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  • 5 hours ago
Giuseppe, who returns to his native Sicily and rekindles a romance with his former lover, Caterina, a widow with a teenage daughter, Graziella.
Transcript
00:00:00To be continued
00:00:30Oh
00:01:00Sino a giorno
00:01:02Mi voto e mi rivoto
00:01:10Suspirando
00:01:12Passo
00:01:17Puli notti
00:01:19Interi
00:01:20Senza sonno
00:01:22E
00:01:26Pergizzo
00:01:28Io contemplando
00:01:32Le passo
00:01:36Di la notte
00:01:38Sino a giorno
00:01:40Petti
00:01:42Io non posso
00:01:44Ora
00:01:46Dormirei
00:01:48Magino
00:01:50Una nave
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00:02:32I'll do it for you, and I'll do it for you.
00:02:41I'll do it for you, and I'll do it for you.
00:03:02I've kept everything just as it was, but nothing ever stays safe.
00:03:31You have.
00:04:01She always spoke of you, and how it was important that you would come back someday to this house.
00:04:23Hold up.
00:04:47You dirty old rascal.
00:04:53How the holy hell did they ever let you back here?
00:04:56How do you know?
00:04:57How do you know?
00:04:58Oh, by the way, that's a very dangerous game to play.
00:05:02I mean it.
00:05:03Guys have been killed for doing that.
00:05:04So don't joke around, or next time you'll end up in the family morgue.
00:05:07That'd be far too cruel, especially for the ladies, huh?
00:05:10Tell me, what was your average in Paris?
00:05:12Come on, how many?
00:05:13Probably two a day, huh?
00:05:14I've heard the French are eliminating adultery.
00:05:16They refuse to get married at all.
00:05:18And if they do, the husband will be given a maid to help out in case the dear wife gets a headache.
00:05:22Is that true?
00:05:23You've become just as pernicious as an old rake.
00:05:25Well, I always liked a little bit of variety, and I was born horny.
00:05:29I have no control over it.
00:05:32Well, let's have a look at you.
00:05:33You have the mark of the international traveler.
00:05:36You wear it well.
00:05:37Do I really?
00:05:38As a matter of fact, I've managed to do a little jet setting too.
00:05:4025 lure days in Turkey.
00:05:42Of course, it doesn't have the same charms as Paris.
00:05:45Well, well.
00:05:46So you've come back to blow your horn and bang it around.
00:05:50No, no.
00:05:51I have no match for the competition here.
00:05:53Don't worry.
00:05:54It's only for a week or two.
00:05:55I should go before the end of the month.
00:05:56Ah.
00:05:57I'm selling the horse.
00:05:58You've done well.
00:05:59Vedo che ti sei messo bene.
00:06:00Ah, insomma.
00:06:01Modestamente è il mio successo anch'io.
00:06:03E non soltanto nel commercio.
00:06:05Ah, sì?
00:06:06Sì.
00:06:07Vedi, io non è che c'ho la vocazione dello scapolo.
00:06:11Ma non c'ho nemmeno quella del cornuto.
00:06:13Che cornuto ci si poteva andare anche senza vocazione.
00:06:16Poi oggi le probabilità sono in aumento.
00:06:19Eh, mon cher, la femme.
00:06:22O è santa?
00:06:23O è puttana?
00:06:24E nel nostro giro di santa io conosco solo a Sant'Agata.
00:06:27Beh, allora fammi un po' l'elenco delle vecchie amiche.
00:06:31Quelle puttane, eh, le sante lasciamole perdere.
00:06:33Dunque, Rosa, Rosetta, Rosina sono riuscito ad andarci a letto solo dopo che si sono sposate.
00:06:39Sì, perché prima si erano rifiutate per una questione di onestà.
00:06:42Con la D'Amico invece non ci sono riuscito perché si è sposata in Sud America con una lavatora di bovine.
00:06:49Una produzione di connescatola.
00:06:52Rita Favazza invece l'ho perso un poco di vista, ma mi risulta che...
00:06:56...ha sposato come marito un fenomeno, sai, un potente completo.
00:07:00Ma non è che è un fenomeno perché è impotente, ma perché è impotente con sette figli.
00:07:04Invece, Mariella Lorusso non la vedo da molto tempo, ma so che non ha affatto un matrimone molto fortunato.
00:07:10Dicono che ha un marito un poco cornuto. Mi stai a sentire?
00:07:14Ah, sì, sì. E...
00:07:16E a Caterina, vuoi dire, eh? Beh, che è rimasta vedova, lo sai, no?
00:07:20Sì, sì.
00:07:22Senti, ma non mi dirai che sei tornato qui apposta per lei?
00:07:26Diciamo che non me la sono mai dimenticata. E allora?
00:07:31Allora, vedi, Caterina, è una che non saprei se mettere o no nell'elenco.
00:07:36Ma tu la frequenti?
00:07:38Sì, sì, ci ho provato, ma...
00:07:40...niente da fare. È l'unica sconfitta della mia carriera.
00:07:43E d'altronde a Napoleone, che era Napoleone, un pezzo a Badalù.
00:07:46E ci ho provato a marito vivo e a marito morto, sai, mica solo io.
00:07:49Ah, rien a faire.
00:07:51Allora è una santa.
00:07:53E come no. Sono sicuro che a letto farà maragola.
00:07:59Comunque, se non è una santa, è una furba che è più probabile.
00:08:03Mi piacerebbe incontrarla per caso.
00:08:05Ah, è per questo non è che te devo preoccupare.
00:08:08Tu dammo un giorno di tempo che te lo organizzo io apposta.
00:08:10Un incontro per caso.
00:08:12M.D.C.
00:08:13Legituale, eh?
00:08:14Un incontro per caso.
00:08:15Un incontro per caso.
00:08:16Un incontro per caso.
00:08:17Un incontro per caso.
00:08:18Un incontro per caso.
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00:08:22Un incontro per caso.
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00:08:26Un incontro per caso.
00:08:27Un incontro per caso.
00:08:28Un incontro per caso.
00:08:29Un incontro per caso.
00:08:30Un incontro per caso.
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00:08:32Un incontro per caso.
00:08:33Un incontro per caso.
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00:08:35Un incontro per caso.
00:08:36Un incontro per caso.
00:08:37Un incontro per caso.
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00:08:39Un incontro per caso.
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00:08:41Un incontro per caso.
00:08:42Un incontro per caso.
00:08:43Un incontro per caso.
00:08:44Un incontro per caso.
00:08:45Un incontro per caso.
00:08:46Un incontro per caso.
00:08:47Un incontro per caso.
00:08:48Un incontro per caso.
00:08:49Un incontro per caso.
00:08:50Un incontro per caso.
00:08:51Un incontro per caso.
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00:08:54Un incontro per caso.
00:08:55Un incontro per caso.
00:08:56Un incontro per caso.
00:08:57Well, daddy is rather pitiful, his poor mind is vague, he gets mixed up.
00:09:05Well, this pretty girl is asking for information, you know, perfectly ordinary sort of routine question.
00:09:10So she asks him what the child's name is and he says, Claire, odd name.
00:09:15Sex, she says, enormous.
00:09:23I'm losing the fortune.
00:09:25Don't worry, it's against the law.
00:09:27I'm losing the fortune.
00:09:56What do you say?
00:09:57Luisa, do you know Giuseppe Lagana?
00:09:59No, but I certainly did know your mother.
00:10:02Sit down, please.
00:10:06It's over 15 years, isn't it?
00:10:08And a lot more.
00:10:10Well, it's like being a witness to an historic meeting.
00:10:13When I write my memoirs, I can say I was there.
00:10:16Notice I'm going to the bar discreetly.
00:10:20Well, I imagine I look different.
00:10:24As a matter of fact, no.
00:10:28You've changed a lot, you know this?
00:10:30Well, yes. Why shouldn't I to use to take their toll?
00:10:33What can we do?
00:10:35You were merely pretty.
00:10:37Now you're stupendous.
00:10:41People are looking at us, do you notice?
00:10:43Do you really care?
00:10:45Oh, maybe. I know who the gossips are.
00:10:48They're all here fishing.
00:10:49And a girl should consider her honor.
