Drake.
44:28You let me down.
44:30You abandoned me
44:31and I needed you
44:33the most.
44:35You used me,
44:36manipulated me
44:37and now you beg
44:39for my forgiveness.
44:40Please, just don't
44:42show me out.
44:43I can fix this.
44:44I can fix it.
44:45I can do anything,
44:46Dorothy.
44:46Please, just...
44:47No.
44:48You were never
44:51the person
44:51I thought you were.
44:53And I'm not either.
44:55I've moved on.
44:58I don't need you.
45:03Not like I used to.
45:05Just take that.
45:07After everything.
45:08Yeah, that's it.
45:09I just have
45:21better than this.
45:22You did it.
45:43Before you all
45:50celebrate this movie,
45:51there's something
45:52you should know.
45:54Dorothy is nothing
45:55but a homewrecker.
45:56What's going on?
45:58A glorified mistress
45:59who's been playing
46:00the part of a
46:01wonderful actress
46:02when all she's
46:03really done
46:03is ruin lives.
46:07This is true, Dorothy.
46:08You're involved
46:08with a married man.
46:09What's your response
46:10to Stephanie's claim?
46:11This is ridiculous.
46:17Let's talk about
46:17how she got here.
46:19Shall we?
46:20She didn't get here
46:21off her talent.
46:22Oh, no.
46:23She got here
46:24by clinging
46:25to powerful men.
46:27No real experience.
46:29No skill.
46:30Just a man's name
46:31and a man's money.
46:32Security!
46:33Get her out of here.
46:34Wait.
46:35If she has something
46:36to say,
46:37let's hear it.
46:38Dorothy,
46:39it's a trap.
46:40I'm not afraid
46:41of the truth.
46:43Let's see what she's got.
46:47What's going on?
46:49So tell us, Dorothy.
46:51How did you get here?
46:53Did you use
46:53your relationship
46:54with John Bennett
46:55to land the part?
46:56A homework, are you saying?
47:15Is there something wrong
47:16with me appearing
47:16with my own dad?
47:18You're the one
47:18who sent me this photo, right?
47:20How about you take
47:21another one?
47:22This time,
47:23of my lovely family
47:24of three.
47:25Dorothy, Dorothy,
47:26Dorothy.
47:26Are you really
47:27John Bennett's daughter?
47:28Yes.
47:29I bet you never
47:30ask my last name.
47:31It's Bennett,
47:32by the way.
47:34So, Dorothy
47:35is the producer's
47:36daughter.
47:38Dorothy,
47:39so,
47:39did you use
47:40your father
47:40to get the part?
47:41Ah,
47:42so it's just
47:43nepotism,
47:44then.
47:44I don't know.
47:46I don't know.
47:49Well, even if she
47:50didn't fuck her way
47:50to the top,
47:51she still only got here
47:52through her connections.
47:53Whether you like it or not,
47:54my performance
47:55speaks for itself.
47:56And everyone here
47:57saw it.
47:58She was actually
47:59really good.
47:59Yeah, she handled
48:00the mortgage.
48:01Oh, are you saying
48:02that everyone here
48:03is wrong?
48:03You think you're
48:04so clever,
48:05don't you?
48:07Fine.
48:07You can act
48:08a little bit,
48:09but let's be real.
48:11You didn't land
48:11this role on your own.
48:13You just snapped
48:13your bony little fingers
48:14and let daddy
48:15give you a role.
48:16How else
48:17would a nobody
48:18like you
48:18have landed yourself
48:19the lead otherwise?
48:21Dorothy isn't
48:21just a nobody.
48:25She wrote
48:26Liar's Game.
48:28She is SQ.
48:33Dorothy is SQ.
48:35How can that
48:36be possible?
48:37Liar's Game
48:38is a masterpiece.
48:39There's no way
48:39you could have written it.
48:40You don't have to
48:41believe me.
48:42Just let the
48:43credits speak
48:43for itself.
48:47How can this
48:48be true?
48:55Dorothy Bennett,
48:55you're the daughter
48:56of the producer
48:57and the famous writer
48:58SQ.
48:58Why did you keep
48:59your identity
48:59a secret so long?
49:00Why did you keep
49:05your identity
49:05a secret so long?
49:06Stephanie Marsbecker,
49:07Linda Marsbecker
49:08and Ellie Marsbecker,
49:09I'm arresting you
49:10on suspicion of defamation.
49:11No, no, no, no.
49:12I didn't do anything wrong.
49:13This was all Stephanie's
49:14idea.
49:14I didn't do anything.
49:15This whole time she was
49:24actually telling the truth.
49:26Dorothy's SQ.
49:28She's genius.
49:31That's why she always
49:32had a book in her hand.
49:35Always writing something
49:37on her laptop,
49:37always lost in her thoughts.
49:41Didn't even see her.
49:43I guess I was blind
49:45all along.
49:48I don't deserve that.
50:08I've missed this place.
50:11Don't you remember?
50:13Of course I do.
50:14We saw so many films here.
50:17We would just
50:17stay in our seats
50:19and talk
50:20about life
50:21and everything.
50:24But you just
50:24made me feel like
50:25I could face
50:26more about anything really.
50:31God, I used to be
50:32so nervous back then
50:33about everything.
50:35About the future.
50:38But you just
50:39made me feel like
50:40I could face
50:40more about anything really.
50:42No.
50:45Someone had to be there
50:46to make sure
50:46you didn't
50:46overthink everything.
50:48I remember you used to
50:49unpick every little detail
50:51like it was a life
50:52or death situation.
50:57You know, Dorothy,
50:58life's not been the same
51:02without you.
51:02even when we parted ways
51:07I
51:07I always knew
51:09that we would find
51:10each other again.
51:13I don't care
51:14what we've been through.
51:16I don't care what's happened.
51:18All I know
51:18is that I need you now
51:22more than ever.
51:25And the award
51:40for best adapted screenplay
51:42goes to
51:43Dorothy Bennett
51:44with Liar's Game.
51:46Wow.
51:50Best screenplay.
51:53What, shall I start
51:53calling you
51:54Your Majesty?
51:55I think that's
51:56a great idea.
51:57Why don't I start now?
52:00You deserve this.
52:02Your Majesty.
52:04Every bit of it.
52:05Now,
52:06since you've won
52:08I think this calls
52:09for a reward.
52:10Oh, yeah?
52:15And what would that be?
52:18Me.
52:18Me.
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