00:10:52We're all a little absurd with our sense of honor, aren't we?
00:10:56I was joking.
00:10:58Are you staying through the summer?
00:11:00Well...
00:11:02That depends, I guess, on you.
00:11:05Luisa, wait.
00:11:06What for?
00:11:09I just want to look at you without anyone around, that's all.
00:11:12Well, go ahead then.
00:11:14But hurry, before any of our friends comes and notices, is why they'd think I was flirting while my husband's in Milan for four whole days.
00:11:20Time is up.
00:11:22I see.
00:11:23No, I don't.
00:11:24I want you.
00:11:25You must know that.
00:11:26I...
00:11:27You're mad.
00:11:28You mustn't say that anymore.
00:11:32You haven't taken your vitamin C.
00:11:34You're a love.
00:11:36But this kind of conversation is offensive, mere sentimental muck.
00:11:40Forced to hear it from my husband, and that's certainly ample.
00:11:43And you must admit that you've got no right to assume that I choose to sacrifice his trust in me.
00:11:48I know that, but I'm...
00:11:50It makes me unhappy you're so cold and cruel to me, yet I still adore you.
00:11:53And you flouted as if it were nothing.
00:11:55Many times I thought of you being all alone, and if I could come and talk.
00:12:00I like to talk, you know.
00:12:02Nothing ever important, but...
00:12:03Not a chance.
00:12:05I know your reputation.
00:12:07And when actually measured, who cares?
00:12:11Only this is there to say to you.
00:12:13So long it's been nice, and in case I see you at the bar.
00:12:17And let's just say...
00:12:18Louisa, meet me tomorrow at 6.45.
00:12:21Alfredo, you break a blood vessel or something.
00:12:38Well, I had the impression you were rather a timid soul.
00:12:42You seem so years ago.
00:12:44Soon as you walked in the room.
00:12:46I don't know...
00:12:47It wasn't by accident.
00:12:49I was looking for you.
00:12:55How good is your memory?
00:12:57Don't worry.
00:12:58I don't forget a thing.
00:13:002-1-6-8-9-0-7.
00:13:04Here I am again.
00:13:06Sorry about that.
00:13:08Am I too soon?
00:13:09Oh, I think we've said it all.
00:13:11You can stay.
00:13:12I'll bet.
00:13:13Giuseppe, you're quite a character.
00:13:15They said so at the bar.
00:13:17It seems you have the status of a celebrity here in Catania.
00:13:20That you live in Paris.
00:13:21Only this I already knew.
00:13:23That you were the first and more platonic, that is, of Catarina.
00:13:26But no one ever told me that.
00:13:28Louisa.
00:13:29I said platonic.
00:13:30I have a good arm.
00:13:31I'll call you.
00:13:32I hope so.
00:13:34Well, Louisa.
00:13:35It was very pleasant.
00:13:36I hope I'll see you again.
00:13:37You will, darling.
00:13:38Whenever you decide.
00:13:40Au revoir.
00:13:43A death for a woman.
00:13:45Affectionate, intelligent, handsome.
00:13:48What more is there?
00:13:49And a bachelor?
00:13:51I don't know.
00:13:52You're being sly.
00:13:54But that's not important, is it?
00:14:01You forgot it, I know.
00:14:022-1-6-8-0-9-7.
00:14:13Pronto.
00:14:14Catalina, it's Giuseppe.
00:14:17Well, hello.
00:14:18Didn't you think I'd call?
00:14:21Why not? You said you would.
00:14:23No.
00:14:26Well, thank you.
00:14:27A little tired.
00:14:29You know, since I saw you last night, I haven't been able to think about anything else.
00:14:33I...
00:14:36I know.
00:14:38That's how I feel.
00:14:40Are you alone now?
00:14:44Yes.
00:14:45Can I come over?
00:14:47No, not here, no.
00:14:49Where then?
00:14:50Well, I don't know.
00:14:54Can you come tomorrow?
00:14:55How's your coffee?
00:14:56Not bad.
00:14:57I have lost your point.
00:14:58Can I go in, too?
00:15:00I do.
00:15:01I do.
00:15:02You've got an admirer.
00:15:15You've got an admirer.
00:15:16You've been hiding things.
00:15:17I pray.
00:15:18Oh, Giuseppe.
00:15:19It's a very special friend your mama grew up with.
00:15:20Giuseppe and I went to school together.
00:15:21He was very important to me, almost like a beau.
00:15:36It's a very special friend your mama grew up with.
00:15:43Giuseppe and I went to school together.
00:15:45He was very important to me, almost like a beau.
00:15:50Doesn't it mean something special to receive roses from someone, Mama?
00:15:53Well, yes and no.
00:15:55Depends on the roses.
00:15:57Depends on the woman.
00:15:58Depends on the person who sends them.
00:16:00And your aunt doesn't appreciate dirty nails.
00:16:02I don't feel like going there.
00:16:03I'll end up hating some of the vacations if I'm forced to spend them there all the time.
00:16:13Graziella.
00:16:16Oh, come on.
00:16:17She's very anxious to see you.
00:16:19It's not the whole summer.
00:16:20It's only a few days.
00:16:22Trade your big red rose for a smile.
00:16:28Isn't the man saying to a woman that he loves her when he sends her some flowers?
00:16:33Well, I know it says something.
00:16:36I suppose he's just saying...
00:16:38There's a car.
00:16:39Go ahead.
00:16:39Now, don't keep them waiting.
00:16:40Hurry up.
00:16:44Hey.
00:16:46And I've got to stay there all next week or what?
00:16:49Listen, you stay out of trouble.
00:16:51Then Sunday I'll phone.
00:16:52I'll talk to your aunt and tell her to come back early Tuesday morning.
00:16:57Ciao, Bella.
00:16:58You just about ran into my daughter.
00:17:28Well, they've got to meet two in a row later.
00:17:35I didn't thank you for the roses, they were lovely.
00:17:48Will you have something to drink?
00:17:50All right.
00:17:51We are doing nothing wrong.
00:17:58You haven't any reason to worry.
00:17:59All right.
00:19:00Good morning, ma'am.
00:19:01Oh, I'll say goodbye to your husband.
00:19:03What love, love.
00:19:05Go to bed.
00:19:06But when you feel love, take a example from me.
00:19:09Get out!
00:19:10You see, that's my point.
00:19:12To choose, not to get entangled.
00:19:14The entire world's full of women.
00:19:16Why?
00:19:17For us to enjoy life a la carte.
00:19:19Oh, well.
00:19:22Tell me.
00:19:23Tell me the truth.
00:19:24What is it you expect to find here?
00:19:26Who knows?
00:19:27It's the feeling you could find looking back.
00:19:32I don't know.
00:19:33I don't know.
00:19:34That old tree in a park.
00:19:38A book I read.
00:19:39Sudden memory.
00:19:40For a minute I'm there before I know it goes.
00:19:45Mysticism.
00:19:46Go away.
00:19:47You're in love.
00:19:48You're trapped.
00:19:49I knew it would happen.
00:19:50The object is to stop on this danger.
00:19:52Yes?
00:19:53The sound of pride.
00:19:54Did you hear that?
00:19:56His sense of pride is abused.
00:19:58Even pools have pride.
00:19:59I've got a little hair right up inside this nostril.
00:20:02It bothers me.
00:20:03Find it, can you?
00:20:04No, no, no.
00:20:05Not that one.
00:20:06This one has been itching for a whole hour.
00:20:10Ah, that's better.
00:20:14Ah, to get up in a fine morning.
00:20:16To begin to prepare for the intoxicating task of choosing between all the flowers in my meadow.
00:20:21And I'm happy because I have the freedom of choice.
00:20:24You, you plan to trade it for one old-fashioned perennial.
00:20:27That's a bad joke.
00:20:28I know.
00:20:29It's not funny to you because you know I'm right.
00:20:31Although you won't admit it.
00:20:33But to break a date like that, I came up with those two for tonight and you're spoiling it.
00:20:37Now, where is there any harm in spending a few innocent hours with a pair of strippers from Hamburg?
00:20:41No complications, no responsibilities.
00:20:46Very relaxing time.
00:20:48But it's not for me.
00:20:50You can come or not, I don't care.
00:20:52I'll just have to squire both of them around by myself.
00:20:54But don't let that influence your decision.
00:20:56All right, I'll come then.
00:20:58Since I'm obviously needed.
00:20:59You must be joking.
00:21:00I could easily handle both and you know it.
00:21:02Nobody has equaled my past record for epic womanizing that I know of.
00:21:05I'm far out front.
00:21:06No, I mean, that's enough.
00:21:07Come tonight if you can.
00:21:08You'll be doing me a favor, all right?
00:21:09Don't worry, I'll meet you about 11.
00:21:10I have a sneaky suspicion that you're going to forget.
00:21:11I won't forget.
00:21:12No, I was referring to women.
00:21:13You should look at things the way I do.
00:21:14A man's freedom is a gift not to be taken lightly and that's something the youth of today understand.
00:21:16You got a lot of girls?
00:21:17I got four kids.
00:21:18What's so funny?
00:21:19He doesn't change anything.
00:21:20He's an exception, that's all.
00:21:21He's a little rabbit, this one.
00:21:22You're not a fool.
00:21:23The point is, you should try a new tactic, darling.
00:21:29Why bother?
00:21:30I'm not important to him.
00:21:31It's stupid to expect anything more.
00:21:32I'm not a fool.
00:21:33I'm not a fool.
00:21:34Why bother?
00:21:35I'm not important to him.
00:21:36It's stupid to expect anything more.
00:21:38why bother?
00:21:39You have a lot of girls?
00:21:40I've got four kids.
00:21:41What's so funny?
00:21:42He doesn't change anything.
00:21:43He's an exception, that's all.
00:21:44He's a little rabbit, this one.
00:21:45You're not a fool.
00:21:46The point is, you should try a new tactic, darling.
00:21:48You should try a new tactic, darling.
00:21:51Why bother?
00:21:52I'm not important to him.
00:21:55It's stupid to expect anything more.
00:21:58We grew up together. After all, I went to school with Giuseppe. I knew his best friend.
00:22:08It seems so pointless to play games.
00:22:10I'm sure that's what he's doing, love. If you forget your pride.
00:22:14It's not pride at all, Louisa.
00:22:17We always have to start right back at zero.
00:22:22Mind as a child. Love. We start all over again each time.
00:22:30You're not making sense, darling. To jump to conclusions is silly.
00:22:34I know it's true. He could tell a thought, but hardly a tragedy.
00:22:38Who's making it a tragedy?
00:22:40Except I'm so mad at myself. I know you feel dreadful.
00:22:44I'm so mad at myself.
00:22:46I know you feel dreadful.
00:22:48You only.
00:22:50Come on, the truth now.
00:22:52Listen.
00:22:53I know I'm a bit of a tard, to put it nicely.
00:22:56Or you could say the penchant for wickedness.
00:22:58But fun is fun, I say.
00:22:59When you're going to fall, then you're going to fall, darling.
00:23:01Of course it may be injurious to your pride.
00:23:03If you get used to it, then you'll forget it.
00:23:06And you'll forget it.
00:23:20Well, you're lucky.
00:23:22There's a spider in my room!
00:23:24I really mean it. It's a spider.
00:23:26Oh, what?
00:23:27I thought it went out of the closet.
00:23:28Ooh.
00:23:29I wonder if he gets...
00:23:30Yes, all right. I'll be right there.
00:23:32Don't. I'm not going to stay.
00:23:33Ciao, Louisa.
00:23:34And don't worry, love.
00:23:36Auntie Cassandra says tomorrow we'll telephone.
00:23:39Ciao.
00:23:40That's your mind, do you?
00:23:41Ciao.
00:23:42All right, where'd our spider go?
00:23:44It's a big lie!
00:23:45It's a big lie!
00:23:46It's a big lie!
00:23:47What did you say that for?
00:23:49I wanted her to leave and I thought that would happen.
00:23:54I know she bores you, but then you don't understand her.
00:23:59Mama, tell me, do you still get flowers from that man?
00:24:03Get into your bed. Go ahead.
00:24:05Do you hear me?
00:24:06Uh-huh.
00:24:07No, he hasn't sent me anymore.
00:24:10All right.
00:24:12Come with me.
00:24:13Come with me.
00:24:14Come with me.
00:24:15Come with me.
00:24:17It doesn't matter.
00:24:18I'll come over there.
00:24:19Hmm?
00:24:20No, don't worry.
00:24:21No one will see me.
00:24:23I'll be careful.
00:24:24You've got to trust me.
00:24:28Because I want to show you something.
00:24:31Why not?
00:24:33I know, but don't worry.
00:24:36I want you to see it.
00:24:39Fine.
00:24:43It's exquisite.
00:24:46But this is priceless.
00:24:47I can't.
00:24:56It belonged to my mother.
00:24:57I want you to wear it, please.
00:25:00I want you to wear it, please.
00:25:07It's great.
00:25:30Were you with a girl all this time?
00:25:33I was with Alfredo.
00:25:35Alfredo will be taught.
00:25:37Ah.
00:25:39With two girls, then.
00:25:43I...
00:25:44I realized,
00:25:46you're what I was looking for, Catalina.
00:25:48And I think about those years without you.
00:25:57All empty, useless, meaningless.
00:26:02I go to others and try to find you.
00:26:10I remember a girl.
00:26:12She used to pray for this, you know.
00:26:15Forgot to make Giuseppe hers.
00:26:17Did she?
00:26:18And now you're mine.
00:26:21Mine.
00:26:22Mine.
00:26:24And you're mine.
00:26:30I love you.
00:26:32I love you.
00:26:34I love you.
00:26:39Goody, goody. No school today, Mama.
00:26:42Why not?
00:26:43Because you forgot to set your alarm and it's after nine.
00:26:46Oh, God.
00:26:50What have I done?
00:26:51Mama Mia.
00:26:52I overslept.
00:26:55Did he give that to you?
00:26:57Who, darling?
00:26:58That man.
00:26:59I mean, the one that likes you.
00:27:01Did he?
00:27:01Did you see him again?
00:27:11And in Paris, people think most of money.
00:27:15A desperate pace.
00:27:17A peculiar way of living.
00:27:18One learns to adjust to it.
00:27:23Yet the tourist, after seeing the tour Eiffel in the Arc de Triomphe, is sure he knows all Paris.
00:27:29Yes, but I heard the girls are a lot prettier.
00:27:33Really are they?
00:27:35Yes, I know.
00:27:37They're often plain there.
00:27:39Here, they're all pretty.
00:27:41Ah, and the French can be so gallant.
00:27:43You've managed to emulate that, I noticed.
00:27:45How come you took down a picture of your father?
00:27:48Ah, we've got it in the other room.
00:27:50It's a lot better suited for a desk than hanging against a wall.
00:27:53Mom, we're going in my room.
00:27:54Ciao.
00:28:00Mama Mia.
00:28:03There's a man that's fast.
00:28:06She's no dope.
00:28:08I like her.
00:28:10Very important, you like her.
00:28:11That and more.
00:28:13I better have adored her anyway.
00:28:14I thought it was my idea.
00:28:16And she was the one to run to the rescue.
00:28:20It was a silly idea.
00:28:22She really adored Antonio.
00:28:25Maybe I had no right to take it down.
00:28:28I think she probably understands what you wanted.
00:28:31And she loves him.
00:28:34And then the last time.
00:28:37Ah, Jonas, senor.
00:28:39Yeah.
00:28:40The power of love can change the weather, I see.
00:28:42It's too early to tell.
00:28:43Well, let's hope to progress.
00:28:44Why not seem like that?
00:28:50I suddenly realized something.
00:28:53It's not so terribly important what others think.
00:28:56You have a daughter and what concerns for her?
00:28:58She could have misunderstood.
00:29:01That's what I was afraid of.
00:29:03The others aren't important.
00:29:04They mean nothing.
00:29:05Nothing.
00:29:05Nothing.
00:29:05Nothing.
00:29:06It was in there.
00:29:15It was in there.
00:29:29No one realized that we've been left too long.
00:29:42I was here in the dark looking out the window.
00:29:47And then I saw you come in.
00:29:48And then I saw you come in.
00:30:08Mom, is it okay if I go for a swim?
00:30:28Go ahead, as long as you're not late.
00:30:31Do you mind?
00:30:32Of course not.
00:30:33Ciao.
00:30:34Buongiorno.
00:30:34You know, I think she likes treating you as a father.
00:30:40I hope that doesn't terrify you.
00:30:44No.
00:30:47You going to sleep here?
00:30:51You really want me to stay?
00:30:53Yes, I want you to.
00:30:56Good night, Gracie.
00:31:04Good night.
00:31:34Arriba, arriba.
00:31:36Girl, it's the volume.
00:31:39I'll go make some coffee.
00:31:41Hey!
00:31:42No, say yeah, go for dinner.
00:31:45If they get on your nerves, you can't get on your phone.
00:31:49Ow!
00:31:50That's so loud, I thought.
00:32:04And now, oh, thank you, sing with la-baidou.
00:32:17I'm setting it up.
00:32:18Listen to it.
00:32:19Oh, wait.
00:32:20I thought I did that.
00:32:27It is.
00:32:28May I have a tango?
00:32:29Oh.
00:32:34Do you want the banana?
00:32:54Do you want the banana?
00:32:58Ah!
00:33:04Oh, you've done the floor!
00:33:05Oh!
00:33:13Oh!
00:33:17Oh!
00:33:18Oh!
00:33:19Oh!
00:33:20Oh!
00:33:21Oh!
00:33:22Oh!
00:33:23Oh!
00:33:24Oh!
00:33:25Oh!
00:33:26Oh!
00:33:27Oh!
00:33:28Oh!
00:33:29Oh!
00:33:30Oh!
00:33:31Oh!
00:33:32Oh!
00:33:33Oh!
00:33:34Oh!
00:33:35Oh!
00:33:36Oh!
00:33:37Oh!
00:33:38Oh!
00:33:39Oh!
00:33:40Oh!
00:33:41Oh!
00:33:42Oh!
00:33:43Oh!
00:33:44Oh!
00:33:45Oh!
00:33:46Why are you carrying that basil around?
00:34:03Aphrodisiac.
00:34:04My condolences.
00:34:06No, it's not for me.
00:34:07It's for the others, the dear souls.
00:34:09What souls? Male or female?
00:34:11My boy, aside from you and me, there isn't a worthy cock on the walk.
00:34:14They pass from adolescence directly into senility.
00:34:17They're all hopelessly entounted.
00:34:19Female, the female.
00:34:20Now I feel it's our duty to help them.
00:34:24And what about you?
00:34:26Are you fighting the boredom?
00:34:28Deeply in love.
00:34:30Deeply.
00:34:31Naturally.
00:34:32Of course, for a cynic, it must be a bore.
00:34:35Yeah, you seem down, though.
00:34:37You're way off the mark. I'm in an excellent mood.
00:34:40It's not exactly euphoric, I would say.
00:34:43I wonder why.
00:34:44Your lover's a widow, therefore no infidelity, no crime of passion.
00:34:47A perfect set-up, you know, I mean that.
00:34:49And to think that you live there, and with the blessing of a rather hot-blooded daughter.
00:34:54Graziella.
00:34:55Yes, but...
00:34:57I only suggested that her interests were unusually mature.
00:35:00I didn't call her a putain.
00:35:02I think it's better if we just change the subject, Alfredo.
00:35:05She's a charming girl.
00:35:09Who says she's not?
00:35:11No, you've got to get yourself out of that situation.
00:35:14Please, I'm worried about you.
00:35:15No, let me explain.
00:35:16You're living dangerously.
00:35:17You don't consider the possibilities.
00:35:20How do you mean?
00:35:20I'll make it plainer.
00:35:23No man is a cuckold as long as he's not married, true?
00:35:27But a lover leaves an opening for a husband.
00:35:29So your status is fragile, unless you marry Catalina.
00:35:32Let's say you do.
00:35:33But then she could choose to be untrue when they're inclined to, so it doesn't make sense
00:35:37to entertain the thought.
00:35:38Therefore, while you remain as her lover, cuckold, yet when she sleeps with him, she's being true to you.
00:35:43And even though you're single, you suffer as a true cuckold.
00:35:46You see, it's all hopeless because two cuckolds coexisting in the same household you can't have.
00:35:51So all this leads to a fight, each for the other under arrest.
00:35:53Either way, you lose.
00:35:57That has to be Pirandello.
00:36:05Catalina.
00:36:08Why are you being rude?
00:36:18Didn't you hear me call?
00:36:19It did not apply to me.
00:36:22And when I read, I'm usually concentrating.
00:36:35What is that?
00:36:36Nothing.
00:36:38How long has your mother been gone?
00:36:55Long time.
00:37:08What is that?
00:37:13What is that?
00:37:27Nothing.
00:37:27How long has your mother been gone?
00:38:06Nothing.
00:38:17No stand, Giovannino. Women are entitled to respect and courtesy.
00:38:22But I don't mean by that that I intend to give up my seat on a crowded bus. They're no more entitled to sit than we are.
00:38:27Let's say she's a nun.
00:38:29Ah.
00:38:31She's a fat nun. Then I don't mind.
00:38:33If you can't stand, then you shouldn't take a bus.
00:38:35And I'm including the old and the pregnant, for they should have bothered to plan things a little bit better.
00:38:39What about the routine we go through? Please, senora, sit down and so forth. It's idiotic and stupid, right?
00:38:44A woman makes love.
00:38:46And it's a known fact that most fine pleasure as we do, no?
00:38:49Fine, but what's the point of this farce? You call a woman up, candy, flowers.
00:38:52She meets you at two o'clock in the morning and then you get less than a half hour together.
00:38:55It's a waste of time, no?
00:38:57If they want to call, let them call. I'm here and they know it.
00:39:00Of course, they call me every day because I got them spoiled.
00:39:04Pronto, joyeux de la femme.
00:39:06Pronto, Alfredo. It's Louisa.
00:39:08Oh, ciao, darling. Are you all right?
00:39:11What do you mean? I'm fine.
00:39:12I couldn't besides. You told me you were willing to wait until Thursday or Friday.
00:39:16What's the matter with you, mad? What's happening to you? Listen, have you...
00:39:19It's impossible.
00:39:20No, I told you yesterday when you called, I thought we had a little understanding, my pet,
00:39:24that you tried to be just a teeny-weeny bit more patient.
00:39:27Please listen, I never called you Alfredo. And if we have an understanding...
00:39:31It's that you were going to repair my pewter palm for me. Do you remember?
00:39:35Yes, I know. Only I can't tonight. But, no, tomorrow I'm going home.
00:39:40You want to play the proper jackass? Well, there are those who appreciate it, but I'm immune.
00:39:45I can make it. I'll come over later.
00:39:49I just got through saying I'm immune.
00:39:52Don't be a fool.
00:39:53Your heart can take it. I'm sure it's not broken.
00:39:57Oh, don't cry. Please, my pet, don't cry. You know what that does to me.
00:40:01I'm going to get very angry in a moment. Calm yourself.
00:40:04All X level is to bamboo. Vanessa's catch, so big sop sop.
00:40:11I know you do. All right, I'll be there after midnight, though.
00:40:15She's going insane, I tell you. She's going mad.
00:40:21Giuseppe.
00:40:22Hey. Wake up. Here's your coffee.
00:40:27Hey. Wake up, you.
00:40:41Hey. I said to wake you before I left.
00:40:44See you after midnight. Ciao.
00:40:46See you after midnight. Ciao.
00:40:48Listen to me.
00:40:50Hi, man.
00:40:52How was it?
00:40:53See you after midnight?
00:40:57Hey.
00:40:58I said to text you.
00:41:00Something else.
00:41:01What?
00:41:02What?
00:41:03What's it gonna happen?
00:41:04Yes, morning.
00:41:05Oh, you guys are here.
00:41:06Oh.
00:41:07No.
00:41:39You look so comfortable there.
00:42:09I bet I could sleep a whole week.
00:42:29I bet I could sleep a whole week.
00:42:59I bet I could sleep a whole week.
00:43:29I bet I could sleep a whole week.
00:43:59I bet I could sleep a whole week.
00:44:29I bet I could sleep a whole week.
00:44:59I bet I could sleep a whole week.
00:45:01I bet I could sleep a whole week.
00:45:03I bet I could sleep a whole week.
00:45:05I bet I could sleep a whole week.
00:45:07I bet I could sleep a whole week.
00:45:11I bet I could sleep a whole week.
00:45:13I bet I could sleep a whole week.
00:45:15I bet I could sleep a whole week.
00:45:19I bet I could sleep a whole week.
00:45:25I bet I could sleep a whole week.
00:45:27I bet I could sleep a whole week.
00:45:31I bet I could sleep a whole week.
00:45:33I bet I could sleep a whole week.
00:45:35I bet I could sleep a whole week.
00:45:37I bet I could sleep a whole week.
00:45:39I bet I could sleep a whole week.
00:45:41I bet I could sleep a whole week.
00:45:43I bet I could sleep a whole week.
00:45:45I bet I could sleep a whole week.
00:45:47I bet I could sleep a whole week.
00:45:49There are a few hours here.
00:45:50I bet I could sleep a whole week.
00:45:51I bet I could sleep a whole week.
00:45:53I bet I could sleep a whole week.
00:45:55I bet I could sleep in the morning.
00:45:57I bet I'm a little bit too late.
00:45:59I don't have to sleep.
00:46:00I don't have to sleep.
00:46:01Don't eat her plan.
00:46:02All right.
00:46:03I was just telling Catalina that you look somewhat pale.
00:46:05It's only an affectation in the air of debauchery
00:46:07trouble. I'll take him when you're finished with him. If there's anything left. I mean it, darling.
00:46:24Coming.
00:46:29Child, I forgot my lighter. Mama's not here. She's planking ass. I see. Why didn't she leave here?
00:46:36I don't know about three, I suppose.
00:47:02You tired? No.
00:47:06Okay.
00:47:08I love you.
00:47:10Um, okay.
00:47:11Okay.
00:47:13Oh.
00:47:15Okay.
00:47:19Okay.
00:48:03You men, look at the mess we've got to clean up.
00:48:19Want some help?
00:48:21No.
00:48:24What do you say?
00:48:25Is there any more untidy?
00:48:27Everyone I know.
00:48:29That's not true.
00:48:31I'm not.
00:48:32Oh, yes, you are.
00:48:33Come here.
00:48:35No.
00:48:40Hand me that magazine, will you?
00:48:46Here.
00:48:48Sit down a while.
00:48:50I got too much to do.
00:48:53Why don't you rest?
00:48:55You can clean up later.
00:48:56No.
00:48:57No.
00:49:12Senta di te il concerto a me non importa.
00:49:14Non è vero.
00:49:15Comunque vengo con voi se preferisci.
00:49:17Nessuno ricattarlo.
00:49:18Poverino.
00:49:19E chi lo ricatta?
00:49:20I'll meet you both when it's over.
00:49:22Huh?
00:49:23Don't bother.
00:49:24I'll just take a taxi home.
00:49:26I don't mind.
00:49:27I'll bet he's got a date.
00:49:29If I were you, darling, I would get suspicious about now.
00:49:32You're on my waiting list for an appointment.
00:49:35Ciao.
00:49:36I'll catch him in the dark.
00:49:37Yeah, it's so easy to have.
00:49:40You'll let me...
00:49:41Oh, what have we here?
00:49:43Hey, I think you've got something caught under your nose, Orlando.
00:49:46Is that a mustache?
00:49:48It's my first dash.
00:49:52There's no point in...
00:49:53in your making it so painfully blatant.
00:49:56When you kiss a woman, she must feel the mere hint of hair, not a rose garden.
00:50:00My lips are free, see, but your lips are denied completely their right to the joys of the sun.
00:50:06The pulp, it must be bare.
00:50:08Yes, sir.
00:50:09My wife says the same thing.
00:50:10I knew that heaven was so complicated and she's shaving it off.
00:50:15Yeah, yeah, yeah.
00:50:15Get rid of it.
00:50:16Shave it all off.
00:50:17It's better.
00:50:17Yes, sir.
00:50:18Thank you, sir.
00:50:20Another marriage saying.
00:50:24Giuseppe!
00:50:26Bien, est-o quoi?
00:50:27He's someone you should know.
00:50:31Born and raised in Catania.
00:50:33And one of the most famous fornicators in Europe.
00:50:36That was honed for many years in Paris.
00:50:39Montmartre, Spigal, the Latin Quarter.
00:50:41They named it the Latin Quarter because there you find the greatest Latin lovers of the world.
00:50:46And that's where they're noted for their bravura.
00:50:49And you can guess what that one's noted for.
00:50:52Sit down, Giuseppe.
00:50:54Enjoying this informal assembly of time wasters.
00:50:56Hello.
00:50:57Yeah.
00:50:57Now, you see, we are gathered here spontaneously to exchange perspectives, to talk of, uh...
00:51:04The femme.
00:51:05No, no, no, no, no, no.
00:51:06Actually, we aren't talking of women.
00:51:08Ah.
00:51:08No, it's psychology this time.
00:51:09Ah.
00:51:10Yes, the psychology of women.
00:51:11Very intriguing.
00:51:12Well, it is.
00:51:13You make love to one, and then afterwards she sees you in the street.
00:51:16You know, she never even notices you.
00:51:20Look, look.
00:51:21Oh, that woman.
00:51:23Oh, don't turn around.
00:51:23She'll know what I'm talking about.
00:51:24She had an attack the 24th time.
00:51:28What?
00:51:29The 24th time.
00:51:31Ah, Vincent.
00:51:32Nothing serious.
00:51:33A slight case of overstimulation.
00:51:34Now she passes without the slightest recognition.
00:51:38He, male, I hate thee.
00:51:42Shakespeare said it so well.
00:51:44Honorable villain, damned saint, insidious, perfidious.
00:51:48That one was for the sixth.
00:51:50A very improper remark.
00:51:51Someone could hear you.
00:51:53And take offense.
00:51:53Or worse.
00:51:56It may be offensive, but she's married to a very small man.
00:51:59Now, you see, risks are no problem for suave seducer.
00:52:03A man gets old when he doesn't want to take them.
00:52:05He laughs instead, who's lawing her death.
00:52:11Never is he.
00:52:13Giuseppe, you are being followed.
00:52:16No, no, don't turn around.
00:52:17It's Graciela.
00:52:19A cornucopia of child.
00:52:23Mediocrity is going to spoil that.
00:52:25Why?
00:52:25Because my friend, she'll end up married to a waiter.
00:52:30And listen, what is going on?
00:52:33Is she spying on you?
00:52:35Or is it the other way around?
00:52:37Excuse me.
00:52:40What did I say?
00:52:41Did I say anything?
00:52:43I didn't say anything at all.
00:52:52Giuseppe!
00:52:55I thought you decided to go to the concert.
00:53:04I never said I was.
00:53:05I was sure you would.
00:53:07I'm not going to stay out, because I've got a lot to study.
00:53:10You want me to take you home, don't you?
00:53:12Yes, but only as far as the door.
00:53:14See you later.
00:53:15Bye.
00:53:25Is that your boyfriend?
00:53:38Oh, nobody says that.
00:53:41How would you say?
00:53:42I see him sometimes, that's all.
00:53:44Is it just a friend or the one that...
00:53:46Yeah, that's the one.
00:53:47But I haven't known him for very long.
00:53:50Were you planning to come here together?
00:53:51He did ask, that's true, but I said no.
00:53:56I told him things weren't like they were before.
00:53:58Before what?
00:54:04Let's go up, do you want to?
00:54:08Hey, wait.
00:54:09Ciao, Mama.
00:54:11I was having ice cream with Bebe and we bumped into Giuseppe.
00:54:14Really?
00:54:15That was the problem.
00:54:16Beethoven.
00:54:16Beethoven.
00:54:16Mm.
00:54:21It's sad, how we get so lost.
00:54:32Go on.
00:54:35Because it's only by luck that you learn to love.
00:54:39You understand that, though.
00:54:44I'm lucky.
00:54:45Oh, the same.
00:54:47Knowing I could have missed that is frightening.
00:54:49I'm eating.
00:54:52You looked and you said, poor little ragdoll.
00:54:54And that was the first thing you said.
00:54:57And you might never have said it.
00:55:01I've forgotten.
00:55:04You have a good memory.
00:55:10Touch me, please.
00:55:11Let'sFC.
00:55:12You're killing me.
00:55:22All right.
00:55:25So.
00:55:29Oh.
00:56:42It's nothing.
00:56:44It was only a window.
00:56:48That's all.
00:56:50It was only a window, that's all.
00:56:53Your mother.
00:56:58Get out of this house.
00:56:59Catalina, let me explain.
00:57:02Nothing to blame. Get out of this house, I said.
00:57:05But nothing's happened.
00:57:07I don't know.
00:57:08I don't know.
00:57:09I don't know.
00:57:10I don't know.
00:57:11I don't know.
00:57:12I don't know.
00:57:13I don't know.
00:57:14I don't know.
00:57:15I don't know.
00:57:16I don't know.
00:57:17But nothing's happened.
00:57:19We haven't done what you think.
00:57:21Fine.
00:57:23Fine.
00:57:24Of course, it was all a game, just kid stuff.
00:57:26I mean, hell, if you did nothing, if you never took your pants down.
00:57:29Listen to me.
00:57:32I'm not trying to excuse myself.
00:57:34I only know I love you.
00:57:36And you and I have got to remain the same.
00:57:42But this is evil.
00:57:44What you've done is evil.
00:57:46But why?
00:57:49Why, Graciela?
00:57:52My God, what's happening to me?
00:57:55What's happening?
00:57:57You've done this to a child, my own blood.
00:58:00Yet that meant very little, I imagine.
00:58:02Oh God, how can I?
00:58:05I trusted you.
00:58:06All right, calm down.
00:58:08At least try it.
00:58:11We'll get nowhere if you go on like this.
00:58:13I offered to love you and it seemed right.
00:58:16All I, all I had.
00:58:19I didn't hold back.
00:58:21It was too much to keep inside.
00:58:24So much love for you.
00:58:26And yet I know it hasn't gone.
00:58:30Only it's confused so.
00:58:33With loathe in you and the sick feel of nausea.
00:58:35But I know it's here inside me.
00:58:39Because you can't expect love to go away in a second.
00:58:42It dies slowly.
00:58:43It takes a while.
00:58:48It takes a while.
00:58:50And when it dies.
00:58:52Whatever happens, I know.
00:58:54I'll feel only empty inside.
00:58:57Just empty dead.
00:58:59All right, I promise to go away from here.
00:59:01Just empty.
00:59:02But...
00:59:04Please, I beg you.
00:59:06Forgive me, Cassidy.
00:59:08You've got to forgive me.
00:59:10No, it's not that easy.
00:59:12No, that doesn't solve a thing.
00:59:14You can't get off that easy.
00:59:15My God, can't you keep it under control any longer?
00:59:18You bang it up there and you imagine everything's all right again?
00:59:21I love you just the same.
00:59:22You love an object, God damn it.
00:59:23You had the love of a woman, only it seems to have meant nothing.
00:59:27Meant nothing.
00:59:29It's all the same to you, isn't it?
00:59:31I'm only where you put it, whenever it gets cold, huh?
00:59:38Being in love for you is using that.
00:59:40Only you don't understand.
00:59:42Whatever the hell it's for, love doesn't mean that.
00:59:44No, my dear sir, get that into your head.
00:59:47No, that's not all there is.
00:59:49No.
00:59:51No, it's more.
00:59:53I thought you realized that you knew what it means.
00:59:56But...
00:59:58I couldn't have invented it all.
01:00:00You made a choice, so did I, because I needed you.
01:00:03I needed you.
01:00:05Oh, I...
01:00:07I know, of course.
01:00:09For the modern man, the word fidelity is out of use.
01:00:13But I trusted you entirely.
01:00:15And that's the one thing you ignored.
01:00:17You canceled everything.
01:00:19Just like that.
01:00:21But what's the use?
01:00:22When does it matter anymore?
01:00:23I'll get over this somehow.
01:00:25I'm old enough to take care of myself.
01:00:28But Gratella, no.
01:00:30Gratella, no.
01:00:33You see, I don't worry about me.
01:00:35But she...
01:00:36She's only a baby.
01:00:38She's got the right to be young a little while longer.
01:00:41You have to spoil that too.
01:00:43Another woman, that's easy.
01:00:44All right, I know, I understand.
01:00:47You took my daughter though.
01:00:48How am I to forget that?
01:00:49A mere child, can't you see that?
01:00:51Only a small child.
01:00:53I mean, is there a reason?
01:00:54That your body demands the body of a baby?
01:00:57Because it doesn't mean the same thing.
01:00:59They suffer inside.
01:01:01Their minds, their hearts are open.
01:01:03Do you know what that means?
01:01:05She doesn't know what these things are.
01:01:07She's incapable of that.
01:01:08She's incapable.
01:01:09That's enough.
01:01:10She's only a baby, can't you understand?
01:01:12There's time for her to learn.
01:01:13There's time for her to understand.
01:01:14There's time.
01:01:15There's time.
01:01:16There's time.
01:01:17There's time.
01:01:44There's time.
01:01:45There's time.
01:01:46There's time.
01:01:47There's time.
01:01:48There's time.
01:01:49There's time.
01:01:50There's time.
01:01:51There's time.
01:01:52There's time.
01:01:53Get dressed.
01:01:54You're going away.
01:01:56You don't want me to go to school?
01:01:57That's right.
01:01:58Not today.
01:01:59Where am I going?
01:02:01I'll stay with your aunt.
01:02:04At least until I find you a decent boarding school.
01:02:07I'm going to pee my pants.
01:02:11I'm not going away to any school.
01:02:15You're being nasty, that's all.
01:02:21I promise that I'll be good, Mama, but if I have to go away...
01:02:24Lela, I don't think you'll realize.
01:02:31I don't think you know what you've done, do you?
01:02:33I do.
01:02:34And I'm very sorry about it.
01:02:42I no longer feel I can count on this.
01:02:43Then you'll have to count on Giuseppe.
01:02:47Giuseppe has nothing to do with it.
01:02:49We're not speaking of Giuseppe.
01:02:50Giuseppe won't be coming back.
01:02:51You won't be seeing Giuseppe at all.
01:02:52Understand?
01:02:53You and I were talking about what happened last night.
01:02:55What you've done and what you've done to me.
01:02:57Do you have any idea?
01:02:59You're hurting me.
01:03:01Mama.
01:03:02Mama.
01:03:03Mama.
01:03:20That's it.
01:03:24Let's talk, huh?
01:03:25Let's talk a bit.
01:03:26Caziella, eu non voglio punirti.
01:03:35Non è questo che voglio.
01:03:39Ma quello che è successo è molto grave, sai?
01:03:44Molto grave.
01:03:45If there was your father...
01:03:52If there was my father, not there would be Giuseppe
01:03:56It's true, you're right
01:04:04I've wronged everything
01:04:07Everything
01:04:08But now I'll reparate
01:04:13Now I'll defend you, and I'll defend you
01:04:17A cost of suffering
01:04:20A cost of staying alone like a cat
01:04:24A cost of leaving you
01:04:27Giuseppe will not allow you to leave
01:04:30Giuseppe will not allow you to leave you
01:04:32Giuseppe will not allow you to leave you
01:04:43Non è vero, se tu mi farai delle cattiverie, lui mi difenderà
01:04:47Graziella
01:04:50Ho fame, posso farmi un caffè latte o no
01:04:54Graziella
01:04:58Lui non ti deve difendere da me
01:05:02Sarò io che ti difenderò da lui
01:05:04Mamma, perché non mi dici la verità?
01:05:09Ma cosa intendi per la verità?
01:05:15A me sembra che hai ragione essere arrabbiata con me e con Giuseppe per quello che abbiamo fatto
01:05:19Ma se adesso ti promettiamo di non farlo più
01:05:22Graziella, ascolta
01:05:34Ascolta, amore
01:05:35Io non sono arrabbiata
01:05:38Sono addolorata
01:05:40E non solo per quello che pensi tu
01:05:43Io
01:05:45Vedi, io devo ragionare per te
01:05:48Anche a costo di sembrarti cattiva
01:05:51Mamma, senti
01:05:53Io ti giuro che sono pentita
01:05:56Che non ti voglio più far soffrire
01:05:58Che
01:05:59Tutto può tornare come prima, mamma
01:06:03Cosa intendi dire come prima?
01:06:11Cioè...
01:06:11No, come prima
01:06:13Quando...
01:06:15Quando...
01:06:16Non era successo niente
01:06:18Nothing to remain but the memory
01:06:29No, it isn't as simple as that
01:06:35It happened, that's all
01:06:39We must accept it
01:06:40It's that simple
01:06:41No
01:06:42Not when there's suffering and agony
01:06:44I think he should come back here right away
01:06:49Come back here?
01:06:51What do you mean by that?
01:06:52Do you mean that he should stay here?
01:06:54I promise you nothing will happen
01:06:55Please don't make me leave here
01:06:58Or you wish you hadn't
01:06:59Touch with each other
01:07:01It's very easy to get letters to a friend
01:07:05We'll see each other
01:07:06You won't force me into anything
01:07:09Sending me away isn't going to help, mamma
01:07:13I thought you could be trusted alone again
01:07:16You can trust us
01:07:23I mean it
01:07:25I do
01:07:27I swear I do
01:07:28If you mean it
01:07:34If you mean it, darling
01:07:37Don't ever let me down
01:07:41E lui?
01:07:43E lui?
01:07:52E lui?
01:07:57Lui deciderà come vuole
01:07:59Vuoi un caffè?
01:08:03No
01:08:07No, grazie
01:08:10Graziella non è innamorata di me
01:08:14Era un gioco per lei
01:08:15E sono caduto in basso
01:08:17Ma sapendo quello che c'è stato fra di noi
01:08:19Credi veramente che questo abbia l'importanza che gli dai tu
01:08:21Un gioco
01:08:22Not to me
01:08:24It's no joke
01:08:25I only know that I'm in love with you
01:08:28You're everything to me
01:08:29But you're now suggesting something that is utterly stupid
01:08:31Stupid, stupid
01:08:32If we have to go on this way
01:08:34On Graziella's terms
01:08:35Then let's forget everything
01:08:36It's pointless
01:08:37It can only destroy you
01:08:38And destroy her
01:08:39And destroy me
01:08:40You're shouting, Giuseppe
01:08:41You ought to have seen your face just now
01:08:44But this is no solution
01:08:45To me it makes no sense, Caterina
01:08:47Fine, go ahead
01:08:48Let's talk of sense
01:08:49You've no more brains than a peacock
01:08:50Do you think I wanted this?
01:08:53Not at all
01:08:53I don't believe it at all
01:08:55But it'll be worse without you
01:08:57She'll suffer even more
01:08:59This I know
01:09:00This I know
01:09:02And so we just forget about us
01:09:04Is that it?
01:09:07Sure
01:09:07Each go his own way
01:09:08You can write the book
01:09:10We have nothing left anymore
01:09:11Don't be silly
01:09:15I know that Mama knows
01:09:16That I see you here
01:09:17I don't believe
01:09:18It's very true
01:09:19It's just that she realized
01:09:20What she'd rather not say
01:09:22I tell you
01:09:22She does know
01:09:23And I don't care
01:09:24Why don't you care?
01:09:30Because I feel my mother
01:09:31Is a perfect knucklehead
01:09:32You shouldn't talk like that
01:09:33Then you still love my mother?
01:09:36Yes
01:09:36Even more
01:09:37And me
01:09:39Do you love me more than her?
01:09:41It's not the same thing
01:09:42I decided
01:09:44I don't want you to love anyone else
01:09:46You gotta love only me
01:09:48Better wait till you know what it means
01:09:50You want me more than her?
01:09:51I don't know who doesn't care
01:09:53So
01:09:54So
01:09:54I don't know who that means
01:09:55You have to love
01:09:56You quit
01:09:56You have to love me
01:09:57Yeah
01:09:58Maybe you to love me
01:09:59You're never my mother
01:10:00I don't knowBOY
01:10:01You're bitter
01:10:02You hate to love you
01:10:02You цел
01:10:03But her nose
01:10:03You're not
01:10:04You're jednak
01:10:05You're a liar
01:10:05You'reerecht
01:10:06But her nose
01:10:07You're菲age
01:10:07You're not
01:10:08You're gonna love you
01:10:09You're ahead
01:10:09You're a Final
01:10:09You're ever
01:10:10You're Paul
01:10:10You're listening
01:10:12That ego
01:10:13You're辛uve
01:10:13How you might
01:10:14You're she
01:10:16You're 입니다
01:10:16You're
01:10:17You're saving
01:10:18You're in
01:10:19It was the time when the newspaper had invited me in Korea.
01:10:45It remained a year ago.
01:10:47But what I made of most interesting is a reportage in Africa
01:10:53On the Guinea
01:11:00You can also talk, no?
01:11:04How do you tell me what you did yesterday?
01:11:08It's all fun
01:11:09Unfortunately, everything has become more fun than being here
01:11:13And even if you enjoy it
01:11:15I don't say anything, I don't say anything in what she says
01:11:18Excuse me, Giuseppe
01:11:24I was serious, I was joking
01:11:28And we're going to the cinema, you want?
01:11:34No, I'm going to do it
01:11:36And you would be good if you study a little bit
01:11:38No, it's not possible to do the good of my dad
01:11:40Why don't you tell me that you're going to enjoy it?
01:11:44When you come back?
01:11:46We're going to do it
01:11:46We're going to do it
01:11:48Stupid
01:11:51No, I'm going to say, I understand that there's a tension
01:11:58But you know how it's Caterina
01:12:01And then, maybe you're right
01:12:04But it's not that Caterina
01:12:06Caterina si fidi molto di me per delle confessioni serie
01:12:09E io invece mi fido di lei, Luisa
01:12:11Ho bisogno di una cortesia
01:12:17Occorre che qualcuno che non sia io le parli
01:12:24Stia tranquillo, caro, che ci darà una mano
01:12:26Ecco
01:12:29Tra me e Caterina non può più andare avanti così
01:12:34Ah
01:12:35La situazione per me è diventata insostenibile
01:12:39Ma ormai non mi interessa più
01:12:40Bravo, così bisogna fare
01:12:42Fregarsene
01:12:44È che le cose si sono complicate
01:12:50Troppo
01:12:51E per quanto ci abbia pensato su, mi creda
01:12:56Non mi resta che chiudere
01:12:58Ma vede, Luisa
01:13:01Vede, è proprio questo che Caterina
01:13:05Se
01:13:06Si rifiuta di capire
01:13:09Lei pensa che non la ami più
01:13:10Ma benedetto Giuseppe
01:13:14Ma perché non se ne è rimasto a Parigi?
01:13:17In ogni modo io sono dalla sua parte
01:13:19A Caterina posso cercare di parlare io
01:13:22Ma
01:13:22A chi sa lei
01:13:25Chi è che l'ho fatto
01:13:26Senti Giuseppe, io non so niente
01:13:28Non ci capisco niente
01:13:29Non ci voglio capire niente
01:13:30E alla fine non me ne frega niente
01:13:32E non te ne deve fregare niente
01:13:33E poi scusa, non è bello
01:13:34Che devo sapere le cose dagli altri
01:13:36Lasciami in pace, eh
01:13:37I'm no prude, you know
01:13:38I mean debauchery
01:13:39Triangles, quadrangles, orgies
01:13:41I've done it all
01:13:41But you're playing with a baby
01:13:43With a child
01:13:44You're being lovage with them both
01:13:45It's immoral
01:13:46Immoral
01:13:47Absolutely wanton and depraved
01:13:49No, you listen
01:13:49I know what I've done
01:13:51You might not understand me
01:13:53But I didn't expect you to
01:13:54You don't have to
01:13:55Only please don't judge me either
01:13:56I will answer for what I did
01:13:58All your indignation is only worth this talk
01:14:00You and that playboy provincial morality
01:14:02You, you're joking
01:14:03Yes, I know
01:14:15I'm going out of my mind
01:14:18I tell you, I can't take it
01:14:19I know, of course, the simplest thing to do
01:14:22Is to go away
01:14:23I haven't got that kind of courage
01:14:25But what I frankly
01:14:27Haven't gotten into my head yet
01:14:28I, no matter how hard I try
01:14:30I can't understand how you
01:14:33For someone as innately intelligent as you
01:14:36How could you ever get entangled
01:14:38In the situation of this kind?
01:14:40I don't understand it either
01:14:41That's the whole point
01:14:42I find that after living
01:14:44As I've lived all these years
01:14:45I've probably lost all the good sense I had
01:14:48So by the time I realize
01:14:49That I let myself become a child's toy
01:14:51It's too late
01:14:52Graziella isn't going to suffer
01:14:54She was only play-acting anyway
01:14:56But I told you the truth
01:14:57I love Katarina
01:14:59I want her to believe me
01:15:01God
01:15:03I don't know what I'm doing
01:15:07Do you understand?
01:15:09I don't know what to do
01:15:10I hope you vide
01:15:19You can't...
01:15:20I see that I'll see...
01:15:21I think I'll see you
01:15:22You can't care
01:15:23That I'll see you
01:15:27You can't fight
01:15:28Up now
01:15:29I see that You're just
01:16:32I don't care what you do, but I will not see her in agony.
01:16:45Graciela, no, not her.
01:16:47I don't believe she is.
01:16:48She's a young girl after all.
01:16:50They suffer no more.
01:16:52Forget about this bit of dramatics.
01:16:54How do you know?
01:16:55They're not tough inside.
01:16:56They suffer and horribly.
01:16:58As a matter of fact, she's hardly a child anymore.
01:17:00Thanks.
01:17:00Thanks again.
01:17:01What do you want from me?
01:17:02Just to go on fighting?
01:17:03I want you to continue to see her.
01:17:05Call her and ask her if she's all right.
01:17:07Don't let her think you don't want to see her.
01:17:09Don't always neglect her.
01:17:10You're the one I miss.
01:17:14I don't want to talk about her.
01:17:16There's nothing more.
01:17:21What would you do with the pieces?
01:17:23A woman demoralized without the respect of her own child.
01:17:26I deserve it.
01:17:30I admit that.
01:17:32It's all your imagination.
01:17:33I'm certain of that.
01:17:34Why worry?
01:17:34I've lost her.
01:17:35But you're wrong to feel that.
01:17:37No, Giuseppe.
01:17:38Don't you think I know?
01:17:40I don't know how I'm going to regain it.
01:17:42But yet all this is proof to mean much more than that.
01:17:45I know no one's as guilty as I because I deluded myself.
01:17:48But you're wrong, wrong, wrong.
01:17:50You're not responsible.
01:17:50Not in any way.
01:17:52You're saying that isn't going to help me.
01:17:55Spare me your charitable manner.
01:17:57Why should you make my excuses?
01:18:01Listen, Giuseppe.
01:18:02I only ask you to do this.
01:18:04Be nice to Graziella.
01:18:06That's all.
01:18:06Be nice to her.
01:18:08You don't sacrifice anything.
01:18:09You owe her that much.
01:18:11Even if it's a lie.
01:18:12Don't let her feel you want to avoid her.
01:18:14You've got to make her feel that she matters to you.
01:18:16That she means something to you.
01:18:17Please.
01:18:18To me, that's useless, hopeless.
01:18:20To put an end to her, to be sure of the simplest way.
01:18:23Can't we be honest?
01:18:25God, how you talk.
01:18:27Could you explain yourself better?
01:18:30Oh, I see you're being honest because it suits you.
01:18:32It's got to end sometime.
01:18:33You ended it.
01:18:35I got my notice by messenger.
01:18:36You imagine by sending Louisa you can ease and soften my pain.
01:18:39That's amusing.
01:18:40And happily, we end the story.
01:18:43Well, it was nice.
01:18:44Pity it's ended.
01:18:45Bravo.
01:18:46Molto bravo.
01:18:47The man offers condolences a dozen roses and on he goes.
01:18:50Huh?
01:18:50So that's why we're here.
01:18:53You told me to meet you.
01:18:55But you didn't make that clear.
01:18:58I thought you came to talk about Graziella.
01:19:00Forgive me.
01:19:01I thought you had to do it.
01:19:02I thought you had to do it.
01:19:03There is a way to do it.
01:19:04We're here.
01:19:05Yeah!
01:19:35Catch you, Swim?
01:19:56Or are you waiting for Graciela?
01:20:01I feel more like reading.
01:20:03You're not afraid of me, are you?
01:20:06You're being funny.
01:20:08I wouldn't like to feel I'm boring.
01:20:13Where's Graciela?
01:20:15Miss Duarte.
01:20:17And if she sees the two of us alone?
01:20:19Why should it matter to Graciela if we're alone here?
01:20:22You and I know that.
01:20:24Yes, I know the whole thing.
01:20:26Why are you saying this? What are you hinting at?
01:20:29Watch now what you say, because I'm onto your game.
01:20:32Graciela tells me all.
01:20:35It's juicy, lurid fact.
01:20:38If you let me use your cabin, I might let you buy me ice cream and candy.
01:20:43I can't believe you will.
01:20:45Yeah!
01:20:46I love you!
01:20:47See you later.
01:20:48Hey!
01:20:49Hey!
01:20:50See you later!
01:20:51Hey!
01:20:52Hey!
01:20:53Hey!
01:20:54Hey!
01:20:56Hey!
01:20:57Hey!
01:20:58Hey!
01:21:00Hey!
01:21:01Hey!
01:21:02Hey, hey!
01:21:03Hey!
01:21:04Hey!
01:21:05Hey!
01:21:06Hey!
01:21:07Hey!
01:21:08Hey!
01:21:09You're gone bats, huh?
01:21:14Why didn't you tell me you were my friend?
01:21:15Giuseppe doesn't care about you.
01:21:16He can't.
01:21:17He doesn't mean anything to you.
01:21:19What did you do it for?
01:21:21I've been hoping to test this guy, but that can't affect you.
01:21:25He was fun, but thank you, a bit old-fashioned.
01:21:27Anyway, he was your mother's lover before, and you didn't seem to care about that.
01:21:30You don't know anything about it.
01:21:32Giuseppe loves me alone.
01:21:33Giuseppe loves me.
01:21:36He's mine.
01:21:39She really made a scene.
01:21:42Really belted it to Hong Kong.
01:21:44Giuseppe's mine.
01:21:45I don't want to hurt her anymore.
01:21:47Don't worry.
01:21:49She'll get over it.
01:21:51What do you care anyway?
01:21:52It's about time she grew up.
01:22:09I don't know.
01:22:27Graciela, Graciela, Graciela, what happened, what is it, why are you crying, tell me, come on, please tell me, what is it, tell me, I can't say anything, mama,
01:22:55what do you mean, try, come on, don't be afraid to tell me, I don't want to see you like this, please don't, don't cry, Graciela, she was there, I stood, from his house, who, Rosita,
01:23:21Rosita, I want him to love me and you hurt me, e neanche a me vuole bene, a te vuole bene, se l'ha detto, non devi più pensare a lui, e nemmeno io, dobbiamo dimenticarlo tutti e due,
01:23:43Ande, riprenditelo tu, calma di tesoro, tu sei grande, you're not going to treat me like that,
01:23:50don't, it's all right, no, don't cry,
01:24:03Cosas devo fa'r
01:24:10Cosas devo fa'r
01:24:10Cosas devo fa'r
01:24:20Justa sto mi
01:24:34I
01:25:04Passo un culino interi senza sonno
01:25:15E l'implicito io contemplarlo
01:25:23Le passo di la notte sino a giorno
01:25:31Il giorno non posso più dormire
01:25:39Pagino non aveva più s'apri il tuo cuore
01:25:47Sai quando io taglio alla sali
01:25:56Quando la vita mia finisce morire
01:26:04Sai quando io taglio alla sali
01:26:10Quando la vita mia finisce morire
01:26:18Quando la vita mia finisce morire
01:26:24Quando la vita mia finisce morire
01:26:28Quando la vita mia finisce morire
01:26:38Quando la vita mia finisce morire
01:26:46Quando la vita mia finisce morire
01:26:52Quando la vita mia finisce morire
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